AFL’s 2021 Theatre Mask Awards, honoring excellence in community theatre
productions of plays during 2020, will be pre-recorded and premiere as a virtual
ceremony at 10 a.m. on Saturday, April 3, on AFL’s YouTube Channel.
Act Two Theatre’s production of the farce “Who’s in Bed with the Butler?” leads this
year’s Theatre Mask Awards nominations with nine. Alton Little Theater, with its two
productions of “Inherit the Wind” and “The Miracle Worker,” earned 12 nominations in
total – six for each.

Two classic comedies by Clayton Community Theatre, “The Philadelphia Story,” and
Monroe Actors Stage Company, “The Solid Gold Cadillac,” both received eight
nominations apiece.

Arts For Life announced the TMA nominations on March 12, during the nonprofit
organization’s first-ever virtual trivia night.

Awards in nine non-musical play categories will be announced. The format has been
scaled back to reflect the number of eligible plays.

Normally, 11 community theater companies participate in the TMAs, with awards in 18
categories, but last year’s shutdown forced show cancellations.

“The TMAs were able to do eight shows last year and so the show must go on. Several
categories were combined to allow for more nominees,” said AFL President Mary
McCreight.

Tim Naegelin, co-chair of the TMA Steering Committee, explained the reasoning behind
2021’s awards ceremony.

“2020 was a difficult year. Most theatre was cancelled after March, but the TMA
Steering Committee and the AFL Board of Directors believed the Theatre Recognition
Guild had reviewed enough shows to make a successful TMA event. With only eight
shows eligible, some categories have been combined so that we do not lose the
integrity of our awards and nominations. To that end, there will not be a division of
drama and comedy categories for this year,” Naegelin said.

During 2020, beginning in mid-March, a shutdown because of the global COVID-19
pandemic happened. Because of the public health emergency in Illinois and Missouri.
performance venues were closed, gatherings limited to a percentage of capacity and
safety protocols in place, including social distancing and face coverings to lessen
community spread.

Because of the coronavirus crisis, AFL adopted measures to foster the protection of
those who work and play in metropolitan St. Louis-southwest Illinois community theater.
“We will continue our charitable mission of service and recognition once it is safe to do
so,” McCreight said.

TMA Eligible Shows
For this year’s TMA awards, Act Two Theater in St. Peters garnered nine nominations –
for production, actress, supporting actor and actress, director, costume design and
lighting design, and as the only nominee for Best Ensemble, has won that award
already.

They staged the 2004 farce by Michael Parker in February 2020. It is about a California
billionaire who has bequeathed all of his assets to his only daughter, Constance –
except the $22 million yacht he wanted Josephine to have, a $25 million art collection
left to Renee, and some priceless antique automobiles willed to Marjorie. She arrives at
her father’s mansion with her lawyer to find out who these women are and discovers the
butler seems to hold the key.

Act Two, with 43 nominations since 2016, swept the 2017 TMAs, with “Drop Dead”
winning Best Comedy and “The Boys Next Door” winning Best Drama.

Over the years, Clayton Community Theatre has received 113 nominations, sweeping
last year’s TMAs with “A Soldier’s Play” and “Biloxi Blues” as winners in drama and
comedy.

They staged “The Philadelphia Story” in March 2020, the classic romantic comedy by
Philip Barry about privileged Tracy Lord, who is divorced from CK Dexter Haven, and
engaged to a successful young snob. A society paper sends a reporter to cover the
wedding arrangements, and she finds herself interested. Romantic entanglements
ensue. It has eight nominations – for production, director, actress, supporting actress
(2), lighting, costume and set designs.

“The Solid Gold Cadillac,” the 1954 play by George S. Kaufman and Howard
Teichmann, has a little old lady beat wicked corporate shareholders at their own game.
MASC staged it in February 2020 and has received eight nominations – for director,
actor, actress, supporting actor and actress, costume, set and lighting designs.

The Alton Little Theater has a total of 12 nominations, with six for “Inherit the Wind” –
production, director, actor, supporting actor and set design, which they staged last
January and February, and six for “The Miracle Worker” – production, director, actress
(2), costumes and set design, which they produced last October. Kevin Frakes is a
three-time nominee for both his set designs and directing “The Miracle Worker.”
“Inherit the Wind” is the fictional account of the 1925 Scopes Monkey Trial by Jerome
Lawrence and Robert E. Lee. “The Miracle Worker” by William Gibson tells the story of

Helen Keller, blind and deaf after childhood fever, and her governess and teacher,
Annie Sullivan.

Looking Glass Playhouse received four nominations – for production, actor, supporting
actor and set design for “It’s Only a Play,” a comedy by Terence McNally about an
opening night after-party where a producer, playwright, director, actors and their friends
eagerly wait for the reviews. They presented it in March 2020.

Since 2015, Monroe Actors Stage Company in Waterloo, Ill., has received 83
nominations over the years, Alton Little Theatre over 80 nominations, and Looking
Glass Players in Lebanon, Ill., 43 nominations.

The 2020 TMA nominations include:

BEST PRODUCTION
“Inherit the Wind,” Alton Little Theater
“It’s Only a Play,” Looking Glass Theatre
“The Miracle Worker,” Alton Little Theater
“The Philadelphia Story,” Clayton Community Theatre
“Who’s in Bed with the Butler?” Act Two Theatre

BEST DIRECTOR
Lee Cox, “Inherit the Wind,” Alton Little Theater
Kevin Frakes, “The Miracle Worker,” Alton Little Theater
Paul James, “Who’s in Bed with the Butler?” Act Two Theatre
Heather Sartin, “The Philadelphia Story,” Clayton Community Theatre
Rebecca Zimmermann, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ACTOR
Howard S Bell, “Inherit the Wind,” Alton Little Theater
Shea Maples, “Inherit the Wind,” Alton Little Theater
Steve Shininger, “It’s Only a Play,” Looking Glass Playhouse
David Zimmerman, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ACTRESS
Kelsey McCroskey, “The Philadelphia Story,” Clayton Community Theater
Marisa Puller, “Who’s in Bed with the Butler?” Act Two Theatre
Emily Schneider, “The Miracle Worker,” Alton Little Theater
Maria Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Kya Wonders, “The Miracle Worker,” Alton Little Theater

BEST SUPPORTING ACTOR
Matt Dossett, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Brad Kinzel, “It’s Only a Play,” Looking Glass Playhouse
Brant McCance, “Inherit the Wind,” Alton Little Theater
Todd Micali, “Who’s in Bed with the Butler?” Act Two Theater

BEST SUPPORTING ACTRESS
Linda Daly, “Who’s in Bed with the Butler?” Act Two Theatre
Jenifer Elias, “The Solid Gold Cadillac,” Monroe Actors Stage Company
Monica Lee, “The Philadelphia Story,” Clayton Community Theater
Trish Nelke, “Who’s in Bed with the Butler?”, Act Two Theatre
Caitlin Souers, “The Philadelphia Story,” Clayton Community Theater

BEST COSTUME DESIGN
Lee Cox, “Inherit the Wind,” Alton Little Theatre
Jean Heckmann, “Who’s in Bed with the Butler?” Act Two Theatre
Julie Smailys, “The Philadelphia Story,” Clayton Community Theatre
Rebecca Zimmerman, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST LIGHTING DESIGN
Nathan Schroeder, “The Philadelphia Story,” Clayton Community Theatre
Todd Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST SET DESIGN
Andrew Cary, Zac Cary and Heather Sartin, “The Philadelphia Story, Clayton
Community Theatre
Kevin Frakes, “The Miracle Worker,” Alton Little Theater
Kevin Frakes, “Inherit the Wind,” Alton Little Theater
Chris Resimius, “Who’s in Bed with the Butler?” Act Two Theatre
Brad Sanker, “It’s Only a Play,” Looking Glass Playhouse
Todd Wilken, “The Solid Gold Cadillac,” Monroe Actors Stage Company

BEST ENSEMBLE
Act Two Theatre, “Who’s in Bed with the Butler?”

AFL Adjusts Events in 2020-2021/Mission Remains the Same

Last year, AFL transitioned to streamed formats for both their TMA and Best
Performance Awards (musical theater and youth productions) shows honoring
productions in 2019.

The BPAs have been cancelled in 2021, and the few musicals that were performed in
early 2020 will be considered for the 2022 awards. In April 2020, the AFL president
suspended all public activities of the AFL organization, and then the board extended
suspension of the Theatre Recognition Guild judging activities, for the BPA branch
(musicals), through July 1, 2021.

“Arts for Life is plugging along with theater-starved actors for a new day! On Friday,
AFL proceeded to produce our first ever Virtual Trivia Night to announce the Theatre

Mask Awards (TMAs) nominations. It was well-attended and a lot of fun,” McCreight
said.

“With the Best Performance Awards cancelled this year due to not being able to have
shows in 2020, heads were down. But old habits don't die. The Trivia Night’s audio and
visual musical categories brought us back to life,” she said.

“All is well with AFL. We will survive and look forward to meeting again in July. Where
there’s a will, there’s a way, and I thank all theater groups who are working to create a
safe and pleasing future,” McCreight said.

McCreight emphasized that the AFL board will continue to base their decisions upon the
best information currently available and will continue to share information promptly and
transparently.

Naegelin is hopeful that more productions will be able to be mounted in 2021.

“I love the work that AFL/TMA does in supporting and promoting community theatre.
From helping provide a sense of community, to providing scholarships, and mentoring
at risk students in local theatre programs, AFL/TMA provides a full range of support to
the St. Louis metro area. I'm excited that we can continue that, even in our limited way,
in 2021, he said.

Co-chair Melissa Boyer was optimistic as well.

“I can’t wait to see what the future holds for the TMAs. I’m excited to co-chair this
committee and look forward to finding ways to grow the TMAs and find opportunities for
people to be involved with this wonderful, dedicated group. We are all looking forward to
theatres being able to safely open again and welcoming new members to the TMA
Theatre Recognition Guild,” Boyer said.

AFL was founded in 1994 by Lucinda Guyrci as a local non-profit organization dedicated
to the healing power of the arts through its work with youth, the under-served and the
community. The BPAs have honored musical theater since 1999 and the TMAs have
honored plays since 2015.

“We hope that you and your loved ones have stayed safe during this difficult time,”
McCreight said. “Because of your commitment to our community and belief in our
mission, my optimism is not diminished about AFL being able to move forward once this
unprecedented time passes.”

Besides co-chairs Boyer and Naegelin, the TMA Steering Committee officers are Laurie
Blanner, recorder; Linda Daly, marketing facilitator; and Keaton Treece, Theatre
Recognition Guild director.

To see a complete list of the nominees and awards history, visit the website:
www.artsforlife.org

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org
 The YouTube Channel link:https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

The awards be available afterwards for later viewing. Please subscribe to the Arts For Life
STL channel so you can get a reminder of the event.
Be sure to subscribe/like to our social media:
https://www.facebook.com/artsforlifestlouishttps://twitter.com/arts_for_life

By Lynn Venhaus

Clayton Community Theatre was the big winner at this year’s Arts For Life’s fifth annual Theatre Mask Awards, taking the top prizes for both Outstanding Production of a Comedy  – “Biloxi Blues” – and Outstanding Production of a Drama – “A Soldier’s Play.” Combined, the two plays won eight awards.

The 2020 Theatre Mask Awards, honoring excellence in community theatre productions of dramas and comedies during 2019, included winners in 18 non-musical play categories. Nine community theater companies throughout the St. Louis Metropolitan region, including three counties in the metro-east, participate in the TMAs.

This year’s event was a pre-recorded virtual presentation online on Saturday, July 18, instead of the usual brunch because of the coronavirus pandemic. Originally scheduled for April 4, the TMAs were moved to mid-July, then ultimately cancelled because of the public health emergency and the gathering restrictions in St. Louis County.

Melissa Boyer and Tim Naegelin, members of the TMA Steering Committee and the Arts For Life board of directors, were the co-hosts. Brant McCance was the tech and video coordinator.

“We were able to still provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” said AFL President Mary McCreight.

Clayton Community Theatre, formed in 1998, also was honored for Outstanding Large Ensemble for “Biloxi Blues,” and Director Sam Hack. It was back-to-back wins for their Eugene Trilogy by Neil Simon. In 2018, they won comedy production and direction for “Brighton Beach Memoirs.” The second play in Simon’s semi-autobiographical series won five awards overall.

Two “Biloxi Blues” actors were recognized – Michael Bouchard for Lead Actor and Sam Guillemette for Supporting Actor in a Comedy.

“A Soldier’s Play” won three, including Nada Vaughn for Director of a Drama and Nathan Schroeder for Lighting Design of a Play. Schroeder was a previous winner for “Macbeth” in 2015.

Clayton Community Theatre had notched 24 nominations — “Biloxi Blues” (13), “A Soldier’s Play” (10) and “Eurydice” (1). CCT also broke a record for having the most acting nominations from a single show – 8 for “Biloxi Blues.”

Other multiple award winners included Act Two Theatre, two for “Plaza Suite” – Amanda McMichael for Lead Actress in a Comedy and Jean Heckmann for Costume Design of a Play; Monroe Actors Stage Company for “It’s a Wonderful Life” – Sarah Polizzi for Supporting Actress and Randy Manning for Supporting Actor in a Drama; and Theatre Guild of Webster Groves won two – Matthew Linhardt for Lead Actor in Drama as McMurphy in “One Flew Over the Cuckoo’s Nest” and Anna Drake as Outstanding Juvenile Performer for ‘The Bad Seed.”

O’Fallon TheatreWorks won two for “The Miracle Worker” – Kaylee Ryan for Lead Actress in a Drama as Helen Keller and Chris and Ellie Lanham for Outstanding Set Design of a Play, which they have won two previous times – in 2016 for “The Diary of Anne Frank” and in 2018 for “One Flew Over the Cuckoo’s Nest.”

Awards went to Alton Little Theater for Outstanding Small Ensemble in a Play – “A Twisted Christmas Carol” and Looking Glass Playhouse for Supporting Actress in a Comedy – Pam Boker in “Peter and the Starcatcher.”

The Theatre Guild of Webster Groves had led all area community theaters with 27 nominations.

Special Achievement Awards went to Alton Little Theater for “Vintage Voices” and Hawthorne Players for “Voices of Valhalla: Hayrides through History,” both unique applications of theater that take place in the fall around Halloween. Each theater troupe presents stories of the people buried in local cemeteries.

The 40-minute awards video is available on the AFL You Tube channel: https://youtu.be/5Peni8T5UA8

AFL had previously announced the switch to virtual for the Best Performance Awards, which honors musical theater and youth productions. That ceremony was streamed Sunday, June 14, at 2 p.m. on the AFL YouTube channel.

TMA winners have an opportunity to send an acceptance speech to AFL, and it will be posted on social media.

For the groups who have not picked up their trophies, please contact Mary McCreight at marymccreight18@gmail.com

To see a complete list of the nominees and winners for both TMAs and BPAs, visit the website: www.artsforlife.org

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” McCreight added.

McCreight said AFL appreciates the support shown during these difficult times.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

AFL was founded in 1994 by Lucinda Gyurci as a local non-profit organization dedicated to the healing power of the arts through its work with youth, the under-served and the community. The BPAs have honored musical theater since 1999 and the TMAs have honored plays since 2015.

“We hope that you and your loved ones stay safe during this difficult time,” McCreight said. “Because of your commitment to our community and belief in our mission, my optimism is not diminished about AFL being able to move forward once this unprecedented time passes.” 

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

Be sure to subscribe/like to our social media: https://www.facebook.com/artsforlifestlouis, https://twitter.com/arts_for_life and YouTube channel: https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

By Lynn Venhaus
Christ Memorial Productions’ presentation of the Rodgers and Hammerstein classic “Oklahoma!” won eight Best Performance Awards for choreography, music direction, lighting, costumes, acting and Best Featured Dancer while Kirkwood Theatre Guild’s production of the George and Ira Gershwin 1920s musical-screwball comedy “Nice Work If You Can Get It” won seven, including Best Large Ensemble Musical Production, Best Director and five acting awards, from Arts For Life Sunday.

It was KTG’s sixth win for musical production since 2000. Both shows had been nominated for 17 awards apiece. “A New Brain,” which was a local community theater premiere for Hawthorne Players, won Best Small Ensemble Production.

Arts For Life is a nonprofit organization that encompasses 140 communities and 8,460 square miles in St. Louis city, county and St. Charles County in Missouri and Madison, Monroe and St. Clair counties in Illinois.

Founded in 1994 by Lucinda Gyurci as a group dedicated to the healing power of the arts, AFL has honored community theater musicals for performances and achievements since 1999 (BPAs), plays since 2015 (Theatre Mask Awards) and expanded awards in youth musical theater in 2013.

Best Small Ensemble Musical “A New Brain”

But this is the first time AFL did not host a live gala. Because of the COVID-19 global pandemic, the ceremony was re-imagined as a pre-recorded virtual celebration. The 21st annual BPAs took place June 14, which was the original date, but transitioned to a streaming format broadcast on Facebook and YouTube.

AFL President Mary McCreight said the coronavirus safety measures in place and restrictions on gatherings in St. Louis County were factors in the decision to cancel the live show but still have some sort of event.

“We wanted to provide an opportunity for our local arts community to come together online and celebrate the many outstanding achievements of the previous year,” McCreight said.

Performances from nominees for large ensemble musicals, two small ensemble musicals and five youth productions premiered on AFL’s YouTube channel for 10 days leading up to the awards, and are now available there, https://www.youtube.com/channel/UCnCSL5RPbHTrhbc0mbHcWnA

There were 15 community theaters and 10 youth-only groups who participated last year. More than 60 judges in the Theatre Recognition Guild scored 46 shows — 19 large ensembles, 3 small and 24 youth, featuring 939 roles. For 2019, there were 154 individual nominations from 22 groups, with 36 percent first-time nominees and 65 percent first-time winners.

Goshen Theatre Project, which led all groups with 18 nominations, won five youth awards overall for “Les Miserables School Edition,” including Best Youth Musical Production, Supporting Actress Natalie Cochran as Eponine, costume design (Terry Pattison), lighting design (Halli Pattison and Blake Churchill) and Bennett English as Best Youth Musical Performance as Jean Valjean.

Other multiple winners in the youth categories were Riverbend Theatre, which won three for “The Drowsy Chaperone” — director (Kristi Doering), music direction (Michael Frazier/Alison Neace) and lead actor (Jayson Heil as the Man in Chair), and Young People’s Theatre, which won two for “Newsies” – best supporting actor (Will Dery as Les) and set design (Brisby Andrews and Gary Rackers).

Norbert Leo Butz

Thirty-three awards honoring excellence during 2019 were announced by past winners and members of the AFL board of directors, with two special guest presenters — Norbert Leo Butz, two-time Tony Award winner who grew up in St. Louis, and Hana S. Sharif, the Augustin Family Artistic Director of The Repertory Theatre of St. Louis.

Butz, who also announced the youth musical production winner, told the audience to believe in themselves, even when it’s hard, and follow their dreams, noting he had supportive parents and “great” teachers.

“Believe in yourself and keep on being grateful. Stick to it,” he said from his home in New Jersey. “(Performing arts) feeds our soul, our minds, our hearts.”

AFL donated to Butz’s charity, The Angel Band Project, which uses music therapy to help victims of sexual abuse and domestic violence and advocates for rights of survivors. For more information, visit www.angelbandproject.org

Jennifer Kerner

Four special honors were given out to Jennifer Kerner for her inclusion efforts, Bennett English for Best Youth Musical Performance as Jean Valjean in Goshen Theatre Project’s “Les Miserables: School Edition,” Kayla Dressman for Best Featured Dancer as Dream Laurie in  CMP’s “Oklahoma!” and Diane Hanisch, the BPA musical director/conductor for the past 20 years, who won a national Spotlight Award from the American Association of Community Theatres, presented by Quiana Clark-Roland. A Lifetime Achievement Award was not designated this year.

Kerner’s recognition was for her advocacy on inclusion and helping to make the live theater experience accessible to all individuals. Kerner, a local singer and actress, works to help place people with developmental disabilities in jobs. She has guided local theater companies in providing sensory-friendly performances and has worked to create comfortable environments for those on the autism spectrum and those with sensory processing disorders.

McCreight was thrilled about Hanisch’s national award.

Diane Hanisch

“This award is designed to help pay tribute to an individual for long or special service. It recognizes outstanding dedication, service and contribution to your organization. It is for someone who has made a significant impact on the quality of your organization. Diane has done just that with per professionalism and charm. She is a gem! Not only can she calm the nerves of a 12-year-old singing a solo, but others who are singing in front of 700 people for the first time. She arranges and writes the music, gathers her professional band, and conducts the show with aplomb. Diane cares as much about our legacy as anyone involved on the Arts for Life Board. No one is more deserving,” she said.

The annual Youth Scholarships, which are awarded to two students pursuing a degree in the arts, were announced, with Alaina Bozarth, a graduate of Metro East Lutheran High School, and Josiah Haan, a graduate of Fort Zumwalt High School, each given $500. Bozarth plans to major in musical theatre at Belmont University in Louisville, Ky., and Haan plans to major in technical theatre and design at Lindenwood University in St. Charles, Mo.

Other ensemble nominees include “Hello, Dolly!” from Wentzville Christian Church, “Oklahoma!” from Monroe Actors Stage Company and “The Bridges of Madison County” from Alpha Players of Florissant for Best Large Ensemble and “The 25th Annual Putnam County Spelling Bee” from O’Fallon TheatreWorks for Best Small Ensemble.

For Best Youth Production, in addition to “Les Miserables,” nominees include “The Drowsy Chaperone” from Riverbend Theatre, “Matilda” from Gateway Center for the Performing Arts, “Newsies” from Young People’s Theatre and “Spring Awakening” from Gateway Center for the Performing Arts.

CMP’s Oklahoma!

For the record books, Kimberly Klick won her sixth BPA for choreography for CMP’s “Oklahoma!”. She had previously won for CMP’s “Mary Poppins” and “The King and I,” plus “Dirty Rotten Scoundrels,” “Big the Musical” and “Fiddler on the Roof” for other companies. It was her 10th overall, including wins for Best Featured Dancer in “Brigadoon” in 2000, Lead Actress for Millie in “Thoroughly Modern Millie” 2006 and Jo in “Little Women” in 2008, and Cameo Actress in “Titanic” 2003.

It was three in a row for Jonathan Hartley, who won for lighting design of “Oklahoma!” and had won last year for “Joseph and the Amazing Technicolor Dreamcoat” at DaySpring Center for the Arts; he won for set design for DSA’s “Little Shop of Horrors” in 2017. Stephanie Fox won her third in four years for choreography in Gateway Center for the Performing Arts shows – “Spring Awakening” 2019, “Carrie the Musical” 2017 and “Thoroughly Modern Millie” 2016. Terry Pattison also won her third for costume design since 2017: “Peter Pan,” “The Lion King Jr.” and “Les Miz,” all for Goshen Theatre Project, and won set design for “Chitty Chitty Bang Bang” in 2018.

Joe Paule Sr. won his third for musical direction, for CMP’s “Oklahoma!”, following CMP’s “The King and I” in 2014 and Hawthorne Players’ “The Producers” in 2010. He received the Lifetime Achievement Award last year. It was the second award for Michael Frazier and Alison Neace for musical direction, this year for Riverbend Theatre’s “The Drowsy Chaperone” and for Alton Little Theatre’s “The Spitfire Grill” in 2011.

Other multiple winners included two for Alpha Players of Florissant’s “The Bridges of Madison County” for Lead Actor (Cole Guttmann) and Cameo Actress (Chelsie Johnston) and Take a Bow Showcase for “Annie” – juvenile performer (Leontine Rickert) and duo/group (Matthew Joost and Carole Ann Miller).

Winners Will Shaw and Kimmie Kidd-Booker in “Nice Work If You Can Get It”

In the acting categories, Mike Huelsmann’s award for Best Featured Actor as Jud Fry was his third, after Lead Actor as Javert in Take Two Productions’ “Les Miz” (2013) and as part of Best Duo/Group in Looking Glass Playhouse’s “Young Frankenstein” 2015. Kimmie Kidd-Booker’s award for Best Featured Actress as Estonia Dulworth in “Nice Work If You Can Get It” was her second win, after Best Featured Actress in “The Wiz” in 2014. George Doerr IV won his second, as Igor in Alfresco’s “Young Frankenstein,” after winning Best Actor in 2017 for Alfresco’s “The Rocky Horror Show.”

The virtual program included the following production team: directors Mary McCreight and David Wicks Jr., video supervisor Kim Klick, visual designers Colin Dowd and Bethany Hamilton, voice-over announcer Ken Clark and host Karen Fulks.

A list of winners is included here, below.

AFL’s Theatre Mask Awards was originally set for April 4, then moved to July 18, but now will also be a virtual celebration. The 2020 TMAs will honor excellence in community theater productions of dramas and comedies during 2019 in a live interactive viewing event at 11 a.m. Saturday, July 18, on the AFL Facebook page and YouTube Channel. The awards show will be recorded beforehand and the content will remain on social media.

On March 16, McCreight suspended all public activities of the AFL organization because of the public health crisis. The extension has been extended until further notice. Both TRG and TMA branch judges and participating groups will receive announcements on future developments. As the region re-opens, social distancing and wearing face coverings continues. At this time, all AFL performance venues remain closed.

“I am incredibly grateful to all of our constituencies – the board, judges, participating groups, audience members and donors – for their commitment to AFL and their engagement and unwavering support of our local theatre community during these uncertain times,” McCreight said.

Any company that won can have a representative pick up their trophies on July 19 from 1 to 3 p.m. in the parking lot of Clayton Community Theatre, which is located at the Washington University South Campus Theatre, 6501 Clayton Road, St. Louis, MO 63117.

Riverbend Theatre’s The Drowsy Chaperone

A souvenir program is available to download online: https://drive.google.com/file/d/1YlomcYjVNqDNqmPTCrYGSjnAtDwkn9QT/view

A limited number of copies will be available for purchase as well.

For more information, contact AFL TRG Secretary Kim Klick at afltrg@artsforlife.org

To see a list of the 2019 nominees and winners, as well as the awards history 1999-2019, visit the website: www.artsforlife.org

Follow AFL on Facebook, Twitter and Instagram.

2020 Best Performance Award Winners:

Best Musical Production Large Ensemble: “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Musical Production Small Ensemble: “A New Brain,” Hawthorne Players

Best Youth Musical Production: “Les Miserables: School Edition,” Goshen Theatre Project

Best Director: Dani Mann, “Nice Work If You Can Get It,” Kirkwood Theatre Project

Best Musical Direction: Kathy Eichelberger and Joseph Paule Jr., “Oklahoma!” Christ Memorial Productions

Best Choreography: Kimberly Klick, “Oklahoma!” Christ Memorial Productions

Best Lead Actor: Cole Guttmann, “The Bridges of Madison County, “Alpha Players of Florissant

Best Lead Actress: Jaclyn Amber, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Featured Actor: Mike Huelsmann, “Oklahoma!” Christ Memorial Productions

Best Featured Actress: Kimmie Kidd-Booker, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Supporting Actor: Caleb Long, “Oklahoma!” Christ Memorial Productions

Best Supporting Actress: Dianne M. Mueller, “Oklahoma!” Christ Memorial Productions

Best Actor in a Comedic Role: George Doerr IV, “Young Frankenstein,” Alfresco Productions

Best Actress in a Comedic Role: Margery Handy, “The Wizard of Oz,” Alton Little Theater

Best Cameo Actor: Jacob Streuter, “Jesus Christ Superstar,” Looking Glass Playhouse

Best Cameo Actress: Chelsie Johnston, “The Bridges of Madison County,” Alpha Players of Florissant

Best Actor in a Non-Singing Role: Will Shaw, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Actress in a Non-Singing Role: Maria Wilken, “Nice Work If You Can Get It,” Kirkwood Theatre Guild

Best Duo/Group: Matthew Joost and Carole Ann Miller, “Annie,” Take A Bow Showcase

Best Set Design: Matt Dossett, “The Little Shop of Horrors,” Monroe Actors Stage Company

Best Lighting Design: Jonathan Hartley, “Oklahoma!” Christ Memorial Productions

Best Costume Design: Krysta Wenski, “Oklahoma!” Christ Memorial Productions

Best Juvenile Performer: Leontine Rickert, “Annie,” Take a Bow Showcase

Best Youth Director: Kristi Doering, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Music Direction: Michael Frazier and Alison Neace, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Choreography: Stephanie Fox, “Spring Awakening,” Gateway Center for the Performing Arts

Best Youth Lead Actor: Jayson Heil, “The Drowsy Chaperone,” Riverbend Theatre

Best Youth Lead Actress: Alli McDonald, “Once Upon a Mattress,” St. John’s UCC Performing Arts Camp

Best Youth Supporting Actor: Will Dery, “Newsies,” Young People’s Theatre

Best Youth Supporting Actress: Natalie Cochran, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Costume Design: Terry Pattison, “Les Miserables School Edition,” Goshen Theatre Project

Best Youth Set Design: Brisby Andrews and Greg Rackers, “Newsies,” Young People’s Theatre

Best Youth Lighting Design: Halli Pattison and Blake Churchill, “Les Miserables School Edition,” Goshen Theatre Project



By Lynn Venhaus

As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.

Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.

Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.

PROFESSIONAL VENUES

Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. These closures will remain in place until at least May 11.

This includes the Kranzberg Arts Center, The Marcelle Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room, Sophie’s Artist Lounge and the High-Low building.

Fox Theatre
Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.

On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.

“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.

Ticket holders should keep their tickets until new dates are announced. More information will be available once new dates are secured.

The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.

The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.

“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.

Plans to reschedule other postponed shows are currently underway.  Ticket holders should hold on to their tickets – they will be honored on the new dates.

Decisions about other future shows will be made as we follow the evolving situation with the COVID-19 virus and the City of St. Louis’ determination of the length of this prohibition, public relations manager Megan Ketcherside said.

Operational hours are subject to change based on the COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix 314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m., closed on Saturday and Sunday.

Visit the website, www.fabulousfox.com/coronavirus

Family Arena

As of March 25, the Family Arena and The Family Arena Box Office is closed to the public until such time as the limit on public gatherings is lifted in St. Charles County.

Tickets are still available for purchase at Ticketmaster.com.

Manager Tom O’Keefe said if you purchased tickets at the box office for an upcoming rescheduled event that you would like a refund for, please hold on to your tickets until they re-open and they will refund your tickets at that time.

They have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center for guidance and check back regularly for additional information and status updates, www.familyarena.com.

Stifel Theatre

The Stifel Theatre and Enterprise Center Box Offices will not open until further notice. For guests who purchased tickets to an upcoming show through the box office that has been cancelled, please hold on to your tickets until we re-open and are able to assist with your questions.

These events at Stifel Theatre have been postponed. Ticket holders should hold on to their tickets, as all tickets will be honored on the rescheduled dates.

Here are rescheduled dates:

Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18 to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March 20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.

The following events have been cancelled and refunds will be available at original point of purchase:

“Sesame Street Live,” March 27-29; TD Jakes, April 10; The Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April 23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.

Decisions about other future shows will be made as they continue to monitor this rapidly evolving situation. Visit www.stifeltheatre.com

Chaifetz Arena

The arena is closed until further notice and in an abundance of caution, the venue will be thoroughly cleaned while closed.

They are currently working to reschedule all impacted events and will provide updates as quickly as possible. We ask all current ticket-holders to retain their tickets for these events until such time when a new date is determined as your current ticket will be valid for the new date. “Please be patient and hang tight as we work through this unprecedented time,” a spokesman said.

Additionally, they have partnered with Ticketmaster to address all fan questions regarding the cancellation and rescheduling of live events. Visit the Ticketmaster Help Center by clicking here for guidance and check back regularly for additional information and status updates as they become available.

Impacted Events: Festival Of Laughs from March 20 to Sept. 26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28 to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15; Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24 to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29 to TBD.

The Playhouse at Westport

All March/April events were cancelled, including “Flanagan’s Wake,” which had been extended to mid-April.

John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain scheduled.

Refunds are available at point of purchase.

REGIONAL PROFESSIONAL THEATER

Metro Theatre Company

They are partnering with Off the Page for this project “Art Apart, Together.” Share your creativity and learn more here: https://www.metroplays.org/art-apart-together

Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/

We feel really lucky to be partnering with Alliance TheatreCry Havoc Theater Company, and Metro Theater Company on this project.

EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!

New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.

The Muny

The Muny administrative offices and box office are closed through late April. Ticketing services for the 2020 season are available online at any time.Ticketing related questions can be sent to boxoffice@muny.org

“We are closely monitoring all developments regarding the COVID-19 outbreak and will continue to follow the guidance of health and government officials with the goal of keeping our staff and community as safe and healthy as possible,” the Muny statement reads on their website. 

“With the start of our 2020 season still months away, we remain optimistic that the season will proceed as planned and hope the restrictions on gatherings are lifted in early May, as scheduled. If that changes, we will adjust accordingly. Meanwhile, we continue communicating with health officials on all levels to stay fully informed and responsive to this unprecedented situation,” the statement reads.

Given the Stay at Home order for St. Louis City and County, and for the health and safety of our team, The Muny Offices are currently closed and some ticketing dates have changed. However, we’re still busy getting ready for the 2020 summer season, and we can’t wait to meet you at The Muny this summer!

Ticketing Update as of March 26 – These dates are subject to change. 

Muny Season Tickets will be mailed in early May

Season Ticket Exchanges: May 26 – 29

Single Ticket on Sale: June 1

To purchase new season tickets, or pay a current balance on existing season tickets, please visit:  muny.org/buy-tickets

To purchase season tickets with a gift card you currently have in-hand, please email The Muny Box Office at boxoffice@muny.org and a Muny Ticketing agent will contact you  to process your request. If you wish to purchase a gift card, it will not be mailed until the restrictions on gatherings have been lifted. 

Also, if you are looking for a way to stay entertained during these “quiet days,” we encourage you to enjoy a specially curated set of video clips from our previous productions on our social media channels. You can follow us on Facebook, Twitter and Instagram.

The Repertory Theatre of St. Louis

The Cake starring Rigel Harris, Denny Dillon and Dria Brown. Photo by Phillip Hamer.

The Repertory Theatre had to cancel the run of “The Cake,” which began in the Studio Theatre on March 14, but was forced to be shutdown March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from March 21, with the goal of mounting it this summer.

“The Cake”

An online stream of “The Cake” has been made available to all Studio Theatre patrons who previously purchased tickets at no additional cost.

There are a limited number of streaming tickets available for purchase for those who are interested in viewing the final performance of the Steve Woolf Studio Series this season. That is available through April 24.

Additionally, The Rep is collaborating with a national group of theatres to commission a series of short plays specifically developed to spark joy and connection among people who are sheltering in place. These initiatives are designed to keep the art alive and vital, even in a time of isolating quarantines.

“Keep an eye out for more entertaining content and educational resources from The Rep and our local and national partners by following us on social media,” spokesman Jeremy Goldmeier said.

On March 27, The Rep announced that they have honored the entire contracts of the guest artists who devoted their talents to “Dreaming Zenzile” and “The Cake,” despite their runs being delayed or cut short.

“In these uncertain times, The Rep felt it was imperative that these artists, whose livelihoods depend on their contracts, not bear the additional burden of lost wages in this pandemic,” a statement said.

“As you know, The Rep has an extraordinarily talented and dedicated staff that works year-round to support the productions, education, and community initiatives to serve the greater St. Louis region. We have continued to pay the full salaries of our full-time, year-round administrative staff, with no furloughs or other lapses in pay. We have moved our administrative and box office teams to work remotely to serve you during this period,” a statement said.

Play at Home

The Repertory Theatre of St. Louis has teamed with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company to present Play at Home, a series of micro-commissioned short plays from some of the American theatre’s most exciting and prominent playwrights.

These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

In the wake of widespread event cancellations following the spread of the coronavirus (COVID-19), the participating theatres conceived Play at Home as a way to support artists, connect people to theatre, and to ignite imagination and joy in these uncertain times.

Each organization commissioned multiple playwrights – most of whom had plays canceled due to the coronavirus outbreak – to create new works that were big, joyful and not bound by the constraints of what might be “possible” on a traditional stage.

The Rep’s commissioned playwrights feature:

Regina Taylor (playwright of The Rep’s 2020-2021 production of Oo-Bla-Dee)

Karen Zacarias (playwright of The Rep’s 2020-2021 production of Native Gardens)

Steph Del Rosso (playwright of The Rep’s 2020-2021 world premiere of The Gradient)

Guadalís Del Carmen (who appeared at The Rep as an actor in 2020’s Mojada: A Medea in Los Angeles)

Tre’von Griffith (a St. Louis performer and playwright, co-founder of TLT Productions)

These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.

Max and Louie Productions

Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.

Moonstone Theatre Company
Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.

Joe Hanrahan of The Midnight Company

The Midnight Company
Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.

 It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved.  Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating.  A difficult show to describe but what it is is excellent.”  Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word.  The Cardinals are the talk of the town again.  This show should be the talk of the town, too!” 
Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show.  At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.”
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns  a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation.  The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.”  Throughout, the playwright draws links between what’s happened and happening –  from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time.
Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.

There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.



Grace Langford and Jaclyn Amber in “Head Over Heels” Photo by Jill Ritter Lindberg



New Line Theatre


New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.

Its June production of “Urinetown” has been cancelled.

Stray Dog Theatre

“Annie,” which was to open April 9, has been postponed, with dates to be announced.

“We will honor all tickets already purchased to any of the new performance dates once they are announced. To purchase tickets to any other future productions, please call our box office directly at (314) 865-1995.

“We are currently planning to hold the remainder of the 2019-2020 season as scheduled. Any changes or additional information will be shared as soon as possible. If you have any questions, please feel free to contact us,” said Artistic Director Gary F. Bell.

“We would like to thank everyone for the hard work they’ve already put into the production and we would like to thank you for your patience as we work to bring you the quality story telling you, our family, deserve. Annie is that bit of light we all need right now, ‘the sun will come out tomorrow’ and we will overcome anything,” Bell said.

“We know we are not the only organization dealing with these difficult decisions and we stand with them, ready to come back stronger. Your continued support of all arts organizations is always appreciated but never more than in times like these. We look forward to seeing you soon,” he said. “Please stay safe and be kind to one another.”

Kenneth Lonergan’s “Lobby Hero” is set to run June 4 – June 20

“However, due to the extreme strain currently being faced by many organizations we have made the decision to halt online sales of upcoming productions. We will resume online sales once matters have settled and the timeline of events moving forward becomes more defined,” Bell said.

“You may continue to purchase tickets for upcoming shows by calling our Box Office at (314) 856-1995 or emailing us at boxoffice@straydogtheatre.org. Thank you for your patience and your continued support as we manage these unfortunate events.”

For more information, visit www.straydogtheatre.org

St Louis Actors’ Studio

Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10

This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.

New Jewish Theatre

Judi Mann, Kelly Weber and Joneal Joplin in “We Are the Levinsons”

Initially, New Jewish rescheduled “We Are the Levinsons” from March 19 to May, but now they have pushed it back, along with their Sondheim musical revue, “Putting It Together.”  They would like to reschedule later this summer.

All activities at the JCCA have been suspended during the public health crisis.

For more information, please contact them by email or by phone, 314-442-3283.

Opera Theatre of St. Louis

Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah

Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again. 

At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!

For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:

https://www.opera-stl.org/beyond-the-stage/updates-regarding-covid-19

This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.

“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.

Shakespeare Festival St. Louis

The 2020 Shakespeare in the Park production of “Much Ado About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director Tom Ridgely said it was in order to provide the best possible chance of safely gathering artists and audiences for its 20th anniversary season. It is to be directed by Bruce Longworth.

“For the past 20 years in St. Louis, the opening of Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely said. “This year it’s clear that the only way to care for our actors, crew, volunteers and community is to give as much time as possible for social distancing measures to take effect and hope to be one of the ways we all bring our summer 2020 to a much happier close.”

The previously announced creative team of Matt Pace & Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis (Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design) remains the same.

In response to the widespread cancellation of live events, the Festival has already shifted to generating a full schedule of new and original content for the online and social media platforms under the umbrella of “ShakespeareTV.”

These include the previously aired “watch party” of its canceled regional tour of Cymbeline, a live reading of “Venus and Adonis” (which Shakespeare wrote during a plague-induced theater closure) and a five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together they’ve already been viewed 10,000 times.

Now through May 29 on ShakespeareTV, which can be accessed on their Facebook page:

THE ZOOM PLAYS: a weekly series of 20- to 30-minute original plays written especially to be performed live over the videoconferencing app Zoom. Created and performed by local playwrights, directors and actors.

GREEN SHOW MONDAYS: an eclectic variety program featuring music, comedy and performance from Festival favorites.

SHAKESPEARE AND CHILL: a special selection of Shakespeare-inspired movies featuring live commentary from artists and scholars, co-curated by Cinema St. Louis.

Other one-night only events to be announced.

May 29 – June 21 is SHAKE20

A 20th anniversary reboot of the beloved engagement program SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s originally scheduled run, May 29-June 21.

Like the original, SHAKE20 will be a region-wide collaboration involving artists and organizations including SHAKE38 alumni: Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics, Poor Monsters and Theater Nuevo. More details about the program and how to apply will be shared soon.

 “In the meantime, we hope that you and yours stay well. We have planned an incredible season of free Shakespeare, and we cannot wait to share it with you. It’s an interesting time to be in the business of live theatre and touring productions, but the Festival is committed to paying our artists and staff throughout this crisis,” Ridgely said.

So, if you have ever considered becoming a member, know that we are always grateful for your support—but especially so at this time,” he said.

“During this crisis, we feel more connected to Shakespeare and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The Plague was the single most powerful force shaping [Shakespeare’s] life and those of his contemporaries.’ During times of quarantine, Shakespeare wrote some of his most important sonnets and plays,” Ridgely said.

“We can’t claim to have his genius, but we will take inspiration from his dedication and from artists around the world that are stepping up to create, facilitate, and share stories in new and exciting ways. Stay tuned for updates on new and existing Festival programs,” he said.

For more information, visit the website sfstl.com and on social media. Visit https://www.facebook.com/shakesfestSTL

Stages St. Louis

While Stages St. Louis continues to follow guidance from the CDC as well as mandates from both local and national government, for the time being, they have made no adjustments to the schedule for our upcoming 2020 Season.

However, here are some changes regarding tickets, activities and outreach:

Single tickets for the 2020 Season will now go on sale beginning Monday, April 27.

All in-person activities with the Stages Performing Arts Academy will be canceled until the start of our Summer Semester on Monday, June 1.

The Stages administrative, production, and academy offices will remain closed until Thursday, April 23.

In the meantime, the Box Office is still open for questions or subscription ticket sales online at www.StagesStLouis.org or by phone at (314) 821-2407.

The Stages Performing Arts Academy will continue to offer digital and streaming content in order to continue performing arts education for students at home and can answer any and all questions by phone at (636) 449-5775. 

Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.

Tennessee Williams Festival St. Louis

Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.

The Tesseract Theatre Company
Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.

For more information, contact: brittaniegunn@gmail.com or visit the website, www.tesseracttheatre.com

That Uppity Theatre Company
Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.

Upstream Theater
In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.

West End Players Guild

Steven Dietz’s “Bloomsday” set to open April 17 and run through April 26 has been cancelled. It was the final production of the group’s 109th season.

“As our country copes with the growing threat of the Coronavirus, one of the most important steps we must take to protect ourselves and each other is the kind of “social distancing” that is impossible at a theatrical production. Our Board of Directors believes it is highly unlikely that the need for social distancing will be any less in April than it is today, and decided that the best course of action for our company and our patrons was to act now to cancel the show,” a statement reads.

Patrons who have purchased advance tickets through Brown Paper Tickets will be issued automatic refunds. WEPG will reach out to season ticket holders in the near future with refund options.

WEPG will begin its 110th season in September.

Alfresco Productions
Auditions for “Hairspray Jr.” will be by video for the Granite City community theater production. The show is to run July 24-26 and deadline for video submissions is April 19. The age limit is from 6th grade to 18 years old. For more information, visit: https://www.alfrescoproductions.org/auditions

Alton Little Theatre

All productions and concert events through May 1 have been cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and “Broadway Salutes America” may be refunded or transferred. Call 618-462-3205 for options.

“Brigadoon” has been moved from May to June, with plans for a June 5 opening, with eight performances through June 14. Season ticket holders can follow the same schedule but can call the office at 618-462-3205 anytime in May.

“Shrek” auditions have been rescheduled for Saturday, May 10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting at least 30 characters. The show will run July 31-Aug. 9 for eight performances.

Clayton Community Theatre
“The Philadelphia Story” was to run March 12-22 but was cancelled after opening weekend.

They hope to premiere “Broadway Bound” July 9 -14

Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a future date in 2020, to be determined, and cancelled March 28 auditions. The musical was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep informed of updates, visit www.curtainsuptheater.com

Kirkwood Theatre Guild

Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek: The Musical,” which were set to run in April and May.

Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on hold. More information will be forthcoming. Please follow or check out website www.HawthornePlayers.com for any further announcements.

Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it after state and local mandates due to the COVID-19 pandemic.

They have cancelled the rest of the season, including “Rock of Ages” in May and have moved it to the opening slot in the fall.

“We are reaching out to the publishers to reschedule and are hopeful that we will be able to still perform the show in September,” he said.

They hope to announce the full season soon and for patrons who renew their season tickets for next year, they will receive a 10 percent discount.

“Currently, we are still planning our summer youth production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror Show.”

Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19 and 24-26, has been postponed.

Due to the current health crisis in our area, all MASC rehearsals and activities at the Capitol Theater have been postponed effective Monday, March 16. 

“The MASC Board will be discussing the plan of action moving forward regarding Watch on the Rhine, the current show in production, and the remainder of the 2019-2020 season, as we monitor the progression of this crisis. Specific information regarding these two shows will be sent out accordingly. The health and safety of our membership and patrons is our highest priority,” a statement read.

O’Fallon Theatre Works

The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions were recently handled by video.

Over Due Theatre Company

The group in Olivette has postponed “My Fair Lady.” It was to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.

The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”

“We are hopeful and fully intend to mount this production at a later date,” a statement read.

AWARDS EVENTS

St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards were to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event has been cancelled. Local theater critics will still honor outstanding regional professional theater, however.

Instead, HEC will provide a streamcast of the awards on Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy outfits and schmoozing, the event will be downscaled reading of the nominations and awards.

Here is the URL link to the Higher Education Channel TV (HEC-TV):  https://www.facebook.com/hectv/live/

The event’s hashtag is #TCA20

The theater critic members of the St. Louis Theater Circle have recorded the nominations, and their voice-overs will run over photos of the nominees. Then HEC announcer Rod will announce the winner. There are 34 categories to give awards in, which cover dramas, comedies and musicals. A special award is being given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts.

Visit the Theater Circle’s Facebook page for more information.

If you would like to see who was nominated, here is the PopLifeSTL article: https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/

Arts For Life

In community theater, the Arts For Life board of directors presents two awards events each year, the Best Performance Awards honor musical theater and youth productions, and the Theatre Mask Awards honor straight plays.

The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.

The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.

For more information and to see lists of nominations, visit www.artsforlife.org.

You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for more information and to see a complete list of nominees.

Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.

AFL President Mary McCreight has suspended all public activities of the AFL organization, effective until at least May 1. This includes all judging activities of the Theatre Recognition Guild.

“As our world, our nation and our region face a major health threat, it falls upon us as a community to adopt measures that will both foster the protection of those who work and ‘play’ in Metro St. Louis community theatre and ultimately allow AFL to continue our charitable mission of service and recognition once the threat passes,” she said.

 (Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).

ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS

In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season. 

The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date. 

ARTS CENTERS AND CONCERT HALLS

The Hettenhausen Center for the Arts

All events and performances scheduled through June 1 have been cancelled at “The Hett,” which is located on the campus of McKendree University.

 “TAO Drum” has been rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah” has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.

The ReMINDers has been cancelled for April 6.

They are offering patrons the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees. Please contact the box office during operating hours to discuss ticket disposition at 618-537-6863. The box office is open from noon to 4 p.m. Monday-Friday.

Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For more information, please contact thehett@mckendree.edu.

St. Louis Symphony Orchestra

All performances through April 12 are postponed or canceled. For information regarding tickets and schedules, visit slso.org.

The Sheldon Concert Hall & Art Galleries

All Sheldon-presented concerts and other events through May 10 have been postponed or canceled. Plans to reschedule are underway, and ticket buyer should retain their current tickets – they will be honored for the new dates. Additional information will be provided to ticket buyers as events are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley, “Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17; David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes for events presented by non-Sheldon promoters will be handled on a case by case basis. All updates can be found at TheSheldon.org or at MetroTix.com.

The Sheldon is located at 3648 Washington Blvd., St. Louis.

Fair Saint Louis

Fair Saint Louis and America’s Birthday Parade events have been canceled this year due to concerns about the COVID-19 pandemic.

Fair Saint Louis was set to run July 2-4 at the Gateway Arch with concerts, air show, and fireworks each night.

“While we are saddened to cancel two of our region’s most popular and free Fourth of July celebrations, the safety of our community is of utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair Saint Louis and America’s Birthday Parade embody the prideful spirit of our city, and over the past few weeks, we’ve seen that spirit shine so brightly within our community as we face this unthinkable challenge together.”

This year would have marked the 40th Fair Saint Louis and 138th America’s Birthday Parade.

“We look forward to returning to downtown St. Louis and celebrating with our community in the future when the time is right,” said David Plufka, Chairman, America’s Birthday Parade.

By Lynn Venhaus

As concerns for public health grows as the Coronavirus spreads in the U.S., many arts and entertainment events have been cancelled in the metropolitan St. Louis area. Some will be rescheduled. While others, in smaller venues, continue.

St. Louis City banned events with crowds bigger than 1,000 Thursday and St. Louis County announced Friday it is preventing crowds bigger than 250, effective immediately, until further notice.

Slowing the spread of COVID-19 is the utmost importance in making these decisions. Governors of Missouri and Illinois have declared states of emergency, as had the U.S. President on Friday.

Nationally, Broadway went dark and its 31 theatres announced they would be closed through Easter, which is April 12.

Dramatists Play Service, which holds the rights to many shows, has announced refunds to companies who have to cancel and also information regarding possibly live-streaming shows. For further information, visit https://www.dramatists.com/text/covid19cancellationpolicy.asp

Here is a list of what’s the latest news from local companies and venues, with the most up-to-date information as possible. It is best to check with a group before heading out as news can change fast.

Most companies released statements about how they have stepped up cleaning efforts and encouraging those feeling sick to stay home. They have also offered refund information. Check their social media and websites for current information.

On Thursday, the Fox Theatre announced postponement of all performances and tours through March 31.

“The Bachelor Live on Stage, scheduled for Friday, March 13 and Charlie and the Chocolate Factory scheduled for March 17-29 will both be postponed.   Plans to reschedule are currently underway. Ticket holders should hold on to their tickets – they will be honored on the new dates,” statement said.

Decisions about other future shows will be made as they follow the evolving situation with the COVID-19 Virus and the City of St. Louis’ determination of the length of this prohibition, a spokesman said.

The Repertory Theatre of St. Louis, on the campus of Webster University, is opening “The Cake” in the Studio Theatre March 13, and Friday evening announced that they would suspend all performances beginning Monday, March 16. They are postponing the opening of “Dreaming Zenzile,” set to open March 20, with hopes of rescheduling this summer.

This is a reversal of their announcement Wednesday that all their performances would continue. Here is the new statement:

“Following the declaration of a state of emergency in St. Louis County surrounding the spread of coronavirus (COVID-19), The Repertory Theatre of St. Louis must place the safety of its patrons, staff and artists above all other considerations.

Based on the Centers for Disease Control and World Health Organization’s recommendations against large group gatherings, The Rep has decided to cancel all performances and events beginning Monday, March 16 through the end of the season. We plan to postpone our Mainstage world premiere of Dreaming Zenzile, with the goal of mounting it this summer.

“We do not take this decision lightly, knowing that the communal connections made at public arts events are some of the strongest tools against the fears and anxieties of this moment. As we ride out this turbulent time together, we remain resolutely committed to the power of storytelling to change lives and uplift our shared humanity. Thank you for your understanding and for being a part of our Rep family. We look forward to welcoming you home again this summer.

We will be reaching out to ticketholders shortly via email, phone and/or text with more details regarding ticket options. For additional updates, stay tuned to repstl.org and our Facebook and Twitter feeds,” the statement said.

The Playhouse at Westport continues “Flanagan’s Wake” performances as planned. However, the company that owns the venue released a statement explaining their efforts.

“Our efforts in cleaning the venue have been stepped up and we will be disinfecting each seat, handrail and surface within the theatre prior to opening doors for each performance. Our bartenders will be wearing gloves, which will be changed frequently through the evening.

“In addition, Cushman & Wakefield, the property management for Westport Plaza has increased their efforts to assist in providing a safe environment for those that visit the Plaza. All public surfaces, from elevator buttons to escalator rails, to door handles and bathrooms are all being heavily sanitized multiple times throughout each day.

We, along with, many of you, are closely following and monitoring all reports issued from the CDC as well as our local and state governmental agencies and will adjust any and all protocol accordingly. At this time, all shows are playing as scheduled,” explained Sue Silverstein, vice president / general manager, Playhouse @ Westport Plaza

The Moolah Shrine have announced plans to reschedule the annual circus March 19-22 at Family Arena. Here is their statement:

For more than 78 years, the Moolah® Shriners have provided family entertainment to St Charles and St Louis region. As always, our focus has been the safety and well-being of families. After consulting with government health professionals and the Family Arena, We have decided to take strong but necessary actions to protect the health and well-being of all who plan on attending our circus.

As Shriners, we are about compassion and love; we help heal the sick, care for those in need. Our plans, for now, are to reschedule our 78th Moolah Shrine Circus for later this year. Thank you for your support, and we look forward to seeing you all later this year.

For further information, please refer to Moolah.org on Monday, March 16,” they noted.

William Roth, founder and artistic director of St. Louis Actors’ Studio, said they would offer their black box theater, The Gaslight Theatre, to performers in need of space during this pandemic.

“Many performers and band members have lost their incomes. The 100- seat Gaslight Theatre, based on availability, is offering itself up to bands whose gigs have been canceled. This offer is, of course, based on availability and the daily health regulations posted by the CDC and the local governments. As long as it’s legal we are an available venue,” Roth said. He can be reached by email at william@stlas.org

THE SHOW MUST GO ON
“Clybourne Park” at Alpha Players at the Florissant Civic Center Theatre this Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.
The audience is limited to 200.

Note: “We are constantly disinfecting common surfaces as much as we can. We ask that high risk individuals (as defined by the CDC) or those that are exhibiting symptoms to refrain from entering the premises.”

“It’s Only a Play” at Looking Glass Playhouse in Lebanon, Ill. this Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.

Note: “As of 12 March 2020 we have no intention to cancel any performances for It’s Only a Play. If we do, every effort will be made to give a minimum notice of 24 hours.”

Also, cleaning efforts stepped up and ticket refunds available.

“Flanagan’s Wake” at The Playhouse at Westport continue performances as planned, extended through April 11, with a special St. Patrick’s Day performance Tuesday.

Note: “Please be aware of your own health. If you are sick, or even questioning you are sick, please stay home. We will be happy to exchange your tickets for another performance. The top priority at the Playhouse @ Westport is the safety and the well-being of our guests, casts and employees.”

“Love Sex and the IRS” at Theatre Guild of Webster Groves this Friday and Saturday at 8 p.m. and Sunday at 2 p.m. at their theatre, Newport and Summit.

“On Golden Pond” at Kirkwood Theatre Guild this Friday and Saturday at 8 p.m. and Sunday at 2 p.m. at the Robert G. Reim Theatre, 111 S. Geyer Road.

“The Philadelphia Story” at Clayton Community Center cancelled their opening night, March 12, but continue performances March 13 and 14 and at 2 p.m. March 15 in the Washington University South Campus Theatre.

“Return to Forbidden Planet” at KTK Productions in the St. John the Baptist gymnasium, 4200 Delor, this weekend and next (Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.)


“Head Over Heels” at New Line Productions at The Marcelle Theatre this Friday and Saturday at 8 p.m., sold out, and continuing Thursday through Saturday until March 28.

Note: “We hope to run as scheduled through March 28, but we’ll continue to monitor the news and re-assess as the situation evolves. If anyone has purchased tickets but is not feeling well, please stay home, rest up, and contact MetroTix for a refund. The usual “no refund” rule will not apply.”

POSTPONED
“The Bachelor Live on Stage” tour at The Fox Theatre March 13. Plans to be rescheduled.

“Charlie and the Chocolate Factory” tour at The Fox Theatre March 17 – 29. To be rescheduled.

10th Annual St. Louis Teen Talent Competition April 4 at The Fox Theatre. To be rescheduled.

CANCELLED
The Black Rep “Spell #7” at the A.E. Hotchner Studio Theatre. They had extended the run through this weekend, but cancelled it in light of the COVID-19 developments.

The Hettenhausen Center for the Arts at McKendree University
All events and performances (internal, hosted or rented) scheduled through June 1.
This includes:
Shakespeare Festival St. Louis “Cymbeline” (March 16), Young People’s Concert (March 19), TAO DRUM (March 24), The ReMINDers (April 6), and speaker, Ishmael Beah (April 15).

Patrons are offered the possibility of applying their tickets to a future event at the Hett, donating the ticket value to the University or contacting them for a full refund, less any original mailing fees.

Please contact the box office, during operating hours, to discuss your ticket disposition. The box office is open Monday – Friday from noon to 4 p.m.

College Performances Cancelled

“Cabaret” at Lindenwood University – St. Charles. Representatives will contact ticket holders on refunds.

“A Doll’s House” at Missouri Baptist University. Will transition to streaming. More information to follow.

By Lynn Venhaus
Managing Editor
A variety of classics old and new are currently on local stages. Opening this
weekend are “Paint Your Wagon” at The Muny and “La Boheme” at Union Avenue
Opera, with community theater productions of “Joseph and the Amazing
Technicolor Dreamcoat,” “The Wizard of Oz,” and “Mamma Mia!”, a college production
of “Catch Me If You Can” and youth productions of “Carrie,” “Frozen Jr.,” “Seussical”
and “Into the Woods.”

An annual tradition, “The Rocky Horror Show,” is performed
twice each evening on Friday and Saturday at the Looking Glass Playhouse in
Lebanon.

Continuing on regional stages are “Grease,” “Jaws the
Parody: Live” and the second leg of the LaBute New Theater Festival.

“Carrie” at Debut TheatreWhatever your plans on this last weekend in July, go see a play!“Carrie” Debut Theatre Company July 26-28 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m. The Olive Tree, 1211 S. Newstead Ave., St. Louis https://debuttheatreco.weebly.com/ What It’s About: Based on the Stephen King novel and Brian DePalma movie, Carrie White is bullied in high school and her religious fundamentalist mother doesn’t want her going to the prom. Carrie has telekinesis and all hell will break loose.

Starring: Carrie White-MacLean Blanner, Margaret White-Isabel Cecilia Garcia, Sue Snell-Jessica Watts, Tommy Ross-Charlie Wehde, Chris Hargensen-Gabby Anderson, Billy Nolan-Sam Guillemette, Ms. Gardner-Ally Wukitsch, Norma-Emma Gulovsen, Helen-Gabby DeRennaux, Frieda-Allison Crandall, Claudia-Savannah Lamb, -Thomas Molen, Freddy-Nathan Hakenworth and Stokes-Santino Bono. Also Featuring Ginger Cox-Young Carrie, Children’s Ensemble- Tatum Douglas, Chloe Grieshaber, and Riley Kummer.“Catch Me If You Can” July 24-28 St. Charles Community College FAB Theater in the Donald D. Shook Fine Arts Building 4601 Mid Rivers Mall Drive in Cottleville, Mo 636-922-8050 www.stchas.edu/events

What It’s About: Based on the hit film and the incredible true story, “Catch Me If You Can” is a musical comedy about chasing your dreams without getting caught. Seeking fame and fortune, precocious teenager, Frank Abignale Jr., runs away from home to begin an unforgettable adventure. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor and a lawyer – living the high life and winning the girl of his dreams. When Frank’s lies catch the attention of FBI agent, Carl Hanratty, though, Carl pursues Frank across the country to make him pay for his crimes“Frozen Jr.” Rock Show Productions Thursday, July 25 at 7 p.m., Friday, July 26 at 7 p.m., Saturday, July 27 at 7 p.m. The Grandel Theatre, 3610 Grandel Square, St. Louis, MO 63103www.rockshowproductions.org What It’s About: Hans Christian Anderson’s fairy tale, “The Snow Queen,” based on the Disney animated musical adaptation.

“Beauty School Dropout”“Grease” Stages St. Louis July 19 – Aug 18 Robert G. Reim Theatre at the Kirkwood Community Center 111 South Geyer Road in Kirkwood www.stagesstlouis.org

What It’s About: Welcome to Rydell High where Danny Zuko
and his gang of Burger Palace Boys and Pink Ladies rule the school! Bursting
with explosive energy and 1950’s nostalgia, GREASE blends an irresistible mix
of adolescent angst and All-American teen spirit to create a high-octane,
pop-culture phenomenon.

Director: Michael Hamilton
Starring: Sam Harvey, Summerisa Bell Stevens, Morgan Cowling, Jessie Corbin,
Patrick Mobley, Collin O’Connor, Frankie Thams, Julia Knitel, Lucy Moon and
Brooke Shapiro.

“Into the Woods” COCA July 26-27 Friday at 7 p.m. and Saturday at 1 and 5 p.m. Edison Theatre on the Washington University campus www.cocastl.org

What It’s About: An epic fairytale about wishes, family and
the choices we make. James Lapine and Stephen Sondheim take everyone’s favorite
storybook characters and bring them together for a timeless, and relevant,
piece.
Director: Jim Butz, with music direction by Colin Healy and choreography by
Christopher Page-Sanders

Of Note: Ages 9 and up.

Great White Shark scares“Jaws The Parody: Live!” St. Louis Shakespeare’s Magic Smoking Monkey Theatre July 19 – July 27 Wednesday and Thursday, July 24 and 25, 8 p.m. Friday and Saturday, July 26 and 27, at 8 p.m. and 10:30 p.m.  Regional Arts Commission in University Citywww.stlshakespeare.org What It’s About: A spoof of the 1975 movie about the killer shark that terrorized a New England beach community, Amity Island, based on Peter Benchley’s 1974 bestseller.

Director: Donna Northcott
Starring: Ryan Glosemeyer as Chief Brody, James Enstall as Matt
Hooper, Rob McLemore as Quint, Shannon Nara as Ellen Brody, Dylan Comer as
Mayor Vaughn and playing multiple roles are CeCe Day, Jack Janssen, Maya Kelch,
Deanna Massie, Bethany Miscannon, and others.

“Joseph and the Amazing Technicolor Dreamcoat” July 26 – Aug. 4 Over Due Theatre Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m. Olivette Community Center 9723 Grandview Drive, Olivette, MO 314-210-2959 www.overduetheatrecompany.com

What It’s About: Celebrating its 50th anniversary in 2019, “Joseph”
is one of the most enduring shows of all time and reimagines the biblical story
of Joseph, his father Jacob, eleven brothers and the coat of many colors.

“La Boheme”“La Boheme” Union Avenue Opera July 26 – Aug. 2 Fridays and Saturdays at 8 p.m. Union Avenue Christian Church 733 Union at Enright 314-361-2881www.unionavenueopera.org What It’s About: Puccini’s opera about a group of poor artists and their search for love and happiness.

Of Note: The opera is sung in Italian with projected
English text.

LaBute New Theater Festival July 19-28 Thursday through Saturday at 8 p.m., Sunday at 3 p.m. The Gaslight Theatre 358 N. Boyle, St. Louiswww.stlas.org 314-458-2978 Box Office: www.ticketmaster.com, 800-982-2787; will also be available at the theater box office one hour prior to performances

What It’s About: New previously unproduced one-act play
submissions of 45 minutes or less are juried and selected. They must not have
more than four characters and be able to

 Six plays were
chosen: One group was performed in the first two weeks of July, the final group
in the second two weeks. “Great Negro Works of Art,” a Midwest Premiere from
Mr. LaBute, will be performed every night for the run of the festival.

Set 2 includes:

 “Great Negro Works
of Art” by Neil LaBute, Directed by John Pierson, starring Carly Rosenbaum and
Jaz Tucker

“Predilections” by Richard Curtis, directed by Wendy Renee
Greenwood, starring Kim Furlow and Tielere Cheatem
 “Henrietta” by Joseph Krawczyk,
directed by Wendy Renee Greenwood, starring Carly Rosenbaum and Chuck Brinkley

“Sisyphus and Icarus a Love story” by William
Ivor Fowkes, directed by Wendy Renee Greenwood, starring Colleen Backer, Shane
Signorino and Tielere Cheatem

“Mamma Mia!” July 26 – Aug. 4 Hard Road Theatre Productions Fridays and Saturdays at 7 p.m. and Sundays at 2 p.m. Highland Elementary School auditorium in Highland, Ill. www.hardroad.org

What It’s About: ABBA songs on a Greek isle. Three possible
dads, a wedding, and Donna and the Dynamos.

 “Overdone” by David
Hamley and “Screaming at Optimum Pitch” by Peg Flach
First Run Theatre
July 19 – 28
Friday and Saturday at 8 p.m. and Sunday at 2 p.m.
Theatre Guild of Webster Groves, 517 Theatre Lane in Webster Groves, Mo. www.firstruntheatre.com.

“Paint Your Wagon” The Muny July 27 – Aug. 2 Nightly at 8:15 p.m. Forest Park outdoor stagewww.muny.org What It’s About: A reimagined version of a 1951 Lerner and Loewe musical set in the California gold rush. It’s a moving tale of ambition, love and home that features such songs as “They Call the Wind Mariah,” “I Talk to the Trees” and “Wand’rin’ Star.” This adaptation has a revised book by Jon Marans. It’sproduced in association with On the Wagon Productions and Garmar Ventures.

Director: Josh Rhodes, also choreographer, with Starring: Bogart (Ben Rumson), Mamie Parris (Cayla Woodling), Omar Lopez-Cepero (Armando), Mark Evans (William), Maya Keleher (Jennifer Rumson), Allan K. Washington (Wesley), Andrew Kober (Jake), Austin Ku (Ming-Li), Raymond J. Lee (Guang-Li), Rodney Hicks (H. Ford) and Michael James Reed (Craig Woodling). A golden ensemble completes this cast, including Akilah Ayanna, Juan Caballer, Matthew Davies, Richard Gatta, Sally Glaze, Michael Milkanin, Trina Mills, Pascal Pastrana, Michael Seltzer and Cooper Stanton. The company will also be joined by the Muny Teen youth ensemble.

Russ Reidelberger as Dr. Frank N. Furter“The Rocky Horror Show” Looking Glass Playhouse Friday and Saturday at 7 p.m. and 10 p.m., July 26 and 27 301 W. St. Louis St. in Lebanon, Ill.www.lookingglassplayhouse.com What It’s About: In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.“Seussical the Musical” DaySpring Arts July 26-27 at 7 p.m.; July 28 at 3 p.m. DeSmet High School, 222 N. Ballas Road, St. Louis dayspringarts.org

What It’s About: The musical by Stephen Flaherty and Lynn
Ahrens brings Dr. Seuss’ beloved characters to life, including Cat in the Hat, Gertrude
McFuzz and Horton the Elephant.

“The Wizard of Oz” Alton Little Theater July 25 – Aug. 4. Thursdays through Saturdays at 7:30 p.m. and Sunday at 2 p.m. 2450 North Henry in Alton, Ill. 618-462-6562www.altonlittletheater.org

What It’s About: Based on the books by L. Frank Baum, Dorothy
needs to find her way home after following the yellow brick road and making her
way to the Emerald City.

By Lynn Venhaus Managing EditorShow me Summertime! It’s here, the official start of summer, and there are 20 plays, musicals and operas, plus one circus, to enjoy this weekend. (Is this a record?)Outdoors, Shakespeare Festival St. Louis closes out its park run of “Love’s Labors Lost,” this weekend, while “Kinky Boots” at the Muny is the second show of the second century, ending Tuesday.It’s the last chance to see “Be More Chill” at New Line — OK, the run is sold-out, but there are still student tickets and a waiting list that they manage to get in most of the time.

Others ending their run include the A.R. Gurney comedy “Sylvia” at Stray Dog Theatre, and Act Inc. in St. Charles, with their double header, “Travels with My Aunt” and “Leaving Iowa.”The Opera Theatre of St. Louis is in repertory with their four summer offerings. The midwest premiere of “The Boy from Oz” continues at Stages St. Louis.New offerings include Shakespeare’s “As You Like It” at SIUE, “101 Dalmatians” for young audiences at Stages St. Louis, “Hedwig and the Angry Inch” by the Q Collective and “Indecent” by Max and Louie Productions.

In Community Theatre, Looking Glass Playhouse’s Youth Show is “Singin’ in the Rain” and O’Fallon Theatre Works presents “The Miracle Worker.”

Whatever your preference, go see a play and kick off a summer of fun.

“101 Dalmatians” Stages St. Louis Theatre for Young Audiences June 18 – 30 Robert Reim Theatre, 111 S. Geyer Road, Kirkwood www.stagesstlouis.org

What It’s About: Condensed from the Disney animated film, “101
Dalmatians” is about the evil Cruella DeVil and her two klutzy henchmen as they
trey to steal a litter of the cutest puppies ever to hit jolly old London Town.
But not to worry – thus fur-raising adventure ends happily with plenty of puppy
power to spare!

Director/Choreographer: Peggy Taphorn
Starring: Tyler Jent, Eric Michael Parker, Larissa White, Drew Humphrey, Dena
DiGiacinto, Laura Ernst, Ryan Cooper, Joshua Roach

“An Amazing Story: German Abolitionists of Missouri” Gitana Productions June 20-23 Thursday through Saturday at 7:30 p.m., Sunday at 3 and 5:30 p.m. Kranzberg Arts Center, 501 N. Grand www.gitana-inc.org.

What It’s About: This provocative original play is inspired
by the amazing stories of such remarkable individuals as Friedrich Munch, Judge
Arnold Krekel and August Boernstein; German immigrants and leading
abolitionists in the State of Missouri. Through the lens of history, we will
bring to life the elements of what it means to strive for social justice for
“others” when advocating within and outside of one’s own cultural
group. While many Germans who came to the Midwest were staunch defenders of a
“color-blind” democracy some immigrants set aside their values in
order to survive and be accepted during the period before and after the Civil
War. As is the case with most Americans there are often contradictions in our
beliefs often colliding and challenging us to clarify what is most important.
The German story is an important American story…where the ideal of Democracy brings
together unlikely and diverse champions.

“As You Like It” Southern Illinois University at Edwardsville June 21 – 30 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m. Metcalf Theatre 618-650-2774 www.siue.edu

What It’s About: The theatrical and enchanting Shakespeare that you have come to expect from SIUE Summer Theater continues. This beloved romantic comedy moves from the magical Forest of Arden to the mysterious 1930’s Ozark forests,  complete with original Old-Time Tunes. Our hero Rosalind, finding herself on the run from the evils of the city with her best friend Celia and her philosophical fool Touchstone, disguises herself as a young man and begins a journey of self-discovery. Falling in love and learning who you are by “acting the part” are the heart of this classic tale of romance and reconciliation.

Songwriters Summer Baer, Lisa Hinrichs, Lizzie Weber and Christopher Sears are featuring lots of Old Time music and original tunes inspired by the genre. Guitars, ukuleles, a cello and a fiddle, a couple of banjos, a cajon drum, rounded out with tambourine and washboard, will be performing the music.

Director: Ellie Schwetye Cast:

Photo by Jill Ritter Lindberg“Be More Chill” May 30-June 22 Thursday – Sunday, 8 p.m. New Line Theatre The Marcelle Theatre, 3310 Samuel Shepard Drive www.newlinetheatre.org 314-534-1111 What It’s About: “The Breakfast Club” meets “Little Shop of Horrors” in the new sci-fi rock musical, “Be More Chill,” with music and lyrics by Joe Iconis and book by Joe Tracz, based on the bestselling novel by New Vizzini. It’s a look at life in the digital age, exploring teen depression, bullying and other current issues through the comic lens of sci-fi films of the 50s, horror flicks of the 80s and the teen movies of the 90s.

Directors: Scott Miller and Mike Dowdy-Windsor, with music
direction by Nicolas Valdez
Starring: Jayde Mitchell (Jeremy), Dominic Dowdy-Windsor (Squip), Kevin Corpuz
(Michael), Zachary Allen Farmer (Jeremy’s Dad), Melissa Felps (Brooke), Evan
Fornachon (Rich), Isabel Cecilia Garcia (Jenna), Grace Langford (Christine),
Ian McCreary (Jake), and Laura Renfro (Chloe).

Of Note: “Be More Chill” made its world premiere at the Two
River Theater in Red Bank, New Jersey in 2015, it’s now being produced across
the country, and it just opened on Broadway in March. Received a Tony Award
nomination for music and lyrics.

“The Boy from Oz” May 31 – June 30 Stages St. Louis Robert G. Reim Theatre, Kirkwood Community Center 111 S. Geyer Road, Kirkwoodwww.stagesstlouis.org

What It’s About: Dazzling and hilarious as the legendary
Peter Allen himself, THE BOY FROM OZ follows the Australian singer-songwriter
from his humble beginnings performing in backcountry pubs to his international
stardom beside such Hollywood icons as Judy Garland and her daughter Liza
Minnelli.

Director: Michael Hamilton
Starring: David Elder as Peter Allen, Sarah Ellis as Liza Minnelli, Zach
Trimmer as Greg Connell, Corinne Melancon as Marion Woolnough, Michele Ragusa
as Judy Garland, Brad Frenette as George Woolnough, Steve Isom as Dick
Woolnough, Erik Keiser as Chris Bell, Nic Thompson as Mark Herron, Ben Iken and
Simon Desilets as Young Peter, Lydia Ruth Dawson, Bryn Purvis and Madison
Tinder as Trio, Frankie Thams as Trick, Nathanial Burich as Dealer and Ashley
Chasteen as Alice. Ensemble includes Kari Ely and Caleb Dicke.

“The Caper on Aisle 6” Circus Flora June 7 – June 30 Big Top Tent in Grand Center (air-conditioned)www.circusflora.org What It’s About: A trip to the grocery store is a place of intrigue and excitement when an ancient and powerful substance, long thought to be gone from the Earth, is found in the unlikeliest of places: aisle six of the local grocery store. What secrets does aisle six hold, and what adventures will it set in motion?

Photo by Eric Woolsey“The Coronation of Poppea” Opera Theatre of St. Louis June 9 – 28 Loretto-Hilton Center, 135 Edgar Roadwww.experienceopera.org 314-961-0644

What It’s About: The fight for the throne is never
dignified. Poppea will stop at nothing to become Empress, no matter who she has
to blackmail, betray, or kill. And Emperor Nero, who is infatuated with Poppea,
is not thinking with his head. Separately, they’re bad enough. Together, they
will turn Rome upside down. Sexy, bloodthirsty, and unapologetic, this opera is
the best kind of political thriller.
Of Note: The opera runs 2 hours and 50 minutes with one intermission and is
performed in English with English supertitles.

Jeremy Denis and Davóne Tines, with Michael Redding,  “Fire Shut Up My Bones” Opera Theatre of St. Louis June 15 – June 29 Loretto-Hilton Centerwww.experienceopera.com 314-961-0644

What It’s About: When Charles discovers that his cousin has
returned to his Louisiana hometown, he races home from college to confront his
past. Memories and shadows surround Charles as he strives to move beyond a
cycle of violence and forge a brave new path.

Of Note: Writers are Terence Blanchard, composer of OTSL’s sold-out hit “Champion,” teams up with screenwriter Kasi Lemmons (“Eve’s Bayou”) for a haunting, powerful, and tender coming-of age story inspired by a memoir celebrated as “stunning” (Essence), “riveting” (Chicago Tribune), and “exquisite” (The New York Times). The opera runs approximately two hours and 25 minutes with one intermission and is performed in English with English supertitles.

Luke Steingruby as Hedwig“Hedwig and the Angry Inch”The Q CollectiveJune 20-22 and 27-298 p.m. evenings Thursday – Saturday, with additional 10:30 p.m. performance SaturdaysThe Monocle, 4510 Manchester in The Grovewww.eventbrite.com

What It’s About: John Cameron Mitchell and Stephen Trask’s groundbreaking, Obie-winning Off-Broadway musical has the internationally ignored song stylist Hedwig Schmidt, herself, tells us her wild life story, as a fourth-wall smashing East German rock ‘n’ roll goddess who also happens to be the victim of a botched sex-change operation. This outrageous and unexpectedly powerful story is dazzlingly performed by Hedwig (née Hansel) in the form of a rock gig/stand-up comedy backed by the hard-rocking band The Angry Inch. It’s a rocking ride, funny, touching, and ultimately inspiring to anyone who has felt life gave them an inch when they deserved a mile.Director: Jordan Woods with assistance by Camille Fensterman, music direction by Holly Barber

Starring: Luke Steingruby as Hedwig, Sarah Gene Dowling as Yitzhak

“Indecent”Max and Louie ProductionsJune 20-23, June 27-30Thursdays at 7:30 p.m., Fridays and Saturdays at 8 p.m., Sundays at 3 p.m.The Grandel Theatre, 3610 Grandel Square in Grand Centerwww.maxandlouie.com

What It’s About: Winner of numerous awards including an acclaimed Tony-winning run on Broadway, “Indecent” by Pulitzer Prize-winning playwright Paula Vogel, is the true story of a groundbreaking scandalous play and the courageous artists who risked their careers and lives to perform it. Director: Joanne GordonStarring: Paul Cereghino – Actor, Zoe Farmingdale – Actor, John Flack – Actor, Katie Karel – Actor, TJ Lancaster – Lemml, the Stage Manager, Judi Mann – Actor, Tim Schall – Actor; ;Musicians Alyssa Avery, Kris Pineda, Jack Thieling

Photo by Phillip Hamer“Kinky Boots”The MunyJune 17-25, evenings at 8:15 p.m.www.muny.orgWhat It’s About: The owner of a failing shoe factory teams up with a drag queen to fill a niche market — high-heeled thigh-high boots for drag queens.Director: DB Bonds, recreating Jerry Mitchell’s direction, and choreographer Rusty Mowery recreating his choreography, with music direction by Ryan Fielding GarrettStarring: J. Harrison Ghee, Graham Scott Fleming, Taylor Louderman, Paul Whitty,

Leaving Iowa. Photo by John Lamb“Leaving Iowa” Act Inc. June 14-16, Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m., June 21-22, Friday at 7:30 p.m. and Saturday at 2 p.m. Emerson Black Box Theatre J. Scheidegger Cener for the Arts on the Lindenwood campus in St. Charles www.actincstl.com

What’s It All About: Remember the family road trip? Sure
do! Mom, Dad and the kids all packed up in the car with maps and snacks. Road
games, billboards, gift shops and the ultimate rest stops and Motel 6. Giggles
and battles, smiles and tears. Those were the days! Columnist Don Browning decides
to bury his Dad’s ashes at the old family farm. When he discovers that the
homestead is now the site of a supermarket he embarks upon a journey of
reconciliation and discovery in his quest for the perfect resting place for Dad
in the middle of the USA. If you are interested in the perfect “staycation”
look no further. “Leaving Iowa” is a delightful postcard that will leave you
with a smile on your face and a spring in your step.

Director:
Starring:

 “Love’s Labors Lost” May 31 – June 23 Shakespeare Festival St. Louis 8 p.m. Tuesday through Sunday Shakespeare Glen, Forest Park www.shakespearefestivalstlouis.org

What It’s About” Belonging to Shakespeare’s “lyrical”
period, which also included Romeo and Juliet and A Midsummer Night’s Dream, the
play tells the story of the Princess of France and her ladies who arrive on a
diplomatic mission to Navarre only to be met by a young king and his lords who
have taken a vow not to see women. Affairs of state give way to affairs of the
heart as Shakespeare reveals with great humor and compassion the way our
culture sometimes doesn’t fully prepare us for the realities of love and
intimacy. A feast of language and theatrical virtuosity, Love’s Labors Lost
shimmers with all the passion and promise of a first kiss.

Director: Tom Ridgely
Starring: Philip Hernandez as Don Adriano de Armado, Bradley James Tejeda (Duc
de Biron), Kea Trevett (Princess of France), Sky Smith (King of Navarre),
Patrick Blindauer (Costard), Katy Keating (Nathaniel), Michael James Reed
(Forester/Marcadé), Jeffery Cummings (Boyet); Carl Howell (Dull), Carine
Montbertrand (Holofernes), Randolph (Moth), Laura Sohn (Rosaline), Molly Meyer
(Jaquenetta), Sam Jones (Longueville), Vivienne Claire Luthin (Maria), Kiah
McKirnan (Catherine), and Riz Moe (DuMaine).

“The Marriage of Figaro” May 25 – June 29 Opera Theatre of St. Louis Loretto-Hilton Center 135 Edgar Road on Webster University campuswww.opera-stl.org 314-961-0644

What It’s About: Mozart’s comedy masterpiece is about complicated life at court and how love should always prevail. The maid Susanna is determined to wed her fiancé, Figaro, while the Count is equally determined to add her to his list of conquests. But Susanna and Figaro won’t allow one self-entitled nobleman to ruin their happy ending! They each hatch their own plots to teach their master a lesson. What follows is a whirlwind day of romantic intrigue, cunning schemes, and uproarious fun. The opera runs three hours and ten minutes with one intermission and is sung in English with English supertitles. “The Miracle Worker” O’Fallon Theatre Works June 21-23 and 28-30 Friday and Saturday at 7:30 p.m.; Sunday at 2 p.m. O’Fallon Municipal Centre, 100 Main St., O’Fallon, Mo. 636-474-2732

What It’s About: The story of teacher Annie Sullivan’s
affect on Helen Keller, blind and deaf after a fever as a baby, which has left
her unable to communicate, frustrated and angry. Sullivan is able to get
through to her pupil and they form a bond.

“The Mueller Report: Read, Sing, Resist” Saturday, June 22, from 2 to 5 p.m. That Uppity Theatre Company Projects + Gallery 4733 McPherson in the Central West End Free event What It’s About: A diverse array of artists, activists, elected officials and community people will come together to participate in a free event to read excerpts and summaries of the Mueller Report and offer related commentary through song. The event will also include voter registration in partnership with St. Louis Voter Registration Group, refreshments, a selfie station and the debut performance by the St Louis chapter of Sing Out, Louise, a New York social activist group founded in 2017 that writes parodies with political commentary of iconic songs.

“Rigoletto” Opera Theatre of St. Louis June 1 – June 30 8 p.m. Loretto-Hilton Center 135 Edgar Roadwww.experienceopera.org 314-961-0644 What It’s About: Verdi’s powerful “Rigoletto” is a tale of innocence lost, wrenchingly poignant and all too human, presented in English with English supertitles. Rigoletto is a bitter court jester who serves the Duke of Mantua, a lecherous womanizer. Together, they are despised throughout the city. But alone, Rigoletto is all tenderness when it comes to his innocent young daughter, Gilda. Little does he know that an ominous curse is about to take its toll. When the Duke seduces Gilda, only to then abandon her, the enraged father swears vengeance.

“Singin’ in the Rain” Looking Glass Playhouse June 20-23 Thursday through Saturdays at 7:30 p.m. and Sunday at 2 p.m 301 W. St. Louis St., Lebanon, Ill. www.lookingglassplayhouse.com

What It’s About: The “Greatest Movie Musical of All Time” is faithfully and lovingly adapted by Broadway legends, Betty Comden and Adolph Green, from their original award-winning screenplay in Singin’ in the Rain. Each unforgettable scene, song and dance is accounted for, including the show-stopping title number, complete with an onstage rainstorm! Hilarious situations, snappy dialogue and a hit-parade score of Hollywood standards make Singin’ in the Rain the perfect entertainment for any fan of the golden age of movie musicals.

“Sylvia” June 6 – 22 Thursday through Saturday at 8 p.m. Stray Dog Theatre Tower Grove Abbey 2336 Tennesseewww.straydogtheatre.org 314-865-1995

What It’s About: Greg brings home a dog he found in Central Park – or that has found him – bearing only the name “Sylvia” on her collar. She offers Greg an escape from the frustrations of his job and the unknowns of middle age. To his wife Kate, however, Sylvia becomes a rival for affection. This touching comedy celebrates our love of man’s best friend.

Director: Gary F. BellStarring: Susie Lawrence, Kay Love, Tim Naegelin, Melissa Harlow

Photo by John Lamb

“Travels with My Aunt” Act Inc. June 22 and June 23, Saturday at 7:30 p.m. and Sunday at 2 p.m. Emerson Black Box Theatre J. Scheidegger Center for the Arts on the Lindenwood campus in St. Charles.www.actincstl.com

What It’s About: Retired bank manager, Henry Pulling’s life
is so quiet that he muses, “I found myself agreeably excited by my
mother’s funeral.” From that inauspicious beginning Henry finds his life
turned topsy-turvy by the arrival of his eccentric, Aunt Augusta. A cross between
“Auntie Mame” and Mata Hari, she spirits him around the globe
encountering all sorts of intoxicating characters and exhilarating adventures
along the way.

By Lynn VenhausManaging EditorThree metro-east community theater groups and a veteran youth program won multiple awards at the 20th annual Best Performance Awards sponsored by Arts For Life on June 9. 

The awards recognize excellence in community and youth
musical theater, with 27 groups participating from St. Charles County to
Madison, Monroe and St. Clair counties in Illinois as part of the St Louis
Metropolitan area. It is the oldest and longest continually running theater
awards in St. Louis.

“Into the Woods” Curtain’s Up Theater CompanyCurtain’s Up Theater Company won six awards for its production of Stephen Sondheim’s “Into the Woods,” including Best Large Ensemble Musical, Directors Glenn Saltamachia and Jeffrey Yapp-Ellis, Music Director Liz Murphy White, Costume Design Donna Saltamachia, Comedic Actress Miranda Mobley as Little Red and Supporting Actor Dennis Folwarczny as Cinderella’s Prince. It had received 16 nominations, the most for any show. The 1986 musical is a twist on Brothers Grimm fairy tales, exploring the consequences of wishes and quests.

“Dames at Sea” Alfresco Productions“Dames at Sea” at Alfresco Productions won four,
for Best Small Ensemble Musical, Best Leading Actress Morgan Ladyman,
Supporting Actress Elizabeth Semko and Best Choreography Ashley Pavlige. It had
received 12 nominations. The 1966 musical romantic comedy is an homage to
nostalgic 1930s movie musicals.

Bryce Miller won Best Youth Actor for “Big Fish” from Shooting Star Productions“Big Fish” at Shooting Star Productions won six
awards in the youth categories: Best Youth Production, Best Choreography Ellen
Isom, Best Music Director Ross Bell, Best Actor Bryce Miller as Edward Bloom,
Best Supporting Actress Carolyn Karutz as The Witch and Best Set Design Marty
Strohmeyer and Christopher Phillips. It had received 14 nominations. Based on
the 2003 movie by Tim Burton, adapted from David Wallace’s 1998 book, “Big
Fish” tells the larger-than-life tale of traveling salesman Edward Bloom, a man
who leads an extraordinary life according to the stories he shares.

Mia Williams won Best Youth Actress as Rafiki in “The Lion King Jr.” from Goshen Theatre ProjectThe Goshen Theatre Project in Madison County won three
awards — for leading actress, Mia Williams, as Rafiki, and costume design
Terry Pattison, for “The Lion King Jr.” (the crowd gasped when the
walking giraffe came out and the kids came down the aisles in their animal
costumes), and another one for Terry Pattison for set design for “Chitty
Chitty Bang Bang.”

Glenn Guillermo in “Bells Are Ringing”

Winning two awards were Alpha Players of Florissant’s “Bells Are Ringing” for Cameo and Non-Singing Actor, while Christ Memorial Productions’ “The Wizard of Oz” won for Juvenile Performance and Non-Singing Actress, and Looking Glass Playhouse won lighting design for “Bloody Bloody Andrew Jackson” and best actor for “Newsies.”.

Another first occurred – both the youth supporting actor
and adult featured actor won for playing Nicely-Nicely Johnson in “Guys and
Dolls” at Riverbend Theatre and Kirkwood Theatre Guild respectively, Spencer
Domer and Christopher Strawhun.

“Guys and Dolls” Riverbend TheatreThis year, 48 shows – 21 large, 7 small and 20 youth —
were eligible for BPA awards consideration, with 1,302 artists judged for
nominations. Trophies were awarded in 33 categories.

 “Theater is alive
and kicking in 2019 and local theaters in metro St. Louis and Illinois are to
be commended for a job well done,” McCreight said. “The awards are a wonderful way
for all actors and tech crews to celebrate and enjoy each other’s successes and
be recognized and rewarded.”

Since it began in 1998, AFL’s goal has been “Making a
Dramatic Difference” and is proud to salute, support and serve the theater
groups in the metropolitan St. Louis area. The non-profit organization
continues to be passionate about the healing power of the performing arts.

Morgan Ladyman, Best Actress as Ruby in “Dames at Sea”AFL President Mary McCreight said the group is dedicated to
promoting public awareness of local community theater, encouraging excellence
in the arts and acknowledging the incredible people who take part.

“St. Louis is an amazing city, especially for the arts.
There are over sixty theatre companies at home here, a third of which are
community theatre. As we watch music education and theatre programs rapidly die
in our schools, the need to keep community theatre alive is more important now
than ever,” McCreight said.

The best musical award was the first for Curtain’s Up
Theater Company, and with his win, director Glenn Saltamachia made AFL history.
He is the first person to win both Best Director Awards at the Best Performance
Awards and at the Theatre Mask Awards in April, which honors dramas and
comedies. He won the TMA for directing “Frost/Nixon” at Looking Glass Playhouse,
and that drama was tied with Actors’ Attic, for “The Curious Incident of the
Dog in the Night-time,” as Best Play – Drama.

He shared the director’s award with Jeffrey Yapp-Ellis, who
started as assistant director but made such an impact on set design, staging
and concept that he was billed as a co-director.

“It has been an incredible year! To win the TMA and BPA for
Directing in the same year is an honor I could never have dreamed of.  I have worked with two outstanding companies-
– LGP and CUTC, and I have been blessed and extremely lucky to have had
outstanding, talented, wonderful casts, production crews, technicians, and
musicians to work with,” Saltamachia said.

 “The honor is more a
reflection of their talent, hard work and determination than anything I have
brought to the table. I have always said my greatest talent as a director is
that I surround myself with extremely talented, capable people who share my
passion for good theatre. The fact that both my shows also won for Best
Ensemble in their respective categories proves my point,” he said.

Saltamachia said he was bit by the theater bug when as a
brand new second lieutenant in the Air Force, he auditioned for the Kessler Air
Force Base Little Theatre production of “Charley’s Aunt.”
“Throughout my Air Force career, I would participate in productions wherever we
were stationed when I had the time and circumstances allowed,” he said. “After
retiring from the Air Force in 1997 in Belleville, I began to hear of all the
great local community theaters, and in 1999, I got up the nerve to audition for
the Looking Glass Playhouse production of “Oliver!” and I’ve never stopped.”

Saltamachia has directed 10 shows for LGP since 2001, his
first being “The Odd Couple.” Then, he worked with some Edwardsville people who
were starting a theater company, Curtain’s Up. He appeared in “The Curious
Savage” and has directed six shows for them, the first was “Fiddler on the
Roof” in 2008.

Over the years, he has directed shows for Clinton County
Showcase in Breese, Hard Road Productions in Highland, and in Belleville, Brass
Rail Players, Downtown Players and Cathedral Players. 

“The thing I love most about directing is the process. I
love everything about it!  From script
analysis, planning conferences for concept development, set design and staging
months before production. Then the fun starts with auditions and rehearsals,”
he said. “But the absolute best part is watching as a group of diverse people;
who may not have known each other before, come together, work hard and share
their talents to produce something we are all are proud of. And on the way we
become a family who love each other and develop friendships for life.”

“Thanks to AFL. I am honored and humbled, but I am smart
enough to know I didn’t win these awards by myself,” Saltamachia said. 

“Chitty Chitty Bang Bang” Goshen Theatre ProjectTerry Pattison, who won awards for costume design and set
design for Goshen Theatre Project, said the group is in its fifth season.

“The Lion King had 46 kids in it, all under the age of 15.
There were well over 160 costumes, all hand-created. Most of the masks and
animals were constructed from a high-density foam so they stayed light weight,”
she said.

The animal costumes included: Lions, lioness, hornbills,
ostrich, zebra, gazelle, egrets, giraffes, wildebeasts, rhino, meerkat, warthog
and various birds.

 “I am honored to
have received two BPA’s this year, one for costuming and the other for scenic
design. I am always creating something in one way or another and it is a
humbling experience to have been recognized against all the other talent in the
St. Louis community theater circuit,” Pattison said.

Lucinda Gyurci, who founded Arts for Life in 1998, said she
continues to be inspired by community theater productions.

“Big Fish” Shooting Star Productions“I feel fortunate to have watched many young people, who
grew up in community theatre, become wonderfully talented adults; some making
their way to Broadway; some establishing their art in local professional
theatre; and some bringing up their next generation in their own footsteps on
the stage,” she said.

Joe Paule Sr. received the Lifetime Achievement Award for
his work as a musician in numerous pit bands, orchestras and as a music
director. Kim Klick and Glenn Guillermo were honored with two special awards,
“TRG Recognition 20th Anniversary Exceptional Volunteer Award,” citing
extraordinary above and beyond service.

Sean Harvey “Crazy for You”

Two special youth awards were given to Caroline Santiago
Turner, who received Best Youth Musical Performance for “Violet,” and
Sean Harvey, named Best Youth Featured Dancer, as Bobby in “Crazy for
You,” both produced by the Gateway Center for the Performing Arts.

Allison McDonald of Timberland High School and Kira Averett
of Mascoutah received the 2019 AFL Youth Scholarships.

The ceremony was directed by Ken Clark, with music
direction by Diane Hanisch. Ryan Cooper served as master of ceremonies for the
fifth time.

The complete list of awards is as follows:
Best Large Ensemble Musical: “Into the Woods,” Curtain’s Up Theater Company
Best Small Ensemble Musical: “Dames at Sea,” Alfresco Productions

Best Youth Musical: “Big Fish,” Shooting Star Productions
Best Direction: Glenn Saltamachia and Jeffrey Yapp-Ellis, “Into the Woods,”
Curtain’s Up Theater Company

Best Direction- Youth Production: Paul Pagano, “Violet,”
Gateway Center for the Performing Arts
Best Music Direction: Liz Murphy White, “Into the Woods,” Curtain’s Up Theater
Company

Best Music Direction – Youth Production: Ross Bell, ‘Big
Fish,” Shooting Star Productions
Best Choreography: Ashley Pavlige, “Dames at Sea,” Alfresco Productions

Best Choreography – Youth Production: Ellen Isom, “Big
Fish,” Shooting Star Productions

Best Actor in a Leading Role: Austin Turnbull, Jack Kelly,
“Newsies,” Looking Glass Playhouse

Best Leading Actor – Youth Production: Bryce Miller, Edward
Bloom, “Big Fish,” Shooting Star Productions

Best Actress in a Leading Role: Morgan Ladyman, Ruby,
“Dames at Sea,” Alfresco Producifion

Best Leading Actress – Youth Production: Mia Williams,
Rafiki, “The Lion King Jr.,” Goshen Theatre Project

Best Actor in a Featured Role: Christopher Strawhun,
Nicely-Nicely Johnson, “Guys and Dolls,” Kirkwood Theatre Guild
Best Actress in a Featured Role: Elizabeth Breed Penny, Paulette, “Legally
Blonde,” Hawthorne Players

Best Actor in a Supporting Role: Dennis Folwarczny,
Cinderella’s Prince, “Into the Woods,” Curtain’s Up Theater Company

Best Supporting Actor – Youth Production: Spencer Domer,
Nicely-Nicely Johnson, “Guys and Dolls,” Riverbend Theatre

Best Actress in a Supporting Role: Elizabeth Semko, Joan,
“Dames at Sea,” Alfresco Productions
Best Supporting Actress – Youth Production: Carolyn Karutz, The Witch, “Big
Fish,” Shooting Star Productions

Best Actor in a Comedic Role: Matthew Hansen, Franz, “Rock
of Ages,” Take Two Productions
Best Actress in a Comedic Role: Miranda Mobley, Little Red Riding Hood, “Into
the Woods,” Curtain’s Up Theatre Company

Best Actor in a Non-Singing Role: Kevin Michael Hester, Dr.
Kitchell, “Bells Are Ringing,” Alpha Players of Florissant
Best Actress in a Non-Singing Role: Nicky Collett, Wicked Witch/Miss Gulch,
“The Wizard of Oz,” Christ Memorial Productions

Best Duo or Group Performance: Abby Cockerham, Laura Megan
Deveney and Theresa Peters Nigus as Donna, Linolium and Betty in “The Great
American Trailer Park Musical,” Act Two Theatre
Best Actor in a Cameo Role: Glenn Guillermo, Carl, “Bells Are Ringing,” Alpha
Players of Florissant
Best Actress in a Cameo Role: Julia Gilbert, Babette, Disney’s “Beauty and the
Beast,” Alfresco Productions

Best Youth Performer: Victor Landon, Munchkin Mayor, “The
Wizard of Oz,” Christ Memorial Productions

Best Costume Design: Donna Saltamachia, “Into the Woods,”
Curtain’s Up Theater Company

Best Youth Costume Design: Terry Pattison, “The Lion King
Jr.,” Goshen Theatre Project

Best Set Design: Terry Pattison, “Chitty Chitty Bang Bang,”
Goshen Theatre Project

Best Set Design – Youth Production: Marty Strohmeyer and
Christopher Phillips, ‘Big Fish,” Shooting Star Productions

Best Lighting Design: Jason Koonce, “Bloody Bloody Andrew
Jackson,” Looking Glass Playhouse
Best Lighting Design – Youth Production: Jonathan Hartley, “Disney’s Beauty and
the Beast,” DaySpring School of Arts

For more information, visit www.artsforlife.org

“Dames at Sea” Alfresco ProductionsFor a PDF of the BPA nominations for 2018, here is the
link:

http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

BPAs honor excellence in community musical theatre; Theatre Mask Awards recognize excellence in plays

Arts For Life will celebrate its 20th
anniversary June 9 at the annual Best Performance Awards, which honors
excellence in community theater and youth musicals. It is the oldest and
longest continually running theater awards in St. Louis.

Since it began in 1998, AFL’s goal has been “Making a Dramatic
Difference” and is proud to salute, support and serve the theater groups in the
metropolitan St. Louis area. The non-profit organization continues to be
passionate about the healing power of the performing arts.

AFL President Mary McCreight said the group is dedicated to
promoting public awareness of local community theater, encouraging excellence
in the arts and acknowledging the incredible people who take part.

“St. Louis is an amazing city, especially for the arts.
There are over sixty theatre companies at home here, a third of which are
community theatre. As we watch music education and theatre programs rapidly die
in our schools, the need to keep community theatre alive is more important now
than ever,” McCreight said.
Admission is $25 in advance on the www.artsforlife.org
website, or $26 with credit card at the door. All tickets are reserved seating.
Formal attire is requested.

The special event starts at 2 p.m. at the Skip Viragh
Center for the Performing Arts on the Chaminade College Preparatory School campus,
425 S. Lindbergh Blvd. Ryan Cooper, a local professional actor, will return as
master of ceremonies for the fifth time.

When Lucinda Gyurci founded AFL, the first awards were
handed out in 1999, with 14 musicals from 11 groups nominated through the group’s
judging panel, the Theatre Recognition Guild.

“I wasn’t sure the Best Performance Awards would go beyond
one year. The first year was extremely difficult, being met with (sometimes
hostile) negativity, trepidation of being judged, a tremendous amount of work
and no funds,” Gyurci said. “However, barring past the nay-sayers, the event
happened by sheer will. One could feel the electricity in the air at the event
and for the first time the participants realized this was an opportunity to
recognize excellent work and celebrate each other within the theatre community.”

Gyurci said it was the first theater event in St. Louis
that was like the Tony Awards, which makes it the area’s oldest and longest
continually running theatre awards.

This year, 48 shows – 21 large, 7 small and 20 youth — produced
by 26 community theater groups in St. Louis, St. Charles County and metro-east
Illinois were eligible for BPA awards consideration, with 1,302 artists judged
for nominations.

Trophies will be awarded in 33 categories. Performances
from the 13 nominated musicals for best productions – small (3) and large (5) ensembles
and youth (5) – will be included.

The Lifetime Achievement Award is being given to Joe Paule
Sr., a longtime musician and musical director. He was one of the orchestra
nominees in 1999.

“Theater is alive and kicking in 2019 and local theaters in
metro St. Louis and Illinois are to be commended for a job well done,”
McCreight said.
“The awards are a wonderful way for all actors and tech crews to celebrate and
enjoy each other’s successes and be recognized and rewarded,” McCreight said.

For the first time ever, metro-east theater groups
dominated the Best Musical – Large and Small Ensemble categories, with 5 of the
8 nods: Alfresco Productions, Curtain’s Up Theater, Goshen Theatre Project,
Looking Glass Playhouse and Riverbend Youth Theatre

Nominations were announced at the 10th annual AFL Trivia
Night Feb. 2, with 43 percent of nominees recognized for the first time. Goshen
Theatre Project in Madison County led the BPA nominations, with 23 – 12 for
“The Lion King Jr.” and 11 for “Chitty Chitty Bang Bang.”

Curtain’s Up Theater Company in Edwardsville earned 19 – 16
for “Into the Woods,” and 3 for “Little Miss Sunshine” – and tied with Alfresco
Productions in Granite City with 19 – 12 for ‘Dames at Sea” and 7 for “Beauty
and the Beast.”

The Alpha Players of Florissant received 11 nominations,
with 7 for “You’re a Good Man, Charlie Brown” and 4 for “Bells Are Ringing.”

Among youth productions, Shooting Star led the way with 14
for “Big Fish.”
Two special youth awards will be given to Caroline Santiago Turner, who will
receive Best Youth Musical Performance for “Violet,” and Sean Harvey,
named Best Youth Featured Dancer, as Bobby in “Crazy for You,” both
produced by the Gateway Center for the Performing Arts.

The Looking Glass Playhouse in Lebanon, Ill., lead all AFL
nominations, with a total of 31, which included 22 BPA nods and 9 Theatre Mask
Awards nominations.

Their musical, “Newsies,” garnered 14 nominations, while
musicals “Bloody Bloody Andrew Jackson” and “The Wizard of Oz” each scored 4.
On the TMA side, their production of the drama, “Frost/Nixon” received 9 and
won 4.

Five years ago, AFL started the Theatre Mask Awards, which
recognizes work in straight plays produced by community theater. Ten groups
currently participate, and a judging panel evaluated 25 shows – 12 dramas and
13 comedies — for the 2018 calendar year.

The fourth annual event took place on April 6 at a brunch celebration
at The Atrium banquet center on the campus of Christian Northeast Hospital,
with a sold-out crowd of 256 in attendance. Longtime radio personality Vic
Porcelli was the host.

Kevin Frakes of Alton Little Theater received the Lifetime
Achievement Award for his 40 years as a performer, director, producer and set
designer. He is currently president of the ALT board of directors.

Awards were presented in 18 categories, with LGP’s
“Frost/Nixon” tying with Actors’ Attic’s local premiere of “The Curious
Incident of the Dog in the Night-time” for Outstanding Drama Production.

Clayton Community Theatre’s production of Neil Simon’s
“Brighton Beach Memoirs” won three awards, including outstanding comedy
production and for actor Patrick Blanner as Eugene and director Sam Hack.

“Frost/Nixon” also won for director Glenn Saltamachia,
supporting actor Mike Russell (as Reston) and large ensemble.
The two leading performers in “The Curious Incident,” Dan Haller and Emily
Brutton, won acting honors.

Other multiple winners included O’Fallon TheatreWorks’ play
version of F. Scott Fitzgerald’s “The Great Gatsby,” which won two — supporting
actress for Tori Stukins and costume design for Carole Lanham.

The drama “One Flew Over the Cuckoo’s Nest” received awards
for two different theater groups’ productions. Alton Little Theater’s show won
lighting design for Lee Cox and Dennis R. Stephenson and the O’Fallon Theatre
Works’ play won set design for Chris and Ellie Lanham.

Alton Little Theater also won outstanding actress in a
comedy – Alison Beach as three different ‘heiresses’ in “Who’s in Bed with the
Butler?”

The Theatre Guild of Webster Groves was honored with three
acting awards. Kaylee Ryan won outstanding juvenile performance in “The
Children’s Hour” while Will Shaw won supporting actor in a comedy in Steve
Martin’s “Picasso at the Lapin Agile”” and Sarah Hirshfield won supporting
actress in a comedy in Neil Simon’s “Laughter on the 23rd Floor.”

Clayton’s “Bus Stop” won Best Large Ensemble.

“I am proud of the dedication of the TMA Steering Committee
and Director Glenn Guillermo,” McCreight said. “The AFL Board of Directors
congratulates all participants/nominees in last year’s shows. I am happy to see
the TMAs thriving and creating a niche for yourselves in the theater
community.”

Visit the website for more information:
www.artsforlife.org. For a PDF of the BPA nominations for 2018, here is the
link:

http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

By Lynn Venhaus
Managing Editor
Treat Mom to a play or musical this weekend? Or next weekend! Any time is the
right time to Go See a Play! Here’s what is happening now.  And make time for the Tennessee Williams
Festival! Only once a year, and the time is now!

“Biloxi Blues” Clayton Community Theatre May 2-12 Thursday through Saturday at 8 p.m.; Sunday at 2 p.m. but no performance May 10 Washington University South Campus Theatre 314-721-9228www.placeseveryone.org

What It’s About: The second in “The Eugene Trilogy,” Neil
Simon’s semi-autobiographical comedy centers on the contest of wills between a
drill sergeant and an intellectual recruit at an Army base in Biloxi, Miss., in
1943. Along the way, he loses his innocence in many ways.

“Death Tax” Mustard Seed Theatre May 9 – 19 Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m. Fontbonne Fine Arts Theatre What It’s About:  by Lucas Hnath “As Maxine nears the end of her life she is certain of three things: Death, Taxes and the Greed of her daughter who wants her to die quickly. A desperate nurse vows to keep her alive, but at what cost? Darkly comic, the play explores morality and forgiveness.” Performances take place at the Fontbonne Fine Arts Theatre, 6800 Wydown Blvd. For more information, call (314) 719-8060 or visit the web site at www.mustardseedtheatre.com.

“Dear Mr. Williams” The Tennessee Williams Festival Friday at 8:30 p.m. and Saturday at 3:30 and 8:30 p.m., May 10 and 11 Curtain Call Lounge www.twstl.org What It’s About: The blue devils of sex, alcohol, and mendacity take center stage in this tender and funny coming-of-age story of a young gay artist. With the great American playwright as his compass, writer and performer Batt takes us on a thrilling and very personal journey out of the shadows into a bright light of self-discovery. The tumultuous-and sometimes treacherous-journey from adolescence to adulthood is one we all must take, but Batt’s one-man tour de force proves that it’s oh so much more fascinating and fun with Tennessee Williams as your guide. “Freaky Friday” Curtain’s Up Theater Company May 10-12 Thursday and Friday at 7:30 p.m., Saturday at 2 and 7:30 p.m., and Sunday at 2 p.m. Dunham Theatre, SIUEwww.curtainsuptheater.com

What It’s About: Based on the Disney movie, “Freaky Friday” is a musical about a mother and daughter changing places to comical effect.  

“A Lovely Sunday for Creve Coeur” The Tennessee Williams Festival May 11- 19 Saturdays and Sundays at 1 and 5 p.m.  www.twfstl.org

What It’s About: Four eccentric and unforgettable women fry
chicken, plan a picnic to Creve Coeur Lake, and cope with loneliness and lost
dreams in an efficiency apartment on Enright Avenue in the Central West End
circa the mid-1930s. Williams gives us more laughs than usual, but no less
poetry or poignancy. Williams believed that growing up in St. Louis was
essential to the shape of his work. A Lovely Sunday for Creve Coeur is one of
his few plays set here, and was the inspiration behind TV’s “The Golden
Girls.

Director: Kari Ely
Starring: Kelly Weber, Ellie Schwetye,  

Madea’s Farewell Play Tour May 10 – 12 Friday at 8 p.m., Saturday at 3 and 8 p.m., and Sunday at 3 and 7:30 p.m. The Fabulous Fox Theatre www.fabulousfox.com What It’s About: Tyler Perry’s 21st stage play Starring: Tyler Perry, Tamela Mann, David Mann and Cassi Davis Patton

“Mamma Mia!” Alton Little Theater May 10-19 Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. 2450 N. Henry in Alton 6180462-6562www.altonlittletheater.org What It’s About: Love, mishaps, and music by ABBA will have audiences dancing in the aisles again as they feel transported to the Greek Island of Kalokairi on the eve of a wedding.

“Mamma Mia!” Looking Glass Playhouse May 2 – 12 Thursday through Saturday at 7:30 p.m. and Sunday at 2 p.m. 301 W. St. Louis St., Lebanon, Ill.www.lookingglassplayhouse.com 618-537-4962

What It’s About: Through ABBA’s hits, a romantic comedy
tell the hilarious story of a young woman’s search for her birth father. This
sunny and funny tale unfolds on a Greek island paradise. On the eve of her
wedding, a daughter’s quest to discover the identity of her father brings three
men from her mother’s past back to the island they last visited 20 years ago. A
mother. A daughter. Three possible dads.

“Nice Work If You Can Get It” Kirkwood Theatre Guild May 3-5, 9-12 Evenings at 8 p.m., Sunday matinees at 2 p.m. Robert G. Reim Theatre Website: https://www.ktg-onstage.org/ 314-821-9956

What It’s About: A screwball comedy set in the Prohibition
era with songs by George and Ira Gershwin. Elegant socialists and boorish
bootleggers clash, when playboy Jimmy Winter meets a female bootlegger, Billie
Bendix, on the weekend of his third or fourth wedding.

“The Night of the Iguana” Tennessee Williams Festival May 9 – 19 The Grandel Theatre What It’s About: based on Williams’ 1948 short story, which was then developed into three acts for Broadway production in 1961. A Tony nominee for Best Play, it was adapted into a 1964 movie, directed by John Huston, that starred Richard Burton, Ava Gardner and Deborah Kerr. The play focuses on a former minister, barred from his church for defaming God, who works as a tour guide. He is accused of statutory rape of a 16-year-old girl in his tour group. Director: Tim Ocel Starring: James Andrew Butz, Lavonne Byers, Hannah Sturgis, Harry Weber, Spencer Sickmann, Greg Johnson, Victor Mendes, Luis Aguilar.“Over the Tavern” The Theatre Guild of Webster Groves May 3 – 11 Friday and Saturday at 8 p.m.www.theatreguildwg.org 314-962-0876 What It’s About: In that most idealized period of 20th-century America, the Eisenhower years of the 1950s, the Pazinski family has a lot going on in their cramped Buffalo apartment. The youngest of the bunch, 12-year-old Rudy, is a smart, wise-cracking kid who’s starting to question family values and the Roman Catholic Church. When Rudy goes up against the ruler-wielding Sister Clarissa and announces that instead of being confirmed he’d rather shop around for a more “fun” religion, all hell breaks loose.” Parental discretion is advised.

Director: Warren Frank Starring: Henry Alverson, Jimmy Hall, Andrea Jacobson, Tracy Murphy, Pepi Parshall, Declan Ryan, Patrick Ryan “Salt, Root and Roe” Upstream Theatre April 26 – May 12 Shows at 8 p.m. except Sundays at 7 p.m. but May 12 at 2 p.m. Kranzberg Arts Centerwww.upstreamtheater.org What It’s About: Tim Price’s play is about the nature of change, the comfort of home and the eternal bond of love, set against the mythical backdrop of the Pembrokeshire coast in western Wales. Identical twins Iola and Anest, who are devoted to age other and aging fast. Anest’s daughter, Menna, rushes to her long-abandoned childhood home where her own ideas of love and compromise are tested to the limit. Director: Kenn McLaughlin Cast: Donna Weinsting, Sally Edmundson, Eric Dean White, Amy Loui

Of Note: A U.S. premiere in co-production with Stages
Repertory Theatre of Houston.