By Alex McPherson A gnarly B-movie that’s both messy and thrilling, director Elizabeth Banks’ “Cocaine Bear” delivers on the chaotic fun promised by its title.
Set in 1985, the film — inspired from true, albeit far less “entertaining” events — begins with a crazed drug smuggler named Andrew C. Thornton II (Matthew Rhys) dumping a large shipment of blow over the Chattahoochee-Oconee National Forest to be retrieved later. The drugs are soon ingested by an American black bear, who, hyped up on the substance, embarks on a path of destruction, not letting anything get between her and the good-good.
When trying to parachute out of his plane, Andrew knocks himself unconscious on the doorframe and falls to his death in Knoxville, Tennessee. He’s then identified by a local policeman named Bob (Isaiah Whitlock Jr.), who links the drugs to a ruthless St. Louis kingpin named Syd White (Ray Liotta). Syd enlists his depressed son, Eddie (Alden Ehrenreich), who is mourning the loss of his wife, and his tough guy fixer, Daveed (O’Shea Jackson Jr.), to find the cocaine. They’re unaware that Bob’s on the trail, but, more importantly, unprepared for the cuddly carnivore that awaits them.
Meanwhile, the 12 year-old Dee Dee (Brooklyn Prince) and her best friend Henry (Christian Convery) skip school to paint a picture of a waterfall in the forest without telling her mother, Sari (Keri Russell). Before long, they find some bricks of cocaine, eat some of it (as one does), and wander into the vicinity of our titular bear. Sari, who happens to be a nurse, panics and goes out searching for them, accompanied by the raunchy, nonchalant Ranger Liz (Margo Martindale) and her tree-hugging crush, Peter (Jesse Tyler Ferguson), whose love of nature isn’t exactly reciprocated.
As these disparate groups converge, mama bear joins the party, not caring one iota about their petty human affairs — they are prime meat for the slaughter. Indeed, when the bear is unleashed to wreak gratuitously bloody havoc, Banks’ film shines: creature-feature-slasher as tar-black slapstick comedy. The human drama doesn’t hold up in comparison, but “Cocaine Bear” remains briskly paced and wholeheartedly committed to the bit during its 95-minute runtime, while maintaining an earnest streak through the bloodshed that, for all its awkwardness, fits the proceedings like a glove.
As expected, “Cocaine Bear” doesn’t aim for high-minded social commentary (no pun intended), and never takes itself too seriously. Numerous criticisms can be lobbed its way in terms of structure and consistency, but, perhaps, that’s part of the point — the bear triumphs over all. Nearly every other element, no matter how lackluster, sets up scenarios for her to engage in gory goodness. Even though the film can be a scattershot affair, the payoff is always worth it.
By not anthropomorphizing the bear itself, Banks respects it as an animal hooked on a mysterious substance, instantly addicted and empowered with newfound boldness — unpredictable and dangerous, merciless in its pursuits and not to be trifled with by anyone idiotic enough to believe they stand a chance against it. Performed with impressive motion capture by Allan Henry, the bear is a source of both terror and hilarity, with Banks delivering some genuinely suspenseful set-pieces of it creeping up on and misdirecting its prey; priming viewers for some wholly effective jump-scares and viscera-laden carnage amid rustling foliage and sunswept fields.
One scene involving an ambulance is a masterpiece of dark comedy — fear and tension turning into shocked laughter that’s best viewed with a large crowd of like-minded souls. These sequences, thanks to Banks’ unflinching direction, John Guleserian’s dynamic cinematography, and Mark Mothersbaugh’s synth-heavy score, are memorable, and worth the price of admission alone.
What about the humans, though? “Cocaine Bear” doesn’t prioritize “raw emotion” in their respective arcs, but the ensemble capably shoulders the absurdity. Whitlock Jr. brings his characteristic deadpan dignity to policeman Bob, remaining cool and collected through his exasperation and increasing peril. With a small dog waiting for him at home, we’re rooting for him to make it out alive. Martindale and Ferguson are exceptional — essentially cartoon characters who, for what they lack in groundedness, make up for in charm. Russell convincingly brings out her own “mama bear” side to rescue Dee Dee, while Prince and Convery are hilarious as two rebellious youngsters in way over their heads who aren’t quite as brain-dead as viewers might initially expect. Ehrenreich and Jackson Jr. do what they can, but aren’t nearly as successful with standard archetypes bonding through their trauma bond and finally learning some self-respect. Liotta amusingly hams it up as the real villain of the piece, rather one-note but enjoyable to watch nevertheless.
Even though “Cocaine Bear” is, well, “Cocaine Bear,” there’s some environmentalist themes that rear their heads, principally the importance of respecting the natural world. Like the shipment of cocaine that’s carelessly dropped into the wilderness, this batch of characters with wildly different life experiences are gathered within a space they don’t belong— encountering a drug-fueled apex predator ready to punish them for their intrusion. Whether or not they deserve their fates, the bear (as it mauls, stalks, and does lines of cocaine off severed limbs) is an equalizing force that removes preconceptions and shifts the humans’ focus to pure survival and self-preservation, at least if they’re smart enough to recognize it. The animal also illuminates their true values. But none of this really matters — it’s just appealing to watch a coked-up bear causing complete and utter chaos.
Admittedly, there is too much going on plot-wise for “Cocaine Bear” to be as focused and satisfying as it should be. The film’s editing is occasionally clunky, with intermittently awkward transitions that break immersion. Similarly, the film’s jokes are hit-or-miss, with the general vibe representative of “there’s a bear on cocaine, oh no!” and punchlines via over-the-top violence. Cheesiness abounds, which fits with the film’s goofy, 80s-throwback style, but lacks emotional heft. The script’s brand of broad, gross-out humor won’t work for those who don’t find the concept giggle-worthy, or who are easily perturbed by excess gut spillage.
Fortunately, for this viewer, “Cocaine Bear” is properly filling, meeting expectations and having (slightly) more to unpack than being merely a slasher flick. This is Cocaine Bear’s domain, and we’re just existing in it.
“Cocaine Bear” is a 2023 comedy-thriller directed by Elizabeth Banks and starring Keri Russell, Matthew Rhys, O’Shea Jackson Jr., Alden Ehrenreich, Ray Liotta, Brooklynn Prince, Christian Convery, Isiah Whitlock Jr., Jesse Tyler Ferguson and Margo Martindale. It is Rated R for bloody violence and gore, drug content and language throughout and the run time is 1 hour, 35 minutes. I opened in theaters Feb. 24. Alex’s Grade: B
Greetings! This is a people, places and events column about local and
national showbiz items that will appear regularly. Feel free to message me with
interesting tidbits.
Today we provide some ways to fill your
quarantine days and nights, a list of resources for artists, updates on the
Theatre Proms and more.
MRS. AMERICA: St. Louis anti-feminist icon Phyllis Schlafly was an Alton, Ill. housewife when she gained national attention in conservative politics, fighting the Equal Rights Amendment and founding the Eagle Forum in 1972. She’s the subject of a nine-part miniseries, “Mrs. America,” which starts Wednesday, April 15 on Hulu. The first three episodes: “Phyllis,” “Gloria” and “Shirley” will air then, then each week through May 27, depicting the battles between Schlafly and the leaders of the women’s movement in the 1970s.
The cast includes Cate Blanchett as Schlafly, Tracey Ullman as Betty Friedan, Rose Byrne as Gloria Steinem, Margo Martindale as Bella Abzug and Uzo Aduba as Shirley Chisholm.
Fun fact: I saw Schlafly debate Betty Friedan on the ERA during college. Phyllis came up to the podium, looking like Betty Crocker, and said: “How many women want to get drafted?” A guy in the audience yelled out: “How many men do?” When Betty came up, in a mumu, she clearly had the crowd on her side. Illinois State University, 1973.
*** THEATER PROMS: Springtime is awards season for the theater community, but this year, the mandatory Shelter-in-Place doesn’t allow gatherings of 10 or more. Therefore, events have been cancelled, rescheduled and rebooted
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle Awards ceremony was to take place on March 30 at the Loretto-Hilton Center on the campus of Webster University, but the event had to be cancelled. Local theater critics still honored outstanding regional professional theater.
Instead, HEC provided a streamcast of the awards on
Tuesday, April 7, at 7 p.m. on their Facebook page. The event was downscaled
reading of the nominations and awards, but hey, it’s #TCA20. You can still see
it! Here is the YouTube link:
The theater critics recorded the nominations, and their voice-overs ran over photos. Then HEC announcer Rod Milam announced the winner. There were 34 categories to give awards in, which cover dramas, comedies and musicals. All in a half hour.
Many thanks to HEC Media, including Dennis Riggs, total pro announcer Rod Milam and ace producer Paul Langdon. Thanks to our theater buddy Andrea Torrence for the work on the graphics – the photos really made the virtual. event “pop.” I applaud your sharp professional skills and your devotion to local theater.
A special award was given to Ken and Nancy Kranzberg for their tremendous support and commitment to the arts. Where would St. Louis arts be without the Kranzbergs?
Congratulations to the winners AND the nominees, and
everyone who gave of their heart and soul to produce live regional professional
theater with such passion and panache in 2019.
It truly was a fantastic year, especially for drama, and
what a crowded field of talent among the 125 artists nominated and 51 shows
from 25 different companies.
It is a privilege to see such a variety of theater during
the year, and as a founding member of the St. Louis Theater Circle, it has been
a real joy these past eight years.
In due time, we’ll be back in darkened theaters watching
people create magic. We’ll get to hug and laugh again, and marvel at this thing
called art that connects us all.
Even virtually for one evening — that was a welcome respite
from the sad, terrifying and anxious daily news, wasn’t it, in what’s become
the norm in our current global pandemic. People really seemed to enjoy it,
lifted spirits – some casts had Zoom parties.
I look forward to seeing you all again, in the “After
Times.”
In community theater, the Arts For Life board of directors
presents two awards events each year, the Best Performance Awards honor musical
theater and youth productions, and the Theatre Mask Awards honor straight
plays.
The fifth annual Theatre Mask Awards, which honors both dramas and comedies, was to take place at a brunch on Saturday, April 4, at The Atrium Center at Christian Hospital. However, it has been rescheduled for July 18.
The 21st annual Best Performance Awards is scheduled for Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at Chaminade. However, the AFL board of directors will decide shortly on whether the event will be moved. Stay tuned.
For more information and to see lists of nominations, visit
www.artsforlife.org.
You can get tickets to both events for the special price of $40. Visit www.artsforlife.org for
more information and to see a complete list of nominees.
Emcees are Donna Northcott, a theater professor at Lindenwood University – St. Charles, for the TMAs, and local singer-actress Karen Fulks for the BPAs.
(Full
disclosure: I am a founding member of the St. Louis Theater Circle and I am on
the Board of Directors of Arts For Life).
***
HELP IS HERE: How can you help all the artists around the region and homebound folks around the region? During this unprecedented time of isolation, Stay-at-Home mandate, social distancing to #flattenthecurve, here are some resource links:
This fund will provide short term monetary relief to
employees and owners of independent bars, restaurants, and shops in the St.
Louis area affected by closures and other circumstances brought about by the
COVID-19 outbreak.
The fund will be used to direct resources to regional
nonprofits that are working with local communities disproportionately affected
by the coronavirus crisis and its economic fallout.
Any individual artist living in the St. Louis metro area
who has had an event, gig, or paying opportunity canceled due to the COVID-19
crisis can apply for funding.
Support for Artists and Production Crews:
• I Lost My Theatre Gigs resource list and donation site:
https://ilostmytheatregigs.squarespace.com/
The National Domestic Violence Hotline: https://www.thehotline.org/ Hotline:
1-800-799-7233 Text support: Text “LOVEIS” to 22522
Broadway may be dark, but today you can be a light for the
theater community.
Broadway Cares/Equity Fights AIDS launched the COVID-19
Emergency Assistance Fund to help those onstage, backstage and behind the
scenes during and after the coronavirus pandemic. Through your donation to this
special fund, administered by The Actors Fund, you can ensure entertainment
professionals get the health care, emergency financial assistance and
counseling they need.
Any others I miss?
*** THEATER UPDATES: I try to keep up with the latest news on cancellations and postponements. Here’s the new one. https://www.poplifestl.com/?p=1845 ***
THE SHOW MUST GO ON: OverDue Theatre Company had to cancel “My Fair Lady” this spring but has put together a Quarantine Concert for Facebook Live on Friday, April 17, at 7 p.m. Special guests include Kaitlyn Mayse, Lauren Molina and Nikki Snelson. Featuring Kimmie Kidd, Eleanor Humphrey and Kay Love, there are 17 performers from the OverDue family who will perform too.
SOME GOOD NEWS: You know him, you love him from “The Office,” the immortal Jim Halpern of the Jim and Pam office romance. Actor John Krasinski has started his own web series, “Some Good News,” and the first episode on March 29 was such a hit, he has produced two more, all dropping on Sunday nights. It’s both inspiring and distracting.
The first one features an interview with Steve Carell, as they reminisce about “The Office.” Watch here: https://youtu.be/F5pgG1M_h_U
You can follow his page on Facebook for updates and a link
to submit good news.
*** CINEMA STL: Like everyone else, Cinema St. Louis has rescheduled some events. Here are the new dates/information: Classic French Film Festival: Working to move to late July/early August; St. Louis Science Fiction and Fantasy Short Film Festival: Moving from May 1 to hopefully this summer; QFest: Moving from mid-May to possibly July; Filmmaking camps: Camps slated for June and July will continue as scheduled for now; I Love Movies Trivia Night: Still scheduled for Friday, June 5, with backup dates of Friday, Aug. 28, or Friday, Sept. 4; St. Louis Filmmakers Showcase: This event is currently scheduled to go on as planned in July – deadline May 31; Golden Anniversaries: Films of 1970: The six-film fest is now slated for the following Saturday-Sundays: Aug. 22-23, Aug. 29-30, and Sept. 5-6 at the St. Louis Public Library’s Central Library; SLIFF: Hoping to go as scheduled in November.
*** TEAM LEGEND: About a year ago, singer-guitarist Joanna Serenko won the St. Louis Teen Talent Showcase, sponsored by the Fox Performing Arts Charitable Foundation. Now she’s a contestant on “The Voice.”
Joanna Sorenko
The poised and talented 2019 Kirkwood High School graduate had
a four-chair judges’ turn for her blind audition during Feb. 24 night’s season
premiere. She sang Amy Winehouse’s R&B rendition of The Beatles’ classic
“All My Loving,” and new judge Nick Jonas fought for her to be on his team.
Here’s her performance link:
The Battle Rounds began March 23, and Joanna was paired
with Roderick Chambers to sing Billie Eilish’s “When the Party’s Over.” Here is
the duet:
https://youtu.be/lVmvz9v5KgE
Kelly Clarkson described their duet as “effortless and
beautiful and passionate,” and coach Nick called her a “flawless singer” but
picked Rod as the winner — then John Legend stole Joanna, so she advances to
the Knockout Rounds on Team Legend. EGOT Legend said she had a lot of “style
and grace” in her voice.
Both the Battle and Knockout Rounds were taped earlier, so
they aren’t affected by the virus shutdown. However, the live shows in May
might be, which follows the Knockout Rounds. Go Joanna! (Tune in April 13).
For the first show, a viewing party took place at the Marcus
Des Peres Cinema. Due to the pandemic, that can’t happen now. If it starts up again,
I’ll let you know.
She used to sing in the choir at Kirkwood’s United
Methodist Church and moved here from Cleveland in 2010.
***
AND THAT’S A WINNER: Sports commentator and hometowner Joe Buck is reaching out to sports fans, asking them to send videos so he can provide a “play-by-play” of what they’re doing while staying at home — perhaps dribbling in place? Just be careful what you send him.
*** HARRY POTTER INTERACTION: Want to escape to fantasy worlds during this global pandemic? “Harry Potter” author J.K. Rowling has launched a new website called Harry Potter at Home – a free magical resource to keep readers of all ages entertained while staying at home. In addition to the existing interactive features on WizardingWorld.com, the site creators have added new activity kits, “nifty magical craft videos,” quizzes, puzzles, and more. You can also listen to the first book on Audible for free or download and read it from a digital library.
*** AND HE SCORES! Congratulations to Tom Calhoun, one of the nice guys in local media and the St. Louis Blues announcer for 33 years, who was recognized with three honors by the St. Louis Sports Hall of Fame. He was recently inducted, presented with the President’s Choice Award and given a commemorative 1500th-game plaque at the fourth annual Illinois Enshrinement Dinner.
Tom Calhoun, Tom Morris and Laila Anderson
A veteran of KMOX, WIBV and other stations, he is currently an adjunct communications professor at Southwestern Illinois College and general manager of its campus radio station, Blue Storm. He has never missed a Blues game since 1987 — until the global pandemic sidelined the team and the NHL cancelled the season. (Just think: a year ago, on April 10, we won the first of the 16 games we needed to win in the Stanley Cup Playoffs).
Cutline: Pictured, left to right, Tom Calhoun, head of the St. Louis National Hockey League Off-Ice Crew Tom Morris and St. Louis Blues inspiration and “super-fan” Laila Anderson. Photo by Bill Greenblatt
APPLAUSE, APPLAUSE:The Black Rep was awarded the August Wilson American Century Cycle Award by Christopher Rawson of the Pittsburgh Gazette on its opening night of “Two Trains Running.”
In 2008, they were the third company in America to complete
the 10-play American Century cycle and are currently two-thirds of the way
through it for the second time. Each of the 10 plays are set in a different
decade of the 20th century.
The Black Rep board at ceremony – Rawson at far right. Photo by Phillip Hamer.
Rawson, the newspaper’s senior
theater critic and an August Wilson House board member, made the presentation
Jan. 10. The award was established only recently, so presentations are being
made gradually to the 15 qualifying companies.
“August is still alive, first, in the people,
places and stories from what we call August Wilson’s Hill, and second, in the
theaters around the country that bring them to life. This award, presented
jointly by his hometown newspaper and his childhood home, celebrates the
conjunction of these two. It says that we are all connected in August’s work,
through our recognition of its rich humanity and spiritual passion,” he said.
Wilson’s widow, Constanza Romero Wilson, sent thanks to The Black Rep “for your ongoing support of his legacy and for continuing to tell the stories for many generations to come. You ‘belong to the band’!” The quotation comes from Wilson’s “Gem of the Ocean,” where “the band” refers to those who struggled to free black Americans from slavery and Jim Crow.
Meadow Nguy
*** IN THE CREDITS: Meadow Nguy of O’Fallon, Ill., makes an appearance in the seventh episode of the new Amazon Series “Hunters” starring Al Pacino. She was seen in “Law and Order: SVU” last November, and has been on “Madam Secretary” and “The Blacklist.” She moved to New York after graduating from Indiana University with a degree in musical theater. She appeared on stages in St. Louis, including the 2012 “Spring Awakening” at Stray Dog Theatre and their world premiere of “Spellbound,” and in the metro-east during her high school years. She won the Illinois Musical Theater Award, her ticket to the Jimmy Awards in 2012.
*** BOOKSHELF: New Line Theatre Artistic Director Scott Miller is also a prolific writer. His latest, “Idiots, Heathers, and Squips,” digs into a new batch of original, interesting musicals produced the first 15 years of the millennium.
He does deep dives into these 11 that represent “the astonishing variety and fearlessness of this new Golden Age: Urinetown, Sweet Smell of Success, Jerry Springer the Opera, Passing Strange, Cry-Baby, Next to Normal, Bloody Bloody Andrew Jackson, American Idiot, Heathers, and Be More Chill.
LISTEN IN: MK Andersen’s“The First Hundred Days.” She is inspired by the idea that if the first hundred days of a presidency are the most pivotal and important, then the first hundred days of X,Y and Z must also be important. New ones are released every Tuesday: https://yourdaybymk.com/podcast-first-hundred-days : MK, who operates a wedding planning business, is a graduate of University of Notre Dame with a bachelor’s degree in political science. For the podcast she has talked to a writer at Netflix, a former university president and others. In episode 2, a fascinating talk with former FCC Chairman Newton Minow (1961-1963) is here. Minow, 94, served under President Kennedy. He practices telecommunications law in Chicago and in 2016, received the Presidential Medal of Freedom from Barack Obama.
Fun fact: “Gilligan’s Island” creator Sherwood Schwartz named the tiny ship that took that fateful trip for Minow because he thought he had ruined television. Minow is noted for a speech in which he called American television a “vast wasteland.”
Reel Times Trio
*** REEL TIMES TRIO: Of course I’m going to plug my own, Reel Times Trio podcast, which is Carl “The Intern” Middleman, myself and a rotating guest to discuss the latest movie releases, what’s out on DVD and streaming, what’s new in Hollywood and Broadway, what’s happening locally, good TV and more.
We’re on iTunes and SoundCloud, and have a Facebook page where we post episodes each week. We also are posted here at PopLifeSTL.com During the pandemic, after a brief layoff, we have transitioned to Zoom. Find us here: https://soundcloud.com/lynn-zipfel-venhaus
Bill Hader and Henry Winkler in “Barry”
*** ICYMI: Need something to do? HBO has unlocked the vault on nine popular series that you can watch for free on HBO Now or HBO Go, or if you have cable TV, now through May 31. The shows are: Barry, Big Little Lies, The Wire, The Sopranos, Succession, Veep, Silicon Valley, Six Feet Under, True Blood and Ballers.
Need to know where you can find a movie to watch, whether
it’s streaming or not? Check out www.justwatch.com or
download the app on your phone.
Did you miss Andrea Bocelli’s free streaming concert from Milan on Easter Sunday? Here is the YouTube link to the half-hour concert, featuring the famed opera singer performing “Ave Maria,” “Santa Maria” and “Amazing Grace”: https://youtu.be/huTUOek4LgU
He told NBC News: “I believe in the strength of praying
together. I believe in the Christian Easter, a universal symbol of rebirth that
everyone – whether they are believers or not – truly needs right now. Thanks to
music, streamed live, bringing together millions of clasped hands everywhere in
the world, we will hug this wounded earth’s pulsing heart…”
One of the best ads yet on staying safe for the good of a city, Here’s Doner Advertising Agency’s uplifting message to Detroit: https://youtu.be/JJzlXhXrD7I
*** MEMORY LANE: Valentine’s Day marked the 50th anniversary of bestseller “Love Story,” the young romance that had hearts aflutter back when I was in high school. This is actually my own book cover.
*** WORD: “The world needs artists more than ever to remind us what truth and beauty and kindness really are.” — Terence McNally (1938-2020), in his Lifetime Achievement Award speech at last year’s Tony’s.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
