‘Nomadland’ and ‘The Crown’ Lead 26th Annual Critics Choice Awards

‘Nomadland’ and ‘The Crown’ Lead 26th Annual Critics Choice Awards

The Critics Choice Association (CCA) announced the winners of the 26th annual Critics Choice Awards LIVE on The CW during an in-person/virtual hybrid ceremony hosted for the third time by acclaimed film, television, and stage star Taye Diggs on Sunday, March 4.  The full list of winners can be found below. 

“Nomadland” led the winners in the film categories, taking home four awards including Best Picture, Best Director and Best Adapted Screenplay for Chloé Zhao, and Best Cinematography for Joshua James Richards.  Zhao is the first Chinese woman to win as either director or writer. 

“Ma Rainey’s Black Bottom” followed closely behind, winning three categories including Best Actor for the late Chadwick Boseman, Best Costume Design, and Best Hair and Makeup.  Best Actress was awarded to Carey Mulligan for “Promising Young Woman,” which also earned a Best Original Screenplay win for Emerald Fennell.  Best Supporting Actor went to Daniel Kaluuya for “Judas and the Black Messiah,” and Best Supporting Actress to Maria Bakalova for “Borat Subsequent Moviefilm.”   

In the series categories, “The Crown” took four categories, the most of the night, winning Best Drama Series, Best Actor in a Drama Series for Josh O’Connor, Best Actress in a Drama Series for Emma Corrin, and Best Supporting Actress in a Drama Series for Gillian Anderson.  In the comedy genre, “Ted Lasso” won all three categories for which it was nominated: Best Comedy Series, Best Actor in a Comedy Series for Jason Sudeikis, and Best Supporting Actress in a Comedy Series for Hannah Waddingham.  “The Queen’s Gambit” took the prize for Best Limited Series, and its leading lady Anya Taylor-Joy won Best Actress in a Limited Series or Movie Made for Television. 

The race for “Best Comedy Special,” which was dominated entirely by Netflix nominees, resulted in a tie between “Jerry Seinfeld: 23 Hours to Kill” and “Michelle Buteau: Welcome to Buteaupia.” 

As was previously announced, John David Washington presented this year’s SeeHer Award to his “Malcolm & Marie” co-star, Zendaya.  The SeeHer Award recognizes a woman who embodies the values set forth by the SeeHer movement, to push boundaries, defy stereotypes and acknowledge the importance of authentic portrayals of women across the entertainment landscape. 

After leading the nominations, Netflix also won the most awards of any studio/network with a total of 14.  Amazon Studios and Searchlight Pictures each won four. 

Critics Choice Awards are bestowed annually to honor the finest in cinematic and television achievement.  Historically, they are the most accurate predictor of Academy Award nominations. 

The 26th annual Critics Choice Awards show was produced by Bob Bain Productions and Berlin Entertainment.  The CCA is represented by Dan Black of Greenberg Traurig. 

Follow the 26th annual Critics Choice Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards.  Join the conversation using #CriticsChoice and #CriticsChoiceAwards. 

FILM CATEGORIES 

BEST PICTURE 

Nomadland (Searchlight Pictures) 

BEST ACTOR 

Chadwick Boseman – Ma Rainey’s Black Bottom (Netflix) 

BEST ACTRESS 

Carey Mulligan – Promising Young Woman (Focus Features) 

BEST SUPPORTING ACTOR 

Daniel Kaluuya – Judas and the Black Messiah (Warner Bros.) 

BEST SUPPORTING ACTRESS 

Maria Bakalova – Borat Subsequent Moviefilm (Amazon Studios) 

BEST YOUNG ACTOR/ACTRESS 

Alan Kim – Minari (A24) 

BEST ACTING ENSEMBLE 

The Trial of the Chicago 7 (Netflix) 

BEST DIRECTOR 

Chloé Zhao – Nomadland (Searchlight Pictures) 

BEST ORIGINAL SCREENPLAY 

Emerald Fennell – Promising Young Woman (Focus Features) 

BEST ADAPTED SCREENPLAY 

Chloé Zhao – Nomadland (Searchlight Pictures) 

BEST CINEMATOGRAPHY 

Joshua James Richards – Nomadland (Searchlight Pictures) 

BEST PRODUCTION DESIGN 

Donald Graham Burt, Jan Pascale – Mank (Netflix) 

BEST EDITING – TIE  

Alan Baumgarten – The Trial of the Chicago 7 (Netflix) 

Mikkel E. G. Nielsen – Sound of Metal (Amazon Studios) 

BEST COSTUME DESIGN 

Ann Roth – Ma Rainey’s Black Bottom (Netflix) 

BEST HAIR AND MAKEUP 

Ma Rainey’s Black Bottom (Netflix) 

BEST VISUAL EFFECTS 

Tenet (Warner Bros.) 

BEST COMEDY 

Palm Springs (Hulu and NEON) 

BEST FOREIGN LANGUAGE FILM 

Minari (A24) 

BEST SONG  

Speak Now – One Night in Miami (Amazon Studios) 

BEST SCORE 

Trent Reznor, Atticus Ross, and Jon Batiste – Soul (Disney) 

SERIES CATEGORIES 

BEST DRAMA SERIES 

The Crown (Netflix) 

BEST ACTOR IN A DRAMA SERIES 

Josh O’Connor – The Crown (Netflix) 

BEST ACTRESS IN A DRAMA SERIES 

Emma Corrin – The Crown (Netflix) 

BEST SUPPORTING ACTOR IN A DRAMA SERIES 

Michael K. Williams – Lovecraft Country (HBO)

BEST SUPPORTING ACTRESS IN A DRAMA SERIES 

Gillian Anderson – The Crown (Netflix) 

BEST COMEDY SERIES 

Ted Lasso (Apple TV+) 

BEST ACTOR IN A COMEDY SERIES 

Jason Sudeikis – Ted Lasso (Apple TV+) 

BEST ACTRESS IN A COMEDY SERIES 

Catherine O’Hara – Schitt’s Creek (Pop) 

BEST SUPPORTING ACTOR IN A COMEDY SERIES  

Daniel Levy – Schitt’s Creek (Pop) 

BEST SUPPORTING ACTRESS IN A COMEDY SERIES 

Hannah Waddingham – Ted Lasso (Apple TV+) 

BEST LIMITED SERIES 

The Queen’s Gambit (Netflix) 

BEST MOVIE MADE FOR TELEVISION 

Hamilton (Disney+) 

BEST ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION 

John Boyega – Small Axe (Amazon Studios) 

BEST ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION 

Anya Taylor-Joy – The Queen’s Gambit (Netflix) 

BEST SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION 

Donald Sutherland – The Undoing (HBO) 

BEST SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE MADE FOR TELEVISION   

Uzo Aduba – Mrs. America (FX) 

BEST TALK SHOW 

Late Night with Seth Meyers (NBC) 

BEST COMEDY SPECIAL – TIE  

Jerry Seinfeld: 23 Hours to Kill (Netflix) 

Michelle Buteau: Welcome to Buteaupia (Netflix) 

BEST SHORT FORM SERIES 

Better Call Saul: Ethics Training with Kim Wexler (AMC/Youtube) 

About the Critics Choice Association (CCA)  

The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 400 television, radio and online critics and entertainment reporters. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the blurring of the distinctions between film, television, and streaming content. For more information, visit: www.CriticsChoice.com.  

Brosnahan Shines in ‘I’m Your Woman’ Crime Thriller Throwback

Brosnahan Shines in ‘I’m Your Woman’ Crime Thriller Throwback

 By Lynn Venhaus
Jean is a terrible cook. But her gangster husband Eddie (Bill Heck) doesn’t mind that she is not Susie Homemaker. She wiles the day away looking fabulous in their snazzy place, creature comforts at the ready. “I’m Your Woman” appeals not only with its gaudy look but also its subtle evolution during a distinct time period.

One day, Eddie brings home a baby. On another day, Eddie doesn’t come home. A guy named Cal arrives to drive her and infant Harry away to an undisclosed location. Jean, confused and frightened, does what she is told.

Such is the wife mindset at the time. She knew Eddie was a criminal but didn’t judge. He provided a good life for her that she didn’t look beyond. 

In this 1970s set crime drama, Jean is forced to go on the run after Eddie betrays his partners, sending her and her baby on a dangerous journey.

Well, on the road she learns a few things and learns how to adapt on her own. She wears thrift store chunky sweaters, bakes TV dinners and listens to an AM radio. She survives. And her growth as a mother is a charming aspect you wouldn’t find in a male-dominated narrative.

Jean’s hard-fought journey about being comfortable in her own skin is at the heart of the crime thriller “I’m Your Woman,” and Rachel Brosnahan embodies Jean’s progression in a genuine way. 

Brosnahan, who has won multiple awards as the title character in “The Marvelous Mrs. Maisel,” looks every bit a 1970s gal but more importantly, conveys her quicksilver moods and little moments of victory in such an endearing way.

Her talks with Arinze Kene, assiduous as the complicated Cal, are particularly strong and delve more into character than usual crime-centered fare.

Director Julia Hart, who co-wrote the screenplay with her husband Jordan Horowitz, has some issues connecting the dots but not enough to detract. 

However, she fumbles with the flow – it’s very measured and slower paced. Nevertheless, Hart can stage compelling action when necessary. And there are some bloody shoot-outs.

Noteworthy are an engaging soundtrack and a production design dense with details.

Brosnahan makes such an impression in this film that you really want to know what happened to Jean and her adorable Harry after the film ends, but glad you were able to spend time with them.

“I’m Your Woman” is a crime drama directed by Julia Hart and starring Rachel Brosnahan, Arinze Kene, Marcia Stephanie Blake, Bill Heck. Rated R for language and violence, it has a run time of 2 hours. Lynn’s Grade: B. The film premiered on Amazon Prime on Dec. 11.

‘All In: The Fight for Democracy’ Shows What’s At Stake Then and Now

‘All In: The Fight for Democracy’ Shows What’s At Stake Then and Now

By Lynn Venhaus

America, we have a problem. It should be a given – one voice, one vote – but it’s not, as this film illustrates. Timely and powerful, “All In: The Fight for Democracy” should be required viewing for all citizens. When our country began, only 6% of the public could vote, and that included the rich, white landowners – not women or minorities. Voter suppression only isn’t in our nation’s history – it’s in our present. Cut to modern day politics, where it is a very real threat to democracy.

This documentary examines voter suppression in both the past and present U.S. and gives us an insider’s look into laws and barriers to voting. There are real threats to the basic rights of U.S. citizens to vote, and with a Presidential Election looming, the film highlights what needs to be done so everyone has their voice heard.

Impassioned filmmakers Lisa Cortes and Liz Garbus interweave personal experiences with current activism and historical insight. Garbus was Oscar-nominated for two documentaries, “What Happened, Miss Simone?” (for which she won an Emmy) and “The Farm: Angola, USA.” She directed two episodes and produced the HBO mini-series “I’ll Be Gone in the Dark.” Cortes won an Emmy last year for the documentary “The Apollo.”

Stacey Abrams

Front and center is Stacey Abrams, the former Minority Leader of the George House of Representatives, whose loss in the gubernatorial race is still suspect. Abrams was the first black woman to become a major party’s nominee in the U.S.

After losing in an unfair fight to the Georgia Secretary of State Brian Kemp, Abrams has turned her focus on exposing corruption and creating awareness. She is the founder of Fair Fight Action, a national organization battling voter suppression. She encourages you to get involved and make sure elections are fair.

Most importantly, the film shows how people can fight for the right to vote and lets you know about the tools needed to protect this right.

Janelle Monae has written a song for the film called “Turntables.” Here is the link to the music video: https://youtu.be/8CFrCk6_0rM

The film is a call to action – it will make you want to do something. And that’s a good thing. We should all take part in our democracy, because as we have learned – it is precious.

The film is also part of an ambitious and visionary action plan to reach voters and educate them across this nation that Amazon is supporting, and so are the filmmakers.

#ALLINFORVOTING is a social impact campaign with community-based organizations, non-profits, corporations, artists, activists and influencers. It is being launched ahead of National Voter Registration Day – Sept. 22 – and in coordination with the film release.

The non-partisan campaign will develop a groundswell of digital content to combat misinformation about the voting process, and launch targeted campaign programming to educate and register first-time voters, mobilize communities to have their voices and values counted in the November election (and beyond), and train citizens to know how to recognize and report voter suppression.

There will be on online digital action hub featuring resources and tools for visitors to register to vote, check registration status, get election reminders, find their polling place, access state by state election information, see what’s on my ballot, request an absentee ballot and learn how to recognize and report voter suppression.

The documentary “All In: The Fight for Democracy” is directed by Liz Garbus and Lisa Cortes. Rated: PG-13 for some disturbing violent images, thematic material and strong language – all involving racism, the run time is 1 hour, 42 minutes. Lynn’s Grade: A
In Theatres Sept. 9 and streaming on Amazon Prime Sept. 18.

‘The Vast of Night’ Smartly Builds Eerie Sci-Fi Suspense

‘The Vast of Night’ Smartly Builds Eerie Sci-Fi Suspense

By Lynn Venhaus

It is rare to find a low-budget independent film that is so assured, so confident in its fluid camera movements and spot-on production elements that it makes you believe in the thrilling possibility of movies. “The Vast of Night” is the most pleasant of surprises – a thoroughly satisfying genre film that gets many things right for 89 captivating minutes.

One fateful night in a sleepy town in New Mexico, a naive switchboard operator (Sierra McCormick) and cocky radio DJ (Jake Horowitz) begin to suspect some supernatural goings-on that may alter their future. Could it be a UFO? Commies? After all, it is the 1950s. They set out on a mission of discovery as some sort of invasion seems imminent.

In a brilliant film debut, director Andrew Patterson – whose day job included promotional video for the Oklahoma City Thunder NBA team – breaks through as a fresh, imaginative talent. It is not so much the plot, which is a standard UFO science fiction tale, but it is the way he builds an eerie tone and intriguing rhythms in this old-fashioned, well-worn story.

The first sign that we are in for a fun ride is framing it as an episode of “Paradox Theatre,” a Twilight Zone knockoff in glorious black-and-white, ‘50s-style. I can imagine sitting in my grandparents’ living room watching this on “Chiller Thriller” or at the drive-in.

Set in fictional Cayuga, N.M., in 1957, most townsfolk are packed inside the local high school gym for a big game with cross-valley rivals. ‘Big fish in a little pond’ DJ Everett “The Maverick” Sloane is setting up the reel-to-reel tape for recording the action and fast-talking with everyone, including 16-year-old Fay Crocker. Both techie nerds, they share a fascination with the future and what may be in store for mankind.

She must work her part-time job as a switchboard operator, so they walk to the town’s communication center, talking in an engaging style, reminiscent of Richard Linklater films. The tracking shot is a dazzling feat while snappy repartee ensues beneath the glow of streetlights.

Patterson’s slowly builds the suspense, aided by M.I. Littin Menz’s striking cinematography. Is this an instance where “good people go bad and smart people go mad,” Everett wonders.

With intelligence and wit, screenwriters James Montague and Craig W. Sanger have crafted interesting blocks of dialogue, establishing the characters’ personalities right away. The set-up is almost Altman-esque, the way everyone chatters about a squirrel biting through an electric chord that has wreaked havoc.

What kind of storm is brewing? The phones seem on the fritz with weird noises. People are reporting seeing “something in the sky.” That turns Everett and Fay into super-sleuths. They are determined to crack the mystery, and with the help of two call-in listeners to the radio station, they are certain an invasion of some sort is afoot.

By setting it in the 1950s, when everyone was nervous about the Russians and the Cold War, let alone post-atomic paranoia, that factors into an “Invasion of the Body Snatchers” and “The X-Files” vibe as well as a “Close Encounters of the Third Kind” feel.

The main duo, Sierra McCormick and Jake Horowitz convey a wholesome earnestness that is refreshing.

Bruce Davis, as an ex-military man describing secret government operations, is hypnotic during a fade-to-black monologue. So is an elderly shut-in, harboring a dark secret. Gail Cronauer imbues Mabel Blanche with a palpable sadness, as she is convinced that aliens abducted her child years ago but always dismissed if she brings it up. Those segments are reminiscent of old-timey radio plays.

After its Toronto international Film Festival debut last November, “The Vast of Night” was a runner-up to the people’s choice award. At Slamdance in 2019, it won the audience award for best narrative feature. The screenwriters were nominated for best first feature screenplay at the Independent Spirit Awards earlier this year.

With its critical raves and crowd-pleasing awards, “The Vast of Night” is now ready to be seen by the public.

“The Vast of Night,” directed by Andrew Patterson; starring Jake Horowitz, Sierra McCormick, Bruce Davis, Gail Cronauer.
Rated: PG-13 for brief strong language. Run time: 89 minutes. Lynn’s Grade: A
Available on Amazon Prime May 29

This review ran in the Webster-Kirkwood Times .