By Lynn Venhaus
Nearly 10 years after Pixar Animation Studios raised the bar again with a mind-bending and rib-tickling “Inside Out,” which became an instant classic, a clever sequel thrusts our now 13-year-old heroine Riley into red-alert puberty.

While not as innovative as the original, “Inside Out 2” offers a relatable take on very raw and very real adolescent emotions. An all-star cast, including some returning voices, delivers the same tempo and tone that made the first so endearing.

Both films emphasize that life’s ups and downs are teachable moments, and that’s an admirable focus as the filmmakers try to be faithful to the projects’ goals.

Perhaps no year in our lives is as anxious and awkward as being 13 is. Oh, those raging hormones and their unpredictable effect. I mean, who would ever want to repeat it? We remember, and this universal theme is a rich one.

The sequel connects as an amusing look back for parents and perhaps either as a cautionary tale for what’s ahead with their pre-teen offspring or a reminder of what their grown children were like back then.

Because Riley is dealing with those quicksilver ever-changing emotions, Anxiety, Embarrassment, Envy and Ennui are an imaginative addition. The boredom expressed by Ennui is the funniest running gag.

That fuels a turbo-charged narrative mixing with the already prominent voices in her head — the color-coded network of Joy, Fear, Anger, Sadness and Disgust. That results in a hyper-kinetic energy that feels very busy.

Although the animated comedy-drama-fantasy’s zippy excursion into a teen trying to navigate fitting in while also wanting to stand out does humorously hit all the identifiable pitfalls.

An avid hockey player, Riley (Kensington Tallman) hopes to make the team in high school and enthusiastically attends an exclusive-invite summer camp under the discerning eye of Coach Roberts (Yvette Nicole Brown).

Her dedication and work ethic are admirable, but she struggles to keep her old classmates Grace and Bree (Grace Lu and Sumayyah Nuriddin-Green) close while trying to be pals with the star player Val Ortiz (Lillimar), part of the cool kids’ squad.

It appears that she has a lot to learn, as do the emotions guiding her thoughts and movements. With the original five trying to hold on to control in a command center undergoing changes, the mind games escalate.

Amy Poehler’s perky Joy is in a mad rush to obtain order while Maya Hawke’s jittery fast-talking Anxiety fights to take over. She has brought along three inspired characters — Envy (Ayo Edibiri), Embarrassment (Paul Walter Hauser) and Ennui (Adele Exarchopoulos) to ramp up the pressure. And they are hilarious.

This fab five includes memorable turns from two regulars — Lewis Black as tightly wound Anger and Phyllis Smith as mopey Sadness. Also returning are Riley’s well-meaning parents, voiced by Kyle MacLachlan and Diane Lane.

Without skipping a beat, Tony Hale replaced Bill Hader as the fidgety Fear and Liza Lapira took over from Mindy Kaling as sassy Disgust. Another notable addition is June Squibb as Nostalgia.

The first one benefitted from co-writer and co-director Pete Docter using his personal experience of moving his family from Minnesota to San Francisco. The issues that came with a new home and new school resonated.

A master visual storyteller, Docter is only executive producer on this. However, co-screenwriter Meg LeFauve, who was part of the 2016 Oscar-nominated writing team, has returned. Dave Holstein is a new writer, and Kelsey Mann is the first-time director.

Mann’s previous three Disney films – “The Good Dinosaur,” “Lightyear” and “Onward” were among my most disappointing efforts of the past 10 years. I didn’t think the concepts worked. However, the points about children inevitably growing up comes together here with its can’t-miss interesting characters..

This sequel concentrates on an uncharted period of development in Riley’s maturation, while maintaining a clear focus on her life’s bigger picture – her belief system and that she is a good person. Her strongest attributes are kindness, compassion and level-headedness..

Midway, this journey gets bogged down with an overly complex hunt — yet the introduction of sarcasm is ingenious. as are characters in a vault. Stealing the show is Ron Funches as “Bloofy,” a popular children’s TV cartoon character, and his accessory, Pouchy, voiced by James Austin Johnson of “Saturday Night Live” fame.

NEW EMOTIONS — Disney and Pixar’s “Inside Out 2” returns to the mind of newly minted teenager Riley just as new Emotions show up. Envy (voice of Ayo Edebiri) and Ennui (voice of Adèle Exarchopoulos) are ready to take a turn at the console. © 2024 Disney/Pixar.

Besides an impressive use of state-of-the-art technology for a visually stunning bright palette, the best feature is the cast’s sharp comedic skills, which are showcased as they nimbly deliver quick-witted dialogue.

Although heartfelt, the sequel isn’t the misty-eyed tug on emotions that the original was. Still, its sincerity goes a long way in making this film work.

“Inside Out 2” is a 2024 animated family comedy-drama-fantasy directed by Kelsey Mann and stars Amy Poehler, Maya Hawke, Lewis Black, Tony Hale, Phyllis Smith, Ayo Edebiri, Grace Lu, June Squibb, Sumayyah Nuriddin-Green, Yvette Nicole Brown, Kyle MacLachlan, Diane Lane and Kensington Tallman. It is rated PG for thematic elements and run time is 1 hour, 36 minutes. It opened in theaters June 14. Lynn’s Grade: B.

By Lynn Venhaus

Heading ‘to infinity and beyond” with a heroic Space Ranger, “Lightyear,” sounds like an exciting flight of fancy. However, the first spin-off from the beloved “Toy Story” franchise sputters with a not very kid-friendly storyline.

And not really any connection to the four “Toy Story” movies except in name only. Confused? Join the club. We’re in an intergalactic mission that involves time travel and space aeronautic snafus.

This is the movie that made Buzz Lightyear a coveted toy. While spending years trying to return home, marooned Space Ranger Buzz Lightyear (Chris Evans) encounters an army of ruthless robots commanded by Zurg (Josh Brolin), who are attempting to steal his fuel source.

They make it clear right away that “Lightyear” is the movie that introduced Buzz to the mass audience, and then made him an action figure. That likely was a factor in replacing sitcom actor Tim Allen, who voiced Buzz in four movies, with the known-as-hero Chris Evans, best known as Avengers’ Captain America.

But the marketing of this film hasn’t been so obvious.

For the Pixar Animation Studios, it’s a surprising stumble, for the animation is customary next level, with dazzling outer space panoramas and state-of-the-art tech know-how conveyed in intense detail.

The vision is ambitious, showcasing a far-away planet that the space cowboys colonize as their new home while still working on multiple projects.

But it’s not enough, even with a topnotch vocal cast — Chris Evans is the stand-up Space Ranger, Uzo Aduba is his respected supervisor Alicia Hawthorne, Keke Palmer is her granddaughter Izzy, Taika Waititi is comical crew member Mo Morrison and Efren Ramirez is Airman Diaz.

The diverse cast is a plus, and Alicia Hawthorne is in a same-sex marriage for a Pixar first.

Best is Peter Sohn as the robotic pet cat “Socks” – a delightful source of goofy humor, not unlike the welcome comic relief of break-out character Forky in “Toy Story 4” in 2019.

But most of the time, this origin story is very serious. And that’s disappointing, as this animated sci-fi fantasy never quit takes off because the story itself is underwhelming and bewildering.

The screenplay is by Jason Headley, who wrote one of the lesser Pixar films “Onward,” with story by director Angus MacLane (“The Incredibles”), Matthew Aldrich (“Coco”) and Headley.

It has more in common with Christopher Nolan’s dense and unwieldy “Interstellar” and even the Dreamworks’ animated film, “Over the Moon” in 2020, than it does with the toys that came to life in one of the most successful animated series ever. The original was the first Pixar/Disney film to be nominated for Best Original Screenplay.

Pixar genius Pete Docter, Andrew Stanton and Joe Ranft had created those beloved characters. In the 27 years since the original “Toy Story” – first completely computer-generated graphic images — opened a marvelous make-believe world of toys having their own lives outside their role-play duties with kid owners, there have been three sequels that expanded the toy-chest universe and broader heart-tugging themes that challenge and change them.

The third one in 2010 and the fourth one in 2019 both won the Oscar for feature animated film (the award wasn’t given out until 2001, therefore the first two, in 1995 and 1999, weren’t eligible).

With its track record of excellence, Pixar has collected 18 Academy Awards for its films. Sadly, “Lightyear” isn’t on the same level.

The youngsters at my screening seemed very restless, and its appeal to younger tykes is uncertain. However, those who are captivated by the film will want to stay through the entire credits, as there are three more scenes.

TEAMING UP – Disney and Pixar’s “Lightyear” is a sci-fi action adventure and the definitive origin story of Buzz Lightyear (voice of Chris Evans), the hero who inspired the toy. The all-new story follows the legendary Space Ranger on an intergalactic adventure alongside a group of ambitious recruits (voices of Keke Palmer, Taika Waititi and Dale Soules), and their robot companion Sox (voice of Peter Sohn). Also joining the cast are Uzo Aduba, James Brolin, Mary McDonald-Lewis, Efren Ramirez and Isiah Whitlock Jr. Directed by Angus MacLane (co-director “Finding Dory”) and produced by Galyn Susman (“Toy Story That Time Forgot”), “Lightyear” releases June 17, 2022. © 2022 Disney/Pixar. All Rights Reserved.

“Lightyear” is a 2022 animated sci-fi fantasy feature film directed by Angus MacLane and featuring voices of Chris Evans, Uzo Aduba, Josh Brolin, Keke Palmer, Peter Sohn, Taiki Waititi and Efren Ramirez. It is fated PG for action/peril and is 2 hour, 40 minutes long. It opened in theaters on June 17. Lynn’s Take: C+