By Lynn Venhaus
A 10-time Tony winner’s national tour comes to the ‘Lou, world premieres of “The Roommate” and last chance to see a whole roster of shows. There is a feast of choices as we usher March in, and spring can’t be far behind. Here’s what’s on local stages.


“Annapurna”
St. Louis Actors’ Studio
The Gaslight Theatre
N. Boyle Ave., St. Louis
Thursday – Saturday at 8 p.m.
Sunday at 3 p.m.
Feb. 14 – March 1
www.stlas.org
314-458-2978

Laurie McConnell and John Pierson star as Emma and Ulysses in Sharr White’s play about love and loss in the backdrop of the Colorado Rockies. Once married, they have a child, but haven’t seen each other for a long time.

Our review:
https://www.poplifestl.com/oh-those-ties-that-bind-an-extraordinary-annapurna-at-st-louis-actors-studio/

The Band’s Visit touring show

“The Band’s Visit”
Fox Theatre
527 N. Grand
Feb. 25 – March 8
www.fabulousfox.com

Winner of 10 Tony Awards, including Best Musical in 2018, this joyously offbeat story is set in a remote town where a band of musicians arrive, lost. They bring the town to life in unexpected ways. This is an adaptation of a 2007 Israeli film, with music and lyrics by David Yazbek. It is performed without intermission.

Here is our review: https://www.poplifestl.com/unforgettable-music-big-heart-distinguish-tony-winner-the-bands-visit-at-the-fox/

“The Ever After”
Curtain’s Up
Saturday, Feb. 29, at 6:30 p.m.
Dunham Hall, SIUEdwardsville
www.curtainsuptheater.com

A cheesy talk show host invites familiar fairy tale characters who have been estranged for 20 years to reconcile on the show.

Brett Amber


 “Flanagan’s Wake”
Emery Entertainment
The Playhouse at Westport Plaza
635 Westport Plaza
Jan. 24 – March 21
www.playhouseatwestport.com

This interactive hit show from Chicago is set in an Irish pub, and Flanagan’s family and friends give him a comedic memorial with plenty o’ pints, crazy sing-a-longs and witty tales.
Cast includes Brian Ballybunion, Fiona Finn (Jennifer Theby-Quinn), Mickey Finn Father Damon Fitzgerald (Patrick Blindauer), Kathleen Mooney, Mayor Martin O’Doul

Our review: https://www.poplifestl.com/flanagans-wake-a-raucous-raunchy-ribald-romp/

“Ghost”
Metro Theatre Company
Feb. 2 – March 1
Fridays at 7 p.m., Sundays at 2 p.m.
The Grandel Theatre
3610 Grandel Square
www.metroplays.org

World premiere of a new play adapted by Idris Goodwin from Jason Reynolds’ award-winning bestseller for young readers. Castle Cranshaw, aka “Ghost,” has only known running, but he runs for all the wrong reasons until he meets Coach. Directed by Jacqueline Thompson and stars

“Men on Boats”
The Performing Arts Department at Washington University
Feb. 21 – March 1
Edison Theatre on campus
pad.artsci.wustl.edu

John Wesley Powell’s expedition down the Green and Colorado rivers is a 19th century journey.

“The Mystery of Irma Vep”
The Repertory Theatre of St. Louis
Feb. 14 – March 8
Loretto-Hilton Center on the Webster University campus
www.repstl.org

One dark and stormy night…two actors play eight characters, with a few dozen costume changes, a lot of wigs and a blending of classic horror, B-movie mysteries and farce.  
Charles Ludlam’s supernatural comedy includes a newly revived mummy, a mysterious portrait, a family curse and a howling werewolf.

Our Review: https://www.poplifestl.com/campy-farce-irma-vep-cant-hold-audience/

“The Office! A Musical Parody”
Emery Entertainment
March 4 – 8
Wednesday-Friday at 8 p.m.
Saturday at 4 p.m. and 8 p.m.
Sunday at 2 p.m.
The Grandel Theatre
Tickets: Metrotix 314-534-1111 or one hour before showtime at Grandel box office.
www.theofficemusicalparody.com/tour

Dunder Mifflin is opening an office near you. This is the third North American tour of the unauthorized off-Broadway show, written by Bob and Tobly McSmith. It is still playing at the Jerry Orbach Theatre at 210 West 50th Street in NYC.

Mashable calls it “the world’s most elaborate inside job, created with a whole lot of love, just for fans.” It’s a typical morning at Scranton’s third largest paper company until, for no logical reason, a documentary crew begins filming the lives of the employees.

“Picnic”
Webster University’s Conservatory of Theatre Arts
Feb. 20 – March 1
Thursday and Friday at 7:30 p.m.
Saturday at 2 p.m. and 7:30 p.m.
Sunday at 2 p.m.
Stage III Auditorium
www.webster.edu
314-968-7128

William Inge’s play is set in a small town one Labor Day Weekend in the joint backyards of two widows. One lives with her two daughters and a boarder; the other is a woman and her mother. A studly young man, Hall, comes to town, and the resulting electrical charge causes some friction.

Photo by John Lamb


“The Roommate”
The West End Players Guild
Friday and Saturday at 8 p.m.
Sunday at 2 p.m.
Additional Thursday show Feb. 27 at 8 p.m.
Feb. 21 – March 1
Union Avenue Christian Church
733 N. Union at Enright
www.westendplayers.org
314-367-0025

St. Louis premiere of Jen Silverman’s contemporary comedy has been described as “The Odd Couple” meets “Breaking Bad.” Sharon, a divorced empty nester takes on a roommate in her Iowa City house – and Robyn has come from the Bronx. She has a mysterious, shady past who moves around a lot. She is everything Sharon is not — a vegan and gay, for starters. They begin to influence each other in surprising ways.

“Saint Joan of Arc”
The University Theatre at Saint Louis University
Collaborative piece with Prison Performing Arts
Thursday through Saturday at 8 p.m.
Sunday at 2 p.m.
Feb. 21 – March 1
Kranzberg Arts Center
501 N. Grand
Tickets: www.metrotix.com

Inspired by love of God and country, Joan became a 15th century French military leader. This is a contemporary retelling directed by Lucy Cashion.

“Spell #7”
The Black Rep
Wednesday at
Feb. 19 – March 8
A.E. Hotchner Studio at Washington University.
www.theblackrep.org


Ntozake Shange’s Spell #7 is a choreopoem set in a bar in St. Louis frequented by Black artists and musicians, actors, and performers. In a series of dreamlike vignettes and poetic monologues, they commiserate about the difficulties they face as black artist.


“Transluminate”
A short-play festival
The Q Collective
Thursday and Friday, Feb. 27 and 28, at 7:30 p.m.
Saturday, Feb. 29, at 4 and 7:30 p.m.
Sunday at 4 p.m.
The Chapel
6238 Alexander Drive
www.theqcollective.theater

“The Vagina Monologues”
St. Louis College of Pharmacy
Friday, Feb. 28 at 7 p.m.
Academic and Research Building Auditorium
4531 Children’s Place, St. Louis, MO 63110
Tickets: $5 at the door (cash only) or available for purchase on Eventbrite ahead of time

Note: All proceeds from ticket and dessert sales will go directly to Lydia’s House in St. Louis

Eve Ensler’s play is based on interviews with more than 200 women. With humor and grave, the piece celebrates sexuality and strength. Through this play and the liberation of this one-word, countless people throughout the world have taken control of their bodies and their lives.

The play gave birth to V-Day, a global activist movement to end violence against all women and girls. Activists are working to end harassment, rape, battery, incest, female genital mutilation and sex slavery. (https://www.vday.org/homepage.html)

It is sponsored by the Department of Liberal Arts and the Office of Diversity and Inclusion. For more information, email angela.doerr@stlcop.edu

Lydia’s House works in faith to end domestic violence by being a place of healing and a voice of hope for abused women and their children.” (https://www.lydiashouse.org/)

With the sort of clarity and theatrical density that only the two-hander can achieve, the season of exclusively two-character plays will journey through our most closely complex relationships: Mentor and Apprentice; Husband and wife; Mothers and Child.

Our 2019-20 season:

“Fifty Words” by Michael Weller

Directed by Associate Artistic Director John Pierson

September 20 – October 6, 2019 

While their nine-year-old son is away for the night on his first sleepover, Adam and Jan have an evening alone together, their first in years. Adam’s attempt to seduce his wife before he leaves on business the next day begins a suspenseful nightlong roller-coaster ride of revelation, rancor, passion and humor that explores a modern-day marriage on the verge of either a breakup or deepening love and understanding.

“Mr. Weller is a bold and productive dramatist.” —NY Times. 

“The best thing about Weller’s play is that it offers no easy answers for making a relationship work. Its shades of gray are less than comforting but realistic as husband and wife struggle to describe and resolve their complex feelings for each other.” —International Herald Tribune.

 

“A Life in the Theatre” by David Mamet 

Directed by John Contini

December 6 – December 22, 2019 

 Starring Founder/Artistic Director William Roth and Spencer Sickmann (Farragut North, The Feast, LaBute Festival)

The Pulitzer Prize-winning author of “Glengarry Glen Ross” and “Speed-The-Plow” takes us into the lives of two actors: John, young and rising into the first flush of his success; and Robert, older, anxious, and beginning to wane. Their short, spare, and increasingly raw exchanges reveal the estrangement of youth from age and the wider, inevitable and endless cycle of life, in and out of the theatre.

“A comedy about the artifice of acting… It is also about the artifice of living… An evening of pure theatre.” – The New York Times

“A comic masterpiece.” – New York Daily News

“The warmest and often the funniest play in town.” – New York Post

“[Mamet has] the most acute ear for dialogue of any American writer since J.D. Salinger.” – Village Voiceb

“Annapurna” by Sharr White

Directed by Associate Artistic Director Annamaria Pileggi

February 14- March 1, 2020

After twenty years apart, Emma tracks Ulysses to a trailer park in the middle of nowhere for a final reckoning. What unfolds is a visceral and profound meditation on love and loss with the simplest of theatrical elements: two people in one room. A breathtaking story about the longevity of love.

“Sharr White’s ANNAPURNA is a comic and gripping duet…The closer [the characters] get to understanding what drove them apart, the more engrossed we become in watching them draw together.” —San Francisco Chronicle. 

“What if you had experienced the defining moment of your life—but couldn’t remember it? Sharr White’s remarkable two-person play ANNAPURNA…deals with just that dilemma, as well as other imponderables such as the vagaries of love and the philosophical clarity of impending death.” —LA Times.

 “…at the heart of each character is a lyricism that simply can’t be suffocated. Sharr White has created two fine and ferociously damaged people caught in the emotional whirlpool of not being able to live with or without each other.” —Huffington Post. 

“White’s poetry is endearing and quite lovely, and his dialogue is sharp, funny and consistently very honest…”—BroadwayWorld.com.

“Comfort” by Neil LaBute

Directed by Associate Artistic Director Annamaria Pileggi

April 17-May 3, 2020

A new play by STLAS friend and associate Neil LaBute in which a successful author and her son meet after some time apart and revisit their troubled relationship. What’s at stake? Whether or not the instinctive bond between mother and child can survive not just the past, but also two new book deals.

“Mr. LaBute is writing some of the freshest and most illuminating American dialogue to be heard anywhere these days.” —NY Times. 

“No contemporary writer has more astutely captured the brutality in everyday conversation and behavior: That kind of insight requires sensitivity and soul-searching.” —USA Today.

 “It is tight, tense and emotionally true, and it portrays characters who actually seem part of the world that the rest of us live in.” —Time. 

ABOUT ST. LOUIS ACTORS’ STUDIO St. Louis Actors’ Studio is one of the leading professional theatres in the St. Louis. area, producing a four-show season of plays at our 97-seat Gaslight Theatre. STLAS collaborates with renown director, screenwriter and playwright Neil LaBute to produce the LaBute New Theater Festival each July in St. Louis and each January in New York City. The festival is a one-act play competition for emerging professionals and high-school writers.