Films of 1973 spotlighted in online discussions and in-person screenings

The Golden Anniversaries film series — an annual presentation of Cinema St. Louis (CSL) — features classic films celebrating their 50th anniversaries. The sixth edition of the event highlights films from 1973.

This year, Cinema St. Louis will hold both virtual conversations and in-person screenings as part of Golden Anniversaries. Virtual conversations are presented free of charge.

The online conversations, with people watching the films on their own but gathering virtually to discuss them, will continue through December. The virtual programs will be available as livestreams through Eventive. Each online event has a link to register on the CSL website: cinemastlouis.org/golden-anniversaries.

This year’s series kicked off in April and will continue through December, with films playing on Sunday afternoons at the Hi-Pointe Theatre, 1005 McCausland Ave, 63117.

Tickets are required for the in-person screenings at the Hi-Pointe. Free parking is available at the Hi-Pointe Backlot or Lindell Bank across the street from the theater.

Ryan and Tatum O’Neal in “Paper Moon”

In addition, during the 32nd Annual Whitaker St. Louis International Film Festival, which takes place from Nov. 9-19, CSL will offer a trio of free Golden Anniversaries screenings — Jack Hill’s “Coffy” (with Novotny Lawrence), Robert Clouse’s “Enter the Dragon” (with Daniel Yezbick), and Peter Bogdanovich’s “Paper Moon” (with Tom O’Keefe) — on the second Saturday and Sunday of the fest at the St. Louis Public Library – Central Branch, 1301 Olive St., 63103.

Whether the event is held online or in person, film critics, film academics, filmmakers, and writers will offer introductory remarks and participate in discussions about the films. In addition to St. Louis-based experts, Golden Anniversaries will again feature contributors from elsewhere, including returning presenter Novotny Lawrence (“Coffy” and “Cleopatra Jones”) and new participants such as freelance writer and film historian, Marya E. Gates (“Love & Anarchy”).

For full descriptions of the films, visit the Cinema St. Louis website.

In-Person Screenings

Sunday, April 1, at 1:00 PM

The Sting

George Roy Hill, U.S., 129 min.

With Chris Clark, artistic director of Cinema St. Louis.

Sunday, May 21, at 1:00 PM

Robin Hood

David Hand & Wolfgang Reitherman, U.S., 83 min.

With Jim Tudor, co-founder of ZekeFilm and adjunct professor of film studies at Webster University.

Sunday, June 18, at 1:00 PM

Live and Let Die

Guy Hamilton, U.K. & U.S., 121 min.

With Jim Tudor, co-founder of ZekeFilm and adjunct professor of film studies at Webster University.

Sunday, July 16, at 1:00 PM

The Three Musketeers

Richard Lester, Spain & U.S., 106 min.

With Robert Hunt, former film critic for The Riverfront Times.

Sunday, Aug. 20, at 1:00 PM

Sissy Spacek and Martin Sheen in “Badlands”

Badlands

Terence Malick, U.K., 94 min.

With T.J. Keeley, Ph.D. student in contemporary American literature at Saint Louis University and teacher of English and film at college prep schools in the St. Louis area.

Sunday, Sept. 17, at 1:00 PM

The Long Goodbye

Robert Altman, U.S., 112 min.

With Calvin Wilson, theater, film, dance and jazz critic for the St. Louis Post-Dispatch/stltoday.com.

Sunday, Oct. 15, at 1:00 PM

F for Fake

Orson Welles, Gary Graver & Oja Kodar, France, Iran & West Germany, 89 min.

With Joshua Ray, film critic for KMOV and Co-Founder and Contributing Editor of The Take-Up.

Robert Redford and Barbra Streisand, The Way We Were

Sunday, Dec. 17, at 1:00 PM

The Way We Were

Sydney Pollack, U.S., 118 min.

With Lynn Venhaus, a Rotten Tomatoes-approved film critic who reviews for the Webster-Kirkwood Times, KTRS Radio (Jennifer Blome and Wendy Wiese Show), and PopLifeSTL.com website, www.poplifestl.com

Virtual Discussions

Monday, June 12, at 7:30 PM

Love & Anarchy

Lina Wertmüller, Italy, 120 min., Italian

With Marya E. Gates, freelance film writer and historian who specializes in the work of female directors.

Monday, July 10, at 7:30 PM

The Spirit of the Beehive

Victor Erice, Spain, 98 min.

With Cait Lore, who holds a Master’s Degree in Film Theory from the University of Kent, teaches film studies at Websger University, and serves as a co-programmer of QFest St. Louis.

Monday, Aug. 14, at 7:30 PM

Day for Night

François Truffaut, France, 116 min., French

With Robert Hunt, former film critic for The Riverfront Times.

Randy Quaid and Jack Nicholson in “The Last Detail”

Monday, Sept. 11, at 7:30 PM

The Last Detail

Hal Ashby, U.S., 104 min., English

With Robert Garrick, attorney and former contributor to the davekehr.com film blog.

Monday, Oct. 9, at 7:30 PM

Amarcord

Federico Fellini, Italy, 122 min., Italian

With Cate Marquis, a Rotten Tomatoes certified film critic and film historian who writes for We Are Movie Geeks, the St. Louis Jewish Light, and the Alliance of Women Film Journalists, and a member of the Alliance of Women Film Journalists and the St. Louis Film Critics Association.

Monday, Dec. 11, at 7:30 PM

Cleopatra Jones

Jack Starrett, U.S.,  89 min.

With Novotny Lawrence, associate professor at Iowa State University.

Bruce Lee in “Enter the Dragon”

Venue: Webster University’s Winifred Moore Auditorium in Webster Hall, 470 E. Lockwood Ave.

Tickets: Tickets are $15 for general admission; $12 for students and Cinema St. Louis members. Webster U. students are admitted free. Advance tickets can be purchased through the Cinema St. Louis website.

Passes: Two types of passes are available: Five-Film Passes are $65, $50 for CSL members; All-Access Passes are $120, and $95 for CSL members.

More Info: 314-200-5684, cinemastlouis.org

The 15th Annual Robert Classic French Film Festival — sponsored by Jane M. & Bruce P. Robert Charitable Foundation and co-presented by the Webster Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. This year’s featured films span the decades from the 1920s through the 1990s, offering a revealing overview of French cinema.

The fest annually includes significant restorations, and this year is no different, touting a brand-new restoration of Claire Denis’ “Chocolat,” which is the filmmaker’s debut feature. The fest also screens the seldom seen “Martin Roumagnac” in a new restoration, starring Marlene Dietrich and Jean Gabin in a riveting crime thriller.

Every program features introductions and discussions by film or French scholars and critics. All films are in French with English subtitles.

The Jane M. & Bruce P. Robert Charitable Foundation is the event’s title sponsor. This festival is co-presented by the Webster Film Series.

Free parking is available in the lots both in front of and behind Webster Hall; no permits are required on weekends.

8 Women, 2002

FILM SCHEDULE

For film synopses,  see the CSL website

Friday, April 14, 7:30 PM

Pierrot le fou

Jean-Luc Godard, France, 1965, 110 min., color, French, DCP

Intro and discussion by Pete Timmermann, director of the Webster U. Film Series and adjunct professor of film studies at Webster U.

Sponsored by Jane M. and Bruce P. Robert Charitable Foundation

Saturday, April 15, 7:30 PM

Chocolat

Claire Denis, Cameroon/France, 1988, 105 min., color, restoration, DCP

Intro and discussion by Joshua Ray, film critic, and Co-Founder and Contributing Editor of The Take-Up. 

Sunday, April 16, 7:30 PM

Martin Roumagnac

Georges Lacombe, France, 1946, 108 min., black & white, French, restoration, DCP

Intro and discussion by Robert Garrick, attorney and former contributor to the davekehr.com film blog.

Friday, April 21, 7:30 PM

8 Women

François Ozon, France/Italy, 2001, 103 min., color, French, 35mm

Intro and discussion by Diane Carson, professor emerita of film at St. Louis Community College at Meramec and film critic for KDHX (88.1 FM).

Saturday, April 22, 6:30 PM

Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles

Chantal Akerman, Belgium/France, 1975, 202 min., color, French, DCP

Intro and discussion by Jessica Pierce, St. Louis-based filmmaker.

Sunday, April 23, 7:30 PM

The Wing or the Thigh/L’aile ou la cuisse

Claude Zidi, France, 1976, 104 min., color, French, Blu ray

Intro and discussion by Salim Ayoub, the Jane M. and Bruce P. Robert Endowed Professor in French and Francophone Studies and director of the Centre Francophone at Webster University.

Friday, April 28, 7:30 PM

Le Magnifique

Philippe de Broca, France/Italy/Mexico, 1973, 95 min., color, French, DCP

Intro and discussion by Jean-Louis Pautrot, professor of French and in the Department of Languages, Literatures and Cultures at Saint Louis University.

Fat Girl, 2001

Saturday, April 29, 7:30 PM

Fat Girl

Catherine Breillat, France/Italy, 2001, 86 min., color, French, English & Italian, Blu ray

Intro and discussion by Andrew Wyatt, film critic and Managing Editor of The Take-Up.

Sunday, April 30, 7:30 PM

Shoot the Piano Player

François Truffaut, France, 1960, 81 min., black & white, French, Blu ray

Intro and discussion by Cliff Froehlich, former executive director of Cinema St. Louis and adjunct professor of film studies at Webster University.

Sponsored by Jane M. and Bruce P. Robert Charitable Foundation

Chocolat, 1988. Claire Denis.

Get ready to get your Q on! 

The 15th Annual QFest St. Louis — presented by Cinema St. Louis (CSL) — will take place from April 29-May 5 at the Galleria 6 Cinemas, with a selection of programs also available online. The online programs can be streamed at any time during the festival’s dates. 

The St. Louis-based LGBTQ film festival, QFest will present an eclectic array of 35 films from 13 countries (20 shorts, nine narrative features, and six documentary features). The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to spotlight the lives of LGBTQ people and to celebrate queer culture.

The fest is especially pleased to host the St. Louis premiere of “The Depths,” a rarely seen 2001 work by internationally acclaimed filmmaker Ryûsuke Hamaguchi, and a reprise from SLIFF of Sebastian Meiser’s prison drama “Great Freedom.” Another highlight is this year’s Q Classic, Todd Hayne’s 1991 “Poison,” which was a part of the dawn of the New Queer Cinema movement of the early ’90s.

A special event, a two-film mini-festival and a panel discussion focused on Harvey Milk, takes place before QFest on the weekend of April 22-23 at Webster University. The event is presented in partnership with Opera Theatre of St. Louis in conjunction with its upcoming premiere of “Milk” in June. In addition, QFest features a “Poison”-themed dance party at Handlebar on Saturday, April 30.

QFest St. Louis begins on Friday, April 29, and runs through Thursday, May 5. Tickets go on sale April 1. Tickets are $15 general, $12 for Cinema St. Louis members and students with valid and current IDs. Passes are also available: Five-Film Passes are $65, and All-Access Passes are $200 ($50 and $150 for CSL members). Virtual screenings — limited to residents of Missouri and Illinois — will be offered through Eventive, CSL’s online presentation partner. Direct ticket links are available on the QFest website. 

QFest St. Louis is sponsored by AARP St. Louis, Arts & Education Council, Grizzell & Co., Missouri Arts Council, Bob Pohrer & Donnie Engle, CALOP, Just John Nightclub, Opera Theatre of St. Louis, Regional Arts Commission, Deb Salls, St. Louis LGBTQ Chamber of Commerce, St. Louis Public Radio, Cindy Walker, Webster U. Film Series, and Ted Wight.

For the full schedule of screenings, including trailers and descriptions of the films, visit the festival website at www.cinemastlouis.org/qfest. Advance digital screeners of the features and some of the shorts are available for press review on request. Please inquire with QFest St. Louis artistic director Chris Clark.

We’re All Going to the World’s Fair

FILM PROGRAMS

Cut!

Marc Ferrer, Spain, 2021, 79 min., Spanish, narrative

The Depths

Ryûsuke Hamaguchi, Japan/Korea, 2010, 121 min., Japanese & Korean, narrative

Great Freedom (Grosse Freiheit)

Sebastian Meise, Germany, 2021, 116 min., German, narrative

Mama Bears 

Daresha Kyi, U.S., 2022, 90 min., documentary

Poison 

Todd Haynes, U.S., 1991, 85 min., narrative

Queer Shorts Programs 1-4

Multiple countries, program runtimes range between 79 and 99 minutes

Rebel Dykes 

Harri Shanahan & Siân A. Williams, U.K., 2021, 89 min., documentary

Sirens 

Rita Baghdadi, Lebanon, 2021, 78 min., Arabic & English, documentary

The Swimmer (HaSahyan)

Adam Kalderon, Israel, 2021, 83 min., Hebrew, narrative

The Therapy 

Zvi Landsman, Israel, 2021, 85 min., English & Hebrew, documentary

Two Eyes 

Travis Fine, U.S., 2019, 107 min., narrative

The Unabridged Mrs. Vera’s Daybook 

Robert James, U.S., 2021, 81 min., documentary

We’re All Going to the World’s Fair 

Jane Schoenbrun, U.S., 2021, 86 min., narrative

Social media: Facebook: @QFestSTL | Twitter: @QFestSTL | Instagram: @QFestSTL

By Alex McPherson

Olivia Peace’s directorial debut, “Tahara,” provides an incisive look at identity, grief, and societal pressures.

Unfolding during a single day within a Jewish synagogue, the film centers on best friends Carrie Lowstein (Madeline Grey DeFreece) and Hannah Rosen (Rachel Sennott) as they attend the funeral services for their Hebrew school classmate, Samantha Goldstein, who was shunned by her community for her queerness. Carrie, a soft-spoken Black woman, quickly realizes the hypocrisy on display from her peers and instructors, especially during the “Teen Talk-back” session in which she and her classmates are forced to discuss faith in relation to Samantha’s death. They are enacting a performative ritual that contradicts how many of them treated Samantha while she was alive. 

Everyone besides Carrie is seemingly driven by selfish interests, especially Hannah — an impulsive, reckless individual. Hannah is solely focused on attracting the attention of pretty boy Tristan Leibowitz (Daniel Taveras), rather than on grieving the loss of her classmate. After she coerces Carrie into “practicing” her kissing skills, Carrie’s true feelings for her come to the forefront. Hannah is forced to confront her own insecurities, and Carrie must navigate the troubled waters of their friendship.

Although the topics broached don’t break the mold for the coming-of-age genre, “Tahara” makes a positive impression from its opening frames and remains compelling throughout. 

The film’s distinctive style is apparent from the get-go — utilizing a 1:1 aspect ratio that creates a confined atmosphere, enhanced through frequent long takes. Additionally, when the characters experience a euphoric moment, the picture widens to fill the entire screen. During the aforementioned kiss, for example, colors whirl from all directions while Carrie and Hannah become smooching claymation figures — briefly existing on a different plane of existence, only to return to the restrictive norm immediately after.

Indeed, the whole film revolves around Carrie and Hannah’s relationship, as their bond is put to the test. Carrie’s mild-mannered personality sharply contrasts with Hannah’s, but “Tahara” effectively conveys their years of friendship through dialogue that, while often sardonic, feels authentic. DeFreece gives a particularly noteworthy performance as an individual facing challenges from multiple angles who eventually recognizes the importance of asserting herself. 

While Carrie remains sympathetic, Hannah is practically unbearable. Her self-absorption makes her difficult to watch at times, and her stubborn resistance to change proves incredibly frustrating. Sennott’s masterful performance, though, renders Hannah more complicated than she initially seems — an individual deeply unsure of her future and grappling with the person she wants to become. Although the film’s condensed time-frame limits how much we can learn about Carrie and Hannah individually, “Tahara” does a commendable job at illustrating their tensions, rendering each deeply human. 

Overlooking a few exaggerated side characters, Peace’s film successfully peels back the layers of its subjects’ cynicism to reveal a tragic, at times heartbreaking situation with young adults weighed down by external expectations. Religion, mourning, regret, self discovery, social status, and toxic friendships are all explored to various extents in this microcosm of teenage uncertainty. 

Despite some jokes that fail to land and occasionally heavy-handed symbolism, “Tahara” remains engaging from beginning to end. I wish Peace’s film wasn’t limited to showing a single day in the life of these characters, however, as the conclusion remains frustratingly open-ended and fails to give one specific character the resolution they deserve. The film’s initially comedic bent gives way to straight-up drama by the end credits, not shying away from ambiguity and leaving the future unpredictable.

Multifaceted and surprisingly ambitious, “Tahara” is a coming-of-age film worth experiencing, as well as an impressive calling card for director Peace.

“Tahara” is a 2020 movie directed by Olivia Peace that runs 78 minutes. It is a narrative feature selected for Cinema St Louis’ annual QFest, which will take place virtually April 16-25. For ticket information and festival offerings, visit www.cinemastlouis.com/qfest. Alex’s rating: B+

Stay home and still get your Q on!

The 14th Annual QFest St. Louis — presented by Cinema St. Louis (CSL) — will take place from April 16-25. Because of the Covid-19 pandemic, CSL will offer all programs virtually, protecting the health of patrons. Programs can be streamed at any time during the festival’s dates. Recorded introductions and Q&As will be available for most film programs.

The St. Louis-based LGBTQ film festival, QFest will present an eclectic array of 24 films (14 shorts, six narrative features, and four documentary features). The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to spotlight the lives of LGBTQ people and to celebrate queer culture.

The fest is especially pleased to host the St. Louis premiere of new works by internationally acclaimed filmmakers Agnieszka Holland (“Charlatan”) and François Ozon (“Summer of 85”). Another QFest highlight is this year’s Q Classic, the 50th anniversary of the trippy, experimental 1971 film “Pink Narcissus.”

Thanks to several generous sponsors, CSL is able to make the festival more accessible to all by offering both shorts programs free for the duration of the event.

For the full schedule of screenings, including trailers and descriptions of the films, visit the festival website at www.cinemastlouis.org/qfest. Advance digital screeners of the features and some of the shorts are available for press review on request. Please inquire with QFest St. Louis artistic director Chris Clark.

The 2021QFest St. Louis begins on Friday, April 16, and runs through Sunday, April 25. Tickets go on sale March 24. Tickets are $14 general, $10 for Cinema St. Louis members and students with valid and current IDs. Passes are also available: Five-Film Passes are $60, and All-Access Passes are $115. All screenings will be held virtually for residents of Missouri and Illinois via Eventive, CSL’s online presentation partner. Direct ticket links are available on the QFest website.

QFest St. Louis is sponsored by AARP Missouri, Arts & Education Council, CheapTRX, Grizzell & Co., Missouri Arts Council, Bob Pohrer & Donnie Engle, Crafted., Just John Nightclub, Matt Kerns, Regional Arts Commission, Deb Salls, St. Louis Public Radio, Cindy Walker, and Webster U. Film Series.

Social media: Facebook: @QFestSTL | Twitter: @QFestSTL | Instagram: @QFestSTL

“Charlatan”

FEATURES

THE CARNIVORES director Caleb Michael Johnson

U.S / 2020 / 77 minutes

Trailer: https://vimeo.com/388481118

One of the oddest and darkest films screened at QFest to date, “The Carnivores” features a young lesbian couple, Alice and Bret, whose dog, Harvie, is slowly dying. The vet bills are adding up fast, Alice is quietly panicking, and high-strung Bret dotes on the dog and ignores the reality of the situation. When poor, innocent Harvie goes missing, the fragile status quo is finally shattered, and both women go off the deep end in their own way. What had been a bright and happy little family unit is undone by self-doubt, suspicion, and a disturbing amount of ground beef. The Hollywood Reporter writes: “(Director) Caleb Michael Johnson employs a dreamlike, David Lynchian aesthetic to the proceedings throughout the film. If you are a fan of abstract, surreal storytelling supported by strong central performances and a fascinating relationship dynamic, then ‘The Carnivores’ has more than enough meat for you to chew.”

KEYBOARD FANTASIES director Posy Dixon

U.S / 2019 / 63 minutes

Trailer: https://www.youtube.com/watch?v=5xLkZirOa4k

As a sci-fi-obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released the album “Keyboard Fantasies” in Huntsville, Ontario, in 1986. Recorded in an Atari-powered home studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician — now Glenn Copeland — began to receive emails from people across the world, thanking him for the music they’d recently discovered. Courtesy of a rare-record collector in Japan, a reissue of “Keyboard Fantasies,” with support by such electronic musicians as Four Tet and Caribou, had finally found its audience two generations down the line. “Keyboard Fantasies: The Beverly Glenn-Copeland Story” tells an intimate coming-of-age story that transmutes the pain and suffering of prejudice into rhythm, hope, and joy. Half audiovisual history and half DIY tour video, the film provides a vehicle for this newly appointed queer elder to connect with youth across the globe and serves as a timely lullaby to soothe those souls struggling to make sense of the world.

PS BURN THIS LETTER PLEASE Directors: Michael Seligman & Jennifer Tiexiera

U.S / 2020 / 101 minutes

Trailer: https://www.youtube.com/watch?v=XqGRrAjYgq4

A box of letters, held in secret for nearly 60 years, ignites a five-year exploration into a part of LGBTQ history that has never been told. The letters, written in the 1950s by a group of New York City drag queens, open a window into a forgotten world where being yourself meant breaking the law and where the penalties for “masquerading” as a woman were swift and severe. Using original interviews, never-before-seen archival footage and photographs, and stylized re-creations, “P.S. Burn This Letter Please” reconstructs this pre-Stonewall era as former drag queens now in their 80s and 90s — including James Bidgood, director of this year’s Q Classic, “Pink Narcissus” — reveal how they survived and somehow flourished at a time when drag queens were both revered and reviled, even within the gay community. The government sought to destroy them and history tried to erase them, but now they get to tell their story for the first time.

TAHARA, director Olivia Peace and writer Jess Zeidman

U.S / 2020 / 78 minutes

Trailer: https://www.youtube.com/watch?v=Mk_cB8HgDU0

In this queer coming-of-age dramedy, two girlfriends attend a “Teen Talk-back” after the funeral service of their former Hebrew-school classmate. Although the session is designed to help them understand grief through faith, it instead leads to other discoveries, with surprising sparks igniting when one of the girls is manipulated into a romantic encounter with her best friend. The Queer Review writes: “Filmed on location at the Rochester synagogue where (screenwriter Jess) Zeidman attended Hebrew school, there’s a claustrophobic authenticity to the film’s setting. Much of the success of ‘Tahara’ relies on her well-crafted, layered screenplay and the two rich, subtle lead performances by (Madeline Grey) DeFreece and (Rachel) Sennott (also wonderful in ‘Shiva Baby’) keeping things compelling and intriguing. Refreshingly it’s a teen film that doesn’t look down on or objectify its characters, examining our shared human foibles with humor and poignancy.”

SHORT FILM

Eleven Weeks – director Anna Kuperberg (Wash U grad)

U.S / 15 MINS / 2020

Faced with a fast and aggressive cancer, Carla Jean Johnson accepts her diagnosis with clarity and grace, as photographer Anna Kuperberg, her longtime wife, documents their final days and weeks together.

“Pink Narcissus” celebrates 50th anniversary

Stay home and still get your Q on!

To help celebrate Pride Month, the 13th Annual QFest St. Louis — presented by Cinema St. Louis (CSL) — will take place from June 19-28. Because of the Covid-19 pandemic, CSL will offer all programs virtually, protecting the health of patrons. Programs can be streamed at any time during the festival’s dates. Recorded and live introductions and Q&As will be available for most film programs.

The St. Louis-based LGBTQ film festival, QFest will present a record number of 40 films (28 shorts, six narrative features, and six documentary features). The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to spotlight the lives of LGBTQ people and to celebrate queer culture.

The fest is especially pleased to host the St. Louis premiere of the new bio-doc “The Capote Tapes,” about renowned novelist, playwright, and social butterfly Truman Capote (“In Cold Blood,” Breakfast at Tiffany’s”). Among the other QFest highlights is this year’s Q Classic, the 20th anniversary of Del Shore’s “Sordid Lives,” which first screened locally at the 2000 St. Louis International Film Festival.

Two films were directed by alums of QFest. Cindy Abel (“Breaking Through”) returns with the doc feature “Surviving the Silence,” about two closeted military women who were involved in the ultimate dismissal of Army Col. Margarethe Cammermeyer for admitting she was a lesbian. Two-time alum Wendy Jo Carlton (“Hannah Free,” “Jamie and Jessie Are Not Together”) directed the romantic dramedy “Good Kisser” and produced the narrative short that precedes it, “Carol Support Group.”

Several films this year have strong local connections, including a trio of projects featuring former St. Louisans: writer/co-star Gretchen Wylder’s hilarious new YouTube web series, “These Thems”; writer/co-star Kevin Spirtas’ award-winning and moving dramatic web series, “After Forever”; and the dramatic short “Bill & Robert,” which stars Brandon Smith.

Thanks to several generous sponsors, CSL is able to make the festival more accessible to all by offering five shows that will be free and open to the public for the duration of the event: all four shorts programs and the web series “These Thems.”

These Thems

For the full schedule of screenings and events, including trailers and descriptions of the films, visit the festival website at www.cinemastlouis.org/qfest.

The 2020QFest St. Louis begins on Friday, June 19, and runs through Sunday, June 28. Tickets go on sale June 1. Tickets are $10 each or $8 for Cinema St. Louis members, students with valid and current IDs, and ARTS Card holders. An all-access festival pass is available for $75. All screenings will be held virtually for residents of Missouri and Illinois via Eventive, CSL’s ticketing and online presentation partner. Direct ticket links are available on the QFest website.

QFest St. Louis is sponsored by AARP in St. Louis, Arts & Education Council, CheapTRX, Grizzell & Co., Missouri Arts Council, Panera Bread, Bob Pohrer & Donnie Engle, Regional Arts Commission, Deb Salls, St. Louis Public Radio, Cindy Walker, and Webster U. Film Series.

The festival is underwritten in part through a grant from the Creative Impact Fund for Diversifying the Arts, a partnership between the Arts & Education Council and local community leaders.

Social media:

Facebook: www.facebook.com/QFestSTL

Twitter: @QFestSTL

Instagram: @QFestSTL