By Lynn Venhaus

Described as a cultural shaper and visionary creator, Kate Bergstrom assumes the role of Augustin Family Artistic Director at The Repertory Theatre of St. Louis beginning May 13.

While she is new to St. Louis, theatergoers are familiar with her work, as she directed “It’s a Wonderful Life: A Live Radio Play” at Christmastime, for which she was nominated for best director by the St. Louis Theater Circle. She also directed “The 39 Steps” in 2022.

“The unwaveringly beautiful and crucial component of The Repertory Theatre of St. Louis is, of course, St. Louis! I am honored and humbled to return to this wonderful community in this role to celebrate – through excellent, engaging, and relevant storytelling – this beloved region,” Bergstrom said.

Her appointment follows a six-month nationwide search after Hana S. Sharif’s departure last summer. Sharif stepped down after five years in the role and moved on to The Arena Stage in Washington, D.C., to serve as artistic director there.

Bergstrom becomes the eighth artistic director in The Rep’s 58-year history. The region’s premiere theater was founded in 1966 and made its home at the Webster University’s Loretto-Hilton Center for the Performing Arts.

Kate Bergstrom. Photo by Antonio T. Harris

After a bombshell announcement last fall that The Rep season was in jeopardy and they needed to cover a $2.5 million budget shortfall to continue, community support came through in an organized “Rally for the Rep” multi-year fundraising campaign.

People had cited dwindling ticket sales, season subscribers not renewing, employee turnover, shows in several different venues, and eroding community support as factors that led to the predicament, in addition to challenges brought on by the pandemic.

Managing Director Danny Williams acknowledged the need for better communication and consistency in programming.

“We had to change. We are listening to what people are saying. Some of the shows were not up to the Rep’s standards,” he said last October.. “We are committed to programming for St. Louis audiences.”

Williams became managing director in January 2022 when Mark Bernstein retired after 32 years in that role. He had served as senior director of finance and administration at New York’s Public Theater.

The Rep was able to complete the 2023-2024 season because of the Rally success. A Holiday Benefit Experience that featured St. Louis alumnus John Goodman raised more than $150,000.

Williams announced in January that 80% of the goal had been reached to fund the second half, productions “Moby Dick” and “August: Osage County.”

At that time, Williams said the goal was to ensure continuing to bring world-class, adventurous new works and beloved classics to their stage as they approach their 60th anniversary.

“We are so grateful for the outpouring of love and support that we’ve received from the St. Louis community, he said. “While our first big hurdle is behind us, the need for continued support remains as we build a sustainable future for The Rep to inspire generations and ensure the arts thrive in our beloved city.”

Williams cited the need to build a stable future amid an industry undergoing radical change.

The Rep exterior. File photo.

“We are working to build a model that responds to today’s cultural landscape so that we remain an anchoring cultural force for St. Louis, using the transformative power of the arts to build bridges in our region and beyond,” he said.

On Tuesday, the Rep stated: “With her appointment, Bergstrom brings a passionate energy for The Rep’s next chapter that builds on the theater’s success as a vital, celebrated, cultural cornerstone of St. Louis.”

Bergstrom said she considers The Rep more than a theater.

“It serves as a critical cultural heart in St. Louis by elevating and expanding the capacity for the extraordinary in us all. I’m excited to set down roots and galvanize transcendent work, using my skills and experiences to foster engagement that uplifts and world-class storytelling that is both tremendously entertaining and vital,” she said.

Williams said he looked forward to partnering with Kate to realize this new chapter.

“Kate is a bold and generous leader, who works with a heart-forward approach to center an artistic vision that will bring out the best in The Rep. At this critical juncture in the organization, her passion, energy, and commitment to St. Louis makes her an inspired choice to ensure a vibrant future for the theatre,” he said.

To conduct the search, The Rep engaged Arts Consulting Group. From a field of many applicants with diverse backgrounds and experiences, the committee narrowed down the search to three extremely qualified candidates.

Each candidate participated in Zoom interviews and full-day in-person meetings, during which The Rep staff were encouraged to meet and ask questions with the potential candidates. The process took six months and included Rep staff and leadership, along with a search committee of arts leaders and community stakeholders led by Board Vice President Ann Cady Scott, the board of directors and independent search firm ACG.

“The Rep has a long-storied history of inspiring and thoughtful leaders, and we are thrilled to pass the torch of leadership to Kate Bergstrom,” said Brian Clevinger, The Rep’s Board President. “Kate’s It’s a Wonderful Life was an electrifying production that brought out the best in our local talent and inspired joy throughout St. Louis. We look forward to her work in deepening The Rep’s impact on its stages and in the community.”

“It’s a Wonderful Life: Live Radio Play” at The Rep.

New Season

The Rep’s 2024-2025 season, which kicks off in September with the suspense thriller “Dial M for Murder,” was programmed by Williams and the current artistic team. Bergstrom will lead the selection of the Steve Woolf Studio Series this season.

Bergstrom said she will continue to deepen her relationship with St. Louis and the local arts community by actively listening to audiences as crucial collaborators to bring about a vision and strategic plan for the 25/26 season and beyond.

“We have the grand opportunity ahead to celebrate the power of extraordinary togetherness in this beloved region during a divisive time. By bridging the differences that make us unique and the undergirding humanity that unites us all, The Rep looks to spark joy, discovery, and that extraordinary togetherness towards a thriving St. Louis and beyond. I’m ready to infuse care, love for this community and a clear, heart-forward vision of excellence into the Rep for years to come,” she said.

Williams said, in announcing that “August: Osage County” was a go thanks to completing the fundraising, that the season had rallied their staff, board, volunteers, artists, and community to keep the magic of live theatre alive at The Rep.

“We are deeply grateful for the outpouring of support that we’ve received from the St. Louis community. It is their belief in our 57 years of work and dedication to the arts that propels us forward and allows us to continue to bring world-class theatrical experiences to our stages,” he said.

Next year’s season is:  Dial M for Murder Sept.18 – Oct. 13; the holiday musical “Million Dollar Quartet Christmas” in partnership with Stages St. Louis on Dec. 4 – 22; Lynn Nottage’s Tony-nominated comedy, “Clyde’s,” Feb. 5 – March 2, 2025; the retelling of “Sherwood: The Adventures of Robin Hood,” March 19 – April 13, 2025, all performed at the Loretto-Hilton Center, in the Virginia Jackson Browning Theatre on the campus of Webster University.  Tickets are on sale now. Visit www.repstl.org for details and follow @repstl.

In December 2023, The Rep was named a Missouri Historical Theatre, which is awarded to theaters that contribute to tourism in Missouri, promote arts in its community and throughout Missouri, and has been operational for a minimum of 50 years.

Kate Bergstrom. Photo by Antonio T. Harris

About Bergstrom

Born in California, Bergstrom holds an MFA in directing from Brown University and a BA in Directing and Acting from UCLA. She will move here from New York. with her husband Mike and their dog Crispy.

Among her credits are directing at regional theaters across the country, which belong to the League of Resident Theatres, including the Marin Theatre Company, Alabama Shakespeare Festival and Trinity Repertory Company and more.

As a festival director, she programmed the Big Eddy Film Festival in Upstate New York where her responsibilities included fundraising, audience and community development and partnership building.

This grew from her tenure as Founder and Producing Artistic Director of On The Verge, a festival premiering female and LGTBQIA writers in Santa Barbara, Calif.

As a performance coach and account manager at Stand and Deliver, she has worked with dozens of large corporate clients such as Google, Genentech, and Cisco co-leading multi-day programs and long-term adviserships toward improving external and internal organizational communication.

The Rep interior, File photo.

By Lynn Venhaus

Overflowing with cheer and kindness, “It’s a Wonderful Life: A Live Radio Play” is as comforting as a mug of hot cocoa and as heartwarming as the cherished 1946 film.

Festively decorated inside and out for the holidays, The Repertory Theatre of St. Louis is the bearer of glad tidings with this crisp and polished production, an announced substitution for the previously scheduled “A Christmas Carol,” which had been presented in 2021 and 2022.

But this was more than a performance – it was a change in direction and a celebration of community. The Rep went public with their financial woes in mid-October, starting a “Rally for the Rep!” campaign to raise $2.5 million by year’s end to continue the 57-year-old regional professional theater in the new year.

A Dec. 17 benefit, an online auction, and other fundraising efforts are being promoted, and this production is the first opportunity for The Rep to welcome patrons back to the Loretto-Hilton Center since the news broke.

They have added some ‘zhuzh’ to the welcoming atmosphere. Company Manager Michael D. Ward donated for the decoration, design and setup of the interior and exterior, and collaborated with the front of house staff to set those charming scenes.

Besides the merry mood, opening night also was a statement. You could feel the goodwill from the audience, and in the lobby afterwards, where trays of chocolate chip cookies were placed, and people snapped photos near the John Goodman cardboard cut-out. Goodman, the world-renowned actor who is a hometown treasure, will headline the Dec. 17 benefit.

Photo by Jon Gitchoff

Everything about this show gleamed – the company of all local performers’ glee was palpable and the nostalgic setting of KSTL’s studio harkened back to the Golden Age of Radio.

This play-within-a-play is a savvy adaptation by Joe Landry, reworking his play that modified the movie that’s now a holiday staple. The twist to the timeless tale is that it’s being performed by characters who work at the radio station.

This version was first produced last year by the Alabama Shakespeare Festival, whose artistic director Rick Dildine was previously affiliated with the St. Louis Shakespeare Festival. And The Rep is producing this show in association with ASF and is made possible in part by the support of The Berges Family Foundation. 

Kate Bergstrom has directed both, displaying a deft touch for staging the action for optimum viewing and maximum ‘feels.’ Stage Managers Emilee Buchheit and Anna Baranski energetically stage-managed the show to keep the 2-hour show running smooth.

The ensemble shines – in individual roles and as a collective in the workplace. Anchoring the show is Michael James Reed, playing actor Jake Laurents, who is also a military officer serving in World War II. He’s a terrific George Bailey, conveying the distress of a man whose faith and hope has been eroded, but also a caring neighbor and friend in his daily interactions.

Melissa Harlow, Michael James Reed. Photo by Jon Gitchoff

Laurents/Reed plays a family man and banker whose life in Bedford Falls is not what he had imagined for himself, but circumstances led to him to bloom where he was planted.

As problems mount up, and he wishes he had never been born, it’s up to his guardian angel, Clarence, to show him what the town would have been like without him — and the many good deeds he has accomplished.

Upon closer observation, the source material is quite dark — a man is desperate, ready to throw in the towel, feeling as if he’s failed. But looking back at the impact his life has made is a beautiful observation about connection. And we can all relate.

For the screenplay, movie director Frank Capra, three-time Oscar winner (“It Happened One Night,” “Mr. Deeds Goes to Town,” and “You Can’t Take It with You”) collaborated with married screenwriting duo Frances Goodrich and Albert Hackett, Oscar-nominated for “The Thin Man” and “Father of the Bride,” among their filmographies.

Their source was a 1943 short story, “The Greatest Gift,” written by Philip Van Doren Stern, which was inspired by Dickens’ “A Christmas Carol.”

Daisy Held as a Sound Engineer. Photo by Jon Gitchoff

The movie, while earning five Oscar nominations in 1947, including Best Picture (lost to “The Best Years of Our Lives”) and another for Capra and James Stewart, was a box office flop and critics were lukewarm. It wasn’t until 1977, when its copyright lapsed and broadcasters were able to show it royalty-free, that it gained a following. Now it’s a perennial.

Today, no matter how many Christmas movies Hallmark churns out, “It’s a Wonderful Life” continues to top lists of favorite holiday movies. The Rep’s production reinforces why everyone loves it. Besides, who doesn’t want to believe in guardian angels?

The talent-rich 10-person ensemble is dialed in, seamlessly working together as radio employees and actors conveying the Bedford Falls denizens. Three are St. Louis Theater Circle winners (Michael James Reed, Eric Dean White and double-winner J Samuel Davis).

It’s fun to experience that part of America’s past, when a physical radio was an essential part of everyday life and the dominant home entertainment during the 1930s and 1940s. You’ve seen these settings in old-time movies and TV, and scenic designer An-Lin Dauber has recreated a vibrant studio where you can see — and hear — the sound engineers make the magic.

Eric Dean White, J Samuel Davis. Photo by Jon Gitchoff

With his mellifluous voice, Eric Dean White strikes a pleasant tone as a seasoned radio announcer. He’s amusing when he delivers commercials for Schnucks, Crown Candy Kitchen, Ted Drewes, and others – delighting the audience.

DeAnte Bryant is a charmer as Harry Heywood, who is humorous, caring and concerned as the lovable Clarence, who has waited 200 years to get his wings. The brilliant local actor J. Samuel Davis is Dr. Richard Ross, doubling roles — compassionate as St. Joseph and conniving as greedy Mr. Potter, the corrupt power-hungry kingpin often stopped in his chicanery by George.

Melissa Harlow is actress Sally Applewhite who plays good-natured Mary, who eventually marries George and raises a family. Carmen Garcia is the sweet Rosa Ramos, who is playing both George’s kind mother and Mary’s busybody mom. Their fashionable frocks are part of Dauber’s vintage costume design, with Jordan Fell associate costume designer.

Smartly dressed in tailored attire as ‘career girls’ are Aria Maholchic who plays spirited actress Lana Sherwood, Jailyn Genese as the efficient Stage Manager and Daisy Held as the Sound Engineer.

The biggest crowd-pleaser was winsome TJ Staten Jr., stealing scenes as Lead Songbird and Sound Engineer. Making his debut at The Rep, the McCluer High School graduate, as Troy Staten, won the 2021 St. Louis Teen Talent Competition sponsored by the Fox Performing Arts Charitable Foundation.  

TJ Staten Jr. Photo by Jon Gitchoff

Lighting designer Christina Watanabe bathed the production in a poignant glow that enhanced the emotional depth, particularly when snowflakes fell. Moving from the cozy studio to the wintry town setting was an impressive transition.

The sound work was particularly noteworthy, because creating the sound effects to go across the airwaves isn’t as easy as it sounds. Special mention to Michael Costagliola as sound/foley designer and Andrew Ronver, the associate sound designer.

Another artisan helping establish the period was wig designer Dennis Milam Bensie.

It wouldn’t be a holiday radio show without singing, and music director Ron McGowan helped make the season bright, leading the ensemble in snappy seasonal favorites. When it was time for “Auld Lang Syne,” the audience joyfully chimed in with the ensemble. (Was anyone else misty-eyed?)

A sincere effort to inspire, touch, and engage, “It’s a Wonderful Life: A Live Radio Play” was a dandy celebration of what should be important this time of year.

Storytelling is vital to bringing us together, and this opportunity to remind us to believe in our purpose, be mindful of what’s around us, and never lose faith in humanity is evergreen.

It is a wonderful life – and I hope you leave this show with the promise of better days ahead, even if a happy holiday is elusive.

The Repertory Theatre of St. Louis presents “It’s a Wonderful Life: A Live Radio Play” Dec. 1-23 at the Loretto-Hilton Center, Webster University, 130 Edgar Road, Webster Groves. For tickets or more information, visit www.repstl.org or call the box office at 314-968-4925.
For more information about Phase One of the fundraising campaign, visit www.rallyfortherep.org

Rush Tickets: Available for students, seniors, educators, and theatre professionals by calling  the Box Office at 314-968-4925, 1 – 2 hours prior to curtain time.
Audio-Described Performance: Thursday, December 21 at 7pm – the show will be described for patrons who are blind or have low vision.
ASL Performance: Saturday, December 23 at 2pm –  the show will be signed for the deaf or hard of hearing.
Open-Captioned Performance: Sunday, December 17  at 2pm – an electronic text ticker displays words being spoke or sung onstage

(And if you are hankering to watch the movie, NBC will show it Christmas Eve, the E! Entertainment Channel will show it at 4 p.m. and 7 p.m. on Dec. 20. Bravo will show it at 6:30 p.m. and 9:30 p.m. on Dec. 15. It is also streaming on Amazon Prime with a subscription.)

Photo by Jon Gitchoff