By Lynn Venhaus

Think of it as ‘80s performance art meets a ‘60s Be-In. An experimental “happening” play, “White Rabbit, Red Rabbit” by Nassim Soleimanpour, is being presented by the Black Mirror Theatre Company for a brief four-performance run just to do something different.

And unique it is – interactive with the audience and performed without a set, director, or rehearsals. A different actor reads the script cold – for the first and last time – at each performance, and their name goes on a list so that they can never perform it again.

If it sounds fringy, it appeared at the St. Louis Fringe Festival in 2021.

When he was 29, Soleimanpour was forbidden to leave his country, Iran. He can’t leave because he is a conscientious objector who has refused to take part in mandatory military service. Barred from travel, he turned his isolation into an absurdist theatrical experience that brings actor and audience together through uncharted terrain.

But above all, it’s his voice, coming through different actors.

On opening night, Jarek Templeton was the actor who opened the script that had been sealed in a manila envelope and given to him by producer Michelle Zielinski. He then read the pages in a folder as instructed. He immediately took control and guided audience members on what they had to do, and he performed the actions the playwright requested.

Because of its unusual structure, the focus is on how the performer handles the on-the-fly aspect and tapping into the innovative playwrighting. The audience was game – applauding and participating when called upon.

On Friday, Evan Turek will be the actor, Dorothy LaBounty on Saturday, and Ellie Schwetye on Sunday.

Part comedy, part drama, the playwright is involved in each production – he communicates with notes to the people involved in putting on the show. They were told 48 hours before the show to have water on stage, and two glasses.

It may start out light-hearted, or a bit daffy, but included are some serious topics to mull over. Because of its spontaneity, the less you know going in, the better.

The Black Mirror’s earnest commitment to creating interesting theater took a leap forward with this intriguing concept.

The Black Mirror Theatre Company presents “White Rabbit/Red Rabbit” on association with Aurora Nova Productions and Boat Rocker Entertainment Nov. 2-5 p.m. at 7 p.m. Thursday, Friday, and Saturday, and 2 p.m. on Sunday at The Chapel, 6238 Alexander Drive, St. Louis, MO 63105. For more information, visit blackmirrortheatre.org

More information is also available” https//www.facebook.com/WhiteRabbitRedRabbit

Jarek Templeton, Michelle Zielinski after first performance. Photo by Lynn Venhaus.

By Lynn Venhaus

Local Spotlight: Legends and Lanterns

A fun weekend can be had on Main Street in St. Charles.

Legends & Lanterns® is a “spirited” journey through Halloween History is an annual event that finds its inspiration from the past.

“From the vintage charm of Halloween in the 1910s-1930s, to the historical rituals and customs brought to the holiday by the Druids and Victorians, to the ethereal atmosphere depicted in American ghost stories and Brothers Grimm fairy tales; this event will offer treats and tricks for guests of all ages. A little bit silly. A little bit macabre. But all in fun,” so it states on the website.

Dates and Times
Sat, 10/22:     11am to 6pm

Sun, 10/23:    Noon to 5pm

Fri, 10/28:      5pm to 8pm

Sat, 10/29:     11am to 8pm

Sun, 10/30:    Noon to 5pm

https://www.discoverstcharles.com/events/legends-lanterns/

Stage: Personal Transformation and Triumph

The Black Mirror Theatre Company presents “Roll With It!” at Kranzberg Arts Center black box theater

Katie Rodriguez Banister

Katie Rodriguez Bannister was paralyzed from the chest down in an SUV rollover accident in 1990. She was 25. This is her story. Only three more performances left – Friday at 7 p.m., and Saturday and Sunday at 3 p.m.

Here’s my review: https://www.poplifestl.com/roll-with-it-shares-a-challenging-path-with-warmth-and-humor/?fbclid=IwAR2ycAmBil46xXR7dhw5iRvwmEDxRKeBr9yLgOlIl5h5mNkIRDsh2hWG2eM

For more about Katie, read the Webster-Kirkwood Times article by Julie Brown Patton:
https://www.timesnewspapers.com/webster-kirkwoodtimes/roll-with-it/article_b6cb1ef8-4591-11ed-aced-37baaa30c353.html

Movie: Julia and George Together Again

Megastars Julia Roberts and George Clooney, who’ve made five movies together, reunite in “Ticket to Paradise,” for a formulaic rom-com that is pure escapism, the kind of “Mom movie” that women of a certain age will enjoy. Here’s my review:

https://www.poplifestl.com/star-power-propels-light-hearted-escape-ticket-to-paradise/


New Year’s Eve Plans: Nikki Glaser tickets on sale

Tickets went on sale this morning, Oct. 21, at 10 a.m. via Ticketmaster for Nikki Glaser: One Night with Nikki Glaser at 8 p.m. on Saturday, Dec. 31, at the Stifel Theatre.

Ticket Link: https://www.ticketmaster.com/event/06005D4ECF257338

Spooktacular Movies at the Drive-In

“Jamie Lee Curtis is Laurie Strode in “Halloween Ends

Drive-In Time: Slashfest is Oct. 28-29 at the Skyview Drive-In in Belleville, officially ending the season. However, this weekend, you can enjoy Pre-Slashfest with a combo of new and old movies.

Here is the schedule for, October 21 & 22…

Screen 1 – Halloween Ends R 8:00 and Frankenstein 1931 NR 10:00

Screen 2 – Poltergeist PG 8:00 and The Lost Boys R 10:10

The box office opens at 6:30 p.m. Ads and previews start at 7:50. Good idea to arrive early.

If you want to request a reserved spot for an additional $10, send an email to skyviewdrivein@att.net. Tell us which movie you want to see, which night you want to attend, and the year/make/model of your vehicle. Be sure to include all information or your request will be returned to you.

Trailer: The Crown Season 5

Season 5 will drop on Nov. 9 on Netflix, with Elizabeth Debecki as Princess Diana, Dominic West as Prince Charles, Imelda Staunton as Queen Elizabeth and Jonathan Pryce as Prince Philip.

Playlist:


Taylor Swift Dropped “Midnights” — here’s a tract:
https://youtu.be/kWFJni0H774

By Lynn Venhaus

With the best of intentions and a powerful personal story of transformation to tell, the Black Mirror Theatre Company fully commits to a world premiere that can make a difference in the region and beyond.

Scratch the ‘can’ and insert ‘will,’ for you will be convinced that sparkplug Katie Rodriguez Banister will change the world after you share this unforgettable journey featuring her friends, family, caregiver, and allies.

In collaboration with the Banisters’ Access-4-All, Black Mirror has produced “Roll With It!”, an original work that sheds light on disabilities and creates more acceptance and inclusion by using the tools of live theater to connect.

Artistic Director J. Michelle Rebollo adroitly staged this well-constructed exercise, which makes an impact through its realistic vignettes and heart-tugging account of a young woman’s odyssey from able-bodied at 25 to being paralyzed from the chest down in an SUV rollover accident in 1990.

Banister is a speaker, author, poet, playwright, and disability educator. She has lived independently since 1992, and with her husband, Steve, founded Access-4-All in 1997. Their mission is to educate and empower their audiences through their publications, programs, and trainings.

Rebollo has known Katie for more than 20 years, and that familiarity guides this passion project. Both were in sync on making social statements.

A natural performer, Banister has theatrical experience with Joan Lipkin’s That Uppity Theatre Company and her DisAbility Project, which she was a part of for six years.

Katie Rodriguez Banister and Tyler Gotsis. Photo by Bradley J. Rohlf

This play sprang from a piece co-authored with Lipkin called “Go Figure,” and Banister, whose autobiography is titled “On a Roll,” teamed with local playwright Michelle Zielinski to shape the story into what is now being performed.

“Roll With It!” not only educates but entertains, in an interesting way, departing from a standard formula. Katie’s candor, honesty, and humor is apparent as she and her former self struggle with physical, emotional, psychological, and financial challenges during her recovery.

The playwrights present intimate details, anticipating questions people may not want to ask aloud. They’ve ensured that this play, above all, highlights human connection.

The actress portraying Katie is none other than the woman who lived the story – and her hard-fought truths and valuable life lessons resonate as she ultimately finds purpose, beauty, and love in everyday living.

She is aided by fellow live-wire Hannah Geisz, whose affection and enthusiasm for this material is matched by the indefatigable O.G. Geisz embodies her former 25-year-old self, the voice within who encourages, and sort of a spiritual whisperer reminding her of who she was and still is.

And there are daunting obstacles, no sugar-coating those frustrations, and the inner voice prevents her from giving up, no matter how dark it gets.

As a devoted activist, Katie sincerely embraces her role as the production’s flag bearer. With an unwavering fervor, she lets us in – yes, it’s difficult, but behold an ‘influencer’ with a considerable ‘B.S.’ detector.

The play includes flashbacks, visuals, and music to aid the storytelling. Rebollo took care of the projection design, she and Rodriguez Bannister collaborated on the sound design, Ryan Luedloff designed the lighting and the tech, Erin Schwob took care of wigs, and Rachel DeNoyer was the stage manager.

An earnest eight-person ensemble portrayed different roles – mainly health care professionals, family, friends, and lawyers: Kelly Ballard, Dennis Calvin, Tyler Gotsis, Kristen Hays, Hannah (Mo) Moellering, Claire Sackman, Luke Steffen, and Rob Tierney. Gotsis played Katie’s future husband Steve.

With its positive attitude and indelible heroine, “Roll With It!” delivers insight – and warmth. It must be a call to action, for it’s not enough to describe it as inspiring.

Photo by Bradley J. Rolf

The Black Mirror Theatre Company presents “Roll With It!” as a one-act without an intermission on Oct. 13-14 and 19-21 at 7 p.m. and Oct. 15-16 and 22-23 at 3 p.m. at the Kranzberg Arts Center Black Box Theatre, 501 N. Grand Blvd., St. Louis. Tickets are available through MetroTix. For more information: www.blackmirrortheatre.org

To learn more, visit Katie Rodriguez Bannister’s website, www.awomanonwheels.com

            COVID-19 Pandemic Results in Production Streamcast by HEC Media

New Jewish Theatre led the way with six awards at the eighth annual St. Louis Theater Circle Awards ceremony on Tuesday, April 7, 2020. Max & Louie Productions’ performance of Indecent garnered five awards, followed by four awards to The Tennessee Williams Festival St. Louis for its production of A Lovely Sunday for Creve Coeur.

Because of the COVID-19 pandemic, the Circle’s gala event for this year’s award ceremony, originally scheduled for March 30, 2020 at the Loretto-Hilton Center, was canceled. Instead, HEC Media produced a version of the ceremonies that was streamcast on HEC Media’s Facebook page (https://www.facebook.com/hectv/live/) as well as telecast on Spectrum channel 989 and AT&T U-verse channel 99. Here is the YouTube link: https://www.youtube.com/embed/tCo0AFHbChE

Awards were given in 31 categories covering comedies, dramas and musicals as well as two categories for opera. In addition, Ken and Nancy Kranzberg received a special award for their philanthropic contributions to the arts and theater in the St. Louis area, including many developments in Grand Center. The awards honored outstanding achievement in locally produced professional theater for the calendar year 2019.

A total of 21 productions and 14 companies were recognized by the awards, including eight individuals who have received honors in previous years. Will Bonfiglio, honored as Outstanding Actor in a Comedy for his performance in New Jewish Theatre’s production of Fully Committed, received an award for the third time in the last four years.

The 2020 presentation featured nominees from two companies, Black Mirror Theatre and The Q Collective, which were represented for the first time in consideration of St. Louis Theater Circle Awards.  Each company received an award for outstanding achievement.

In all, 25 local companies received nominations in 33 categories for comedy, drama, musical and opera, as well as 125 individuals up for awards. Honorees who have previously received St. Louis Theater Circle Awards include Will Bonfiglio, J. Samuel Davis, Kari Ely, Michael Hamilton, Patrick Huber, Sean M. Savoie, Margery and Peter Spack, and Maggie Wininger.

The mission of the St. Louis Theater Circle is simple: To honor St. Louis professional theater. Other cities around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and Washington D.C., pay tribute to their own local theatrical productions with similar awards programs.

Nominations for the St. Louis Theater Circle Awards were divided into categories for musicals, dramas, comedies and operas.  More than 120 local professional theatrical productions were staged in the St. Louis area in 2019.

Honorees of the eighth annual St. Louis Theater Circle Awards are:

Outstanding Ensemble in a Comedy

A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Supporting Actress in a Comedy

Kelley Weber, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Supporting Actor in a Comedy

Patrick Blindauer, Love’s Labors Lost, Shakespeare Festival St. Louis

Outstanding Actress in a Comedy (tie)

Katie Kleiger, Pride and Prejudice, Repertory Theatre of St. Louis

Maggie Wininger, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Actor in a Comedy

Will Bonfiglio, Fully Committed, New Jewish Theatre

Outstanding Director of a Comedy

Kari Ely, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis

Outstanding Production of a Comedy

Brighton Beach Memoirs, New Jewish Theatre

Indecent

Outstanding Ensemble in a Drama

Indecent, Max & Louie Productions

Outstanding Supporting Actress in a Drama

Carly Uding, Translations, Black Mirror Theatre

Outstanding Supporting Actor in a Drama

J. Samuel Davis, District Merchants, New Jewish Theatre

Outstanding Actress in a Drama

Donna Weinsting, Salt, Root and Roe, Upstream Theater

Outstanding Actor in a Drama

Gary Wayne Barker, District Merchants, New Jewish Theatre

Outstanding Director of a Drama

Joanne Gordon, Indecent, Max & Louie Productions

Outstanding Production of a Drama

Indecent, Max & Louie Productions

Outstanding Set Design in a Play

Margery and Peter Spack, Brighton Beach Memoirs, New Jewish Theatre

Outstanding Costume Design in a Play

Felia Davenport, District Merchants, New Jewish Theatre

Outstanding Lighting Design in a Play

Patrick Huber, Indecent, Max & Louie Productions

Outstanding Sound Design

Phillip Evans, Indecent, Max & Louie Productions

Outstanding Set Design in a Musical

Mary Engelbreit and Paige Hathaway, Matilda, The Muny

Outstanding Costume Design in a Musical

Sarah Porter, La Cage aux Folles, New Line Theatre

Outstanding Lighting Design in a Musical

Sean M. Savoie, Man of La Mancha, Stages St. Louis

Outstanding Musical Director

Charles Creath, Don’t Bother Me, I Can’t Cope, The Black Rep

Outstanding Choreographer

Dexandro Montalvo, Such Sweet Thunder, Shakespeare Festival St. Louis,

Big Muddy Dance Company, Jazz St. Louis, Nine Network of Public Media

Outstanding Ensemble in a Musical

Matilda, The Muny

Outstanding Supporting Actress in a Musical

Taylor Louderman, Kinky Boots, The Muny

Outstanding Supporting Actor in a Musical

Tielere Cheatem, La Cage aux Folles, New Line Theatre

Outstanding Actress in a Musical

Kendra Kassebaum, Guys and Dolls, The Muny

Outstanding Actor in a Musical

Luke Steingruby, Hedwig and the Angry Inch, The Q Collective

Outstanding Director of a Musical

Michael Hamilton, Man of La Mancha, Stages St. Louis

Outstanding Production of a Musical

Such Sweet Thunder, Shakespeare Festival St. Louis,

Big Muddy Dance Company, Jazz St. Louis, Nine Network of Public Media

Outstanding New Play

Nonsense and Beauty, by Scott C. Sickles, Repertory Theatre of St. Louis

La Boheme

Outstanding Achievement in Opera (tie)

Terence Blanchard and Kasi Lemmons, Fire Shut Up in My Bones, Opera Theatre of Saint Louis

Roland Wood, Rigoletto, Opera Theatre of St. Louis

Outstanding Production of an Opera

La Boheme, Union Avenue Opera

Special Award

Ken and Nancy Kranzberg

Members of the St. Louis Theater Circle include Steve Allen, stagedoorstl.com; Mark Bretz, Ladue News; Bob Cohn, St. Louis Jewish Light; Tina Farmer, KDHX; Michelle Kenyon, snoopstheatrethoughts.com; Gerry Kowarsky, Two on the Aisle (HEC Media); Chuck Lavazzi, KDHX; Sarah Bryan Miller, St.Louis Post-Dispatch; Judith Newmark, judyacttwo.com; Ann Lemons Pollack, stlouiseats.typepadcom; Tanya Seale, Broadwayworld.com; Lynn Venhaus, PopLifeSTL.com; Bob Wilcox, Two on the Aisle (HEC Media); and Calvin Wilson, St. Louis Post-Dispatch.Eleanor Mullin, local actress and arts supporter, is the group’s administrator. 

For more information, contact stltheatercircle@sbcglobal.net or ‘like’ The St. Louis Theater Circle on Facebook.

                                                            ###

By Lynn Venhaus
Managing Editor
It’s beginning to look a lot like Christmas, and there are offerings to get you into the Christmas spirit — whether traditional like ‘A Christmas Carol” or “A Christmas Story,” or more humorous parodies, like Magic Smokey Monkey’s take on the stop-motion animation TV classics.
God’s a character in both Stray Dog’s “The Most Outrageous Story Ever Told” and New Jewish Theatre’s “An Act of God.:
Warm family-fare like “Annie” and “Smoke on the Mountain: Homecoming” are on community theater stages.
Whether you’re feeling like Scrooge (two productions) or ready to deck the halls (Church Basement Ladies, A Christmas Story), go see a play!
(Editor’s Note; Been having lots o’ computer problems, so this is late this week, but the good news is that a new laptop is ready to hook up! YAY. Apologize for delays.)
Alan Knoll in “An Act of God.” Photo by Eric Woolsey“An Act of God”
New Jewish Theater
Nov. 29 – Dec. 16
Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m.
Wool Studio Theatre
Jewish Community Center, 2 Millstone Campus, Creve Coeurwww.newjewishtheatre.org
314-442-3283.
What It’s About: Delivering a new and improved set of Commandments, God’s introduction of the revised laws is positive, insisting on separation of church and state, and encouraging us to believe in ourselves, not some elderly white guy in the sky. He sets the record straight, and he’s not holding back.
Director: Edward Coffield
Starring: Alan Knoll, Cassidy Flynn and Amanda Wales
“All Is Calm”Mustard Seed Theatre
Nov. 15 – Dec. 16
Thursdays through Sundays
Fontbonne Fine Arts Theatre
6800 Wydown Blvd.www.mustardseedtheatre.com
314-719-8060
What It’s About:  Celebrate the power of peace in this acapella musical based on the true story of soldiers during World War I who for one night, put down their arms and played soccer instead of exchanging bullets.
Director: Deanna Jent
“Annie”
Clinton County Showcase
Dec. 7 – 16
Friday and Saturday at 8 p.m., Sunday at 2 p.m.
The Avon Theatre
525 N. Second St., Breese, IL
www.ccshowcase.com
What It’s About: The sun will come out tomorrow…With equal measures of pluck and positivity, little orphan Annie charms everyone’s hearts despite a next-to-nothing start in 1930s New York City. She is determined to find the parents who abandoned her years ago on the doorstep of a New York City Orphanage that is run by the cruel, embittered Miss Hannigan. With the help of the other girls in the Orphanage, Annie escapes to the wondrous world of NYC.
“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“A Christmas Carol”Dec. 6 – 9
The Fox Theatre
Friday at 7: 30 p.m., Saturday at 2 and 7:30 p.m., Sunday at 1 and 6 p.m.www.fabulousfox.com
Tickets: MetroTix.com
What It’s About: An annual tradition, presenting Charles Dickens’ “A Christmas Carol,” the timeless tale of Ebenezer Scrooge on a journey through time and space, forced to confront his past, present and future through the aid of his spiritual guides.
Of Note: The Nebraska Caravan production has 23 actors playing the characters.
“A Christmas Carol”
Dec. 6 – 9
Thursday through Saturday at 7:30 p.m., Sunday at 2 p.m.
Looking Glass Playhouse
301 St. Louis St.
www.lookingglassplayhouse.com
“A Christmas Story”
Jerry Naunheim Jr. PhotoThe Repertory Theatre of St. Louis
Nov. 28 – Dec. 23
Mainstage, Loretto-Hilton Centerwww.repstl.org
314-968-4925
What It’s About: “You’ll shoot your eye out”! An adaptation of the classic holiday film, “A Christmas Story” is about Ralphie Parker’s quest to get a Red Ryder BB gun for Christmas. Filled with small-town family vignettes and colorful characters,
Director: Seth Gordon
Starring: Charlie Matthis, as nine-year-old Ralphie, and Ted Deasy, as the grown-up Ralph who narrates the play.
Brad Fraizer is The Old Man, Laurel Casillo is Mother, Spencer Slavik is younger brother Randy, Jo Twiss is Miss Shields. Tanner Gilbertson, Gigi Koster, Ana McAlister, Rhadi Smith and Dan J. Wolfe are featured child performers.
Of Note: The show had an acclaimed run at The Rep in 2009.
“Doomsday Faust”
Equally Represented Arts and
Dec. 5 – 8
Centene Center for the Arts, 3547 Olive Street
What It’s About: A post-modern collage that re-imagines Marlowe’s tragic hero is an ambitious businessman who strikes a deal with the devil to become the most magical and powerful leader on the world stage. This is a re-imagined post-modern collage that says Faustus’ doomsday, as well as our own, is just on the horizon.
“The Holiday Stop-Motion Extravaganza Parody”Nov. 30 – Dec. 8
St. Louis Shakespeare’s Magic Smoking Monkey Theatre
Regional Arts Commission  in University City
Wednesday and Thursday, Dec. 5 and 6, 8 p.m.; Friday and Saturday, Dec. 7 and 8, 8 p.m. and 10:30 p.m.
www.brownpapertickets.com/event/3739606
What It’s About: Join Rudolph, Santa, Hermey, Bumble, the Miser Bros and other wonderful misfits as they parody your favorite 1970s childhood holiday shows by Rankin/Bass. If you’ve ever had aspirations of becoming a dentist, this parody is for you! This parody includes: “Rudolph the Red-Nosed Reindeer,” “Santa Claus is Coming to Town” and “The Year Without Santa Claus.”
Director: Suki Peters
Starring: Ben Ritchie, Tyson Blanquart, Amy Kelly, Ron Strawbridge, Payton Gillam, Robert Thibaut, Stan Davis, Joseph Garner, Joseph Cella, Jeremy Branson, Shannon Nara, Cliff Turner and Mike Stephens.
Of Note: Magic Smoking Monkey is partnering with Shriner’s Hospital to help make the holidays merry and bright for children in the St. Louis area. Bring a new, unwrapped toy to the box office with you on any night of the performance to be entered in a special drawing to win 4 tickets to a future Magic Smoking Monkey production.
“The Most Fabulous Story Ever Told”
Stray Dog Theatres’ The Most Outrageous Story Ever ToldStray Dog Theatre
Dec 6 – 22
Thursdays through Saturdays at 8 p.m.
Special performance Wednesday, Dec. 19
Tower Grove Abbey, 2336 Tennessee Ave.www.straydogtheatre.org
314-865-1995
What It’s About: This outlandish comedy by Paul Rudnick is about the first men on earth, Adam and Steve, and their lesbian friends Jane and Mabel, who decide to start civilization, despite the challenges. The stage manager, who might be God, leads them through the Garden of Eden, the Great Flood, a visit with a Pharaoh and the Messiah’s birth.
Director:
Starring: Patrice Foster, Luke Steingruby, Jennelle Gilreath, Stephen Henley, Maria Bartolotta, Angela Bubash, Jeremy Goldmeier, Dawn Schmid.
Of Note: For mature audiences.
Stray Dog Theatre presents The Most Fabulous Story Ever Told Thursdays through Saturdays, December 6 – 22. There will also be a show at 8 pm on Wednesday, December 19. “First men on earth Adam and Steve and their lesbian friends Jane and Mabel decide to start civilization, despite the provocative challenges of procreation. They are led by the stage manager (who may be God) through the Garden of Eden, the Great Flood, a visit with a highly rambunctious Pharaoh, and finally, the birth of the Messiah. This outlandish comedy is a perfect alternative holiday treat!” Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.
“Of Human Kindness – An Evening of Short Plays Thursdays through Saturdays at 7 p.m. and Sunday at 2 p.m.,
Dec. 6 – 16
Black Mirror Theatre Company
Kranzberg Arts Center
Tickets: MetroTix.com
What It’s About: Discarded lives. Some bound by hate, some by indifference – all human. All true stories, true enough – informed by eye witnesses: the psychiatrist who spoke of his homeless clients’ longing to lead meaningful lives, or the homeless man who told of his need for validation; by the letters from Mom and Dad – advice on growing up Black in America, or of Saint Maria Skobtsova who had the Jewish children hidden in her trash emptied to freedom outside of the city – executed, among so many others, in Ravensbruck; or of Isabella, Sojourner Truth, a Dutch speaker, beaten by her English owners for not obeying orders she couldn’t understand yet she became an ardent, iconic American voice for equal treatment of all.
“Perfect Arrangement”R-S Theatrics
The Marcelle Theatre
Dec. 7 – 23
Fridays and Saturdays at 8 p.m., Sundays at 7 p.m.
www.r-stheatrics.com
“Smoke on the Mountain: Homecoming”
Alton Little Theatre
Dec. 7 – 16
Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.
Alton Little Theatre, 2450 N. Henry in Alton
618-462-6562www.altonlittletheater.org
What It’s About: The Sanders Family, subject of the “Smoke on the Mountain” musicals, continue to be roles models of inspiration, humor and hope. Songs are a mix of Southern Gospel, hymns, country and bluegrass favorites from the World War II era.
“The Three Sisters”
Webster University’s Conservatory of Theatre Arts
Nov. 28 – Dec. 9
Wednesday through Saturdays at 7:30 p.m. and Sundays at 2 p.m.
Emerson Studio Theatre at the Loretto-Hilton Center
Webster University campus.www.webster.edu
314-968-7128
What It’s About: Adapted by Sarah Ruhl, the Chekhov play is about three sisters trapped in a provincial Russian town after the death of their father, and lament the passing of better times and long for the excitement of Moscow. One of them has married a local teacher; another has become a teacher herself; the third has settled for a dull job in the local telegraph office. Their principal interest is focused on the officers of the local regiment, of which their father had been commandant, men who bring a sense of sophistication and the world outside to their suppressed existence. In the end the fateful pattern of their lives is made clear –their dreams will be denied but, despite all, there must always be hope, however futile, and the ways of the world are to be accepted, if not understood
“Tribes”St. Louis Actors’ Studio
Nov. 30 – Dec. 16
Thursdays through Saturdays at 8 p.m. and Sundays at 3 p.m.
Gaslight Theatre, 358 N. Boyle.
314-458-2978
www.stlas.org
What It’s About: Billy was born deaf into a hearing family. He was raised inside its fiercely idiosyncratic and politically incorrect cocoon. He has adapted brilliantly to his family’s unconventional ways, but they’ve never bothered to return the favor. It’s not until he meets Sylvia, a young woman on the brink of deafness, that he finally understands what it means to be understood.
Director: Annamaria Pileggi
Starring: Miles Barbee, who is deaf; Ryan Lawson-Maeske, Bridget Bassa, Elizabeth Townsend, Greg Johnston and Hailey Medrano.
Of Note: This comedy-drama by Nina Raine was staged in London in 2010 and off-Broadway in 2012, winning the Drama Desk Award for Best New Play.
William Roth, founder and artistic director of St. Louis Actors’ Studio, has announced that they will donate $2 of each ticket price to Deaf Inc, St. Louis. Deaf Inc is dedicated to providing effective communication access to the deaf, hard of hearing and hearing individuals in the St. Louis area. For more on this organization, visit www.deafinc.org.
Opening Night and all Sunday and Thursday performances will be sign-interpreted for our deaf patrons. Email help@stlas.org for details.
For more on Miles Barbee, visit www.milesbarbee.com.
“Wonderland: Alice’s Rock and Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.