The Black Rep and Pulitzer Arts Join Forces for Phoenix Rising Series

The Black Rep and Pulitzer Arts Join Forces for Phoenix Rising Series

Performance Series Featuring Two Weeks of Movement in Conversation with Landscape
Presented by the Whitaker Foundation June 15-25 at the Pulitzer

Two of St. Louis’ top cultural institutions, The Black Rep and The Pulitzer Arts Foundation are collaborating this summer to bring audiences Movement in Conversation with Landscape, as part of the The Black Rep’s Phoenix Rising Performance Series, presented by the Whitaker Foundation, June 16-25, 2023 at the Pulitzer. The Series includes unique dance performances, dance film screenings, and master classes. Full schedule and details below, with FREE admission to all.


June 16-18: Fri., 6-7 p.m.; Sat., 5-6 p.m.; Sun., 5-6 p.m.

12.15.2017– MFA dance student Heather Himes. James Byard/Washington University

Performances including:

The Seventh Floor Dance Collective – Founded by Heather Beal, this St. Louis based dance company is dedicated to the preservation and legacy of Dunham Technique. Performing inside in the Galleries. 

Brother(hood) Dance – An interdisciplinary duo that seeks to inform its audiences on the socio-political and environmental injustices from a global perspective, bringing clarity to the same-gender-loving African-American experience in the 21st century. Performing outside throughout Park Like.

Nana – A performance ritualist, youth educator, and loquacious lover, their artistry is the lens through which they conjure Black Queer Feminist research. Nana is the Artistic Director of Healing the Black Body. Performing outside at Spring Church. 

Thurs., June 22: 8-9:30 p.m. 

Screening of dance films:

With introductions and post-show conversation led by Kirven Douthit-Boyd, Artistic Director of Big Muddy Dance Co. Held outside in the courtyard between the Contemporary Art Museum and The Pulitzer. Space limited, FREE with registration required. Register at pultzerarts.org. Films include: 

The Weight of Sugar

Director: Jingqiu Guan; Choreographer: Bernard Brown 

Filmed on location at a renovated historic mill, the short film uses the lens of sugar to illuminate some of the lasting effects of colonialism on women of color. With support from a strong community, a young black woman guides us toward ascension, releasing the vestiges of oppression scattered. 

“a clearing” a part of the FLY | DROWN series

Co-Directors: Jennifer Harge and Devin Drake

This short chronicles a dance folktale honoring Black women’s movement towards flight. Set in a post-Great Migration home in Detroit, MI, it is an interwoven story of two characters, elder and nyeusi, and moves between the mundane, the majestic, fact, and fable. 

June 23-25: Fri., 6-7 p.m.; Sat., 5-6 p.m.; Sun., 5-6 p.m.

Performances including:

 Swamp Body Dance – Brittany Williams is an international dancer, choreographer, and organizer; a principal dancer with Olujimi Dance; the founder of Dancing for Justice and Obika Dance Projects. A womanist, a ride or die freedom fighter, and art-maker, Brittany creates work that is part reality, part fugitive. Performing outside in the Tree Grove.

Harge Dance Stories – Jennifer Harge is an interdisciplinary choreographer, performance artist, and educator based in Detroit whose work centers on Black and queer vernacular movement practices, codes, and rituals that manifest at the intersections of performance, installation, and community gathering. Performing outside at Spring Church. 

The Seventh Floor Dance Collective with Siobhan Monique  – Singer, songwriter, and educator based in Florida, Siobhan is also the founding artist of Ancestral Funk TM, Inc.  Held outside in the courtyard between the Contemporary Art Museum and The Pulitzer.

Sat., June 17 & Sat., June 24: MASTER CLASSES 

A full schedule of Master Classes will be offered. Space limited, FREE with registration; full class listing at www.theblackrep.org.

About The Black Rep

The Black Rep, a 46-year-old legacy Black arts organization, is committed to producing, re-imagining, and commissioning work written by Black playwrights and creating opportunities for new voices and youth. Founded by Producing Director Ron Himes, the vision for The Black Rep continues: a more equitable distribution of opportunities and resources for Black professionals and students in the theatre; improved representation on and back-stage in the theatre industry; and a fostered community culture of support and mentorship for those who will follow. For more information: www.theblackrep.org. 

The PHOENIX RISING SERIES honors The Black Rep’s original name on its founding in 1976 and is designed to create a platform for creative expression from an African American perspective in alternative spaces for new audiences, with support from the Whitaker Foundation. For a complete schedule of this summer’s SERIES visit www.theblackrep.org.

About The Pulitzer 

The Pulitzer Arts Foundation is an art museum dedicated to fostering meaningful experiences with art and architecture. Since its founding in 2001, the museum has presented art from around the world in its celebrated building by Tadao Ando and its surrounding neighborhood. Offering personal encounters with art, the Pulitzer brings art and people together to explore ideas and inspire new perspectives.

The Pulitzer campus is located in the Grand Center Arts District of St. Louis, Missouri, and includes the museum, the Spring Church, the Park-Like garden, and a tree grove. The museum is open Thursday through Sunday, 10am–5pm, with evening hours until 8pm on Friday. Admission is free. For more information, visit pulitzerarts.org.

With Plenty of Heart and Soul, ‘St Louis Woman’ Celebrates Trailblazers

With Plenty of Heart and Soul, ‘St Louis Woman’ Celebrates Trailblazers

By Lynn Venhaus

Love has got everything to do with it. The costumes are gorgeous, the musicianship splendid and the legendary subjects all deserving of the spotlight in the reverent play with music, “St. Louis Woman.”

Local playwright Joe Hanrahan, Midnight Company’s founder and artistic director, has a deep knowledge and interest in local history as well as an affinity for and expertise in popular music.

In this enjoyable, affectionate showcase brimming with good beats and striking visuals, Hanrahan honors local legacies by presenting their impact on the world through an earnest young singer, Laka.

Laka is a relative newcomer on the local music scene, having performed her first cabaret at the Blue Strawberry in April 2020, and she does not have any experience regional theater.

This work is her stage debut – and it appears that her collaboration with Hanrahan took them both to their happy place. She is a likable performer, projecting perseverance and positivity, even if she is acting novice with more to learn.

Laka embodies their important traits of dedication and resolve as Hanrahan, also the director, unfolds snapshots of Josephine Baker, Tina Turner, Katherine Dunham, Maya Angelou, Fontella Bass, Ann Peebles, and Willie Mae Ford Smith.

The women are all artists with some connection to St. Louis, whether they were born here, grew up here or moved her during their adult years. You might not have heard of everyone but by the end of the show, they will all be memorable.

Hanrahan reveals interesting tidbits about their lives while Laka tells their story in looks, voice and career/life observances. Each woman could be celebrated in their own show, but this ties them intrinsically together, in small-batch narratives.

Hanrahan knows how to mine key details from his copious research to make the script flow. It’s well-constructed with moments big and small.

“They brought this city to the world with their music, dance and poetry,” he said.

The accompanying music, with cool cats Corey Patterson on keyboards and Gabe Bonfili on percussion, had a fun vibe. They excelled at keeping the tempo upbeat and the mood pleasant – nice, easy and kicked up a notch. Bruce Bramoweth’s contributions as a music consultant helped set the piece, too.

Enhancing the show immeasurably is Liz Henning’s stunning costume designs – she captured each period and personality perfectly. The red-sequined mini-cocktail dress Laka rocked as Tina was a wow!

An accomplished video designer, Michael Musgrave-Perkins has done exceptional work with archival footage and vintage documents to convey time periods for each woman, setting us in a ‘you are there’ format. The selections are first-rate and the presentation polished.

Ashley L. Tate has executed appropriate choreography, particularly the iconic Banana Dance by Josephine Baker, and Tina Turner’s vivacious gyrations.

Lighting Designer Tony Anselmo and Production Designer Kevin Bowman helped create the look that set the mood and the groove.

Straightforward and sincere, “St. Louis Woman” raises the voices of some remarkable women, leading lights once rolling on the river. It’s a remembrance to savor, a pride to share and world-class names forever linked to our city’s tapestry.

Laka. Photo by Joey Rumpell.

The Midnight Company presents “St. Louis Woman” Oct. 6-22, Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m. (Oct. 9 and 16) at the .Zack Theatre, 3224 Locust in the Grand Center Arts District. For more information, visit www. midnightcompany.com.

The Midnight Company to Present World Premiere of ‘St Louis Woman’

The Midnight Company to Present World Premiere of ‘St Louis Woman’

The Midnight Company will present the World Premiere of ST. LOUIS WOMAN, a play with music starring LAKA, written and directed by Midnight’s Artistic Director, Joe Hanrahan.  ST. LOUIS WOMAN will run October 6 – 22 at the .ZACK theatre, with performances Thursdays/Fridays and Saturdays at 8pm, and Sunday matinees October 9 and 16 at 2pm.  Tickets are $30 for Fridays/Saturdays and Sundays, and $20 for Thursdays, and tickets are on sale now at MetroTix.com.

 ST. LOUIS WOMAN will honor the enduring legacy of some of the amazing women in St. Louis who brought this city to the world with their timeless music, dance and poetry.  LAKA will portray such legendary artists as Josephine Baker, Tina Turner and Katherine Dunham (and present the poetry of Maya Angelou, the song stylings of chart-toppers Fontella Bass and Ann Peebles, and the Gospel classics of the legendary Willie Mae Ford Smith.)  These women were born in St. Louis, or came here when young (typically to join Gospel choirs), or, in Dunham’s case, moved here during the height of their careers to continue their momentous work.

LAKA is a singer-songwriter who prides herself in performing a multitude of genres. She recently released her third single, a country-folk song titled “Keep it to Myself”, written by Mike Lipel. LAKA debuted her first cabaret show at the Blue Strawberry in October of 2020 titled “The Music in Me”, her life story through music and went on to perform the show earlier this year in New York City at the venue, Don’t Tell Mama. She noticed that the life stories she told in between songs connected her audience more to the songs. Laka continued to branch out this year with appearances in Las Vegas, Naples, FLA, and Nashville.

 The Midnight Company is celebrating its 25th Anniversary producing theatre in St. Louis, presenting a full season of plays in 2022 after receiving 14 nominations from the recent St. Louis Theatre Critics Circle Awards, winning four.   This year, Midnight presented ANOMALOUS EXPERIENCE in May, and RODNEY’S WIFE in July, with ST. LOUIS WOMAN rounding out this season.  But this Fall, Midnight’s work can also be seen at…

LAKA as TIna Turner. Photo by Todd Davis


 ST. LOUIS THEATRE SHOWCASE  Friday/Saturday September 16 & 17 at the Public Media Commons, 3653 Olive St.  Each night, beginning at 7pm, five different St. Louis theatre companies will present a short play or piece of theatre.  Midnight will be in the Saturday night lineup, presenting a new play by Joe Hanrahan – LAST CALL, directed by Sarah Holt, performed by Tom Kopp and Joe Hanrahan.  The event is FREE, and you can register to attend at KWMU.org.  Local craft beverages will be available.

And…TRUE Community Theatre’s SHORTS FESTIVAL, new plays by local playwrights about Truth, Lies, and Confessions.  Friday/Saturday November 4 and 5, it will be presented at Union Avenue Christian Church, 733 Union Avenue at 7pm  Tickets can be purchased with a donation, and can be reserved at EventBrite.com.  Midnight will be offering another Hanrahan script, PATIENT #47, directed by David Wassilak (David is appearing in Albion Theatre’s HEROES, opening September 23), featuring Alia Arif and Hanrahan.

THE COLLABORATORS:  
THE BAND  Backing up LAKA will be two of her favorite musicians.  Corey Patterson on keyboards (Corey is the Music Director for the show) and Gabe Bonfii on percussion.
Bruce Bramoweth is our Music Consultant.  Bruce has a show every Sunday night on KDHX – “Chicken Shack,” a mix of blues and jazz and r&b and much more.
CHOREOGRAPHY by Ashley Tate.  Ashley has been the Artistic Director for the Ashleyliane Dance Company, which is celebrating its 15th year of Dance.  She recently accepted a position as Assistant Professor of Dance at University of North Carolina at Charlotte, but not before working with LAKA for ST. LOUIS WOMAN, and working with Joan Lipkin on DANCE THE VOTE, September 24, 12:30pm at Missouri History Museum.  Ashley promises to be back in St. Louis as often as she can.
COSTUME DESIGN/STAGE MANAGEMENT by Liz Henning.  Liz has worked with Midnight on numerous shows, and last year was nominated for Outstanding Costume Design from the St. Louis Theatre Critics Circle for TINSEL TOWN.
VIDEO DESIGN by Michael Musgrave-Perkins.  Michael has provided video design for several Midnight shows, including TINSEL TOWN, A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG and LITTLE THING BIG THING.
LIGHTING DESIGN by Tony Anselmo and PRODUCTION DESIGN from Kevin Bowman, both who have provided outstanding work for previous Midnight shows.

THE PLAYWRIGHT/DIRECTOR: Joe Hanrahan is Midnight’s Artistic Director, and for them, he’s written LIFE AFTER DEATH, THE BALLAD OF JESSIE JAMES, DRACULA  (adaptation), THE EVEREST GAME, MY VIOLIN MY VOICE, NOW PLAYING THIRD BASE FOR THE ST. LOUIS CARDINALS…BOND, JAMES BOND (nominated Outstanding New Play St. Louis Theatre Critic Circle 2021), TINSEL TOWN (Winner Outstanding New Play by the Circle, 2021), and several shorter plays for The Crawl.   His scripts have also been performed in Kansas, Brooklyn, NY, and in St. Louis.  As a director, he’s directed several Midnight shows, and filled the same role for The Black Rep (THE BROWNSVILLE RAID and NO CHILD), SATE (CUDDLES), R-S Theatrics (THE FLICK), Clayton Community Theatre (A VIEW FROM THE BRIDGE, Winner Outstanding Director, Arts for Life), and Webster Groves Theatre Guild (BUS STOP and THE UNDERPANTS.)  He most recently directed RODNEY’S WIFE for Midnight.

Laka as Josephine Baker. Photo by Todd Davis

Hanrahan said “When I first heard LAKA sing, I was amazed.  One of the best voices I’d ever heard, she could sing literally anything, and anything she sang moved me.  When we met, she was interested in expanding the range of her talents, maybe doing something more theatrical.  So the concept for ST. LOUIS WOMAN was born.  And as I’ve gotten to know her, her intelligence, determination and work ethic has helped carve the path for this show.  This is a unique opportunity to present some of the great art and tremendous people who carved out their exceptional careers in St. Louis.”

And LAKA said, “After seeing one of Joe Hanrahan’s one-man plays, I thought how neat it is for one person to be able to captivate an audience with acting alone. Because of my cabaret shows, I thought I could learn from him to be better at what I do.  When Joe introduced the idea behind St. Louis Woman I was immediately drawn to it. St. Louis has a rich music history, being an epicenter during the height of jazz, blues, and rock’n roll.  I think we sometimes forget the prominence that our beautiful city once held and how many greats called this area home. During the preparation for this play, I’ve become ever more connected to these artists and this city that I call home. Their stories are inspiring, motivating, and courageous. I’m honored and humbled to pay tribute and increase awareness of these women’s role in St. Louis history. The current arts scene in the city is continuing to resurge and remembering the past will certainly help forge our future.”

Midnight is cross-promoting with several like-minded organizations, and hopes to spread the word about their upcoming events:
MISSOURI GOSPEL HALL OF FAME  Go to mogospel.com to find out more about their work preserving and enlightening a new wave of Gospel Music.
CONSUMING KINETICS DANCE COMPANY  Go to ckdc.org and learn about their shows and classes.  On Oct 22 and 23, at the Marcelle Theatre, they will present “French Connection,” original dances celebrating the legacy of Josephine Baker (a principal character in ST. LOUIS WOMAN.)
MISSOURI HISTORY MUSEUM  Go to mohistory.org for information about their continuing exhibit “ST. LOUIS SOUND,” with pictures, film and audio exploring the deep roots of popular music in the city.
JAZZ ST. LOUIS  Go to jazzstl.org and learn about the full array of performers they have coming up in the months ahead, including several shows from the incomparable Regina Carter in September.
CINEMA ST. LOUIS Go to cinemastlouis.org for their variety of always fascinating programs.  Last month they allowed Midnight to promote ST. LOUIS WOMAN during their showing of Josephine Baker’s first silent film “Siren Of The Tropics,” which was shown as part of their French Film Festival.
And, of course, ASHLEY LIANE DANCE COMPANY.  Go to ashleyliane.com, and follow the group’s shows and events.
More at midnightcompany.com
and lakasoul.com

photos by Todd Davis
video by Keyaira Harris

Episode 2 of Muny’s ‘Summer Variety Hour Live’ Showcases the Stars Under the Stars

Episode 2 of Muny’s ‘Summer Variety Hour Live’ Showcases the Stars Under the Stars

By Lynn Venhaus
The sights and sounds of nights gone by are such a welcome sentimental journey on the exciting new online Muny Mondays.

But the variety show is not all a “Remember When” montage, and that is what sets it apart. With a fresh batch of pixie dust, the Muny’s second episode of its smash hit Summer Variety Hour Live more than met expectations after such a sensational series launch July 20.

Rob McClure and Maggie Lakis

If you were curious as to how they could top the inaugural show, now that we know the formula, one look at the lineup beforehand answered that quickly. Tony nominee Taylor Louderman singing live under the Culver Pavilion! Tony nominee and fan favorite Rob McClure, versatile veteran of six Muny shows, singing “Suddenly Seymour” with his wife Maggie Lakis, who has been in two Muny musicals, from their home in Philadelphia. McClure’s Muny debut was “Little Shop of Horrors” in 2011, so that was fitting. The cast of 2017’s spectacular “The Little Mermaid,” lead by Commodore Primous III as Sebastian, reuniting to sing a buoyant “Under the Sea.” I mean, the deck was stacked.

The best way to describe the ebb and flow of the carefully curated selection of acts is to compare it to a multi-course gourmet dinner especially crafted to include favorite dishes, comfort food, bold choices and unique taste treats, every bite bursting with flavor.

When the “Wow” factors were unveiled — those unforgettable Muny moments that you will always recall with awe, so grateful to have experienced it in person – they blew me away. It isn’t hard to pick five, ten or 20 out of your head if you are a regular. (We probably share some of the same ones – we’ll have to compare notes).

And this supersonic flash came from two performers I saw in ensembles but did not know their names: Nkeki Obi-Melekwe and Chloe O. Davis. I will never forget them now.

Nkeki Obi-Melekwe

Nkeki soared singing “If You Knew My Story” from “Bright Star” during her time, a selection to reinforce color-blind casting. Nkeki, a Michigan graduate, appeared in the Muny’s 2017 “All Shook Up” and went on to play Tina Turner in “Tina the Musical” in London’s West End in April 2019, then move to Broadway in October.

If you are unfamiliar with “Bright Star,” the musical by Steve Martin and Edie Brickell, it came out the same year “Hamilton” did and lost the Tony Award for Best Musical to the landmark show in 2016.

Chloe O. Davis, a dancer who grew up in St. Louis and was in “All Shook Up” and “The Wiz” in recent years, was featured in “My Tribute to Black Broadway and Black Choreography: I Thrive Now Because You Dared Then,” a dance she conceived and choreographed.

As she used Forest Park as her stage, she gave us a history lesson that stirred “all the feels.” She created the styles of famous black choreographers, using audio and visual clips in addition to her dance moves – East St. Louis’ international icon Katherine Dunham, George Faison, Debbie Allen, Hope Clarke, Gregory Hines, Donald Byrd, Bill T. Jones and Camille A. Brown among them.

Chloe O Davis

Moving. Powerful. Elegant. Truly a shining moment.

A delightful song-and-dance interlude was courtesy of three dynamos Maya Bowles, Trevor Michael Schmidt and Gabi Stapula, whose high-spirited “There’s Gotta Be Something Better Than This” from “Sweet Charity” captured our anxiety and their eagerness to get back to the business of entertaining. These chorus gypsies reminded us how ensemble cohesiveness is so important to any big splashy musical.

Gabi also works with the Muny Teens, and their fun-loving mashup of “Bring On the Monsters” from “The Lightning Thief: The Percy Jackson Musical” and “Drive It Like You Stole It” from “Sing Street” again showcased how talented some local students are – and their sunny dispositions. I’m a big fan of the 2016 movie “Sing Street,” which is writer-director John Carney’s third film about the transforming power of music (“Once” and “Begin Again”), and its stage adaptation was set to open on Broadway in April after rave reviews off-Broadway.

The power ‘hour’ also featured behind-the-scenes stories about what’s happening at The Muny, including being able to pull off the stunning fireworks at the Centennial Gala, and the amusing game show throwback Munywood Squares. With interesting fun facts, hosted by Gordon Greenberg and featuring nine Muny performers in the Zoom grid,  including E. Faye Butler, J. Harrison Ghee, Ann Harada, Raymond J. Lee, Vicki Lewis, Steve Rosen, Jeffrey Schecter, John Scherer and Christopher Sieber. This week’s good sport contestants were photographer Phillip Hamer and Muny company manager Sue Greenberg. Fun remembering the raccoon who waddled on to the stage in “The Addams Family” in 2014!

Taylor Louderman

On an intermittent rainy night, star Taylor Louderman was accompanied by four socially distanced musicians, to sing live the power ballad “Astonishing” from “Little Women.” Always nice to include a female empowerment song, this one from Louisa May Alcott’s timeless and timely heroine, Jo March. From Bourbon, Mo., 60 miles southwest of St. Louis, Taylor went from Muny Teen to Tony nominee as Regina George in “Mean Girls.” She made her Broadway debut in 2012’s “Bring It On!,” has been in seven Muny shows and won the St. Louis Theater Circle Award for Best Supporting Actress in a Musical for last summer’s “Kinky Boots.” (And this year, finished her bachelor’s degree that she had started at Michigan in 2009 and was married five weeks ago to Brooks Toth).

The archival footage of past summer shows is a fond trip down memory lane, starting with Muny titans Beth Leavel and Ben Davis in 2015’s “Oklahoma!” Leavel, Tony winner for “The Drowsy Chaperone” and nominee for ‘The Prom,” is a frequent St. Louis Theater Circle Award nominee, winning for her Mamma Rose in 2018 “Gypsy.” Davis, seen last year as Sky Masterson in “Guys and Dolls,” has been nominated multiple times, and once joked during an interview that he is the ‘Susan Lucci’ of the Circle Awards.

Davis was in the now legendary production of “Spamalot” in 2013 as Sir Galahad. Host Mike Isaacson introduced “Always Look on the Bright Side of Life,” which holds the distinction of being the most popular song at funerals, pointing out how weather affected the show. I remember that on opening night June 17, a steady rain was falling after torrential downpours for days preceding it. So, there was little opportunity to rehearse outdoors. The audience for the show opener of the 95th season was so eager to see this Muny premiere that we came in droves with our umbrellas — and were mightily rewarded.

It’s a night I’ll never forget. During the curtain call, actor John O’Hurley, playing King Arthur, stopped the show to introduce Monty Python founder and show creator Eric Idle! Whoops, cheers and thunderous applause! Everyone on their feet. I turned to my companion and said: “We are in the presence of a Python!” Oh, be still my heart. It was pure bliss – he led us in “Always Look on the Bright Side of Life” after mentioning this was the largest audience to ever see the musical and he wanted to see if we could get in the Guinness Book of World Records for our sing-a-long.

Oh, what a night! I had the good fortune to interview John O’Hurley later that fall when he was touring as Billy Flynn in “Chicago,” and we had a pleasant conversation about that enchanted evening.

Another splendid memory was shared with the incredible “We’re in the Money” from the extraordinary 2016 production of “42nd Street,” choreographed by Denis Jones, St. Louis Theater Circle Award winner. That curtain call – go see it on YouTube – as the cast cascaded down a staircase will go down as my favorite (next to “A Chorus Line”) in Muny history.

All these elements are what make summer nights special at the Muny, and spotlighting the world-class talent – from the musical theater majors from the best schools in the country to the stars with Broadway credentials — who come together in Forest Park – is one I like to emphasize. Years ago, seasons were headlined by ‘names’ – mostly from TV – and while recognizable, I much prefer having the best talent possible give us their all on that stage. Drama geek that I am, I read all the bios and notice who returns to the Muny, who creates magic on the stage, or is given the part of a lifetime.

And in that spirit, the Summer Variety Hour Live emphasizes how many parts make each show happen.

And it is a warm, familiar embrace at a time we all need a hug.

On July 20, The Muny 2020 Summer Variety Hour Live! drew more than 30,000 viewers from across the U.S. and around the world. This total sets a new, record-breaking first in The Muny’s live-streaming history.

On July 27, we were connected by the calypso beat of newly crowned EGOT winner Alan Menken, the banjo picking of brilliant Steve Martin, the Britpop synthesizer of ‘80s New Wave, the zaniness of silly comic geniuses, homages to Busby Berkeley and Broadway chestnuts, the triumph of a ‘local’ small-town girl with a dream, sweetness, sincerity, showmances and people who think sitting under those stars in St. Louis is like coming home.

These shows (5 total, 3 left) are exclusive, one-time-only streams and will not be available after the Thursday night airing. The July 30 re-airing will include audio description and captions. The link is: youtube.com/themunytv

The Muny’s online 2020 season is sponsored by World Wide Technology. Episode 1 was made possible by US Bank and Episode 2 by Edward Jones. They announce the next lineup every Wednesday.