OTSL’s ‘A Streetcar Named Desire’ Matches Tennessee Williams Note for Note

OTSL’s ‘A Streetcar Named Desire’ Matches Tennessee Williams Note for Note

Patricia Racette's production finds operatic scale, emotional truth and remarkable balance in Williams's enduring tragedy. By CB Adams Andrew Boyce's scenic design announces Opera Theatre... Details
Voices and Visual Elegance Carry OTSL’s ‘The Light in the Piazza’

Voices and Visual Elegance Carry OTSL’s ‘The Light in the Piazza’

by CB Adams Opera Theatre of Saint Louis’ production of “The Light in the Piazza” consistently achieves the atmosphere of operatic emotional depth, even if... Details
Opera Theatre of St Louis’ ‘A Midsummer Night’s Dream Is an Enchanted Forest of Voice, Vision and Theatrical Alchemy

Opera Theatre of St Louis’ ‘A Midsummer Night’s Dream Is an Enchanted Forest of Voice, Vision and Theatrical Alchemy

By CB Adams In Opera Theatre of Saint Louis’ shimmering new production of Benjamin Britten’s "A Midsummer Night’s Dream," the familiar Shakespearean tale is reborn... Details
The Art of Reinvention: ‘Don Pasquale’ Returns to OTSL with Wit and Warmth

The Art of Reinvention: ‘Don Pasquale’ Returns to OTSL with Wit and Warmth

By CB Adams Opera Theatre of Saint Louis has always balanced reverence for tradition with a bold embrace of innovation, and its 50th anniversary season... Details
Opera Theatre’s Premiere of “This House” Delivers Haunting Beauty but Falters Under Narrative Sprawl

Opera Theatre’s Premiere of “This House” Delivers Haunting Beauty but Falters Under Narrative Sprawl

By CB Adams Set in Harlem’s iconic Sugar Hill—once home to luminaries like W.E.B. Du Bois, Thurgood Marshall and Duke Ellington—"This House,” the new, commissioned... Details
Scene-Stealers in Satin: OTSL’s “Die Fledermaus” Pops a Cork in 1960s Manhattan – And To Its 50th Season

Scene-Stealers in Satin: OTSL’s “Die Fledermaus” Pops a Cork in 1960s Manhattan – And To Its 50th Season

By CB Adams “Die Fledermaus” is a sparkling comedy of mistaken identities, romantic mischief and champagne-fueled revenge. In Opera Theatre of Saint Louis’s new production,... Details
Opera Theatre of Saint Louis’ 2025 New Works Collective: Innovation, Inclusion, and the Future of Opera

Opera Theatre of Saint Louis’ 2025 New Works Collective: Innovation, Inclusion, and the Future of Opera

By CB Adams To discuss Opera Theatre of Saint Louis’ New Works Collective in 2025 is to engage with a program that is, at once,... Details
Opera Theatre’s ‘Galileo Galilei’ Mixes Brilliance With Bafflement

Opera Theatre’s ‘Galileo Galilei’ Mixes Brilliance With Bafflement

By CB Adams I won’t bury the lede: I wanted to like Opera Theatre of St. Louis’ production of “Galileo Galilei” more than I did.... Details
Opera Theatre Renders A Beautifully Heartfelt ‘La Boheme’

Opera Theatre Renders A Beautifully Heartfelt ‘La Boheme’

By CB Adams I shouldn’t admit this, but during the intermission at opening night of Opera Theatre of St. Louis’ production of “La Bohème,” I... Details
Opera Theatre’s ‘Barber of Seville’ Dazzles With Spirited Melodies and Comedic Brilliance

Opera Theatre’s ‘Barber of Seville’ Dazzles With Spirited Melodies and Comedic Brilliance

By CB Adams The poppy, exuberant experience of Opera Theatre of St. Louis’s production of “The Barber of Seville” begins well before the opening notes... Details