By Lynn Venhaus

Another thunderous full-throttle fever dream from visionary filmmaker George Miller, “Furiosa: A Mad Max Saga” repetitively smashes and crashes a megaton of souped-up vehicles in a savage and dusty post-apocalyptic world.

That loud and noisy thrill ride is expected in the prequel to Miller’s ambitious fourth foray nine years ago – “Mad Max: Fury Road,” which continues his gritty, grungy, and gruesome sci-fi world he created in 1979.

Filmgoers enthralled with this high-on-carnage, low-on-story dystopian adventure will again be dazzled by the extraordinary stunt work, eye-popping aerial feats, and the stunning visual effects as survivors’ barrel through the Australian Wasteland.

Nevertheless, Miller’s reliance on more CGI than its predecessor makes this action spectacle’s excess mind-numbing, accompanied by a grating music score composed by Tom Holkenborg that sounds like an incessant cruise ship’s horn.

When clips from Fury Road play over the end credits, it’s another reminder of how much better and epic it was.

After all, the 2015 film earned 10 Academy Award nominations, and won six – for costume design, film editing, production design, sound mixing, sound editing, and makeup and hairstyling. (This one may duke it out with “Dune, Part Two” in technical categories, however.)

Not to take anything away from the efforts of Anya Taylor-Joy, who is terrific, and so is her remarkable young counterpart, Alyla Browne, in creating the backstory of Imperator Furiosa, the mysterious and fierce warrior who was memorably played by Charlize Theron in the Fury Road installment.

With her striking appearance – shaved head and missing part of one arm, she teamed with Tom Hardy’s Max Rockatansky against the evil Immortan Joe and his War Boys to rescue five imprisoned brides.

Taylor-Joy, who proves her mettle as an action star, is a captivating middle piece in the puzzle established by Browne’s astonishing turn that deftly sets the table for the faster, more furious grown-up.

The youngster was snatched from The Green Place of Many Mothers, and had no choice but to become a rebel, disguising herself as a male, saying little, and staying sharp. In fact, the character only has 30 lines of dialogue for 2 hours and 28 minutes.

The technical elements are first-rate, with Simon Duggan’s cinematography an outstanding achievement, as is the gnarly production design by Colin Gibson, who created “Fury Road” – and that Australian classic “Priscilla, Queen of the Desert.” Costume Designer Jenny Beavan, who has won three Oscars, including one for “Fury Road,” continued her punk aesthetic.

But there is little freshness to this dystopian adventure now being told for the fifth time. The resolution takes too long, and the plot holes are obvious in the script, co-written by Miller and Nico Lathouris.

While a movie is only as good as its villain, Dr. Dementus is not a strong one, despite showy antics from a nearly unrecognizable Chris Hemsworth. He’s a preening and pompous buffoon who acts like a carnival barker and controls Gastown with his marauding biker boys.

The supporting cast is nondescript and interchangeable, except for Tom Burke as Praetorian Jack, who becomes Furiosa’s ally. This movie is the first one without Mad Max, although there is a brief cameo that means nothing.

Increasingly more brutal, the Mad Max series began 45 years ago, when a little-known Mel Gibson portrayed the cop whose wife and daughter are murdered by a biker gang. As the world fell in a future Australia, he came a drifter roaming through the bleak radioactive desert.

The 1979 film, which dubbed Gibson’s voice for an American audience, helped usher in the Australian New Wave.

A superior “The Road Warrior” followed in 1981, establishing Miller as an action force. By then in the sci-fi plot, society had broken down to such an extent, after war, a ruined environment, and critical resources in short supply, that it’s survival of the fittest, and an unsettling barbaric culture.

The third film, 1985’s “Mad Max: Beyond Thunderdome,” was the weakest, yet Tina Turner’s performance as Aunty Entity was impressive. It wasn’t until 30 years later that Miller revisited this landscape.

Miller has directed them all with bombast, which is quite a departure from his beloved Oscar-winning animated film “Happy Feet” and Oscar-nominated “Babe” and its joyous sequel “Babe: Pig in the City.”

If you’re still interested in watching the Mack Truck war rig and tricked-out dune buggies as bodies pile up amid the swirling dust, “Furiosa” is meant for you. However, my eyes glazed over.

Sure, the wild stunts are appealing — those acrobatic polecats are still tremendous additions as we drive full-speed-ahead into a hopeless world.

“Furiosa: A Mad Max Saga” is a 2024 sci-fi action adventure directed by George Miller and starring Anya Taylor-Joy, Chris Hemsworth, Alyla Browne, Tom Burke, and. It is rated R for sequences of strong violence, and grisly images, and the runtime is 2 hours, 28 minutes. It opened in theatres May 24. Lynn’s Grade: C-

By Lynn Venhaus

DVD: “Thor: Love and Thunder” released today.

The third “Thor” superhero stand-alone movie combined comedy and romance with the cosmic action-adventure, earning $746.670 million worldwide. After losing his home planet and close family members during the events of “Avengers: Endgame” and “Thor: Ragnarok,” Thor embarks on a journey to find his way in the universe.

Director Taika Waititi also played a supporting role in a cast that included Chris Hemsworth as the Nordic god, Natalie Portman as his one true love Jane Foster, Christian Bale as Gorr the God Butcher, with , Karen Gillan, Chris Pratt, Matt Damon, Vin Diesel, Tessa Thompson, Bradley Cooper, Russell Crowe, Pom Klementieff, Jaimie Alexander, Melissa McCarthy, Sam Neill, Dave Bautista, Simon Russell Beale, Luke Hemsworth, and Sean Gunn. Rated PG-13, its runtime is 118 min.

Formats: DVD, Blu-ray + Digital Code, 4K Ultra HD/Blu-ray Combo + Digital Code, VOD, Digital. Extras: Gag reel; commentary; “Hammer-worthy: Thor and The Mighty Thor” featurette; “Shaping a Villain” featurette; “Another Classic Taika Adventure” featurette; deleted scenes

Here’s my review (“Fresh” on the Tomato-meter): https://www.poplifestl.com/fast-furious-and-funny-thor-love-and-thunder-is-a-rip-roaring-good-time/

Reese Witherspoon, Josh Lucas

Movie: “Sweet Home Alabama,” 20th Anniversary

On Sept. 27, 2002, a romantic comedy starring Reese Witherspoon as fashion designer Melanie Carmichael, who has reinvented herself as a socialite, opened. In the screenplay by C. Jay Cox, she becomes engaged to NYC’s most eligible bachelor, a JFK Jr.-like Drew Hennings, played by Patrick Dempsey. But her past holds many secrets, including Jake (Josh Lucas), the down-home husband she married in high school, who refuses to divorce her. She sneaks back home to Alabama to legally end the relationship after seven years of separation, but confronting her past isn’t as smooth as she had hoped.

I fell in love with this movie, not ashamed to admit it, and own the DVD – and still watch it every so often if I find it on cable. I don’t care what other critics say or what it’s ratings/scores are. What matters is that I like it, and so do many of my girlfriends. When it came out on DVD, we had a group viewing and listened to the commentary by director Andy Tennant. We still talk about how fond we are of it

I find the love triangle chemistry palpable and the supporting cast endearing. What’s not to love about Mary Kay Place and Fred Ward as her parents Pearl and Earl Smooter? And Jean Smart as Jack’s Mom Stella Kay Perry and Candice Bergen as Drew’s Mom, mayor of NYC? And the wondrous Melanie Lynsky as Lurlynn, the friend with a ‘baby in a bar’? Dakota Fanning as a young Melanie? Ethan Embry (“Grace and Frankie”) as Bobby Ray, and Earl Bridgers “The Truth About Pam”) as Eldon.

It is on the Freeform Channel today and Wednesday. There are several streaming platforms where you can watch it, as long as you have a subscription, and you can rent it on multiple platforms.

From JustWatch.com: Currently you can watch “Sweet Home Alabama” streaming on Hoopla, DIRECTV, Freeform or for free with ads on The Roku Channel. It is also possible to rent “Sweet Home Alabama” on Apple iTunes, Amazon Video, Google Play Movies, YouTube, Vudu, Microsoft Store, Redbox, DIRECTV, AMC on Demand, Spectrum On Demand online and to download it on Apple iTunes, Amazon Video, Google Play Movies, YouTube, Vudu, Microsoft Store, Redbox, DIRECTV, AMC on Demand.

Nathan Lee Graham, Reese Witherspoon, Rhona Mitra

Fun Fact: Nathan Lee Graham, who plays one of Melanie’s assistants (Frederick Montana, graduated from the Webster University Conservatory of Theatre Arts. He is currently playing Hermes in the national tour of the Tony-winning “Hadestown,” which will be at the Fabulous Fox Theatre Oct. 11-23.

Bio: https://www.broadwayworld.com/people/Nathan-Lee-Graham/

TV: David Letterman will be a guest on “Jimmy Kimmel Live!” tonight at 10:35 p.m.

This week, Jimmy returned to his hometown, Brooklyn. Growing up, he idolized Letterman. The other guest is SNL alum Tracy Morgan.

Here’s Jimmy’s favorite Letterman moments, Part II:
https://youtu.be/xhn8vHg5E-o

Part I: https://youtu.be/3BI8v8_4ZVA

Fun Fact: Today, in 1954, “The Tonight Show” debuted nationwide on NBC hosted by Steve Allen.

Music: The Dave Matthews Band

On this day in 1994, The Dave Matthews Band released their first album, “Under the Table and Dreaming,” which included the tracks “What Would You Say” and “Ants Marching” that received wide airplay. The album went on to sell over 6 million copies. They had been gaining fans on the road, especially in the Virginia area, where they played live starting in 1991.

On This Day: Cautionary Tale

In 1962, marine biologist and writer Rachel Carson published ‘Silent Spring’ about the deleterious impacts of pesticide use on the environment.

Redford, Streisand

Playlist: “The Way We Were”

Barbra Streisand sang “The Way We Were” on her 15th studio album of the same name, which was released as the album’s lead single on Sept. 27, 1973. The song, written by Alan and Marilyn Bergman, and Marvin Hamlisch. It won the Academy Award for Best Original Song.

All together now: “Memories..misty-watercolored memories…” Watch this special Oprah moment when Babs sang the song on her show

Cardinals Nation: If you can’t get enough of Albert Pujols’ 700 home runs

All 700 home runs from MLB:

Albert Jr. on his dad:

Go, Cards!


By Lynn Venhaus
The beguiling “Thor: Love and Thunder” is a sweet love story wrapped in a darker cosmic adventure and draped in Norse god mythology.

This flashy blend of heroics, heart and humor is sometimes too goofy to be taken seriously, but overall is an inspired take from director Taika Waititi, and that is reason enough to spring extra for the IMAX viewing.

But first and foremost, the enormously appealing Chris Hemsworth is back as the crown prince of Asgard being playful, very physical – and emotional. In the Summer of the Chris’, he might be having the best one (His comrades Chris Evans and Chris Pratt, although, are not being left in the dust).

Hemsworth has now played Thor in four stand-alone installments and in four Avengers films, and has made the role his signature. When we last saw the superhero in “Avengers: Endgame” in 2019, he was having an existential crisis, and Hemworth’s comedic skills were used well.

In this chapter, Thor, interrupted in his retirement, enlists the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex-girlfriend Jane Foster (Natalie Portman) to combat the galactic killer Gorr the God Butcher (Christian Bale), who intends to make the gods extinct. To Thor’s surprise, Jane wields his magical hammer, Mjolnir, as the Mighty Thor, and they must join forces to stop Gorr’s vengeance and save the multi-universe.

Picking up where “Avengers: Endgame” left off three years ago, Thor gets back in shape, going from “Dad bod to god bod” — and is shown meddling in the Guardians of the Galaxy’s quests, and hanging out in Asgard as this retired guy content to let the world pass him by. Naturally, duty calls, and so does his ex, astrophysicist Dr. Jane Foster, now battling cancer and wielding the enchanted hammer.

Hemsworth and Natalie Portman have a delightful chemistry together, and their scenes of tussling and reconnecting are sincere and sentimental. They make you believe in them – and care.

And as The Mighty Thor, Portman shows off her physicality. She’s able to meet the demands of the role with ebullience and grace.

Jane Foster (Natalie Portman) as Mighty Thor

Thor, the god of thunder, was turned into comic book gold by writer Stan Lee, scripter Larry Lieber and artist Jack Kirby in 1962, making his debut in Marvel’s “The Silver Age of Comic Books,” and #82 “Journey into Mystery.”

Now, 60 years later, the brawny do-gooder is an indispensable part of the Marvel Cinematic Universe treatments. The Kenneth Branagh-directed one started his story in 2011, followed by “The Dark World” sequel in 2013, then Waititi took over in “Thor: Ragnarok” in 2017 and now “Love and Thunder.”

Hemsworth plays up Thor’s strong, beefy, and boastful qualities, and always seems to let the audience in on the joke.

Multi-hyphenate Waititi, who won an Oscar for best original screenplay for “JoJo Rabbit” in 2020, is known as a writer for his cheeky and brazen humor, and injects a liveliness into his second Thor film, for which he wrote the story and co-wrote the screenplay with Jennifer Kaytin Robinson.

As a director, the New Zealander takes on quirky projects – see “Hunt for the Wilderpeople” for a surprisingly fun adventure – and as an actor, he’s stood out in a wide range of wacky characters. He might be best known for creating “What We Do in the Shadows,” now a wildly successful television series adaptation.

Waititi moves through a jumble of genres with ease. This installment of “Thor” actually straddles darkness and light rather deftly, but it is certainly a jolt to plunge into the creepy ink-black world of Gorr’s cruelty as he terrorizes kidnapped children.

So, while “Love and Thunder” is geared to be a family film, it has elements of horror, and can scare the young ones. They really push that PG-13 rating.

A gaunt and nearly unrecognizable Christian Bale is quite good as the sinister villain, bringing an interesting edge to the role. It’s a welcome return, for the Oscar-winning actor had planned not to do any more superhero movies after he finished playing the Caped Crusader in “The Dark Knight Rises” in 2012, relented, and he makes his mark giving Gorr more dimension as a grief-stricken father.

The quality of the performances, with both Bale, Portman and even Russell Crowe being silly as Zeus, is indicative of their willingness to take risks and not rest on their golden Academy Awards statuettes.

The cast is up to the challenges, both in harrowing danger and in the “Team Thor” camaraderie – especially with Tessa Thompson as Valkyrie presiding over Asgard as the ruler, and Waititi voicing the giant hunk of stones Korg.

The zippy action-packed visual effects extravaganza is set to a very loud pulse-pounding classic rock score. After two hours and five minutes, it intriguingly leaves us wanting more with two surprising scenes during the end credits.

“Love and Thunder” whets our appetites for the future projects – what a fun reveal some recognizable people are – but satisfies as a rip-roaring, energetic, and entertaining stand-alone with a compelling story and fine performances.

But — those screaming goats are a bit much.

“Thor: Love and Thunder” is a 2022 action, adventure, fantasy film directed by Taika Waititi and stars Chris Hemsworth, Christian Bale, Natalie Portman, Tessa Thompson and Russell Crowe. It is rated PG-13 for intense sequences of sci-fi violence and action, language, some suggestive material, and partial nudity, and runs 2 hours, 5 minutes. Opens in theaters on July 8. Lynn’s Grade: B+

By Lynn Venhaus
On Sunday night, the Critics Choice Awards will air beginning at 6 p.m. CST on the CW (ch. 11 in STL). I promise you, it will be way better than the Golden Globes.

For one, I vote as a member of Critics Choice Association (formerly Broadcast Film Critics Association). Hehehehe. I am one of 400+ members. Secondly, we have a diverse membership and our nominations reflect that, unlike the 87 at HFPA.

As far as the show goes, this is what our leadership reports:

We will have virtually all our nominated performers participating virtually in our show on Sunday night. Our lineup of Presenters includes Kevin Bacon, Angela Bassett, Mayim Bialik, Phoebe Dynevor, Morgan Freeman, Gal Gadot, Jim Gaffigan, Chris Hemsworth, Jameela Jamil, Eva Longoria, Lin-Manuel Miranda, Jared Padalecki, Kyra Sedgwick, Yara Shahidi, Courtney B. Vance, John David Washington, and Catherine Zeta-Jones.

But once the Critics Choice winner is announced and all the nominees have reacted, we will focus full-screen on the live acceptance speech, without awkwardly returning to the other nominees. And we will offer generous clips showcasing our nominated performances, a treat for audiences who may be inspired to discover movies and series they want to catch up on.

Hosted for the third year in a row by Taye Diggs and with our special See Her Award going to Zendaya, we hope and expect that our 26th annual Critics Choice Awards show will be our best ever. And as the world starts to return to normal in the coming months, we will continue to shine our light on the best the creative community has to offer at our Critics Choice Real TV Awards, Critics Choice Documentary Awards, and Critics Choice Super Awards.

Me and Seth Meyers at 2020 Awards

Last month, we brought our 3rd annual Celebration of Black Cinema to a national audience for the first time, reinforcing our commitment to championing the broadest spectrum of popular entertainment. If it’s as fun as it was last year, I will be very proud and happy! (I attended the ceremony in Santa Monica last January 2020).

It was really hard to pick winners this year — so many good nominees.

Enjoy, movie lovers!

(And if you want to read/listen to my reviews, I am in the Webster-Kirkwood Times; KTRS Radio (segment with Ray Hartmann on Sound Cloud — just go to station website, under Shows, click St Louis in the Know, and the list of audio clips is right there; Reel Times Trio podcast (all posted on Facebook page); and my website, www.PopLifeSTL.com, which is a work in progress, but content is growing.)

Me and Awkwafina at 2020 Awards