By Lynn Venhaus Managing EditorAnother Opening, Another Show! Summertime kicks off with annual traditions inside and outdoors — Shakespeare Festival St. Louis’ “Love’s Labors Lost” opens for its month-long free admission run in Forest Park while Opera Theatre St. Louis has two shows in repertory – Mozart’s “The Marriage of Figaro” and Verdi’s “Rigoletto.” Major musicals make their St. Louis debut this week – the still-running-on-Broadway “Be More Chill” at New Line Theatre and the Peter Allen biopic “The Boy from Oz” kicks off Stages St. Louis’s season.Joe Hanrahan’s Midnight Company presents the St. Louis premiere of the one-man-show “Charlie Johnson Reads All of Proust.”It’s the last chance to see the comedy “I Now Pronounce” at New Jewish Theatre and the musical “Nina Simone: Four Women” at The Black Rep.

Start your summer by going to see a play!

Cast of ‘Be More Chill” — Photo by Jill Ritter Lindberg“Be More Chill” May 30-June 22 Thursday – Sunday, 8 p.m. New Line Theatre The Marcelle Theatre, 3310 Samuel Shepard Drive www.newlinetheatre.org 314-534-1111 What It’s About: “The Breakfast Club” meets “Little Shop of Horrors” in the new sci-fi rock musical, “Be More Chill,” with music and lyrics by Joe Iconis and book by Joe Tracz, based on the bestselling novel by New Vizzini. It’s a look at life in the digital age, exploring teen depression, bullying and other current issues through the comic lens of sci-fi films of the 50s, horror flicks of the 80s and the teen movies of the 90s.

Directors: Scott Miller and Mike Dowdy-Windsor, with music
direction by Nicolas Valdez
Starring: Jayde Mitchell (Jeremy), Dominic Dowdy-Windsor (Squip), Kevin Corpuz
(Michael), Zachary Allen Farmer (Jeremy’s Dad), Melissa Felps (Brooke), Evan
Fornachon (Rich), Isabel Cecilia Garcia (Jenna), Grace Langford (Christine),
Ian McCreary (Jake), and Laura Renfro (Chloe).

Of Note: “Be More Chill” made its world premiere at the Two River Theater in Red Bank, New Jersey in 2015, had a successful off-Broadway run, it’s now being produced across the country, and it just opened on Broadway in March. It has a Tony nomination for Best Original Score (Joe Iconis, music and lyrics).

David Elder in Stages St. Louis debut“The Boy from Oz” May 31 – June 30 Stages St. Louis Robert G. Reim Theatre, Kirkwood Community Center 111 S. Geyer Road, Kirkwoodwww.stagesstlouis.org

What It’s About: Dazzling and hilarious as the legendary
Peter Allen himself, THE BOY FROM OZ follows the Australian singer-songwriter
from his humble beginnings performing in backcountry pubs to his international
stardom beside such Hollywood icons as Judy Garland and her daughter Liza
Minnelli.

Director: Michael Hamilton
Starring: David Elder as Peter Allen, Sarah Ellis as Liza Minnelli, Zach
Trimmer as Greg Connell, Corinne Melancon as Marion Woolnough, Michele Ragusa
as Judy Garland, Brad Frenette as George Woolnough, Steve Isom as Dick
Woolnough, Erik Keiser as Chris Bell, Nic Thompson as Mark Herron, Ben Iken and
Simon Desilets as Young Peter, Lydia Ruth Dawson, Bryn Purvis and Madison
Tinder as Trio, Frankie Thams as Trick, Nathanial Burich as Dealer and Ashley
Chasteen as Alice. Ensemble includes Kari Ely and Caleb Dicke.
Of Note: Thrilling news from Stages St. Louis comes in the form of two
celebratory evenings focused around diversity, equity, and inclusion (DEI) in
conjunction with performances of “The Boy From Oz.” The 8 pm performances on
Saturday, June 1 and Friday, June 7 will offer special $30 tickets to
diversity, equity, and inclusion groups at corporations and organizations
throughout the St. Louis region. The tickets will include a special post show champagne
and dessert reception featuring lively conversation with members of the cast.

Joe Hanrahan in “Charlie Johnson Reads All of Proust”“Charlie Johnson Reads All of Proust” May 30 – June 15 The Midnight Company Thursday through Saturday at 8 p.m. Kranzberg Center, 501 N. Grandwww.midnightcompany.com What It’s About: An older man taking a break from Christmas shopping with his family at a Starbucks. Hungry for dinner, he tides himself over with the purchase of a small package of soft, spongy cookies. When he dips one in his coffee, his snooty daughter-in-law asks him if he’s having his “Madeleine moment,” and then proceeds to lecture him about Marcel Proust and “Remembrance of Things Past” – the classic multi-volume novel inspired by the narrator dipping a madeleine cake into tea, with the taste bringing back memories of his boyhood, and leading to a retelling of his time in 19th/20th century aristocratic France. Charlie decides he’s going to read that book (not realizing it is seven books) and be able to talk about it with his daughter-in-law next Christmas. And along the way, he discovers the epic that is his own life.

Director: Sarah Holt

Starring: Joe Hanrahan

“The Dixie Swim Club” May 31 – June 19 Monroe Actors Stage Company Thursday through Saturday at 7:30 p.m. and Sunday at 2:30 p.m. Historic Capitol Theatre in Waterloowww.masctheatre.org 618-939-7469 What It’s About: Five Southern women, whose friendships began many years ago on their college swim team, set aside a long weekend every August to recharge those relationships. Free from husbands, kids and jobs, they meet at the same beach cottage on North Carolina’s Outer Banks to catch up, laugh and meddle in each other’s lives. The play focuses on four of those weekends and spans a period of thirty-three years.Director: Tim PaeltzStarring: Stacey Tunnicliff as Sheree Hollinger, Dawn Williamson as Lexi Richards, Terrie Thies as Dinah Grayson, Christine Miller as Vernadette Sims and Kelly Shaw as Jeri Neal McFeeley.

Will Bonfiglio is the Best Man in “I Now Pronounce.” Jon Gitchoff photo.“I Now Pronounce” May – June 2 New Jewish Theatre Marvin and Harlene Wool Studio Theatre Jewish Community Center, 2 Millstone Campus Drive in Creve Coeurwww.newjewishtheatre.org

What It’s About: Most weddings have something that doesn’t
go quite right – maybe several things go awry. Often these mishaps are the
things that make the most endearing memories of the occasion, but Tasha
Gordon-Solomon’s “I Now Pronounce” imagines a wedding that culminates in an
awkwardly timed fatality, and a reception that spins into a strange and
hilarious evening that leaves the bride and groom questioning just what it is
they’re celebrating. The flower girls are running amuck; the bridal party
members are more preoccupied with their own flailing relationships. But there’s
no stopping the festivities! Comedies end in marriage.

Director: Edward Coffield

Starring: Graham Emmons, Will Bonfiglio, Ryan
Lawson-Maeske, Jessica Kadish, Craig Neuman, Delaney Piggins, Frankie Ferrari

“Love’s Labors Lost” May 31 – June 23 Shakespeare Festival St. Louis 8 p.m. Tuesday through Sunday Shakespeare Glen, Forest Park www.shakespearefestivalstlouis.org

What It’s About” Belonging to Shakespeare’s “lyrical”
period, which also included Romeo and Juliet and A Midsummer Night’s Dream, the
play tells the story of the Princess of France and her ladies who arrive on a
diplomatic mission to Navarre only to be met by a young king and his lords who
have taken a vow not to see women. Affairs of state give way to affairs of the
heart as Shakespeare reveals with great humor and compassion the way our
culture sometimes doesn’t fully prepare us for the realities of love and
intimacy. A feast of language and theatrical virtuosity, Love’s Labors Lost
shimmers with all the passion and promise of a first kiss.

Director: Tom Ridgely
Starring: Philip Hernandez as Don Adriano de Armado, Bradley James Tejeda (Duc
de Biron), Kea Trevett (Princess of France), Sky Smith (King of Navarre), Patrick
Blindauer (Costard), Katy Keating (Nathaniel), Michael James Reed
(Forester/Marcadé), Jeffery Cummings (Boyet); Carl Howell (Dull), Carine
Montbertrand (Holofernes), Randolph (Moth), Laura Sohn (Rosaline), Molly Meyer
(Jaquenetta), Sam Jones (Longueville), Vivienne Claire Luthin (Maria), Kiah
McKirnan (Catherine), and Riz Moe (DuMaine).

“The Marriage of Figaro” May 25 – June 29 Opera Theatre of St. Louis Loretto-Hilton Center 135 Edgar Road on Webster University campuswww.opera-stl.org 314-961-0644 What It’s About: Mozart’s comedy masterpiece is about complicated life at court and how love should always prevail. The maid Susanna is determined to wed her fiancé, Figaro, while the Count is equally determined to add her to his list of conquests. But Susanna and Figaro won’t allow one self-entitled nobleman to ruin their happy ending! They each hatch their own plots to teach their master a lesson. What follows is a whirlwind day of romantic intrigue, cunning schemes, and uproarious fun. The opera runs three hours and ten minutes with one intermission and is sung in English with English supertitles.

Nina Simone: Four Women. Photo by Philip Hamer“Nina Simone: Four Women” The Black Rep May 15 – June 2 Edison Theatre on Washington University campus www.theblackrep.org

What It’s About: Nina Simone’s velvet voice was unafraid to
sing lyrics that cut right to the truth. Her music and her life were a personal
exploration branded in the kiln of the civil rights movement; so, in the
aftermath of the 1963 bombing of the 16th Street Baptist Church and the tragic
loss of the four little girls her powerful anthems, “Mississippi Goddam,” “Sinnerman”
and “Old Jim Crow,” fueled the Civil Rights movement and changed her public
persona from songstress to activist. From the iconic “I Put a Spell on You” to “Four
Women,” Simone’s lyrics weave a story of four women alienated from themselves
and one another due to the color of their skin.

Director: Ron HimesStarring: Leah Stewart as Simone, Denise Thimes as Sarah (aka Auntie), Alex Jay as Sephronia and Camile “Cee” Sharp as Sweet Thing

“Rigoletto” Opera Theatre of St. Louis June 1 – June 30 8 p.m. Loretto-Hilton Center 135 Edgar Roadwww.experienceopera.org 314-961-0644What It’s About: Verdi’s powerful “Rigoletto” is a tale of innocence lost, wrenchingly poignant and all too human, presented in English with English supertitles. Rigoletto is a bitter court jester who serves the Duke of Mantua, a lecherous womanizer. Together, they are despised throughout the city. But alone, Rigoletto is all tenderness when it comes to his innocent young daughter, Gilda. Little does he know that an ominous curse is about to take its toll. When the Duke seduces Gilda, only to then abandon her, the enraged father swears vengeance.

Cover Photo: Vivienne Claire Luthin, Kea Trevett, Laura Sohn and Kiah McKirnan in “Love’s Labors Lost” — Photo by Philip Hamer.

By Lynn VenhausManaging EditorIt’s opening day for our St. Louis Cardinals, but also new plays are offered this weekend, with a selection of plays currently in rotation and those making their final runs this weekend. Ah, the riches of what’s available- comedy, drama, musical, Shakespeare and new to St. Louis shows!

Go, Cards! And GO SEE A PLAY.

Terry Barber, Jennifer Theby-Quinn in “Daddy Long Legs.” Photo by John Lamb“Daddy Long Legs”Insight Theatre CompanyMarch 28 – April 14Thursday through Saturday at 8 p.m. and Sunday at 2 p.m.The Marcelle Theatre in Grand Centerwww.insighttheatrecompany.com314-556-1293

What It’s About: Based on the classic novel, which inspired the 1955 movie starring Fred Astaire, Daddy Long Legs is a beloved tale in the spirit of Jane Austen, The Brontë Sisters and “Downton Abbey. Daddy Long Legs features music and lyrics by Tony Award-nominated composer/lyricist, Paul Gordon (Jane Eyre), and Tony-winning librettist/director, John Caird (Les Misérables), and is a “rags-to-riches” tale of newfound love.

Director: Maggie RyanStarring: Jennier Theby Quinn, Terry Barber

“Dreamgirls”Stray Dog TheatreApril 4 -20, Thursday – Saturday 8 p.m.Tower Grove Abbey2336 Tennesseewww.straydogtheatre.org314-865-1995What It’s About: In the 1960s, the Dreamettes, led by the powerful Effie White, embark on an R&B music career that leads them across the country. Romantic entanglements, Effie’s weight, racism, and the arrival of a fresh new sound in the 1970s are part of this showbiz hit (a fictional nod to The Supremes and Motown).

Director: Justin BeenStarring: Ebony Easter, Eleanor Humphrey, Abraham Shaw, Omega D. Jones, Tateonna Thompson, Don McClendon, Marshall Jennings, Robert Crenshaw, Lawrence J. Haliburton, Tony L. Marr Jr., Chris Moore, Chrissie Watkins, Jazmine Wade, Margery Handy, Chasity Cook, Rahnesha Holmes, Sierra Smith, Laurell Stevenson, Diamon Lester, Kanisha Kellum, Malaika Pedzayl-Ferguson, Ashley Santana

Monroe Actors Stage Company“Is He Dead?”Monroe Actors Stage CompanyApril 5-14Friday and Saturday at 7:30 p.m.; 2:30 p.m. SundayHistoric Capitol Theatre in downtown Waterloo, Ill.www.masctheatre.com618-939-7469

What It’s About:Director: Zona LudlumStarring:Of Note: Special $5 student performance on Thursday, April 11

“A New Brain”Hawthorne PlayersApril 5-6, 12-147:30 p.m. Friday and Saturday; 2 p.m. April 14Florissant Civic Centerhttp://www.hawthorneplayers.info/ 314-921-5678

What It’s About: By the Tony Award-winning authors of Falsettos, this musical is an energetic, sardonic, often comical story about a composer during a medical emergency. Gordon collapses into his lunch and awakes in the hospital, surrounded by his maritime-enthusiast lover, his mother, a co-worker, the doctor, and the nurses. Reluctantly, he had been composing a song for a children’s television show that features a frog – Mr. Bungee – and the specter of this large green character and the unfinished work haunts him throughout his medical ordeal. What was thought to be a tumor turns out to be something more operable, and Gordon recovers, grateful for a chance to compose the songs he yearns to produce. Director: Stephen Peirick, with music direction by Colin HealyStarring: Danny Brown, Joel Brown, Stephen Henley, Chadly Konner Jourdyn, Chris Kernan, John Kuehn, Laura Kyro, Kay Love, Stephanie Merritt, Bradley Rohlf, Dawn Schmid

Reginald Pierre as Othello and Bridgette Bassa as Desdemona“Othello”St. Louis ShakespeareApril 5 – 13Tower Grove Church4257 MagnoliaFriday and Saturday at 8 p.m.; Thursday and Sunday, April 7 at 7:30 p.m.www.stlshakespeare.orgWhat It’s About: In Venice, at the start of Othello, the soldier Iago announces his hatred for his commander, Othello, a Moor. Othello has promoted Cassio, not Iago, to be his lieutenant.Iago crudely informs Brabantio, Desdemona’s father, that Othello and Desdemona have eloped. Before the Venetian Senate, Brabantio accuses Othello of bewitching Desdemona. The Senators wish to send Othello to Cyprus, which is under threat from Turkey. They bring Desdemona before them. She tells of her love for Othello, and the marriage stands. The Senate agrees to let her join Othello in Cyprus.

In Cyprus, Iago continues to plot against Othello and Cassio. He lures Cassio into a drunken fight, for which Cassio loses his new rank; Cassio, at Iago’s urging, then begs Desdemona to intervene. Iago uses this and other ploys—misinterpreted conversations, insinuations, and a lost handkerchief—to convince Othello that Desdemona and Cassio are lovers. Othello goes mad with jealousy and later smothers Desdemona on their marriage bed, only to learn of Iago’s treachery. He then kills himself.

Director: Patrice FosterStarring: Reginald Pierre, Bridgette Bassa, Cynthia Pohlson, Phil Leveling, Jesse Munoz, Brad Kinzel, Will Pendergast, Mike Stephens, Hillary Gokenbach, Victor Mendez, Lisa Hinrichs and Cece Day

Of Note: It takes place in modern Venice and Cyprus. Othello is a powerful exploration of the human condition and the disaster that can arise from our emotions. Trust is eroded and innocence is corrupted in this tragic tale of manipulation and jealousy. Featuring live jazz, this exciting, new take on one of Shakespeare’s darkest plays is not one to miss.

“Photograph 51”West End Players GuildApril 5 – 13Friday and Saturday at 8 p.m., Sunday at 2 p.m., Thursday April 11 at 8 p.m.Union Avenue Christian Church733 North Union 314-367-0025 www.westendplayersguild.org

What It’s About: Anna Ziegler’s “Photograph 51” is a moving portrait of Rosalind Franklin, one of the great female scientists of the 20th century, and her fervid drive to map the contours of the DNA molecule. A chorus of physicists relives the chase, revealing the largely-unsung achievements of this trail-blazing, fiercely independent woman – largely-unsung because the men usually credited with cracking the DNA code, James Watson and Francis Crick, did so by “borrowing” Franklin’s most important discovery.

Director: Ellie SchwetyeStarring: Nicole Angeli, Ben Ritchie, John Wolbers, Will Bonfiglio, Ryan Lawson-Maeske, Alex Fyles.

Morris Robinson“The Play That Goes Wrong”The Repertory Theatre of St. Louis March 15 – April 7Loretto-Hilton Center, 130 Edgar Roadwww.repstl.orgBox Office: 314-968-4925

What It’s About: Calamity, disaster, fiasco: whichever word you’d like to choose, the opening night performance of “The Murder at Haversham Manor” has gone decidedly wrong. A maelstrom of madcap madness ensues, complete with collapsing scenery, unconscious actors and a stage crew pushed to the brink. Will The Rep survive this train wreck of a play? Come find out!

Director: Melissa Rain Anderson

Cast: Ka-Leung Cheung, Ryan George, Benjamin Curns, Michael Keyloun, Ruth Pferdehirt, Matthew McGloin, John Rapson and Evan Zes.

Of Note: The Rep’s production is the first stand-alone production outside of New York and London. The Broadway run was extended, and now there is a 12-city national tour underway, but this is not a touring show.

Joe Hanrahan and Shane Signorino play 21 different characters in “Popcorn Falls.”“Popcorn Falls”The Midnight CompanyMarch 28 – April 13Thursdays, Fridays, Saturdays at 8 p.m.Kranzberg Arts Center black box theatrewww.midnightcompany.comWhat It’s About: Two actors take on 21 characters in a struggling small town. They decided to put on a play!

Director: Sarah WhitneyStarring: Joe Hanrahan, Shane Signorino

Of Note: This one-act by James Hindman is presented without an intermission.

Wendy Greenwood and Ben Nordstrom in “Time Stands Still.” Photo by Eric Woolsey“Time Stands Still”New Jewish TheatreMarch 28 – April 14www.newjewishtheatre.orgBox Office: 314-447-3283

Starring: Wendy Greenwood, Ben Nordstrom, Jerry Vogel, Eileen Engel

What It’s About: In this play, a top photojournalist recovers from a near-fatal roadside bomb blast as her long-term relationship with a reporter undergoes its own test of survival. Donald Margulies, whose widely admired plays, Sight Unseen and Collected Stories uncovered the personal wounds inflicted on the battlefronts of art and fiction writing, now takes as his subject a creative couple who have met, worked and loved amid the all too real, mortal combat of the Middle East.

Jessie Shelton and Jeremy Morris on “Waitress”“Waitress”The Fabulous Fox TheatreMarch 26 – April 7www.fabulousfox.com

What It’s About: The musical tells the story of Jenna – a waitress and expert pie maker, Jenna dreams of a way out of her small town and loveless marriage. A baking contest in a nearby county and the town’s new doctor may offer her a chance at a fresh start, while her fellow waitresses offer their own recipes for happiness. But Jenna must summon the strength and courage to rebuild her own life.

By Lynn Venhaus Managing EditorGreetings! Spring has sprung after a miserable, dreary winter of 24 inches of snow and long stretches of gray days. We bring to you a long catch-up column, a winter wrap-up with lots o’ news about our wonderful theater talents in our metro area. It’s always sunny when we’re talking bright lights.

AWARDS SEASON: Spring means theater awards in St. Louis! For regional professional theater, the seventh annual St. Louis Theater Circle Awards will be presented on Monday, March 25, at the Loretto-Hilton Center on the campus of Webster University.

For general admission tickets ($15), visit: www.brownpapertickets.com You
can purchase tickets the night of the ceremony by cash or check. Our Circle
Facebook page is updated with information. We are not having pre-festivities
food, but Llewyn’s Catering will have drinks, desserts and snack boxes
available throughout the night.

If you missed who’s nominated, here is our Limelight link: https://stllimelight.com/2019/01/25/evita-streetcar-lead-st-louis-theater-circle-nominations/

See you at Theater Prom Monday!

For local community theater, Arts For Life will present the fourth annual Theatre Mask Awards, honoring comedies and dramas, on Saturday, April 6, at a.m. at The Atrium Banquet Center, Paul F. Detrick Building, on the campus of Christian Hospital, beginning at 10:30 a.m. Doors open at 10 a.m. Radio personality Vic Porcelli is the host.

A brunch buffet is served and awards in 18 categories are given out. Tables of 8 are available, and you can select what theater group or person you want to sit with – just tell afltrg@artsforlife.org or mark it at checkout. Tickets are $25 and must be purchased by March 22. Visit www.artsforlife.org.

For a Power Point Presentation of the TMA Nominations, here
is the link: http://nebula.wsimg.com/60b66319ddb8e5ebbac7b8ba7019e6dd?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

AFL will present the 20th annual Best Performance Awards, for musicals, on Sunday, June 9, at 2 p.m. at the Skip Viragh Center for the Performing Arts, 425 Lindbergh Blvd. (Chaminade). Actor Ryan Cooper is the emcee.

From a pool of 1,302 community theater artists, 48 shows
produced by 26 community theater groups in the Metro-St. Louis area have been
reviewed for consideration for this year’s Best Performance Awards. Trophies
will be awarded in 33 categories.

The event will include performances from the 13 musicals
nominated in the three Best Musical Production categories and a special
presentation to Lifetime Achievement Award winner. Formal attire is
requested. 

All tickets are reserved seating. Group seating will not be
guaranteed on orders received after May 10. All ticket orders will be held at
the box office unless a self-addressed stamped envelope is included with ticket
order. Please let us know if you require any special needs.

Early Bird Tickets are $20 and available until May 10, and
regular tickets are $25 ($26/credit card at the door).
A special rate of $40 for a combined BPA/TMA ticket for both, which is $10 off,
is available until March 22.  Visit the
website for more information, www.artsforlife.org.

For a PDF of the BPA Nominations, here is the link: http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1 *** ARTS LIVES: This year’s AFL Lifetime Achievements Awards are being bestowed on Joseph Paule Sr. at the Best Performance Awards June and Alton Little Theatre’s Kevin Frakes at the Theatre Mask Awards April 6.

Kevin Frakes

Frakes, current president of the Alton Little Theatre, will
be honored for his lifelong devotion and involvement in community theater, and
for helping with ALT’s growth and expansion. He began 40 years ago and has
directed and/or acted in more than 100 shows.

Joseph Paule Sr. has been involved with several community theater groups over the years, including Christ Memorial Productions and Hawthorne Players.

Caroline Santiago Turner

*** YOUTH PHENOMS: Special Awards recognition is going to two talented teens this year at AFL’s Best Performance Awards. Sean Harvey will receive Best Youth Featured Dancer for his fleet footwork as Bobby in “Crazy for You” produced by the Gateway Center for the Performing Arts and Caroline Santiago Turner will receive Best Youth Musical Performance for her exquisite vocals as Violet in “Violet,” also produced by the Gateway Center for the Performing Arts.

These awards are not giving annually, only when the Theatre
Recognition Guild judges deem performances so outstanding that they deserve
special recognition.

Sean Harvey in “Crazy for You”

Sean, who graduated from high school in Wentzville last
year, studies musical theatre at Chicago College of Performing Arts. Caroline,
who graduated from Visitation Academy in 2018, is working on her BFA in musical
theater at Indiana University.

They will be in good company. Past youth winners Zach Erhardt, Troyer Coultas and Yvette Lu toured nationally in ‘The Book of Mormon,” “The Wizard of Oz” and “Hamilton” respectively last year.

***BROADWAY BUZZ: The Tony Awards are Sunday, June, at 7 p.m. on CBS, and nominations will be announced on April 30. The local folks involved in producing the original musical “The Prom” are hoping for good news that day. The original musical comedy was among the best reviewed shows in 2018, after opening Nov. 15 on Broadway.  

The PromThe show has multiple local connections – Centralia, Ill., native Chad Beguelin is the co-book writer, with Bob Martin (co-creator of “The Drowsy Chaperone”) and lyricist, with music by Matthew Sklar. A number of cast members have performed at The Muny: St. Louisans Drew Reddington and Jack Sippel, and stars Beth Leavel and Christopher Sieber.

Some local producers include Jack Lane, executive director of Stages St. Louis; Ken and Nancy Kranzberg, Patty Gregory of Belleville, Terry Schnuck, Andrew S. Kuhlman of St. Louis and Fairview Heights native Joe Grandy.

Casey Nicholaw, Tony winner for “The Book of Mormon,”
directed and choreographed the show.

“The Prom” is about a canceled high school dance – a
student is barred from bringing her girlfriend to the prom — and four fading
Broadway stars who seize the opportunity to fight for justice — and a piece of
the spotlight.

As one of four musical acts in the 92nd annual Macy’s
Thanksgiving Day Parade, they made parade history with the first same-sex kiss
televised live.

Here is that performance: https://youtu.be/VDZDLJjzJBI

And the cast also performed live on “Late Night with Seth
Meyers.”

***VIVE LA VISIONARIES: More local arts awards for women! The St. Louis Visionary Awards will honor established working arts professionals, arts educators, emerging artists and community impact artists on Monday, April 22, at 6 p.m. at the Sun Theatre.

The Saint Louis Visionary Awards celebrates the numerous
contributions and achievements of women who work in or support the arts in the
greater St. Louis region. The awards are presented by an independent committee
of women dedicated to promoting the arts here.

Brava! To the 2019 Saint Louis Visionary Awards honorees, who  are, from left: Standing: Carmen Dence; Susan Barrett; Kathie Winter; and Kari Ely. Seated: Brea McAnally; Jacqueline Thompson. Photo by Diane Anderson ***COMMUNITY RECOGNITION: Congratulations to the Alton Little Theater will receive a prestigious national award for excellence in innovation, dedication to community and organizational development ensuring the future of live theater. The Twink Lynch Organizational Development Award will be presented to Kevin Frakes and Lee Cox at the AACT  (American Association of Community Theaters) National Convention in Gettysburg, Pa.,  in June.

A Raisin in the Sun

The Hawthorne Players give out “Duckies” at the year’s end, as voted on by the members and season ticket holders. The awards are named after the late veteran Hawthorne actress and director, Duckie DeMere. “A Raisin in the Sun” was the most lauded production, with , including Best Show, Best Director (Nancy Crouse), Best Actor (Erick Lindsey), Best Actress (Kimmie Kidd-Booker), Best Supporting Actor (Moses Weathers), Best Cameo Actress (Rhonda Cropp), Best Set Design (Nancy Crouse) and a Special Award (Archie Coleman).Elizabeth Breed Penny won Best Supporting Actress, for her role as Pauline in “Legally Blonde” and John Robertson won Best Cameo Actor in “The Fantasticks.” Eric Wennlund won two — Best Lighting and Best Sound for “The Fantasticks” Special Awards went to Connie Mulch of “The Fantasticks” and Michele Paladin, “Legally Blonde.”

*** NAME-DROPPING: Did you know the musical “Beautiful – The Carole King Musical” has a local connection? Producers are Paul Blake, former executive director at the Muny for 22 seasons, and Mike Bosner, Burroughs grad and Muny front office alum. The second national tour recently stopped at the Fox Theatre in St. Louis for a limited 5-day engagement. The musical celebrated its fifth season on Broadway in January. They tell me a movie is in the works! Here is my article ICYMI: https://stllimelight.com/2019/03/12/local-producers-found-beautiful-success-with-carole-king-musical/

There is another big-news local connection. Perhaps you’ve
heard about the college admissions scandal. Well, turns out Joe Buck’s daughter
is the roommate of Lori Laughlin’s daughter, the clueless and vapid video blogger
Olivia Jade, at University of Southern California. Ms. Buck is attending the
prestigious USC Film School. (Thanks, J.C. Corcoran for this tidbit).

Meadow Nguy

Meadow Nguy of O’Fallon, Ill., appeared in a new musical “Arrowhead” in concert at Feinstein’s/54 Below. The new Jackson Teeley and Sarah Galante work takes you inside the cozy and tuneful world of Arrowhead Café — from the heartache of love unrequited to the bliss of love that’s true, uncover all the ups, downs, and inevitable complications of modern love over a simple cup of coffee. The concert was directed by Dan Barron and music directed by Michael Pacifico, and featured a cast of 14.

Lisa Ramey, who performed at The Muny, Stages St. Louis and The Black Rep, was picked by John Legend for his team on Season 16 of “The Voice,” now finished with the Blind Auditions. Ramey currently lives in New York City and fronts a band called Superbad. She auditioned last year but did not get a chair turn, talked to the coaches about what she should do to improve, and returned this year.

Beau Willimon, third from left, speaks to the cast, while one of his mentors, director Wayne Salomon stands next to him. (Photo provided)Playwright Beau Willimon attended the preview night of his first Broadway play, “Farragut North,” which was produced at St. Louis Actors’ Studio last month. Willimon grew up in St. Louis and is a graduate of John Burroughs. He is most known for developing the American version of “House of Cards” for Netflix and was show runner for four years. His recent screenplay was the 2018 film “Mary, Queen of Scots.”

St. Louis’ sunny Jenna Fischer can now be seen with Ted Danson in a commercial for Smirnoff Vodka.

***

AND THEN THERE WERE 15: A harpist, juggler, dancers, acrobats, musicians and singers will be competing in Fox Performing Arts Charitable Foundation’s 9th Annual St. Louis Teen Talent Competition, which takes place Saturday, April 13, at the Fox Theatre in St. Louis. The public is invited to attend for free, but general admission tickets must be reserved at Metrotix.com or 314-534-1111. You can vote for the Audience Award.

The youths will have an opportunity to win scholarships and prizes. They were selected from a process that began with 140 acts auditioning in the preliminary round, and a semifinal round on March 9 that featured 45 acts who were then whittled down to the 15 finalists. More than 50 high schools, homeschoolers and performing arts schools were represented.

Congratulations to those who advanced — quite a lot of variety: Modern Dancers: Arielle Adams, Senior DessaRae Lampkins, Senior Brooke Reese, Senior De’Jai Walker, Senior Hazelwood Central High School. Musical Theatre Act: Kaley Bender, Sophomore, Nerinx Hall Nathaniel Mahone, Sophomore, Lafayette High School. Consecrated: pianist and drummer Emmanuel Morgan, Junior Thaddaeus Morgan, Sophomore Kirkwood High School.Expressions Academy of Dance: Emma Bilzing, Sophomore; Mackenzie Branson, Freshman; Kaele Kidwell, Senior; Ja’la Stancil, Sophomore Belleville East High School Ukulele/Vocalist/Sonwriter Afiya Faatuono, Sophomore McKinley Classical Leadership Academy Pop Vocalist Jameson Falconer, Sophomore Ladue Horton Watkins High School Modern Dancer Ashley Gardner, Junior Trinity Catholic High School Pop Vocalist Madelynn Gartland, Sophomore Kirkwood High School Partner Acrobatics K.O. Duo, Oliver Layher, Senior, Vianney High School Kyran Walton, Senior, Metro Academic and Classical High School Bharatnatyam Dancer Samanvita Kasthuri, Junior Parkway South High School Ballet Dancer Anne Oberman, Junior Cor Jesu Academy Juggler Sean Petric, Sophomore Oakville High School Harpist Mereya Riopedre, Junior MICDS Guitarist and Vocalist Joanna Serenko, Senior Kirkwood High School Musical Theatre Vocalist Troy Staten, Sophomore McCluer High School These talented teens are the entertainers of tomorrow.

For more information about the competition, visit: http://www.foxpacf.org/programs/teen-talent-competition/ for more information. ***SCHOLARSHIP OPPORTUNITY:  Since 2012, Arts For Life has awarded a scholarship to a student who is pursuing an education in the arts. The deadline for applicants is April 12. Applicant must be enrolled in an arts undergraduate program at an accredited college or university. Arts programs include, but are not exclusive to: performing arts (music, dance, theatre) and visual arts (painting, sculpture, architecture, film,photography, etc). Arts programs not defined as Fine Arts but related to the arts may be considered if superior work has been demonstrated in this area. Applicant must have participated in a Metro St. Louis community theater production or event in the past two years (1/1/2016-12/31/2018). Metro St. Louis defined as any location within 35 miles from Clayton. Here is the link: http://www.artsforlife.org/scholarship.html***

Taylor Louderman

THE POWER OF THEATRE: Tony Award nominee Taylor Louderman will host a one-night-only cabaret to celebrate performing arts education and support rural Missouri’s Ozark Actors Theatre.

It’s set for May 20 at 7:30 p.m. at the Sheldon Concert Hall.

Louderman, proud native of Bourbon, Mo., will take part in “The Power of Theatre,” bringing together the voices of some of St. Louis’s best performers as they share the power of theater education.

Currently starring on Broadway as Regina George in “Mean
Girls,” she is well-known on local stages. Her career began at Ozark Actors
Theater in 2001, when she played the title role of ‘Annie.”

Since then, she appeared on Broadway in “Bring It On: The
Musical” and “Kinky Boots,” as well as NBC’s “Peter Pan Live.” She spent
summers performing at the Muny, last seen in “Aida.” She voices the character
Blair on Nickelodeon’s “Sunny Day” and can be seen in “The Good Fight” and HBO’s
“High Maintenance.”

She likes to give back to the community where she started
and grateful to be a part of the OAT board.

Evening also includes silent and live auctions, and a special introduction by News 4’s Paige Hulsey.

All proceeds from this event will benefit Ozark Actors
Theatre’s education programming.

Tickets are available in person at the Fox Theatre box office without a handling fee. For more information: https://www.thesheldon.org/concert-detail.php?id=768

***

Wendy Renee Greenwood as war photographer in “Time Stands Still”GO SEE A PLAY POLL: Modern relationships are certainly complicated, aren’t they? But they sure make compelling dramas. We’re giving away two tickets to New Jewish Theatre’s upcoming production of “Time Stands Still” that runs March 28 – April 15. All you have to do is enter our drawing and select your favorite play on modern relationships for our poll (see below).

“Time Stands Still” revolves around Sarah, a photojournalist who has returned from covering the Iraq war after being injured by a roadside bomb, and her reporter boyfriend James who is swamped by guilt after having left Sarah alone in Iraq. The two are trying to find happiness in a world that seems to have gone crazy. Theirs is a partnership based on telling the toughest stories, and together, making a difference. But when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life. Can they stay together amidst unspoken betrayals and conflicting ideals? Playwright Donald Margulies answers these questions, while leaving unanswered qualms regarding the way America deals with war and tragedy coverage.

Directed by Doug Finlayson, the cast includes Wendy Renee Greenwood as Sarah, Ben Nordstrom as James, Jerry Vogel as Robin and Eileen Engel as Mandy.

To enter our drawing, please send your email address and
phone number to Lynn Venhaus, lynnvenhaus@gmail.com, by Friday,
March 22, before 5 p.m., with your choice for your favorite contemporary play
on modern relationships.

What would yours be? Here’s our list from which to select:August: Osage County God of Carnage The Humans Proof Rabbit Hole Stop Kiss Venus in Fur

Thanks for entering. Our last drawing for tickets to “Avenue Q” at the Playhouse @Westport Playhouse was won by Jennelle Gilreath. *** BEST WISHES: Kelly Hummert, founder and artistic director of Rebel and Misfits Productions, has decided to move on to other projects, and will no longer be producing shows in St. Louis.

Kelly Hummert

We will miss seeing what innovative and immersive plays she
put her heart and soul into, and the outstanding ensembles she brought together
during the past three years.

Rebel and Misfits’ “The Realistic Joneses” and “Macbeth: Come Like Shadows” have been nominated for Best Ensemble in this year’s St. Louis Theater Circle Awards, and last year, both Andrew Michael Niemann and Jim Butz won acting awards for “Uncle Vanya: Valiantly Accepting Next Year’s Agony.”

Break a leg, Kelly! The best is yet to come!

*** AUTHOR! AUTHOR!: Don Miller, an expert on media literacy and a local playwright, actor and professor, wrote a reference book, “Coming of Age in Popular Culture: Teenagers, Adolescence, and the Art of Growing Up,” that is getting good reviews. He is being lauded for his thoughtful work and providing insight into popular culture.

“And the beat goes on! What a wonderful tribute to the
decades. A entertaining explanation of our influences of the decades that
brought back so many memories,” said bestselling author Wade Rouse.

“This text is a tremendous boost to the media literacy
education field at a time when both the media communicator as well as the media
consumer hold great sway on many platforms in our digital communications
environment and understanding these processes can help both be better. And, the
timing couldn’t be better to have this definitive, well researched and
well-documented textbook regarding an age-old relationship about teens and
their media,” said Jessica Z. Brown, founder of Gateway Media Literacy
Partners.

Miller documented the evolution of teens and media from the
1950s through 2010, this book examines the films, books, television shows, and
musical artists that impacted American culture and shaped the “coming of
age” experience for each generation.

He will speak to the Mid Rivers Ethical Society in July.

***

“The Lusty Month of May” from the movie “Camelot” 1967TRIVIA TIME-OUT: We flip seasons to spring! Yay! Happy Dance. What a cold, dreary, gray winter. Here are some questions about productions focused on a spring.

In “The Producers,” what is the name of the musical
that Max Bialistock and Leo Bloom are mounting?Who sings “The Lusty Month of May” on the
original cast recording of “Camelot”? In the movie?What original cast member won a Tony Award in
the musical “Spring Awakening”?What musical features the song “Younger Than
Springtime”?ANSWERS 1. “Springtime for Hitler” 2. Julie Andrews; Vanessa Redgrave (Guinnevere)3. John Gallagher Jr.4. “South Pacific”

***

Richard Beymer and Natalie Wood in “West Side Story”MOVIE MUSICAL MAKEOVER: “Angels in America” playwright Tony Kushner is writing the script for Steven Spielberg’s new version of “West Side Story,” which is expected to be released in 2020. The announced movie cast includes Ansel Elgort as Tony, Rachel Zegler as Maria, Tony Award nominee Ariana DeBose (Donna Summer) as Anita, Tony Award winner David Alvarez (Billy Elliot) as Bernardo, Josh Andres Rivera as Chino, Brian d’Arcy James as Sergeant Krupke and Corey Stoll as Lieutenant Schrank.

The sole returning cast member of the original is EGOT
winner Rita Moreno, who will play a new character, Valentina. She won an Oscar playing
Anita.

This will be Spielberg’s first musical. He had a casting
call for Latinx performers and received 30,000 submissions. Seventeen-year-old
high school newcomer Rachel Zegler won the part of Maria.

The 1961 landmark film is the most-award winning movie musical
of all-time, nominated for 11 Academy Awards and winning 10. With choreography
by Jerome Robbins, music by Leonard Bernstein and lyrics by Stephen Sondheim,
the movie adaptation was directed by Robert Wise (“The Sound of Music”) and
Robbins.

Fun Fact: Natalie Wood played Maria but her singing was
dubbed by Marni Nixon, who also subbed for Audrey Hepburn in “My Fair Lady.”

***

Jared Sanz-Agero

IN MEMORIAM: Friends, family and colleague are remembering the wonderful talent that Jared Sanz-Agero was. The actor died Feb. 19, from injuries suffered in a horrific automobile accident two weeks earlier, on Feb 5.

Twice-nominated for St. Louis Theater Circle Awards for “Stones
in My Pocket” and “The Liar,” he was a passionate presence on many regional
group’s stages. You might have chatted with him at the .Zack, working at the
bar and concessions. He attended Southwest Missouri State University.

Jared, 47, was traveling to Kansas City for a commercial
shoot when his 2004 Toyota Matrix slid off the ice-covered roadway. He was
taken to the Centerpoint Hospital ICU in Independence, Mo., according to the
police report.
Official cause of death was internal bleeding and loss of blood, and is being
investigated by his family, from what’s on the Go Fund Me page.

A memorial service is being planned for a later date. If
you would like to contribute to a Go Fund Me account set up by his brother
Gentry after the accident to help with his medical expenses, and now, costs
related to his death investigation, and services, here is the link to the Jared
Sanz-Agero Memorial Fund: https://www.gofundme.com/help-jared-heal-fund

***WORD: To quote Jonathan Larson, who wrote “Rent” and died on opening day from an aneurysm:

“It’s not how many years you live, but how you fulfill the time you spend here.”

The New Jewish Theatre is proud to announce its 2019-2020 season, which opens in October. Artistic Director Edward Coffield introduced the lineup as an examination of identity that asks, “Who are we and how did we get here?”

The opening production honors the legacy of Neil Simon with his funny and sweet play, Brighton Beach Memoirs.

Next comes Fully Committed, a hilarious play and a complete tour de force, featuring forty wildly diverse characters played by one actor, NJT favorite, Will Bonfiglio.

Audiences will love the thought-provoking, beautiful play My Name is Asher Lev, adapted by Aaron Posner from the novel by acclaimed writer Chaim Potok. 

We are the Levinsons, by Wendy Kout, is a bittersweet, compelling story about parents and children, and people who come into our lives and change us. This will be only the second production of the play and a St. Louis premier.

The season closes with Stephen Sondheim’s Putting it Together, a witty and wonderful musical revue, featuring some of the greatest music written by the Broadway legend.

“I am thrilled to continue the tradition of theatre at the J. I think the plays and musical that comprise the 2019-20 season will engage and excite the community. In my brief time leading the New Jewish Theatre, I have learned that our audience loves the stories we share, and I know their lives are changed by that experience,” Coffield said.

The NJT performs at the J’s Wool Studio Theatre (2 Millstone Campus Drive, St. Louis, MO 63146). Season subscriptions are priced at $205 – $210. Subscription packages are available as a classic five-show package or the very popular NJT Flex Pass, which allocates six passes to be used at the patron’s discretion.

Single tickets will be available in mid-August. Subscriptions will be on sale May 13, 2019 at the NJT Box Office, by calling 314-442-3283 or online at newjewishtheatre.org

By Lynn Venhaus Managing Editor A brilliantly staged and acted “District Merchants” raises timely questions on oppression in a modern reworking of Shakespeare’s 420-year-old “Merchant of Venice.”

Playwright Aaron Posner’s 2016 comedy-drama tweaks the characters,
and sets them in the post-Civil War reconstruction era of 1870, in the nation’s
burgeoning capital, Washington D.C. Scenes also take place in Belmont, Mass.

It was a time of transition – out of ruins came renewal. But
it wasn’t fast or smooth. Posner has us confront the fact that old habits die
hard, change isn’t easy, and our tribes continue to define us, so is all the
uneasy historical issues and disastrous conflicts really in our past? The
clashes could be viewed as somewhat contemporary.

In this New Jewish Theatre production, butting heads are a Jewish immigrant moneylender, Shylock, and black businessman Antoine, shrewdly played by Gary Wayne Barker and J. Samuel Davis respectively, in skillfully calibrated performances.

Antoine has borrowed money from Shylock, but because of a
series of events not his doing, must default. Will he be required to hand over
a “pound of flesh,” as demanded by the loaner? A trial will ensue, but there
will be fireworks in and out of the courtroom regarding power, race, position,
family and loyalty.

The incredibly dynamic duo of Barker and Davis, longtime
local mainstays, spars so convincingly and with such verve that you hang on to
every word and nuance. Their timing is so impeccable that the audience broke
into applause after a couple explosive scenes.

Their triumphant pairing is potent – arguably career best
— but the supporting characters, involved in several thorny romantic subplots,
are exceptional as well.

The noteworthy ensemble has created memorable characters
that also mesh as a unit – even with the conflicts. They project a vibrancy,
with much thought into their role’s development.

Courtney Bailey Parker and Rae Davis. Photo by Eric WoolseySteadfast Courtney Bailey Parker is a strong Portia, who
dresses like a man to audit law classes at Harvard and is striving to define
her role as a smart woman in 19th century America.

She pairs well with love interest Benjamin, a black man
passing for white, and their courtship has a larger context. Rob White is solid
as an agent of change.

Standing out is Rae Davis as Portia’s servant Nessa, and she has stood out in two other plays she was in last year (“Cold,” “The Last Days of Judas Iscariot”), her first in regional St. Louis theater. She has a delightful way with dialogue, as does the sublime Karl Hawkins, who is dandy as Shylock’s servant Lancelot.

Karl Hawkins as Lancelot in “District Merchants.” Photo by Eric WoolseyHawkins charms in every scene, as does Paul Edwards as
Finn, an Irish produce salesman who takes a shine to Shylock’s sheltered
daughter Jessica. At first, his brogue was wobbly, but he grew better, and his
winning personality was enough to endear.

As delicate Jessica who transforms with determination, Alicen
Moser understands the frustration of being a powerful and overprotective father’s
only child. When she rebels, she does it in a big way that nearly destroys her
father.
The relationships are complicated, but this cast pulsates under Jacqueline
Thompson’s perceptive direction.

Thompson has directed this show with such vigor that each
character has a distinct understanding of the material, and with her innovative
touches, has achieved a masterpiece.
She has astutely woven each character into this tapestry, and moves them around
the stage, the striking multi-level set by David Blake, and into the audience
with such purpose —  a flow that keeps
us riveted.

It does not matter if you have never seen Shakespeare’s
most controversial play. “District Merchants” flips it to assure that we see
the maligned, marginal groups in a different perspective – people of faith, of
color, of origin. We look at mercy in a fresh way.

Posner’s unflinching dialogue about stereotypes is tough
stuff, pitting Jews against gentiles, blacks vs. whites, and Irish vs. other
ethnic groups.

Billed as an “uneasy comedy,” you wouldn’t ever regard such
thought-provoking material that tackles racism, bigotry and xenophobia as a
laugh-riot, but there are surprising comic bits that struck a chord with the
audience, a spoonful of sugar if you will. After all, Shakespeare did consider
“Merchant of Venice” one of his comedies.

But mostly, the humor derives from the spoken thoughts and
feelings of the characters, who want basically what everyone wants and how they
tell their story. Because of the caliber of this cast, we are quickly drawn
into this period, and become emotionally invested as well.

Posner’s work appears to be a winner with New Jewish
Theatre. “Life Sucks!,” his comical adaptation of Chekhov’s “Uncle Vanya,” was
a delightful presentation last spring, and nominated for multiple St. Louis
Theatre Circle Awards (coming up March 25).

This must-see production has raised the bar – and will be a
measuring stick for this year’s offerings, especially with such a harmonious
ensemble.

A work of stunning achievement all the way around – with
beautifully accented lighting by Sean Savoie, richly detailed period costumes
by Felia Davenport and sound design by Zoe Sullivan.

 “District Merchants” is presented by New Jewish Theatre from Jan. 24 – Feb. 10 on Wednesday, Thursday, Saturday and Sunday at the Wool Theatre at the Jewish Community Center, Creve Coeur. For tickets, visit www.newjewishtheatre.org

By Lynn VenhausManaging EditorAnother opening, another show, and another, and another…We have an abundance of riches in the St. Louis region this weekend — many solid offerings from St. Peters, Mo. to Waterloo, Ill.

Whether it’s established playwrights like Arthur Miller, Sarah Ruhl or Laura Gunderson or emerging writers, we encourage you to take a fresh look at a classic or dive in to something new.

Speaking of playwrights, homegrown Beau Willimon will be in town Thursday night to attend the preview performance of his drama, “Farragut North.”

Willimon, who adapted the British TV series “House of Cards” for the American version on Netflix, is a graduate of John Burroughs High School, where he was a student of director Wayne Salomon.It’s the final week for several shows — “District Merchants” at New Jewish Theatre, “Wittenberg” at Upstream Theatre and “The Motherf**ker with the Hat” at R-S Theatrics. “Fiddler on the Roof” tour ends its St. Louis stop on Sunday.

Openings include “The Crucible” at Stray Dog Theatre, “Farragut North” at St. Louis Actors’ Studio, “Oslo” at the Repertory Theatre of St. Louis, and “Exit, Pursued by a Bear” at West End Players Guild.Four shows open in Community Theatre — “Don’t Dress for Dinner” at Act Two, ” “First Date” at Clinton County Showcase, “Little Shop of Horrors” at MASC and “Eurydice” at Clayton Community Theatre.

Metro Theatre continues with “The Hundred Dresses,” “Avenue Q” goes through March 3 at The Playhouse at Westport, “Deenie Nast Is Back” is just on Fridays, and SATE’s “Classic Mystery Game” has two more weekends.Whatever you are in the mood for, you can find it in the ‘Lou, or by crossing one of the bridges. Wherever you go, GO SEE A PLAY! “Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie
Mueller

Starring: Andrew Keeler, Brent Ambler, Jennifer
Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won three Tony Awards, including Best Musical. “Black Theatre Workshop” Metcalf Theatre Southern Illinois University at Edwardsville Friday, Feb. 8 at 7:30 p.m. and Sunday, Feb. 10 at 5 p.m. 618-650-2774www.siue.edu

Of Note: In honor for the 20th anniversary celebration of Black
Theater Workshop, SIUE Theater and Dance welcomes the return of alumnus Greg
Fenner who directed this year’s edition of BTW “Black in My Day.”
Fenner has worked in professional theater in both St. Louis and Chicago, and is
the recipient of Best Actor in a Comedy for “Fully Committed” from the St.
Louis Theater Circle.

Photo by Joey Rumpell“Classic Mystery Game” Slightly Askew Theatre Ensemble (SATE) Wednesdays – Saturdays at 8 p.m. Jan. 30 – Feb. 16 The Chapel, 6238 Alexander Drive, 63105www.brownpapertickets.comrachel@slightlyoff.org 314-827-5760

What It’s About: SATE opens its Season of Ritual with a parody of the cult classic 1985 movie, “Clue,” written by Katy Keating. She has written about the failure of capitalism in a climate-changing world.

The film was written by Jonathan Lynn, and that was based
on the game, “Cluedo,” which was created by Anthony E. Pratt.

Director: Katy Keating

Starring: Will Bonfiglio. Maggie Conroy, Michael Cassidy
Flynn, Carl Overly Jr., Reginald Pierre, Ellie Schwetye, Rachel Tibbetts, Kristen
Strom, Marcy Wiegert and Bess Moynihan

Of Note: Wednesdays, Feb. 13, are “Pay What You Can”

Photo by Justin Been“The Crucible” Stray Dog Theatre Feb. 7 – 23 Thursdays through Saturdays at 8 p.m.; special 2 p.m. matinee Sunday, Feb. 17. Tower Grove Abbey 2336 Tennessee www.straydogtheatre.org 314-865-1995

What It’s About: Lies. Betrayal. Lust. In 1690s
Salem, a young girl leads a Puritanical purge of witchcraft against a local
farmer and his wife. As fear and excitement grow in the town, the accusations
grow more ferocious and terrifying, until no one is safe, and the truth is
obscured completely. Written by Arthur Miller and winner of the 1953 Tony Award
for Best Play.

Director:
Starring: John Proctor: Graham Emmons, Elizabeth Proctor: Cynthia Pohlson, Abigail
Williams: Alison Linderer, Mercy Lewis: Sienna DeSuza, Rebecca Nurse: Suzanne
Greenwald, John Danforth: Joe Hanrahan, Ezekiel Cheever: Charles Heuvelman, John
Hathorne: Jonathan Hey, Ann Putnam: Laura Kyro, Francis Nurse: Chuck Lavazzi, Susanna
Walcott: Zoe Liu, Giles Corey: Gerry Love, Hopkins : Michael Maskus, Sarah
Good: Liz Mischel, Thomas Putnam: Tom Moore, John Willard: Stephen Peirick, Rev.
Samuel Parris: Ben Ritchie, Betty Parris: Avery Smith, John Hale: Abraham Shaw,
Mary Warren: Chrissie Watkins and Tituba: Kelli Wright.

“Deenie Nast is Back” Ten Directions and the St. Lou Fringe Fridays at 8 p.m. Feb. 1, 8 and 15 Emerald Room at The Monocle www.deenienast.com

What It’s About: One-woman show by Audrey Crabtree features
international performance superstar Deenie Nast, who delivers a no holds
barred, song-filled tribute to her lonely fans. Nast presents a hilarious and
heartbreaking exploration of relationships, loneliness, and true connections.
Nast sings the hits from her past, revealing very personal stories. Songs,
physical comedy and audience interaction are involved.

Photo by Eric Woolsey “District Merchants” New Jewish Theatre Jan. 24 – Feb. 10 Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m. Wool Studio Theater Jewish Community Center, 2 Millstone Campus Drivewww.newjewishtheatre.org 314-442-3283

What It’s About: Love, litigation, deep passions and
predatory lending are taken to a new level. The play wades fearlessly into the
complexities of life in America. It is set among Black and Jewish populations
in an imagined time and place, simultaneously Shakespearean and post- Civil War
Washington, D.C.

Directed by Jacqueline Thompson

Cast: Gary Wayne Barker, J. Samuel Davis, Courtney Bailey
Parker, Alicen Moser, Erika Flowers, Karl Hawkins, Ron White, Rae Davis

Of Note: In Aaron Posner’s re-imagining, the play becomes
less about the quality of mercy and more about how flexible a supposedly
egalitarian society can be to the varied tribes struggling to find partners in
America. Aaron Posner expertly blends humor, emotional truths and topics that
make people think. He is able to create characters who are deeply flawed, like
we are. In his “uneasy” comedy, he wants us to look at a snapshot in time, the
Reconstruction Era, but what he has written is relevant to audiences today.

Trish Nelke, John Emery, Laura Deveney and Becky Loughridge. Photo by Lori Biehl“Don’t Dress for Dinner” Act Two Theatre Feb. 8 – 17 Fridays and Saturdays at 7:30 p.m.; Sundays at 2 p.m. St. Peters Cultural Arts Centrewww.acttwotheatre.com What It’s About: Bernard and Jacqueline are a not-so-happily married couple, both of whom are having extramarital affairs. As Jacqueline prepares to go out of town to visit her mother, Bernard invites his mistress and Robert, his best friend (and also Jacqueline’s lover, unbeknownst to Bernard), over for the weekend. He’s even hired a Cordon Bleu chef to cater the evening. Jacqueline discovers Robert is coming to town and cancels her trip, causing Bernard to panic. When Robert arrives, Bernard asks him to pretend Suzanne is Robert’s mistress. Robert mistakes the chef, for Bernard’s mistress, producing a highly complicated dinner of hilarious hijinks, secret trysts and slapstick comedy.” Performances take place in the St. Peters Cultural Arts Centre at 1 St Peters Centre Blvd, St. Peters, MO 63376. For more information: act2theater.com.

Director: Paul James Starring: Trish Nelke, John Emery, Laura Deveney, Becky Loughridge, Travis Wiggins, Justin Spurgeon

“Eurydice” Clayton Community Theatre Feb. 7 – 17 Thursday – Saturday at 8 p.m.; Sunday at 2 p.m. Washington University South Campus Theatre  6501 Clayton Road Tickets by email at tickets@placeseveryone.org 314-721-9228 www.placeseveryone.org. What It’s About: This “weird and wonderful” (New York Times) retelling of the Greek myth about the musician Orpheus and his wife Eurydice ruminates on love, loss, and the power of memory. “Eurydice” by Sarah Ruhl is one of the few retellings of the classic myth told from the heroine’s perspective. It considers her untimely death and descent to the Underworld, what she finds there, and her difficult decision of whether or not to return to Earth with Orpheus. “Eurydice” was nominated for Drama League and Drama Desk awards in 2008. Director – Jessa Knust

Starring: Eurydice – Mary Tomlinson, Orpheus – Wil Spaeth, Eurydice’s Father – Jeff Lovell, Nasty Interesting Man / Lord of the Underworld – Britteny Henry, Big Stone – Jack Janssen, Little Stone – Amie Bossi, Loud Stone – Ann Egenriether

Photo by John Lamb“Exit, Pursued by a Bear” West End Players Guild Feb. 8 – 17 Showtimes are 2 p.m. Sundays and 8 p.m. Fridays and Saturdays, with Thursday the second week. Union Avenue Christian Church 733 Union Boulevard in the Central West End www.westendplayersguild.com

What It’s About: Nan Carter has had it.  She’s had it with her husband Kyle’s
“good ole boy” ways – the coming home drunk, the passing out on the
couch, but not before he gives her a good shot or two.  More importantly, she’s had it with a life
contained within the four walls of their dreary North Georgia cabin.  She knows there’s a more exciting world out
there, and she’s decided to leave Kyle’s world behind and go find her own.

But first, she’s going to have some fun.

With the help of her stripper pal Sweetheart and her best
bud theatre pal Simon, Nan is going to duct tape Kyle to his favorite chair,
put on a little show to teach Kyle the error of his ways and then feed him to a
bear.

Director: Teresa Doggett
Starring: Lexa Wroniak as Nan Carter, Alex Fyles as Kyle Carter, Tara Ernst as
Sweetheart and Ethan Isaac as Simon.

Of Note: The play marks a return for playwright Lauren
Gunderson, recognized last year by American Theatre magazine as America’s
most-produced playwright. Gunderson’s Silent Sky was the big hit of WEPG’s
2018-19 season.

Please note that the Thursday show is on Valentine’s Day.  For this show only, all ladies in attendance will receive a flower and chocolate. Gentlemen will receive a red duct tape bracelet.

Photo by Patrick Huber“Farragut North” St. Louis Actors’ Studio Feb. 8 – 24 Thursdays through Saturdays at 8 p.m.; Sunday at 3 p.m. Gaslight Theatre 358 North Boyle Metrotix.com 314-458-2978www.stlas.org

What It’s About: Stephen Bellamy is a wunderkind press secretary who has built a career that men twice his age would envy. During a tight presidential primary race, Stephen’s meteoric rise falls prey to the backroom politics of more seasoned operatives. “Farragut North” is a timely story about the lust for power and the costs one will endure to achieve it. Director: Wayne Salomon Starring: Spencer Sickmann, Peter Mayer, David Wassilak, Luis Aguilar, Hollyn Gayle, Shannon Nara and Joshua Parrack. Of Note: Playwright Beau Willimon, who grew up in St. Louis and was a student of the director at John Burroughs School, will be in attendance for a special preview on Thursday, Feb. 7, at 8 p.m. The West End Grill and Pub will be open before and after the performances for drinks.

Fiddler on the Roof“Fiddler on the Roof” Jan. 29 – Feb. 10 The Fabulous Fox Theatre 529 N. Grand www.fabulousfox.com

What It’s About: Tony-winning director Bartlett Sher and
the team behind South Pacific, The King and I and 2017 Tony-winning Best Play
Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece
from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon
Harnick.

The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family. “First Date” Clinton County Showcase Feb. 8 – 17 Fridays and Saturdays at 8 p.m., Sundays at 2 p.m. Avon Theatre, 525 N. Second St., Breese, Ill. www.ccshowcase.com What It’s About: Aaron is a “blind date virgin,” while Casey has been on more than her fair share. When the two are set up by a mutual friend, sparks fly-or do they? The night unfolds over the course of this couple’s hilarious first date, and it’s not without its share of surprises in the form of imaginary visits from Aaron’s ex-girlfriend, Casey’s uptight sister, the pair’s protective parents and even their future son.

“The Hundred Dresses” Metro Theatre Company Feb. 3 – Feb. 25 The Grandel Theatre Metrotix.com www.metroplays.org

What It’s About: Wanda Petronski, the new girl in Room 13,
is a Polish immigrant who lives in a shabby house and doesn’t have any friends.
Every day she wears the same faded blue dress, but tells her new class-mates
that she has a hundred dresses at home. Her classmates tease Wanda about her
hundred dresses until one day she disappears from school. As guilt overtakes
the children, they decide to find out what happened to Wanda and to make
amends. But is it too late? Bullying, friendship and forgiveness are at the
center of this play adapted from the beloved Newbery Honor Book by Eleanor
Estes.

Cast: Sophie Murk as Wanda, Alicia Revé Like as Maddie, Hailey Medrano as Peggy, Philip C. Dixon as Mr. Mason, and Jacob Cange as Tommy/Mr. Svenson

Of Note: Eleanor Estes wrote down her childhood memories while recovering from tuberculosis and became a children’s author. Her many published works are widely read; but “The Hundred Dresses” continues to be the most popular, remaining in print since its publication in 1944. It was awarded the Newbery Honor in 1945. Speaking about “The Hundred Dresses” Eleanor Estes said, “I am holding up a mirror, and the scene reflected in the mirror is a true image of childhood, and the mirror, besides reflecting, also speaks and echoes the clear, profound, unpremeditated utterances, thoughts, and imageries of these children. I like to make children laugh or cry, to be moved in some way by my writing.

“Little Shop of Horrors” Monroe Actors Stage Company Feb. 8 – 10, 15 – 17 Friday and Saturday at 7:30 p.m.; Sunday at 2:30 p.m. Historic Capitol Theatre Waterloo, Ill. 618-939-7469www.masctheatre.org What It’s About: Science fiction mixes with romantic comedy for the musical based on the Roger Corman B-movie, “Little Shop of Horrors,” with book and lyrics by Howard Ashman and music by Alan Menken. Seymour Krelbourn works for a florist on skid row and purchases a strange plant that appears during an eclipse, which he names Audrey Two. He has a crush on his co-worker Audrey, who dates a sado-masochistic dentist. The plant is a big hit, and things get weird. Director: Matt Dossett, with music direction by Marcia Braswell Starring: George Doerr IV as Seymour, John Jauss as Mr. Mushnik, Julie Petraborg as Audrey, Seth Acock as Orin, Tim McWhirter as Audrey Two, and Sarah Polizzi, Kara Grossmann and Hannah Lindsey as the street urchin chorus, with Jeff Clinebell, Valleri Dillard, Jennifer Kerner, Reagan Posey, Rachel Mackenzie, Mark Sochowski and Austin Brouk.

Of Note: A sensory-friendly performance is set for Sunday,
Feb. 10.

Jesse Munoz, Adam Flores, Aaron Dodd. Photo by Jill Ritter Lindberg“The Motherf**ker with The Hat” R-S Theatrics Jan. 25 – Feb. 3 Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. .Zack, 3224 Locust www.r-stheatrics.com

What It’s About: How do you know where you’re going…if you
don’t know who has been in your home? The serio-comedy explores how five people
in New York navigate loyalty, trust, and duty through friendship, love and the
challenges of adulthood. And how no one should ever underestimate the
importance of cleaning up their accessories.

Director: Carl Overly Jr.

Starring: Adam Flores, Sofia Lidia, Jesse Munoz, Aaron
Dodd, Taleesha Caturah.

Of Note: Adult themes and language, recommended for mature
audiences.

Photo by Peter Wochniak“Oslo” Feb. 8 – March 3 The Repertory Theatre of St. Louis 130 Edgar Road, St. Louiswww.repstl.org 314-968-4925 What It’s About: The winner of the 2017 Tony Award for Best Play, this play by J.T. Rogers is set in 1993, when two bitter enemies shocked the world by shaking hands and agreeing to work towards peace. “Oslo” finds the unlikely story behind the historic event. The drama explores the secretive and precarious negotiations that made that moment possible and focuses on the Norwegian couple who brokered talks between the Israelis and Palestinians. Director: Steven Woolf Starring: Jim Poulos, Kathleen Wise, Rajesh Bose, Ben Graney, Jerry Vogel, Michael James Reed, Amro Salama, John Rensenhouse, Michelle Hand, Jonathan Gillard Daly, Jeff Cummings, Jim Shankman, Chaunery Kingsford Tanguay, Jack Theiling and Tom Wethington. Of Note: “Oslo” is recommended for adult audiences. The show contains strong adult language and weighty discussions about global politics and diplomatic relations.

Photo by ProPhotoSTL“Wittenberg” Upstream Theater Jan. 25 – Feb. 10 Friday and Saturday at 8 p.m.; Sunday at 7 p.m. except Feb. 10 at 2 p.m. Kranzberg Arts Center www.upstreamtheater.org

What It’s About: It’s October 1517, and the new fall
semester at the University of Wittenberg finds certain members of the faculty
and student body at personal and professional crossroads. Hamlet (senior, class
of 1518) is returning from a summer in Poland spent studying astronomy, where
he has learned of a revolutionary scientific theory that threatens the very
order of the universe, resulting in psychic trauma and a crisis of faith for
him. His teacher and mentor John Faustus has decided at long last to make an
honest woman of his paramour, Helen, a former nun who is now one of the
Continent’s most sought-after courtesans. And Faustus’ colleague and Hamlet’s
instructor and priest, Martin Luther, is dealing with the spiritual and medical
consequences of his long-simmering outrage at certain abusive practices of the
Church.

Director: Philip Boehm

Starring: Casey Boland, Steve Isom, Alan Knoll and Caitlin
Mickey.

Of Note: St. Louis premiere.

By Lynn Venhaus Managing Editor As barren as the outdoors is of life, inside the walls of our theatrical spaces, large and small, are full of life. There are 15 shows available to audiences this weekend! There is something for every taste — pick one or two or three! And Go See a Play!

Accelerando – A Circus Spy Thriller Circus Harmony Jan. 26 at noon and 2 p.m. and Jan. 27 at 2 p.m.www.circusharmony.org/accelerando What It’s About: The annual show features their famous flying children with new acts, including Chinese Pole and Hoop Diving.

Photo by Jon Gitchoff“Alabama Story” Jan. 2 – 27 The Repertory Theatre of St. Louis www.repstl.org

What It’s About: A determined librarian and a
segregationist senator face off over an innocent children’s book in 1959
Montgomery. Depicting the marriage of two rabbits – who happen to have
different-colored fur – the story has Sen. E.W. Higgins calling for a book ban.
But even as the pressure mounts, librarian Emily Wheelock Reed refuses to yield
to censorship. Inspired by true events.

Directed by Paul Mason Barnes Starring: Larry Paulsen, Jeanne Paulsen, Carl Howell, Carl Palmer, Corey Allen, Anna O’Donoghue“Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie MuellerStarring: Andrew Keeler, Brent Ambler, Jennifer Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won Tony Awards,
including

“Canfield Drive” The Black Rep Jan. 9 – 27 Edison Theatre on the campus of Washington University www.theblackrep.org What It’s About: The world premiere production is about two high-powered news reporters from across the aisle who are thrown together during the national coverage of the aftermath following the Michael Brown shooting death in Ferguson, Mo., in summer 2014.

As they untangle facts, they struggle to keep their private
lives out of the spotlight.
Directed by Ron Himes
Starring: Kristen Adele Calhoun, Christopher Hickey, Amy Loui, Eric Conners

Of Note: Created from diverse interviews of people from
around the corner and around the world, Canfield Drive was written by Kristen
Adele Calhoun and Michael Thomas Walker. It is a National Performance Network
Creation and Development Fund Project co-commissioned by 651 Arts in
partnership with The St. Louis Black Repertory Company, and NPN.

Photo by Eric Woolsey“District Merchants: An Uneasy Comedy” New Jewish Theatre Jan. 24 – Feb. 10 Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m. Wool Studio Theater Jewish Community Center, 2 Millstone Campus Drivewww.newjewishtheatre.org 314-442-3283

What It’s About: Love, litigation, deep passions and predatory lending are taken to a new level. The play wades fearlessly into the complexities of life in America. It is set among Black and Jewish populations in an imagined time and place, simultaneously Shakespearean and post- Civil War Washington, D.C. Directed by Jacqueline Thompson Cast: Gary Wayne Barker, J. Samuel Davis, Karl Hawkins, Ron White, Rae Davis Of Note: In Aaron Posner’s reimagining, the play becomes less about the quality of mercy and more about how flexible a supposedly egalitarian society can be to the varied tribes struggling to find partners in America. Aaron Posner expertly blends humor, emotional truths and topics that make people think. He is able to create characters who are deeply flawed, like we are. In his “uneasy” comedy, he wants us to look at a snapshot in time, the Reconstruction Era, but what he has written is relevant to audiences today.

Fiddler on the Roof “Fiddler on the Roof” Fox TheatreJan. 29 –“L’Italiana in Algeri” Winter Opera St. Louis Jan. 25 at 8 p.m. and Jan. 27 at 3 p.m. The Skip Viragh Center for the Arts at Chaminade 425 S. Lindbergh “Jekyll & Hyde” Next Generation Theatre Company Jan. 26 – Feb. 2 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m. James J. Eagan Center, Florissant http://www.nextgenerationtheatre.company/jekyll/

What It’s About: An evocative tale of two men – one, a
passionate doctor; the other, a terrifying madman – and two women, both in love
with the same man and both unaware of his dark secret. Murder and chaos is
pitted against love and virtue.

Starring: Keith Boyer as Dr. Henry Jekyll

Of Note: Rated PG-13 for violence.

“Jesus Christ Superstar” Looking Glass Playhouse Jan. 24 – Feb. 3 Thursdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m. 301 West St Louis Street in Lebanon, Ill. www.lookingglassplayhouse.com What It’s About: The Andrew Lloyd Webber-Tim Rice musical
is a timeless work set against the backdrop of a Biblical series of events but
seen through the eyes of Judas Iscariot.

“Love, Linda” Max and Louie Productions Jan. 18 – Jan. 27 Marcelle Theatre in Grand Arts Center www.maxandlouie.com

What It’s About: Linda Lee Thomas was the Southern beauty
who married and was the driving force behind legendary song writer Cole Porter
at the dawn of the roaring twenties. Though Cole Porter was gay, their
companionship and love lasted through 35 years of marriage and a spectacular,
glamour-filled life.
Through innovative jazz arrangements, the music and lyrics of Cole Porter
examine the darker sides of their life while also celebrating the deep love
that blossomed through their unconventional relationship.
Directed by Ken Page, Music Director Greg Schweizer
Starring Debby Lennon

“The Marvelous Wonderettes” Hard Road Theatre Productions Friday and Saturday at 7 p.m. and Sunday at 2 p.m. Highland Elementary School auditorium in Highland, Ill. www.hardroad.org

What It’s about: The pop doesn’t stop in this musical about
a high school prom in 1958 and, in the second act, a 10-year reunion in 1968,
with a soundtrack that includes big hits from both decades.  

Photo by Jill Ritter Lindberg“The Motherf*cker with The Hat” R-S Theatrics Jan. 25 – Feb. 1 Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. .Zack, 3224 Locust www.r-stheatrics.com

What It’s About: How do you know where you’re going…if
you don’t know who has been in your home? The seriocomedy explores how 5 people
in New York navigate loyalty, trust, and duty through friendship, love and the
challenges of adulthood. And how no one should ever underestimate the
importance of cleaning up their accessories.

Directed by:

Starring: Adam Flores, Sofia Lidia, Jesse Munoz, Aaron Dodd, Taleesha Caturah

“On Golden Pond” Alton Little Theater Jan. 25 – 27 Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. Alton Little Theater, 2450 N. Henry in Alton, Ill. 618-462-6562www.altonlittletheater.org What It’s About: At a summer lake home, the play focuses on a daughter’s turbulent relationship with her father, and also the trails of a loving couple in the twilight years of a long marriage.

“Wittenberg” Upstream Theater Jan. 25 – Feb. 10 Friday and Saturday at 8 p.m.; Sunday at 7 p.m. except Feb. 10 at 2 p.m. Kranzberg Arts Center www.upstreamtheater.org

What It’s About: It’s October 1517, and the new fall
semester at the University of Wittenberg finds certain members of the faculty
and student body at personal and professional crossroads. Hamlet (senior, class
of 1518) is returning from a summer in Poland spent studying astronomy, where
he has learned of a revolutionary scientific theory that threatens the very
order of the universe, resulting in psychic trauma and a crisis of faith for
him. His teacher and mentor John Faustus has decided at long last to make an
honest woman of his paramour, Helen, a former nun who is now one of the
Continent’s most sought-after courtesans. And Faustus’ colleague and Hamlet’s
instructor and priest, Martin Luther, is dealing with the spiritual and medical
consequences of his long-simmering outrage at certain abusive practices of the
Church.

Directed by: Philip Boehm
Starring: Casey Boland, Steve Isom, Alan Knoll and Caitlin Mickey.

Of Note: St. Louis premiere.

Photo by Jon Gitchoff“The Wolves” The Repertory Theatre of St. Louis Jan. 18 – Feb. 3 Studio Theatre Loretto-Hilton Center on the Webster University campus www.repstl.org What It’s About: Nine teenage girls prepare for battle on a
soccer field. As they stretch and warm up together, the teammates’ nonstop
banter reveals how a collection of disparate personalities bonds to form a
team.

Directed by Melissa Rain Anderson
Starring: Cassandra Lopez, Cecily Dowd, Colleen Dougherty, Cece Hill, Maya J.
Christian, Mary Katharine Harris, Esmeralda Garza, Rachael Logue, Keaton Whittaker,
Nancy Bell,

Of Note: St. Louis premiere

“Workers’ Opera” Bread and Roses Sunday, Jan. 27 Missouri History Museum 1 to 2:30 p.m. Free and open to the public www.breadandrosesmo.gov What It’s About: Bread and Roses presents these vignettes of new and revised sketches about laborers, unions, and workers’ rights in the past and the present. Every sketch is full of good music, some history and lots of political humor.

Director: Kathryn Bentley, associate professor at
SIU-Edwardsville and Artistic Director of the Black Theater Workshop.

Music and script editing by Colin McLaughlin.

Of Note: Written and performed by members of Service
Employees International Union, Communications Workers of America, United Media
Guild, Actors Equity, Asbestos Workers, and others involved in the arts and
organized labor.

ST. LOUIS, January 25, 2019 
— The musical Evita, which opened the 51st season of
The Repertory Theatre of St. Louis last September, and the Tennessee Williams
Festival’s production of A Streetcar Named Desire each has garnered 11
nominations to lead the list of contenders for the seventh annual St. Louis
Theater Circle Awards.

Winners in more than 30 different categories covering comedies,
dramas and musicals will be announced at the awards ceremony on Monday, March
25 at the Loretto-Hilton Center on the campus of Webster University, home of
The Rep.  In addition, nominations also
have been announced for two categories in opera.

Tickets once again will be $15 apiece and can be obtained
through Brown Paper Tickets at www.brownpapertickets.com
or at the Loretto-Hilton Center box office on the night of the event.
Llywelyn’s Catering will offer a selection of snack boxes, desserts and drinks
available on a pay-as-you-go basis at the event.

The Rep leads the way with a total of 21 nominations,
followed by 18 for The Muny and Stray Dog Theatre’s 15 nominees.  Some 23 local professional companies received
nominations for 54 different shows.  A
total of 120 artists have been nominated, including 10 who received two
nominations apiece. The awards honor outstanding achievement in locally
produced professional theater for the calendar year 2018.

In addition, three special awards have been announced:  To The Muny for a century of performances
celebrated during its centennial season of 2018; to Kathleen Sitzer, founder
and long-time artistic director of the New Jewish Theatre, for lifetime
achievement; and to Steven Woolf, Augustin artistic director of The Rep for
more than 30 years, also for lifetime achievement.

Sitzer retired following the conclusion of her company’s
2017-18 season, while Woolf will be retiring at the conclusion of The Rep’s
2018-19 season this spring.

The mission of the St. Louis Theater Circle is simple: To
honor outstanding achievement in St. Louis professional theater. Other cities
around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San
Diego, San Francisco and Washington D.C., pay tribute to their own local
theatrical productions with similar awards programs.

Nominations for the St. Louis Theater Circle Awards are
divided into categories for musicals, dramas, comedies and opera.  Nearly 130 locally produced professional
theatrical productions were presented in the St. Louis area in 2018.

The nominees for the seventh annual St. Louis Theater Circle
Awards are:

Outstanding
Ensemble in a Comedy

Into the Breeches!, Shakespeare Festival St. Louis

Life Sucks, New Jewish Theatre

The Most Fabulous Story Ever Told, Stray Dog Theatre

The Realistic Joneses, Rebel and Misfits Productions

Red Scare on Sunset, Stray Dog Theatre

Outstanding
Supporting Actress in a Comedy

Kari Ely, Into the Breeches!, Shakespeare Festival
St. Louis

Carmen Garcia, Luchadora!, Mustard Seed Theatre with
Theatre Nuevo

Jennelle Gilreath, The Most Fabulous Story Ever Told,
Stray Dog Theatre

Katy Keating, Life Sucks, New Jewish Theatre

Shannon Nara, Red Scare on Sunset, Stray Dog Theatre

Outstanding
Supporting Actor in a Comedy

Gary Wayne Barker, Into the Breeches!, Shakespeare
Festival St. Louis

Isaiah Di Lorenzo, Rosencrantz and Guildenstern Are Dead,
St. Louis Shakespeare

Brad Fraizer, A Christmas Story, Repertory Theatre of
St. Louis

Stephen Henley, Red Scare on Sunset, Stray Dog
Theatre

Carl Overly Jr., Luchadora!, Mustard Seed Theatre
with Theatre Nuevo

Outstanding
Actress in a Comedy

Sarajane Alverson, Raging Skillet, New Jewish Theatre

Michelle Hand, Into the Breeches!, Shakespeare Festival
St. Louis

Nancy Nigh, Every Brilliant Thing, R-S Theatrics

Ruth Pferdehirt, Born Yesterday, Repertory Theatre of
St. Louis

Heather Sartin, The Great Seduction, West End Players
Guild

Outstanding Actor
in a Comedy

Will Bonfiglio, Red Scare on Sunset, Stray Dog
Theatre

Alan Knoll, An Act of God, New Jewish Theatre

Luke Steingruby, The Most Fabulous Story Ever Told,
Stray Dog Theatre

Robert Thibaut, Rosencrantz and Guildenstern Are Dead,
St. Louis Shakespeare

Pete Winfrey, The Importance of Being Earnest,
Insight Theatre Company

Outstanding
Director of a Comedy

Gary F. Bell, Red Scare on Sunset, Stray Dog Theatre

Nancy Bell, Into the Breeches!, Shakespeare Festival
St. Louis

Edward Coffield, Life Sucks, New Jewish Theatre

Pamela Hunt, Born Yesterday, Repertory Theatre of St.
Louis

Anna Skidis Vargas, Luchadora!, Mustard Seed Theatre
with Theatre Nuevo

Outstanding
Production of a Comedy

Born Yesterday, Repertory Theatre of St. Louis

Into the Breeches!, Shakespeare Festival St. Louis

Life Sucks, New Jewish Theatre

Luchadora!, Mustard Seed Theatre with Theatre Nuevo

Red Scare on Sunset, Stray Dog Theatre

Outstanding
Ensemble in a Drama

As It Is in Heaven, Mustard Seed Theatre

The Last Days of Judas Iscariot, Mustard Seed Theatre

The Little Foxes, St. Louis Actors’ Studio

Macbeth: Come Like Shadows, Rebel and Misfits
Productions

A Streetcar Named Desire, Tennessee Williams Festival
St. Louis

Outstanding
Supporting Actress in a Drama

Nicole Angeli, Doctor Faustus, or the Modern Prometheus,
SATE

Lana Dvorak, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

Laurie McConnell, The Little Foxes, St. Louis Actors’
Studio

Jennifer Theby-Quinn, Silent Sky, Insight Theatre
Company

Brandi Threatt, Torn Asunder, The Black Rep

Outstanding
Supporting Actor in a Drama

Chuck Brinkley, The Little Foxes, St. Louis Actors’
Studio

Ryan Lawson-Maeske, Tribes, St. Louis Actors’ Studio

Thom Niemann, Admissions, Repertory Theatre of St.
Louis

Spencer Sickmann, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

Eric Dean White, The Last Days of Judas Iscariot,
Mustard Seed Theatre

Outstanding
Actress in a Drama

Elizabeth Birkenmeier, Blackbird, St.
Louis Actors’ Studio

Sophia Brown, A Streetcar Named Desire,
Tennessee Williams Festival St. Louis

Kari Ely, The Little Foxes, St. Louis
Actors’ Studio

LaShunda Gardner, Torn Asunder, The
Black Rep

Angela Ingersoll, End of the Rainbow,
Max & Louie Productions

Outstanding Actor
in a Drama

Ron Himes, Fences, The Black Rep

Nick Narcisi, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

John Pierson, Blackbird, St. Louis Actors’ Studio

Rob Riordan, New Jerusalem, New Jewish Theatre

David Wassilak, The Dresser, St. Louis Actors’ Studio

Outstanding
Director of a Drama

Lorna Littleway, Fences, The Black Rep

Bobby Miller, The Dresser, St. Louis Actors’ Studio

Tim Ocel, New Jerusalem, New Jewish Theatre

Tim Ocel, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

Annamaria Pileggi, Blackbird, St. Louis Actors’
Studio

Outstanding
Production of a Drama

Blackbird, St. Louis Actors’ Studio

End of the Rainbow, Max & Louie Productions

Fences, The Black Rep

New Jerusalem, New Jewish Theatre

A Streetcar Named Desire, Tennessee Williams Festival
St. Louis

Outstanding Set
Design in a Play

Dunsi
Dai, End of the Rainbow, Max & Louie Productions

Gianni
Downs, The Humans, Repertory Theatre of St. Louis

Peter
and Margery Spack, Blow, Winds, Shakespeare Festival St. Louis

Peter
and Margery Spack, Life Sucks, New Jewish Theatre

James
Wolk, A Streetcar Named Desire, Tennessee Williams Festival St. Louis

Outstanding
Costume Design in a Play

Lou Bird, Born Yesterday, Repertory Theatre of St. Louis

Megan Harshaw, The Little Foxes, St. Louis Actors’ Studio

Amy Hopkins, Red Scare on Sunset, Stray Dog Theatre

Michele Friedman Siler, Into the Breeches!, Shakespeare Festival
St. Louis

Michele Friedman Siler, A Streetcar Named Desire, Tennessee
Williams Festival

Outstanding
Lighting Design in a Play

Rob
Lippert, Silent Sky, Insight Theatre Company

Jon
Ontiveros, Macbeth: Come Like Shadows, Rebel and Misfit Productions

Peter
E. Sargent, A Christmas Story, Repertory Theatre of St. Louis

Sean
M. Savoie, A Streetcar Named Desire, Tennessee Williams Festival St.
Louis

Nathan
Schroeder, Silent Sky, West End Players Guild

Outstanding Sound
Design in a Play

James
Blanton, Silent Sky, Insight Theatre Company

Rusty
Wandall, A Christmas Story, Repertory Theatre of St. Louis

Rusty
Wandall, The Humans, Repertory Theatre of St. Louis

Amanda
Werre, Life Sucks, New Jewish Theatre

Amanda
Werre, A Streetcar Named Desire, Tennessee Williams Festival St. Louis

Outstanding Set
Design in a Musical

Luke
Cantarella, Evita, Repertory Theatre of St. Louis

Dunsi
Dai, Crowns: A Gospel Musical, The Black Rep

Paul
Tate dePoo III, Singin’ in the Rain, The Muny

Michael
Schweikardt, Meet Me in St. Louis, The Muny

James
Wolk, Mamma Mia!, Stages St. Louis

Outstanding
Costume Design in a Musical

Leon
Dobkowski, The Wiz, The Muny

Colene
Fornachon, Anything Goes, New Line Theatre

Daryl
Harris, Crowns: A Gospel Musical, The Black Rep

Robin
L. McGee, Jerome Robbins’ Broadway, The Muny

Alejo
Vietti, Evita, Repertory Theatre of St. Louis

Outstanding
Lighting Design in a Musical

Rob
Denton, Jersey Boys, The Muny

Rob
Denton, Meet Me in St. Louis, The Muny

Tyler
Duenow, Jesus Christ Superstar, Stray Dog Theatre

John
Lasiter, Evita, Repertory Theatre of St. Louis

Sean
M. Savoie, Mamma Mia!, Stages St. Louis

Outstanding
Musical Director

Charlie Alterman, Evita, Repertory Theatre of St.
Louis

Rick Bertone, Jersey Boys, The Muny

Jennifer Buchheit, The Robber Bridegroom, Stray Dog
Theatre

Charles Creath, Crowns: A Gospel Musical, The Black
Rep

Nicolas Valdez, Anything Goes, New Line Theatre

Outstanding
Choreographer

Camille A. Brown, The Wiz, The Muny

Tony Gonzalez, Mamma Mia!, Stages St. Louis

Dana Lewis, Oklahoma!, Stages St. Louis

Rommy Sandhu, Singin’ in the Rain, The Muny

Gustavo Zajac and Mariana Parma, Evita, Repertory
Theatre of St. Louis

Outstanding
Ensemble in a Musical

Anything Goes, New Line Theatre

Evita, Repertory Theatre of St. Louis

Jerome Robbins’ Broadway, The Muny

The Robber Bridegroom, Stray Dog Theatre

The Zombies of Penzance, New Line Theatre

Outstanding
Supporting Actress in a Musical

Joy Boland, Disney’s The Little Mermaid, Variety
Theatre

E. Faye Butler, The Wiz, The Muny

Julia Knitel, Gypsy, The Muny

Macia Noorman, The Light in the Piazza, R-S Theatrics

Megan Sikora, Singin’ in the Rain, The Muny

Outstanding
Supporting Actor in a Musical

Kent Coffel, The Light in the Piazza, R-S Theatrics

Matthew Curiano, Oklahoma!, Stages St. Louis

Zachary Allen Farmer, The Zombies of Penzance, New
Line Theatre

Nathan Lee Graham, The Wiz, The Muny

Sean MacLaughlin, Evita, Repertory Theatre of St.
Louis

Outstanding
Actress in a Musical

Michele Aravena, Evita, Repertory Theatre of St.
Louis

Sarah Ellis, Oklahoma!, Stages St. Louis

Beth Leavel, Gypsy, The Muny

Kay Love, The Light in the Piazza, R-S Theatrics

Sarah Porter, Anything Goes, New Line Theatre

Outstanding Actor
in a Musical

Corbin Bleu, Singin’ in the Rain, The Muny

Tielere Cheatem, The Light in the Piazza, R-S
Theatrics

Phil Leveling, The Robber Bridegroom, Stray Dog
Theatre

Pepe Nufrio, Evita, Repertory Theatre of St. Louis

Blake Price, Oklahoma!, Stages St. Louis

Outstanding
Director of a Musical

Justin Been, The Robber Bridegroom, Stray Dog Theatre

Linda Kennedy, Crowns: A Gospel Musical, The Black
Rep

Scott Miller and Mike Dowdy-Windsor, Anything Goes,
New Line Theatre

Josh Rhodes, Jersey Boys, The Muny

Rob Ruggiero, Evita, Repertory Theatre of St. Louis

Outstanding
Production of a Musical

Anything Goes, New Line Theatre

Crowns:  A Gospel
Musical, The Black Rep

Evita, Repertory Theatre of St. Louis

Jersey Boys, The Muny

The Light in the Piazza, R-S Theatrics

Outstanding New
Play

Stacie Lents, Run-On Sentence, SATE

Scott Miller, The Zombies of Penzance, New Line
Theatre

Nikkole Salter, Torn Asunder, The Black Rep

John Wolbers, Doctor Faustus, or the Modern Prometheus,
SATE

Vladimir Zelevinsky, The Great Seduction, West End
Players Guild

Outstanding
Achievement in Opera

Susan Graham, Regina, Opera Theatre of
Saint Louis

Kenneth Overton, Lost in the Stars,
Union Avenue Opera

Susanna Phillips, Regina, Opera
Theatre of Saint Louis

Patricia Racette, La Traviata, Opera
Theatre of Saint Louis

Shaun Patrick Tubbs, Lost in the Stars,
Union Avenue Opera

Outstanding
Production of an Opera

An American Soldier, Opera Theatre of
Saint Louis

L’elisir d’amore, Winter Opera Saint
Louis

La Traviata, Opera Theatre of Saint
Louis

Lost in the Stars, Union Avenue Opera

Regina, Opera Theatre of Saint Louis

Members of the St. Louis Theater Circle include Steve Allen,
stagedoorstl.com; Mark Bretz, Ladue News;
Bob Cohn, St. Louis Jewish Light;
Tina Farmer, KDHX; Chris Gibson, Broadwayworld.com; Michelle Kenyon,
snoopstheatrethoughts.com; Gerry Kowarsky, Two
on the Aisle (HEC-TV); Chuck Lavazzi, KDHX; Sarah Bryan Miller (opera
only), St. Louis Post-Dispatch; Judith Newmark, judyacttwo.com; Ann
Lemons Pollack, stlouiseats.typepad.com;
Lynn Venhaus, St. Louis Limelight
Magazine; Bob Wilcox, Two on the Aisle (HEC-TV); and Calvin Wilson, St. Louis Post-Dispatch. Eleanor
Mullin, local actress and arts supporter, is group administrator. 

For more information, contact stltheatercircle@sbcglobal.net
or ‘like’ The St. Louis Theater Circle on Facebook.

                                                            ###

Beginning this weekend with the opening of “District Merchants,” the New Jewish Theatre will offer  free tickets to all furloughed government workers. 

In conversation with New Jewish Theatre and Jewish Community Center (JCC) staff members, the idea emerged as something they could do to show their support for the furloughed workers.

“Part of the work we do is share stories with the community and create conversations.  At a time when thousands of government employees are out of work we wanted to open our doors for them,” Edward Coffield , Artistic Director of NJT.  Any government employee can receive 1 free ticket to any performance of “District Merchants” by presenting a government work ID at the box office. District Merchants opens Thursday and runs through February 10th.  www.newjewishtheatre.org  314/442-3286

In addition to free theatre tickets, for the duration of the government shutdown, the JCC (with  locations in Creve Coeur and Chesterfield) will offer free membership for affected workers. To verify eligibility, they must show a current government-issued ID.

http://www.newjewishtheatre.org

Home

By Lynn Venhaus
Managing Editor
Edward Coffield likes to make people laugh.
As a director, his forte has been comedy, and this past year, he has helmed “Life Sucks” and “An Act of God” at the New Jewish Theatre, where he took over the reins as Artistic Director from longtime chief Kathleen Sitzer, who retired in July after 22 years.
Kathleen programmed the 2018-2019 season, and he collaborated with her. The season opened with “Raging Skillet” on Oct. 3, then “An Act of God” Nov. 29 – Dec. 16 and continues with the upcoming “District Merchants” Jan. 24 – Feb. 10, “Time Stands Still” March 28 – April 14, and “I Now Pronounce” May 16 – June 2, a wedding comedy, which he will direct.
In assuming the Artistic Director position, Coffield said he wanted to deepen and extend the relationship he had with the company for 16 years, most recently as associate artistic director.
“New Jewish has a very steady and loyal audience who are smart and love a great story,” he said.
During his tenure at NJT, he directed “Yentl,” the original 2005 production of “Driving Miss Daisy,” “My Mother’s Lesbian Jewish Wiccan Wedding,” “Laughter on the 23rd Floor,” and the award-winning “Jacob and Jack,” among many others. He was nominated for a Kevin Kline Award for “From Door to Door” and by the St. Louis Theater Circle for his work on the farce “Is He Dead?” for St. Louis Shakespeare.
Currently, he is working on “District Merchants,” which is being directed by Jacqueline Thompson.
This adaptation of Shakespeare’s “The Merchant of Venice” takes love and litigation, deep passions and predatory lending to a new level as it explores race, religion, power and money in America.
“I am very excited to produce this play. When Kathleen Sitzer (NJT’s founding Artistic Director) was planning the 2018-19 season we had several conversations about producing ‘The Merchant of Venice,’ which we had produced previously in 2005. It is one of those plays that continues to remain relevant. The Jewish people read the Torah year after year. Not because the Torah changed but because we change. Maybe that is true with great plays, they should be revisited,” he said.
“Kathleen knew about this adaptation and we both like Aaron Posner the playwright (author of “Life Sucks”) – so it seemed like the perfect time to produce this play. Posner expertly blends humor, emotional truths and topics that make people think. He is able to create characters who are deeply flawed, like we are. In his ‘uneasy’ comedy, he wants us to look at a snapshot in time, the Reconstruction Era, but what he has written is relevant to audiences today,” he said.
What might be his calling card, the signature of a Coffield production?
“People tell me I have a knack for casting well,” he said.
Coffield recently directed the comedy “An Act of God,” which the New York Times referred to as “A gut-busting-funny riff on the never-ending folly of mankind’s attempts to fathom God’s wishes through the words of the Bible and use them to their own ends.”
In this 2015 play by David Javerbaum, God decides to introduce revised laws and doesn’t hold back.
“It’s funny, funny, funny,” he said, “plus Alan Knoll.”
Coffield and Knoll have worked on more than a dozen productions.
“We are close friends. He might be the funniest actor I know,” he said.
After three decades here, he will only take on certain projects.
“I will not direct a show that does not speak to me emotionally or intellectually,” he said.
In addition to running the J, he is on the faculty of the Conservatory of Theatre Arts at Webster University, and freelances as a director. He has directed for Insight Theatre Company, St. Louis Shakespeare, Stray Dog Theatre, Ozark Actors Theatre and The Repertory Theatre of St. Louis, and the former Orange Girls company.
He spent 28 years at The Rep as production manager.
“He understands how the theatre business works. He connects well with artists, technicians, staff and contributors,” said Steven Woolf, Artistic Director of the Repertory Theatre of Saint Louis, when Coffield was announced as NJT Artistic Director.
Working in the local theater community has its rewards, Coffield noted.
“We are a great theatre town and we continue to grow and expand. It is a very exciting time to be a theatre maker here,” he said. “I am so honored to be part of a great theatre community.”
The downside is: “There is a lot of theatre here and scheduling can be tricky,” he said.
As a new year is about to begin, he is excited about what’s ahead.
“I look forward to continue the growth and success of NJT,” Coffield said.
For more information, visit www.newjewishtheatre.org
Here are Edward’s answers to our Take Ten Questions:
Why did you choose your profession/pursue the arts?
“From an early age, I knew I wanted to be a producer. I suppose at that point, I did not really know what that meant. I have come to learn that it means leading the collaborative process of theatre on stage and off.”
How would your friends describe you?
“Funny.”
How do you like to spend your spare time?
“Avid Foodie and Cook.”
What is your current obsession?
“Old episodes of “Perry Mason.”
What would people be surprised to find out about you?
“As gregarious as I am, I am very shy.”
Can you share one of your most defining moments in life?
“Years ago, in summer stock, I was stage managing a production of “Hello, Dolly!” One night as we are about to start the title song, I looked in to the audience and watched a 60-something man put his arm around his (I presume) wife. They snuggled together and sang along at the top of their lungs. I was so touched, I laughed and then teared up. It was a great reminder of the power and sweetness that the theatre has to make people change.
Who do you admire most?
“My late twin brother Philip. An actor and director – he taught me about theatre and most importantly, he taught me how to laugh.”
8. What is at the top of your Bucket List?
“A trip to Italy, Israel, Argentina …..it’s a long list.”
What is your favorite thing to do in St. Louis?
“Farmer’s Markets.”
What’s next?
“Directing ‘I Now Pronounce’ for New Jewish Theatre.”
More about Edward:
Name: Edward (Eddie) Coffield
Age: 54
Birthplace: New Mexico
Current location: University City
Family: 2 cats (Barnaby and Cornelius), amazing father and siblings, and the greatest friends in the world.
Education: University of Texas at Austin
Day job: Artistic Director-Producer the New Jewish Theatre
First job: Long John Silver – “Ahoy, can I help you!”
Awards/Honors/Achievements: Multiple nominee Best Director- Circle Awards and Kline Awards
Favorite quote/words to live by: “Prance with vigor.”
A song that makes you happy: “Smile” by Charlie Chaplin.