Nia DaCosta Delivers a Worthy, Gonzo Follow-Up in ’28 Years Later: The Bone Temple’

Nia DaCosta Delivers a Worthy, Gonzo Follow-Up in ’28 Years Later: The Bone Temple’

By Alex McPherson Savage, heartfelt, and memorable, director Nia DaCosta’s “28 Years Later: The Bone Temple” carves its own gory yet defiantly hopeful path through... Details
Jennifer Lawrence is Outstanding in Harsh Character Study ‘Die My Love’

Jennifer Lawrence is Outstanding in Harsh Character Study ‘Die My Love’

By Alex McPherson An intensely gripping acting showcase for Jennifer Lawrence, director Lynne Ramsay’s “Die My Love” paints an existentially nightmarish picture of motherhood, conformity,... Details
Ensemble Astounds in Lanthimos’ Grim Doomscroll ‘Bugonia’

Ensemble Astounds in Lanthimos’ Grim Doomscroll ‘Bugonia’

By Alex McPherson A nail-biting exploration of the selfishness and deep-seated class enmity afflicting our doomed species, director Yorgos Lanthimos’ “Bugonia” grips from its opening... Details
Kathryn Bigelow’s Chilling ‘A House of Dynamite’ Is a Frightening Warning

Kathryn Bigelow’s Chilling ‘A House of Dynamite’ Is a Frightening Warning

By Alex McPherson A bleak and palm-sweating look at just how profoundly screwed we all are, director Kathryn Bigelow’s “A House of Dynamite” refuses to... Details
Benny Safdie Swings and Misses in ‘The Smashing Machine’

Benny Safdie Swings and Misses in ‘The Smashing Machine’

By Alex McPherson Plenty of punches are thrown but few connect in Benny Safdie’s solo directorial debut “The Smashing Machine,” an awards-hungry drama that sacrifices... Details
June Squibb And Erin Kellyman Excel In Scarlett Johansson’s Shaky Feature Debut ‘Eleanor the Great’

June Squibb And Erin Kellyman Excel In Scarlett Johansson’s Shaky Feature Debut ‘Eleanor the Great’

By Alex McPherson Even a top form June Squibb can’t quite save director Scarlett Johansson’s “Eleanor the Great,” a dramedy that can’t reconcile its disparate... Details
Sports Horror Film ‘Him’ Is a Half-Hearted Tackle

Sports Horror Film ‘Him’ Is a Half-Hearted Tackle

By Alex McPherson Alternately goofy and self-serious, director Justin Tipping’s “HIM” fumbles intriguing ideas and crash lands into a barren field of mediocrity. Executive produced... Details
Darren Aronofsky Takes a Detour in Hyperviolent ‘Caught Stealing’

Darren Aronofsky Takes a Detour in Hyperviolent ‘Caught Stealing’

By Alex McPherson As it descends further into chaos, director Darren Aronofsky’s crime thriller “Caught Stealing” becomes increasingly muddled; it’s a grimy, mean-spirited film that’s... Details
Ari Aster’s Latest ‘Eddington’ Is a Frenzied, Absorbing Nightmare

Ari Aster’s Latest ‘Eddington’ Is a Frenzied, Absorbing Nightmare

By Alex McPherson Supremely uncomfortable yet ever-watchable, director Ari Aster’s “Eddington” looks back at the chaos of 2020 with a savagely enjoyable microscope. Our story... Details
James Gunn Mostly Saves the Day in ‘Superman’ as Big-Hearted Comic Book Spectacle

James Gunn Mostly Saves the Day in ‘Superman’ as Big-Hearted Comic Book Spectacle

By Alex McPherson David Corenswet makes an excellent lead in James Gunn’s colorfully zany and overstuffed “Superman,” a film that marks an amusing, if largely... Details