Dateline: Aug. 18By Lynn Venhaus, Alex McPherson, C.B. Adams and Carl “The Intern” Middleman We are busy popping up around our region, and suspect you...
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By Alex McPherson Although initially coasting along at a remove and not possessing the urgency of his other recent work, director Spike Lee’s “Highest 2...
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By Lynn VenhausBehold! Honoring the men who went before, who blazed a trail with silly spoofs and non-stop nonsensical gag reels not seen in 31...
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By Alex McPherson Utterly mesmerizing, acclaimed director Albert Serra’s “Afternoons of Solitude” showcases beauty and bravery walking hand-in-hand with barbarism — forging a complicated portrait...
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By Alex McPherson Exploring sensitive subject matter with grace and humor, director Eva Victor’s “Sorry, Baby” vividly captures the aftermath of trauma while underlining human...
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By Alex McPherson Supremely uncomfortable yet ever-watchable, director Ari Aster’s “Eddington” looks back at the chaos of 2020 with a savagely enjoyable microscope. Our story...
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By Lynn Venhaus Self-indulgent claptrap, “Eddington” is an interminable contemporary western-dark comedy that writer-director Ari Aster can’t figure out how to end, nor has he...
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By Alex McPherson David Corenswet makes an excellent lead in James Gunn’s colorfully zany and overstuffed “Superman,” a film that marks an amusing, if largely...
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By Lynn Venhaus What superhero fatigue? With clear-eyed focus and a reverence for the comic book mythology, writer-director James Gunn has restored Superman to his...
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By Lynn Venhaus With nostalgic nods to “Jaws,” “Alien” and the 32-year-old peerless original, the thunderous roar of the dinosaurs returns in “Jurassic World: Rebirth,”...
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