TWStL 2023: “Tennessee Williams: A World of Light and Shadow”

Tennessee Williams St. Louis Expands to Year-Round Programming with 8th Annual Festival Returning September 7-17  

“We lived in a world of light and shadow . . . But the shadow was almost

as luminous as the light.” Violet Venable, Suddenly Last Summer

“Fantastic to proceed back into light for our 8th Annual Tennessee Williams Festival (TWStL),” states Carrie Houk, TWStL Executive Artistic Director. “Although there certainly have been shadows in our midst the last few years, we have found that those shadows provided valuable challenges and gave us the ability to produce some of our brightest, most creative work.”

This year’s fall Festival will give center stage to Suddenly Last Summer, a drama by Pulitzer Prize-winning American playwright Williams, directed by award-winning director, Tim Ocel at the Catherine B. Berges Theatre at Center of Creative Arts (COCA) on September 7-17.

Suddenly, Last Summer – like A Streetcar Named Desire before it – is drenched in Southern Gothic humidity, sex, passion, and insanity.  It threatens tyranny and lobotomy.  It talks of God and man; is man’s selfish nature an imitation of a cruel God?  Tennessee Williams’ poetic-prose is working at an extremely high level in this play, revealing tormented souls and aching hearts the way great music reveals the unspeakable.”  – Tim Ocel, Director

This fresh retelling of Suddenly Last Summer, first performed in 1957, focuses on the life and death of closeted gay poet Sebastian Venable, who is brutally murdered while on a trip to Italy with his cousin Catharine. After the recent tragedy, Mrs. Venable will stop at nothing to keep her son’s (and her own) secrets safe. Generally accepted as a modern-day horror story, this play has autobiographical roots from Williams’ own family life.

Post-show commentary will be conducted by Thomas Mitchell, TWStL’s Festival Scholar, to encourage audiences to go beyond their first impressions of the performance and to engage in dialogue about the larger themes of the play. Mitchell will provide historical and cultural context and identify topics of humanistic concern that might be raised by Williams’ writing.

“University City Years” will be a focus for the fall Festival. In addition to the Williams family living in U. City from 1926-1937, “The University City community has welcomed us with open arms beginning with a valuable partnership with COCA and the beautiful Catherine Berges Theatre in addition to the full support of the University City mayor, Terry Crow, who will be hosting the reading of “Something Unspoken” in the grand entry of his magnificent home on Delmar,” explains Houk.

Originally performed as a curtain raiser for Suddenly Last Summer and billed as the “Garden District Plays,” Something Unspoken features Brenda Currin and Julie Layton, reprising their roles from the Classic 107.3 radio performance. The play will be performed site-specifically at the magnificent home of University City Mayor, Terry Crow, on Delmar prior to select Suddenly Last Summer performances at COCA.

The following panels which will further shed light upon the themes of the play and draw connections between Williams’ life in St. Louis and his artistry, will take place at COCA.

The Civil Rights Era, Tennessee Williams and St. Louis – Discussion of significant events during the civil rights years of the 1950s and 1960s as they were felt in St. Louis and reflected in the work of Tennessee Williams.

Tennessee’s “Madness” – expanding on the themes in Suddenly Last Summer, this discussion includes topics such as How was mental health understood at the time of the play and how did psychological challenges impact Williams’s life? How was “madness” used as a weapon against women, artists, and the LGBTQ community?

— University City as Inspiration to a Young Writer – The Williams Family moved to U-City when Tom was a teenager, beginning his writing “career.” This panel with consider the influence of the city’s colorful history, amazing architecture, and impressive education in the 1920s when Williams was a youth.

Other events include:

  • Workshop Reading of The Vengeance of Nitocris
  • Book Signing & Discussion of Tom Mitchell’s new publication of Williams’ short stories: Caterpillar Dogs: and Other Early Stories
  • A Walking Tour of University City
  • Late Night Beatnik Jam at Blueberry Hill
  • TW Tribute featuring cast members & favorite STL actors
  • Film screening of Cat on a Hot Tin Roof in collaboration with Cinema St. Louis

Before the Tennessee Williams Festival St. Louis (TWStL) returns this fall, the organization will kick off its eighth year with a reprise of their Something Spoken radio series late April and an intimate cabaret performance and fundraiser early summer.

“Something Spoken: Tennessee Williams on the Air” will air April 29, May 6, 13, 20 at 4:00 PM on Classic 107.3 (live and online). This installment will feature four one-act plays by Williams directed by Brian Hohlfeld & Tom Mitchell along with a commentary by TWStL scholar in residence Tom Mitchell following each episode. The episodes will reprise in the summer on August 5, 12, 19, 26.

Amy Jo Jackson

On May 31, at 7:30pm, a fundraiser performance of The Brass Menagerie cabaret with Amy Jo Jackson – a campy romp through the women of Tennessee Williams…in SONG! will be presented at The Curtain Call Lounge in Grand Center. TWStL is delighted to bring “this beautifully realized piece of work” – winner of a 2022 Bistro Award – to St. Louis. If you’ve ever wondered what it would be like to hear Blanche DuBois, Maggie the Cat or the Wingfields sing through their plays, wonder no longer – Amy Jo Jackson is here to bring all of the charm and vivacity, vivacity and charm that the South demands to these iconic women. An additional public performance will take place June 1st at 7:30pm.

Additional events and locations to be announced in the coming weeks. Festival event details can be found at twstl.org.

About the Festival

In 2014, award-winning producer, casting director, actor, and educator Carrie Houk produced Williams’ Stairs to the Roof with such success that the ongoing annual Festival was established.  

The Festival, which aims to enrich the cultural life of St. Louis by producing an annual theater festival and other artistic events that celebrate the artistry and life of Tennessee Williams, was named the Arts Startup of the Year Award by the Arts and Education Council at the 2019 St. Louis Arts Awards. 

In its seven iterations since 2016, the Festival has attracted thousands to its readings, panel discussions, concerts, exhibitions, and productions, has reached hundreds of young people through it’s educational programming, and has garnered 13 awards from the St. Louis Theater Circle and was recently nominated for six St. Louis Theater Circle awards for 2022’s The Rose Tattoo.

Tennessee Williams

About Tennessee Williams

Born Thomas Lanier Williams III in 1911 in Mississippi, Williams moved to St. Louis at age seven, when his father was made an executive with the International Shoe Company (where the City Museum and the Last Hotel are now located). He lived here for more than two decades, attending Washington University, working at the International Shoe Company, and producing his first plays at local theaters. He credited his sometimes-difficult experiences in St. Louis for the deeply felt poetic essence that permeates his artistry. When asked later in life when he left St. Louis, he replied, “I never really left.” Most people are familiar with the famous works that have garnered multiple Pulitzer Prizes, Tony Awards, and Academy Awards, such as The Glass MenagerieA Streetcar Named DesireCat on a Hot Tin Roof and Suddenly Last Summer. He also wrote hundreds of additional plays, stories, essays, and poems, many of which are only now seeing the light of day as his estate permits greater access. He is today considered by many leading authorities to be one of America’s greatest playwrights.

Cover Photo: Brian Hohlfeld and Artistic Director Carrie Houk working on “Something Spoken,” four radio plays by Tennessee Williams

The fourth annual Tennessee Williams Festival will celebrate the great American playwright with 10 days of plays, panel discussions and parties in the Grand Arts Center, set for May 9-19.“A Night of the Iguana”The steamy and startling Iguana is one of the most richly textured and dramatically satisfying plays written by Williams. Reverend Shannon has lost his flock, his religion, and has—at the very least— misplaced his sanity and sense of decency. He takes refuge at a rundown resort owned by the lusty and busty Maxine, where they are joined by the beautifully refined but repressed Hannah, and Nonno, her nonagenarian grandfather. These two may be scam artists, but they are artists all the same; as such, they offer some brief hope of redemption.

At the Grandel Theatre, 3160 Grandel Square

Bryan Batt

“Dear Mr. Williams” starts May 10Conceived, written, and performed by Bryan Batt, SAG Award winner (“Mad Men”) and Drama Desk Award nominee (Broadway’s Sunset Boulevard, Cats); directed by Michael Wilson, Drama Desk and Outer Critics Circle Award winner (The Orphans’ Home Cycle). The tumultuous—and sometimes treacherous—journey from adolescence to adulthood is one we all must take, but Batt’s one-man tour de force proves that it’s oh so much more fascinating and fun with Tennessee Williams as your guide.

At The Curtain Call Lounge, 527 Grand Blvd.

Kelly Weber, Ellie Schwetye, Julie Layton“A Lovely Sunday for Creve Coeur” Opens May 11Four eccentric and unforgettable women fry chicken, plan a picnic to Creve Coeur Lake, and cope with loneliness and lost dreams in an efficiency apartment on Enright Avenue in the Central West End circa the mid-1930s.

Williams gives us more laughs than usual, but no less poetry or poignancy.

At the Grandel Theatre, 3160 Grandel Square

Panels are part of TWF“Conversations with Tennessee” May 11Three panels address aspects of the author’s life and work. Each will begin with a brief performance of material from Tennessee Williams’s letters, journals, or other writing, followed by a discussion between artists and scholars. Moderated by Tom Mitchell, panelists will include Melissa Wolfe, Gregory Carr, Jesse Munoz, David Kaplan, Tim Ocel, Sophia Brown, and Henry Schvey.

At The Dark Room, 3160 Grandel Square

Ken Page

“Tennessee Williams Tribute 2019” May 12Join us as we celebrate the culmination of the opening weekend of the Tennessee Williams Festival. In poetry, prose, and song, this tribute reading reveals Williams’ take on those who are “waiting for something to happen” and those for whom “everything has happened already”.

Ken Page hosts an entertaining evening presented by a collection of Festival artists, curated by noted Williams scholar, Tom Mitchell. Stay after the performance to mix with other Festival goers and artists, as The Dark Room hosts us for drinks and light hors d’ oeuvres.

At The Dark Room, 3160 Grandel Square

Tennesee’s gravesite in Calvary Cemetery

Bus Tour May 19Retrace the roots of Tennesse Williams’ formative years. From attending high school at Soldan and University City High, to studying at the University of Missouri-Columbia and Washington University, to working downtown and exploring the city’s rich cultural institutions – Tennessee Williams’ classic works were influenced by his coming of age in St. Louis. Hosted with immense wit and charm by Williams enthusiasts, Brian Welch and Dan McGuire

For more information or to purchase tickets, visit www.twstl.org