Go See a Play! What’s Happening Oct. 11 – 17

Go See a Play! What’s Happening Oct. 11 – 17

By Lynn Venhaus
Managing Editor
The Splatter Zone is open at “Evil Dead: The Musical,” which starts its campy run at Stray Dog Theatre. What else goes bump in the night? “The Zombies of Penzance” are shambling at New Line Theatre, only they sing and dance on their quest to eat flesh.
Talk about timely. Stories taken from the headlines open — Local playwright Mariah Richardson’s new play on the opioid crisis, ‘Chasing the White Rabbit,” is up at the Touhill and the Clayton Community Theatre is marking the 20th anniversary of Matthew Shepard’s hate-crime death with “The Laramie Project.”
Also opening are “The Tempest” with St. Louis Shakespeare providing a feminist spin and “The Last Days of Judas Iscariot” with Mustard Seed Theatre offering a provocative look at sin, grief and grace — with a cast of 27 and several women taking on male saints and sinners.
In continuing productions, women are driving the plots: Taking up 15 years after Nora left, “A Doll’s House, Part II” opens at The Repertory Theatre of St. Louis, white male privilege is rampant in Lillian Hellman’s 1939 drama “The Little Foxes” at St. Louis Actors’ Studio, the Comden-Green chestnut “Bells Are Ringing” is at Alpha Players, and Elle Wood’s shows it’s not hard in “Legally Blonde” at KTK Productions. “Chef” and “Raging Skillet” are serving up food for thought at Upstream and New Jewish theaters.
The air is crisp, the sun goes down early, and it’s perfect for me-time to sit inside in the dark and be transported to another place. GO SEE A PLAY!
“Bells Are Ringing”
Alpha Players
Oct. 12, 13 at 7:30 p.m., and Oct. 14 at 2 p.m.
Florissant Civic Center Theatre
Parker Road at Waterford Drive in Florissant
Box Office: 314-921-5678
www.alphaplayers.org
What It’s About: Ella Peterson is an operator for an answering service run by her cousin, Sue. Lacking excitement in her personal life, Ella starts becoming involved in the lives of the service’s clients, including a struggling playwright, Jeffrey Moss
Director: David Wicks
Starring: Lisa Rosenstock, Jeff Kargus, Mary McCreight, Nori Rhodes, Brittany Hester, Marlee Wenski, Bob Veatch, Priscilla Case, Dan Stockton, Steven Cook, Sydnee Edward, Mike Nash and Glenn Guillermo.
“Chasing the White Rabbit”
University of Missouri at St. Louis
Oct. 11-14
Thursday through Saturday at 7:30 p.m., Sunday at 2 p.m.
Touhill Center for the Performing Arts
Free admission, open to public
www.touhill.org
What It’s About: 15-year-old Alice, has recently lost her mother and the only thing that she feels that can save her is to go to a school far away from her hood. To go where the neighborhoods are well manicured and the school has resources and new books and good teachers. This is her dream. Is it a dream? After taking a prescription medication she falls deep into what she believes is the school she longs to go to. But all is not what it seems.
Of Note: Original play by Mariah Richardson of St. Louis. “Chasing the White Rabbit” is a contemporary adaptation of “Alice in Wonderland,” with a focus on the opioid epidemic that is currently ravaging our country.
Free admission. Play for mature audiences.
“Chef”
Upstream Theater
Oct. 12-14
All shows at 8 p.m. except Oct. 14 at 2 p.m.
Kranzberg Arts Center (Grand and Olive)
Box Office Hotline: 314-669-6382
Running time: 1 hr., 15 min.
What It’s About: “Chef” is the gripping story of how one woman went from being a haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope.
Director: Marianne de Pury
Starring: Linda Kennedy
Of Note: U.S. premiere of “Chef” by UK/Egyptian playwright and poet Sabrina Mahfouz.
Photo by ProPhotoStl.com
“A Doll’s House, Part II”
The Repertory Theatre of St. Louis
Oct. 11 – Nov. 4
Browning Mainstage, Loretto-Hilton Center
130 Edgar Roadwww.repstl.org
314-968-4925
What It’s About: Lucas Hnath’s audacious sequel was written more than 135 years after Henrik Ibsen’s original. The familial drama remains a foundational piece of theater, with a still-controversial ending in which a married woman chooses to walk out on her family. But in 2017, Hnath took the themes and characters of that familiar classic and flipped them on their heads, imagining what would happen if protagonist Nora Helmer returned home 15 years after her dramatic exit.
Director: Timothy Near
Starring: Caralyn Kozlowski, Andrea Abello, Michael James Reed, Tina Johnson
Photo by Peter Wochniak
“Drop Dead”
Clinton County Showcase
Oct. 5 – 7 and 12-14
Avon Theatre,  525 N. Second St., Breese, Ill.
www.ccshowcase.com
What It’s About: An oddball cast of has-been actors revive their careers in ‘Drop Dead!,’ a potboiler murder mystery directed by ‘Wonder Child of the Broadway Stage’ Victor Le Pewe. At the dress rehearsal, the set falls, props break, and the producer and an actor are murdered. But the show must go on! During the opening night performance, the murders continue. The remaining thespians must save the show and their careers, solve the mystery, and stay alive for curtain call.
“Evil Dead: The Musical”
Stray Dog Theatre
Oct. 11 – 27
Added performance Wednesday, Oct. 24
Tower Grove Abbey
2336 Tennesseewww.straydogtheatre.org
314-865-1995
What It’s About: Based on the 1980s cult classic “Evil Dead” films, this campy show bursts with farce and blood. Five college kids take a trip to a remote cabin in the woods and encounter ancient evil spirits and revenge-seeking Candarian demons.
Director: Justin Been, with music direction by Jennifer Buchheit and choreography by Sam Gaitsch.
Starring: Riley Dunn, Dawn Schmid, Maria Bartolotta, Josh Douglas, Stephen Henley, Jennelle Gilreath, Kevin O’Brien, Corey Fraine and Christen Ringhausen.
Of Note: Some performances are sold out, and tickets are predicted to be limited during run. As of Oct. 11, Friday, Oct. 12 and Sat., Oct. 13 performances are sold out Wait lists will begin nightly at 7 p.m. (when the lobby opens) at the box office for any unclaimed seats and those will be handed out at 7:55 p.m.
The Splatter Zone is considered Signature Seating. With your purchase of a “Splatter Zone” seat you also receive an exclusive T-Shirt with just enough white space for us to create a one-of-a-kind souvenir.
Those adventurous enough to sit in the “Splatter Zone” are encouraged to dress down. Stray Dog Theatre is not responsible for property damage or loss resulting from the “Splatter Zone.”
“The Laramie Project”
Clayton Community Theatre
Oct. 11 – 21
Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m.
Washington University South Campus Theatre (old CBC high school)
314-721-9228
www.placeseveryone.org
What It’s About: Based on the true story of gay Matthew Shepard, the 21-year-old victim of a hate crime in 1998 in Laramie, Wy., “The Laramie Project” unfolds through the words of people in Laramie who were interviewed by members of Tectonic Theater Company in the 18 months following Matthew Shepard’s death (Oct. 12, 1998), creating a portrait of the community and key individuals in the aftermath of the event and as the victim’s killers were brought to trial and convicted.
Director: Jim Danek
Starring: Jim Abels, Kelly Hunter, Jack Janssen, Mark Lull, Tim Naegelin, Elizabeth Penny, Tina Renard, Larry Sappington, Rob Tierney, Johnathon Waller, Chrissie Watkins
Of Note: This is the 20th anniversary of Matthew Shepard’s death.
In connection with its production, Clayton Community Theatre will be hosting post-show discussions of the issues raised in the play on Friday, Oct. 12 (the anniversary of Matthew Shepard’s death) and Friday, Oct. 19. These conversations will be hosted by Denny Patterson, who has studied the Shepards, the Matthew Shepard Foundation, and their ongoing legacy.
“The Last Days of Judas Iscariot”
Mustard Seed Theatre
Oct. 10 – 28
Wednesday, Thursday and Saturday at 8 p.m., Sunday at 2 p.m., No Friday
Fontbonne University Fine Arts Theatre
6800 Wydown Blvd.www.mustardseedtheatre.com
Tickets: MetroTix.com
314-719-8060
What It’s About:
Director: Adam Flores, resident artist
Starring: Courtney Bailey Parker, Rae Davis, Graham Emmon, Carmen Garcia, Chelsea Krenning, Erick Lindsey, Carl Overby, Chandler Spradling, Arielle Rovinsky, Rachel Tibbetts, Chris E. Ware, and Eric Dean White
Of Note: Mature/adult subject matter, language and content. Not recommended for children.
There are no Friday performances.
Thursday evening performances on Oct. 18 and 25 are Pay With A Can/Pay What You Can performances.
“Legally Blonde”
KTK Productions
Oct. 5 – 14
Thursday through Saturday at 8 p.m., Sundays at 2 p.m.
Southampton Presbyterian Church
4716 Macklindwww.kurtainkall.org
314-351-8984
What It’s About: Elle Woods appears to have it all. Her life is turned upside down when her boyfriend Warner dumps her so he can attend Harvard Law. Determined to get him back, Elle geniously charms her way into the prestigious law school. While there, she struggles with peers, professors and her ex. With the support of some new friends, though, Elle quickly realizes her potential and sets out to prove herself to the world.
Cast: Sarah Polizzi, Elle; Kevin Kickham, Emmett; Natalie Torrence, Paulette; Kyle Kelesoma, Professor Callahan; Kyle Kranes-Rutz, Warren; Kathy Dailey, Vivienne; Rachel Livingston, Brooke; and Jon Bray, Kyle the UPS guy.
Photo by Patrick Huber“The Little Foxes”
St. Louis Actors’ Studio
Sept. 28 – Oct. 14
Thursday through Saturday at 8 p.m., Sunday at 3 p.m.
The Gaslight Theatre, 358 North Boyle
www.stlas.org
What It’s About: Lillian Hellman’s drama about greed and ambition, set in Alabama in 1900.  Regina Giddens and her ruthless clan clash as they try to strike the deal of their lives.
Director: John Contini
Starring: Kari Ely, Laurie McConnell, William Roth, Bob Gerchen, Wendy Greenwood, Bridget Bassa, Ryan Lawson-Maeske, Chuck Brinkley, Richard Lewis and Dennis Jethroe II.
Of Note:  Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
Photo by Patrick Huber
Kathleen Sitzer, Sarajane Alverson and Erin Renee Roberts in “Raging Skillet,” Photo by Eric Woolsey“Raging Skillet”
New Jewish Theatre
Oct. 4 – 21
JCCA Wool Theatre, Creve Coeur
www.newjewishtheatre.com
What It’s About: A tasty adaptation of celebrity Chef Rossi’s autobiographical memoir, “Raging Skillet” – is equal parts book launch, cooking demonstration, heaping helping of comedy and a side of Jewish mother guilt.  When Rossi’s Jewish mother discovers the microwave, home-cooked meals become a thing of the past. What starts as a rebellion against her Orthodox parents, chauvinism in the kitchen and the pressures of conformity ends with Rossi becoming New York’s #1 punk-rock, Jewish, Lesbian caterer. This hilarious and heartfelt new comedy is based on her true-life story.
Director: Lee Anne Mathews
Starring: Sarajane Alverson as Chef Rossi, Kathleen Sitzer as her mother, and Erin Renee Roberts as DJ Skillet, sous chef and part-time DJ.
Of Note: Talkbacks scheduled for Oct. 14 and 18.
There is food.
“The Tempest”
St. Louis Shakespeare
Oct. 12 – 21
Ivory Theatre
7620 Michigan
314-361-5664
www.stlshakespeare.org
What It’s About: A story of shipwreck and magic, “The Tempest” begins on a ship caught in a violent storm. Alonso, the king of Naples, is on board. On a nearby island, the exiled Duke of Milan, Prospero, tells his daughter, Miranda, that he has caused the storm with his magical powers.
Director: Patrick Siler
“The Zombies of Penzance”

New Line Theatre
Sept. 27 – Oct. 20
Thursdays through Saturdays at 8 p.m.
The Marcelle Theater
3310 Samuel Shepard Drive in Grand Arts Center
Tickets: 314-534-1111
www.newlinetheatre.com
What It’s About: The world premiere of the rock musical, “The Zombies of Penzance: At Night Come the Flesh Eaters,” is based on Gilbert and Sullivan’s “The Pirates of Penzance.”
Based on the conceit that the original draft, never seen before, was dated December 1878, Major-General Stanley is a retired zombie hunter, who doesn’t want his daughters marrying the dreaded Zombies of Penzance, for obvious reasons.
Co-Directors: Scott Miller and Mike Windsor-Dowdy. Miller has painstakingly reassembled these rediscovered materials into their original form, filling in the gaps with educated guesses based on other G&S shows and drafts. St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan’s music.
Cast: Most of the cast from New Line’s public reading in January will return, with Sean Michael as Frederic, Melissa Felps as Mabel, Zachary Allen Farmer as Major-General Stanley the Zombie Hunter, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short.
Of Note: New Line Theatre, “the bad boy of musical theatre,” opens its 28th season of adult, alternative musical theatre. New Line has shocked the music world by discovering a controversial, long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote 14 comic operas between 1871 and 1896.
One of the team’s best-known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about, with most of the same characters but a somewhat different plot.
In 2013, New Line Theatre artistic director Scott Miller discovered the original manuscripts for “The Zombies of Penzance” in the second sub-basement of the Judson Memorial Church in New York, hidden beneath some moldy band parts from Rockabye Hamlet and Shogun the Musical, and Miller set about reconstructing the bizarre original show as G&S intended. Gilbert’s living dead and their Zombie King now make their long-delayed world premiere.
Voices of Valhalla: A Hayride Through History
Oct. 5 – 13
Valhalla Cemetery and The Hawthorne Players
www.hawthorneplayers.com
MariWhat It’s About: Hayrides through Valhalla Cemetery depart every fifteen minutes beginning at 6:30 each evening as members of the Hawthorne Players portray some of the noted locals buried in Valhalla. Valhalla Cemetery is located at 7600 St. Charles Rock Road.

Living Dead Enliven a New Line Original – ‘The Zombies of Penzance’

Living Dead Enliven a New Line Original – ‘The Zombies of Penzance’

By Lynn Venhaus
Managing Editor
Science Fiction, meet Musical Comedy, New Line Theatre-style, with a touch of Midnight Movie Madness.
Artistic Director Scott Miller co-directs musicals with Mike Dowdy-Windsor, and has certainly proven over the years that he beats to a different drummer. Hence, this calling card — an original and clever “The Zombies of Penzance,” where he makes the walking dead kick in a chorus line and put moves on sheltered single ladies.
These silly components make this quirky world premiere a dip into Monty Python territory. Miller has substituted singing and dancing zombies for musical comedy pirate characters, using the same structure of Gilbert and Sullivan’s famous comic opera, which makes it funnier. It may be one-joke, but it’s laugh-out-loud fun.

Turns out zombies have personalities in sync with pirates! Stranger things have happened, so just go with it, and enjoy the playful spirit. I mean, songs have titles like “Eat Their Flesh,” “Poor Walking Dead,” and “Hail, Zombies!” We can’t be serious, no matter how straight the characters play their predicaments.
The 1879 comic opera “The Pirates of Penzance,” by the British team of librettist W.S. Gilbert and composer Arthur Sullivan, was given new life in a Joseph Papp 1981 revival that won Kevin Kline the Tony as the swashbuckling Pirate King. It spawned many imitations and parodies, and a 1983 feature film. Here, you think of both those cartoonish roles and the roaming zombies that rule movie and TV screens, particularly this time of year.
The flimsy 19th century plot should be played for laughs – Frederic, 21, is released from his apprenticeship from tender-hearted pirates, but a technicality – he is a Leap Day baby — means he must serve another 63 years, but his true-love Mabel agrees to wait. We’re not talking “The Great Gatsby” level tragic romance.
Now, New Line has rewired the “Slave of Duty” to be a fresh zombie! Frederic is a new flesh eater, a pawn in the other zombie maneuvers as they aim their mark on Major-General Stanley and his nubile brood.
Let the wackiness ensue with Miller’s smart book and quick-witted lyrics, using Gilbert’s template. Listen carefully for laugh-out-loud humor, utilizing contemporary snarkiness.
St. Louis composer and orchestrator John Gerdes reconstructed Sullivan’s music, and it’s a mighty fine re-working. In music director Nicolas Valdez’s capable hands, he conducts a snazzy nine-piece band, including Gerdes on French horn, Lea Gerdes on reeds, Joseph Hendricks on bassoon, Emily Trista Lane on cello, Twinda Murry on violin and Kely Austermann/Hope Walker on reeds. Valdez is on keyboards. Their efforts are exquisite – love those strings!
Dowdy-Windsor, an oft-nominated director with Miller for St. Louis Theater Circle Awards (and winner for “Bonnie & Clyde”), also has a keen eye and sharp attention to detail.
The pair has moved the cast around – you hear the flesh-eaters before the heavily made-up zombies shamble through the audience to the Stanley home. Yet, this is not intended to be slick staging, but a motley crew invasion with a rag-tag feel.
Those dastardly decaying dudes have their eyes on Stanley’s bevy of beauties. However, Major-General Stanley, who professes to be a zombie, is actually a great zombie hunter.
Zak Farmer is as sharp as ever as the fearless father, but what stands out is his impeccable delivery of the difficult songs, particularly the often parodied “Major-General’s Song,” which is now “Modern Era Zombie Killer,” and “When the World Went Bad.” His impressive performance indicates how deceptively hard farcical fun is.
The charade will be up soon enough, but in the meantime, romantic entanglements are on the minds of those frisky young ones, who wish they were not at a disadvantage.
Dominic Dowdy-WindsorWith his strong voice, Dominic Dowdy-Windsor delivers superb vocals as the Zombie King, including the solo “Oh Better Far, to Live as Dead,” and his many duets and company numbers. Given the confines of the part, he can’t swashbuckle like the role model Pirate King, and I wish he could have more swagger.
Sean Michael and Melissa FelpsSean Michael, as the dullard Frederic, and Melissa Felps, as a rather colorless Mabel, are saddled with a drippy romance that’s the show’s centerpiece. Voices are fine and so is their earnestness, but those roles remain insipid. Their lack of chemistry doesn’t help either. (The 1981 revival starred Rex Smith and Linda Ronstadt).
So, the supporting cast’s efforts enliven the puffy piece.
The ladies play the giggly girly magnets up to a point, then reveal they’re no helpless ingenues. That’s a nice twist.
With Lindsay Jones as Kate, Christina Rios as Edith, Kimi Short as Isabel and Mara Bollini, Melanie Kozak and Sarah Porter as other daughters, you knew they weren’t going to be powder puffs, but amp up their grrrl power. Armed already with gorgeous voices, they are demure to a point, but then turn into warrior princesses.
Kent Coffel goes all in as Zombie Sam, playing everything for laughs – and he’s a delight. Other goofy zombies Robert Doyle, Matt Hill, Tim Kaniecki and Kyle Kelesoma physically turn into animated creatures.
Scenic designer Rob Lippert paid homage to George A. Romero, director of the 1968 cult classic, “The Night of the Living Dead,” the granddaddy of zombie lore,  in his ornate home interior, a cool touch. The set has the period look, but also a show within a show accents.
Costume designer Sarah Porter has outfitted everyone in appropriate garb for the tonal shifts — the frilly feminine dresses and petticoats for the girls and the natty Zombie attire for the guys. Kenneth Zinkl’s lighting design emphasizes the bewitching tone while Ryan Day’s sound work makes all those fast-paced lyrics easily understood.
These zombies might not terrify, after all, but they certainly provide a fun, frothy look in a lighter vein — at both vintage opera and the horror archetypes who proliferate this time of year. Barbara, they are coming — only armed with songs, dances and feelings.
One can’t resist the pull of brainy and talented people who set out for a road not taken before.
“The Zombies of Penzance” is presented by New Line Theatre Sept. 27 – Oct. 20, Thursdays through Saturdays at 8 p.m. at The Marcelle Theater, 3310 Samuel Shepard Drive in Grand Arts Center. For more information, visit newlinetheatre.com and for tickets, call 314-534-1111 or go to MetroTix.com
Photos by Jill Ritter Lindberg
 

Go See a Play! What’s Happening Oct. 5 – 10

Go See a Play! What’s Happening Oct. 5 – 10

By Lynn Venhaus
Managing Editor
Head indoors this rainy weekend and check out magical make-believe! Women rule in these offerings. New York’s first punk-rock, Jewish, Lesbian caterer tells her story in “Raging Skillet,” a prison cook talks about her haute cuisine career and unfortunate life,
Women take center stage in “Bells Are Ringing and “Legally Blonde” and stand up in “The Little Foxes,” “The Zombies of Penzance” and “Oklahoma!” And then there is “One Funny Mother” who really is that funny.
Dark comedy “The Last Days of Judas Iscariot” opens Wednesday, and is apparent in “Drop Dead” too, “This Random World” looks at life from both sides.
And there is real magic in “The Illusionists — Live from Broadway,” a sensational mix of different tricks, including the incredible mind readings of Colin Cloud.
We need some magic right now. Go See a Play for some.
“Bells Are Ringing”
Alpha Players
Oct. 5, 6, 12, 13 at 7:30 p.m., and Oct. 14 at 2 p.m.
Florissant Civic Center Theatre
Parker Road at Waterford Drive in Florissant
Box Office: 314-921-5678
www.alphaplayers.org
What It’s About: Ella Peterson  is an operator for an answering service run by her cousin, Sue. Lacking excitement in her personal life, Ella starts becoming involved in the lives of the service’s clients, including a struggling playwright, Jeffrey Moss
Director: David Wicks
Starring: Lisa Rosenstock, Jeff Kargus, Mary McCreight, Nori Rhodes, Brittany Hester, Marlee Wenski, Bob Veatch, Priscilla Case, Dan Stockton, Steven Cook, Sydnee Edward, Mike Nash and Glenn Guillermo.
“Chef”Upstream Theater
Oct. 5-7, Oct. 12-14
All shows at 8 p.m. except Oct. 7 at 7 p.m. and Oct. 14 at 2 p.m.
Kranzberg Arts Center (Grand and Olive)
Box Office Hotline: 314-669-6382
Running time: 1 hr., 15 min.
What It’s About: “Chef” is the gripping story of how one woman went from being a haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope.
Director: Marianne de Pury
Starring: Linda Kennedy
Of Note: U.S. premiere of “Chef” by UK/Egyptian playwright and poet Sabrina Mahfouz.
Photo by ProPhotoStl.com
“Drop Dead”
Clinton County Showcase
Oct. 5 – 7 and 12-14
Avon Theatre,  525 N. Second St., Breese, Ill.
www.ccshowcase.com
What It’s About: An odd-ball cast of has-been actors revive their careers in ‘Drop Dead!,’ a potboiler murder mystery directed by ‘Wonder Child of the Broadway Stage’ Victor Le Pewe. At the dress rehearsal, the set falls, props break, and the producer and an actor are murdered. But the show must go on! During the opening night performance, the murders continue. The remaining thespians must save the show and their careers, solve the mystery, and stay alive for curtain call.
“The Illusionists – Live from Broadway”Oct. 5 – 7
Friday at 7:30 p.m., Saturday at 2 p.m. and 7:30 p.m., and Sunday at 1 p.m.
Fox Theatre, 527 N. Grand
www.fabulousfox.com
What It’s About: “Full of hilarious magic tricks, death-defying stunts and acts of breathtaking wonder, The Illusionists has shattered box office records worldwide and thrilled audiences of all ages with a mind-blowing spectacular showcasing the jaw-dropping talents of seven of the most incredible illusionists on earth.
“The Last Days of Judas Iscariot”
Mustard Seed Theatre
Oct. 10 – 28
Wednesday, Thursday and Saturday at 8 p.m., Sunday at 2 p.m.
Fontbonne University Fine Arts Theatre
www.mustardseedtheatre.com
Tickets: MetroTix.com
What It’s About: In this irreverent exploration of the afterlife of Judas Iscariot, will sin or grief or grace prevail?  This brutal dark comedy puts love and justice on trial.
Director: Adam Flores, resident artist
Starring: Courtney Bailey Parker, Rae Davis, Graham Emmon, Carmen Garcia, Chelsea Krenning, Erick Lindsey, Carl Overby, Chandler Spradling, Arielle Rovinsky, Rachel Tibbetts, Chris E. Ware, and Eric Dean White
Of Note: Mature/adult subject matter, language and content. Not recommended for children.
There are no Friday performances.
Thursday evening performances on Oct. 18 and 25 are Pay With A Can/Pay What You Can performances.
“Legally Blonde”
KTK Productions
Oct. 5 – 14
Thursday through Saturday at 8 p.m., Sundays at 2 p.m.
Southampton Presbyterian Church
4716 Macklind
www.kurtainkall.org
314-351-8984
What It’s About: Elle Woods appears to have it all. Her life is turned upside down when her boyfriend Warner dumps her so he can attend Harvard Law. Determined to get him back, Elle geniously charms her way into the prestigious law school. While there, she struggles with peers, professors and her ex. With the support of some new friends, though, Elle quickly realizes her potential and sets out to prove herself to the world.
Cast: Sarah Polizzi, Elle; Kevin Kickham, Emmett; Natalie Torrence, Paulette; Kyle Kelesoma, Professor Callahan; Kyle Kranes-Rutz, Warren; Kathy Dailey, Vivienne; Rachel Livingston, Brooke; and Jon Bray, Kyle the UPS guy.
“The Little Foxes”
“The Little Foxes” at St. Louis Actors Studio. Photo by Patrick HuberSt. Louis Actors’ Studio
Sept. 28 – Oct. 14
Thursday through Saturday at 8 p.m., Sunday at 3 p.m.
The Gaslight Theatre, 358 North Boyle
www.stlas.org
What It’s About: Lillian Hellman’s drama about greed and ambition, set in Alabama in 1900.  Regina Giddens and her
ruthless clan clash as they try to strike the deal of their lives.
Director: John Contini
Starring: Kari Ely, Laurie McConnell, William Roth, Bob Gerchen, Wendy Greenwood, Bridget Bassa, Ryan Lawson-Maeske, Chuck Brinkley, Richard Lewis and Dennis Jethroe II.
Of Note:  Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
“Oklahoma!”Stages St. Louis
Sept. 7 – Oct. 7
Robert G. Reim Theatre
Kirkwood Community Center, 111 South Geyer Road
www.stagesstlouis.org
What It’s About: Romance, conflict, comedy and colorful characters set in 1906 in the Oklahoma territory.
Director: Michael Hamilton
Starring: Blake Price as Curly, Sarah Ellis as Laurey, David Sajewich as Jud, Con O’Shea-Creal as Will Parker, Lucy Moon as Ado Annie, Matthew Curiano as Ali Hakim, Zoe Vonder Haar as Aunt Eller, John Flack as Andrew Carnes, Leah Berry as Bertie Cummings, and Steve Isom as Cord Elam.
Of Note:  “Oklahoma!” completely changed the face of American musical theatre 75 years ago, The first collaboration of Oscar Hammerstein II and Richard Rodgers blended drama, comedy, music and dance. Their score featured “People Will Say We’re In Love,” “The Surrey With The Fringe On Top,” “Kansas City,” “I Cain’t Say No,” and the pulsating title tune, “Oklahoma!”, becoming the gold standard that set the bar for all great musicals that came after it.
Peter Wochniak Photo
“One Funny Mother”
Dena Blizzard, former Miss New JerseyThe Playhouse @ Westport
Oct. 3 – 7
635 Westport Plaza in Maryland Heights
Box Office: 314-616-4455
Tickets: MetroTix.com or 314-534-1111
Running time: 80 min.
What It’s About: Creator of the wildly popular viral videos “Chardonnay Go!” and the “Back to School Rant,” comedian Dena Blizzard returns to St. Louis with her hilarious one-woman show. The off-Broadway hit has been touring the country.
A former Miss New Jersey, and mother of three, Blizzard has created a show about the trials and tribulations of motherhood and marriage. We follow Blizzard on a hilarious journey through her day as she prepares for her long-awaited girl’s night out. Along the way, she laments how her life and marriage have changed since becoming a mother of three; wrestling with the eternal question “have I gone crazy since having these kids?”
Of Note: It was named “Best One-Woman Show” at the 2015 United Solo Festival in New York City. You can sneak a peek of the show at www.onefunnymother.com.
Performances at 8 p.m. Oct. 3, 4, 5 and 6, with another 4 p.m. show Oct. 6 and 2 p.m. matinee Oct. 7.
“Raging Skillet”
Sarajane Alverson in “Raging Skillet”Photo by Eric WoolseyNew Jewish Theatre
Oct. 4 – 21
www.newjewishtheatre.com
What It’s About: A tasty adaptation of celebrity Chef Rossi’s autobiographical memoir, “Raging Skillet” – is equal parts book launch, cooking demonstration, heaping helping of comedy and a side of Jewish mother guilt.  When Rossi’s Jewish mother discovers the microwave, home-cooked meals become a thing of the past. What starts as a rebellion against her Orthodox parents, chauvinism in the kitchen and the pressures of conformity ends with Rossi becoming New York’s #1 punk-rock, Jewish, Lesbian caterer. This hilarious and heartfelt new comedy is based on her true-life story.
Director: Lee Anne Mathews
Starring: Sarajane Alverson as Chef Rossi, Kathleen Sitzer as her mother, and Erin Renee Roberts as DJ Skillet, sous chef and part-time DJ.
Of Note: Talkbacks scheduled for Oct. 14 and 18. Chef Rossi will be attending the Oct. 4 and 6 performances
“This Random World (the myth of serendipity)”The West End Players Guild
Sept. 28 – Oct. 7
Fridays and Saturdays at 8 p.m., Sundays at 2 p.m.
Thursday, Oct. 4 at 8 p.m.
Union Avenue Christian Church
733 North Union at Enright in the Central West End
314-367-0025
www.westendplayers.org.
What It’s About: Funny. He doesn’t look dead. Or like he’s going to be.  In fact, Tim looks like he’s feeling much better. But don’t try telling that to funeral director Rhonda, who has read his obituary on her iPad and is now trying to explain the facts of life (or rather, death) to Tim.
Now, if that situation sounds a little “random,” that’s because it is. It’s one of many strange but funny encounters in Steven Dietz’s 2016 play “This Random World (the myth of serendipity).”
Director: Renee Sevier-Monsey
Starring: Ted Drury, Kate Weber, Eleanor Humphrey, Jessa Knust, Joel Zummak, Lynn Rathbone and Tinah Twardowski.
Of Note: This is the opening show of West End Players Guild’s 108th season.
“The Zombies of Penzance”
Dominic Dowdy-Windsor in “The Zombies of Penzance” at New Line Theatre. Photo by Jill Ritter LindbergNew Line Theatre
Sept. 27 – Oct. 20
Thursdays through Saturdays at 8 p.m.
The Marcelle Theater
3310 Samuel Shepard Drive in Grand Arts Center
Tickets: 314-534-1111
www.newlinetheatre.com
What It’s About: The world premiere of the rock musical, “The Zombies of Penzance: At Night Come the Flesh Eaters,” is based on Gilbert and Sullivan’s “The Pirates of Penzance.”
Based on the conceit that the original draft, never seen before, was dated December 1878, Major-General Stanley is a retired zombie hunter, who doesn’t want his daughters marrying the dreaded Zombies of Penzance, for obvious reasons.
Co-Directors: Scott Miller and Mike Windsor-Dowdy. Miller has painstakingly reassembled these rediscovered materials into their original form, filling in the gaps with educated guesses based on other G&S shows and drafts. St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan’s music.
Cast: Most of the cast from New Line’s public reading in January will return, with Sean Michael as Frederic, Melissa Felps as Mabel, Zachary Allen Farmer as Major-General Stanley the Zombie Hunter, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short.
Of Note: New Line Theatre, “the bad boy of musical theatre,” opens its 28th season of adult, alternative musical theatre. New Line has shocked the music world by discovering a controversial, long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote 14 comic operas between 1871 and 1896.
One of the team’s best-known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about, with most of the same characters but a somewhat different plot.
In 2013, New Line Theatre artistic director Scott Miller discovered the original manuscripts for “The Zombies of Penzance” in the second sub-basement of the Judson Memorial Church in New York, hidden beneath some moldy band parts from Rockabye Hamlet and Shogun the Musical, and Miller set about reconstructing the bizarre original show as G&S intended. Gilbert’s living dead and their Zombie King now make their long-delayed world premiere.
Voices of Valhalla: A Hayride Through History
Oct. 5 – 13
Valhalla Cemetery and The Hawthorne Players
www.hawthorneplayers.com
What It’s About: Hayrides through Valhalla Cemetery depart every fifteen minutes beginning at 6:30 each evening as members of the Hawthorne Players portray some of the noted locals buried in Valhalla. Valhalla Cemetery is located at 7600 St. Charles Rock Road.
 

Go See a Play! What’s Happening Sept. 28 – Oct. 3

Go See a Play! What’s Happening Sept. 28 – Oct. 3

By Lynn Venhaus
Managing Editor
Myths, legends, historic figures and human foibles are on the boards for this week as several companies kick off their seasons with new productions as autumn moves in to the ‘Lou. A mad original twist on the famous pirate king opera brings the walking dead onto the musical stage for New Line’s 28th season, a legendary Lillian Hellman drama opens St. Louis Actor’s Studio’s 12th season and a new play on life and death, “This Random World (the myth of serendipity),” begins West End Players’ Guild’s 108th season.
One-woman shows “Chef” is at Upstream and “One Funny Mother” is at The Playhouse at Westport. Tributes to Bobby Darin and Patsy Cline show why they’re timeless at Westport and in Alton respectively.
We have The Midnight Company’s fresh take on the Faust myth and a look inside Lee Harvey Oswald’s family life in “Mama’s Boy” at Tesseract Theatre Company wrapping up their runs.
It’s unfinished business for the Phantom of the Opera in “Love Never Dies,” wrapping up its run at The Fox, another Andrew Lloyd Webber icon “Evita” at The Rep, the classic all-American pioneer spirit in “Oklahoma!” continuing at Stages St. Louis, the fortitude of survivors dealing with a historic flood in “The Flood” at Monroe Actors’ Stage Company and the pluck of New York “Newsies” at the Looking Glass Playhouse.
Go. See. A Play.
 “Always, Patsy Cline”
Alton Little Theater
Sept. 27 – 30
Thursday – Saturday at 7:30 p.m. and Sunday at 2 p.m.
2450 North Henry in Alton, Ill.
618-462-6562
www.altonlittletheater.org
What It’s About: The show is based on a true story about Cline’s friendship with a fan from Houston named Louise Seger, who befriended the star in a Texas honky-tonk in 1961 and continued correspondence with Cline until her death. This musical includes many of Patsy’s unforgettable hits such as “Crazy,” “I Fall to Pieces,” “Sweet Dreams” and “Walkin’ After Midnight.”
Music by Steve Loucks and the Bodacious Bobcats.
Starring: Debbie Maneke as Patsy Cline, Lee Cox as Louise Seger
“An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus” and “The Hunchback Variations” (Two One-Acts by Mickle Maher)
Midnight Theatre Company
Sept. 20 – 29
Thursdays at 7 p.m., Fridays and Saturdays at 8 p.m.
The Monocle, 4510 Manchester
www.midnightcompany.com
What It’s About: “Apology/Faustus” finds Dr. John Faustus (Hanrahan) in some room, at some time, apologizing to a random group of people (the audience) for not standing up against evil in his lifetime, as personified by Mephistopheles (Wassilak.)
“The Hunchback Variations” presents a series of variations on a panel discussion between The Hunchback of Notre Dame (Wassilak) and Ludwig Van Beethoven (Hanrahan) in which the two talk about their attempts to create a mysterious sound — the legendary, elusive sound effect of Anton Chekhov’s, described twice in the original production of “The Cherry Orchard.”
Director:
Starring: Joe Hanrahan, David Wassilak
Of Note: These shows are part of FAUSTival, an artistic collaborations among five St. Louis theatre companies – ERA, Theatre Nuevo, SATE, the Post-Romantics and Midnight – from August through December, each company presenting an adaptation of the Faust myth.  Festival passes and more info at FAUSTival.org.
“Chef”
Upstream Theater
Sept. 28-30, Oct. 5-7, Oct. 12-14
All shows at 8 p.m. except first two Sundays at 7 p.m. and last Sunday at 2 p.m.
Kranzberg Arts Center (Grand and Olive)
Box Office Hotline: 314-669-6382
Running time: 1 hr., 15 min.
What It’s About: “Chef” is the gripping story of how one woman went from being a haute-cuisine head chef to a convicted inmate running a prison kitchen. Leading us through her world of mouth-watering dishes and heart-breaking memories, Chef questions our attitudes to food, prisoners, violence, love and hope.
Director: Marianne de Pury
Starring: Linda Kennedy
Of Note: U.S. premiere of “Chef” by UK/Egyptian playwright and poet Sabrina Mahfouz.
Photo by ProPhotStl.com
“Darin: Bobby’s Biggest Hits”Sept. 26 – 30
The Playhouse at Westport
Tickets: MetroTix.com or 314-534-1111
www.playhouseatwestport.com
What It’s About: Back by popular demand, Artists Lounge Live presents a Bobby Darin tribute starring Christopher Kale Jones.
Jones, a PBS retro-rocker (“Under the Streetlamp”) and “Jersey Boys” star who played Frankie Valli on the first national tour, and in L.A. and San Francisco companies, embodies the dazzling versatility of Rock and Roll Hall of Famer Bobby Darin. Jones tenderly recounts Darin’s story of life lived in the spotlight and lost too soon. Songs featured in the show include “Dream Lover,” “Mack the Knife” and “Beyond the Sea.”
“Evita”The Repertory Theatre of St. Louis
Sept. 5 – 30
www.repstl.org
What It’s About:  The incandescent Eva Perón’s rise from poverty to power electrified the world – and made her an iconic political celebrity. Winner of seven Tony Awards, Andrew Lloyd Webber and Tim Rice’s tour-de-force musical revels in the glamour, charisma and controversy that defined the First Lady of Argentina. With its unforgettable anthem “Don’t Cry for Me Argentina” and kaleidoscope of sights and sounds, “Evita” dazzles with pure passion.
Director: Rob Ruggiero, with music direction by Charlie Alterman and choreography by Gustavo Zajac.
Cast: Michelle Aravena (Eva Perón), Pepe Nufrio (Che), Sean MacLaughlin (Juan Perón), Nicolas Dávila (Augstín Magaldi/Ensemble), Shea Gomez (Perón’s Mistress/Ensemble).
Ensemble: Maria Bilbao, Nathaniel Burich, Ben Chavez, Samuel Druhora, Carmen Garcia, Esmeralda Garza, Samantha Gershman, Julie Hanson, Keith Hines, Jose Luaces, Ben Nordstrom, Waldemar Quinones-Villanueva, April Strelinger and Tim Wessel.
Eric Woolsey Photo
“The Flood”Monroe Actors Stage Company
Sept. 20 – 23, 27 – 30
Thursday – Saturday at 7:30 p.m., Sunday at 2:30 p.m.
Historic Capitol Theatre
202 South Main Street, Waterloo, IL 62208
Box Office: 618-939-7469
www.masctheatre.org
What It’s About: As the Mississippi River waters rise, the small town of Meyerville struggles with preparing for the worst. This creative and dramatic musical was written by Peter Mills and Cara Reichel after they visited the town of Valmeyer, Ill., following the 1993 floods. They interviewed Monroe County citizens and were intrigued by the citizens’ decision to rebuild to higher ground. Their adaptation of the story is based on the fictional town of Meyerville and members of its village.
Director: Amber Dillard, with Musical Director Marcia Braswell
Of Note: MASC and Show Sponsor George Obernagel observe the 25th Anniversary of the Great Mississippi Flood of 1993 with their production of “The Flood.” The show has been named an official event of the Illinois State Bicentennial.
House opens one half hour before curtain; ticket booth opens one hour before curtain. The theatre is only accessible by a staircase.
“The Little Foxes”St. Louis Actors’ Studio
Sept. 28 – Oct. 14
Thursday through Saturday at 8 p.m., Sunday at 3 p.m.
The Gaslight Theatre, 358 North Boyle
www.stlas.org
What It’s About: Lillian Hellman’s drama about greed and ambition, set in Alabama in 1900.  Regina Giddens and her
ruthless clan clash as they try to strike the deal of their lives.
Director: John Contini
Starring: Kari Ely, Laurie McConnell, William Roth, Bob Gerchen, Wendy Greenwood, Bridget Bassa, Ryan Lawson-Maeske, Chuck Brinkley, Richard Lewis and Dennis Jethroe II.
Of Note:  Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
Photo by Patrick Huber.
“Love Never Dies”
Love Never Dies
The Fox Theatre, 527 N. Grand
Sept. 18 – 30www.fabulousfox.com
Tickets: www.MetroTix.com or 314-534-1111 or Fox Box Office
What It’s About: Andrew Lloyd Webber’s musical is a sequel to the mega-hit “The Phantom of the Opera,” and takes place 10 years after the Phantom’s disappearance from the Paris Opera House. It is 1907 and he has escaped to a new life in New York, running a freak show vaudeville act at Coney Island. His music soars there, but he still yearns for his musical protégé and one true love, Christine Daae. Now a world-class soprano, she arrives in New York for a singing engagement that will hopefully get her now-jerk of a husband, Raoul, out of gambling debt. Lo and behold, the Phantom lures her to sing in his show. She has her young son Gustave, age 10, in tow. Is triumph or tragedy on the horizon?
Director: Simon Phillips
Starring: Bronson Norris Murphy as The Phantom, Meghan Picerno as Christine, Sean Thompson as Raoul, Mary Michael Patterson as Meg, Karen Mason as Madame Giry, and Jake Heston Miller and Christian Harmston alternating as Gustave.
Of Note: The show is the reworked Australia production of 2011, after the inaugural London West End musical opened in 2010 to mostly mixed reviews. It has yet to play Broadway but is now on its first North American tour.
“Mama’s Boy”Tesseract Theatre Company
Sept. 21 – 30
Friday and Saturday at 8 p.m., Sunday at 4 p.m.
.Zack, 3224 Locust, St. Louiswww.tesseracttheatre.org
Tickets: MetroTix.com
What It’s About: A new play by Rob Urbinati is the riveting story of Lee Harvey Oswald and his complex relationship with his overbearing mother Marguerite. “Mama’s Boy” follows Marguerite’s reckless attempts to reunite her family, from Lee’s return to the U.S. from Russia, through the assassination of Kennedy, to her son’s own murder and her defense of his innocence in the months that follow. A fascinating examination of family dynamics and obsessive maternal devotion played out in the shadow of history.
Director: Bradley Schwartz
Starring: Donna Parrone, Carly Uding, Jeremy Goldmeier, Brandon Atkins
“Newsies”Looking Glass Playhouse
Sept. 20 – 23, 27-30
Thursday through Saturday at 7:30 p.m., Sunday at 2 p.m.
Looking Glass Playhouse
Lebanon, Ill.
www.lookingglassplayhouse.com
What It’s About: Disney’s Newsies tells the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged ‘newsies.’ When titans of publishing raise distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right.
Based on the 1992 motion picture and inspired by a true story, “Newsies” features a Tony Award-winning score by Alan Menken (Little Shop of Horrors, Sister Act) and Jack Feldman and a book by Tony Award winner Harvey Fierstein (Kinky Boots). Featuring the now classic songs “Carrying the Banner,” “Seize the Day,” and “Santa Fe,” Newsies is packed with non-stop thrills and a timeless message that is perfect for the whole family.
Director: Jason Johnson
Of Note: Looking Glass Playhouse is celebrating its 45th season.
“Oklahoma!”Stages St. Louis
Sept. 7 – Oct. 7
Robert G. Reim Theatre
Kirkwood Community Center, 111 South Geyer Road
www.stagesstlouis.org
What It’s About: Romance, conflict, comedy and colorful characters set in 1906 in the Oklahoma territory.
Director: Michael Hamilton
Starring: Zoe Vonder Haar as Aunt Eller, JBlake Price as Curly, Sarah Ellis as Laurie, ohn Flack as Andrew Carnes, Leah Berry as Bertie Cummings, David Sajewich as Jud,  aMatthew Curiano as Ali Hakim, Lucy Moon as Ado Annie and Con O’Shea-Creal as Will Parker.
Of Note: “Oh, what a beautiful musical! Rodgers and Hammerstein’s timeless first collaboration was, in many ways, their most innovative. And while OKLAHOMA! completely changed the face of American musical theatre 75 years ago, it remains as fresh and vital today as it was then with its loving celebration of the American spirit. A stunning blend of drama, music, and dance, the exhilarating Rodgers and Hammerstein score contains such classics as “People Will Say We’re In Love,” “The Surrey With The Fringe On Top,” “Kansas City,” “I Cain’t Say No,” and the pulsating title tune, “Oklahoma!” A gold standard that set the bar for all great musicals that came after it.
Peter Wochniak Photo
“One Funny Mother”
Dena Blizzard, former Miss New JerseyThe Playhouse @ Westport
Oct. 3 – 7
635 Westport Plaza in Maryland Heights
Box Office: 314-616-4455
Tickets: MetroTix.com or 314-534-1111
Running time: 80 min.
What It’s About: Creator of the wildly popular viral videos “Chardonnay Go!” and the “Back to School Rant,” comedian Dena Blizzard returns to St. Louis with her hilarious one-woman show. The off-Broadway hit has been touring the country.
A former Miss New Jersey, and mother of three, Blizzard has created a show about the trials and tribulations of motherhood and marriage. We follow Blizzard on a hilarious journey through her day as she prepares for her long-awaited girl’s night out. Along the way, she laments how her life and marriage have changed since becoming a mother of three; wrestling with the eternal question “have I gone crazy since having these kids?”
Of Note: It was named “Best One-Woman Show” at the 2015 United Solo Festival in New York City. You can sneak a peek of the show at www.onefunnymother.com.
Performances at 8 p.m. Oct. 3, 4, 5 and 6, with another 4 p.m. show Oct. 6 and 2 p.m. matinee Oct. 7.
“This Random World (the myth of serendipity)”The West End Players Guild
Sept. 28 – Oct. 7
Fridays and Saturdays at 8 p.m., Sundays at 2 p.m.
Thursday, Oct. 4 at 8 p.m.
Union Avenue Christian Church
733 North Union at Enright in the Central West End
314-367-0025
www.westendplayers.org.
What It’s About: Funny. He doesn’t look dead. Or like he’s going to be.  In fact, Tim looks like he’s feeling much better. But don’t try telling that to funeral director Rhonda, who has read his obituary on her iPad and is now trying to explain the facts of life (or rather, death) to Tim.
Now, if that situation sounds a little “random,” that’s because it is. It’s one of many strange but funny encounters in Steven Dietz’s 2016 play “This Random World (the myth of serendipity).”
Director: Renee Sevier-Monsey
Starring: Ted Drury, Kate Weber, Eleanor Humphrey, Jessa Knust, Joel Zummak, Lynn Rathbone and Tinah Twardowski.
Of Note: This is the opening show of West End Players Guild’s 108th season.
“The Zombies of Penzance”
Zak Farmer, Dominic Dowdy-Windsor, Sean Michael Photo by Jill Ritter LindbergNew Line Theatre
Sept. 27 – Oct. 20
Thursdays through Saturdays at 8 p.m.
The Marcelle Theater
3310 Samuel Shepard Drive in Grand Arts Center
Tickets: 314-534-1111
www.newlinetheatre.com
What It’s About: The world premiere of the rock musical, “The Zombies of Penzance: At Night Come the Flesh Eaters,” is based on Gilbert and Sullivan’s “The Pirates of Penzance.”
Based on the conceit that the original draft, never seen before, was dated December 1878, Major-General Stanley is a retired zombie hunter, who doesn’t want his daughters marrying the dreaded Zombies of Penzance, for obvious reasons.
Co-Directors: Scott Miller and Mike Windsor-Dowdy. Miller has painstakingly reassembled these rediscovered materials into their original form, filling in the gaps with educated guesses based on other G&S shows and drafts. St. Louis composer and orchestrator John Gerdes is reconstructing Sullivan’s music.
Cast: Most of the cast from New Line’s public reading in January will return, with Sean Michael as Frederic, Melissa Felps as Mabel, Zachary Allen Farmer as Major-General Stanley the Zombie Hunter, Dominic Dowdy-Windsor as the Zombie King, with Mara Bollini, Kent Coffel, Robert Doyle, Matt Hill, Lindsey Jones, Tim Kaniecki, Kyle Kelesoma, Melanie Kozak, Sarah Porter, Christina Rios, and Kimi Short.
Of Note: New Line Theatre, “the bad boy of musical theatre,” opens its 28th season of adult, alternative musical theatre. New Line has shocked the music world by discovering a controversial, long-lost first draft by the legendary British team of librettist W.S. Gilbert and composer Arthur Sullivan, who together wrote 14 comic operas between 1871 and 1896.
One of the team’s best-known works, The Pirates of Penzance, originally debuted in New York in 1879, and was revived to great success in the early 1980s with Kevin Kline, Linda Ronstadt, and Rex Smith. What we now know is that there was an earlier, stranger draft of the show, which nobody knew about, with most of the same characters but a somewhat different plot.
In 2013, New Line Theatre artistic director Scott Miller discovered the original manuscripts for “The Zombies of Penzance” in the second sub-basement of the Judson Memorial Church in New York, hidden beneath some moldy band parts from Rockabye Hamlet and Shogun the Musical, and Miller set about reconstructing the bizarre original show as G&S intended. Gilbert’s living dead and their Zombie King now make their long-delayed world premiere.
 
 

New Line Theatre’s Scott Miller Publishes Book on 14 Oddball Musicals

New Line Theatre’s Scott Miller Publishes Book on 14 Oddball Musicals

New Line Theatre is proud to announce that artistic director Scott Miller has published another collection of essays, “LITERALLY ANYTHING GOES: 14 ODDBALL MUSICALS AND WHAT MAKES THEM TICK.” Miller’s fifth book of deep-dive musical theatre exploration is a surprising and entertaining journey into more than a dozen quirky but fascinating musicals, some famous, some less so.
The shows surveyed literally span the history of the art form, and New Line has produced them all — “The Threepenny Opera,” “Anything Goes,” “The Nervous Set,” “The Fantasticks,” “Zorba,” “Two Gentlemen of Verona,” “The Robber Bridegroom,” “Evita,” “Return to the Forbidden Planet,” “Kiss of the Spider Woman,” “A New Brain,” “Reefer Madness,” “Bukowsical”, and “Love Kills” — proving that there have always been oddball musicals and oddball musical theatre writers eager to crash through the existing conventions to something new and different. Times haven’t changed as much as we think.
And if you think some of these shows don’t seem all that oddball to you, see if you feel the same way after you read the book. As Miller puts it, “Anything Goes is the old-fashioned family classic that really isn’t any of those things;” and “The Fantasticks is a deceptively complex, Beat-inspired, jazz fable.”
Miller’s other analysis collections include From Assassins to West Side Story, 1996, now in its 8th printing (covering Assassins, Cabaret, Carousel, Company, Godspell, Gypsy, How to Succeed in Business Without Really Trying, Into the Woods, Jesus Christ Superstar, Les Misérables, Man of La Mancha, Merrily We Roll Along, My Fair Lady, Pippin, Sweeney Todd, and West Side Story);Deconstructing Harold Hill, 1999, (covering Ragtime, Camelot, Chicago, Passion, The Music Man, March of the Falsettos, Sunday in the Park with George, and The King and I); Rebels with Applause, 2001, (covering Hair, Rent, Oklahoma!, Pal Joey, Anyone Can Whistle, Floyd Collins, Jacques Brel, The Cradle Will Rock, Songs for a New World, and The Ballad of Little Mikey); andSex, Drugs, Rock & Roll, and Musicals, 2011, (covering The Wild Party, Grease, Hair, Jesus Christ Superstar, The Rocky Horror Show, The Best Little Whorehouse in Texas, I Love My Wife, Bat Boy, Hedwig and the Angry Inch, and High Fidelity).
Scott Miller is a musical theatre composer, lyricist, bookwriter, historian, consultant, fanboy, and the founder and artistic director of New Line Theatre in St. Louis. He has written nine musicals, two plays, and seven books about musical theatre. For fifteen years, he co-hosted the radio show Break a Leg: Theatre in St. Louis and Beyond on KDHX, and now he hosts the theatre podcast Stage Grok, available on iTunes and at StageGrok.com.
The cover art for Literally Anything Goes was designed by St. Louis artist Matt Reedy.
Miller has also recently put together a novelty book of 400 questions about the musical theatre, to test your knowledge, your opinions, and your insights into our art form. The book is called It’s a Musical! 400 Questions to Ponder, Discuss, and Fight About, and it’s addictive. It’s the perfect gift for the musical theatre obsessive who has everything. His other books include Strike Up the Band: A New History of Musical Theatre, and Let the Sun Shine In: The Genius of Hair.
AMAZON SMILE
And just a reminder, when you shop at Amazon, go to smile.amazon.com instead (and bookmark it) — it’ll ask you to choose a charity (you’ll choose New Line Theatre), and then whatever you buy on the site will kick back a small donation to New Line! It really adds up!
ABOUT NEW LINE THEATRE
New Line Theatre, “the bad boy of musical theatre,” is a professional company dedicated to involving the people of the St. Louis region in the exploration and creation of daring, provocative, socially and politically relevant works of musical theatre. New Line was created back in 1991 at the vanguard of a new wave of nonprofit musical theatre just starting to take hold across the country. New Line has given birth to several world premiere musicals over the years and has brought back to life several shows that were not well served by their original New York productions.
Altogether, New Line has produced 85 musicals since 1991, and the company has been given its own entry in the Cambridge Guide to American Theatre and the annual Theater World. New Line receives funding from the Missouri Arts Council, a state agency.
The 2018-2019 season includes the world premiere of The Zombies of Penzance in October, the classic La Cage aux Folles in March, and the new rock musical Be More Chill, based on the bestselling novel, next June.
Read more about The Zombies of Penzance here.
Read more about La Cage aux Folles here.
Read more about Be More Chill here.
For other information, visit New Line Theatre’s full-service website at www.newlinetheatre.com. All programs are subject to change.

Take Ten with Jeffrey M. Wright

Take Ten with Jeffrey M. Wright

By Ken Brostow
Contributing Writer
Do nice guys always finish last?
Not in Jeffrey M. Wright’s case.  The cliché doesn’t apply to him. A very popular entertainer here in St. Louis, his stellar reputation as an actor, singer, cabaret performer and emcee has spread to other cities as well.
By day, Jeff works as a physical therapist and in business development. But when dusk falls, he’s singing or acting, or both.
Jason Graae, an LA-based singer/actor, hears in Jeff  “…the voice of an Angel.” But adds that Jeff also has “the smile of a Devil.”
On the other coast, NYC-based singer-songwriter Lina Koutrakos described Jeff as “music’s contemporary ‘matinee idol,’ …He is heart, voice, looks and very much his own man…”

Jeff as Nathan Detroit in KTG’s “Guys and Dolls.”For the past 20 years, Jeff has worked with Stray Dog Theatre, New Line Theatre, Kirkwood Theatre Guild and others in St. Louis. His musical roles have included the famous gamblers Nathan Detroit and Nicky Arnstein, and run the gamut between comical, from Elijah Whitney in “Anything Goes,” to dramatic, as Tateh, the Jewish immigrant father, in “Ragtime.”
He’s amassed more than 50 theatrical credits, and about 30 cabaret appearances.
His cabaret performances have branched out to New York City.
“My New York debut was in May of 2015 at 54 Below in ‘The Music of Alex Rybeck.’  Since then, I’ve been fortunate to return several times to appear in concerts at other venues including The Metropolitan Room, the Iridium on Broadway and the Laurie Beechman Theatre,” he said.
A recent autobiographical cabaret, “The 40s – Theirs and Mine,” included anecdotes about turning the big 40 milestone and songs from the 1940s, reflecting his broad musical interests.
In September, he is headed back to be featured in The Concert Across America to End Gun Violence at a well-known jazz/cabaret club called Don’t Tell Mama.
“I’ve attended shows there, but it will be a new performance venue for me, so I’m especially excited about that,” he said.
Tina Farmer of KDHX noted that his voice “wavers between silky smooth and slightly gritty.” That’s why he can cover both American Songbook standards and rock ‘n roll anthems – moving effortlessly between “Sentimental Journey” and “I Still Haven’t Found What I’m Looking For.”
As the quintessential “people person,” his art, his job, his recreational time—all revolve around people.  He works to heal people through physical therapy, and then entertains them socially through his devotion to theater.
This summer, he has been playing a colorful character in the musical comedy “The Robber Bridegroom,” which is ending its three-week run at Stray Dog Theatre. The play has been a joyful homecoming for Jeff.
“This is a hilarious, rowdy, Southern farce.  It’s full of fantastic bluegrass music, and Stray Dog’s production is a rare opportunity to see this lesser-known, but very fun show.  The cast and production team are awesome, and I really think the audience is going to have a great time!” he said.
“Since I grew up in the South and I love country/bluegrass music — my first album, besides Sesame Street and other kids’ stuff, was Kenny Rogers’s ‘The Gambler.’ I’m having lots of fun with it!” he said.
For more information, visit his website, www.jeffreymwright.com

Kimi Short, Jeffrey M. Wright and Ryan Scott Foizey in “Next to Normal” at New Line Theatre
Here are Jeff’s answers to our Take Ten Q&A:
1. Why did you choose your profession/pursue the arts?“I was always fascinated with the idea of being an actor/entertainer, even from a very young age, but there were not a lot of opportunities to explore this in my schools or hometown (Little Rock, Ark.).In high school, I remember attending the annual school play as a freshman and thinking I would like to do that as an upperclassman. I volunteered for stage crew of ‘The Sting’ as a sophomore, with the idea that I would get to know some of the theatre crowd better, as preparation to audition the following year. Unfortunately, after that show, the drama department folded for my junior and senior year because the volunteer director for the program retired, so I did not get that chance.”

 
“I was heavily involved in athletics throughout grade school and high school, and many different organizations in college, so my plate was pretty full of extra-curricular activities that did not include performing.  Once I graduated from college and got into the work force, I decided I really did want to pursue the arts in my spare time.
“I didn’t know the first thing about how to do this, but a friend took me under his wing in 1998 and encouraged me to audition for a summer musical with Studio J Productions. He told me that ‘they always need guys’ and if I could sing, there was a good chance I would be cast. I had never attended an audition before, or ever sung in front of people, outside of occasional karaoke, so I had no idea what or how to prepare. I sang ‘Edelweiss’ acapella from “The Sound of Music,” which was a horrible choice for the raucous comedy I was auditioning for, but somehow I was cast in a small ensemble role. I was instantly hooked after that first experience, and I’ve never looked back!”
2. How would your friends describe you?
“I believe most people think of me as a nice guy, which hopefully is true.  I’d like to think that people would also describe me as fun, caring, loyal, driven, and a good listener.”
3. How do you like to spend your spare time?
“Much of my spare time is spent around performing in some way.  For big chunks of the last 20 years, I have spent many evenings either rehearsing or performing, thanks to the many opportunities I’ve been fortunate enough to receive.  When I do find myself with free time, I enjoy seeing friends perform, spending time with my dog, sleeping in, traveling to visit friends and family, and going to the movies.”
4. What is your current obsession?
“I’ve recently discovered the world of podcasts and have subscribed to several.  I really enjoy having them on in the background if I’m doing office work, driving, etc. I think my favorite thus far is “Awards Chatter,”in which the Hollywood Reporter interviews various celebrities. Many are actors, who frequently describe how they got into show business, which I find fascinating.”
5, What would people be surprised to find out about you?
“Probably that I have a moderate case of ‘road rage,’ and I love to honk my car horn.  It’s unexpected because I am usually fairly low-key in most aspects of my life, but that’s not always the case when I’m driving.”
6. Can you share one of your most defining moments in life?
“Becoming an uncle has been incredibly rewarding and special for me.  I don’t have children of my own, but in the past five years, I’ve been blessed with two adorable nephews and one beautiful niece.
“In the performance world, I think discovering cabaret has been very defining for me. The people that I’ve met and learned from have certainly shaped me as a singer and actor, and several of those relationships have led to performance opportunities in New York that I never would have imagined.”
7. Who do you admire most?
“I have a great deal of admiration for my parents. They’ve been married for almost 45 years and are extremely caring and kind-hearted people. I also think a great deal of many people I know who quietly do amazing things for people and never expect anything in return.  Selflessness is such a rare and special attribute.”
8. What is at the top of your bucket list?
“There are a lot of international destinations that I’d like to see. I’ve been to parts of Italy and France, but otherwise I have not traveled outside of the US. I’d love to see Ireland, Australia, and New Zealand for sure.”
9. What is your favorite thing to do in St. Louis?
“Outside of seeing all of the amazing performances that we have available, I love exploring our awesome restaurant and bar scene with good friends.”
10. What’s next?
“After ‘The Robber Bridegroom’ is over, on Sept. 23, I’ll be in NYC to perform in a concert at Don’t Tell Mama. Soon after that, I’ll begin rehearsals for my fourth run of “All Is Calm” with Mustard Seed Theatre, which will run from Nov. 15 to Dec. 16.”
Jeff as Tateh in “Ragtime” at Stray Dog TheatreMORE ON JEFFREY M. WRIGHTBirthplace:  North Little Rock, ArkansasCurrent location: Southampton neighborhood of south St. LouisFamily: Both parents, two brothers, two nephews, one niece.  Single with no children and one dog.Education:  Bachelor of Science in Physical Therapy from Saint Louis UniversityDay job: Outreach Services Executive with SSM Health Saint Louis University Hospital.  This is a business development role in which I visit other hospitals and physicians to teach them about our services, ensure that patient transfers to our facility go smoothly, etc.First role: Mayor Dan’l Dawgmeat and other small roles – “Lil Abner” with Studio J Productions, 1998.Favorite roles/dream roles: I have been extremely fortunate to play several dream roles already – including Pippin in “Pippin” with Stray Dog Theatre, Jamie in “The Last Five Years” with New Jewish Theatre, and Dan in “Next to Normal” with New Line Theatre. Other favorite roles include Rob Gordon in “High Fidelity,” Bobby in “Company,” Jimmy in “Thoroughly Modern Millie” (twice), Finch in “How to Succeed in Business without Really Trying,” Nathan Detroit in “Guys and Dolls” and more.
The one dream role that I’ve yet to play is Billy Flynn in “Chicago,” and I’m truly hopeful to perhaps someday get that chance.Awards/honors: I share St. Louis Theater Circle Awards for Best Ensemble in a Musical with the cast of Stray Dog Theatre’s “Ragtime,” and the original company of “All is Calm” with Mustard Seed Theatre.
I also received Arts for Life’s Best Performance Awards for Best Actor in a Musical (Finch in “How to Succeed” with Kirkwood Theatre Guild) and Best Actor in a Non-Singing Role (Harry the Horse in “Guys and Dolls” with Alpha Players)Favorite words to live by: Work hard, play hard.A song that makes you happy:  From popular music, “Uptown Funk” by Bruno Mars.  From musical theatre, many come to mind, but in recent years I’d choose “Alexander Hamilton” from “Hamilton.”

Todd Schaefer and Jeffrey M. Wright in “Hands on a Hardbody” at New Line Theatre.
Photos by Gerry Love, Jill Ritter Lindbergh, Peter Wochniak