Lynn Venhaus

Total Post: 1137

Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.  She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.  She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle. She is retired from teaching journalism/media as an adjunct college instructor.

‘The Vast of Night’ Smartly Builds Eerie Sci-Fi Suspense

‘The Vast of Night’ Smartly Builds Eerie Sci-Fi Suspense

By Lynn Venhaus

It is rare to find a low-budget independent film that is so assured, so confident in its fluid camera movements and spot-on production elements that it makes you believe in the thrilling possibility of movies. “The Vast of Night” is the most pleasant of surprises – a thoroughly satisfying genre film that gets many things right for 89 captivating minutes.

One fateful night in a sleepy town in New Mexico, a naive switchboard operator (Sierra McCormick) and cocky radio DJ (Jake Horowitz) begin to suspect some supernatural goings-on that may alter their future. Could it be a UFO? Commies? After all, it is the 1950s. They set out on a mission of discovery as some sort of invasion seems imminent.

In a brilliant film debut, director Andrew Patterson – whose day job included promotional video for the Oklahoma City Thunder NBA team – breaks through as a fresh, imaginative talent. It is not so much the plot, which is a standard UFO science fiction tale, but it is the way he builds an eerie tone and intriguing rhythms in this old-fashioned, well-worn story.

The first sign that we are in for a fun ride is framing it as an episode of “Paradox Theatre,” a Twilight Zone knockoff in glorious black-and-white, ‘50s-style. I can imagine sitting in my grandparents’ living room watching this on “Chiller Thriller” or at the drive-in.

Set in fictional Cayuga, N.M., in 1957, most townsfolk are packed inside the local high school gym for a big game with cross-valley rivals. ‘Big fish in a little pond’ DJ Everett “The Maverick” Sloane is setting up the reel-to-reel tape for recording the action and fast-talking with everyone, including 16-year-old Fay Crocker. Both techie nerds, they share a fascination with the future and what may be in store for mankind.

She must work her part-time job as a switchboard operator, so they walk to the town’s communication center, talking in an engaging style, reminiscent of Richard Linklater films. The tracking shot is a dazzling feat while snappy repartee ensues beneath the glow of streetlights.

Patterson’s slowly builds the suspense, aided by M.I. Littin Menz’s striking cinematography. Is this an instance where “good people go bad and smart people go mad,” Everett wonders.

With intelligence and wit, screenwriters James Montague and Craig W. Sanger have crafted interesting blocks of dialogue, establishing the characters’ personalities right away. The set-up is almost Altman-esque, the way everyone chatters about a squirrel biting through an electric chord that has wreaked havoc.

What kind of storm is brewing? The phones seem on the fritz with weird noises. People are reporting seeing “something in the sky.” That turns Everett and Fay into super-sleuths. They are determined to crack the mystery, and with the help of two call-in listeners to the radio station, they are certain an invasion of some sort is afoot.

By setting it in the 1950s, when everyone was nervous about the Russians and the Cold War, let alone post-atomic paranoia, that factors into an “Invasion of the Body Snatchers” and “The X-Files” vibe as well as a “Close Encounters of the Third Kind” feel.

The main duo, Sierra McCormick and Jake Horowitz convey a wholesome earnestness that is refreshing.

Bruce Davis, as an ex-military man describing secret government operations, is hypnotic during a fade-to-black monologue. So is an elderly shut-in, harboring a dark secret. Gail Cronauer imbues Mabel Blanche with a palpable sadness, as she is convinced that aliens abducted her child years ago but always dismissed if she brings it up. Those segments are reminiscent of old-timey radio plays.

After its Toronto international Film Festival debut last November, “The Vast of Night” was a runner-up to the people’s choice award. At Slamdance in 2019, it won the audience award for best narrative feature. The screenwriters were nominated for best first feature screenplay at the Independent Spirit Awards earlier this year.

With its critical raves and crowd-pleasing awards, “The Vast of Night” is now ready to be seen by the public.

“The Vast of Night,” directed by Andrew Patterson; starring Jake Horowitz, Sierra McCormick, Bruce Davis, Gail Cronauer.
Rated: PG-13 for brief strong language. Run time: 89 minutes. Lynn’s Grade: A
Available on Amazon Prime May 29

This review ran in the Webster-Kirkwood Times .

Sightlines Column: Why Are We Moving Backwards in This Country?

Sightlines Column: Why Are We Moving Backwards in This Country?

By Lynn Venhaus
Seven minutes. That’s how long officer Derek Chauvin had his knee on George Floyd’s windpipe, cutting his air off. Three other officers were right there. They allowed Floyd to die.

What a horrible death. You hear him plead for his life. Can you imagine Floyd’s terror, who in the video was cooperating with police? No resisting arrest, as a claim had made. He was handcuffed. Struggling to breathe. Saying “Please…please.” Watch the freakin’ video. (There is a newly surfaced video featuring another angle that shows the other three Officers doing nothing to help Floyd, noticing the camera.)

I am as outraged as anyone that this death occurred — needless, senseless, unbelievably sad and tragic. Sadly, it is just one more in an all-too familiar tale.

Why is Chauvin not charged yet? The other three are accessories. They should all face swift criminal charges.

We watched this video in horror. We watched a man murdered in real time. What if we didn’t have this video?

What if in NYC, Christian Cooper hadn’t videotaped Amy Cooper calling the cops on him with a bogus story — which I consider a hate crime, and I hope she is prosecuted as such. We haven’t come very far from “To Kill a Mockingbird” have we?

How many cases of people without a moral compass harming someone — showing their true character in flaunting white privilege or racism — that go on in this country unnoticed because no one hit the record button?

I can only imagine.

It’s hard to watch this much hate. How it consumes and eats at people, and why? Because they are different? Because you feel superior?

What does “Jews will not replace us” even mean? I don’t understand this need for dominance or supremacy.

I don’t understand why we’re moving backwards.

I naively believe in the power of communication. Of sitting down with people and learning about their circumstances, about why we are where we are, and what can we do to move forward? About how we need to view each other as people — as real individuals, human beings who share common goals and reach common ground.

I understand the anger and frustration in Minneapolis and across the country tonight (although I don’t understand destroying businesses that are part of a community). And yes, I don’t know what it’s like to be black in America. As a US citizen, I don’t like what I’m seeing, and I feel as helpless as everyone else does. How do we fix these problems?

Chauvin had 18 previous complaints in internal affairs. I can only assume Swain was not one of the good guys. He had gotten away with bad behavior before. The other department police officers, (example of the late ISP trooper Nick Hopkins who made it his mission to help people), who believe in protecting and serving the people without prejudice are now lumped in with the bad guys. Distrust and disrespect are at an all-time high.

We have a mess here.

Why are we moving backwards in race relations?

What can we do? We need to get behind reforms and action — but how will we do this?

The P&G commercial below won an Emmy a couple years ago. I showed it to my SIUE media class. We talked about its power, about its ability to affect change with awareness. But some of the students didn’t feel like things were going to change.

We shouldn’t doubt that justice will be served — shouldn’t it be a given, but no…we have seen injustice too many times.

We shouldn’t have people worry that when they go out the door they might not come home because of systemic bigotry.

This is 2020, not 1860 or 1930 or 1965. This is not something in the past. This is very much here and now. No wonder the pent-up anger and frustration is spilling out.

Is spilling out?

Watching this much hate shouldn’t be normal. Let’s not normalize any of this.

Sightlines is a personal viewpoint column on a variety of topics, not just showbiz. Opinions expressed are mine alone. — Lynn Venhaus

Metro Theater Company Launches 2-Play Digital Streaming Series, Virtual Summer Camps

Metro Theater Company Launches 2-Play Digital Streaming Series, Virtual Summer Camps

Metro Theater Company (MTC), St. Louis’s premiere professional theater for youth and families, has launched a two-play summer digital streaming series, including the 2019 world premiere of The Girl Who Swallowed a Cactus by Eric Coble (available May 27 – June 28) and the critically acclaimed 2016 production of And In This Corner… Cassius Clay by Idris Goodwin (available June 23 – July 26). 
Both productions, which were directed by MTC Artistic Director Julia Flood, will be available in a pay-what-you-can pay-per-view environment at metroplays.org, expanding the company’s artistic footprint into the living rooms of families in St. Louis and across the world as the St. Louis community adjusts to changes in public gatherings to prevent the spread of the coronavirus this summer. The streaming performances are presented in partnership with HEC Media, whose video production team captured and edited both productions.
Prior to this summer streaming series, both productions were part of a virtual international festival and conference hosted earlier in May by TYA-USA, the national service organization for theaters for youth and families, attended by over 1,200 theater and education professionals. 
Summer Streaming Productions
The Girl Who Swallowed a CactusMay 27 – June 28, 2020Streaming at metroplays.org/watchnowThe Girl Who Swallowed a Cactus originally toured to schools across the St. Louis region in September, October, and November 2019. During that school tour, it also received several public performances, in partnership with the Missouri History Museum, the Missouri Botanical Gardens, the Central Branch of the St. Louis Public Library, and Urban Chestnut’s Oktoberfest. The pay-per-view performance being streamed was captured at the Missouri History Museum. The one-person play is an imaginative tour de force for actress Jamie McKittrick as she shares the story of a group of friends who go on a wild adventure in the American Southwest after a well-dressed talking coyote steals an orange traffic cone from their junkyard summer fortress.

Cassius Clay. Photo by Victoria Lafferty

And In This Corner…Cassius ClayJune 23 – 26, 2020 Streaming at metroplays.org/watchnowAnd In This Corner…Cassius Clay tells the story of the young man who would become Muhammad Ali and his relationship with a white police officer who introduced him to boxing in Jim Crow-era Louisville. The play was a hit of the 2015-16 theater season and generated numerous accolades for Metro Theater Company, including the Network for Strong Communities’ prestigious Paulie Award for creating positive change through collaborative nonprofit partnerships. Led by Trigney Morgan as Cassius Clay between the ages of 11 and 20, the play was celebrated by the St. Louis American for its “authentic chemistry among the cast” and its potential to encourage audiences “to channel their inner champion and fight for what’s right.” The streaming production was filmed during the play’s original February 2016 run at the Missouri History Museum.
Additional Virtual Offerings
Virtual Summer CampsJune 8–26, July 6–10, July 27–August 7, 2020   Available at metroplays.org/summer-campsIn response to COVID-19, Metro Theater Company has shifted its popular summer camps to run as virtual camps this year. Virtual camps begin with three weeks of middle school camp (June 8 – 26), each exploring a different theme, from Reality TV to a murder mystery whodunnit to characters from literature. High school camp is offered July 6-10, and two one-week camps for Pre K through Grade 5 are offered July 27 – August 7. All camps include a combination of drama, dance, music, and creative discovery, including audition technique, stage combat, stage make up, and playwriting for older campers. Camps start at $100 per week for half-day Pre-K and Kindergarten students. Registration and detailed pricing is available at www.metroplays.org/summer-camps. 

COVID-19 Memory ProjectOngoingOnline at metroplays.org/memoryproject Metro Theater Company also continues its COVID-19 Memory Project, sourcing stories from the St. Louis community throughout the pandemic. Stories and experiences shared with MTC are being adapted into virtual theatrical performances. The first short performance of material from the COVID-19 Memory Project will be included in the May 31 Arts United STL benefit for the Regional Arts Commission. The first of several short “Zoom Plays” will follow, beginning in early July. 

About Metro Theater Company: Since 1973, Metro Theater Company has been creating productions that respect young people’s intelligence, tell compelling stories, stimulate curiosity and provoke thoughtful reflection. The Company has reached a total audience of more than two million and has a national reputation for excellence in the field of professional theater for young audiences. Metro Theater Company has received major honors and awards, both locally and nationally. The company is led by Artistic Director Julia Flood and Managing Director Joe Gfaller. For more information, visit http://metroplays.org. 

McKendree’s Hett Center Re-imagines its 2020-2021 Season

McKendree’s Hett Center Re-imagines its 2020-2021 Season

The Hettenhausen Center for the Arts (the Hett) at McKendree University will continue to connect its audiences to the arts in its 2020-2021 season, in some creative new ways if necessary.

The COVID-19 pandemic has posed unique challenges for scheduling, contracting and preparing to host events months in advance at the 488-seat auditorium, said Liz Crabtree, director of the Hett. Performances will be held on site if conditions are within the appropriate recovery phases of the governor’s Restore Illinois plan.

“We are reimagining our 2020-2021 season and remaining hopeful and flexible,” said Crabtree. “Performances could take place inside the auditorium, outside as a ‘concert in your car’ in the Hett parking lot like a drive-in movie, or virtually on-demand or live-streamed. I am committed to finding ways for us to connect with the arts.”

The Hett will adhere to state and local public health recommendations for events and will take appropriate precautions to protect audience members’ health and safety. Indoor seating capacity may be reduced to create more distance between individual seats, or pairs of adjacent seats, in order to minimize contact. The box office ticketing system may be adjusted accordingly, potentially making some seats unavailable.

A video preview, as well as ongoing updates, will be posted on theHett.com. Dates and times are subject to change. Friends of the Hett may purchase tickets starting on Aug. 3; the general public may do so beginning Aug. 13 at noon. Visit theHett.com or call 618-537-6863 (1-800-BEARCAT, ext. 6863) for tickets or more information. All events are open to the public. Prices will range from $5 for children to $38 for adults, with discounts for seniors and students.

Local and regional artists are the focus of the “Discovery Series” in 2020 and early 2021:

Aug. 29, 7:30 p.m.: Mr. Blue Sky, a recreation of the ultimate Electric Light Orchestra experience.

Oct. 1, 7:30 p.m.: The Traveling Salvation Show, an energetic Neil Diamond tribute.

Oct. 23, 7:30 p.m.: U.S. Air Force Starlifters play current and ’70s hits, rock, pop, jazz and country.

Nov. 10, 7: 30 p.m.: Old Salt Union, a progressive, high-energy Americana bluegrass-string band.

Dec. 6, 2 p.m.: Janet Evra gives bossa nova, samba and Latin a modern, indie twist.

Dec. 12, 7:30 p.m. and Dec. 13, 2 p.m.: U.S. Air Force Band of Mid-America in a joyful holiday season concert.

Dec. 16, 7:30 p.m.: Big Muddy Dance Company’s “Scrooge,” a contemporary dance satire on the classic tale of love and redemption.

Jan. 24, 2021, 7:30 p.m.: Dave Dickey Big Band performs jazz classics by Count Basie, Woody Herman, Stan Kenton, Buddy Rich and Duke Ellington.

“Discovery Series” performers may also include country singer Alexandra Kay, Randy Holmes, The Wee Heavies and The Brothers Jefferson. Check theHett.com for updates.

“McKendree Presents,” a series of national and international touring acts, will resume in 2021:

Annie Sellick, Nashville jazz vocalist, known for her pleasing, expressive voice.

Pat Hazell’s “Permanent Record” dives into the former “Seinfeld” writer’s personal records to confront his past, present and potential future with humor.

Beauty Slap combines funky, bold, big-band brass with electronic dance music grooves.

Leonid & Friends, an 11-piece band from Moscow, captures the spirit and musicality of jazz-rock super group Chicago.

The ReMINDers mixes soulful vocals and reggae-tinged hip-hop beats with inspiring messages.

Schoolhouse Rock Live! The hit cartoon is brought to life, updated for a new generation with a rock ’n roll feel.

Women in Jazz celebrates the legendary Bessie Smith, Billie Holiday and Nina Simone.

Goitse, an energetic, award-winning Irish quintet plays traditional and original tunes.

Carpe Diem String Quartet, an indie chamber ensemble with a repertoire of classical, Gypsy, tango, folk, pop, rock and jazz.

Pilobolus, dancers whose speed, accuracy and strength breaks barriers between disciplines.

ETHEL + Robert Mirabal: The River, a collaboration of music, narrative and ritual by an adventurous New York string quartet, a Native American artist and the Cahokia Mounds State Historic Site.

The McCammon Distinguished Speaker Series will host two Nat Geo Live!speakers, Dr. Zoltan Takacs, a snake venom scientist; and Bertie Gregory, a wildlife photographer. Ishmael Beah, a former child soldier and human rights activist, and the idea lab, a TED Talk-style evening of speakers, will return next spring.

The Hett’s free Film Art Series will present “Booksmart,” Sept. 22; “The Night of the Hunter,” Oct. 12; “Scotland, Pa.,” Nov. 12; “Spider-man,” Feb. 11, 2021; “The Last Black Man in San Francisco,” Feb. 23; and “The Anthropocene,” Apr. 22.

The “McKendree University Series” proudly presents talented students from the Division of Visual and Performing Arts throughout the year.

-McK-

The Russel E. and Fern M. Hettenhausen Center for the Arts—“The Hett”—is Southern Illinois’ premier performing arts venue, presenting world class dance, drama, classical music and jazz. The 488-seat auditorium is located on the McKendree University campus in Lebanon, Ill., 25 miles from downtown St. Louis.

‘Military Wives’ Honors Unsung Heroes

‘Military Wives’ Honors Unsung Heroes

By Lynn Venhaus
With humor and heart, “Military Wives” spotlights the unsung heroines during wartime – the spouses who keep it together at home.

While their partners are away serving in Afghanistan, a group of British women on the home front form a choir and quickly find themselves at the center of a media sensation and global movement. They were the first of 75 military wives’ choirs across the UK and overseas.

Based on a true story and inspired by a 2011 BBC reality television series, this film tells about a band of misfit women who form a choir. First, it’s for something to do on a military base while their husband have a tour of duty in Afghanistan. But then it takes on bigger meaning.

Directed by Peter Cattaneo, who is responsible for the crowd-pleaser “The Full Monty” two decades ago, it is purely formula. But that’s OK. In movies like this, you must highlight certain people and their conflicts – inner turmoil and out-in-the-open challenges. It’s predictable but in spite of itself, one still enjoys this journey.

The women will bond, laugh, tell intimate stories and flourish through music. This helps ease their stress and fears for their loved ones in combat. While much of it is fun, it is not all light – and that’s understandable.

Leading the cast is Kristin Scott Thomas as a colonel’s uptight wife, so Kate is in charge but she’s not likable – controlled and judgmental. She is also dealing with enormous grief.

A sergeant’s wife, who couldn’t be more different, is supposed to be given more to do, but Lisa and Kate clash. Lisa is played by Sharon Horgan, of Amazon Prime’s hilarious “Catastrophe.” She and Kate must work through several issues before they can work in harmony.

The women are asked to perform at the Royal Albert Hall in London for “A Day of Remembrance.” It will be televised. Their stage fright ramps up.

There is nothing easy about their journey, but it’s realistic, as written by Rosanne Flynn and Rachel Tunnard, and their bonds feel authentic.

The music score is interesting, too, particularly with the pop song choices from the ‘80s and ‘90s.

A pleasant diversion, “Military Wives” lovingly tells their poignant stories at a time we are open to hear them.

“Military Wives” is a comedy-drama directed by Peter Cattaneo and starring, Kristen Scott Thomas and Sharon Horgan. It is rated PG-13 for some strong language and sexual references. Run time is: 1 hr. 52 min. Lynn’s Grade: B. This movie was released on Hulu.

A version of this review appeared in the Webster-Kirkwood Times.

ERA’s ‘Moscow!’ on Zoom May 21-23, 28-30

ERA’s ‘Moscow!’ on Zoom May 21-23, 28-30

ERA’s Moscow! is a drinking-game version of Anton Chekhov’s play Three Sisters.

Join the Prozorov sisters, and their comrades, in existential crisis – it’s all the fashion these days. May 21-23, 28-30, with Thursdays and Fridays at 8 p.m. CST | Saturdays at 1 pm CST Performances are entirely virtual via Zoom. Pay-what-you-can to reserve your spot and get the link https://www.artful.ly/era

Olga, Irina, and Masha are sisters living in an insignificant town in Russia. They spend a lot of time talking about how all they really want to do is go back to Moscow, where everything is better. The town’s people come and go through the sisters’ house, which they own with their brother, Andrey. Everyone is so emotionally erratic – is it because they’re Russian? Perhaps it’s because they’re drunk. Three Sisters examines the frivolity of privileged life; Moscow! intensifies it with live music, dancing, and vodka. 

Due to the COVID-19 pandemic, ERA will live-stream its performances of Moscow! and all artists will perform from the safety of their respective isolated locations. Because of the significant change in format, ERA will not charge money for patrons to view the live-streamed performance but asks that those who are capable of making a tax-deductible donation to the company consider giving an amount appropriate to their resources. Free tickets can be ‘purchased’ at our online box office (https://www.artful.ly/era). Purchasing free tickets does NOT require credit card info and exists to deter Zoom bombers. Also, each performance has a limited viewer capacity. 

Visit ERA’s website or social media pages for more information. 

About ERA: 

ERA is an independent, experimental theatre company based in St. Louis, MO. We believe theatre is a collaborative, multidisciplinary, live art. ERA’s mission is to use these elements inherent to theatre’s identity to expand the possibilities for what theatre can be. We root ourselves in the belief that all theatre arts are equal and that innovation stems from experimentation. 

Box Office: https://www.artful.ly/era Website: https://www.eratheatre.org/ Facebook: https://www.facebook.com/eratheatrestl Instagram: @eratheatre Twitter: @ERAtheatre Donation: https://www.artful.ly/era/store/donate 

Moscow! Performing Artists 

Will Bonfiglio…………………Andrei Sergeyevich Prozorov (Andrey)
Lucy Cashion………………..Anfisa 

Maggie Conroy………………Natalia Ivanovna (Natasha)

Carson Cosper………………Irina, Olga, Masha, Natasha, Anfisa (understudy)
Mitch Eagles…………………Baron Nikolaj Lvovich Tuzenbach

Jakob Hultén…………….…..Staff Captain Vassily Vasilyevich Solyony

Ryan Lawson-Maeske……..Aleksandr Ignatyevich Vershinin

Carl Overly, Jr………………..Ivan Romanovich Chebutykin

Alicen Moser…………………Irina Sergeyevna Prozorova

Gabe Taylor…………….……Fyodor Ilyich Kulygin

Joe Taylor……………….…..Ferapont
Rachel Tibbetts……………..Marya Sergeyevna Kulygina (Masha)

Ellie Schwetye………….…..Olga Sergeyevna Prozorova (Olga)


Production Team 

Will Bonfiglio: Producer & House Manager Lucy Cashion: Director, Designer, & Producer Carson Cosper: Production Assistant Miranda Jagels Félix: Stage Manager Emma Hersom: Assistant Stage Manager Keating: Producer, Marketing & Communications Spencer Lawton: Production Assistant Joe Taylor: Music Director & Arranger Gabe Taylor: Production Manager Marcy Wiegert: Costume Designer 


Cinema St. Louis Announces Move to Virtual Festivals in 2020

Cinema St. Louis Announces Move to Virtual Festivals in 2020

Because of the ongoing world health crisis, Cinema St. Louis (CSL) will move all of the organization’s 2020 film festivals and events online. This includes CSL’s signature event in November, the 29th Annual Whitaker St. Louis International Film Festival.

When the Covid-19 pandemic began, CSL originally moved its spring events to summer with the hope that the virus would have abated and in-person theatrical screenings could resume in some form. Even though the U.S. has begun to loosen restrictions on some activities, it has become clear to CSL that holding traditional film festivals would be impossible. To protect the health and safety of our patrons and volunteers, and to ensure that the organization can deliver the highest-quality festival experience possible, CSL has decided that a virtual approach to our events is the prudent and most responsible course of action.

CSL will be partnering with Eventive (watch.eventive.org) to present its festivals online. In a few instances, films will only be available at a specific time and date, but patrons will be able to stream the majority of films, shorts programs, and special events at any time during the run of a festival, similar to the video-on-demand approach of cable services and such platforms as Amazon Prime, YouTube, or Vudu. Once a program is started, viewers will have 24 hours to watch the stream. Programs can be paused, rewound, and fast-forwarded. Films will be accessible on most computers and tablets, and on televisions via services such as Roku or Chromecast. Full information will be available on the CSL website as festivals are announced. 

Patrons will be able to purchase individual films — $10 general, $8 for CSL members, students, and ARTS Card holders — but passes will also be available for the various festivals. CSL remains committed to making its events as accessible as possible, so select programs will continue to be offered for free.

To retain as much of the festival experience as possible, many of the films will feature accompanying conversations with filmmakers, documentary subjects, critics, academics, or experts on the subjects addressed in a film. Most conversations will be recorded, but live Q&As, master classes, and seminars will also occur. In addition, recordings of all such conversations and events will be available for free on the CSL website.

The following CSL festivals will be offered online:

  • QFest St. Louis: CSL’s annual LGBTQ-focused festival will now take place virtually from June 19-28.
  • St. Louis Filmmakers Showcase: The event will take place virtually from July 10-19.
  • Classic French Film Festival: Because films in this event are older works, many of the originally scheduled programs were unavailable for online presentation, but a smaller-scale virtual fest will include three of the selected films — “India Song,” “Olivia,” and “Rider on the Rain” — from July 17-23. Experts will still offer recorded intros, and CSL will record Q&As with the presenters that will play after the films.
  • St. Louis International Film Festival: CSL’s premier event will take place virtually in November, with specific dates to be announced. Originally scheduled to take place Nov. 5-15, SLIFF will likely increase the length of its run by several days.

Three CSL co-presentations are still in flux, and announcements will be made when CSL’s partners make decisions on how to proceed:

  • St. Louis Science Fiction and Fantasy Short Film Festival: CSL is a co-presenter of this event with the Saint Louis Science Center. The fest was originally scheduled for May 1. The Science Center hopes to reschedule the event for later in the summer, but a virtual presentation remains an option.
  • SLIFF Best of Shorts: CSL is co-presenter of this event — a selection of the best shorts from the 2019 SLIFF at the Public Media Commons — with St. Louis Public Radio. The event was originally scheduled for June. St. Louis Public Radio hopes to reschedule the event for later in the summer, but a virtual presentation remains an option.
  • Filmmaking Camps: CSL partners with local libraries and schools to present free filmmaking camps. Because these events are not able to be presented virtually, many of the camps have already been cancelled, including all St. Louis Public Library camps. The Community School and the University City Library have cancelled camps through June, but the possibility of camps later in the summer remains open at present.

Finally, here are updates on two other CSL events in 2020:

  • I Love Movies Trivia Night: This fundraiser, originally scheduled for June 5, will now be held online in a new format. Details will be announced soon.
  • Golden Anniversaries: Films of 1970: The six-film fest is currently slated for Aug. 22-23, Aug. 29-30, and Sept. 5-6 at the St. Louis Public Library’s Central Library. If the library is not able to hold public events during these dates, the screenings will be cancelled, but CSL will hold Zoom conversations on the scheduled films in a format similar to CSL’s Movie Club, with people watching the films on their own but gathering virtually to discuss them
Some of the movies that played at the 29th annual St Louis International Film Festival. Photo from Cinema St Louis

The Black Rep Moves ‘Bubbling Brown Sugar’ to Next Season

The Black Rep Moves ‘Bubbling Brown Sugar’ to Next Season

The Black Rep announces a shift in the schedule of its 44th season. Bubbling Brown Sugar, which would have opened the 44th season at The Edison Theatre in September,  will move into Season 45. Producing Director, Ron Himes explains,“We were looking forward to opening with BUBBLING BROWN SUGAR but we’re not sure what the world post Covid will be. But, we know things will not be business as usual.”

The company’s annual gala scheduled for November 14, 2020 will occur as a virtual event that promises a wonderful evening filled with performances, testimonials, celebrity appearances and award presentations. There will be opportunities for the community to support the work of The Black Rep during this live stream event.

Information regarding the remainder of Season 44 will be forthcoming as we continue to monitor the guidelines and recommendations of the CDC and the county government.

“Due to the impact of Covid 19 on our community and the uncertainty of when it will be safe for our staff to return to work, our artists to the stage, and most importantly when our audiences will feel safe enough to return to the theatre we have decided to postpone the beginning of our regular season”, said Board President, Jonathan Smith.

For information visit theblackrep.org or call 314-534-3807.

‘The Trip to Greece’ Brings Together Old Friends, Comedy and Tragedy

‘The Trip to Greece’ Brings Together Old Friends, Comedy and Tragedy

By Lynn Venhaus

Over the past decade, actor-comedian Steve Coogan and his best friend, actor-comedian Rob Brydon, have taken us on excursions that showcase scenic countrysides, stunning panoramic vistas, exquisite meals and luxurious comfort in northern England, Italy, Spain and Greece.

For their fourth movie in “The Trip” series, the bickering buddies travel from Troy to Ithaca following in the footsteps of the Odysseus.

They only have six days but manage to hit The Temple of Apollo at Delphi, the Ancient Agora of Athens, the Ancient Theatre of Epidaurus, the unique island of Hydra, the Caves of Diros, Nestor’s Palace, Kiokastro Fortress in Pylos and Ancient Stagira, as well as destination restaurants and luxury hotels.:

While the locales are breathtaking, what makes this more than a fancy travelogue is the witty showbiz banter. The scripts are largely improvised and while they are playing heightened versions of themselves, the film is fiction. Therefore, the family stories aren’t real – but seem authentic.

The erudite pair dispense nuggets of facts about their whereabouts while they show off their wit. Experts at impressions, the pair try to one-up each other as they mimic famous celebrities. Their riff on Dustin Hoffman movies is impressive.

They also argue, with topics sparked by being at the cradle of drama, democracy and views of the country’s ancient history. The observational humor is what I most look forward to, whether they are quipping while driving or breaking bread.

Both men gained prominence for characters created on BBC television shows, and this series started on television. Coogan has more well-known film roles, usually playing jerks or clueless blowhards, and co-wrote the Oscar-nominated “Philomena.” But even if you are not familiar with their work, or the other films in this series, that does not detract from this movie.

This time, however, their personal odyssey has both tragedy and comedy, some genuine pathos.

Nevertheless, it’s another enjoyable romp. They had me at the azure Aegean Sea.

A version of this film appeared in the Webster-Kirkwood Times online. “The Trip to Greece” comedy-drama is not rated. Directed by Michael Winterbottom, it stars Steve Coogan and Rob Brydon. Runtime is: 1 hr. 43 min. Lynn’s Grade: B+. Now available on Video on Demand


Arts For Life Shifts Theatre Mask Awards to Virtual Ceremony in July

Arts For Life Shifts Theatre Mask Awards to Virtual Ceremony in July

Arts For Life’s fifth annual Theatre Mask Awards will now take place in cyberspace on Saturday, July 18, rather than during a brunch at The Atrium banquet center at Christian Hospital.

This year’s event has been cancelled and reimagined because of the current coronavirus public health situation and gathering restrictions in St. Louis County.

The 2020 Theatre Mask Awards, honoring excellence in community theatre productions of dramas and comedies during 2019, will premiere at 11 a.m. as a live interactive viewing event on the AFL Facebook page, but the awards show will have been pre-recorded.

In addition to the TMA Facebook Watch Party, the video will be on the AFL YouTube channel as a live event and then will remain for later viewings. Please subscribe so you can get a reminder of the event.

TMA will announce winners in 18 non-musical play categories. Eleven community theater companies participate in the TMAs.

Since mid-March, the COVID-19 pandemic has affected the entire St. Louis Metropolitan region. With the need to maintain social distancing and to wear face coverings to lessen community spread, as well as the fact that all AFL performance venues remain closed at this time, the TMA Steering Committee made the difficult decision to cancel the annual TMA gathering and transition to a streamed format .

AFL had previously announced the switch to virtual for the Best Performance Awards, which honors musical theater and youth productions. That ceremony will be streamed Sunday, June 14, at 2 p.m. on the AFL YouTube channel. The TMAs, originally set for April 4, had been moved earlier to July 18.

Uncertainty about when large groups can safely gather in St. Louis County is another factor.

AFL President Mary McCreight emphasizes that the AFL board will continue to base their decisions upon the best information currently available in this rapidly evolving situation and will continue to share information promptly and transparently, mindful of the need for our community to receive timely updates.

“While we are disappointed that we cannot produce the regular in-person ceremony that so many people look forward to attending, we hope that moving to a stream-based format will still provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

The Theatre Guild of Webster Groves led all St. Louis- southwest Illinois metropolitan area community theaters with 27 nominations.

The TGWG produces five plays a season and received nominations for five of its shows during the 2018-2019 and 2019-2020 seasons: “One Flew Over the Cuckoo’s Nest” (10), “The Bad Seed” (5), “Over the Tavern” (5), “The Musical Comedy Murders of 1940” (4) and “Dial ‘M’ for Murder” (3).

Clayton Community Theatre notched 24 nominations — “Biloxi Blues” (13), “A Soldier’s Play” (10) and “Eurydice” (1). CCT also broke a record for having the most acting nominations from a single show – 8 for “Biloxi Blues.”

To see a complete list of the nominees, visit the website: www.artsforlife.org

McCreight had previously suspended all public activities of the AFL organization, effective March 16 until at least May 1, and then the board extended suspension of the Theatre Recognition Guild judging activities, for the BPA branch (musicals), through July 31.

However, some TMA-eligible productions may open earlier if conditions permit. TMA branch judges and participating groups should be alert for announcements regarding future developments.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” the president added.

For those who have purchased TMA tickets, AFL will contact you about refund options and how your money can be returned. Instead of receiving a refund you might also consider treating the purchase amount as a tax-deductible donation to AFL.

Any company that wins can pick up their trophies on July 19 at 1 p.m. in the parking lot of Clayton Community Theatre.

“We’d like them to send one representative to collect everything and then disperse to the winners,” said TMA/AFL board member Melissa Boyer.

McCreight said AFL appreciates the support shown during these difficult times.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

“We hope that you and your loved ones stay safe during this difficult time,” McCreight said. “Because of your commitment to our community and belief in our mission, my optimism is not diminished about AFL being able to move forward once this unprecedented time passes.” 

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

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