Maya doesn’t have a ride to prom. Her friends have ditched her, and her mom, Dr. Rachel Graves, is too busy fighting for a community that’s been poisoned by WWII-era radioactive waste. Like most fights, the front line has formed at a St. Louis County PTA meeting.

Confetti Kids by Aurora Behlke is a world premiere, with performances Aug. 20–Sept. 5, Thursdays through Saturdays at 7 PM, at The Chapel, 6238 Alexander Drive (63105). Tickets are $20 for artists, seniors, and students; $25.00 for general admission; and are available through Eventbrite. 

Confetti Kids follows Rachel Graves, a nuclear scientist and single mother whose carefully controlled world begins to unravel as her community confronts the legacy of decades-old radioactive contamination near her daughter’s high school. As Rachel is drawn into the fight for environmental justice, she must navigate the tension between scientific objectivity and the deeply personal stakes of protecting her family.

All while life continues to revolve around the very real, very urgent matters of teenage friendships, prom preparations, and growing up. Blending humor and hope, Confetti Kids explores motherhood, friendship, inherited consequences, and the choices we make when the past presents constant obstacles. 

For generations, Coldwater Creek has been woven into the fabric of North St. Louis County. A place where families walked, children played, and neighborhoods grew. What many residents didn’t know was that the creek also carried the legacy of radioactive waste generated during uranium processing for the Manhattan Project.

As contamination spread through flooding, Coldwater Creek became the center of decades of community advocacy, scientific investigation, and ongoing environmental cleanup. Its story raises urgent questions about environmental justice, public trust, and what we owe communities living with the consequences of decisions made long ago.

The performing ensemble includes: Nicole Angeli, Adam Flores, Hailey Medrano, and Tia Williams.

Kristen Strom will direct the production. Jim Bernatowicz is the stage manager. Lighting design by Theresa Comstock, costume design by Kayla Lindsay, set design by Erik Kuhn, with sound design by Ellie Schwetye. Props by CeCe Entz, Video/Projection design by Eric Satterfield. Dramaturg was Keir Aitken. Mason Hunt serves as master electrician, and graphic design by Dottie Quick. Ellie Schwetye, Rachel Tibbetts, and Summer Baer are co-producers. 

Confetti Kids was developed through the 2024 Confluence Writers Project, the St. Louis Shakespeare Festival’s fellowship supporting emerging playwrights from Missouri and Illinois. Written by Aurora Behlke for the festival, the play continues the Confluence Writers Project’s mission of nurturing new voices and bringing original Midwestern stories to the stage.

This production also marks SATE’s second full production of a Confluence developed play, following its acclaimed world premiere of Courtney Bailey’s Brontë Sister House Party, another commission that went on to earn multiple St. Louis Theater Circle Awards. SATE is proud to continue to foster new and impactful work by local playwrights. 

Funding for Confetti Kids made possible by Missouri Arts Council and the Regional Arts Commission.

SATE presents the Seventh Annual Aphra Behn Festival, May 5-7, 2023, at Fontbonne University. Performances are at 8:00 PM on Friday, May 5 and Saturday, May 6. Performance on Sunday, May 7 at 4:00 PM.

When established in 2017, a goal of the Aphra Behn Festival was to give women interested in directing and writing for theatre an opportunity to get more experience, try out ideas, experiment, and hone their craft. SATE now looks to make the Festival a more inclusive space for transgender and non-binary artists, as well.

The Aphra Behn Festival is named for the fascinating poet, translator, and spy, Aphra Behn, who is widely considered to be the first English woman to make her living as a playwright. SATE produced a play about her, Or, by Liz Duffy Adams, in February 2015 and collaborated with Prison Performing Arts to adapt Behn’s play, The Rover, for the artists at the Women’s Eastern Reception, Diagnostic, and Correctional Center in Vandalia to perform. The Rover was also the text shared by the directors in the 2020 Festival. SATE feels very much a part of Aphra’s legacy.

This year’s list of ingredients for plays to be submitted in the 2023 Festival challenged the writers to re-tell, adapt, or respond to one of the plays on Hedgepig Theatre Ensemble’s Expand the Canon list (www.expandthecanon.com) SATE hosted readings of all three “Re-Told” plays on February 19, March 19, and April 30.

2023 Festival Plays

Bold Stroke for a Villain by Summer Baer
Directed by Emma Glose
Inspired by Hannah Cowley’s Bold Stroke for a Husband
Performed by Gabrielle LynnJaelyn HawkinsGreta Johnson
Welcome to purgatory! Victoria, condemned to an eternity of reflection, attempts to call into the void to someone she wronged but gets Elle Woulds instead.

Lieblingstante, by Aurora Behlke
Directed by Kayla Ailee Bush
Based off The Uncle by Princess Amalie of Saxony
Performed by Maida DippelMichael Pierce, and Leslie Wobbe
Julius introduces his girlfriend to his aunt Claudia. Who knows where the conversation may go after one or two (or four) glasses of wine.

reANIMA by Aly Kantor
Directed by Britney N. Daniels
A speculative subversion of Amelia Rosselli’s Anima
Performed by Keating and Taylor Kelly
Cricket totaled her meat vessel at a party—but not to worry! Her best friend has an industry hookup and made her a brand new one with all the bells and whistles she could ever want (and a few she’s slightly reluctant about). Now everything can get back to normal…right?

PRODUCTION ENSEMBLE
Stage Manager: Spencer Lawton
Costume Design: Liz Henning
Lighting Design: Michael Sullivan
Graphic Design: Dottie Quick
Photography: Joel Rumpell
Set/Props Design: Rachel Tibbetts, Ellie Schwetye
Sound Design: Emma Glose, Ellie Schwetye
Intimacy Coordinator: Rachel Tibbetts