Wackiness ensues in Muny’s fresh, funny, frisky ‘Something Rotten!’

Wackiness ensues in Muny’s fresh, funny, frisky ‘Something Rotten!’

By Lynn Venhaus

Merry mischief makers mix the Muny’s musical mash-up “Something Rotten!” into a zesty end-of-season treat. Of course it’s special — it has an exclamation point!

Sending up the art form while celebrating it, a high-energy ensemble accepts the mission: deliver a delightful, daffy show at a dizzying fast-pace for the 108th season closer.

One of two premieres this summer, this comedic gem takes place in 1595, during the Renaissance, and brothers Nick and Nigel Bottom (Matt Doyle, Will Burton) are desperate to write a hit play but are overshadowed by the pompous megastar William Shakespeare (Jacob Dickey), who has fangirls and an adoring entourage.

Nick enlists a soothsayer, Nostradamus (not that one, but his niece Donna), to predict the next big thing. Dynamo Jen Cody tells him to write a musical. Singing! Dancing! Acting! All together now — say what?

Matt Doyle (center) and the company of the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

And when Nick asks Nostradamus to predict what Shakespeare’s next hit will be, however, she just misses the mark – proclaiming it is “Omelette!” (Not you know that depressed Danish prince with family and girl trouble.)

And into the madcap romp we go near Mel Brooks-Monty Python land. What silliness! “Something Rotten!” contains more than 60 inside jokes and ‘Easter eggs’ referencing other musicals and shows throughout the entire production.

Theater-insider quips and well-written zingers abound — and an all-in audience reacts with glee. IYKYK, but it’s not required to be well-versed in Shakespeare and all things musical theatre to enjoy this amusing spectacle.

A crowd-pleasing cast of Broadway veterans and familiar faces is firing on all cylinders. They look like they are having a lot of fun throughout, but especially in the super-sized splashy signature numbers “A Musical,” “Welcome to the Renaissance,” and an absolutely bonkers “Something Rotten/Make an Omelette” (defies description).

The company of the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

The show-stopping “A Musical” is a bursting party pinata with nods to “Annie,” “Rent,” “A Chorus Line,” “Cats,” “Wicked,” “Chicago” and “Les Miserables” and more.

A big and shiny, mighty fine-y
Glitter, glitz, and chorus line-y
Bob your head and shake your heiney
Musical

As the Minstrel, DeMarius R. Copes splendidly kicks off the spoofy, goofy fun with the catchy opener “Welcome to the Renaissance” that sets the go-for-broke tone.

The ebullient tap-dancing ensemble excels throughout the show: Lawrence Alexander, Matt Allen, Darien Crago, Aaron Patrick Craven, Kristen Smith Davis, Johnny Duvelson, Michael Harp, Sean Harrison Jones, Ryan Kasprzak, David Paul Kidder, Carina-Kay Louchiey, Spencer Davis Milford, Lizz Picini, Daniel Plimpton, Renée Reid, Allysa Shorte and Caitlin Stebelman.

Elizabeth Teeter and Will Burton in the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

The 2015 show, conceived by brothers Karey and Wayne Kirkpatrick as a paean to the creative process in a pastiche of Broadway’s greatest hits, received 10 Tony nominations. Christian Borle won his second Tony as Shakespeare, its only nod.

The brothers – one a songwriter, the other a screenwriter — teamed up on the music and lyrics, and British satirist John O’Farrell came aboard to collaborate with Karey on the clever book. Hailed by critics and fans alike, it ran for 742 performances.

Magnetic Matt Doyle commands the stage as the passionate but stubborn Nick, who is driven to out-write the Bard for his failing acting troupe. He shows his resentment in “God, I Hate Shakespeare.”

He’s so consumed by jealousy that he clashes with his insecure but very talented brother Nigel, who is the better wordsmith. He and Will Burton make a good pair, teaming in the rousing “Bottom’s Gonna Be on Top” Act 1 closer.

Jacob Dickey (center) and the company of the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

Doyle, Tony winner as Jamie in the 2022 “Company” revival, is a master of lightning-fast vocal stamina (Sondheim’s “I’m Not Getting Married Today”!), and with his soaring vocals, gets the audience on his side in the redemptive “To Thine Own Self.”

Burton is sweet as the sensitive, shy guy whose way with words wins over the heart of Portia, a Puritan. Elizabeth Teeter, in a welcome return to the Muny, is bright and bubbly as the poetry-obsessed young woman that rebels against her overbearing oppressive father Brother Jeremiah (her real-life dad, Lara Teeter).  The couple blend beautifully in the heartfelt ballad “I Love the Way.”

With moves like Jagger, Jacob Dickey plays slick Will as a whirling dervish of preening rock ‘n roll excess. This showman’s got game, and swagger to spare – and is an arrogant buffoon.

New to the Muny stage, Dickey sure knows how to make an entrance, working every angle. The mega-watt “Will Power” encapsulates rock god cliches, a la “Spinal Tap,” and his unbridled ego shines through on “Hard to Be the Bard.”

Matt Doyle and Jen Cody in the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

Jen Cody is always a secret weapon and makes her ninth Muny show memorable, stealing every scene as genre-bending Nostradamus. With her crisp and snappy delivery, her visions of the future were a hoot, quickly endearing herself.

Fun Fact: Cody won an Annie Award (animated films) for voicing the flamboyant Southern belle Charlotte “Lottie” La Bouff in “The Princess and the Frog” in 2009.

Bryonha Marie, a Muny standout as Dolores in “Sister Act” and Mother Abbess in “The Sound of Music,” is fierce and fun-loving as Bea, an early feminist married to Nick. She wants to help support her family, and takes odd jobs disguised as a guy, best expressed in “Right Hand Man.” She and Doyle are a pleasing pair.

With such quick-witted pros as Lara Teeter as Brother Jeremiah, the priggish fire-and-brimstone Puritan preacher; Adam Heller as producer wannabe Shylock; and Gary Glasgow as wealthy patron Lord Clapham, they’re a force field of fun. Their timing is impeccable and their presence cheerful.

From left: Bryonha Marie, Matt Doyle and Will Burton in the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

Director Rob Ruggiero, the winningest director in St. Louis Theater Circle Awards history (3), leans into the zany. His Muny collaborations on grand-scale musicals are always distinctive, bringing out the best in cast and crew alike.

The creative team is in absurd overdrive – costume designer DW adds visual gags to the vibrant costumes, based on originals by Gregg Barnes; new video designer Camilla Tassi has fun with Broadway marquees and those plentiful eggs, and lighting designer Rob Denton illuminates it all with verve. Sound designer Joshua Hummel and wig designer J. Jared Janas added to the playful ambience.

Scenic designer Edward E. Haynes Jr., back for his 10th show, created a colorful canvas transporting us to 16th century London and Stratford-upon-Avon with striking rotating and expansive Tudor and Elizabethan architecture.

Choreographer Parker Esse’s vivacious storytelling is a master class of fluid, upbeat motion, with associate choreographer Justin Prescott ensuring seamless moves from one high-spirited number to the next. Here for her third show, music director Anne Shuttlesworth is a marvelous maestro in motion, a beat poet with a baton.

The company of the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

Another fun fact: The 2015 show, previously on national tour here at the Fox Theatre in 2017, starred Muny favorite Rob McClure as Nick Bottom, and his real-life wife Maggie Lakis, as Bea.

Surely even the grumpiest, most cynical theatergoer will find something to smile about, for laughs were in abundance from start to finish in this well-cast, well-staged show.

With zippy wordplay, sterling comic timing and vivacious musical numbers, the Muny has delivered another love letter to this cherished art form. “Something Rotten!” is a refreshing tonic, something silly and summer-y to savor when we’ll be in the throes of the winter blues! Until we meet again, thanks for the memories.

The Muny presents Something Rotten August 17 – 23 at 8:15 pm. Performances take place on the Muny’s outdoor stage in Forest Park. For more information: muny.org.

Lara Teeter (center) and the company of the 2026 Muny production of “Something Rotten!” Photo by Phillip Hamer

The Muny Announces Creative Teams for 101st Season

The Muny Announces Creative Teams for 101st Season

The Muny announced Tuesday the directors, choreographers and music directors for its 2019 season, which opens on June 10 with Guys and Dolls.
“We head into our second century with the first phase of our new stage, and a renewed sense of passion and commitment to our audiences, artists and community,” said Muny Artistic Director and Executive Producer Mike Isaacson. “I’m so thrilled to announce these brilliantly talented colleagues who will create this season. They are already hard at work, ready to make this season just as historic and memorable as our 100th.”
GUYS AND DOLLS
June 10 – 16
Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
GORDON GREENBERG (Director) co-wrote and directed the Broadway stage adaptation of Irving Berlin’s Holiday Inn for Roundabout, Universal and PBS Great Performances. Recent work includes Barnum (London), Heart of Rock and Roll (Old Globe), the acclaimed West End revival of Guys and Dolls, nominated for six Olivier Awards (Savoy Theatre, Phoenix Theatre, Chichester, UK and international tour), the Drama Desk Award-winning NYC revivals of Working and Jacques Brel, the stage adaptation of Tangled for Disney, and writing TV musicals for Disney and Nickelodeon. Muny: Meet Me In St. Louis (revised book), Jesus Christ Superstar, Holiday Inn, West Side Story, Pirates! Upcoming: The Secret of My Success (Universal), Mystic Pizza (MGM), Dracula (Maltz). He attended Stanford University and NYU and is a member of SDC, WGA and the Dramatists Guild.

LORIN LATARRO (Choreographer) Broadway: Waitress, Les Liasions Dangereuses, Waiting for Godot. Curious Incident of the Dog… and American Idiot (Associate). Additional choreography: La Traviata (The Met), Chess (Kennedy Center), Twelfth Night (The Delacorte), Lin-Manuel Miranda’s 21 Chump Street(BAM), Heart of Rock and Roll (Old Globe), Assassins, God Bless You, Mr. Rosewater (Encores!), Between The Lines (KC Rep), Queen of The Night (Drama Desk Award), Kiss Me, Kate (Barrington); The Best Is Yet To Come (59E59, Drama Desk Award). Director: Taste of Things to Come (Chicago). Lorin performed in 12 Broadway shows and danced for Tharp, Momix, Graham. Juilliard graduate. Upcoming: Merrily We Roll Along (Roundabout), SuperHero (Second Stage), Waitress and Home Street Home (West End).
BRAD HAAK (Music Director/Conductor) Muny: A Funny Thing…Forum, Fiddler on the Roof, Into the Woods, South Pacific, The King and I and Gypsy. Broadway: An American in Paris, Mary Poppins, Lestat and Il Divo – A Musical Affair. National tours: The Lion King, Miss Saigon. Music supervision and orchestrations:Daddy Long Legs (Off-Broadway, London, Tokyo, Seoul and 19 US productions) and John Caird’s A Knight’s Tale (Tokyo, 2018). International: Sousatzka (Toronto), An American in Paris (Paris), Honk! (Singapore and Philippines); Jane Eyre (Tokyo). Chicago Shakespeare Theater’s Sunday in the Park with George and Follies (Jeff Award for music direction), Children of Eden (Kennedy Center). Orchestrations for New York and Boston Pops, National Symphony, L.A. Philharmonic.
KINKY BOOTS
June 19 – 25
Music and Lyrics by Cyndi Lauper
Book by Harvey Fierstein
Based on the Miramax motion picture of the same name, written by Geoff Deane and Tim Firth
DB BONDS (Director) is thrilled to be making his directorial debut at The Muny after appearing as Emmett in Legally Blonde in 2011. DB is the associate director of Kinky Boots and Pretty Woman on Broadway. He also served as the associate director of Kinky Boots worldwide with productions in England, Australia, Canada, Germany, Japan and Korea. As an actor, he appeared in Broadway and national touring productions of Les Misérables, The Phantom of the Opera, Legally Blonde and Dirty Rotten Scoundrels.
RUSTY MOWERY (Choreographer) is thrilled to be back at the magical Muny after serving as choreographer for The Muny productions of Legally Blonde and Hairspray. He is currently the Associate Choreographer of Pretty Woman on Broadway and the Associate Choreographer of Kinky Boots for Broadway, both U.S. national tours, England, Australia, Canada, Germany, Korea and Japan tours. Proud SDC member. As an actor, Rusty appeared on Broadway in Cats, Ragtime, Hairspray, Seussical and Legally Blonde.
RYAN FIELDING GARRETT (Music Director/Conductor) NYC/national tour: Kinky Boots, Jasper in Deadland, The Man in the Ceiling, Hamilton, Mary Poppins, Sweeney Todd (NY Philharmonic), Wicked, Big River (Encores!), Finding Neverland, The Three Little Pigs. Regional: Next to Normal (Weston Playhouse), Little Miss Scrooge (Rubicon Theatre), Passing Strange, [title of show], Chess (Playhouse Square), Two Gentlemen of Verona (Lake Tahoe Shakespeare). NYC orchestration credits include Darling, A Night Like This. Graduate of Baldwin Wallace University.
JERRY MITCHELL (Original Broadway Direction and Choreography) Tony Award winner for Best Choreography: La Cage aux Folles (revival) and Kinky Boots (also nominated as Director). Broadway: Pretty Woman (Director/Choreographer) and the Gloria Estefan musical On Your Feet! (Director). Other recent work includes the pre-Broadway productions of Half Time (Chicago and Paper Mill Playhouse) and Dirty Rotten Scoundrels (West End, Olivier nomination for Choreography). In the 35 preceding years, Jerry has been involved with over 50 Broadway, West End and touring productions, including as choreographer of You’re A Good Man, Charlie Brown, The Full Monty (Tony nomination), The Rocky Horror Show, Hairspray (Tony nomination and NBC telecast), Gypsy, Never Gonna Dance (Tony nomination), Dirty Rotten Scoundrels (Tony nomination), La Cage aux Folles, Legally Blonde (Tony nomination), Catch Me If You Can and Kinky Boots.
1776
June 27 – July 3
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a concept by Sherman Edwards
ROB RUGGIERO (Director) is thrilled to be returning for The Muny’s 101st season. Last year, he directed Gypsy, as well as past productions of The Music Man, Oklahoma!; Hello, Dolly!; South Pacific and The King and I. He has also directed many award-winning productions at The Repertory Theatre of St. Louis, including Follies, Sunday in the Park with George and a recent production of Evita. Broadway: High and Looped. Off-Broadway he conceived and directed Make Me a Song (Drama Desk and Outer Critics Circle nominations). Rob also recently directed Oliver!, his 11th collaboration with Goodspeed Musicals, with whom he also adapted and directed a new production of Show Boat. He is the Producing Artistic Director for TheaterWorks in Hartford, Connecticut.
JAMES MOORE (Music Director/Conductor) The Muny: Gypsy, The Music Man, Irving Berlin’s Holiday Inn, Hello, Dolly!; West Side Story, Meet Me In St. Louis, The Producers. Broadway: Miss Saigon, On the Town, Gigi, Follies, South Pacific, Ragtime, Steel Pier, Company. National tours: The Producers, Kiss Me, Kate; Crazy for You, And the World Goes ‘Round. The Kennedy Center: Camelot starring Brian Stokes Mitchell, My Fair Lady starring Jonathan Pryce, Mame starring Christine Baranski. Concerts: National Symphony, Orchestra of St. Luke’s, Santa Barbara Symphony. Mr. Moore serves as the music supervisor for the United States touring productions of Les Misérables and Miss Saigon. Upcoming: Titanic (Broadway revival). Education: Master and Bachelor degrees from the Indiana University Jacobs School of Music.
RODGERS AND HAMMERSTEIN’S CINDERELLA
July 8 – 16
Music by Richard Rodgers
Book by Oscar Hammerstein II
Lyrics by Oscar Hammerstein II
MARCIA MILGROM DODGE (Director) is a Tony and Drama Desk nominated director & choreographer. The Muny: Meet Me In St. Louis (100th Season!), The Little Mermaid, Young Frankenstein, The Buddy Holly Story, The Addams Family. Broadway: Ragtime, High Society. National tours: Ragtime, Curious George,Seussical, Cookin’. New York: Venus Flytrap, Radio Gals, Maltby & Shire’s Closer Than Ever (original production) and William Finn’s Romance in Hard Times. TV/Video: Sesame Street and Elmo‘s Wild West. Upcoming: Deathtrap (Cape Playhouse), Mary Poppins (Drury Lane) and a new Buddy (Cincinnati Playhouse). Between reimagining revivals and directing & choreographing world premieres regionally and abroad, Dodge is also a wife, a mother, a teacher, an SDC Executive Board Member and a published and produced playwright.
JOSH WALDEN (Choreographer) returns to The Muny after choreographing Meet Me In St Louis (2018), The Little Mermaid (2017) and The Buddy Holly Story (2015). He directed/ choreographed A Chorus Line for Maltz Jupiter Theatre and Theatre Memphis, The Rocky Horror Show for University of Buffalo, Legally Blonde for Merry-Go-Round Playhouse and the rock opera Fallen Angel in the New York International Fringe Festival. Josh has also choreographed for Des Moines Metro Opera, Signature Theatre, Sacramento Music Circus, Doonce Productions, Actors Theatre of Louisville, Gateway Playhouse and Morag Productions for Seabourn Cruise Lines. On Broadway, he was the associate director/associate choreographer for the revival of Ragtime. As a performer, Josh was in the Broadway revivals of 42nd Street, La Cage aux Folles, A Chorus Line and Ragtime.
GREG ANTHONY RASSEN (Music Director/Conductor) Drama Desk winner and Tony nominee for Bandstand. Other Broadway credits include: An American in Paris, Bullets Over Broadway, The Little Mermaid, The Book of Mormon, R&H’s Cinderella, A Chorus Line (revival). Arranger/ orchestrator: Jerry Springer: The Opera (New Group); Between the Lines (Kansas City Rep.), The Beast in the Jungle (Vineyard). Commissions include: New York Pops, Boston Pops, Philly Pops, Indianapolis Pops; Leslie Odom, Jr., Ashley Brown, Sierra Boggess, Jeremy Jordan, Norm Lewis, Darren Criss, Liz Callaway, Julia Murney, André Previn, John Williams. TV: The Late Show with Stephen Colbert, Live with Kelly & Michael, The View. M.M. degree from Cincinnati Conservatory of Music. www.greganthonymusic.com
FOOTLOOSE
July 18 – 24
Music by Tom Snow
Lyrics by Dean Pitchford
Stage Adaptation by Dean Pitchford and Walter Bobbie
Based on the original screenplay by Dean Pitchford
Additional Music by Eric Carmen, Sammy Hagar, Kenny Loggins and Jim Steinman
CHRISTIAN BORLE (Director) is a two-time Tony Award winner and has starred in a myriad of roles both on stage and screen. His turn as Shakespeare in Something Rotten! garnered him both Tony and Drama Desk Awards for Best Featured Actor in a Musical, as well as a Tony Award for Best Featured Actor in a Play as Black Stache in Peter and the Starcatcher. Other Broadway: Footloose, Jesus Christ Superstar, Thoroughly Modern Millie, Amour, Spamalot, Mary Poppins, Legally Blonde, Falsettos and Charlie and the Chocolate Factory. Film: Blackhat, Bounty Hunter. TV: Masters of Sex, Lifesaver, The Good Wife, Smash and NBC’s TheSound of Music Live! Most recently, Christian made his directorial debut with the off-Broadway production of Popcorn Falls at The Davenport Theatre.
JESSICA HARTMAN (Choreographer) is thrilled to return for The Muny’s 101st after choreographing Annie(2018), All Shook Up (2017), Mamma Mia! (2016); Hairspray (2015/Co-Choreographer) and Seussical (2014/Associate). Broadway: Lysistrata Jones (Associate Choreographer), The Boy from Oz starring Hugh Jackman (Assistant Choreographer). Off-Broadway: Elephant and Piggie’s We Are in a Play! (Choreographer, New Victory Theatre). Other credits include: Memphis (Choreographer, TUTS), Norwegian Creative Studios/Oceania Cruise Lines (Choreographer), Disney Jr. Dance Party (Associate Show Director/ Choreographer, Universal Studios/The Wizarding World of Harry Potter (Associate), How to Succeed… (Associate, TUTS), West Side Story (Associate, Signature Theatre), Next to Normal (Choreographer, BaltimoreCenter Stage). Up next: Mamma Mia! at TUTS (Choreographer) and a new musical for The Kennedy Center. Jessica is the Artistic Director of Broadway Theatre Connection.
ANDREW GRAHAM (Music Director/Conductor) New York: The Book of Mormon, Wicked and Avenue Q. Las Vegas: Spamalot, Avenue Q. National tours: Wicked, Avenue Q, Pippin, Thoroughly Modern Millie, Seussical, The Music Man, Footloose. European tours: Hair and Grease. Regional: world premiere of Disney’s Freaky Friday at Signature Theatre, La Jolla Playhouse, Cleveland Play House and Alley Theatre. Muny: Aida, Annie and Footloose. Beauty and the Beast and the world premiere of Disney’s When You Wish at Tuacahn Center for the Arts. He holds degrees from both Capital University in Columbus, Ohio and Trinity College of Music in London.
LERNER & LOEWE’S PAINT YOUR WAGON
July 27 – August 2
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Revised Book by Jon Marans
Produced in Association with On the Wagon Productions and Garmar Ventures
JOSH RHODES (Director/Choreographer) directed Grand Hotel (NY City Center Encores!), Ken Ludwig’s Baskerville (Old Globe Theatre), Jersey Boys (The Muny), Guys and Dolls (Asolo Rep/Old Globe), Evita(Asolo Rep), Spamalot (5th Avenue Theatre), Ebenezer Scrooge’s Big Playhouse Christmas Show (Bucks County Playhouse) and Celestina Warbeck and the Banshees at The Wizarding World of Harry Potter. He alsochoreographed the Broadway productions of Rodgers & Hammerstein’s Cinderella, It Shoulda Been You, First Date and Bright Star. On London’s West End, he choreographed Carousel at the English National Opera and Sweeney Todd starring Emma Thompson. Other choreography credits include Company starring Neil Patrick Harris and Sondheim: The Birthday Concert (PBS), Young Frankenstein (Muny) and the current U.K. tour ofDoctor Dolittle. Rhodes is a proud graduate of the University of Michigan.
BEN WHITELEY (Music Director/Conductor) Muny: Singin’ in the Rain, A Chorus Line, 42nd Street, My Fair Lady, The Addams Family, Spamalot, Pirates!; The Sound of Music (twice), Beauty and the Beast (thrice), Kiss Me, Kate; Oklahoma!; The Music Man, Meet Me In St. Louis, South Pacific. Music director for 1776 at NY City Center Encores! Broadway/national tours: A Christmas Story, The Addams Family, Spamalot, The Full Monty, Cats (conducted final original Broadway performance), Grand Hotel, Falsettos, Big. Carnegie Hall: Sail Away (with Elaine Stritch). Choral direction: Carousel (NY Philharmonic/PBS), My Fair Lady (NY Philharmonic). Encores!: associate music director and chorus master for over 30 productions. Other: St. Louis Symphony, Paper Mill Playhouse, The 5th Avenue Theatre, University of Michigan. Recordings: Allegro, Boardwalk Empire (Grammy Award),Paint Your Wagon.
MATILDA
August 5 – 11
Book by Dennis Kelly
Music and Lyrics by Tim Minchin
Based on Matilda by Roald Dahl
JOHN TARTAGLIA (Director) Director: Stephen Schwartz’s The Secret Silk (Princess Cruises, writer/director), Beauty and the Beast (Maltz Jupiter Theatre), Annie, The Wizard of Oz, Tarzan and Shrek (Muny), Claudio Quest (NY Musical Festival, Best of the Fest), Shrek the Halls (DreamWorks Theatricals) and many more. Broadway: Avenue Q (Tony nomination), Beauty and the Beast and Shrek. Muny: Aladdin (The Genie), Seussical (The Cat in the Hat), A Funny Thing Happened on the Way to the Forum (Hysterium, St. Louis Theater Circle Award). Film/TV: The Happytime Murders (STX Films), Johnny and the Sprites (Disney Jr., Emmy nomination), Sesame Street (PBS Kids), Jim Henson’s Word Party and Julie’s Greenroom (both on Netflix), creator, co-executive producer and star of Jim Henson’s Splash and Bubbles (PBS Kids, Emmy nomination).
CHRIS BAILEY (Choreographer) Gettin’ The Band Back Together (Broadway), Jerry Springer: The Opera(New Group, 2018 Chita Rivera Award nomination); The New Yorkers and 1776 (NY City Center Encores!), The Entertainer with Kenneth Branagh (West End), Assassins (Menier Chocolate Factory), Because of Winn Dixie (Alabama Shakespeare Festival), 2013 Tony Awards (CBS), Muny: Jerome Robbins Broadway(production supervisor), Newsies (St. Louis Theater Circle Award), The Music Man, Into the Woods, My Fair Lady, Tarzan, West Side Story and Thoroughly Modern Millie. 2013-2015 Academy Awards (Assistant Choreographer). Film: Cinderella, Ted 2, A Million Ways to Die in the West and Beyond the Sea. Chris was also the movement director for the Roundabout Theatre Company’s production of Cyrano De Bergerac on Broadway.
MICHAEL HORSLEY (Music Director/Conductor) is The Muny’s music supervisor. 25 Muny seasons include: Jerome Robbins Broadway, Mamma Mia!; The Buddy Holly Story, Grease, Mary Poppins, Joseph and the Amazing Technicolor® Dreamcoat, Thoroughly Modern Millie, 42nd Street, Godspell, White Christmas, Damn Yankees, Sleeping Beauty, Singin’ in the Rain, and many more. National tours: Thoroughly Modern Millie, Chicago, Cinderella, White Christmas and Seven Brides for Seven Brothers. Other regional: Into the Woods (Theatrezone), Roman Holiday (Guthrie Theater), On a Clear Day You Can See Forever (Music Theatre Wichita), Fiddler on the Roof (AMT San Jose), A Chorus Line (Pioneer Theatre Company), The Full Monty(North Carolina Theatre). Voice director: Christmas Concert Series for the Detroit, National and Birmingham Symphony Orchestras. He is the music director for the San Francisco Conservatory of Music.
The 2019 season schedule is: Guys and Dolls (June 10 – 16), Kinky Boots (June 19 – 25), 1776 (June 27 – July 3), Rodgers and Hammerstein’s Cinderella (July 8 – 16), Footloose (July 18 – 24), Lerner and Loewe’s Paint Your Wagon (July 27 – August 2) and Matilda (August 5 – 11).
World Wide Technology (WWT) and The Steward Family Foundation became the first overall season sponsor in the history of The Muny in 2014. They are committed to continuing in this role with their leadership gift as The Muny’s 2019 Season Presenting Sponsor.
Muny gift cards for the 101st season are now available online and at The Muny Box Office. For more information, visit muny.org or call (314) 361-1900.
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The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 400,000 theatregoers over our nine-week season. Celebrating 101 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.
For more information about The Muny, visit muny.org
For more information about The Missouri History Museum’s
Muny Memories: 100 Seasons Onstage exhibit, visit mohistory.org
For more information about The Missouri History Museum’sMuny Memories: 100 Seasons Onstage exhibit, visit mohistory.org