‘I Care a Lot’ Is Worth Caring About

‘I Care a Lot’ Is Worth Caring About

By Alex McPherson

Featuring an incredible lead performance from Rosamund Pike, “I Care A Lot” is a darkly comedic roller coaster ride from start to finish. 

Marla Grayson (Pike) bases her life around taking advantage of senior citizens through fraudulent guardianships. In an unforgiving world, she believes only the most cutthroat will succeed. Once she or her girlfriend, Fran (Eiza González), finds a well-off elder, Marla acquires court permission to install herself as their “legal guardian.” She then takes charge of their finances and imprisons them in a care facility where they’re cut off from the outside world — all the while draining the poor saps of their money and sense of self.   

Suffice it to say, Marla is a stone cold sociopath. She exerts a palpable influence on those around her and rarely loses control of any situation she’s in. When she targets Jennifer Peterson (Dianne Wiest), Marla garners the attention of Jennifer’s donut-loving son, Roman Lunyov (Peter Dinklage), who also happens to be a sadistic drug smuggler. Marla and Fran must reckon with the deadly consequences. 

With shades of “Sorry to Bother You” and “Uncut Gems” sprinkled throughout, director J Blakeson’s film makes up for its lack of substance with memorable characters and an unpredictable plot.

Indeed, there aren’t many sympathetic folks in this story of greed, opportunism, and the American Dream. Viewers looking for people to root for won’t find any here. On the other hand, much of the fun of “I Care A Lot” comes from watching them destroy each other in a bloody battle of wits. As the stakes escalate for Marla and Fran, the film only grows more entertaining — not holding up to much scrutiny, but clever enough to leave a lasting impression.

Marla is a cunning, calculating, and compulsive individual. She’s able to shift personas on a whim to match different situations, always aware of her manipulative power and unflinching in the face of threats to her personal safety. These threats are usually toothless, until now. Pike absolutely dominates the screen, capturing her character’s heartlessness in a way that dares viewers to question her strength. Marla will snatch any opportunity to increase her wealth, always planning two steps ahead of her competition. It’s undeniably satisfying watching her pull strings for her personal gain — her razor-sharp dialogue simultaneously humorous and disheartening. 

 A troubled past is alluded to, but Blakeson doesn’t give Marla an involved backstory. Rather, she is an enigma who nevertheless cares deeply for her lover, Fran. This bond, though underdeveloped, gives Marla a shred of humanity despite her vile behavior.

The film’s clean, glossy shot compositions early on reflect Marla’s mastery of an amoral system disguised by artificial warmth. Later on, however, we’re able to see Marla stripped of her safety and command of the proceedings. The film’s style changes accordingly, evocative of a graphic novel and the volatile figure at the heart of it.

Marla’s a compelling antihero, earning some hard-earned respect by the film’s conclusion, but always remaining emotionally distanced. The other characters aren’t nearly as interesting, but there’s still a few standouts. Dinklage gives a scene-stealing performance as Roman, an unstable crime boss who, in a neat twist, actually has more sympathetic motivations than Marla does. Wiest is also wonderful, keeping viewers on edge regarding who Jennifer actually is.

Propelled by an eerie, synth-heavy score by Marc Canham, “I Care A Lot” moves along at a swift pace, but falters a bit by its heavy-handed finale. Plot holes abound, and Blakeson misses an opportunity to explore Marla’s psychology in more depth. Similarly, the film doesn’t add anything particularly unique in terms of social commentary — spotlighting a real-world issue of corrupt conservatorships, but adding little else to the conversation, launching itself into the firmly unbelievable.

Regardless of its missed potential, “I Care A Lot” is still a dastardly enjoyable film that fans of pitch black comedy should lap up.

“I Care a Lot” is a dark comedy thriller written and directed by J Blakeson, starring Rosamund Pike, Peter Dinklage, Dianne Wiest and Eiza Gonzalez. It is Rated R for language throughout and some violence, and the run time is 1 hour, 58 minutes. Alex’s Rating: B+. Available on Netflix as of Feb. 19. 

Riveting Historical Drama ‘The Dig’ Makes Archeology and Its Workhorses Compelling

Riveting Historical Drama ‘The Dig’ Makes Archeology and Its Workhorses Compelling

By Lynn Venhaus
Who knew watching people digging in the dirt would be so fascinating? That’s one of the surprising things about “The Dig,” which is based in fact and never dull.

Another revelation is how compelling the characters are – and that’s a credit to the fine performances, but also the script by Moira Buffini, who adapted John Preston’s 2007 book.

Seen through the eyes of the property owner and the modest working-class excavator, this thoroughly engaging film gives us an authentic account of how a 6th century ship is discovered underground and the battles it provokes.

In1938, Edith Pretty (Carey Mulligan) hired local excavator Basil Brown (Ralph Fiennes) to dig into those mysterious mounds of earth on her Sutton Hoo property, near Suffolk. What he discovers is remarkable in its historical significance – an Anglo-Saxon ship, with a burial chamber, from the 6th century. It would become the largest archeological find in England. Museum officials start fighting over it, as do university archeologists. At this same time, the country is on the verge of going to war with Germany after Hitler invades Poland.

Mulligan is terrific as Pretty, the fiercely loyal wealthy widow who won’t allow Brown’s contributions to be minimized, even though the snobby museum professionals demean his lack of training.

Brown is a bit unorthodox. An expert digger, Fiennes convincingly conveys this humble man — his eccentricities, prowess and gratitude over Mrs. Pretty’s kindness.

This much-lauded duo delivers nuanced portraits of the real people who gave the story its heart, and their friendship is one of the story’s best elements. Child actor Archie Barnes is an important component as young Robert Pretty, Edith’s son who forms a strong bond with Brown.

The supporting cast is also strong. Lily James is a bright spot as a capable academic, Peggy Piggott, whose unhappiness with her inattentive husband (Ben Chaplin) grows.

Johnny Flynn, so good in “Emma” and “Beast,” shows his versatility as Rory Lomax, Edith’s relative who preserves the scene with his camera but joins the RAF during the big activity on the grounds. Monica Dolan plays sweet May Brown, Basil’s supportive wife.

Australian director Simon Stone respects both the history and the human nature in telling the story, and lets the atmosphere speak for itself.

The creative work is important in keeping us riveted. Maria Djurkovic’s earthy production design is one of awe and wonder, with cinematographer Michael Eley capturing the stunning landscapes. Costume designer Alice Babidge’s period work is impressive, and Stefan Gregory’s music score punctuates the action well.

In not-so-subtle ways, “The Dig” emphasizes life, death and time in a smart, richly textured and endearing work. Dig in!

THE DIG (L-R): CAREY MULLIGAN as EDITH PRETTY, RALPH FIENNES as BASIL BROWN. Cr. LARRY HORRICKS/NETFLIX © 2021 

“The Dig” is an historical drama directed by Simon Stone and starring Carey Mulligan, Ralph Fiennes, Lily James, Johnny Flynn, Ben Chaplin and Monica Dolan. Rated: PG-13 for brief sensuality and partial nudity, the film runs 1 hour, 52 minutes. Lynn’s Grade: A. In select theaters and on Netflix Jan. 29.

Bleak ‘The Midnight Sky’ Never Warms Up

Bleak ‘The Midnight Sky’ Never Warms Up

By Lynn Venhaus
Regret and redemption are threads running through this bleak post-apocalyptic tale that wants to have both a human touch and a big picture narrative with its duel storylines.

The year is 2049. On Earth, some mysterious catastrophe has wreaked havoc. Instead of bailing like his fellow scientists, Augustine (George Clooney) stays at the research station in the Arctic Circle. Dying of cancer, he assumes he is alone. But finds that a young girl was left behind.

When he realizes the U.S. spaceship Aether, whose work on Jupiter is over, is heading home, he tries to message them not to return or they will be in danger. It is a race against the clock.

The trouble with “The Midnight Sky” is that both journeys – in space and on land – have gaping plot holes. I tend to overthink when I’m watching science fiction, but this is hard to connect the dots at times because information – and backstory – is dispensed so stingily or not at all.

For instance, the ship’s captain, Adewole (David Oyelowo) and assistant Sully (Felicity Jones) are having a baby together but they don’t show any evidence of themselves as a couple.

In flashback, George Clooney’s character Augustine is played by Ethan Peck, the grandson of legendary actor Gregory Peck. A clip of the elder Peck’s 1959 post-nuclear bomb film, “On the Beach,” is watched by pilot Mitchell (Kyle Chandler).

Based on Lily Brooks-Dalton’s novel, “Good Morning, Midnight,” this was meant to be a cautionary tale on climate change, but then a global pandemic hit, so the theme of regret at a time of great peril – and reflecting over life’s choices – struck a timely chord.

Screenwriter Mark L. Smith, who co-wrote “The Revenant,” adapted the 2016 book, and some characters have been altered. You do get a “Gravity Meets the Revenant” vibe, but it is also reminiscent of elements in “Ad Astra,” “Interstellar” and “The Martian.”

Clooney, a magnetic actor, hasn’t been in a film since 2016 “Money Monster,” and when you first see him on screen, as this dying, haggard 70-year-old loner, you may gasp. He goes all in as a guy driven by science that had little time for a personal life. He brings an emotional depth to the taciturn character.

His poignant scenes with newcomer Caoilinn Springall as the young girl left behind have an unexpected tenderness. 

As a director, Clooney’s efforts have been hit and miss, but he’s a sharp observer and takes on dramas that have something to say (“Good Night, Good Luck”). This film, with its grand space vistas and its harsh Arctic conditions, is more technically challenging, and Clooney is overwhelmed by its scope.

The visual effects are outstanding and cinematographer Martin Ruhe has done fine work here under grueling conditions. Alexander DeSplat’s score excels in both heavenly and earthly depictions.

However, Clooney is at his best with other good actors, and this is an ace ensemble.

For all its noble intentions, after a long slog, the film leaves us wanting more. Nevertheless, we are left with a glimmer of hope, and I’ll take it.

“The Midnight Sky” is a science fiction-fantasy drama directed by George Clooney. Starring Clooney, Felicity Jones, David Oyelowo, Kyle Chandler, Damian Bechir, Tiffany Boone and Caoilinn Springall, the film runs 1 hour, 58 minutes and is rated PG-13 for some bloody images and brief strong language. Lynn’s Grade: C+. It is available on Netflix beginning Dec. 23.

‘The Prom’ Leaps to Big Screen with Big Stars, Message Intact

‘The Prom’ Leaps to Big Screen with Big Stars, Message Intact

By Lynn Venhaus
Adapted from the 2018 splashy big-hearted Broadway musical, “The Prom” pops with color and pizzazz (or, in the show’s parlance, “Zazz.”).

Vain Broadway stars Dee Dee Allen (Meryl Streep) and Barry Glickman (James Corden) are slammed for their flop, “Eleanor!: The Eleanor Roosevelt Story.” With their careers suddenly flatlined, their chorus dancer pal Angie (Nicole Kidman) finds a cause they can get behind – in small-town Indiana, high school student Emma Nolan (Jo Ellen Pellman) wanted to go with her girlfriend Alyssa (Ariana DeBose) to the prom, so the PTA cancelled it. The insufferable divas race to the rescue in conservative Edgewater, along with Trent (Andrew Rannells) and Angie. Their involvement isn’t that helpful but gets people to see Emma for who she is and that’s OK.

Its potent message on tolerance and inclusivity is still intact, but the framing has lost some of its sincerity as director Ryan Murphy has stretched it into a bigger and flashier cinematic canvas.

The musical is based on concept by Jack Viertel, who had read about a teen lesbian denied attending her prom in Mississippi in 2010, which involved the ACLU and a decision on violating the First Amendment. It also was a magnet for celebrity activism, which gets a lot of dings in “The Prom.”

Murphy, who created and helmed six seasons of “Glee,” has ramped up the glitz and gone over-the-top at every opportunity. He knows his way around a show tune and aims for the heart. However, he pulls focus on his big-name stars so that the same-sex couple gets less attention.

Nevertheless, newcomer Jo Ellen Pellman is wonderful as Emma, who grows in confidence. Ariana DeBose, a veteran of “Hamilton” who will star as Anita in the upcoming remake of “West Side Story,” is a sensational talent and plays the closeted cheerleader.

Streep, at age 71, pulls off a self-centered star in the manner of Patti LuPone, and looks like she’s having a blast with Nicole Kidman, James Corden and Andrew Rannells. While they are fine, their lesser marquee counterparts were superior in the Broadway roles – Tony-nominated Beth Leavel as Dee Dee and Brooks Ashmanskas as Barry especially. Kidman shows off her abilities in a Fosse number, “Zazz,” only Murphy has chosen not to highlight the iconic total body moves. Hmmm….

Some of the characters are exaggerated in such a way to render them superficial on film while on Broadway they were played by seasoned pros who sustained the campy fun the whole two acts. And maybe it’s because some of the original Broadway cast were Muny veterans, so their familiarity sold the warmth and joy.

I dearly loved the Broadway musical, nominated for seven Tony Awards and winner of the 2019 Drama Desk Award for Best Musical, which was produced by Stages St. Louis’ Jack Lane and other local theater people. Zippy and full of fizzy fun, “The Prom” had us laughing at the big-city elites, inside-showbiz jokes and mocking hicks in the sticks, but not in a mean way.

Only here the small town doesn’t look like a podunk village, but rather a larger city because it has a mall and a motel in the manner of a Hampton Inn.

For the original musical, Chad Beguelin of Centralia, Ill., nominated for six Tonys, wrote the lyrics and co-wrote the book with Bob Martin. Matthew Sklar wrote the music. Beguelin and Sklar, who did fun musical adaptations of “The Wedding Singer” and “Elf,” have a flair for writing hummable tunes with clever turns of phrase. “It’s Time to Dance” is a delightful number and “Unruly Heart” has the endearing sweetness for Emma to gain acceptance with a wider audience.

Andrew Rannells gets to shine – and dance through a shopping mall – in “Love Thy Neighbor,” a teachable moment to the town’s judgy teens.

Casey Nicholaw, who directed the stage show, did the choreography, and it’s as peppy and fun for the big movie ensemble as it was for the intimate cast at the Longacre Theatre. St. Louis native Jack Sippel, a Muny and Broadway veteran, was the film assistant choreographer/dance captain.

Costume designer Lou Eyrich never met a sequin he didn’t like and the flamboyant production design by Jamie Walker McCall has combined mid-century modern with bright lights.

The movie is padded, at 2 hours and 10 minutes, which doesn’t help the momentum. However, the exuberance of the work is the takeaway, and fortunately, the show will be on a national tour next year, spreading its cheerful message about acceptance.

It’s at local theatres but debuts on Netflix Dec. 11.  To find out more about how you can support the Actors’ Fund and Broadway Cares, please visit BroadwayCares.org/TheProm.

“The Prom” is a musical comedy that runs 2 hours, 11 minutes. Directed by Ryan Murphy, it stars Meryl Streep, James Corden, Nicole Kidman, Andrew Rannells, Jo Ellen Pellman, Ariana DeBose, Kevin Chamberlin, Keegan Michael-Key, Sherry Washington and Mary Kay Place. It is rated PG-13 for thematic elements, some suggestive/sexual references and language. On Netflix.

‘His House’ Is Hypnotic, Haunting and Harrowing

‘His House’ Is Hypnotic, Haunting and Harrowing

By Lynn Venhaus

 Haunting and hypnotic, “His House” is one of the most original horror films in years.

Writer-director Remi Weekes, whose first feature debuted at the 2020 Sundance Film Festival, demonstrates assured, smart storytelling, slowly doling out bits of information that add psychological complexities to the couple’s journey.

After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town, complicated by something evil tormenting their lives.

As they fled, during their boat ride, a tragedy takes place.

Consumed by loss, Rial (Wunmi Mosaku) has a hard time adjusting to a new life, in dingy public housing, But, it’s their home, and she tries to make the best of it. The government has strict rules for refugees, so they must be careful.

Bol (Sope Dirisu) has an easier time adapting, but hears strange noises and begins to see weird things happening in their small place – lights flicker, gaping holes appear in the walls but then close, and then sinister images materialize.

She is spooked, he is trying to come to terms with what’s happening, and their lives are turned upside-down by this hellish existence.

Because of what they have been through leaving their homeland, their struggles have a sadness underneath. The psychological aspect is an intriguing part of the story, which was developed by  Felicity Evans and Toby Venables.

With the characters as asylum-seekers, that gives the haunted house story more weight. They must adhere to the strict guidelines, which has consequences and fleeing again isn’t possible. They struggle to hold it together, but things unravel in a disturbing and unusual way.

Ṣọpẹ́ Dìrísù, as the troubled husband, and Wunmi Mosaku, as the tormented wife, are mesmerizing in their roles. They bring out layers of emotion essential to understanding what they are going through.

British actor Matt Smith, known for “Doctor Who” and a varied resume, plays their government contact, who starts being suspicious about what’s going on in their home.

This gritty and gripping film has unpredictable scares and surprising developments that deepen the mystery and the trauma.

It’s a haunted house film unlike any you’ve seen, and that’s what makes it special, an instant classic.

“His House,” a horror-thriller, is directed by Remi Weekes and stars Sope Dirisu,Wunmi Mosaku and Matt Smith. Not MPAA, its run time is 1 hr. 33 minutes. Lynn’s Grade: A. Available on Netflix beginning Oct. 30.

‘The Old Guard’ Has Slick New Tricks

‘The Old Guard’ Has Slick New Tricks

By Lynn Venhaus
Ancient warriors look contemporary, but their secret is that they are immortal – well, sort of (you’ll see). This covert group of mercenaries has fought to save the world for centuries.

Action-packed, “The Old Guard” has a premise that propels you through caves, deserts, contemporary offices and centuries-old flashbacks. It’s quite the road less traveled.

The gang of four who make up this human shield of protection are: Charlize Theron as the leader Andy, who might be about 6,000 years old, give or take a few; Matthias Schoenaerts as her right-hand man Booker ; and Marwan Kenzari and Luca Marinelli as Joe and Nicky, a gay couple with fierce loyalty.

When they are recruited for an emergency mission, it’s a set-up and their extraordinary abilities are suddenly exposed. Big Pharma wants to monetize their power but can they avoid detection? The tight-knit four are joined by a new soldier (KiKi Layne). This story is based on the graphic novel by Greg Rucka, who wrote the screenplay, and illustrated by Leandro Fernandez.

Director Gina Prince-Bythewood displays her versatility, helming a massive blockbuster after more contemplative pieces “Love and Basketball” and “The Secret Life of Bees.”

Charlize has proven she is a formidable action star, in “Mad Max: Fury Road” and the highly underrated “Atomic Blonde.” And again, she is mesmerizing – long and lean, and a world of hurt and trouble etched on her face.

The quartet’s bond is special, and that sets this supernatural action movie apart – there is depth to the characters. After all, they have lived extraordinary lives.

They are joined by a reluctant Nile, a Marine stationed in Afghanistan. Kiki Layne, a rising star who was so good in “If Beale Street Could Talk,” holds her own here.

While the concept is intriguing, the dialogue is a letdown. It’s basic, even trite. The graphic novel author, Greg Rucka, adapted the screenplay, so it’s very by-the-book.

The film is also brutally violent, and the implement of choice is often assorted swords, so there is a great deal of slicing and dicing.

Blood-soaked and too long (2 hours, 5 minutes), “The Old Guard” isn’t perfect, but its selling points are good ones. And it sets itself up for a sequel. You know it’s coming.

Charlize Theron as fearless leader Andy in “The Old Guard”

“The Old Guard” is an action movie with supernatural elements — it is not a superhero movie. Directed by Gina Prince-Bythewood, it stars Charlize Theron, Kiki Layne, Marwan Kenzari, Luca Marinelli, Harry Melling, Matthias Schoenaerts and Chiwetel Ejiofor. It is rated R for sequences of graphic violence and language, and has a run-time of 2 hr. 5 min. Available on Netflix as of July 10. Lynn’s Grade: B. A version of this review is in the Times newspapers online.

Bright Lights Column: Breakthrough Time

Bright Lights Column: Breakthrough Time

By Lynn Venhaus
Managing Editor
You go, girls! Local singer-actors get national attention, and the St. Louis-produced Broadway musical “The Prom” made Thanksgiving Parade television history.
BREAKING OUT: We have a talented trio of local ladies who are living their dreams right now.
Lexi Krekorian, 27, of Waterloo, Ill., is one of the nine struggling musicians featured on the Netflix reality series, “Westside,” now available. She goes by the stage name, Alexandra Kay, and has released her first single, “You Think You Know Someone,” and several music videos of songs on the “Westside” soundtrack. She started out in school and community theater, and is chasing her dream in L.A. Here is the feature I wrote for the Belleville News-Democrat about her rising star.
https://www.bnd.com/living/magazine/article221600685.html
Kennedy Holmes of Florissant, the John Burroughs student and Muny Kid who is wowing the nation as a contestant on “The Voice,” made it through to the Top 11 Live Playoffs on Nov. 20. She sang “Wind Beneath My Wings” and is on Jennifer Hudson’s team, headed for the Top 10 showdown Nov. 26. Here is her Top 11 performance:
https://www.nbc.com/the-voice/video/kennedy-holmes-wind-beneath-my-wings/3832852
Thirteen proved to be lucky for Kennedy, as she was not among the 12 eliminated from the Top 24 Live Playoffs in Episode 13. She sang Beyonce’s “Halo.” “The Voice” is on Mondays and Tuesdays on NBC, with live voting the first night and results the second night. She is 13.
Meadow Nguy, providedMeadow Nguy, 23, of O’Fallon, Ill., performed in two musicals at Stray Dog Theatre (Marta in “Spring Awakening” in 2012 and the female lead in the original musical “Spellbound” in 2015), and in community and school theater. She guest-starred on the Nov. 18 episode of “Madam Secretary” called “Baby Steps,” as a Southeast Asia surrogate caught up in a human trafficking imbroglio . She made her crime-drama debut in ‘The Blacklist” earlier this year. Both shows available on demand. Here is the news article I wrote for the Belleville News-Democrat:
https://www.bnd.com/news/local/article221829910.html

***ATTABOY: Congratulations to Cory Finley, who scored a Film Independent Spirit Award nomination for Best First Screenplay for his “Thoroughbreds.” The annual awards, held since 1984, honor independent filmmakers working with small budgets. The awards are always announced the day before the Oscars, and this year, it will be Saturday, Feb. 23.
Focus Features photoIn fall 2017, the St. Louis Actors’ Studio presented Finley’s play, “The Feast.” A John Burroughs School grad, Finley’s movie opened nationwide in March after premiering at the Sundance Film Festival in January. It played the St. Louis International Film Festival in 2017.
Olivia Cooke (“Ready Player One,” “Me and Earl and the Dying Girl”) and Anya Taylor-Joy (“Split,” “The Witch”) play upper-class Connecticut teenagers who rekindle their unlikely friendship and hatch a plan to solve both of their problems — no matter what the cost. It’s the last film of Anton Yelchin.                                                                    Finley, who grew up in Clayton, is based in New York City. He is a member of the Obie-winning Youngblood playwrights group at Ensemble Studio Theater, has received a commission from the Alfred P. Sloan foundation for playwrighting, and was the inaugural recipient of the Gurney Playwrights Fund for his play, “The Feast,” at The Flea Theater. Check out www.thoroughbredsmovie.com
***STANDING O’s: Standing ovation for stand-up guy, Kwofe Coleman, who started as an usher at the Muny the summer of 1998, and now has been named managing director! He has served as Director of Marketing and Communications since 2013.
Kudos to the Cinema St. Louis team on their record-setting attendance of 28,723 at this year’s St. Louis International Film Festival Nov. 1 – 11. SLIFF screened 413 films, including 88 narrative features, 77 documentary features, and 248 shorts. Local actors are often seen in the regionally produced short films.

Cast members from “Disney’s Aladdin” presented “Sultan’s Soiree,” an exclusive cocktail reception, Nov 18 to benefit Broadway Cares/Equity Fights AIDS. Guests mingled while enjoying cocktails, hors d’oeuvres, photo opportunities, live entertainment and karaoke. To learn more, visit www.broadwaycares.org. Michael James Scott, a Webster University Conservatory graduate, is playing the Genie while Jonathan Weir, formerly of Belleville, is Jafar. “Aladdin” is at the Fox through Nov. 25.
***BIG SPLASH: The reviews are in, and it’s all raves for the new original musical comedy “The Prom,” which opened on Broadway Nov. 15 at the Longacre Theatre, following previews that began Oct. 23.
The New York Times said: “Makes you believe in musical comedy again.”
Variety said: “This original musical has laughs, tears and joy — not to mention jaw-dropping star-turns — in a clash-of-cultures hoot that earns a big Broadway corsage.”
Vanity Fair photoThe show has multiple local connections – Centralia, Ill., native Chad Beguelin is the co-book writer, with Bob Martin (co-creator of “The Drowsy Chaperone”) and lyricist, with music by Matthew Sklar. Beguelin wrote lyrics to Disney’s “Aladdin” and both he and Sklar were Tony-nominated for “The Wedding Singer.”
Some local producers include Jack Lane, executive director of Stages St. Louis; Ken and Nancy Kranzberg, Patty Gregory of Belleville, Terry Schnuck, Andrew S. Kuhlman of St. Louis and Fairview Heights native Joe Grandy. St. Louis performers Jack Sippel and Drew Reddington are part of the ensemble, and stars Beth Leavel and Christopher Sieber have appeared several times at The Muny. The Broadway cast also includes Brooks Ashmanskas (Tony nominee for ‘Something Rotten!”),
Casey Nicholaw, Tony winner for “The Book of Mormon,” directed and choreographed the show.
“The Prom” is about a canceled high school dance – a student is barred from bringing her girlfriend to the prom — and four fading Broadway stars who seize the opportunity to fight for justice — and a piece of the spotlight. Its tagline is “There’s no business like getting in other people’s business.”
***
NOBODY RAINED ON THEIR PARADE: “The Prom,” one of four musical acts in the 92nd annual Macy’s Thanksgiving Day Parade Nov. 22, made parade history with the first same-sex kiss televised live. As the number, “It’s Time to Dance,” closed, cast mates Isabelle McCalla and Caitlin Kinnunen embraced and kissed. The LGBTQ community cheered.
Here is that performance: https://youtu.be/VDZDLJjzJBI
Tony nominee Taylor Louderman of Bourbon, Mo., performed with the cast of “Mean Girls.” She plays Regina, the snotty leader of the cool girls’ pack. Taylor was last seen locally on the Muny stage in 2016’s “Aida” as Amneris.
Fun Fact: The dance company, Radio City Rockettes, was founded in St. Louis in 1925 by Russell Markert. First known as the “Missouri Rockets,” the precision chorus line has performed in Radio City Music Hall since 1932.
***HANNUKAH HULLABALOO: The eighth annual Brothers Lazaroff show to benefit Metro Theater Company will take place on Saturday, Dec. 8, at 7 p.m. at The Grandel Theatre, and all ages welcome.
The show will feature Rabbi James Stone Goodman and the Eight Nights Orchestra, DJ Boogieman, tributes to Bob Dylan, Leonard Cohen and more! As always, free latkes will be fried on-stage! Food vendors will include Taco Buddha, The Dark Room and STL-Style will be selling their St. Louis-inspired apparel.
***AROUND TOWN: Legendary Wilco founder and Belleville native Jeff Tweedy took to The Pageant stage with Jon Hamm Nov. 17 to discuss his storied career. The book tour stop was sold-out.
St. Louis Post-Dispatch photoThe Grammy-winning singer-songwriter’s memoir “Let’s Go (So We Can Get Back”): Memoir of Recording and Discording with Wilco, Etc.,” features stories about his childhood, putting Uncle Tupelo together, and recollections about St. Louis record store, rock clubs and live-music scene during his formative years.
Now based in Chicago, Tweedy can be spotted in the indie movie “Hearts Beat Loud” as a customer, in what else, a record store.
Playwright Vladimir Zelevinsky was in town for the opening weekend of West End Players Guild “The Great Seduction,” and graciously spoke to Tina Farmer of KDHX and I about his interesting life and writing process.
 
Zelevinsky also wrote “Manifest Destiny,” performed at WEPG in 2016, which was nominated for Best Ensemble by the St. Louis Theater Circle.
***SANTA’S COMING! I KNOW HIM: With the holiday essential film “Elf” as its next movies-for-foodies event, Tenacious Eats returns to the St. Louis Banquet Center in Holly Hills, at 5700 Leona Street, on Saturday, Dec. 15.
Guests will feast on five courses and have cocktails themed to the movie, and the event also includes contests and live music. Chef Liz Schuster has left West End Grill and Pub to devote more time to her cinema-and-theme-dining experience – and Tenacious Eats is known for its “full-contact dining experiences.” Tickets are on sale now at BrownPaperTickets.com.
***GO SEE A PLAY POLL: Ah, Church Ladies and Christmas Pageants are customary fixtures during the holiday season, so the folks behind the Lutheran laugh-apalooza, “Church Basement Ladies: Away in a Basement” have returned with a warm, sentimental and uproarious show.
Now playing at The Playhouse @ Westport through Jan. 6, this is a perfect show to take your mom or grandma to – and you can win two free tickets to the show if you enter our drawing.
Select a show from the list below to answer our question: “What is your favorite holiday-themed play or musical?”
 
The Best Christmas Pageant Ever
A Christmas Carol
A Christmas Story
Elf
Inspecting Carol
It’s a Wonderful Life
White Christmas
And send it via email, along with your name, cell phone and email address by 5 p.m. on Sunday, Nov. 25, to lynnvenhaus@gmail.com and you will be entered in a drawing. Winner will receive 2 tickets to an upcoming show.
In our last “Go See a Play” poll, Graham Emmons of St. Louis won two tickets to Rebel and Misfits’ “Macbeth: Come Like Shadows.” The survey’s response to best mystery play landed the 1952 classic “Dial M for Murder” by Frederick Knott op top, with “Wait Until Dark” – another Frederick Knott play from 1966 — a close second.
***FOSSE, VERDON AND ALL THAT JAZZ: The next show-biz limited series for FX will be “Fosse/Verdon” in 2019, about the legendary Broadway choreographer Bob Fosse and his professional and personal relationship with dancer Gwen Verdon.
Oscar winner Sam Rockwell is cast as Fosse while Oscar nominee Michelle Williams will be Verdon, returning to the network 20 years after “Dawson’s Creek.”
The cast features St. Louis native Norbert Leo Butz as writer Paddy Chayefsky, Margaret Quall as Ann Reinking and Nate Corddry as Neil Simon.
Lin-Manuel Miranda is executive-producing the eight episodes and “Hamilton” choreographer Andy Blankenbuehler is creating the dance.
***WHISTLING A HAPPY TUNE: The lavish acclaimed Tony-winning revival, “The King and I,” will be shown two nights at the Plaza Frontenac Cinema, on Nov 29 and Dec. 4 at 7 p.m. The Rodgers and Hammerstein musical filmed during its run at the London Palladium, June 21 to Sept. 29 and features more than 50 performers.
Kelli O’Hara reprised her Tony Award-winning performance and Tony and Oscar nominee Ken Watanabe played The King again. Tony winner Ruthie Ann Miles returned as Lady Thiang and West End “Aladdin” star Dean John Wilson and Na-Young Jeon played Lun Tha and Tuptim. Director Bartlett Sher reunited the original creative team.
***TRIVIA TIME-OUT: With St. Louis performers making a name for themselves on the national stage, here’s a little flashback to the halcyon days of “American Idol,” the big-bang of reality competition singing shows.
1. Who is the only St. Louisan to make “American Idol” Top Ten Finalists?
2. What “American Idol” winner tried out in St. Louis one of the two times auditions were held here?
Answers (both Season 4):
Nikko Smith, born Osborne Earl Jr., son of Cardinal Hall of Famer Ozzie Smith, who wound up ninth overall in 2005. He had been voted off in the third round of the semi-finals, but the producers asked him back to take the place of Mario Vazquez, who left for “family reasons.”
Carrie Underwood, who drove up with her mom from the family farm in Checotah, Okla., in 2004, sang “I Can’t Make You Love Me” by Bonnie Raitt.
Here’s that audition: https://youtu.be/P0j9NGV-Jm4
She just won CMA Female Vocalist of the Year, killed with a live awards show performance of “Love Wins” at six months’ pregnant, and has to date seven Grammy Awards, including Best New Artist in 2007, the only second country artist to win it.
St. Louis has hosted auditions for Seasons 4 and 11.
***WORD: “Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything.” – Plato
 
 

Bright Lights: Wicked Awesome

Bright Lights: Wicked Awesome

By Lynn Venhaus
Managing EditorGREEN DAY: We have been changed for good by the cultural phenomenon “Wicked,” which has broken records in St. Louis and is still “Popular” around the world after opening on Oct. 30, 2003 on Broadway.
To commemorate the musical’s 15th anniversary, NBC will air a tribute concert on Monday, Oct. 29, at 9 p.m. (CST).
“A Very Wicked Halloween” was recorded live Oct. 16 at the Marquis Theatre, hosted by the original Elphaba and Glinda, Idina Menzel and Kristen Chenoweth.
The celebration will feature Pentatonix, Ariana Grande and Ledisi. Adam Lambert will join them, and he is certainly not mourning the wicked. He left the Los Angeles cast after making “American Idol,” and from 2005 to 2008, had been in the ensemble and understudy for Fiyero, and on a national tour.
The current Broadway cast will also make an appearance.

This spellbinding untold story about the Witches of Oz is now the sixth longest-running musical in Broadway history, having surpassed “A Chorus Line” on July 12 with its 6,128th performance.
Since its debut, “Wicked” has broken box office records around the world. St. Louis is one of the cities where “Wicked” currently holds the weekly-gross-takings records, along with Los Angeles, Chicago and London.
It has played the Fox Theatre five times since 2005, selling out and each week broke box office records. The national tours stopped here in 2005, 2007, June 2010, for four weeks Dec. 12, 2012 – Jan. 6, 2013, and for four weeks in Dec. 9, 2015 to Jan. 5, 2016. Another tour is under way but St. Louis isn’t listed – as yet.
St. Louisan Norbert Leo Butz originated Fiyero in “Wicked.”The original Broadway cast featured St. Louisan Norbert Leo Butz as Fiyero. The Bishop DuBourg and Webster U. Conservatory grad played Elphaba’s love interest Fiyero twice, from Oct. 8 to Nov. 23, 2003, and from Jan. 20 to July 18, 2004. He met his second wife, Michelle Federer, during the production – she played Nessarose, and they were married in 2007.
Norbie, the seventh of 11 children born to Elaine and Norbert A. Butz, went on to win two Tony Awards, for “Dirty Rotten Scoundrels” and “Catch Me If You Can.” He is planning to leave his Tony-nominated role as Alfred P. Doolittle in the Lincoln Center revival of “My Fair Lady” on Jan. 6, 2019.
Composer Stephen Schwartz told Playbill why he cast him.
“I’ve wanted to work with Norbert since I saw him in ‘Thou Shalt Not’ and particularly in ‘The Last Five Years.’ He’s a lyricist’s dream. In ‘Wicked,’ I wrote ‘Dancing Through Life’ especially for him to take advantage of both his voice and charisma.”
In July 2017, “Wicked” surpassed “The Phantom of the Opera” as Broadway’s second-highest grossing show, trailing only “The Lion King.”
Based on the best-selling 1995 novel by Gregory Maguire, “Wicked” has won more than 100 international awards, including three Tony Awards and a Grammy.
The TV special isn’t the only way “Wicked” is celebrating its milestone – Ben and Jerry’s locations in Times Square and Rockefeller Center will sell special ice cream sand-Witches beginning Oct. 26. A portion of the proceeds will benefit the National School Climate Center’s BullyBust campaign.
The NBC Studios Store has an Ozmopolitan apparel display. And a special “Wicked” cupcake, baked by Melissa, is available online and at all 14 store locations through the rest of October. A portion of the cupcake proceeds with benefit Broadway Cares/Equity Fights AIDS and A BroaderWay.
***GET REEL: Native sons and daughters can bask in the klieg lights in the ‘Lou during the 27th annual St. Louis International Film Festival, which will screen a record 414 films from 63 countries Nov. 1 through Nov. 11 at nine venues.
John GoodmanJohn Goodman, one of St. Louis’ favorite sons, will be honored with the Lifetime Achievement Award. That program and a screening of “The Big Lebowski” on Nov. 2 are already sold out. Goodman, who grew up in Affton, has enjoyed a long career – in movies, on TV and on stage. He is part of the “Roseanne” reboot called “The Conners,” along with former Edwardsville resident Laurie Metcalf, who plays his sister-in-law Jackie. The TV   sitcom began Oct. 16 on ABC and can be seen at 7 p.m. on Tuesdays.
Yours truly is hosting a special event film. The fest is celebrating the Golden Anniversaries of several influential films that came out in 1968: “Bullitt,” “Medium Cool,” “Once Upon a Time in the West,” “Rosemary’s Baby” and “Pretty Poison.”
Anthony Perkins, Tuesday Weld in “Pretty Poison”I will introduce “Pretty Poison” and lead the post-show discussion after the free screening on Saturday, Nov. 10, at 11 a.m. at the St. Louis Public Library central headquarters downtown on Olive. The film is sponsored by the St. Louis Film Critics Association.
This underrated film noir-like thriller starred Anthony Perkins and Tuesday Weld, and has gained new appreciation as a cult gem, its influence noted in Terence Malick’s “Badlands” and Billy Bob Thornton’s “Sling Blade.” Think “Gun Crazy” meets “Lolita.” Mix in conspiracy theories, passion, greed and fantasy. With its inspired casting, it’s a strange and wonderful film about a teenage arsonist who is paroled, becomes smitten with a young femme fatale, and dangerous plans are put into play.
For a complete schedule or for more information, www.cinemastlouis.org For the trailer by Sleepy Kitty Arts (you rock Paige Brubeck and Evan Sult), watch this: https://youtu.be/UTm2PZJng_0
I was fortunate to be the moderator of a Q&A session after a sold-out screening of “Beautiful Boy” Sunday at the Hi-Pointe, with writer Nic Sheff, whose story is the film, and star Timothee Chalamet, whose fans started lining up at 8 a.m. for the 11 a.m. screening. St, Louis was one of four stops the Oscar-nominated Chalamet did over the weekend; Nic Sheff is appearing at over 10 locations.
Lynn Venhaus, Timothee Chalamet, Nic Sheff at “Beautiful Boy” Q&A. Photo by Kevin Brackett.***
APPLAUSE FOR: Congratulations to Kathleen Sitzer on her honor from the Alliance for Jewish Theatre, an International organization dedicated to promoting the creation, presentation, and preservation of theatrical endeavors by, for, and about the Jewish experience.
She is seen here with honoree Tovah Feldshuh at the recent Alliance for Jewish Theatre annual conference in Philadelphia. Feldshuh’s one-woman show, “Golda’s Balcony,” is the longest running in Broadway history. She received the Theodore Bikel Award for Excellence in Jewish Theatre.
Kathleen, the recently retired Founding Artistic Director of New Jewish Theatre, was recognized for her years of service and dedication to the concept of Jewish Theatre.
In addition to Sitzer, the conference will honor actress Tovah Feldshuh with the Theodore Bikel Award for Excellence in Jewish Theatre. Her one-woman show “Golda’s Balcony” was the longest running in Broadway history.
The conference provides an opportunity for theatre artists and organizations to network and learn from each other through a variety of workshops, panel discussions and performances. It is hosted annually by a member theatre. This year’s conference in Philadelphia is hosted by Theatre Ariel. New Jewish Theatre hosted the conference two years ago in 2016 and also in 2002.
For more information, visit: www.alljewishtheatre.org.
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AROUND TOWN: Sarajane Alverson, who played Chef Rossi in the autobiographical “The Raging Skillet” at the New Jewish Theatre, was able to meet the real-life inspiration when she came to St. Louis for the play’s premiere.
Sarajane Alverson, Chef RossiHere is a photo of the two from their appearance on a Fox 2 news segment. Photo courtesy of Aemi Tucker. Sarajane made it through three weeks of performances without a knife injury!
Country singer Alexandra Kay of Waterloo, Ill.Let’s hear it for country singer Alexandra Kay, aka Lexi Krekorian from Waterloo, Ill., who is among the nine people on Netflix’s new “Westside” that premieres Nov. 9. (I have an in-depth feature article that will be published in the Belleville News-Democrat soon).
Mark Saunders isn’t trying out his Halloween costume — he began the national tour of “Something Rotten!” last month and revealed his character Brother Jeremiah’s look.
His show will be in Champaign, Ill., on Monday, Oct. 29, for a one-night performance at 7:30 p.m. at the State Farm Center (University of Illinois). It’s a 2-hour, 43-minute drive from St. Louis. For more information, visit www.rottenbroadway.com.
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AMERICAN IDOL: Interesting in auditioning for the next season of “American Idol” on ABC? Online audition videos are being accepted now through Nov. 5. You must be at least 15 years old to submit a video for consideration. You’ll be notified by Nov. 19 if you made the cut.
More information can be found here: https://fmna.etribez.com/ag/fmna/ai2abc/welcome.html
***BOOK SHELF: St. Louis native Ellie Kemper, a John Burroughs graduate, has published a collection of uplifting essays called “My Squirrel Days.” Her Oct. 13 book signing at the St. Louis County Library Headquarters was sold out.
The comic actress, known for “The Office” and “Unbreakable Kimmy Schmidt” has written about her journey from Midwestern naif to Hollywood.
Can’t get enough of Tony winner “Dear Evan Hansen”? The smash-hit has been turned into a young adult novel by Val Emmich and published on Oct. 9 by Little Brown. T
o promote the book, show composers Benj Pasek and Justin Paul went on a 10-city bus tour with musical book writer Steven Levenson and author Emmich. Fellow Michigan alumnus Darren Criss joined them in Ann Arbor, and Tony winner and late-night host James Corden sang “Waving through the Window” at an L.A. bookstore.
A new deluxe album, including cut songs along with the original Broadway cast recording, is now available through Atlantic Records.
***
LIFE IS ART – SAVE THE DATE: Who will be nominated for their work in 2018 St. Louis metropolitan area community theater – in musicals (Best Performance Awards) and plays (Theatre Mask Awards)?
Winners will be revealed at the annual Arts For Life Trivia Night, now set for Saturday, Feb. 1 at St. Joseph’s parish hall in Manchester. Ryan Cooper returns as the emcee.
Our theme this year is “That ‘70s Trivia” – you can decorate your table and dress accordingly (costumes optional) – but questions are a variety related to the category titles (announcing the show nominees).
AFL awards excellence in large and small ensemble musicals, dramas and comedies, and youth musical productions. The TMAs will take place on Saturday, April 6, at and the BPAs on Sunday, June 9, at the Skip Viragh Center for the Performing Arts at Chaminade.
Boogie the night away with AFL! Enjoy 10 rounds featuring a variety of trivia, silent auction, raffles, table decoration contest, “STL Theatre Sampler” ticket raffle, attendance prizes, and more.
New this year – VIP Tables – $200/8 people. VIP Tables include snacks, soda/water, prime seating, and a dedicated runner.  Reserve your table today! $160/8 people
For more information, visit AFL’s Facebook page or website, www.artsforlife.org.
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THEATRE RECOGNITION GUILD: Interested in scoring community theater and youth production musicals during the calendar year 2019? From now through Nov. 15, you can apply to be an AFL judge in what’s called the Theatre Recognition Guild. It’s the branch of AFL that judges musical theater for the Best Performance Awards given in 33 categories every June.
This is the only time during the year that you can apply. The online application is available here: https://www.surveymonkey.com/r/2019trgapplication
You will be notified in December if you have been selected. Between 50 and 60 volunteers are judges, and 10-12 judges are assigned to score each eligible show for about 25 groups in the metropolitan St. Louis area.
Judges are required to attend shows throughout the bi-state region. There is no monetary compensation – it is all volunteer. If you judge 8 shows, you receive a free ticket to the BPAs. In 2018, TRG will have judged a total 48 shows (21 large ensemble, 7 small ensemble and 20 youth).
If you have any questions, please contact me, the TRG Chairman on the AFL Board of Directors since 2010, at lynnvenhaus@gmail.com
***GO SEE A PLAY POLL: Artistic Director Kelly Hummert whipped us into a frenzy for months trying to figure out clues as to what Shakespeare play would be the next Immersive Theatre Project by her Rebel and Misfits Productions.
She recently revealed it’s “Macbeth: Come Like Shadows” which opened Oct. 24 and runs through Nov. 10, Wednesday through Saturday.
Sean Michael Higgins, Kelly Hummert in “Macbeth: Come Like Shadows”You can be there, too. Rebel and Misfits is offering 2 tickets to a performance for our current giveaway. All you do is answer our poll below – we’re asking about your favorite mystery play because Kelly was so mysterious about her show.
Send your pick, along with your name and phone number, to lynnvenhaus@gmail.com by noon on Tuesday, Oct. 30. A winner will be selected from the entries, we’ll announce the name, and get the lucky pair set up for this yet-to-b-revealed enticing fall premiere.
FAVORITE MYSTERY PLAY (make selection to enter the drawing):
Deathtrap
Dial M for Murder
The Mousetrap
Night Must Fall
Sleuth
Wait Until Dark
Send your choice by noon Tuesday, Oct. 30, to enter the drawing to: lynnvenhaus@gmail.com.

WORD: “Movies will make you famous, television will make you rich, but theatre will make you good.” – Terrence Mann
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