Okay, let’s try this one again. The Lost Year is ending and the season that never happened is gone for good, but now our darkened theatre is getting ready to light up once again. Plan to join us in September for opening night of our 110th season of Big Theatre in a Small Space, with another exciting schedule of plays never or rarely seen in St. Louis.
September 17-26, 2021: What if you could go back in time and change the one moment that reshaped your life forever? What if you could see a lost love of 40 years ago just one more time, to learn how her life turned out? Would you? Steven Dietz’s Bloomsday, a bittersweet tale of love won and lost on the Emerald Isle, poses the questions. The answers are for you to discover. Jessa Knust makes her WEPG directing debut.
December 10-19, 2021: Shirley Lauro’s A Piece of My Heart is, according to one reviewer, “six women telling a story you are not sure you want to hear.” Four young military nurses, a Red Cross worker and a USO singer fly off to the Vietnam war, full of hope and driven by their desire to serve. But the life they live there breaks their hearts and, for some, their lives. Yes, it’s a story you may not want to hear, but it’s also one you’ll never forget. Dani Mann directs.
February 11-20, 2022: In an alternate universe much like our own, in a budget motel room in a snowy part of the country called New Hampshire, the first woman to make a serious run at a major party’s presidential nomination is teetering on the brink of elimination from a race that hasn’t even really started yet; and her husband, himself an ex-president, isn’t helping much. The play is Hillary and Clinton, Lucas Hnath’s take on what might have happened in that motel room. Is Hnath’s tale history or fantasy? We can’t say for sure, but we can promise a show that is smart, funny and full of characters you just might recognize. Tim Naegelin directs his first WEPG production.
April 29-May 8, 2022: We end our season where it began – in Ireland. But Irish playwright Martin McDonagh’s The Lonesome West is no warm-hearted Irish love story. This dark, dark comedy is the tale of Coleman and Valene, two brothers who can barely keep from killing each other. McDonagh makes you laugh and laugh at things that really shouldn’t be laughed about. But go ahead and laugh out loud. We won’t tell. Robert Ashton returns to WEPG to direct.
Season tickets for the upcoming season go on sale in July online at WestEndPlayers.org/tickets. Individual show tickets will go on sale in August. All shows are at the theatre in the Union Avenue Christian Church, 733 Union Boulevard in the Central West End. Watch for further announcements and check for more information, including public health protocols to be observed at the performances (when they are finalized), at WestEndPlayers.org.
Actors, take note: Auditions for A Piece of My Heart, Hillary and Clinton and The Lonesome West will be held July 17 (Bloomsday, originally scheduled to be presented in April, 2020, has already been cast). More information and audition sides will be posted at WestEndPlayers.org/auditions in June.
“Silent Sky” Photo by John Lamb
West End Players Guild is the region’s oldest continuously-operated theatre company, presenting “big theatre in a small space” since 1911.
Lynn Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents, and writes features and news for Belleville News-Democrat and contributes to other publications. She is a member of CCA, AWFJ and St. Louis Film Critics Association. She is a founding member of the St. Louis Theater Circle.
By Lynn Venhaus Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.
It was KTG’s sixth win for musical production since 2000. Both
shows had been nominated for 17 awards apiece. “A New Brain,” which was a local
community theater premiere for Hawthorne Players, won Best Small Ensemble
Production.
Arts For Life is a nonprofit organization that encompasses
140 communities and 8,460 square miles in St. Louis city, county and St.
Charles County in Missouri and Madison, Monroe and St. Clair counties in
Illinois.
Founded in 1994 by Lucinda Gyurci as a group dedicated to
the healing power of the arts, AFL has honored community theater musicals for
performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask
Awards) and expanded awards in youth musical theater in 2013.
Best Small Ensemble Musical “A New Brain”
But this is the first time AFL did not host a live gala.
Because of the COVID-19 global pandemic, the ceremony was re-imagined as a
pre-recorded virtual celebration. The 21st annual BPAs took place
June 14, which was the original date, but transitioned to a streaming format broadcast
on Facebook and YouTube.
AFL President Mary McCreight said the coronavirus safety
measures in place and restrictions on gatherings in St. Louis County were
factors in the decision to cancel the live show but still have some sort of
event.
“We wanted to provide an opportunity for our local arts
community to come together online and celebrate the many outstanding
achievements of the previous year,” McCreight said.
Performances from nominees for large ensemble musicals, two
small ensemble musicals and five youth productions premiered on AFL’s YouTube
channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA
There were 15 community theaters and 10 youth-only groups
who participated last year. More than 60 judges in the Theatre Recognition
Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring
939 roles. For 2019, there were 154 individual nominations from 22 groups, with
36 percent first-time nominees and 65 percent first-time winners.
Goshen Theatre Project, which led all groups with 18
nominations, won five youth awards overall for “Les Miserables School Edition,”
including Best Youth Musical Production, Supporting Actress Natalie Cochran as
Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and
Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean
Valjean.
Other multiple winners in the youth categories were Riverbend
Theatre, which won three for “The Drowsy Chaperone” — director (Kristi
Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson
Heil as the Man in Chair), and Young People’s Theatre, which won two for
“Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby
Andrews and Gary Rackers).
Norbert Leo Butz
Thirty-three awards honoring excellence during 2019 were
announced by past winners and members of the AFL board of directors, with two
special guest presenters — Norbert Leo Butz, two-time Tony Award winner who
grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director
of The Repertory Theatre of St. Louis.
Butz, who also announced the youth musical production
winner, told the audience to believe in themselves, even when it’s hard, and follow
their dreams, noting he had supportive parents and “great” teachers.
“Believe in yourself and keep on being grateful. Stick to
it,” he said from his home in New Jersey. “(Performing arts) feeds our soul,
our minds, our hearts.”
AFL donated to Butz’s charity, The Angel Band Project,
which uses music therapy to help victims of sexual abuse and domestic violence
and advocates for rights of survivors. For more information, visit www.angelbandproject.org
Jennifer Kerner
Four special honors were given out to Jennifer Kerner for
her inclusion efforts, Bennett English for Best Youth Musical Performance as
Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,”
Kayla Dressman for Best Featured Dancer as Dream Laurie in CMP’s “Oklahoma!” and Diane Hanisch, the BPA
musical director/conductor for the past 20 years, who won a national Spotlight
Award from the American Association of Community Theatres, presented by Quiana
Clark-Roland. A Lifetime Achievement Award was not designated this year.
Kerner’s recognition was for her advocacy on inclusion and
helping to make the live theater experience accessible to all individuals.
Kerner, a local singer and actress, works to help place people with
developmental disabilities in jobs. She has guided local theater companies in
providing sensory-friendly performances and has worked to create comfortable
environments for those on the autism spectrum and those with sensory processing
disorders.
McCreight was thrilled about Hanisch’s national award.
Diane Hanisch
“This award is designed to help pay tribute to an
individual for long or special service. It recognizes outstanding dedication,
service and contribution to your organization. It is for someone who has made a
significant impact on the quality of your organization. Diane has done just
that with per professionalism and charm. She is a gem! Not only can she calm
the nerves of a 12-year-old singing a solo, but others who are singing in front
of 700 people for the first time. She arranges and writes the music, gathers
her professional band, and conducts the show with aplomb. Diane cares as much
about our legacy as anyone involved on the Arts for Life Board. No one is more
deserving,” she said.
The annual Youth Scholarships, which are awarded to two students
pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate
of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt
High School, each given $500. Bozarth plans to major in musical theatre at
Belmont University in Louisville, Ky., and Haan plans to major in technical
theatre and design at Lindenwood University in St. Charles, Mo.
Other ensemble nominees include “Hello, Dolly!” from
Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and
“The Bridges of Madison County” from Alpha Players of Florissant for Best Large
Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon
TheatreWorks for Best Small Ensemble.
For Best Youth Production, in addition to “Les Miserables,”
nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from
Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre
and “Spring Awakening” from Gateway Center for the Performing Arts.
CMP’s Oklahoma!
For the record books, Kimberly Klick won her sixth BPA for
choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary
Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the
Musical” and “Fiddler on the Roof” for other companies. It was her 10th
overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead
Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women”
in 2008, and Cameo Actress in “Titanic” 2003.
It was three in a row for Jonathan Hartley, who won for
lighting design of “Oklahoma!” and had won last year for “Joseph and the
Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set
design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third
in four years for choreography in Gateway Center for the Performing Arts shows –
“Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern
Millie” 2016. Terry Pattison also won her third for costume design since 2017:
“Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project,
and won set design for “Chitty Chitty Bang Bang” in 2018.
Joe Paule Sr. won his third for musical direction, for
CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne
Players’ “The Producers” in 2010. He received the Lifetime Achievement Award
last year. It was the second award for Michael Frazier and Alison Neace for
musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and
for Alton Little Theatre’s “The Spitfire Grill” in 2011.
Other multiple winners included two for Alpha Players of
Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and
Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile
performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).
Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”
In the acting categories, Mike Huelsmann’s award for Best
Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two
Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass
Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best
Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second
win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his
second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in
2017 for Alfresco’s “The Rocky Horror Show.”
The virtual program included the following production team:
directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick,
visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken
Clark and host Karen Fulks.
A list of winners is included here, below.
AFL’s Theatre Mask Awards was originally set for April 4,
then moved to July 18, but now will also be a virtual celebration. The 2020
TMAs will honor excellence in community theater productions of dramas and
comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday,
July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded
beforehand and the content will remain on social media.
On March 16, McCreight suspended all public activities of the AFL organization
because of the public health crisis. The extension has been extended until
further notice. Both TRG and TMA branch judges and participating groups will receive
announcements on future developments. As the region re-opens, social distancing
and wearing face coverings continues. At this time, all AFL performance venues
remain closed.
“I am incredibly grateful to all of our constituencies –
the board, judges, participating groups, audience members and donors – for
their commitment to AFL and their engagement and unwavering support of our
local theatre community during these uncertain times,” McCreight said.
Any company that won can have a representative pick up
their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton
Community Theatre, which is located at the Washington University South Campus
Theatre, 6501 Clayton Road, St. Louis, MO 63117.
Lynn Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents, and writes features and news for Belleville News-Democrat and contributes to other publications. She is a member of CCA, AWFJ and St. Louis Film Critics Association. She is a founding member of the St. Louis Theater Circle.
