“In this intense one-act duet, Laurie McConnell and John Pierson illustrate why if you are going to put two people in one room, it might as well be them.”
Union Avenue Opera’s University Artist Outreach program, Crescendo, will present a free recital on Sunday, March 10, at 5 p.m. The recital is the culmination for participants in UAO’s Crescendo program, a free, hands-on, performance based training program developed to further the education of local artists still young in their careers as they prepare to join the St. Louis art community.
The recital is free and open to all ages. It will be held on the Union Avenue Opera stage at 733 North Union Blvd, St. Louis, MO 63108. This is a non-ticketed event. Doors open 4:30 p.m.
In the spring of 2014, Union Avenue Opera launched their new collegiate enrichment program called Crescendo.
Participants take part in a series of masterclasses and workshops presented by UAO’s esteemed professionals in anticipation of a public recital on March 10, where they will compete for $2,500 in scholarships and spots in UAO’s 2019 productions of Candide and La Boheme.
The program is open to all voice students currently enrolled in an undergraduate program within 60 miles of St. Louis, and offers a unique opportunity for young artists to work with their contemporaries while honing their craft.
To date, 72 students have completed the Crescendo program, some as many as 4 times! As a result, these young artists have appeared in over 65 roles in 7 operas as part of UAO’s Festival Season. This year, 24 students from seven local music programs are participating in Crescendo.
Union Avenue Opera’s Crescendo is designed for the motivated student, to provide the opportunity to hone their craft while working with UAO’s esteemed professionals.
UAO believes St. Louis has a lot to offer singers and they want to reach out to local students and make their acquaintance. In addition, participants will compete for scholarships as well as paid positions in UAO’s 2019 productions of Bernstein’s Candide, Puccini’s La bohème, and Tom Cipullo’s Glory Denied.*
Numerous participants of the Crescendo Program have gained employment opportunities working behind the scenes at Union Avenue Opera. Students were hired to work in the box office, run supertitles, as well as perform in productions, all of which gave them insight to a career in the performing arts.
cutline: 2018 Recital Winners: SIUE’s Sarah Paitz recipient of the John J. Prcic Memorial Scholarship, SIUE’s David Fournie winner of the Jack and Betty Swanson Scholarship, Webster University’s Abby Benson winner of the John Lessor Scholarship, and Artistic Director Scott Schoonover. Kari Frey Photography.
Meet the 2019 Crescendo Staff
Program Coordinator – Debra Hillabrand
Christine Armistead, Director of Vocal Activities, Washington UniversityJon Garrett, Adjunct Professor, Staff Accompanist and Music Director, St. Louis University; Adjunct Professor of Voice, Staff Accompanist and Music Director, Lindenwood University, Adjunct Professor, St. Charles Community CollegeSandra Geary, Piano Faculty, Washington UniversityMartha Hart, Associate Professor of Voice, Webster UniversityEric KuhnStella Markou, Director of Vocal Studies, University of Missouri-St. LouisNancy Mayo, Piano Faculty, Webster UniversityJennifer MedinaAlice Nelson, Director of the Webster Opera Studio, Webster UniversityAnna Pileggi, Professor of the Practice in Drama, Washington UniversityNoël Prince, Voice Faculty, Washington UniversityMarc Schapman, Director of SIUE Opera Theatre, Southern Illinois University EdwardsvilleScott Schoonover, Artistic Director and Founder, Union Avenue Opera Stephanie Tennill, Assistant Professor of Music, Saint Louis University
Questions?Email Program Coordinator, Debra Hillabrand, at crescendo@unionavenueopera.org
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
With the sort of clarity and theatrical density that only the two-hander can achieve, the season of exclusively two-character plays will journey through our most closely complex relationships: Mentor and Apprentice; Husband and wife; Mothers and Child.
Our 2019-20 season:
“Fifty Words” by Michael Weller
Directed by Associate Artistic Director John Pierson
September 20 – October 6, 2019
While their nine-year-old son is away for the night on his first sleepover, Adam and Jan have an evening alone together, their first in years. Adam’s attempt to seduce his wife before he leaves on business the next day begins a suspenseful nightlong roller-coaster ride of revelation, rancor, passion and humor that explores a modern-day marriage on the verge of either a breakup or deepening love and understanding.
“Mr. Weller is a bold and productive dramatist.” —NY Times.
“The best thing about Weller’s play is that it offers no easy answers for making a relationship work. Its shades of gray are less than comforting but realistic as husband and wife struggle to describe and resolve their complex feelings for each other.” —International Herald Tribune.
“A Life in the Theatre” by David Mamet
Directed by John Contini
December 6 – December 22, 2019
Starring Founder/Artistic Director William Roth and Spencer Sickmann (Farragut North, The Feast, LaBute Festival)
The Pulitzer Prize-winning author of “Glengarry Glen Ross” and “Speed-The-Plow” takes us into the lives of two actors: John, young and rising into the first flush of his success; and Robert, older, anxious, and beginning to wane. Their short, spare, and increasingly raw exchanges reveal the estrangement of youth from age and the wider, inevitable and endless cycle of life, in and out of the theatre.
“A comedy about the artifice of acting… It is also about the artifice of living… An evening of pure theatre.” – The New York Times
“A comic masterpiece.” – New York Daily News
“The warmest and often the funniest play in town.” – New York Post
“[Mamet has] the most acute ear for dialogue of any American writer since J.D. Salinger.” – Village Voiceb
“Annapurna” by Sharr White
Directed by Associate Artistic Director Annamaria Pileggi
February 14- March 1, 2020
After twenty years apart, Emma tracks Ulysses to a trailer park in the middle of nowhere for a final reckoning. What unfolds is a visceral and profound meditation on love and loss with the simplest of theatrical elements: two people in one room. A breathtaking story about the longevity of love.
“Sharr White’s ANNAPURNA is a comic and gripping duet…The closer [the characters] get to understanding what drove them apart, the more engrossed we become in watching them draw together.” —San Francisco Chronicle.
“What if you had experienced the defining moment of your life—but couldn’t remember it? Sharr White’s remarkable two-person play ANNAPURNA…deals with just that dilemma, as well as other imponderables such as the vagaries of love and the philosophical clarity of impending death.” —LA Times.
“…at the heart of each character is a lyricism that simply can’t be suffocated. Sharr White has created two fine and ferociously damaged people caught in the emotional whirlpool of not being able to live with or without each other.” —Huffington Post.
“White’s poetry is endearing and quite lovely, and his dialogue is sharp, funny and consistently very honest…”—BroadwayWorld.com.
“Comfort” by Neil LaBute
Directed by Associate Artistic Director Annamaria Pileggi
April 17-May 3, 2020
A new play by STLAS friend and associate Neil LaBute in which a successful author and her son meet after some time apart and revisit their troubled relationship. What’s at stake? Whether or not the instinctive bond between mother and child can survive not just the past, but also two new book deals.
“Mr. LaBute is writing some of the freshest and most illuminating American dialogue to be heard anywhere these days.” —NY Times.
“No contemporary writer has more astutely captured the brutality in everyday conversation and behavior: That kind of insight requires sensitivity and soul-searching.” —USA Today.
“It is tight, tense and emotionally true, and it portrays characters who actually seem part of the world that the rest of us live in.” —Time.
ABOUT ST. LOUIS ACTORS’ STUDIO St. Louis Actors’ Studio is one of the leading professional theatres in the St. Louis. area, producing a four-show season of plays at our 97-seat Gaslight Theatre. STLAS collaborates with renown director, screenwriter and playwright Neil LaBute to produce the LaBute New Theater Festival each July in St. Louis and each January in New York City. The festival is a one-act play competition for emerging professionals and high-school writers.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
St. Louis Actors’ Studio is thrilled to announce that Annamaria Pileggi will join the organization as Associate Artistic Director.
She joins Founder/Artistic Director William Roth and fellow Associate Artistic Director John Pierson. She assumes her new role immediately, and in addition to her duties in artistic administration—including casting and future season planning—Anna will continue to direct during the company’s regular season.
Anna has already directed twice for STLAS, and both productions — this season’s Tribes and last season’s Blackbird — are nominated for multiple Theater Circle Awards.
Anna is a Professor of the Practice in Drama at Washington University in St. Louis who has been on the faculty of the Performing Arts Department since 1991. She is a five-time recipient of the University’s College of Arts and Sciences Faculty Award recognizing excellence in teaching. Pileggi directs and teaches courses in Acting, Movement, Musical Theatre, and Theatre for Social Change. She also serves as an administrator and acting instructor for the department’s Shakespeare Globe Program in London.
Pileggi has an MFA in acting from Brandeis University. In addition to her teaching, Pileggi has directed professionally at many St Louis theatres, including, New Jewish, Max & Louie Productions, Onsite, That Uppity Theatre, Muddy Waters, Dramatic License, and HotCity.
She was also on staff at HotCity as an Associate Director and Co-Producer of the theatre’s Greenhouse New Play Development Series from 2007 until the company’s closing in 2014.
ABOUT ST. LOUIS ACTORS’ STUDIO St. Louis Actors’ Studio is one of the leading professional theatres in the St. Louis. area, producing a four-show season of plays at our 97-seat Gaslight Theatre. STLAS collaborates with renown director, screenwriter and playwright Neil LaBute to produce the LaBute New Theater Festival each July in St. Louis and each January in New York City. The festival is a one-act play competition for emerging professionals and high-school writers.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.