By Lynn Venhaus
Neither original nor groundbreaking, “Blink Twice” is a logic-free revenge tale that fails to convince in its twist-filled horror-suspense scenario.

Populated by pretty people playing vapid characters that are woefully underdeveloped, the film’s intent is a good one, but it is so poorly executed that by the time you understand what’s going on, it still leaves gaping holes in any kind of realistic plot.

When tech billionaire Slater King (Channing Tatum) meets catering waitress Frida (Naomi Ackie) at his fundraising gala, sparks fly. He invites her to join him and his friends for a fantasy vacation on his private island.

No worries on not having underwear or toothbrushes, all is provided at this extravagant luxe resort – the women will all be wearing the same white sarongs and swimsuits. And same perfume. Hmmm…

What “King” does or how he made his billions is vague, as are his reasons for stepping away from the business (eluding to a #MeToo incident but no specifics). The film is always light on specifics.

The sketchy, skimpy plot involves some scientific know-how, so is that one of his skills? Don’t ask too many questions, because we’re just supposed to watch, not understand – or be drawn in by any sort of character revelation.

Debut director Zoe Kravitz, who wrote the screenplay with E. T. Feigenbaum, has opted for a trouble-in-paradise story that quickly wears out its welcome. In trying to emulate “Get Out” and “Promising Young Woman,” this mystery-thriller reminds us how very special Jordan Peele and Emerald Fennell’s Oscar-winning original screenplays were (key word ‘original’).

Lacking that game-changing acuity, Kravitz has created a tropical paradise setting a la “White Lotus” – or “The Menu,” with nods to the “Knives Out” franchise. However, it does look beautiful and enticing, and the director, a savvy actress, favors close-ups amply provided by cinematographer Adam Newport-Berry.

It’s 24/7 party people, an endless parade of fun in the sun, where champagne flows non-stop and wild nights involve drug-taking (“with intention”!?!). Until it’s not – like a bad hangover that keeps pounding away. There are nasty-looking snakes slithering around the island – a metaphor, perhaps?

When the reality check takes place – and no spoilers here – the conclusion feels unearned. Head-scratching plot twists abound.

Naomi Ackie, who was terrific as Whitney Houston in the 2022 biopic  “I Wanna Dance with Somebody,” is the sweet but transparently ambitious waitress with stars-in-her-eyes, tantalized by the reckless abandonment she’s a part of, along with best friend Alia Shawkat as Jess (a fine turn).

She befriends the snobby and cynical reality TV star Sarah – feistily played by Adria Arjona – and they become an army in the darkness. (I will say that’s believable, for sisterhoods happen in the strangest places.)

Geena Davis is Slater’s scatterbrained sister Stacy who is always carrying an armful of red giftbags and mumbling things. Hmmm…Her ditzy presence is odd and unexplained, as is Kyle MacLachlan as Slater’s therapist. He has an air of mystery – and deviousness – but that’s not explored either.

The male cast plays mostly characters who work for Slater. There’s the tech whiz kid Lucas, portrayed by Levon Hawke (son of Ethan Hawke and Uma Thurman, brother to actress Maya); Simon Rex embodies chef Cody who takes great delight in preparing Michelin-starred restaurant cuisine for the guests; Haley Joel Osment is a nondescript Tom, a pleasant-enough go-along; and Christian Slater is Vic, not really sure of his status but he seems like a right-hand man.

Things don’t add up, tables turn, things fall apart. End of story. Or is it? So much is crammed into the final third act that it’s dizzying – and ludicrous — in its so-called resolutions, but they don’t wrap up plot points raised or add any more reasoning to characters that are hard to accept, let alone connect to in any way. Hedonism is not enough of a reason to watch.

Cue the “Twilight Zone” theme song. Again, reminding us of much better movies and social satires aimed at the ruling class and their conspicuous entitlement, not to mention casual disregard to treat people as human beings.

“Blink Twice” is all surface glamour turned grisly, a stunning picture-postcard of a film that is ultimately unsatisfying if you are looking for more than girls gone wild, and kicks gone wrong.

“Blink Twice” is a 2024 horror-mystery-thriller directed by Zoe Kravitz and starring Channing Tatum, Naomi Ackie, Alia Shawkat, Christian Slater, Haley Joel Osment, Simon Rex, Geena Davis, Adria Arjoni, and Levon Hawke. It is 1 hour, 42 minutes and rated R for strong violent content, sexual assault, drug use and language throughout. It opens in theaters Aug. 23. Lynn’s Grade: D+.

By Lynn Venhaus
Nearly 10 years after Pixar Animation Studios raised the bar again with a mind-bending and rib-tickling “Inside Out,” which became an instant classic, a clever sequel thrusts our now 13-year-old heroine Riley into red-alert puberty.

While not as innovative as the original, “Inside Out 2” offers a relatable take on very raw and very real adolescent emotions. An all-star cast, including some returning voices, delivers the same tempo and tone that made the first so endearing.

Both films emphasize that life’s ups and downs are teachable moments, and that’s an admirable focus as the filmmakers try to be faithful to the projects’ goals.

Perhaps no year in our lives is as anxious and awkward as being 13 is. Oh, those raging hormones and their unpredictable effect. I mean, who would ever want to repeat it? We remember, and this universal theme is a rich one.

The sequel connects as an amusing look back for parents and perhaps either as a cautionary tale for what’s ahead with their pre-teen offspring or a reminder of what their grown children were like back then.

Because Riley is dealing with those quicksilver ever-changing emotions, Anxiety, Embarrassment, Envy and Ennui are an imaginative addition. The boredom expressed by Ennui is the funniest running gag.

That fuels a turbo-charged narrative mixing with the already prominent voices in her head — the color-coded network of Joy, Fear, Anger, Sadness and Disgust. That results in a hyper-kinetic energy that feels very busy.

Although the animated comedy-drama-fantasy’s zippy excursion into a teen trying to navigate fitting in while also wanting to stand out does humorously hit all the identifiable pitfalls.

An avid hockey player, Riley (Kensington Tallman) hopes to make the team in high school and enthusiastically attends an exclusive-invite summer camp under the discerning eye of Coach Roberts (Yvette Nicole Brown).

Her dedication and work ethic are admirable, but she struggles to keep her old classmates Grace and Bree (Grace Lu and Sumayyah Nuriddin-Green) close while trying to be pals with the star player Val Ortiz (Lillimar), part of the cool kids’ squad.

It appears that she has a lot to learn, as do the emotions guiding her thoughts and movements. With the original five trying to hold on to control in a command center undergoing changes, the mind games escalate.

Amy Poehler’s perky Joy is in a mad rush to obtain order while Maya Hawke’s jittery fast-talking Anxiety fights to take over. She has brought along three inspired characters — Envy (Ayo Edibiri), Embarrassment (Paul Walter Hauser) and Ennui (Adele Exarchopoulos) to ramp up the pressure. And they are hilarious.

This fab five includes memorable turns from two regulars — Lewis Black as tightly wound Anger and Phyllis Smith as mopey Sadness. Also returning are Riley’s well-meaning parents, voiced by Kyle MacLachlan and Diane Lane.

Without skipping a beat, Tony Hale replaced Bill Hader as the fidgety Fear and Liza Lapira took over from Mindy Kaling as sassy Disgust. Another notable addition is June Squibb as Nostalgia.

The first one benefitted from co-writer and co-director Pete Docter using his personal experience of moving his family from Minnesota to San Francisco. The issues that came with a new home and new school resonated.

A master visual storyteller, Docter is only executive producer on this. However, co-screenwriter Meg LeFauve, who was part of the 2016 Oscar-nominated writing team, has returned. Dave Holstein is a new writer, and Kelsey Mann is the first-time director.

Mann’s previous three Disney films – “The Good Dinosaur,” “Lightyear” and “Onward” were among my most disappointing efforts of the past 10 years. I didn’t think the concepts worked. However, the points about children inevitably growing up comes together here with its can’t-miss interesting characters..

This sequel concentrates on an uncharted period of development in Riley’s maturation, while maintaining a clear focus on her life’s bigger picture – her belief system and that she is a good person. Her strongest attributes are kindness, compassion and level-headedness..

Midway, this journey gets bogged down with an overly complex hunt — yet the introduction of sarcasm is ingenious. as are characters in a vault. Stealing the show is Ron Funches as “Bloofy,” a popular children’s TV cartoon character, and his accessory, Pouchy, voiced by James Austin Johnson of “Saturday Night Live” fame.

NEW EMOTIONS — Disney and Pixar’s “Inside Out 2” returns to the mind of newly minted teenager Riley just as new Emotions show up. Envy (voice of Ayo Edebiri) and Ennui (voice of Adèle Exarchopoulos) are ready to take a turn at the console. © 2024 Disney/Pixar.

Besides an impressive use of state-of-the-art technology for a visually stunning bright palette, the best feature is the cast’s sharp comedic skills, which are showcased as they nimbly deliver quick-witted dialogue.

Although heartfelt, the sequel isn’t the misty-eyed tug on emotions that the original was. Still, its sincerity goes a long way in making this film work.

“Inside Out 2” is a 2024 animated family comedy-drama-fantasy directed by Kelsey Mann and stars Amy Poehler, Maya Hawke, Lewis Black, Tony Hale, Phyllis Smith, Ayo Edebiri, Grace Lu, June Squibb, Sumayyah Nuriddin-Green, Yvette Nicole Brown, Kyle MacLachlan, Diane Lane and Kensington Tallman. It is rated PG for thematic elements and run time is 1 hour, 36 minutes. It opened in theaters June 14. Lynn’s Grade: B.