IFC Films is proud to announce, “The Indie Theater Revival Project,” an initiative to support its theater partners as they reopen for audiences in the coming weeks and months. The company has put together 20 curated retrospective programs, which include approximately 200 films spanning IFC Films’ 20-year history and will make them available to cinemas across the US, starting May 29. No film rental will be due for these special engagements. A selection of the programs will also be presented at IFC Center, IFC Films’ cinema in New York City, when it reopens.
“The Indie Theater Revival Project” allows theaters to book any number of the retrospective programs, in part or in total, any time through the first month after a theater reopens. Theaters can sign up for the project and get more information at www.ifcfilms.com/films/indie-theater-revival-project.
“Independent theaters across the country have been essential partners for us at IFC Films, and we would not be where we are today without their support,” the company announced in a statement. “We wanted to take the first step and let theaters know that we are committed to helping them reopen their doors by providing a selection of films to program while the new release landscape gets back to normal.”
The 20 retrospective programs available in “The Indie Theater Revival Project” include “Yes We Cannes!” (award-winners from the Cannes Film Festival, including 4 MONTHS, 3 WEEKS, 2 DAYS and THE WIND THAT SHAKES THE BARLEY); “Discover Together” (a slate of family-friendly documentaries including CAVE OF FORGOTTEN DREAMS and PICK OF THE LITTER); portraits of the famous and infamous (from Joan Rivers to Elaine Stritch to Che Guevara and beyond); outrageous genre favorites (including THE BABADOOK, ANTICHRIST, and THE HUMAN CENTIPEDE); and IFC Films’ greatest hits. A preliminary lineup is available at www.ifcfilms.com/films/indie-theater-revival-project; a complete list of the programs will be announced in the coming weeks.
The first three retrospective programs to be announced are:
Boyhood
Greatest Hits: Indie Blockbusters from IFC Films
BOYHOOD (Richard Linklater, 2014) Y TU MAMA TAMBIEN (Alfonso Cuaron, 2002) THE DEATH OF STALIN (Armando Iannucci, 2018) CAVE OF FORGOTTEN DREAMS (Werner Herzog, 2011) TOUCHING THE VOID (Kevin Macdonald, 2004) 45 YEARS (Andrew Haigh, 2015) FRANCES HA (Noah Baumbach, 2013) BUCK (Cindy Meehl, 2011) ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005) THE MAN WHO KNEW INFINITY (Matt Brown, 2015) PHOENIX (Christian Petzold, 2014) BLUE IS THE WARMEST COLOR (Abdellatif Kechiche, 2013)
The Kid with a Bike
Yes We Cannes! – A selection of 15 IFC Films releases that have won major prizes at the Cannes Film Festival
Palme d’or (Best Film) winners: I, DANIEL BLAKE (Ken Loach, 2016) DHEEPAN (Jacques Audiard, 2015) BLUE IS THE WARMEST COLOR (Abdellatif Kechiche, 2013) 4 MONTHS, 3 WEEKS AND 2 DAYS (Cristian Mungiu, 2007) THE WIND THAT SHAKES THE BARLEY (Ken Loach, 2006)
Camera d’or (Best First Film) winners: ME AND YOU AND EVERYONE WE KNOW (Miranda July, 2005) HUNGER (Steve McQueen, 2008)
Grand Prix (Second place award) winners: GOMORRAH (Matteo Garrone, 2008) THE KID WITH A BIKE (Dardennes Brothers, 2011)
Jury Prize: FISH TANK (Andrea Arnold, 2009) LIKE FATHER LIKE SON (Hirokazu Kore-Eda, 2013)
Best Director: PERSONAL SHOPPER (Olivier Assayas, 2016)
Best Actress – Charlotte Gainsbourg: ANTICHRIST (Lars von Trier, 2009)
Best Actress – Juliette Binoche: CERTIFIED COPY (Abbas Kiarostami, 2010)
Best Actor – Benicio Del Toro: CHE (Steven Soderbergh, 2008)
Cold in July
Cult Icons – What makes a cult icon? Only the audience can decide. Explore 10 cult hits from IFC Films.
THE AUTOPSY OF JANE DOE (André Øvredal, 2016) THE BABADOOK (Jennifer Kent, 2014) COLD IN JULY (Jim Mickle, 2014) DEPRAVED (Larry Fessenden, 2019) FOLLOWING (Christopher Nolan, 1998) THE HOUSE THAT JACK BUILT (Lars Von Trier, 2018) THE HUMAN CENTIPEDE (Tom Six, 2009) KILL LIST (Ben Wheatley, 2011) SIGHTSEERS (Ben Wheatley, 2012) VALHALLA RISING (Nicholas Winding-Refn, 2009) WITCHING AND BITCHING (Alex De La Iglesia, 2013)
ABOUT IFC FILMSEstablished in 2000 and based in New York City, IFC Films is a leading U.S. distributor of independent film. Its unique distribution model makes independent films available to a national audience by releasing them in theaters as well as on cable’s Video On Demand (VOD) and digital platforms. Upcoming releases include THE TRUTH directed by Kore-eda Hirokazu and Shannon Murphy’s BABYTEETH. Some of the company’s successes over the years have included BOYHOOD, THE DEATH OF STALIN, FRANCES HA, MY BIG FAT GREEK WEDDING, Y TU MAMA TAMBIEN, THE BABADOOK, TOUCHING THE VOID, 4 MONTHS, 3 WEEKS AND 2 DAYS, CHE, SUMMER HOURS, ANTICHRIST, IN THE LOOP, JOAN RIVERS: A PIECE OF WORK, TINY FURNITURE, and CARLOS. IFC Films has worked with established and breakout filmmakers, including Steven Soderbergh, Gus Van Sant, Spike Lee, Richard Linklater, Miranda July, Lars Von Trier, Gaspar Noé, Todd Solondz, Cristian Mungiu, Susanne Bier, Olivier Assayas, Jim McKay, Larry Fessenden, Paul Dano, Gregg Araki, Jacques Rivette, Claude Chabrol, Abdellatif Kechiche, Kore-eda Hirokazu, Abbas Kiarostami, Alfonso Cuaron, Noah Baumbach, Lena Dunham, Ethan Hawke and many more. IFC Films is a sister label to IFC Midnight, and is owned and operated by AMC Networks Inc.
The COVID-19 pandemic presents a multitude of obstacles to overcome for organizations of all types, and theater groups are no exception. Sharon Hunter, Artistic Director-Producer of Moonstone Theatre Company, aims to help address some of the virus-related challenges that the St. Louis theatre community faces by forming the St. Louis Theatre Community Task Force.
“As I was thinking about how to proceed with my own company in the wake of the pandemic, I started thinking it would be helpful to get a lot of the theaters to sit down via Zoom and discuss concerns, ideas and solutions for moving forward as we navigate the future of theatre in St. Louis,” Hunter explains.
Sharon Hunter
The Task Force will address concerns including conducting safe auditions, rehearsals and performances, finding new ways to seat audiences, maintaining the visibility of the St. Louis theatre community, new ways to offer theatre experiences and recommendations for the use of personal protective equipment.
Hunter said the Task Force, which is the first of its kind in the St. Louis area, welcomes local theatre groups of all sizes. In addition to these organizations, representatives from the St. Louis County Department of Health and the Center For Disease Control have also been invited to the first online meeting to address questions and concerns.
Theatre companies invited to participate include R-S Theatrics, The Q Collective, The Midnight Company, Slightly Askew Theatre Ensemble, Upstream Theater, Repertory Theatre of St. Louis, COCA, Shakespeare Festival STL, Black Rep, Stray Dog Theatre, Stages St. Louis, St. Louis Actors’ Studio, The Muny, Opera Theatre of Saint Louis, New Jewish Theatre, Cherokee Street Theatre, The Cabaret Project of St. Louis, Max & Louie Productions, Black Mirror Theatre, Young Liars, West End Players Guild, Tennessee Williams Festival St Louis, New Line Theatre, ERA Theatre Company, STL Fringe Festival, St Louis Shakespeare, Metro Theatre Company, That Uppity Theatre Company and the Tesseract Theatre Company.
The initial meeting of the Task Force is scheduled for Thursday, April 23, at 7 p.m. Theatre groups interested in interested in participating should contact Hunter at moonstonetheatrestl@gmail.com to get access to the Zoom link. For more info, check their Facebook page for updates: https://www.facebook.com/STLTheatre/.
By Lynn Venhaus Arts For Life’s 21st annual Best Performance Awards will now take place in cyberspace on Sunday, June 14, rather than at the Skip Viragh Center for the Performing Arts at Chaminade College Preparatory School. This year’s gala gathering has been cancelled and reimagined because of the current public health situation.
The 2020 Best Performance Awards, honoring excellence in
community and youth musical theater productions presented during 2019, will
premiere at 2 p.m. as a live interactive viewing event on the AFL Facebook
page, but the awards show will have been pre-recorded. In addition to the BPA
Facebook Watch Party, the video will be on the AFL YouTube channel as a live
event and then will remain for later viewings. Please subscribe so you can get
a reminder of the event.
Arts For Life will announce winners in 33 categories and
will reveal the annual youth scholarship awardees. There will also be several special
presentations. The Lifetime Achievement Award will not be presented this year.
Jennifer Kerner
Arts For Life will honor Jennifer Kerner with a Special
Achievement Award for her advocacy on inclusion and helping to make the live
theater experience accessible to all individuals. Kerner, a local singer and
actress, works to help place people with developmental disabilities in jobs.
She has guided local theater companies in providing sensory-friendly
performances and has worked to create comfortable environments for those on the
autism spectrum and those with sensory processing disorders.
The COVID-19 pandemic has affected the entire St. Louis Metropolitan region. Mandatory stay-at-home orders remain in effect for all 8,460 square miles that the Arts For Life family calls home: St. Louis city and county, St. Charles County and the Metro-East.
With the need to maintain social distancing and to wear face coverings to lessen community spread, as well as the fact that all AFL performance venues remain closed at this time and that there is considerable uncertainty as to when large group events will be allowed to resume, the AFL board made the difficult decision to cancel the annual BPA gathering and transition to a streamed format .
AFL President Mary McCreight emphasizes that the AFL board
will continue to base their decisions upon the best information currently
available in this rapidly evolving situation and will continue to share
information promptly and transparently, mindful of the need for our community
to receive timely updates.
“While we are disappointed that we cannot produce the
regular in-person ceremony that so many people look forward to attending, we
hope that moving to a stream-based format will still provide an opportunity for
our local arts community to come together online and celebrate the many
outstanding achievements of the previous year,” McCreight said.
In an emergency notification on March 16, McCreight had previously
suspended all public activities of the AFL organization, effective until at
least May 1. At the most recent regularly scheduled meeting, held via
teleconference on April 18, the board voted to extend the suspension through
July 31 with the following two exceptions:
The Board has not yet taken a final decision regarding the
fifth annual Theater Mask Awards ceremony set to honor achievements in
non-musical plays. The brunch ceremony had already been rescheduled from April
4 to July 18 at the Atrium Banquet Center on the Christian Hospital campus in
North St. Louis County. Stay tuned for announcements regarding any potential
changes that might further affect the timing and/or location of this upcoming
event.
Because of the suspension of public activities, the Theatre
Recognition Guild (TRG) judging activities for the BPA branch (musicals) are
suspended through July 31. However, activities for the TMA branch (non-musical
plays) may resume slightly earlier if conditions permit. TMA branch judges and
participating groups should be alert for any announcements regarding future
developments.
“As our world, our nation and our region face a major
health threat, it falls upon us as a community to adopt measures that will both
foster the protection of those who work and ‘play’ in Metro St. Louis community
theatre and ultimately allow AFL to continue our charitable mission of service
and recognition once the threat passes,” the president added.
For those who have purchased BPA tickets, AFL will contact
you about refund options and how your money can be returned. Instead of
receiving a refund you might also consider treating the purchase amount as a
tax-deductible donation to AFL.
“We appreciate your support. I am incredibly grateful to
all of our constituencies – the board, judges, participating groups, audience
members and donors – for their commitment to AFL and their engagement and
unwavering support of our local theatre community during these uncertain
times,” McCreight said.
To see a list of the nominees, visit the website:
www.artsforlife.org
For this year’s honors, the Gershwin 1920s
musical-screwball comedy “Nice Work If You Can Get It” from Kirkwood Theatre
Guild and the Rodgers and Hammerstein classic “Oklahoma!” from Christ Memorial
Productions each garnered 17 nominations apiece, including Best Large Ensemble.
Kayla Dressman
CMP’s “Dream Laurie,” Kayla Dressman, will receive a
special award for Best Featured Dancer.
Among youth groups, the Goshen Theatre Project scored 18
nominations – 13 for “Les Miserables School Edition” and 5 for “Disney’s The
Little Mermaid.” Bennett English, who played Jean Valjean, will receive a
special award for Best Youth Musical Performance.
Other ensemble nominees include “Hello, Dolly!” from
Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and
“The Bridges of Madison County” from Alpha Players of Florissant for Best Large
Ensemble and “A New Brain” from Hawthorne Players and “The 25th Annual Putnam
County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.
For Best Youth Production, besides “Les Miserables,”
nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from
Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre
and “Spring Awakening” from Gateway Center for the Performing Arts.
Fifteen theater groups and 10 youth-only groups participate
in the BPAs, which has honored musical theater since 1999. AFL was founded in
1994 by Lucinda Guyrci as a local non-profit organization dedicated to the
healing power of the arts through its work with youth, the under-served and the
community.
This year, judges scored 46 shows — 19 large ensembles, 3 small ensembles and 24 youth productions — from 27 participating groups, featuring 939 roles. For 2019, there are 154 individual nominations from 22 groups, and 36 percent are first-time nominees.
“We hope that you and your loved ones stay safe during this
difficult time,” McCreight said. “Because of your commitment to our community
and belief in our mission, my optimism is not diminished about AFL being able
to move forward once this unprecedented time passes.”
For more information, contact AFL TRG Secretary Kim Klick
at afltrg@artsforlife.org
Teen politics take on a more sinister edge in “Selah and the Spades,” especially when the stakes are high at a prestigious prep school.
Five factions rule an elite Pennsylvania boarding school, Haldwell. Selah Summers (Lovie Simone), 17, is the head cheerleader and golden girl who runs the dominant group, The Spades, supplying drugs and alcohol to the students. In an effort to maintain control when tensions escalate between the cliques, Selah takes on a protégé, photographer Paloma Davis (Celeste O’Connor), who is a sophomore and turns out to be a quick study.
So can Selah hold on to her power, even when she has a falling out with her best friend Maxxie (Jharrel Jerome)? Senior year proves to be intense, frustrating and not definitive at all. And these kids, in a different league, seems to operate as mob families.
First-time writer-director Tayarisha Poe uses a stylized, polished approach to present a heightened reality, and it is rather frightening how ugly everyone is on the inside while being consumed by outward appearances. And if this is the way the modern high school social cliques scene is, be afraid, be very afraid.
No matter what the status is, rich or poor, why do most
high school kids feel they have to be somebody else and not themselves?
Poe has some good points here, but it’s mostly posturing. Most of the action is depicted after-school and underground, rarely any classroom time. The administration just seems to shake its heads at the antics and not have a grasp at all. Most of the kids are snooty mean girls and boys, so who do we root for? The poor, shy kid on scholarship who doesn’t realize her power, but when she does, it’s intoxicating?
That would be newcomer Paloma, and Celeste O’Connor is
indeed a breakout here. As the lead girl, Lovie Simone impresses but Selah is
too cold and calculating to elicit any feel-sorry emotions from the audience,
let alone identify. She is obsessed with maintaining control and spends much of
her energy trying to keep her power.
The power struggles aren’t all that interesting (and the head “Bobby” will get on your last nerve). The amount of drugs casually consumed is rather alarming too. But before I start sounding like a crabby old woman who didn’t hang out with the cool kids at the malt shop, this movie is hard to warm up to, let along relate. Its connection to reality is limited – OK, maybe the depiction of high school is legitimate but doesn’t ring true, or I could be incredibly naïve.
However, you do want something good to happen, especially with Jharrel Jerome as the best friend. Jerome, Emmy winner for his performance in “When They See Us,” a Netflix mini-series on the Central Park Five case, is an outstanding performer, destined for good work. He played Kevin as a teenager in “Moonlight” and is a terrific presence here.
For as much as this movie is about growing up, Selah never really grows and the ending is a muddled mess (and way too dark). This movie premiered at the 2019 Sundance Film Festival, so it has sat awhile. Yet, the director was tagged as someone to watch. She does show promise, as does the cast, but it never does rise to that special level people would be expecting and it could have achieved.
And that is very much like high school.
“Selah and the Spades” is a drama written and directed by Tayarisha Poe, starring Lovie Simone, Jharrel Jerome and Celeste O’Connor. It’s rated R for teen drug content and language. Run-time is 1 hr. 37 min. Lynn’s Grade: C+
The Coronavirus Pandemic has significantly disrupted communities and businesses around the world. The St. Louis region and The Black Rep is no different in compliance with the Shelter-at-Home order.
We have held the curtain for as long as we could. Our production of Marie and Rosetta originally scheduled for May 6 – 21, 2020 and postponed to June 3-21, 2020 was officially cancelled upon notification of the closure of the Edison Theatre.
Producing Director Ron Himes says, “The artists had been on hold anxiously hoping that we would get in the final production of the season. The awesome creative team had been on hold hoping against the inevitable. That company of artists, along with our staff and interns, are all safe and well but deeply disappointed. So now we begin an extended intermission, as we continue to work from home planning our second act, the return to the stage for Season 44.”
We will be in touch, directly, with season and single ticket holders for Marie and Rosetta performances.
# # #
About The St Louis Black Repertory Company
The St Louis Black Repertory Company was founded in 1976 by Producing Director Ron Himes. The Black Rep is one of the largest, professional African-American theatre companies in the nation and the largest African-American performing arts organization in Missouri. Quality professional dramas, comedies and musicals by primarily African-American and international playwrights are produced. Mainstage productions and our Education & Community Programs combine to reach more than 80,000 people annually.
Jamie Lee Curtis to Host Lionsgate Live! A Night at the Movies to Help Furloughed Movie Theater Employees
“The Hunger Games,” “Dirty Dancing,” “La La Land,” and “John Wick” Will Livestream
Global content leader Lionsgate (NYSE: LGF.A, LGF.B) announced today that the studio will honor the communal experience of watching movies in movie theaters and support the people who make those places great with a special program that reminds everyone how much we love going to the cinema. The studio is presenting Lionsgate Live! A Night at the Movies, a program of four Fridays of free movies streaming live on YouTube.
Beginning this Friday and continuing every Friday spanning four consecutive weeks, the studio will team with Fandango and YouTube to livestream four of Lionsgate’s most popular library titles – the blockbuster The Hunger Games, the classic Dirty Dancing, the Academy Award®-winning La La Land, and the box office smash John Wick – on Lionsgate’s YouTube page and Fandango’s Movieclips YouTube page.
Lionsgate Live! A Night at the Movies will be hosted by Jamie Lee Curtis. Curtis will share her own movie memories as she is joined by special guest celebrities and YouTube personalities. Each week’s night at the movies will feature special programming and interactive opportunities for fans, like real-time fan chats via YouTube Live, live tweeting @Lionsgate and partners, and shared fan engagement opportunities in-show, including movie trivia, movie-themed challenges, and more.
The Hunger Games
Most importantly, audiences everywhere will have the chance to join Lionsgate in showing support for the country’s temporarily jobless movie theater employees and how much we all appreciate and miss them. Lionsgate’s initial donation as well as the audience and partner donations throughout this event will benefit the Will Rogers Motion Picture Pioneers Foundation, an organization dedicated to helping workers throughout the motion picture industry, and will link to the Foundation’s charitable page so that viewers who are able can help as well. The Will Rogers Foundation is currently providing financial assistance to theater employees furloughed by the COVID-19 crisis.
The free movies that will livestream on Fridays at 6:00pm PT/9:00pm ET are:
April 17 – “The Hunger Games”
April 24 – “Dirty Dancing”
May 1 – “La La Land”
May 8 – “John Wick” (age registration required)
John Wick
To present the live movie event, Lionsgate is joining with some of its most dedicated partners like Fandango and important exhibition partners such as the National Association of Theatre Owners, AMC Theatres, Regal, and Cinemark Theatres, among other regional circuits. And what’s a movie without popcorn and snacks? Popcornopolis, purveyors of gourmet popcorn and “known for the cone,” will support with a consumer movie night offer, with 10% of sales donated to the Will Rogers Motion Picture Pioneers Foundation. And SnackNation, the country’s leading provider of better-for-you snacks, drinks, and coffee for the home and office, will curate a movie-themed snack box with a special price and free shipping.
“There’s nothing that will replace the magic of seeing a movie together with your fellow moviegoers in a theater on a big screen, but this is a chance for America to come together to recreate the experience,” said Joe Drake, chairman, Lionsgate Motion Picture Group. “This is a great chance to show the country’s theatrical employees how much we miss going to their theaters and how much we support them. Jamie Lee Curtis – a woman who literally grew up with the movies and movie theaters – is one of the world’s biggest movie fans, so it’s a real thrill that she’ll be our host for this event. Let’s have some fun watching some classic movies together at home while celebrating moviegoing!”
Dirty Dancing
John Fithian, president and CEO, National Association of Theatre Owners, added, “Throughout the 125-year history of the cinema, this is the first time that movie theaters have been shut down across the country. Whether it was the Depression, wars, disasters, or local calamities, movie theaters have always been a gathering place where audiences can come together to laugh and be moved, reacting as one, to put their troubles behind them or forget about their hard week at work, and just get lost in the amazing stories on the big screen. Until we can gather again in our nation’s theaters, we’re grateful to Lionsgate for honoring the theatrical moviegoing experience and we are thrilled to join together with them over these next four Fridays, not only to see four classic movies for free, but also to allow fans and celebrities to share their own moviegoing memories. We love that so many people will be talking about what makes going to the movies so unique and memorable.”
ABOUT LIONSGATE
The first major new studio in decades, Lionsgate is a global content leader whose films, television series, digital products and linear and over-the-top platforms reach next generation audiences around the world. Lionsgate film and television properties also support a global network of location-based entertainment and other branded attractions as well as a robust video game business. Lionsgate’s content initiatives are backed by a nearly 17,000-title film and television library and delivered through a global sales and distribution infrastructure. The Lionsgate brand is synonymous with original, daring and ground-breaking content created with special emphasis on the evolving patterns and diverse composition of the Company’s worldwide consumer base.
In light of the COVID-19 crisis, and after extensive discussions with our leadership team and the Executive Committee of our Board of Trustees, the STAGES St. Louis organization will be adapting the schedule of its upcoming 2020 Season. It is with great sadness that STAGES announces the following changes regarding the 2020 schedule.
A CHORUS LINE, scheduled to run May 29-June 28, will be canceled Disney’s ALICE IN WONDERLAND, scheduled to run June 16-28, will be canceled LA CAGE AUX FOLLES, scheduled to run July 17-August 16, will be canceled The grand finale of our 2020 Season, ALWAYS… PATSY CLINE will run as scheduled, September 4- October 4.
All subscribers will receive a letter the first week of May confirming changes to the season and laying out all possible ticketing options. The STAGES Box Office team will be able to answer any questions regarding tickets beginning Wednesday, May 6.
“In 34 Seasons of presenting the highest quality musical theatre productions in St. Louis, we have never been forced to cancel a performance, let alone a production. While these decisions were the most difficult our organization faced, I do believe they were made with the best interests of our audience, artists, staff, and community in mind,” said STAGES Executive Producer Jack Lane. “While we will miss each and every one of you. We look forward to seeing you during the run of ALWAYS… PATSY CLINE and at the Kirkwood Performing Arts Center in 2021 to celebrate our 35th Anniversary Season. The curtain will rise again, that I can promise you.”
Single tickets for ALWAYS… PATSY CLINE will be on sale online, by phone, or at the Chesterfield Box Office starting Monday, June 1. The Kirkwood Box Office will open at a date that will be announced later this summer. The STAGES Performing Arts Academy plans to open again with its summer session beginning Monday, June 1.
Additionally, the STAGES annual summer cabaret fundraiser, Cheers, will run as scheduled on Monday, August 10. The annual Applause Gala will also take place as schedule on Friday, November 6. Any further changes to the 2020 calendar will be updated on our website and shared via email and social media.
For more information, please visit us on Facebook, Instagram and our website. We look forward to seeing everyone again with the opening of ALWAYS… PATSY CLINE on September 4, 2020. Stay safe! STAGES St. Louis is the region’s foremost not-for-profit company committed to preserving and advancing the art form of Musical Theatre through excellence in performance and education. In 2020, STAGES celebrates its 34th year of producing Broadway-quality theatre. Single tickets for ALWAYS… PATSY CLINE will g o on sale Monday, June 1, 2020. Single ticket prices range from $25 – $66.
STAGES’ Mainstage productions perform in the intimate, 377-seat Robert G. Reim Theatre at the Kirkwood Civic Center, 111 South Geyer Road in St. Louis, MO 63122. For more information or to purchase tickets call 314-821-2407 or visit www.StagesStLouis.org
STAGES Performing Arts Academy is regionally renowned for its innovative and multidisciplinary programs that transform lives through immersion in the Musical Theatre arts. Celebrating its 15th year, it is also the only such program in the St. Louis region to be connected to a professional theatre company. Whatever the age or experience level, whether a new or continuing student, aspiring performing artists throughout the St. Louis region have the opportunity to explore and cultivate their talent at STAGES, and set the stage for life changing experiences. #
Greetings! This is a people, places and events column about local and
national showbiz items that will appear regularly. Feel free to message me with
interesting tidbits.
Today we provide some ways to fill your
quarantine days and nights, a list of resources for artists, updates on the
Theatre Proms and more.
MRS. AMERICA: St. Louis anti-feminist icon Phyllis Schlafly was an Alton, Ill. housewife when she gained national attention in conservative politics, fighting the Equal Rights Amendment and founding the Eagle Forum in 1972. She’s the subject of a nine-part miniseries, “Mrs. America,” which starts Wednesday, April 15 on Hulu. The first three episodes: “Phyllis,” “Gloria” and “Shirley” will air then, then each week through May 27, depicting the battles between Schlafly and the leaders of the women’s movement in the 1970s.
The cast includes Cate Blanchett as Schlafly, Tracey Ullman as Betty Friedan, Rose Byrne as Gloria Steinem, Margo Martindale as Bella Abzug and Uzo Aduba as Shirley Chisholm.
Fun fact: I saw Schlafly debate Betty Friedan on the ERA during college. Phyllis came up to the podium, looking like Betty Crocker, and said: “How many women want to get drafted?” A guy in the audience yelled out: “How many men do?” When Betty came up, in a mumu, she clearly had the crowd on her side. Illinois State University, 1973.
*** THEATER PROMS: Springtime is awards season for the theater community, but this year, the mandatory Shelter-in-Place doesn’t allow gatherings of 10 or more. Therefore, events have been cancelled, rescheduled and rebooted
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards ceremony was to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event had to be cancelled. Local theater critics still honored outstanding regional professional theater.
Instead, HEC provided a streamcast of the awards on
Tuesday, April 7, at 7 p.m. on their Facebook page. The event was downscaled
reading of the nominations and awards, but hey, it’s #TCA20. You can still see
it! Here is the YouTube link:
The theater critics recorded the nominations, and their voice-overs ran over photos. Then HEC announcer Rod Milam announced the winner. There were 34 categories to give awards in, which cover dramas, comedies and musicals. All in a half hour.
Many thanks to HEC Media, including Dennis Riggs, total pro announcer Rod Milam and ace producer Paul Langdon. Thanks to our theater buddy Andrea Torrence for the work on the graphics – the photos really made the virtual. event “pop.” I applaud your sharp professional skills and your devotion to local theater.
A special award was given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts. Where would St. Louis arts be without the Kranzbergs?
Congratulations to the winners AND the nominees, and
everyone who gave of their heart and soul to produce live regional professional
theater with such passion and panache in 2019.
It truly was a fantastic year, especially for drama, and
what a crowded field of talent among the 125 artists nominated and 51 shows
from 25 different companies.
It is a privilege to see such a variety of theater during
the year, and as a founding member of the St. Louis Theater Circle, it has been
a real joy these past eight years.
In due time, we’ll be back in darkened theaters watching
people create magic. We’ll get to hug and laugh again, and marvel at this thing
called art that connects us all.
Even virtually for one evening — that was a welcome respite
from the sad, terrifying and anxious daily news, wasn’t it, in what’s become
the norm in our current global pandemic. People really seemed to enjoy it,
lifted spirits – some casts had Zoom parties.
I look forward to seeing you all again, in the “After
Times.”
In community theater, the Arts For Life board of directors
presents two awards events each year, the Best Performance Awards honor musical
theater and youth productions, and the Theatre Mask Awards honor straight
plays.
The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.
The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.
For more information and to see lists of nominations, visit
www.artsforlife.org.
You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for
more information and to see a complete list of nominees.
Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.
(Full
disclosure: I am a founding member of the St. Louis Theater Circle and I am on
the Board of Directors of Arts For Life).
***
HELP IS HERE: How can you help all the artists around the region and homebound folks around the region? During this unprecedented time of isolation, Stay-at-Home mandate, social distancing to #flattenthecurve, here are some resource links:
This fund will provide short term monetary relief to
employees and owners of independent bars, restaurants, and shops in the St.
Louis area affected by closures and other circumstances brought about by the
COVID-19 outbreak.
The fund will be used to direct resources to regional
nonprofits that are working with local communities disproportionately affected
by the coronavirus crisis and its economic fallout.
Any individual artist living in the St. Louis metro area
who has had an event, gig, or paying opportunity canceled due to the COVID-19
crisis can apply for funding.
Support for Artists and Production Crews:
• I Lost My Theatre Gigs resource list and donation site:
https://ilostmytheatregigs.squarespace.com/
The National Domestic Violence Hotline: https://www.thehotline.org/ Hotline:
1-800-799-7233 Text support: Text “LOVEIS” to 22522
Broadway may be dark, but today you can be a light for the
theater community.
Broadway Cares/Equity Fights AIDS launched the COVID-19
Emergency Assistance Fund to help those onstage, backstage and behind the
scenes during and after the coronavirus pandemic. Through your donation to this
special fund, administered by The Actors Fund, you can ensure entertainment
professionals get the health care, emergency financial assistance and
counseling they need.
Any others I miss?
*** THEATER UPDATES: I try to keep up with the latest news on cancellations and postponements. Here’s the new one. https://www.poplifestl.com/?p=1845 ***
THE SHOW MUST GO ON: OverDue Theatre Company had to cancel “My Fair Lady” this spring but has put together a Quarantine Concert for Facebook Live on Friday, April 17, at 7 p.m. Special guests include Kaitlyn Mayse, Lauren Molina and Nikki Snelson. Featuring Kimmie Kidd, Eleanor Humphrey and Kay Love, there are 17 performers from the OverDue family who will perform too.
SOME GOOD NEWS: You know him, you love him from “The Office,” the immortal Jim Halpern of the Jim and Pam office romance. Actor John Krasinski has started his own web series, “Some Good News,” and the first episode on March 29 was such a hit, he has produced two more, all dropping on Sunday nights. It’s both inspiring and distracting.
The first one features an interview with Steve Carell, as they reminisce about “The Office.” Watch here: https://youtu.be/F5pgG1M_h_U
You can follow his page on Facebook for updates and a link
to submit good news.
*** CINEMA STL: Like everyone else, Cinema St. Louis has rescheduled some events. Here are the new dates/information: Classic French Film Festival: Working to move to late July/early August; St. Louis Science Fiction and Fantasy Short Film Festival: Moving from May 1 to hopefully this summer; QFest: Moving from mid-May to possibly July; Filmmaking camps: Camps slated for June and July will continue as scheduled for now; I Love Movies Trivia Night: Still scheduled for Friday, June 5, with backup dates of Friday, Aug. 28, or Friday, Sept. 4; St. Louis Filmmakers Showcase: This event is currently scheduled to go on as planned in July – deadline May 31; Golden Anniversaries: Films of 1970: The six-film fest is now slated for the following Saturday-Sundays: Aug. 22-23, Aug. 29-30, and Sept. 5-6 at the St. Louis Public Library’s Central Library; SLIFF: Hoping to go as scheduled in November.
*** TEAM LEGEND: About a year ago, singer-guitarist Joanna Serenko won the St. Louis Teen Talent Showcase, sponsored by the Fox Performing Arts Charitable Foundation. Now she’s a contestant on “The Voice.”
Joanna Sorenko
The poised and talented 2019 Kirkwood High School graduate had
a four-chair judges’ turn for her blind audition during Feb. 24 night’s season
premiere. She sang Amy Winehouse’s R&B rendition of The Beatles’ classic
“All My Loving,” and new judge Nick Jonas fought for her to be on his team.
Here’s her performance link:
The Battle Rounds began March 23, and Joanna was paired
with Roderick Chambers to sing Billie Eilish’s “When the Party’s Over.” Here is
the duet:
https://youtu.be/lVmvz9v5KgE
Kelly Clarkson described their duet as “effortless and
beautiful and passionate,” and coach Nick called her a “flawless singer” but
picked Rod as the winner — then John Legend stole Joanna, so she advances to
the Knockout Rounds on Team Legend. EGOT Legend said she had a lot of “style
and grace” in her voice.
Both the Battle and Knockout Rounds were taped earlier, so
they aren’t affected by the virus shutdown. However, the live shows in May
might be, which follows the Knockout Rounds. Go Joanna! (Tune in April 13).
For the first show, a viewing party took place at the Marcus
Des Peres Cinema. Due to the pandemic, that can’t happen now. If it starts up again,
I’ll let you know.
She used to sing in the choir at Kirkwood’s United
Methodist Church and moved here from Cleveland in 2010.
***
AND THAT’S A WINNER: Sports commentator and hometowner Joe Buck is reaching out to sports fans, asking them to send videos so he can provide a “play-by-play” of what they’re doing while staying at home — perhaps dribbling in place? Just be careful what you send him.
*** HARRY POTTER INTERACTION: Want to escape to fantasy worlds during this global pandemic? “Harry Potter” author J.K. Rowling has launched a new website called Harry Potter at Home – a free magical resource to keep readers of all ages entertained while staying at home. In addition to the existing interactive features on WizardingWorld.com, the site creators have added new activity kits, “nifty magical craft videos,” quizzes, puzzles, and more. You can also listen to the first book on Audible for free or download and read it from a digital library.
*** AND HE SCORES! Congratulations to Tom Calhoun, one of the nice guys in local media and the St. Louis Blues announcer for 33 years, who was recognized with three honors by the St. Louis Sports Hall of Fame. He was recently inducted, presented with the President’s Choice Award and given a commemorative 1500th-game plaque at the fourth annual Illinois Enshrinement Dinner.
Tom Calhoun, Tom Morris and Laila Anderson
A veteran of KMOX, WIBV and other stations, he is currently an adjunct communications professor at Southwestern Illinois College and general manager of its campus radio station, Blue Storm. He has never missed a Blues game since 1987 — until the global pandemic sidelined the team and the NHL cancelled the season. (Just think: a year ago, on April 10, we won the first of the 16 games we needed to win in the Stanley Cup Playoffs).
Cutline: Pictured, left to right, Tom Calhoun, head of the St. Louis National Hockey League Off-Ice Crew Tom Morris and St. Louis Blues inspiration and “super-fan” Laila Anderson. Photo by Bill Greenblatt
APPLAUSE, APPLAUSE:The Black Rep was awarded the August Wilson American Century Cycle Award by Christopher Rawson of the Pittsburgh Gazette on its opening night of “Two Trains Running.”
In 2008, they were the third company in America to complete
the 10-play American Century cycle and are currently two-thirds of the way
through it for the second time. Each of the 10 plays are set in a different
decade of the 20th century.
The Black Rep board at ceremony – Rawson at far right. Photo by Phillip Hamer.
Rawson, the newspaper’s senior
theater critic and an August Wilson House board member, made the presentation
Jan. 10. The award was established only recently, so presentations are being
made gradually to the 15 qualifying companies.
“August is still alive, first, in the people,
places and stories from what we call August Wilson’s Hill, and second, in the
theaters around the country that bring them to life. This award, presented
jointly by his hometown newspaper and his childhood home, celebrates the
conjunction of these two. It says that we are all connected in August’s work,
through our recognition of its rich humanity and spiritual passion,” he said.
Wilson’s widow, Constanza Romero Wilson, sent thanks to The Black Rep “for your ongoing support of his legacy and for continuing to tell the stories for many generations to come. You ‘belong to the band’!” The quotation comes from Wilson’s “Gem of the Ocean,” where “the band” refers to those who struggled to free black Americans from slavery and Jim Crow.
Meadow Nguy
*** IN THE CREDITS: Meadow Nguy of O’Fallon, Ill., makes an appearance in the seventh episode of the new Amazon Series “Hunters” starring Al Pacino. She was seen in “Law and Order: SVU” last November, and has been on “Madam Secretary” and “The Blacklist.” She moved to New York after graduating from Indiana University with a degree in musical theater. She appeared on stages in St. Louis, including the 2012 “Spring Awakening” at Stray Dog Theatre and their world premiere of “Spellbound,” and in the metro-east during her high school years. She won the Illinois Musical Theater Award, her ticket to the Jimmy Awards in 2012.
*** BOOKSHELF: New Line Theatre Artistic Director Scott Miller is also a prolific writer. His latest, “Idiots, Heathers, and Squips,” digs into a new batch of original, interesting musicals produced the first 15 years of the millennium.
He does deep dives into these 11 that represent “the astonishing variety and fearlessness of this new Golden Age: Urinetown, Sweet Smell of Success, Jerry Springer the Opera, Passing Strange, Cry-Baby, Next to Normal, Bloody Bloody Andrew Jackson, American Idiot, Heathers, and Be More Chill.
LISTEN IN: MK Andersen’s“The First Hundred Days.” She is inspired by the idea that if the first hundred days of a presidency are the most pivotal and important, then the first hundred days of X,Y and Z must also be important. New ones are released every Tuesday: https://yourdaybymk.com/podcast-first-hundred-days : MK, who operates a wedding planning business, is a graduate of University of Notre Dame with a bachelor’s degree in political science. For the podcast she has talked to a writer at Netflix, a former university president and others. In episode 2, a fascinating talk with former FCC Chairman Newton Minow (1961-1963) is here. Minow, 94, served under President Kennedy. He practices telecommunications law in Chicago and in 2016, received the Presidential Medal of Freedom from Barack Obama.
Fun fact: “Gilligan’s Island” creator Sherwood Schwartz named the tiny ship that took that fateful trip for Minow because he thought he had ruined television. Minow is noted for a speech in which he called American television a “vast wasteland.”
Reel Times Trio
*** REEL TIMES TRIO: Of course I’m going to plug my own, Reel Times Trio podcast, which is Carl “The Intern” Middleman, myself and a rotating guest to discuss the latest movie releases, what’s out on DVD and streaming, what’s new in Hollywood and Broadway, what’s happening locally, good TV and more.
We’re on iTunes and SoundCloud, and have a Facebook page where we post episodes each week. We also are posted here at PopLifeSTL.com During the pandemic, after a brief layoff, we have transitioned to Zoom. Find us here: https://soundcloud.com/lynn-zipfel-venhaus
Bill Hader and Henry Winkler in “Barry”
*** ICYMI: Need something to do? HBO has unlocked the vault on nine popular series that you can watch for free on HBO Now or HBO Go, or if you have cable TV, now through May 31. The shows are: Barry, Big Little Lies, The Wire, The Sopranos, Succession, Veep, Silicon Valley, Six Feet Under, True Blood and Ballers.
Need to know where you can find a movie to watch, whether
it’s streaming or not? Check out www.justwatch.com or
download the app on your phone.
Did you miss Andrea Bocelli’s free streaming concert from Milan on Easter Sunday? Here is the YouTube link to the half-hour concert, featuring the famed opera singer performing “Ave Maria,” “Santa Maria” and “Amazing Grace”: https://youtu.be/huTUOek4LgU
He told NBC News: “I believe in the strength of praying
together. I believe in the Christian Easter, a universal symbol of rebirth that
everyone – whether they are believers or not – truly needs right now. Thanks to
music, streamed live, bringing together millions of clasped hands everywhere in
the world, we will hug this wounded earth’s pulsing heart…”
One of the best ads yet on staying safe for the good of a city, Here’s Doner Advertising Agency’s uplifting message to Detroit: https://youtu.be/JJzlXhXrD7I
*** MEMORY LANE: Valentine’s Day marked the 50th anniversary of bestseller “Love Story,” the young romance that had hearts aflutter back when I was in high school. This is actually my own book cover.
*** WORD: “The world needs artists more than ever to remind us what truth and beauty and kindness really are.” — Terence McNally (1938-2020), in his Lifetime Achievement Award speech at last year’s Tony’s.
Several visionary local artists proved that fortune does favor
the bold through their efforts to present a gift to a theater-starved community.
This precious lifeline was “Mute: A Play for Zoom” on Sunday,
April 5. We experienced an original 5-person 30-minute play on the internet
with a hundred other people that Sunday night, boldly going where no one had
gone before.
This absurdist apocalyptic academic farce was a burst of
creativity and a jolt of connectivity like the sun coming out on a cloudy day.
A maiden voyage by playwright Nancy Bell, director Lucy Cashion
and production manager Spencer Lawton explored our strange new world of making
art during a quarantine. It starts out as a video conference call among
colleagues at a university. For these academics, there is confusion, and eventually
fire – and a hamster.
How it all came together was truly remarkable — ignited a
spark, a surge of energy that took us out of our stay-at-home melancholia and
made us appreciate authentic art and true talent.
It was like I was on a new adventure without leaving my couch.
The five-person cast included several lauded veterans and standout
newcomers as colleagues. St. Louis Theater Circle Award winners Michelle Hand
(a very nervous Maria), Michael James Reed (agitated Trent), Keating (trying to
hang on Fiona) and Sophia Brown (mysterious Lila and Man Ray) performed with their
customary immersion into character as well as Delaney Piggins, so good at New
Jewish Theatre’s “I Now Pronounce,” as confused Heather and Jakob Hulten as assistant
Dustin trying to herd the cats and keep normalcy.
They all connected in a believable way, providing distinctive
portraits in a very short amount of time as what the new normal is quickly
erodes into a disturbing situation. Reed mastered delivery of a barrage of new vocabulary
among his monologues, unleashing a torrent of new words among his distain for
the circumstances. He did it with a complete command of the twisty dialogue.
Worried about technical difficulties, it actually went off without a hitch, and ended abruptly according the script. Just be patient. Zoom is a terrific tool for bringing us all together, and the technical gurus behind this production did a fantastic job.
I have always been grateful we have the brilliance of Nancy Bell as a playwright and an actress and the visionary viewpoint of Lucy Cashion, who is never deterred by convention or obstacles, and noticed them right away as I began reviewing more regional professional theater in 2012.
And “Mute: A Play for Zoom” confirms how lucky we are to have
them producing art in St. Louis.
This is just a thrilling testament to the possibilities of how
to create art in unconventional ways under difficult circumstances.
While this view is indeed apocalyptic, the way it was executed was also life-affirming and uplifting in a bracing way – and to be able to appreciate how we can still connect through storytelling was indeed a lovely surprise gift.
Bravo to everyone involved.
Here is what the cast bios said on their event page:
CAST
Delaney Piggins [Heather] is a St. Louis
Actor/Playwright/Producer, who is excited to do her first “pants optional”
play.
Jakob Hultén [Dustin] is a SLU senior graduating with a BA in
Theatre and History.
Michelle Hand [Maria] is an STL born and bred professional actor
who, in her twenty years at work, has never quite done something like this.
Sophia Brown [Lila/Man Ray] is thrilled to be joining Mute! She
is a local theatre artist, most recently seen with the Imaginary Theatre
Company.
Keating [Fiona] is a kick-ass theatre artist who is madly in
love with STL, co-artistic director of Poor Monsters.
Michael James Reed [Trent] used to enjoy doing a play or two. He
now spends good portions of his day in a cardigan and Crocks.
They took a risk and it paid off.
Note: MUTE: A play for Zoom WATCH PARTY this Sunday, APRIL 12th
at 7PM. DETAILS TBA. https://facebook.com/events/s/mute-a-play-for-zoom-watch-par/159436718663052/?ti=icl
Join us for the watch party!!! Here’s the page where you can get
all the details coming soon.
By Lynn Venhaus A jolt of joy, this sparkly rainbow-colored jukebox musical is as sweet as an Easter candy basket and as technically polished as a TED talk in its message of diversity.
The “Trolls World Tour” young audience can delight in the razzle-dazzle while the adults can appreciate the good beat and its “We Are the World” vibe. The merry Pop trolls are as relentlessly upbeat as they were in their debut film, and face another grave threat – but really, demonizing rock music? Hmmm…it’s not exactly being eaten by the Bergens.
This all-star sequel to DreamWorks Animation’s 2016 musical hit takes Poppy (Anna Kendrick) and Branch (Justin Timberlake) on an adventure. They discover their Pop universe is only one of six different Trolls tribes scattered over six different lands and devoted to six different kinds of music: funk, country, techno, classical, pop and rock.
A member of hard-rock royalty, Queen Barb (Rachel Bloom), aided by her father King Thrash (Ozzy Osbourne), wants to destroy all other kinds of music to let rock reign supreme. She sets out on her evil Trolls World Tour but Poppy thinks she wants to unite them. Will Barb be able to strike the biggest power chord or can Poppy bring everyone together in perfect harmony?
I wish Queen Barb, the Joan Jett clone, would not have been the villain, and her metal-head minions hell-bent on erasing funk, country, techno, classical and pop and such sub-genres as reggaeton, hip-hop and K-pop. Because kids need to feel free to have a good head-banging time too. Well, if the worst thing is to turn into a rock zombie, we can work around it, I suppose. And Rachel Bloom is properly fiery and funny as the riot grrrl.
Poppy, as voiced by Anna Kendrick
And wow, what an introduction to the panoply of music out there – and you certainly can dance to it all. It has some sly humor too — the smooth jazz jabs are funny (Jamie Dornan is devious Chaz!).
Illustrating how music is a universal language that binds us all, especially if we appreciate the different flavors that give life its harmony, this slickly produced fast-paced film bursts with such a vast array of sounds that it’s the jam of all jams. The musical talent gathered for an animated film is impressive – 40 songs are woven in the soundtrack.
Besides the returning cast, who has oodles of charm, we have Mary J. Blige, George Clinton and Anderson .Paak for funk, Kelly Clarkson is big-haired country queen Delta Dawn, J Balvin represents reggaeton, Anthony Ramos is the techno beat, girl band Red Velvet is K-Pop and world-renowned violinist and conductor is Trollzart. If that doesn’t sell the movie’s point about we all shouldn’t sound the same!
Newcomers include Kenan Thompson as a very cool Tiny Diamond and Sam Rockwell as the wise sage Hickory – and they are fun to watch and to listen to as such distinctive characters. Musicians Flula Borg, Ester Dean and Charlyne Yi are also featured in the tribe.
Huge credit must go to executive music producers Ludwig Goransson (Oscar for “Black Panther”) and Timberlake. The music makes the film pop with positivity. “Just Sing” and “The Other Side” will be heavy in rotation. And people will know P-Funk’s “Atomic Dog”!
As for the key players, Anna Kendrick is well-suited as the perennially peppy Poppy, with her musical theater and “Pitch Perfect” credentials, and Justin Timberlake is there for the music as pragmatic Branch. James Corden is a bright spot as Biggie and Ron Funches is funny as the giraffe-like troll.
The whimsy is a given and so is the swirling kaleidoscope of color, like a Lisa Frank Trapper Keeper exploded on screen. But what is so fun to watch are all the happy dancing feet – just the coordination of the choreography is akin to a major Broadway musical. And the rich details in the personal looks – those felt appliques and tiny details.
Of course, the movie is a slick merchandise marketing machine, for it was created out of Danish woodcutter Thomas Dam’s sensational toy dolls, it’s what we expect. We called them Wishniks in the 1960s, and the good luck Trolls have gone on to be a hit in many decades. The way the animators play with the hair is genius too.
Just as the jolly Trolls expand their universe, the movie audience gets a tutorial in the various sonic landscapes music can summon.
And if ever we needed some warm and fuzzies, it’s certainly now. A bright spot in a dark world right now, “Trolls World Tour” delivers a splendid promise. Rock on!
Note: Released April 10 on Video on Demand and streaming services. “Trolls World Tour” is rated PG for mild rude humor. The animated musical feature’s run-time is 1 hr. 30 min. Lynn’s Grade: B+ A version of this review appeared in the Webster-Kirkwood Times.
