By Lynn Venhaus
On the surface, “IF” looks warm and fuzzy, a relatable story about the power of imagination and how it affects our childhoods. And while there is much to like about the film, the whimsy doesn’t quite live up to the magic it strives to capture.

While being imaginative and heartfelt, it is also sad and dark, which may confuse parents of young children who are unaware of the story’s tragic elements. The 12-year-old heroine, Bea, who has been through some things, faces another potential heartbreak.

Writer-director John Krasinski, who knocked it out of the park with his “A Quiet Place” films, was inspired by his two daughters to make a live-action Pixar movie, and the ambitious concept is a dandy one.

Yet I struggled to make sense of this alternate reality, for the logic doesn’t seem to be there, even in a fantasy. Lonely Bea, dealing with loss and staying with her grandmother while her dad is in the hospital, meets neighbor Cal, who sees abandoned imaginary friends. 

Cal serves as a matchmaker of sorts, finding new pals for IFs to hang around with, and be useful, for their previous childhood buddies grew up. Think of him as the guardian of the portal. He enlists the earnest and creative Bea.

Cailey Fleming is heart-tugging as a guarded Bea, and warms to Carl, wonderfully played by Ryan Reynolds, who appears more vulnerable than his usually jovial characters. His trademark snappy patter is here, but he’s also some emotional heft to display.

As a human, he blends into the visual effects with flair, standing out in two scenes that wow – a splashy dancing sequence and one where he materializes from a painting.

Reynolds’ agility goes a long way in liking Cal, and his story arc that comes full circle in the third act just might bring a tear to your eye, like it did mine. In fact, my tissue got a workout, like when I watched Pixar’s “Coco” and “Toy Story 4.”

The point about the need for human connection is well-taken, particularly after living through the global coronavirus pandemic. The central theme of the film is loss and grief, and the opening montage is comparable to the start of Pixar’s “Up.”

I can’t recommend this for children under 8, and don’t think a PG-rating is enough warning. If you take young children, be prepared to address some heavy questions.

And there are a few disconcerting choices – Bea walks to a bodega late at night alone, and we’re talking New York City (OK, Brooklyn, but…) and grandma (Fiona Shaw) is apparently OK with her wandering the city by herself.

Granted, we can’t shield our children from life’s cruel blows, and even classic Disney films feature death – Mufasa in “The Lion King” and the momma deer in “Bambi” come to mind – but this film’s marketing makes it look like shiny, happy people having fun.

Nevertheless, the all-star voice cast delivers funny and charming characterizations of various creatures, including Steve Carell as Blue, a gentle Muppet-like giant, and Phoebe Waller-Bridge as a cartoonish Betty Boop named Blossom.

In less substantial but full of personality vocal performances are Krasinski’s wife Emily Blunt as an excitable unicorn, Amy Schumer as a high-strung gummy bear and George Clooney as a spaceman (remember “Gravity”?). In his final role, Louis Gossett Jr. is a wise Teddy bear.

Christopher Meloni plays one of the more animated characters, Cosmo, and the who’s who of Hollywood includes Brad Pitt, Matt Damon, Blake Lively, Matthew Rhys, Jon Stewart, Maya Rudolph, Sam Rockwell, Awkwafina, Bill Hader and Keegan Michael-Key. Outstanding talent is assembled, but with so many, not everyone gets moments to shine, more like snippets.

Alan Kim, whose breakthrough role was in “Minari,” plays Benjamin, a hospital patient who befriends Bea, and it’s a sweet, but underdeveloped character

The film does have a striking fairy tale-storybook glow to it, courtesy of cinematographer Janusz Kaminski, who has worked with Steven Spielberg since 1993 and won Oscars for “Schindler’s List” and “Saving Private Ryan.”

Jess Gonchor’s production design is also noteworthy, especially using Coney Island as a fantastic playground for the IFs, as well as a nifty retirement home. Gonchor, longtime collaborator with the Coen Brothers, also created the striking set design for “White Noise,” another difficult world to build. He previously worked with Krasinski on “The Quiet Place, Part II.”

Jenny Eagan’s costume design is delightful, and the army of special and visual effects wizards dazzle with their playfulness.

Krasinski’s heart is in the right place, and the intention is admirable, if not the execution. While the third act redeems the storyline to an extent, the movie fails to live up to expectations, which is a letdown, given the enormous amount of talent involved.

“IF” is a 2024 comedy-drama-fantasy written and directed by John Krasinski, starring Ryan Reynolds, Cailey Fleming, Fiona Shaw, Steve Carell, Alan Kim and Krasinski. Rated PG for thematic elements and mild language, its runtime is 1 hour, 44 minutes. Opens in theatres May 17. Lynn’s Grade: C

By Lynn Venhaus
For centuries, we have been used to family dysfunction propelling comedies and dramas. Along comes the strange “Kajillionaire” with its unconventional story and bizarre characters, giving us a refreshing dip into a surreal world.

It won the Audience Award at this year’s Sundance Film Festival, and it is easy to see why — this daffiness allows a different look at the family unit.

A tale about career grifters shines brightest because of the caliber of actors. The minute I heard Debra Winger’s voice as the Mom, I was so happy to see her back on screen – and she doesn’t disappoint. The term Mom is used loosely for there is not a maternal bone in her body.

And that’s all the more heart-wrenching to see Evan Rachel Wood as this socially awkward 26-year-old who is basically her parents’ prop, the dutiful daughter who has never enjoyed the good parts of growing up.
Wood is an elegant beauty who has been acting since she was a kid and is best known for her Emmy-nominated role as Dolores in “Westworld.” As Old Dolio, she is a revelation, all sharp angles, dowdy clothes and deadpan voice. She creates some depth as an innocent in emotional development, enough to tug on your heartstrings.

Richard Jenkins is smooth as a con artist and Gina Rodriguez is bubbly as a game girl who has seen too much TV. She’s in way over her head – or is she? 

Gina Rodriguez and Evan Rachel Wood

As one of the year’s best ensembles, they make this unpredictable and idiosyncratic journey palatable, even at its wackiest. 

Writer-director Miranda July has been an independent voice for some time, and her view on life is unusual and funny. But ultimately she connects us, with lonely characters showing their vulnerability and breaking through emotionally. 

Recently, a few films have been released with multiple layers that require mental acuity and stamina to make it through a labyrinth (“Tenet,” “I’m Thinking of Ending Things”). This might be a head-scratcher for some, but I embraced its unexpected daffiness.

I’ll take original any day over safe and same old thing. 

“Kajillionaire” is a comedy written and directed by Miranda July starring Debra Winger, Richard Jenkins, Evan Rachel Wood and Gina Rodriguez. Run-time is 1 hr 46 min. and it’s rated R for for some sexual references/language . Lynn’s Grade: B+