The local not-for-profit arts organization, Arts For Life, has announced that it will return to in-person judging of community theater productions beginning July 1.

With the goal of “Making a Dramatic Difference,” AFL is passionate about the healing power of the performing arts, and is proud to salute, support, and serve the theater groups in the St. Louis, MO-IL Metro East region.

AFL is dedicated to promoting public awareness of local community theatre, encouraging excellence in the arts, and acknowledging the incredible people who are part of it.

Since 1999, the annual Best Performance Awards has celebrated achievements in musical theater and youth productions. In 2015, the Theatre Mask Awards were started to honor outstanding work in plays – in both dramas and comedies.

About 25 community theater organizations are eligible to participate in AFL.

Additionally, the group is seeking volunteer judges to evaluate shows and performers for their annual awards recognizing excellence in the region. Volunteers are the “eyes and ears” of AFL, ambassadors in the community. The deadline for applications is Monday, June 7.

Judges are required to attend a meeting before they are assigned shows to score. You must be 18 years old or older and choose either musicals or plays. If interested, fill out the form here for the Theater Recognition Guild, either the TMAs or BPAs:
https://www.surveymonkey.com/r/2021trgjudgeapp

Mandatory judges’ training meetings will be on the Zoom teleconference platform, offered at three different dates and times: Wednesday, June 23, and Sunday, June 27, both at 7 p.m.; and Saturday, June 26, at 1 p.m. The TRG chairmen will go over AFL’s policies and procedures, giving the judges the tools to be fair and conscientious.

For not-for-profit registered theater groups who want their shows to be eligible for accolades, they must fill out the paperwork eight weeks prior to opening night. Those forms are located here:
https://www.surveymonkey.com/r/2021participationforms

“Welcome back! AFL is thrilled to see our theatre groups getting ready to start putting on shows again. We are recruiting judges, scheduling training and looking forward to getting back to enjoying theatre in the St. Louis-Metro East areas,” said AFL President Mary McCreight.

“Thank you to everyone who stayed the course and who are still excited to entertain. We are ready and hope you are too. See you soon!” McCreight said.

AFL had suspended judging activities beginning in April 2020 because of the coronavirus public health emergency in Illinois and Missouri. The board of directors adopted measures to foster the protection of those who work and play in community theater until it would be safe to return.

As the CDC and local officials have recently eased restrictions and more Americans are vaccinated, the AFL board of directors, at their May 15 meeting, agreed to move forward and resume normal operations on July 1.

In mid-March 2020, the global COVID-19 pandemic shutdown included closing performance venues, limiting capacity at gatherings, and protocols for social distancing and face coverings.

AFL had transitioned to virtual streamed formats for both their TMA and BPA shows honoring productions in 2019 last summer and for the recent TMAs recognizing shows produced in early 2020 and one in the fall.

The BPAs were cancelled for 2021. and the few musicals that were performed in early 2020 will be considered for the 2022 awards, along with those performed from July through December in 2021.

AFL board members have continued their focus on encouraging and promoting community theater in the region and supporting charitable programs. They will award two annual youth scholarships in June.

In recent years, AFL has initiated an Adopt-a-Student mentoring program and presented an online series on diversity and inclusion last fall.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

AFL was founded in 1994 by Lucinda Guyrci dedicated to the healing power of the arts through its work with youth, the under-served and the community.

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org or visit the website, www.artsforlife.org

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel: https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

FOR IMMEDIATE RELEASE

Clayton Community Theatre’s production of the classic romantic comedy “The Philadelphia Story” swept the 2021 Theatre Mask Awards, winning seven out of its eight nominations.

For the second year in a row, a virtual ceremony took place. On April 3, the 17-minute pre-recorded announcement honored excellence in community theater productions of comedies and dramas, as the TMAs have done since 2015.

Only for 2020, Arts For Life scaled back the format to reflect the number of eligible plays performed before the coronavirus pandemic shutdown. Awards were presented in 10 non-musical play categories instead of the usual 18.

TMA Steering Committee co-directors Melissa Boyer and Tim Naegelin announced the winners. The presentation is available on Arts For Life’s YouTube channel:

https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

Clayton Community Theatre, last year’s big winner in both comedy and drama with “Biloxi Blues” and “A Soldier’s Play,” added to their overall total of 28 awards and 113 nominations. They won for Play, Director Heather Sartin, Leading Actress Kelsey McCroskey, Supporting Actress Caitlin Souers, Costume Designer Julie Smailys, Lighting Designer Nathan Schroeder and Set Designers Andrew Cary, Zac Cary and Heather Sartin.

They staged “The Philadelphia Story” in March 2020. The 1939 play by Philip Barry deals with family dynamics and class prejudice at the affluent Lord estate, where everyone has gathered for socialite Tracy Lord’s second wedding, but romantic entanglements ensue and she must choose between three men – her fiancé, ex-husband and reporter covering the society event.

The winning actresses, McCroskey and Souers played Tracy Lord and her younger sister Dinah respectively. This is Schroeder’s third award for lighting design, winning for CCT’s “Macbeth” in 2015 and “A Soldier’s Play” last year.

Act Two Theatre’s production of the comedy “Who’s in Bed with the Butler?” won two – for Best Supporting Actor Todd Micali and Best Ensemble. The St. Peters-based group had led this year’s awards with nine nominations.

They staged the 2004 farce by Michael Parker in February 2020. It is about a California billionaire who has bequeathed all of his assets to his only daughter, Constance – except the $22 million yacht he wanted Josephine to have, a $25 million art collection left to Renee, and some priceless antique automobiles willed to Marjorie. She arrives at her father’s mansion with her lawyer to find out who these women are and discovers the butler seems to hold the key.

Micali, playing the bumbling detective Davis, has won in the supporting actor category before –as Felix Ungar, in “The Odd Couple” in 2016, and a Best Performance Award for Comedic Actor in multiple roles in “Spamalot” in 2014.

Alton Little Theater won one for Leading Actor, Shea Maples, in “Inherit the Wind.” He played the character Matthew Harrison Brady, which is based on attorney William Jennings Bryan, in the drama that is a fictional account of the 1925 Scopes Monkey Trail.

Arts For Life announced the TMA nominations on March 12, during the nonprofit organization’s first-ever virtual trivia night.

“The TMAs were able to do eight shows last year and so the show must go on. Several categories were combined to allow for more nominees,” said AFL President Mary McCreight.

Naegelin explained the reasoning behind 2021’s awards ceremony.

“2020 was a difficult year. Most theatre was cancelled after March, but the TMA Steering Committee and the AFL Board of Directors believed the Theatre Recognition Guild had reviewed enough shows to make a successful TMA event. With only eight shows eligible, some categories were combined so that we did not lose the integrity of our awards and nominations.  To that end, there was not a division of drama and comedy categories for this year,” Naegelin said.

During 2020, beginning in mid-March, because of the public health emergency in Illinois and Missouri. performance venues were closed, gatherings limited to a percentage of capacity and safety protocols in place, including social distancing and face coverings to lessen community spread.

Because of the coronavirus crisis, AFL adopted measures to foster the protection of those who work and play in metropolitan St. Louis-southwest Illinois community theater.

“We will continue our charitable mission of service and recognition once it is safe to do so,” McCreight said.

The Philadelphia Story

The 2020 TMA winners are:

BEST PRODUCTION
“The Philadelphia Story,” Clayton Community Theatre

BEST DIRECTOR
Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre

BEST LEADING ACTOR
Shea Maples, “Inherit the Wind,” Alton Little Theater

BEST LEADING ACTRESS
Kelsey McCroskey, “The Philadelphia Story,” Clayton Community Theater

BEST SUPPORTING ACTOR
Todd Micali, “Who’s in Bed with the Butler?” Act Two Theater

BEST SUPPORTING ACTRESS
Caitlin Souers, “The Philadelphia Story,” Clayton Community Theater

BEST COSTUME DESIGN
Julie Smailys, “The Philadelphia Story,” Clayton Community Theatre

BEST LIGHTING DESIGN
Nathan Schroeder, “The Philadelphia Story,” Clayton Community Theatre

BEST SET DESIGN
Andrew Cary, Zac Cary and Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre

BEST ENSEMBLE
Act Two Theatre, “Who’s in Bed with the Butler?”

Winners can record an acceptance speech, no more than two minutes in length, and send it by April 9 to tmavideo2021@gmail.com

AFL will upload the recording to its YouTube channel.

Who’s in Bed with the Butler? cast

AFL Adjusts Events in 2020-2021/Mission Remains the Same

Last year, AFL transitioned to streamed formats for both their TMA and Best Performance Awards (musical theater and youth productions) shows honoring productions in 2019.

The BPAs have been cancelled in 2021, and the few musicals that were performed in early 2020 will be considered for the 2022 awards. In April 2020, the AFL president suspended all public activities of the AFL organization, and then the board extended suspension of the Theatre Recognition Guild judging activities, for the BPA branch (musicals), through July 1, 2021.

“All is well with AFL. We will survive and look forward to meeting again in July.  Where there’s a will, there’s a way, and I thank all theater groups who are working to create a safe and pleasing future,” McCreight said.

McCreight emphasized that the AFL board will continue to base their decisions upon the best information currently available and will continue to share information promptly and transparently.

Naegelin is hopeful that more productions will be able to be mounted in 2021.

“I love the work that AFL/TMA does in supporting and promoting community theatre.  From helping provide a sense of community, to providing scholarships, and mentoring at risk students in local theatre programs, AFL/TMA provides a full range of support to the St. Louis metro area.  I’m excited that we can continue that, even in our limited way, in 2021, he said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

To see a complete list of the nominees and awards history, visit the website: www.artsforlife.org

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There’s no business like show business! Arts For Life is devoted to supporting community theater in these pandemic times and will host its annual Trivia Night – only with a few twists.

The event is set for Friday, March 12, with rounds beginning at 7 p.m. but ‘doors’ open at 6:30 p.m. Teams can have up to 8 players and the cost is $10 per person/$80 a team. Mulligans and 50-50 tickets are available separately.

During the evening, nominations for the sixth annual Theatre Mask Awards will be announced. A scaled-back format is planned for a virtual awards ceremony on April 3. The TMAs honor plays – both comedy and drama – produced by community theater companies in the St. Louis metropolitan area, including the metro-east and St Charles County.

The Best Performance Awards, which recognizes excellence in community musical theatre, have been cancelled for this year.

“We hope groups will come together from their homes to share in the camaraderie of the arts community and have a fun evening celebrating theater,” said AFL President Mary McCreight. “AFL plans to return to its regular activities once it is safe to do so during this public health crisis.”

Using the teleconferencing platform Zoom, the AFL Board of Directors is producing an evening of eight rounds of 10 all-theater questions.

Colin Dowd, who is on the AFL Board of Directors and has been a BPA winner and TMA nominee, will be the host.

Registration will close on March 10. When registering, the team needs to designate a team captain. Information updates will be sent to the team captain to pass along to their teammates.

Players are encouraged to wear cast T-shirts that evening. (Pajama pants optional!).

To register or for more information, visit the website, www.artsforlife.org

Any questions may be directed to AFL Secretary Kim Klick — email afltrg@artsforlife.org.

By Lynn Venhaus
Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.

It was KTG’s sixth win for musical production since 2000. Both shows had been nominated for 17 awards apiece. “A New Brain,” which was a local community theater premiere for Hawthorne Players, won Best Small Ensemble Production.

Arts For Life is a nonprofit organization that encompasses 140 communities and 8,460 square miles in St. Louis city, county and St. Charles County in Missouri and Madison, Monroe and St. Clair counties in Illinois.

Founded in 1994 by Lucinda Gyurci as a group dedicated to the healing power of the arts, AFL has honored community theater musicals for performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask Awards) and expanded awards in youth musical theater in 2013.

Best Small Ensemble Musical “A New Brain”

But this is the first time AFL did not host a live gala. Because of the COVID-19 global pandemic, the ceremony was re-imagined as a pre-recorded virtual celebration. The 21st annual BPAs took place June 14, which was the original date, but transitioned to a streaming format broadcast on Facebook and YouTube.

AFL President Mary McCreight said the coronavirus safety measures in place and restrictions on gatherings in St. Louis County were factors in the decision to cancel the live show but still have some sort of event.

“We wanted to provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

Performances from nominees for large ensemble musicals, two small ensemble musicals and five youth productions premiered on AFL’s YouTube channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There were 15 community theaters and 10 youth-only groups who participated last year. More than 60 judges in the Theatre Recognition Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring 939 roles. For 2019, there were 154 individual nominations from 22 groups, with 36 percent first-time nominees and 65 percent first-time winners.

Goshen Theatre Project, which led all groups with 18 nominations, won five youth awards overall for “Les Miserables School Edition,” including Best Youth Musical Production, Supporting Actress Natalie Cochran as Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean Valjean.

Other multiple winners in the youth categories were Riverbend Theatre, which won three for “The Drowsy Chaperone” — director (Kristi Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson Heil as the Man in Chair), and Young People’s Theatre, which won two for “Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby Andrews and Gary Rackers).

Norbert Leo Butz

Thirty-three awards honoring excellence during 2019 were announced by past winners and members of the AFL board of directors, with two special guest presenters — Norbert Leo Butz, two-time Tony Award winner who grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director of The Repertory Theatre of St. Louis.

Butz, who also announced the youth musical production winner, told the audience to believe in themselves, even when it’s hard, and follow their dreams, noting he had supportive parents and “great” teachers.

“Believe in yourself and keep on being grateful. Stick to it,” he said from his home in New Jersey. “(Performing arts) feeds our soul, our minds, our hearts.”

AFL donated to Butz’s charity, The Angel Band Project, which uses music therapy to help victims of sexual abuse and domestic violence and advocates for rights of survivors. For more information, visit www.angelbandproject.org

Jennifer Kerner

Four special honors were given out to Jennifer Kerner for her inclusion efforts, Bennett English for Best Youth Musical Performance as Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,” Kayla Dressman for Best Featured Dancer as Dream Laurie in  CMP’s “Oklahoma!” and Diane Hanisch, the BPA musical director/conductor for the past 20 years, who won a national Spotlight Award from the American Association of Community Theatres, presented by Quiana Clark-Roland. A Lifetime Achievement Award was not designated this year.

Kerner’s recognition was for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

McCreight was thrilled about Hanisch’s national award.

Diane Hanisch

“This award is designed to help pay tribute to an individual for long or special service. It recognizes outstanding dedication, service and contribution to your organization. It is for someone who has made a significant impact on the quality of your organization. Diane has done just that with per professionalism and charm. She is a gem! Not only can she calm the nerves of a 12-year-old singing a solo, but others who are singing in front of 700 people for the first time. She arranges and writes the music, gathers her professional band, and conducts the show with aplomb. Diane cares as much about our legacy as anyone involved on the Arts for Life Board. No one is more deserving,” she said.

The annual Youth Scholarships, which are awarded to two students pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt High School, each given $500. Bozarth plans to major in musical theatre at Belmont University in Louisville, Ky., and Haan plans to major in technical theatre and design at Lindenwood University in St. Charles, Mo.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, in addition to “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

CMP’s Oklahoma!

For the record books, Kimberly Klick won her sixth BPA for choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the Musical” and “Fiddler on the Roof” for other companies. It was her 10th overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women” in 2008, and Cameo Actress in “Titanic” 2003.

It was three in a row for Jonathan Hartley, who won for lighting design of “Oklahoma!” and had won last year for “Joseph and the Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third in four years for choreography in Gateway Center for the Performing Arts shows – “Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern Millie” 2016. Terry Pattison also won her third for costume design since 2017: “Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project, and won set design for “Chitty Chitty Bang Bang” in 2018.

Joe Paule Sr. won his third for musical direction, for CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne Players’ “The Producers” in 2010. He received the Lifetime Achievement Award last year. It was the second award for Michael Frazier and Alison Neace for musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and for Alton Little Theatre’s “The Spitfire Grill” in 2011.

Other multiple winners included two for Alpha Players of Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).

Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”

In the acting categories, Mike Huelsmann’s award for Best Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in 2017 for Alfresco’s “The Rocky Horror Show.”

The virtual program included the following production team: directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick, visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken Clark and host Karen Fulks.

A list of winners is included here, below.

AFL’s Theatre Mask Awards was originally set for April 4, then moved to July 18, but now will also be a virtual celebration. The 2020 TMAs will honor excellence in community theater productions of dramas and comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday, July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded beforehand and the content will remain on social media.

On March 16, McCreight suspended all public activities of the AFL organization because of the public health crisis. The extension has been extended until further notice. Both TRG and TMA branch judges and participating groups will receive announcements on future developments. As the region re-opens, social distancing and wearing face coverings continues. At this time, all AFL performance venues remain closed.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

Any company that won can have a representative pick up their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton Community Theatre, which is located at the Washington University South Campus Theatre, 6501 Clayton Road, St. Louis, MO 63117.

Riverbend Theatre’s The Drowsy Chaperone

A souvenir program is available to download online: https://drive.google.com/file/d/1YlomcYjVNqDNqmPTCrYGSjnAtDwkn9QT/view

A limited number of copies will be available for purchase as well.

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

To see a list of the 2019 nominees and winners, as well as the awards history 1999-2019, visit the website: www.artsforlife.org

Follow AFL on Facebook, Twitter and Instagram.

2020 Best Performance Award Winners:

Best Musical Production Large Ensemble: “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Musical Production Small Ensemble: “A New Brain,” Hawthorne Players

Best Youth Musical Production: “Les Miserables: School Edition,” Goshen Theatre Project

Best Director: Dani Mann, “Nice Work If You Can Get It,” Kirkwood Theatre Project

Best Musical Direction: Kathy Eichelberger and Joseph Paule Jr., “Oklahoma!” Christ Memorial Productions

Best Choreography: Kimberly Klick, “Oklahoma!” Christ Memorial Productions

Best Lead Actor: Cole Guttmann, “The Bridges of Madison County, “Alpha Players of Florissant

Best Lead Actress: Jaclyn Amber, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Featured Actor: Mike Huelsmann, “Oklahoma!” Christ Memorial Productions

Best Featured Actress: Kimmie Kidd-Booker, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Supporting Actor: Caleb Long, “Oklahoma!” Christ Memorial Productions

Best Supporting Actress: Dianne M. Mueller, “Oklahoma!” Christ Memorial Productions

Best Actor in a Comedic Role: George Doerr IV, “Young Frankenstein,” Alfresco Productions

Best Actress in a Comedic Role: Margery Handy, “The Wizard of Oz,” Alton Little Theater

Best Cameo Actor: Jacob Streuter, “Jesus Christ Superstar,” Looking Glass Playhouse

Best Cameo Actress: Chelsie Johnston, “The Bridges of Madison County,” Alpha Players of Florissant

Best Actor in a Non-Singing Role: Will Shaw, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Actress in a Non-Singing Role: Maria Wilken, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Duo/Group: Matthew Joost and Carole Ann Miller, “Annie,” Take A Bow Showcase

Best Set Design: Matt Dossett, “The Little Shop of Horrors,” Monroe Actors Stage Company

Best Lighting Design: Jonathan Hartley, “Oklahoma!” Christ Memorial Productions

Best Costume Design: Krysta Wenski, “Oklahoma!” Christ Memorial Productions

Best Juvenile Performer: Leontine Rickert, “Annie,” Take a Bow Showcase

Best Youth Director: Kristi Doering, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Music Direction: Michael Frazier and Alison Neace, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Choreography: Stephanie Fox, “Spring Awakening,” Gateway Center for the Performing Arts

Best Youth Lead Actor: Jayson Heil, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Lead Actress: Alli McDonald, “Once Upon a Mattress,” St. John’s UCC Performing Arts Camp

Best Youth Supporting Actor: Will Dery, “Newsies,” Young People’s Theatre

Best Youth Supporting Actress: Natalie Cochran, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Costume Design: Terry Pattison, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Set Design: Brisby Andrews and Greg Rackers, “Newsies,” Young People’s Theatre

Best Youth Lighting Design: Halli Pattison and Blake Churchill, “Les Miserables School Edition,” Goshen Theatre Project



By Lynn Venhaus
Arts For Life’s 21st annual Best Performance Awards will now take place in cyberspace on Sunday, June 14, rather than at the Skip Viragh Center for the Performing Arts at Chaminade College Preparatory School. This year’s gala gathering has been cancelled and reimagined because of the current public health situation.

The 2020 Best Performance Awards, honoring excellence in community and youth musical theater productions presented during 2019, will premiere at 2 p.m. as a live interactive viewing event on the AFL Facebook page, but the awards show will have been pre-recorded. In addition to the BPA Facebook Watch Party, the video will be on the AFL YouTube channel as a live event and then will remain for later viewings. Please subscribe so you can get a reminder of the event.

Arts For Life will announce winners in 33 categories and will reveal the annual youth scholarship awardees. There will also be several special presentations. The Lifetime Achievement Award will not be presented this year.

Jennifer Kerner

Arts For Life will honor Jennifer Kerner with a Special Achievement Award for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

The COVID-19 pandemic has affected the entire St. Louis Metropolitan region. Mandatory stay-at-home orders remain in effect for all 8,460 square miles that the Arts For Life family calls home: St. Louis city and county, St. Charles County and the Metro-East.

With the need to maintain social distancing and to wear face coverings to lessen community spread, as well as the fact that all AFL performance venues remain closed at this time and that there is considerable uncertainty as to when large group events will be allowed to resume, the AFL board made the difficult decision to cancel the annual BPA gathering and transition to a streamed format .

AFL President Mary McCreight emphasizes that the AFL board will continue to base their decisions upon the best information currently available in this rapidly evolving situation and will continue to share information promptly and transparently, mindful of the need for our community to receive timely updates.

“While we are disappointed that we cannot produce the regular in-person ceremony that so many people look forward to attending, we hope that moving to a stream-based format will still provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

In an emergency notification on March 16, McCreight had previously suspended all public activities of the AFL organization, effective until at least May 1. At the most recent regularly scheduled meeting, held via teleconference on April 18, the board voted to extend the suspension through July 31 with the following two exceptions:

The Board has not yet taken a final decision regarding the fifth annual Theater Mask Awards ceremony set to honor achievements in non-musical plays. The brunch ceremony had already been rescheduled from April 4 to July 18 at the Atrium Banquet Center on the Christian Hospital campus in North St. Louis County. Stay tuned for announcements regarding any potential changes that might further affect the timing and/or location of this upcoming event.

Because of the suspension of public activities, the Theatre Recognition Guild (TRG) judging activities for the BPA branch (musicals) are suspended through July 31. However, activities for the TMA branch (non-musical plays) may resume slightly earlier if conditions permit. TMA branch judges and participating groups should be alert for any announcements regarding future developments.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” the president added.

For those who have purchased BPA tickets, AFL will contact you about refund options and how your money can be returned. Instead of receiving a refund you might also consider treating the purchase amount as a tax-deductible donation to AFL.

“We appreciate your support. I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

To see a list of the nominees, visit the website: www.artsforlife.org

For this year’s honors, the Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” from Kirkwood Theatre Guild and the Rodgers and Hammerstein classic “Oklahoma!” from Christ Memorial Productions each garnered 17 nominations apiece, including Best Large Ensemble.

Kayla Dressman

CMP’s “Dream Laurie,” Kayla Dressman, will receive a special award for Best Featured Dancer.

Among youth groups, the Goshen Theatre Project scored 18 nominations – 13 for “Les Miserables School Edition” and 5 for “Disney’s The Little Mermaid.” Bennett English, who played Jean Valjean, will receive a special award for Best Youth Musical Performance.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “A New Brain” from Hawthorne Players and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, besides “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

Fifteen theater groups and 10 youth-only groups participate in the BPAs, which has honored musical theater since 1999. AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community.

This year, judges scored 46 shows — 19 large ensembles, 3 small ensembles and 24 youth productions — from 27 participating groups, featuring 939 roles. For 2019, there are 154 individual nominations from 22 groups, and 36 percent are first-time nominees.

“We hope that you and your loved ones stay safe during this difficult time,” McCreight said. “Because of your commitment to our community and belief in our mission, my optimism is not diminished about AFL being able to move forward once this unprecedented time passes.” 

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel.

By Lynn VenhausManaging EditorThree metro-east community theater groups and a veteran youth program won multiple awards at the 20th annual Best Performance Awards sponsored by Arts For Life on June 9. 

The awards recognize excellence in community and youth
musical theater, with 27 groups participating from St. Charles County to
Madison, Monroe and St. Clair counties in Illinois as part of the St Louis
Metropolitan area. It is the oldest and longest continually running theater
awards in St. Louis.

“Into the Woods” Curtain’s Up Theater CompanyCurtain’s Up Theater Company won six awards for its production of Stephen Sondheim’s “Into the Woods,” including Best Large Ensemble Musical, Directors Glenn Saltamachia and Jeffrey Yapp-Ellis, Music Director Liz Murphy White, Costume Design Donna Saltamachia, Comedic Actress Miranda Mobley as Little Red and Supporting Actor Dennis Folwarczny as Cinderella’s Prince. It had received 16 nominations, the most for any show. The 1986 musical is a twist on Brothers Grimm fairy tales, exploring the consequences of wishes and quests.

“Dames at Sea” Alfresco Productions“Dames at Sea” at Alfresco Productions won four,
for Best Small Ensemble Musical, Best Leading Actress Morgan Ladyman,
Supporting Actress Elizabeth Semko and Best Choreography Ashley Pavlige. It had
received 12 nominations. The 1966 musical romantic comedy is an homage to
nostalgic 1930s movie musicals.

Bryce Miller won Best Youth Actor for “Big Fish” from Shooting Star Productions“Big Fish” at Shooting Star Productions won six
awards in the youth categories: Best Youth Production, Best Choreography Ellen
Isom, Best Music Director Ross Bell, Best Actor Bryce Miller as Edward Bloom,
Best Supporting Actress Carolyn Karutz as The Witch and Best Set Design Marty
Strohmeyer and Christopher Phillips. It had received 14 nominations. Based on
the 2003 movie by Tim Burton, adapted from David Wallace’s 1998 book, “Big
Fish” tells the larger-than-life tale of traveling salesman Edward Bloom, a man
who leads an extraordinary life according to the stories he shares.

Mia Williams won Best Youth Actress as Rafiki in “The Lion King Jr.” from Goshen Theatre ProjectThe Goshen Theatre Project in Madison County won three
awards — for leading actress, Mia Williams, as Rafiki, and costume design
Terry Pattison, for “The Lion King Jr.” (the crowd gasped when the
walking giraffe came out and the kids came down the aisles in their animal
costumes), and another one for Terry Pattison for set design for “Chitty
Chitty Bang Bang.”

Glenn Guillermo in “Bells Are Ringing”

Winning two awards were Alpha Players of Florissant’s “Bells Are Ringing” for Cameo and Non-Singing Actor, while Christ Memorial Productions’ “The Wizard of Oz” won for Juvenile Performance and Non-Singing Actress, and Looking Glass Playhouse won lighting design for “Bloody Bloody Andrew Jackson” and best actor for “Newsies.”.

Another first occurred – both the youth supporting actor
and adult featured actor won for playing Nicely-Nicely Johnson in “Guys and
Dolls” at Riverbend Theatre and Kirkwood Theatre Guild respectively, Spencer
Domer and Christopher Strawhun.

“Guys and Dolls” Riverbend TheatreThis year, 48 shows – 21 large, 7 small and 20 youth —
were eligible for BPA awards consideration, with 1,302 artists judged for
nominations. Trophies were awarded in 33 categories.

 “Theater is alive
and kicking in 2019 and local theaters in metro St. Louis and Illinois are to
be commended for a job well done,” McCreight said. “The awards are a wonderful way
for all actors and tech crews to celebrate and enjoy each other’s successes and
be recognized and rewarded.”

Since it began in 1998, AFL’s goal has been “Making a
Dramatic Difference” and is proud to salute, support and serve the theater
groups in the metropolitan St. Louis area. The non-profit organization
continues to be passionate about the healing power of the performing arts.

Morgan Ladyman, Best Actress as Ruby in “Dames at Sea”AFL President Mary McCreight said the group is dedicated to
promoting public awareness of local community theater, encouraging excellence
in the arts and acknowledging the incredible people who take part.

“St. Louis is an amazing city, especially for the arts.
There are over sixty theatre companies at home here, a third of which are
community theatre. As we watch music education and theatre programs rapidly die
in our schools, the need to keep community theatre alive is more important now
than ever,” McCreight said.

The best musical award was the first for Curtain’s Up
Theater Company, and with his win, director Glenn Saltamachia made AFL history.
He is the first person to win both Best Director Awards at the Best Performance
Awards and at the Theatre Mask Awards in April, which honors dramas and
comedies. He won the TMA for directing “Frost/Nixon” at Looking Glass Playhouse,
and that drama was tied with Actors’ Attic, for “The Curious Incident of the
Dog in the Night-time,” as Best Play – Drama.

He shared the director’s award with Jeffrey Yapp-Ellis, who
started as assistant director but made such an impact on set design, staging
and concept that he was billed as a co-director.

“It has been an incredible year! To win the TMA and BPA for
Directing in the same year is an honor I could never have dreamed of.  I have worked with two outstanding companies-
– LGP and CUTC, and I have been blessed and extremely lucky to have had
outstanding, talented, wonderful casts, production crews, technicians, and
musicians to work with,” Saltamachia said.

 “The honor is more a
reflection of their talent, hard work and determination than anything I have
brought to the table. I have always said my greatest talent as a director is
that I surround myself with extremely talented, capable people who share my
passion for good theatre. The fact that both my shows also won for Best
Ensemble in their respective categories proves my point,” he said.

Saltamachia said he was bit by the theater bug when as a
brand new second lieutenant in the Air Force, he auditioned for the Kessler Air
Force Base Little Theatre production of “Charley’s Aunt.”
“Throughout my Air Force career, I would participate in productions wherever we
were stationed when I had the time and circumstances allowed,” he said. “After
retiring from the Air Force in 1997 in Belleville, I began to hear of all the
great local community theaters, and in 1999, I got up the nerve to audition for
the Looking Glass Playhouse production of “Oliver!” and I’ve never stopped.”

Saltamachia has directed 10 shows for LGP since 2001, his
first being “The Odd Couple.” Then, he worked with some Edwardsville people who
were starting a theater company, Curtain’s Up. He appeared in “The Curious
Savage” and has directed six shows for them, the first was “Fiddler on the
Roof” in 2008.

Over the years, he has directed shows for Clinton County
Showcase in Breese, Hard Road Productions in Highland, and in Belleville, Brass
Rail Players, Downtown Players and Cathedral Players. 

“The thing I love most about directing is the process. I
love everything about it!  From script
analysis, planning conferences for concept development, set design and staging
months before production. Then the fun starts with auditions and rehearsals,”
he said. “But the absolute best part is watching as a group of diverse people;
who may not have known each other before, come together, work hard and share
their talents to produce something we are all are proud of. And on the way we
become a family who love each other and develop friendships for life.”

“Thanks to AFL. I am honored and humbled, but I am smart
enough to know I didn’t win these awards by myself,” Saltamachia said. 

“Chitty Chitty Bang Bang” Goshen Theatre ProjectTerry Pattison, who won awards for costume design and set
design for Goshen Theatre Project, said the group is in its fifth season.

“The Lion King had 46 kids in it, all under the age of 15.
There were well over 160 costumes, all hand-created. Most of the masks and
animals were constructed from a high-density foam so they stayed light weight,”
she said.

The animal costumes included: Lions, lioness, hornbills,
ostrich, zebra, gazelle, egrets, giraffes, wildebeasts, rhino, meerkat, warthog
and various birds.

 “I am honored to
have received two BPA’s this year, one for costuming and the other for scenic
design. I am always creating something in one way or another and it is a
humbling experience to have been recognized against all the other talent in the
St. Louis community theater circuit,” Pattison said.

Lucinda Gyurci, who founded Arts for Life in 1998, said she
continues to be inspired by community theater productions.

“Big Fish” Shooting Star Productions“I feel fortunate to have watched many young people, who
grew up in community theatre, become wonderfully talented adults; some making
their way to Broadway; some establishing their art in local professional
theatre; and some bringing up their next generation in their own footsteps on
the stage,” she said.

Joe Paule Sr. received the Lifetime Achievement Award for
his work as a musician in numerous pit bands, orchestras and as a music
director. Kim Klick and Glenn Guillermo were honored with two special awards,
“TRG Recognition 20th Anniversary Exceptional Volunteer Award,” citing
extraordinary above and beyond service.

Sean Harvey “Crazy for You”

Two special youth awards were given to Caroline Santiago
Turner, who received Best Youth Musical Performance for “Violet,” and
Sean Harvey, named Best Youth Featured Dancer, as Bobby in “Crazy for
You,” both produced by the Gateway Center for the Performing Arts.

Allison McDonald of Timberland High School and Kira Averett
of Mascoutah received the 2019 AFL Youth Scholarships.

The ceremony was directed by Ken Clark, with music
direction by Diane Hanisch. Ryan Cooper served as master of ceremonies for the
fifth time.

The complete list of awards is as follows:
Best Large Ensemble Musical: “Into the Woods,” Curtain’s Up Theater Company
Best Small Ensemble Musical: “Dames at Sea,” Alfresco Productions

Best Youth Musical: “Big Fish,” Shooting Star Productions
Best Direction: Glenn Saltamachia and Jeffrey Yapp-Ellis, “Into the Woods,”
Curtain’s Up Theater Company

Best Direction- Youth Production: Paul Pagano, “Violet,”
Gateway Center for the Performing Arts
Best Music Direction: Liz Murphy White, “Into the Woods,” Curtain’s Up Theater
Company

Best Music Direction – Youth Production: Ross Bell, ‘Big
Fish,” Shooting Star Productions
Best Choreography: Ashley Pavlige, “Dames at Sea,” Alfresco Productions

Best Choreography – Youth Production: Ellen Isom, “Big
Fish,” Shooting Star Productions

Best Actor in a Leading Role: Austin Turnbull, Jack Kelly,
“Newsies,” Looking Glass Playhouse

Best Leading Actor – Youth Production: Bryce Miller, Edward
Bloom, “Big Fish,” Shooting Star Productions

Best Actress in a Leading Role: Morgan Ladyman, Ruby,
“Dames at Sea,” Alfresco Producifion

Best Leading Actress – Youth Production: Mia Williams,
Rafiki, “The Lion King Jr.,” Goshen Theatre Project

Best Actor in a Featured Role: Christopher Strawhun,
Nicely-Nicely Johnson, “Guys and Dolls,” Kirkwood Theatre Guild
Best Actress in a Featured Role: Elizabeth Breed Penny, Paulette, “Legally
Blonde,” Hawthorne Players

Best Actor in a Supporting Role: Dennis Folwarczny,
Cinderella’s Prince, “Into the Woods,” Curtain’s Up Theater Company

Best Supporting Actor – Youth Production: Spencer Domer,
Nicely-Nicely Johnson, “Guys and Dolls,” Riverbend Theatre

Best Actress in a Supporting Role: Elizabeth Semko, Joan,
“Dames at Sea,” Alfresco Productions
Best Supporting Actress – Youth Production: Carolyn Karutz, The Witch, “Big
Fish,” Shooting Star Productions

Best Actor in a Comedic Role: Matthew Hansen, Franz, “Rock
of Ages,” Take Two Productions
Best Actress in a Comedic Role: Miranda Mobley, Little Red Riding Hood, “Into
the Woods,” Curtain’s Up Theatre Company

Best Actor in a Non-Singing Role: Kevin Michael Hester, Dr.
Kitchell, “Bells Are Ringing,” Alpha Players of Florissant
Best Actress in a Non-Singing Role: Nicky Collett, Wicked Witch/Miss Gulch,
“The Wizard of Oz,” Christ Memorial Productions

Best Duo or Group Performance: Abby Cockerham, Laura Megan
Deveney and Theresa Peters Nigus as Donna, Linolium and Betty in “The Great
American Trailer Park Musical,” Act Two Theatre
Best Actor in a Cameo Role: Glenn Guillermo, Carl, “Bells Are Ringing,” Alpha
Players of Florissant
Best Actress in a Cameo Role: Julia Gilbert, Babette, Disney’s “Beauty and the
Beast,” Alfresco Productions

Best Youth Performer: Victor Landon, Munchkin Mayor, “The
Wizard of Oz,” Christ Memorial Productions

Best Costume Design: Donna Saltamachia, “Into the Woods,”
Curtain’s Up Theater Company

Best Youth Costume Design: Terry Pattison, “The Lion King
Jr.,” Goshen Theatre Project

Best Set Design: Terry Pattison, “Chitty Chitty Bang Bang,”
Goshen Theatre Project

Best Set Design – Youth Production: Marty Strohmeyer and
Christopher Phillips, ‘Big Fish,” Shooting Star Productions

Best Lighting Design: Jason Koonce, “Bloody Bloody Andrew
Jackson,” Looking Glass Playhouse
Best Lighting Design – Youth Production: Jonathan Hartley, “Disney’s Beauty and
the Beast,” DaySpring School of Arts

For more information, visit www.artsforlife.org

“Dames at Sea” Alfresco ProductionsFor a PDF of the BPA nominations for 2018, here is the
link:

http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

BPAs honor excellence in community musical theatre; Theatre Mask Awards recognize excellence in plays

Arts For Life will celebrate its 20th
anniversary June 9 at the annual Best Performance Awards, which honors
excellence in community theater and youth musicals. It is the oldest and
longest continually running theater awards in St. Louis.

Since it began in 1998, AFL’s goal has been “Making a Dramatic
Difference” and is proud to salute, support and serve the theater groups in the
metropolitan St. Louis area. The non-profit organization continues to be
passionate about the healing power of the performing arts.

AFL President Mary McCreight said the group is dedicated to
promoting public awareness of local community theater, encouraging excellence
in the arts and acknowledging the incredible people who take part.

“St. Louis is an amazing city, especially for the arts.
There are over sixty theatre companies at home here, a third of which are
community theatre. As we watch music education and theatre programs rapidly die
in our schools, the need to keep community theatre alive is more important now
than ever,” McCreight said.
Admission is $25 in advance on the www.artsforlife.org
website, or $26 with credit card at the door. All tickets are reserved seating.
Formal attire is requested.

The special event starts at 2 p.m. at the Skip Viragh
Center for the Performing Arts on the Chaminade College Preparatory School campus,
425 S. Lindbergh Blvd. Ryan Cooper, a local professional actor, will return as
master of ceremonies for the fifth time.

When Lucinda Gyurci founded AFL, the first awards were
handed out in 1999, with 14 musicals from 11 groups nominated through the group’s
judging panel, the Theatre Recognition Guild.

“I wasn’t sure the Best Performance Awards would go beyond
one year. The first year was extremely difficult, being met with (sometimes
hostile) negativity, trepidation of being judged, a tremendous amount of work
and no funds,” Gyurci said. “However, barring past the nay-sayers, the event
happened by sheer will. One could feel the electricity in the air at the event
and for the first time the participants realized this was an opportunity to
recognize excellent work and celebrate each other within the theatre community.”

Gyurci said it was the first theater event in St. Louis
that was like the Tony Awards, which makes it the area’s oldest and longest
continually running theatre awards.

This year, 48 shows – 21 large, 7 small and 20 youth — produced
by 26 community theater groups in St. Louis, St. Charles County and metro-east
Illinois were eligible for BPA awards consideration, with 1,302 artists judged
for nominations.

Trophies will be awarded in 33 categories. Performances
from the 13 nominated musicals for best productions – small (3) and large (5) ensembles
and youth (5) – will be included.

The Lifetime Achievement Award is being given to Joe Paule
Sr., a longtime musician and musical director. He was one of the orchestra
nominees in 1999.

“Theater is alive and kicking in 2019 and local theaters in
metro St. Louis and Illinois are to be commended for a job well done,”
McCreight said.
“The awards are a wonderful way for all actors and tech crews to celebrate and
enjoy each other’s successes and be recognized and rewarded,” McCreight said.

For the first time ever, metro-east theater groups
dominated the Best Musical – Large and Small Ensemble categories, with 5 of the
8 nods: Alfresco Productions, Curtain’s Up Theater, Goshen Theatre Project,
Looking Glass Playhouse and Riverbend Youth Theatre

Nominations were announced at the 10th annual AFL Trivia
Night Feb. 2, with 43 percent of nominees recognized for the first time. Goshen
Theatre Project in Madison County led the BPA nominations, with 23 – 12 for
“The Lion King Jr.” and 11 for “Chitty Chitty Bang Bang.”

Curtain’s Up Theater Company in Edwardsville earned 19 – 16
for “Into the Woods,” and 3 for “Little Miss Sunshine” – and tied with Alfresco
Productions in Granite City with 19 – 12 for ‘Dames at Sea” and 7 for “Beauty
and the Beast.”

The Alpha Players of Florissant received 11 nominations,
with 7 for “You’re a Good Man, Charlie Brown” and 4 for “Bells Are Ringing.”

Among youth productions, Shooting Star led the way with 14
for “Big Fish.”
Two special youth awards will be given to Caroline Santiago Turner, who will
receive Best Youth Musical Performance for “Violet,” and Sean Harvey,
named Best Youth Featured Dancer, as Bobby in “Crazy for You,” both
produced by the Gateway Center for the Performing Arts.

The Looking Glass Playhouse in Lebanon, Ill., lead all AFL
nominations, with a total of 31, which included 22 BPA nods and 9 Theatre Mask
Awards nominations.

Their musical, “Newsies,” garnered 14 nominations, while
musicals “Bloody Bloody Andrew Jackson” and “The Wizard of Oz” each scored 4.
On the TMA side, their production of the drama, “Frost/Nixon” received 9 and
won 4.

Five years ago, AFL started the Theatre Mask Awards, which
recognizes work in straight plays produced by community theater. Ten groups
currently participate, and a judging panel evaluated 25 shows – 12 dramas and
13 comedies — for the 2018 calendar year.

The fourth annual event took place on April 6 at a brunch celebration
at The Atrium banquet center on the campus of Christian Northeast Hospital,
with a sold-out crowd of 256 in attendance. Longtime radio personality Vic
Porcelli was the host.

Kevin Frakes of Alton Little Theater received the Lifetime
Achievement Award for his 40 years as a performer, director, producer and set
designer. He is currently president of the ALT board of directors.

Awards were presented in 18 categories, with LGP’s
“Frost/Nixon” tying with Actors’ Attic’s local premiere of “The Curious
Incident of the Dog in the Night-time” for Outstanding Drama Production.

Clayton Community Theatre’s production of Neil Simon’s
“Brighton Beach Memoirs” won three awards, including outstanding comedy
production and for actor Patrick Blanner as Eugene and director Sam Hack.

“Frost/Nixon” also won for director Glenn Saltamachia,
supporting actor Mike Russell (as Reston) and large ensemble.
The two leading performers in “The Curious Incident,” Dan Haller and Emily
Brutton, won acting honors.

Other multiple winners included O’Fallon TheatreWorks’ play
version of F. Scott Fitzgerald’s “The Great Gatsby,” which won two — supporting
actress for Tori Stukins and costume design for Carole Lanham.

The drama “One Flew Over the Cuckoo’s Nest” received awards
for two different theater groups’ productions. Alton Little Theater’s show won
lighting design for Lee Cox and Dennis R. Stephenson and the O’Fallon Theatre
Works’ play won set design for Chris and Ellie Lanham.

Alton Little Theater also won outstanding actress in a
comedy – Alison Beach as three different ‘heiresses’ in “Who’s in Bed with the
Butler?”

The Theatre Guild of Webster Groves was honored with three
acting awards. Kaylee Ryan won outstanding juvenile performance in “The
Children’s Hour” while Will Shaw won supporting actor in a comedy in Steve
Martin’s “Picasso at the Lapin Agile”” and Sarah Hirshfield won supporting
actress in a comedy in Neil Simon’s “Laughter on the 23rd Floor.”

Clayton’s “Bus Stop” won Best Large Ensemble.

“I am proud of the dedication of the TMA Steering Committee
and Director Glenn Guillermo,” McCreight said. “The AFL Board of Directors
congratulates all participants/nominees in last year’s shows. I am happy to see
the TMAs thriving and creating a niche for yourselves in the theater
community.”

Visit the website for more information:
www.artsforlife.org. For a PDF of the BPA nominations for 2018, here is the
link:

http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

By Lynn Venhaus Managing EditorGreetings! Spring has sprung after a miserable, dreary winter of 24 inches of snow and long stretches of gray days. We bring to you a long catch-up column, a winter wrap-up with lots o’ news about our wonderful theater talents in our metro area. It’s always sunny when we’re talking bright lights.

AWARDS SEASON: Spring means theater awards in St. Louis! For regional professional theater, the seventh annual St. Louis Theater Circle Awards will be presented on Monday, March 25, at the Loretto-Hilton Center on the campus of Webster University.

For general admission tickets ($15), visit: www.brownpapertickets.com You
can purchase tickets the night of the ceremony by cash or check. Our Circle
Facebook page is updated with information. We are not having pre-festivities
food, but Llewyn’s Catering will have drinks, desserts and snack boxes
available throughout the night.

If you missed who’s nominated, here is our Limelight link: https://stllimelight.com/2019/01/25/evita-streetcar-lead-st-louis-theater-circle-nominations/

See you at Theater Prom Monday!

For local community theater, Arts For Life will present the fourth annual Theatre Mask Awards, honoring comedies and dramas, on Saturday, April 6, at a.m. at The Atrium Banquet Center, Paul F. Detrick Building, on the campus of Christian Hospital, beginning at 10:30 a.m. Doors open at 10 a.m. Radio personality Vic Porcelli is the host.

A brunch buffet is served and awards in 18 categories are given out. Tables of 8 are available, and you can select what theater group or person you want to sit with – just tell afltrg@artsforlife.org or mark it at checkout. Tickets are $25 and must be purchased by March 22. Visit www.artsforlife.org.

For a Power Point Presentation of the TMA Nominations, here
is the link: http://nebula.wsimg.com/60b66319ddb8e5ebbac7b8ba7019e6dd?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

AFL will present the 20th annual Best Performance Awards, for musicals, on Sunday, June 9, at 2 p.m. at the Skip Viragh Center for the Performing Arts, 425 Lindbergh Blvd. (Chaminade). Actor Ryan Cooper is the emcee.

From a pool of 1,302 community theater artists, 48 shows
produced by 26 community theater groups in the Metro-St. Louis area have been
reviewed for consideration for this year’s Best Performance Awards. Trophies
will be awarded in 33 categories.

The event will include performances from the 13 musicals
nominated in the three Best Musical Production categories and a special
presentation to Lifetime Achievement Award winner. Formal attire is
requested. 

All tickets are reserved seating. Group seating will not be
guaranteed on orders received after May 10. All ticket orders will be held at
the box office unless a self-addressed stamped envelope is included with ticket
order. Please let us know if you require any special needs.

Early Bird Tickets are $20 and available until May 10, and
regular tickets are $25 ($26/credit card at the door).
A special rate of $40 for a combined BPA/TMA ticket for both, which is $10 off,
is available until March 22.  Visit the
website for more information, www.artsforlife.org.

For a PDF of the BPA Nominations, here is the link: http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1 *** ARTS LIVES: This year’s AFL Lifetime Achievements Awards are being bestowed on Joseph Paule Sr. at the Best Performance Awards June and Alton Little Theatre’s Kevin Frakes at the Theatre Mask Awards April 6.

Kevin Frakes

Frakes, current president of the Alton Little Theatre, will
be honored for his lifelong devotion and involvement in community theater, and
for helping with ALT’s growth and expansion. He began 40 years ago and has
directed and/or acted in more than 100 shows.

Joseph Paule Sr. has been involved with several community theater groups over the years, including Christ Memorial Productions and Hawthorne Players.

Caroline Santiago Turner

*** YOUTH PHENOMS: Special Awards recognition is going to two talented teens this year at AFL’s Best Performance Awards. Sean Harvey will receive Best Youth Featured Dancer for his fleet footwork as Bobby in “Crazy for You” produced by the Gateway Center for the Performing Arts and Caroline Santiago Turner will receive Best Youth Musical Performance for her exquisite vocals as Violet in “Violet,” also produced by the Gateway Center for the Performing Arts.

These awards are not giving annually, only when the Theatre
Recognition Guild judges deem performances so outstanding that they deserve
special recognition.

Sean Harvey in “Crazy for You”

Sean, who graduated from high school in Wentzville last
year, studies musical theatre at Chicago College of Performing Arts. Caroline,
who graduated from Visitation Academy in 2018, is working on her BFA in musical
theater at Indiana University.

They will be in good company. Past youth winners Zach Erhardt, Troyer Coultas and Yvette Lu toured nationally in ‘The Book of Mormon,” “The Wizard of Oz” and “Hamilton” respectively last year.

***BROADWAY BUZZ: The Tony Awards are Sunday, June, at 7 p.m. on CBS, and nominations will be announced on April 30. The local folks involved in producing the original musical “The Prom” are hoping for good news that day. The original musical comedy was among the best reviewed shows in 2018, after opening Nov. 15 on Broadway.  

The PromThe show has multiple local connections – Centralia, Ill., native Chad Beguelin is the co-book writer, with Bob Martin (co-creator of “The Drowsy Chaperone”) and lyricist, with music by Matthew Sklar. A number of cast members have performed at The Muny: St. Louisans Drew Reddington and Jack Sippel, and stars Beth Leavel and Christopher Sieber.

Some local producers include Jack Lane, executive director of Stages St. Louis; Ken and Nancy Kranzberg, Patty Gregory of Belleville, Terry Schnuck, Andrew S. Kuhlman of St. Louis and Fairview Heights native Joe Grandy.

Casey Nicholaw, Tony winner for “The Book of Mormon,”
directed and choreographed the show.

“The Prom” is about a canceled high school dance – a
student is barred from bringing her girlfriend to the prom — and four fading
Broadway stars who seize the opportunity to fight for justice — and a piece of
the spotlight.

As one of four musical acts in the 92nd annual Macy’s
Thanksgiving Day Parade, they made parade history with the first same-sex kiss
televised live.

Here is that performance: https://youtu.be/VDZDLJjzJBI

And the cast also performed live on “Late Night with Seth
Meyers.”

***VIVE LA VISIONARIES: More local arts awards for women! The St. Louis Visionary Awards will honor established working arts professionals, arts educators, emerging artists and community impact artists on Monday, April 22, at 6 p.m. at the Sun Theatre.

The Saint Louis Visionary Awards celebrates the numerous
contributions and achievements of women who work in or support the arts in the
greater St. Louis region. The awards are presented by an independent committee
of women dedicated to promoting the arts here.

Brava! To the 2019 Saint Louis Visionary Awards honorees, who  are, from left: Standing: Carmen Dence; Susan Barrett; Kathie Winter; and Kari Ely. Seated: Brea McAnally; Jacqueline Thompson. Photo by Diane Anderson ***COMMUNITY RECOGNITION: Congratulations to the Alton Little Theater will receive a prestigious national award for excellence in innovation, dedication to community and organizational development ensuring the future of live theater. The Twink Lynch Organizational Development Award will be presented to Kevin Frakes and Lee Cox at the AACT  (American Association of Community Theaters) National Convention in Gettysburg, Pa.,  in June.

A Raisin in the Sun

The Hawthorne Players give out “Duckies” at the year’s end, as voted on by the members and season ticket holders. The awards are named after the late veteran Hawthorne actress and director, Duckie DeMere. “A Raisin in the Sun” was the most lauded production, with , including Best Show, Best Director (Nancy Crouse), Best Actor (Erick Lindsey), Best Actress (Kimmie Kidd-Booker), Best Supporting Actor (Moses Weathers), Best Cameo Actress (Rhonda Cropp), Best Set Design (Nancy Crouse) and a Special Award (Archie Coleman).Elizabeth Breed Penny won Best Supporting Actress, for her role as Pauline in “Legally Blonde” and John Robertson won Best Cameo Actor in “The Fantasticks.” Eric Wennlund won two — Best Lighting and Best Sound for “The Fantasticks” Special Awards went to Connie Mulch of “The Fantasticks” and Michele Paladin, “Legally Blonde.”

*** NAME-DROPPING: Did you know the musical “Beautiful – The Carole King Musical” has a local connection? Producers are Paul Blake, former executive director at the Muny for 22 seasons, and Mike Bosner, Burroughs grad and Muny front office alum. The second national tour recently stopped at the Fox Theatre in St. Louis for a limited 5-day engagement. The musical celebrated its fifth season on Broadway in January. They tell me a movie is in the works! Here is my article ICYMI: https://stllimelight.com/2019/03/12/local-producers-found-beautiful-success-with-carole-king-musical/

There is another big-news local connection. Perhaps you’ve
heard about the college admissions scandal. Well, turns out Joe Buck’s daughter
is the roommate of Lori Laughlin’s daughter, the clueless and vapid video blogger
Olivia Jade, at University of Southern California. Ms. Buck is attending the
prestigious USC Film School. (Thanks, J.C. Corcoran for this tidbit).

Meadow Nguy

Meadow Nguy of O’Fallon, Ill., appeared in a new musical “Arrowhead” in concert at Feinstein’s/54 Below. The new Jackson Teeley and Sarah Galante work takes you inside the cozy and tuneful world of Arrowhead Café — from the heartache of love unrequited to the bliss of love that’s true, uncover all the ups, downs, and inevitable complications of modern love over a simple cup of coffee. The concert was directed by Dan Barron and music directed by Michael Pacifico, and featured a cast of 14.

Lisa Ramey, who performed at The Muny, Stages St. Louis and The Black Rep, was picked by John Legend for his team on Season 16 of “The Voice,” now finished with the Blind Auditions. Ramey currently lives in New York City and fronts a band called Superbad. She auditioned last year but did not get a chair turn, talked to the coaches about what she should do to improve, and returned this year.

Beau Willimon, third from left, speaks to the cast, while one of his mentors, director Wayne Salomon stands next to him. (Photo provided)Playwright Beau Willimon attended the preview night of his first Broadway play, “Farragut North,” which was produced at St. Louis Actors’ Studio last month. Willimon grew up in St. Louis and is a graduate of John Burroughs. He is most known for developing the American version of “House of Cards” for Netflix and was show runner for four years. His recent screenplay was the 2018 film “Mary, Queen of Scots.”

St. Louis’ sunny Jenna Fischer can now be seen with Ted Danson in a commercial for Smirnoff Vodka.

***

AND THEN THERE WERE 15: A harpist, juggler, dancers, acrobats, musicians and singers will be competing in Fox Performing Arts Charitable Foundation’s 9th Annual St. Louis Teen Talent Competition, which takes place Saturday, April 13, at the Fox Theatre in St. Louis. The public is invited to attend for free, but general admission tickets must be reserved at Metrotix.com or 314-534-1111. You can vote for the Audience Award.

The youths will have an opportunity to win scholarships and prizes. They were selected from a process that began with 140 acts auditioning in the preliminary round, and a semifinal round on March 9 that featured 45 acts who were then whittled down to the 15 finalists. More than 50 high schools, homeschoolers and performing arts schools were represented.

Congratulations to those who advanced — quite a lot of variety: Modern Dancers: Arielle Adams, Senior DessaRae Lampkins, Senior Brooke Reese, Senior De’Jai Walker, Senior Hazelwood Central High School. Musical Theatre Act: Kaley Bender, Sophomore, Nerinx Hall Nathaniel Mahone, Sophomore, Lafayette High School. Consecrated: pianist and drummer Emmanuel Morgan, Junior Thaddaeus Morgan, Sophomore Kirkwood High School.Expressions Academy of Dance: Emma Bilzing, Sophomore; Mackenzie Branson, Freshman; Kaele Kidwell, Senior; Ja’la Stancil, Sophomore Belleville East High School Ukulele/Vocalist/Sonwriter Afiya Faatuono, Sophomore McKinley Classical Leadership Academy Pop Vocalist Jameson Falconer, Sophomore Ladue Horton Watkins High School Modern Dancer Ashley Gardner, Junior Trinity Catholic High School Pop Vocalist Madelynn Gartland, Sophomore Kirkwood High School Partner Acrobatics K.O. Duo, Oliver Layher, Senior, Vianney High School Kyran Walton, Senior, Metro Academic and Classical High School Bharatnatyam Dancer Samanvita Kasthuri, Junior Parkway South High School Ballet Dancer Anne Oberman, Junior Cor Jesu Academy Juggler Sean Petric, Sophomore Oakville High School Harpist Mereya Riopedre, Junior MICDS Guitarist and Vocalist Joanna Serenko, Senior Kirkwood High School Musical Theatre Vocalist Troy Staten, Sophomore McCluer High School These talented teens are the entertainers of tomorrow.

For more information about the competition, visit: http://www.foxpacf.org/programs/teen-talent-competition/ for more information. ***SCHOLARSHIP OPPORTUNITY:  Since 2012, Arts For Life has awarded a scholarship to a student who is pursuing an education in the arts. The deadline for applicants is April 12. Applicant must be enrolled in an arts undergraduate program at an accredited college or university. Arts programs include, but are not exclusive to: performing arts (music, dance, theatre) and visual arts (painting, sculpture, architecture, film,photography, etc). Arts programs not defined as Fine Arts but related to the arts may be considered if superior work has been demonstrated in this area. Applicant must have participated in a Metro St. Louis community theater production or event in the past two years (1/1/2016-12/31/2018). Metro St. Louis defined as any location within 35 miles from Clayton. Here is the link: http://www.artsforlife.org/scholarship.html***

Taylor Louderman

THE POWER OF THEATRE: Tony Award nominee Taylor Louderman will host a one-night-only cabaret to celebrate performing arts education and support rural Missouri’s Ozark Actors Theatre.

It’s set for May 20 at 7:30 p.m. at the Sheldon Concert Hall.

Louderman, proud native of Bourbon, Mo., will take part in “The Power of Theatre,” bringing together the voices of some of St. Louis’s best performers as they share the power of theater education.

Currently starring on Broadway as Regina George in “Mean
Girls,” she is well-known on local stages. Her career began at Ozark Actors
Theater in 2001, when she played the title role of ‘Annie.”

Since then, she appeared on Broadway in “Bring It On: The
Musical” and “Kinky Boots,” as well as NBC’s “Peter Pan Live.” She spent
summers performing at the Muny, last seen in “Aida.” She voices the character
Blair on Nickelodeon’s “Sunny Day” and can be seen in “The Good Fight” and HBO’s
“High Maintenance.”

She likes to give back to the community where she started
and grateful to be a part of the OAT board.

Evening also includes silent and live auctions, and a special introduction by News 4’s Paige Hulsey.

All proceeds from this event will benefit Ozark Actors
Theatre’s education programming.

Tickets are available in person at the Fox Theatre box office without a handling fee. For more information: https://www.thesheldon.org/concert-detail.php?id=768

***

Wendy Renee Greenwood as war photographer in “Time Stands Still”GO SEE A PLAY POLL: Modern relationships are certainly complicated, aren’t they? But they sure make compelling dramas. We’re giving away two tickets to New Jewish Theatre’s upcoming production of “Time Stands Still” that runs March 28 – April 15. All you have to do is enter our drawing and select your favorite play on modern relationships for our poll (see below).

“Time Stands Still” revolves around Sarah, a photojournalist who has returned from covering the Iraq war after being injured by a roadside bomb, and her reporter boyfriend James who is swamped by guilt after having left Sarah alone in Iraq. The two are trying to find happiness in a world that seems to have gone crazy. Theirs is a partnership based on telling the toughest stories, and together, making a difference. But when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life. Can they stay together amidst unspoken betrayals and conflicting ideals? Playwright Donald Margulies answers these questions, while leaving unanswered qualms regarding the way America deals with war and tragedy coverage.

Directed by Doug Finlayson, the cast includes Wendy Renee Greenwood as Sarah, Ben Nordstrom as James, Jerry Vogel as Robin and Eileen Engel as Mandy.

To enter our drawing, please send your email address and
phone number to Lynn Venhaus, lynnvenhaus@gmail.com, by Friday,
March 22, before 5 p.m., with your choice for your favorite contemporary play
on modern relationships.

What would yours be? Here’s our list from which to select:August: Osage County God of Carnage The Humans Proof Rabbit Hole Stop Kiss Venus in Fur

Thanks for entering. Our last drawing for tickets to “Avenue Q” at the Playhouse @Westport Playhouse was won by Jennelle Gilreath. *** BEST WISHES: Kelly Hummert, founder and artistic director of Rebel and Misfits Productions, has decided to move on to other projects, and will no longer be producing shows in St. Louis.

Kelly Hummert

We will miss seeing what innovative and immersive plays she
put her heart and soul into, and the outstanding ensembles she brought together
during the past three years.

Rebel and Misfits’ “The Realistic Joneses” and “Macbeth: Come Like Shadows” have been nominated for Best Ensemble in this year’s St. Louis Theater Circle Awards, and last year, both Andrew Michael Niemann and Jim Butz won acting awards for “Uncle Vanya: Valiantly Accepting Next Year’s Agony.”

Break a leg, Kelly! The best is yet to come!

*** AUTHOR! AUTHOR!: Don Miller, an expert on media literacy and a local playwright, actor and professor, wrote a reference book, “Coming of Age in Popular Culture: Teenagers, Adolescence, and the Art of Growing Up,” that is getting good reviews. He is being lauded for his thoughtful work and providing insight into popular culture.

“And the beat goes on! What a wonderful tribute to the
decades. A entertaining explanation of our influences of the decades that
brought back so many memories,” said bestselling author Wade Rouse.

“This text is a tremendous boost to the media literacy
education field at a time when both the media communicator as well as the media
consumer hold great sway on many platforms in our digital communications
environment and understanding these processes can help both be better. And, the
timing couldn’t be better to have this definitive, well researched and
well-documented textbook regarding an age-old relationship about teens and
their media,” said Jessica Z. Brown, founder of Gateway Media Literacy
Partners.

Miller documented the evolution of teens and media from the
1950s through 2010, this book examines the films, books, television shows, and
musical artists that impacted American culture and shaped the “coming of
age” experience for each generation.

He will speak to the Mid Rivers Ethical Society in July.

***

“The Lusty Month of May” from the movie “Camelot” 1967TRIVIA TIME-OUT: We flip seasons to spring! Yay! Happy Dance. What a cold, dreary, gray winter. Here are some questions about productions focused on a spring.

In “The Producers,” what is the name of the musical
that Max Bialistock and Leo Bloom are mounting?Who sings “The Lusty Month of May” on the
original cast recording of “Camelot”? In the movie?What original cast member won a Tony Award in
the musical “Spring Awakening”?What musical features the song “Younger Than
Springtime”?ANSWERS 1. “Springtime for Hitler” 2. Julie Andrews; Vanessa Redgrave (Guinnevere)3. John Gallagher Jr.4. “South Pacific”

***

Richard Beymer and Natalie Wood in “West Side Story”MOVIE MUSICAL MAKEOVER: “Angels in America” playwright Tony Kushner is writing the script for Steven Spielberg’s new version of “West Side Story,” which is expected to be released in 2020. The announced movie cast includes Ansel Elgort as Tony, Rachel Zegler as Maria, Tony Award nominee Ariana DeBose (Donna Summer) as Anita, Tony Award winner David Alvarez (Billy Elliot) as Bernardo, Josh Andres Rivera as Chino, Brian d’Arcy James as Sergeant Krupke and Corey Stoll as Lieutenant Schrank.

The sole returning cast member of the original is EGOT
winner Rita Moreno, who will play a new character, Valentina. She won an Oscar playing
Anita.

This will be Spielberg’s first musical. He had a casting
call for Latinx performers and received 30,000 submissions. Seventeen-year-old
high school newcomer Rachel Zegler won the part of Maria.

The 1961 landmark film is the most-award winning movie musical
of all-time, nominated for 11 Academy Awards and winning 10. With choreography
by Jerome Robbins, music by Leonard Bernstein and lyrics by Stephen Sondheim,
the movie adaptation was directed by Robert Wise (“The Sound of Music”) and
Robbins.

Fun Fact: Natalie Wood played Maria but her singing was
dubbed by Marni Nixon, who also subbed for Audrey Hepburn in “My Fair Lady.”

***

Jared Sanz-Agero

IN MEMORIAM: Friends, family and colleague are remembering the wonderful talent that Jared Sanz-Agero was. The actor died Feb. 19, from injuries suffered in a horrific automobile accident two weeks earlier, on Feb 5.

Twice-nominated for St. Louis Theater Circle Awards for “Stones
in My Pocket” and “The Liar,” he was a passionate presence on many regional
group’s stages. You might have chatted with him at the .Zack, working at the
bar and concessions. He attended Southwest Missouri State University.

Jared, 47, was traveling to Kansas City for a commercial
shoot when his 2004 Toyota Matrix slid off the ice-covered roadway. He was
taken to the Centerpoint Hospital ICU in Independence, Mo., according to the
police report.
Official cause of death was internal bleeding and loss of blood, and is being
investigated by his family, from what’s on the Go Fund Me page.

A memorial service is being planned for a later date. If
you would like to contribute to a Go Fund Me account set up by his brother
Gentry after the accident to help with his medical expenses, and now, costs
related to his death investigation, and services, here is the link to the Jared
Sanz-Agero Memorial Fund: https://www.gofundme.com/help-jared-heal-fund

***WORD: To quote Jonathan Larson, who wrote “Rent” and died on opening day from an aneurysm:

“It’s not how many years you live, but how you fulfill the time you spend here.”

By Lynn Venhaus
Managing Editor
It might be July, but actor Ryan Cooper is thinking Christmas. And Halloween. Well, he’s an accomplished performer at any time of year, but it’s during those holiday seasons where he really shines.
For the upcoming season of St. Charles Christmas Traditions, he will return to his blue-lipped, blue-clad jester-like character Jack Frost for the 13th year.
He auditioned for the first four or so years, but now is contracted for the part.

“One of the perks of longevity is that many of the old-timers that have been the same role for a number of seasons get to return to our holiday alter-egos without the audition process,” he said. “But I’m just a baby in the whole scheme of things. We have cast members that have been involved in the festival for 20 years.”

St. Charles Christmas Traditions involves 80 characters who make the season bright, along with many special activities, along the town’s historic Main Street. Hours are Wednesdays, Fridays, Saturdays and Sundays from the day after Thanksgiving through Christmas Eve, Nov. 23 – Dec. 24.
Two years ago, Ryan created the sister festival for the Halloween season called Legends and Lanterns.
“It celebrates Halloween by looking at the origins of the customs associated with the holiday. We have interactive villains from history and folklore — Lizzie Borden, the Big Bad Wolf, Medusa, and so forth, a Victorian mourning museum, and many other fun attractions and activities,” he said.
He also participates in the annual Voices of Valhalla event at Valhalla Cemetery in north St. Louis County, where narrated hayrides travel the grounds and actors portray some of the noteworthy individuals who reside there.
“It is a really wonderful event. Larry Marsh does all of the research and writes the scripts, and has such a talent for finding the most fascinating characters to portray,” he said. “We recently did ‘Echoes of Valhalla,’ a one-night ‘greatest hits’ of some of the most memorable characters from over the years, onstage at the Florissant Civic Center theatre.”
Ryan is truly a man of many hats.
This summer, Ryan starred in “Madagascar: A Musical Adventure” for Stages’ Theatre for Young Audiences. He played Zeke, King Julien, Mason and Foosa. It’s his third year in the children’s musical, having played the Mad Hatter in “Alice in Wonderland” and the Cat in the Hat in “Seussical.”
“I absolutely adore working with Stages. I pinch myself every time I get to do a show with them, because I have been such a big fan of the company since I saw my first Stages’ show in 2005 – “Man of La Mancha.” It is incredible the amount of love and dedication the staff puts into their theatre for young audience shows, just as they would for any of their mainstage productions. It is a joy to be a part of,” he said.
He particularly likes performing theater for youngsters.
“There is just something so special about doing shows for families and young audiences. There is always an electric energy. And knowing that there are people in the audience who are experiencing live theatre for the first time, and that I get to be a part of it is the cherry on top of the cake,” he said.
Another summer activity he enjoys is hosting the annual Best Performance Awards on the second Sunday in June, which is produced by non-profit organization Arts for Life. Awards for excellence in community and youth musical theater are presented.

In addition to an opening monologue and introducing presenters, Ryan inserts comic bits that are often sight gags and involving theater or familiar characters. He returned as master of ceremonies June 10 after taking a break last year. He had emceed in 2014 – 2016. Because he is so popular with the crowd, AFL has locked him in for the 20th awards in 2019.
As a teenager, Ryan began getting noticed in community musical theater, especially for being funny. He won three BPA awards for Best Performance by an Actor in a Comedic Role — as Bud Frump in “How to Succeed in Business Without Really Trying,” Carmen Ghia in “The Producers” and Hysterium in “A Funny Thing Happened on the Way to the Forum.”
“Hosting is such a sincere honor for me. This year before the show started, while I was getting ready, I thought back to how my first BPA ceremony I attended was in 2006, where I volunteered as an usher,” he said.
“So, to get to act as master of ceremonies was a surreal moment where I realized how lucky I am to get to be a part of this community. I don’t get the chance to be as directly involved with the wonderful community theatre scene like I once was, so to have Arts for Life as an opportunity to be with old and new friends that make up the vibrant and talented St. Louis theatre family is such a privilege.”
He had moved away in 2013, hired to work in the long-running Hoop-Dee-Doo Musical Revue and the short-lived Storybook Circle Giggle Gang shows at Disney World Resort in Orlando, Fla.
Upon his return, he was hired as a tour guide for the St. Louis Cardinals at Busch Stadium.
“It’s where I get to take on my biggest acting challenge — acting like I know anything at all about sports,” he said.
“Seriously, it’s great. I’ve been giving tours there for four and a half years, and even though I am not a sports guy, as a native St. Louisan, you grow up with at least a great admiration and appreciation for the history of the St. Louis Cardinals,” he said. “I am happy to share their stories and hear the stories of the people from around the world that I get to interact with every day. Plus, as a performer, I get to have a captive audience for an hour at a time while on tour — what’s not to love?”
In addition, he is a docent at the Holocaust Museum and Learning Center.
“So, between that, and getting ready for the third season of Legends & Lanterns, and my 13th season with Christmas Traditions, that’s what the rest of my 2018 looks like, and I wouldn’t have it any other way. I love it!” he said.

Here are Ryan Cooper’s answers to our questions:
Why did you choose your profession/pursue the arts?
I feel that it’s something that happened organically over time. I had done shows at school when I was younger and had always enjoyed them, but I think the real formative moment was when ‘The Producers’ came through the Fox on its first national tour. I was hooked, and said to myself, ‘that’s what I want to do.’ My poor mother had to put up with me marching around the house singing tunes from the show for months after that.
How would your friends describe you?
Ha! I think my friends would definitely describe me as quirky — though they assure me they mean it in an endearing way.
How do you like to spend your spare time?
I am crazy about going to museums. I love history and I love learning, so I try to go to every exhibit I can. History museums, science museums, art museums — I can’t get enough. A few years ago, I was vacationing in St. Petersburg, Fla., and my first stop was not to their beautiful beaches, but to the Florida Holocaust Museum. That about sums it up.
What is your current obsession? 
My current-yet-long-running obsession is all things Titanic. I’m a total nerd. When I traveled Ireland in 2009, I visited the final port where the ship was docked at, and did a one-man re-enactment of James Cameron’s epic three-hour film in 30 seconds — video proof of which I post on Facebook every April 10 for “Titanic anniversary week.”
What would people be surprised to find out about you?
Every spring, I travel over to the nation’s capital, where I give multi-day tours of Washington D.C. to school groups from around the country. A fascinating town — not to mention the abundance of excellent museums!
Can you share one of your most defining moments in life?
That would hands down have to be working for Walt Disney World in Orlando, Florida. I am a huge Disney fan, and used to go to the parks every year with my mom. I have wanted to work there since I was four, and in 2013, I was lucky to see that dream realized as I joined the casts of the long-running Hoop-Dee-Doo Musical Revue and short-lived Storybook Circus Giggle Gang shows. While I didn’t get to stick around for as long as I had hoped, it was a phenomenal experience, both personally and professionally. I got my Actors Equity card with “Hoop,” and for the first time, really experienced up-close the “business” side of show business — both the good and not-so-pretty parts. It’s an experience I treasure.
Who do you admire most?
Since I was in second grade, I have had an enormous admiration for Anne Frank. She has been an inspiration to me for my entire adult life, and her words have provided countless moments of peace and hope in times of need. I have a well-worn photo of her in my wallet that goes with me everywhere.
What is at the top of on your bucket list?
Speaking of Anne, the tippy-top of my bucket list is visiting the Anne Frank House in Amsterdam. I get goosebumps just thinking about it. I will for sure be there June 12, 2029 for her 100th birthday — but hope to get a visit in well before then.
What is your favorite thing to do in St. Louis?
Oh gosh! That is a tough one. I am crazy about this town and feel that there is still so much I’ve got to explore. With that being said, every time I go to Shaw’s Garden (Missouri Botanical), and it doesn’t matter how many hundreds of times I’ve gone, I am in awe. Now if only I could get my backyard to look that good!
What’s next?
I’ve recently dipped my toes in the water of being on the director/producer side of things. In 2016, I created “Legends & Lanterns: A ‘Spirited’ Journey Through Halloween History,” a festival that takes place along Historic Main Street in St. Charles and delves into the origins of our most beloved All Hallow’s Eve traditions, while allowing visitors to rub elbows with some of the most infamous villains in history and folklore. So, I’ll be back directing that this October, then on to my 13th season as Jack Frost for the “St. Charles Christmas Traditions” festival.
All About Ryan Cooper
Age: 28Birthplace: St. LouisCurrent Location: Unincorporated North St. Louis CountyFamily: Only child to my awesome “Mommie Dearest,” Cindy CooperEducation: Trinity Catholic High School, Fontbonne University (B.A. Performing Arts)Day Job: Tour Guide for the St. Louis Cardinals (among many other jobs)First Job: Jack Frost at St. Charles Christmas Traditions when I was 17.First Role: Royal Child #4 in Riverview Gardens High School’s “The King and I” in 1998Favorite Roles: So many! Including: Man in Chair (The Drowsy Chaperone), Bud Frump (How to Succeed…), and Thenardier (Les Miserables).Dream Role: This is a total cop-out answer, but I truly don’t have one — yet. I’m working on it.Awards: Three-time Arts for Life Best Performance Award winner for Bud Frump (How to Succeed), Hysterium (A Funny Thing Happened on the Way to the Forum), and Carmen Ghia (The Producers)Words to live by: “No individual has any right to come into this world and go out of it without having left behind distinct and legitimate reasons for having passed through it.” –George Washington CarverA song that makes you happy: “It Had to be You”

Photo Credits: AFL BPAs Gerry Love, Stages St. Louis, The Producers and St. Charles Christmas Traditions provided by Ryan Cooper, and featured image by Lynn Venhaus.