By Lynn Venhaus
With his childlike wonder, boundless energy, warm smile, and ability to never know a stranger, Will Bonfiglio uses his talent for good in the uplifting one-person show, “Every Brilliant Thing,” now playing at the New Jewish Theatre.

Running one tidy hour, this humorous and touching personal reflection on life and loss can be interpreted many ways.

What started as a performance piece and installation art project around a decade ago grew into a Facebook group where people listed their own “brilliant things,” and productions have been mounted all over the U.S.

The one-act play was first produced in England, at the 2013 Ludlum Fringe Festival, and started out as a short story called “Sleevenotes” by Duncan McMillan. For the stage, he involved comedian Jonny Donahue, who was filmed for the 2016 HBO presentation.

Bonfiglio plays Sam, the adult son of a mother whose chronic depression altered his emotional development and life perspective.

What do you do when you are six years old, and your mother is in the hospital for attempting suicide? The lead character started a list of everything beautiful and wondrous about the world. He/she left it on their mother’s pillow. And thus, began life-long list-making giving us hope about what makes life worth living.

In this production, Bonfiglio engages by relating the challenges of life. Through the identifiable list, he finds light amid depression’s darkness.

  1. Ice cream.  2. Water fights 3. Staying up past your bedtime and being allowed to watch TV.  4. The color yellow

The list is as broad as 11. Bed and 1006. Surprises, and as specific as 2390. People who can’t sing but either don’t know or don’t care, and 1654. Christopher Walken’s voice.

The list eventually grew to a million, with entries as clever as 123321. Palindromes, as funny as 7. People falling over, as adorable as 575. Piglets, as pleasurable as 9997. Being cooked for, and as nostalgic as 315. The smell of an old book.

That list turned into a lifeline during adolescence, college, marriage, and bumpy roads, eventually leading to peace and acceptance.

Bonfiglio plays Sam as vulnerable yet strong, resonating as someone who feels helpless when they can’t protect, control, or prevent family members from harm.

He has re-teamed with director Ellie Schwetye after working on “Fully Committed” in 2019, which earned him his third St. Louis Theater Circle Award for Leading Performer in a Comedy, Male or Nonbinary Role. He previously won for “Buyer and Cellar” and “Red Scare on Sunset,” both at Stray Dog Theatre.

They have both worked together in SATE (Slightly Askew Theatre Ensemble), where Schwetye is a producer, and ERA (Equally Represented Arts)., among other companies.

They are both expert collaborators. In this project, their ability to focus on joy through communal storytelling and create community reaffirms the power of theater.

 Essential elements include audience interaction and participation, which makes the show unpredictable and improvisational. Bonfiglio tells a few people what to say and where to move in a charming way, while others just are called on to read a lead entry. (If you do not want to participate, no one will force you).

Schwetye keeps Bonfiglio on the move to all corners of the stage.

The technical elements are also superb, with Bess Moynihan’s outstanding lighting design and scenery work with the list items hanging in different hand-written notes making the message simple yet profound.

Schwetye is also an award-winning sound designer, and because of her expertise selecting music, that helps make the music influential to the people in the story.

This play is more than a litany of favorite things, but a journey through turning points in life, which makes it special.

One of its life-affirming aspects is to not wait for moments, but let them in and be open to them.

Bonfiglio never feels less than real. And his kindness projects an openness to the event, for the hardest things to talk about are things we should talk about – and this play allows us to, for catharsis can come out of crushing sadness. Sam has earned this accomplishment.

There is information about mental health in the program, and this team knows of its importance. This production touches our lives in an interesting way — complex, but manifests beauty.

It is that understanding that you feel. And I am grateful.

The New Jewish Theatre presents “Every Brilliant Thing” March 16 – April 2 at the J’s Wool Studio Theatre, 2 Millstone Campus Drive, St. Louis, Tickets are available by phone at 314-442-3283 or online at www.newjewishtheatre.org.

By Lynn Venhaus
Managing Editor
Something so simple yet so profound, “Every Brilliant Thing” harnesses the euphoria of a fresh outlook, the childlike wonder of a new discovery and the bittersweet touchstones of love, loss and laughter.
This bracing 65-minute monologue mixes comedy and tragedy into a potent aperitif, for this timeless message is especially poignant this holiday season.
The narrator is the adult daughter of a mother whose chronic depression altered her emotional development and life perspective. She was 7 when her mother first attempted suicide.
In the intimate setting of the Kranzberg Arts Center black box theater, Nancy Nigh takes us on the narrator’s heart-wrenching and humorous personal journey through the lens of her own creative balm.

It started as a child’s sunny list of life’s very best offerings to cheer up her despondent mom — 1. Ice cream, 2. Water fights, 3. Staying up past your bedtime and being allowed to watch TV, 4. The color yellow, and so on. Then turned into a lifeline, a burden and a security blanket during adolescence, college, marriage, bumpy roads and eventually, peace and acceptance.
The list is as broad as 11. Bed and 1006. Surprises – who can argue, right? – and as specific as 2390. People who can’t sing but either don’t know or don’t care and 1654. Christopher Walken’s voice.
The list eventually grew to a million, with entries as clever as 123321. Palindromes, as funny as 7. People falling over, as adorable as 575. Piglets, as pleasurable as 9997. Being cooked for, and as nostalgic as 315. The smell of an old book.
It’s quite a feat. And compulsive list-makers can identify, as well as people who feel helpless when they can’t protect, control or prevent family members from harm.
Alone surrounded by the audience, Nigh is crucial to the mood. To make us comfortable, she must be both vulnerable and strong, relaxed yet firm.
After all, the rollercoaster ride of emotions will affect us in a deeply personal way – and she must be a safety net. And vice versa — we’re hers.
Audience interaction and participation are essential elements that keep the one-woman show unpredictable and improvisational.
The one-act play was first produced in England, at the 2013 Ludlum Fringe Festival, and started out as a short story called “Sleevenotes” by Duncan McMillan. For the stage, he involved comedian Jonny Donahue, who was filmed for the 2016 HBO presentation.
The play’s specialness is its authentic lived-in quality, mixing the merry and the morose in such a way to connect us all.
Free of any artifice, Nigh guides us without missing a beat. The narrator is not merely reciting a litany of her favorite things, therefore we tag along through key turning points in her life.
The narrator becomes the director, telling a few people what to say and where to move. Some are just called on to read list entries. Nigh does so effortlessly, with an easy charm.
She also conveys the narrator’s bravery, for the hardest things to talk about are things we should talk about – and this play allows us to, for catharsis can come out of crushing sadness. She has earned this accomplishment.
Director Tom Kopp keeps Nigh on the move, so she’s not for long in any one corner. The staging is in the storytelling. Taking part is very natural – not awkward or embarrassing, or cringe-inducing.
A nice touch is how important music is to the people in the story, from her father’s influential record collection to the sublime sounds of Curtis Mayfield’s “Move on Up.”
McMillan’s descriptive writing has woven in research about clinical depression, and the shadow of suicide lingers. As heart-wrenching as it is humorous, the play has an ebb and flow, not unlike the song ‘Sunrise, Sunset.”
Yet it never feels less than real, and there is no sugar-coating. If it triggers anything, an usher lets you know beforehand that it’s OK to leave for a bit.
In an uplifting and inspiring way, the play urges us to celebrate the small pleasures of life. Now. Don’t wait for moments – let them in, be open to them.
How can you not smile at 521. The word plinth, or 536. Winning something?
“Every Brilliant Thing” is a comforting and joyous reminder of the random moments that make a life.
Above all, this R-S Theatrics’ presentation stresses kindness. Above all, kindness. We know that this play hits too close to home for so many. We all want to say things may not always be brilliant, but they do get better – before it’s too late. The program includes information on CHADS Coalition for Mental Health, resources, crisis hotline numbers and tips.
R-S Theatrics presents “Every Brilliant Thing” Nov. 16 – Dec. 2, Friday and Saturday at 8 p.m. and Sunday at 7 p.m. in the Kranzberg Black Box, 501 N. Grand Blvd. For tickets, visit. www.r-stheatrics.com or call 314-252-8812.
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