Love at the River’s Edge , the latest new work from Shakespeare Festival St. Louis’ internationally recognized Shakespeare in the Streets initiative, will open on Friday, September 13, 2019. The world premiere play is based on Shakespeare’s “As You Like It” and is the culmination of a year’s work in Calhoun County, Illinois and north St. Louis County, Missouri. It is part of Shakespeare Festival’s ongoing work to bridge the urban-rural divide and elevate the voices of Midwest artists and residents. Love at the River’s Edge opens with one of Shakespeare’s most famous lines, “All the world’s a stage, and all the men and women merely players.” The players are Midwestern families and their journey of love, community and reconciliation will take audience members from Pagedale, Mo. to Calhoun County, Ill., with the mighty Mississippi in a starring role. The performances will begin at 7 p.m. outside the 24:1 Coffee House/Cafe at the intersection of Page and Ferguson.

After Act 1, the cast and audience will journey together by bus and on the Golden Eagle Ferry from north St. Louis County, across the river to Calhoun County. The second act of the production will take place on the riverbank with the Mississippi River as the backdrop. The entire experience including travel will take approximately three hours and 30 minutes. Tickets will be free and open to the public, but reservations are recommended and will open on Aug.15.

“Love at the River’s Edge” is written by acclaimed St. Louis playwright Mariah Richardson , directed by Kathryn Bentley , and shares stories from Normandy, Mo. and Brussels, Ill. The two partner communities and their surrounding counties are the Festival’s first-ever urban/rural Shakespeare in the Streets collaboration. Bentley and Richardson will be joined on the creative team by musicians Syrhea Conaway and Colin McLaughlin who will be composing original music for the production and Kendrick Lawson-Knight (Set Designer), Felia Davenport (Costumes) and Jayson M. Lawshee (Lighting Designer).

The ensemble cast is comprised of professional actors and community members and is led by local students. Included in the cast are Brussels High School graduate Lindsey Watters (Rosalind), Normandy High School student Margaret Mischeaux (Cee Cee), Brussels High School student Ellie Nolte (Phoebe), and Shakespeare Squadron alumnus Daniel Clear (Oliver). Other notable cast: Normandy High School teacher Lisa “Mama Lisa” Gage (Duchess), acclaimed St. Louis jazz singer and actress Anita Jackson (Adam), Shakespeare Festival favorite Eric Dean White (Wittmond), Shakespeare in the Streets veteran Chris Ware (Jackson) and other natives of the St. Louis, Brussels and Normandy community.

Students from Brussels High School and Normandy Schools Brussels High School student and cast member Ellie Nolte has been working on the project for the last year, “What I think is so great about this project is how we’ve been given the chance to work with people from Normandy and bridge the gap between our school and theirs. I personally really enjoy having the opportunity to work with kids my age who come from such a different background and connect with them because of our differences rather than in spite of them. It’s truly amazing how quickly I became close to these people I had never met, never even imagined meeting, and now I’m very glad I did.” “Social division and fragmentation are the most serious challenges facing our generation,” said Executive Producer Tom Ridgely in a statement. “And nowhere is the divide as wide as it often feels between our urban and our rural communities. It’s a rift Shakespeare knew intimately – he spent his entire adult life moving between the country and the city. Shakespeare in the Streets has always been about breaking down the barriers that separate us in St. Louis, and I can’t think of a more powerful way to do that than by breaking bread and sharing the stories of our good neighbors in Normandy and Brussels.” Richardson, Bentley and the SITS creative team have been working in Calhoun County and north St. Louis County since early 2018: building relationships, leading conversations and collaborating with residents to create the new play. Organizational partners include Beyond Housing, Brussels High School and the Normandy Schools Collaborative. “We are simply thrilled to be a part of this innovative, one of a kind event that brings Shakespeare in the Streets to the 24:1 footprint,” said Chris Krehmeyer, President and CEO of Beyond Housing. “Linking our community with the folks from Brussels, Ill., is a great representation of how our region can come together.” 24:1 is a nationally-recognized community development effort created by Beyond Housing toaddress the fundamental challenges within the 24 municipalities in the Normandy school district in North St. Louis County.

Page and Ferguson intersection, where the play will be performed. Shakespeare in the Streets is underwritten by PNC Arts Alive with generous support from the Whitaker Foundation, National Endowment for the Arts: Creativity Connects, the Strive Fund, and Moneta Group. Leadership support for all of Shakespeare Festival St. Louis’ new work initiatives comes from Karen and Mont Levy. It is in partnership with Beyond Housing, the Normandy Schools Collaborative and Brussels High School. Shakespeare in the Streets ( www.sfstl.com/streets ) is an internationally-recognized program that celebrates local stories and takes high-quality professional arts directly to those who may not otherwise experience it. A Festival playwright, designer, and director spend a year conducting conversations and research in a community. The playwright draws directly from the stories shared to write an original play, inspired by the neighborhood, and based on the work of Shakespeare. With Festival resources, the community then comes together to perform the new play in a weekend-long outdoor celebration. About Shakespeare Festival St. Louis Shakespeare Festival St. Louis presents Shakespeare and works inspired by his legacy of storytelling. Since 2001, the festival has grown from producing a single production of Shakespeare in the Park to a year-round season of impactful theater in exciting and accessible venues throughout the St. Louis community. The festival’s artistic and education programs reached over 50,000 patrons and students during the 2018 season and have reached over one million since 2001. In 2019, the Festival received a “What’s Right with the Region” award from Focus St. Louis. Leadership support for Shakespeare Festival St. Louis’ 2019 season is provided by the Whitaker Foundation. The festival is also funded in part by the National Endowment for the Arts, the Missouri Arts Council, the Regional Arts Commission, and the Arts & Education Council of Greater St. Louis. For more information, please visit www.sfstl.com, or call 314-531- 9800. Facebook: https://www.facebook.com/shakesfestSTL Twitter: @shakesfestSTL Instagram: ShakesfestSTL

The Golden Eagle Ferry and the Brussels, Ill. river banks.Artistic Team Bios Mariah L. Richardson (Playwright) A native of St. Louis, Missouri, Richardson received her BA in Communications from the University of New Mexico and an MFA from Smith College in Playwriting. Recipient of the Regional Arts commission $20,000 Artist Fellowship 2016, Richardson was named to the Confluence Regional Writers Project with Shakespeare Festival St. Louis for 2019. In 2018 she was their playwright fellow and helped rewrite Shakespeare in the Streets’ performance of Blow Winds . Mariah is the author of the plays: all that… , Sistahs Indeed!, Delilah’s Wish , ¡Soy Yo! , Idris Elba is James Bond, and Chasing the White Rabbit . Her last play, in partnership with Jazz St. Louis and commissioned by A Call to Conscience Theatre for Social Change, Next to Normal: The Thelonius Monk Story , premiered to sold-out crowds.Kathryn Bentley (Director) is an Associate Professor of Theater Performance at Southern Illinois University Edwardsville where she is the Artistic Director of SIUE’s Black Theatre Workshop as well as the Director of the Black Studies Program. Some of her directing credits include Gem of the Ocean, Joe Turner’s Come and Gone, The Colored Museum , Since Africa , Venus, Only Just a Minute , and Intimate Apparel . Kathryn is the Artistic Director of Bread and Roses Missouri. She commits herself to community-engaged arts collaborations, striving to create compassionate artistic experiences, using theater to lift social consciousness.

Mariah RichardsonKathryn Bentley

New Urban-Rural Settings for Shakespeare in the Streets

Rehearsals Begin for ‘Love’s Labors Lost’ – Opens May 31 in Forest Park

The nationally-recognized Shakespeare in the Streets program will highlight the stories of not just one community, but two – Normandy, Missouri and Brussels, Illinois — for Shakespeare Festival St. Louis’ first urban-rural exchange Sept. 12-14. The performances will be inspired by the Bard’s play, “As You Like It.”

Audiences will choose whether to start in Normandy or Brussels — 45 minutes from one another — where Act One will begin at the same time in both locations. Act Two will take place on busses that transport the audience members to the banks of the Mississippi River. The final act will occur on the water between Missouri and Illinois where the actors will unite to share not only the same space but also the same story. Partners include Beyond Housing, the Normandy Schools Collaborative and Brussels High School. Event locations, casting and creative information will be released in July. 

In October, the Festival will unveil Duke Ellington and Billy Strayhorn’s 1957 12-part suite titled, “Such Sweet Thunder,” an extraordinary but long-forgotten piece of work inspired by different Shakespearean characters. In 1960, French choreographer Maurice Béjart used it as the score for an avant-garde ballet. The work will be revived in partnership with Jazz St. Louis to reconstruct the score, Big Muddy Dance Company to create new choreography, and the Festival, which will weave the pieces together with Shakespearean scenes and sonnets. A fourth partner, Nine Network, will host the resulting three free performances Oct. 3-5 in its Public Media Commons. Additional details will be released in late summer.

‘Love’s Labors Lost’ – May 31 through June 23

The Bard’s comedic take on love and courtship will resonate throughout Shakespeare Glen when the Princess of France (Kea Trevett) and her ladies arrive in the King of Navarre’s (Sky Smith) royal forest during Shakespeare Festival St. Louis’ production of “Love’s Labors Lost,” May 31 through June 23, in Forest Park. Performances are nightly, excluding Tuesdays, and begin at 8 p.m. Preview performances are scheduled May 29-30. 

Highlights of this lyrical comedic production include original music composed by St. Louis-based Rats & People Motion Picture Orchestra, a diverse cast under the direction of the festival’s Executive Producer Tom Ridgely, and a forested set that blurs that line between stage and park. 

“Love’s Labors Lost” features Shakespeare’s largest cast of comic characters, including four sets of lovers, and is the only one of his plays set in a park. The story revolves around the princess and her ladies who arrive on a diplomatic mission to Navarre, only to be met by the young king and his lords who have taken a vow not to see women. Affairs of state give way to affairs of the heart as Shakespeare reveals with great humor and compassion the way our culture sometimes doesn’t fully prepare us for the realities of love and intimacy. 

“I think Love’s Labors Lost asks the question of what happens when the ideas of love that young people absorb from their culture have totally unprepared them for what it’s like to actually be in a relationship with another human being,” Ridgely said. “The Bard’s advice to young lovers, I think, is how grand gestures don’t always pan out. Nor do disguises. He’s asking them to be curious, to get to know the actual person.” 

         The nightly Green Show will begin at 6:30 p.m. and feature local musicians, family art activities and roving performers. Free backstage tours will begin at 6:30 p.m. in front of the main stage. A 20-minute mini-play of “Love’s Labors Lost” will be performed Friday through Sunday by the Festival’s advanced teen ensemble, the Shakespeare Squadron. 

         Open lawn seating is available on a first-come, first-served basis. Premium seating, priced at $10 and $20, can be reserved online beginning Wed., May 1, at www.sfstl.com until noon the day of the show, or purchased after 5:30 p.m. in the Glen. Festival souvenir picnic blankets, comfortable for two and pre-set in the blanket seating area, are also available for $40. 

         Picnic fare, including sandwiches, snacks, beer, wine, soda, and water are available for purchase, provided by the Saint Louis Zoo. Audiences will be able to purchase Schlafly’s signature craft beer, available exclusively at the production in Forest Park. Cash, debit, and credit cards are accepted in Shakespeare Glen. 

         Four performances – June 4, 6, 13 and 20 – will be American Sign Language interpreted, thanks to support from Barnes-Jewish Hospital. Mind’s Eye Radio will also audio describe a performance for the visually impaired. 

         For a full cast and creative team list, please visit www.sfstl.com.  

About Shakespeare Festival St. Louis

Shakespeare Festival St. Louis presents Shakespeare and works inspired by his legacy of storytelling. Since 2001, the festival has grown from producing a single production of Shakespeare in the Park to a year-round season of impactful theater in exciting and accessible venues throughout the St. Louis community. The festival’s artistic and education programs reached over 50,000 patrons and students during the 2018 season and have reached over one million since 2001. In 2019, the Festival was recognized as a “What’s Right with the Region” finalist by Focus St. Louis. Leadership support for Shakespeare Festival St. Louis’ 2019 season is provided by the Whitaker Foundation. The festival is also funded in part by the National Endowment for the Arts, the Missouri Arts Council, the Regional Arts Commission, and the Arts & Education Council of Greater St. Louis. For more information, please visit www.sfstl.com, or call 314-531-9800. Facebook:  https://www.facebook.com/shakesfestSTL Twitter: @shakesfestSTL Instagram: ShakesfestSTL Snapchat: shakesfestSTL