By Lynn Venhaus
The idealist in me wants to believe in Disney magic, of good triumphing over evil, of the power of community, and memorable moments, often with hopeful songs, that “Wish” embodies. 

Nevertheless, the cynic in me wonders if Disney’s reliance on their formula, just in time for the holidays, to endear a whole new line of toys to their loyal fans, makes the film lack the luster that “Frozen” and “Encanto” did.

Because the leading lady Asha’s pet goat Valentino, voiced by Disney regular Alan Tudyk, is certain to fly off the shelves, with its lovable demeanor and snappy dialogue. And the cosmic force that changes the plot’s trajectory, a Star, is drawn as a golden ball of energy. Cha-ching.

But we should be used to this, especially after the Disney Renaissance of the 1990s, where the Disney princesses became icons and prestige was bestowed with many awards for the animated musicals’ songs and scores. The bar was raised.

However, in recent years, the Disney output has been a mixed bag of highs and lows. For every “Zootopia,” there’s a “Strange World.” And I’m not even going to mention the live action remakes.

For all its good intentions to celebrate the Walt Disney Studios’ centennial, “Wish,” which is supposed to be the musical origin story for the “Wishing Star” that Disney is famous for, feels like a cut-and-paste tribute. 

Co-written  by the “Frozen” team of Chris Buck and Jennifer Lee, along with Allison Moore, “Wish” follows a young girl named Asha who attempts to save the fantastical Kingdom of Rosas from darkness. She wishes on a star and that trouble-making beacon comes down from the sky to join her because King Magnifico, a sorcerer, isn’t all that he seems to be.

Asha has seven friends who are grumpy, dopey, sneezy, and so forth – wink, wink. Sure, plenty of Easter eggs, but the homages are often nods to better efforts, and are missing the magic they are trying so hard to create.

The plucky heroine, a compassionate and smart peasant girl, rallies her beloved community because the cunning ruler, King Magnifico, voiced by a first-rate Chris Pine as both unctuous and ruthless, becomes a megalomaniac before our eyes. The whole wish symbolism gets a little muddled if you think about what all that means — putting your hopes and dreams into an omnipotent ruler.

As Asha, Ariana DeBose is a powerhouse vocalist, and the animators wisely capture her lithe dancing style, plus she can emotionally connect as the character.

While female empowerment is always worthy, with positive portrayals to propel this musical comedy, the other message is a noble one, and actually a little daring with its cautionary tale on authoritarianism and fascism. (Real world headlines intrude!)

The vocal work is fine – among the recognizable names, Victor Garber is a sympathetic grandfather Sabino, Evan Peters is Simon, one of Asha’s friends, and Ramy Youssef is Safi.

But the script is rather slight, and the music doesn’t seem to have a break-out original song like the “Encanto” or “Moana” songbook. Nevertheless, “This Wish” and “Knowing What I Know Now” are catchy – just not earworms like “Let It Go” or the Menken-Ashman canon. 

Stay for the credits because they will include every Disney animated feature in artwork, and there is a bonus scene with an iconic Disney song.

“Wish” is pleasant enough – just not as endearing as we’ve come to expect from the Mouse House. But its statement, perhaps aimed at a certain governor of the state where Disney World is based, is funny in a sly master stroke way. The movie’s message: Be careful what you wish for.

“Wish” is a 2023 animated musical fantasy directed by Chris Buck and Fawn Veerasunthorn and starring Ariana DeBose, Chris Pine, VIctor Garber, Alan Tudyk, Angelique Cabral, Evan Peters and Ramy Youssef. It is rated PG for thematic elements and mild action, and the run time is 1 hour, 35 minutes. It opened in theatres Nov. 22. Lynn’s Grade: B-.