By Lynn Venhaus
In “The Rivals of Amziah King,” bluegrass, beekeeping and backwoods buddies keep this folksy fable brimming with surprises – with its twisty story, distinctive characters and strong sense of community.

In his first film in six years, Matthew McConaughey charms effortlessly as the title character. Convincing with his warm smile, deep drawl, and caring demeanor, Amziah is obviously beloved in this weathered patch of Oklahoma. A proponent of hospitality, potlucks and jam sessions, he dispenses poetic wisdom, surrounded by a fiercely loyal crew of eccentrics, misfits and lost souls.

Through superb cinematic storytelling, writer-director Andrew Patterson, whose impressive debut 2020 film “The Vast of Night” was an engrossing sci-fi thriller, has crafted a lived-in world that ebbs and flows with an entrancing Southern rhythm.

With its layered natural look, the cinematography by M.I. Littin-Menz and editing by Patrick J. Smith distinguish this film.

Owen Teague and Matthew McConaughey playing bluegrass.

Yes, it meanders, sprawling in a messy way, but it’s never not true to its roots. The message of integrity, tenacity and shared values strikes a chord in a fascinating found-family tale. Patterson’s on-the-nose metaphors are meaningful – the beehives are as captivating as communities as King’s devoted ragtag inner circle.

The homespun story unfolds in an unhurried fashion and is rich in noteworthy details. An unorthodox river heist is a marvel of ingenuity and determination while King’s tasty tour of dishes at a potluck, revealing the cook behind each recipe, is authentic in its ‘truth or a lie” sage advice.

Of the film’s many highlights, the breakout performance by Angelina LookingGlass as Kateri, who once stayed with Amziah and his wife Glenda when they were foster parents, is a heart-tugger. After Glenda died, Amziah was no longer able to foster youths and Kateri went back to her biological mother. They meet again, and it is kismet. He takes her under his wing as an apprentice, and she’s an unswerving protégé, with an interesting mystical side, too.

Other supporting characters are memorable. Jake Horowitz is street-smart and resourceful fixer Remmick, Scott Shepherd is mush-mouthed eccentric Chimmy, Cole Sprouse is fast-food worker Oat with super-sleuth skills, and Bruce Davis is savvy state investigator Sunderland. 

Kurt Russell as Dob McCoy.

In a brief but pivotal role, Kurt Russell is Dob McCoy, a slick powerful agricultural bigwig who oozes good ol’ boy charm.

Playing music are Rob Morgan as right-hand legal counsel Rippy; Owen Teague as rugged former Marine and fiddle player Pirate; and Tony Revolori as newcomer Colmar, among others.

The toe-tapping music soundtrack is sublime, with songs written by Erick Alexander and produced by T Bone Burnett. The joyous “Quill,” sung during a kitchen jam session with Ben Hardesty, is a standout.

While one can quibble with its thick aw-shucks characters that could lean towards cartoonish if they weren’t so genuine, what Patterson has created has a deeper emotional connection. His use of roots music to tell a tale about roots among people and towns is deftly delivered.

Amziah King demonstrates to Kateri how the hive reacts to the queen bee.

King says “Ain’t no one all bad or all good” and that’s the approach Patterson took writing these colorful characters. It gets a tad unsavory in the final third, as a revenge crime drama takes over.

McConaughey, the charismatic Oscar winner in his first big-screen role since “The Gentlemen” in 2019, is as magnetic as ever. (OK, he did “The Lost Bus” in 2025, but that was a streaming release, and his voice work in the “Sing” movies doesn’t count). The movie is reminiscent of his 2012 “Mud” – about a tight-knit community in rural Arkansas, and has a crowd-pleasing quality, like “The Peanut Butter Falcon” did in 2019.

McConaughey has a sweet, earthy chemistry with LookingGlass, and she lights up the screen when called upon to help save the business.

“The Rivals of Amziah King,” which premiered at the 2025 SXSW Film Festival, has all the makings of a summer sleeper hit, in the same way that “Hell or High Water” became a big August surprise in 2016. At a recent Saturday matinee, the theater was packed with senior moviegoers, which was sweet music to my ears, much like this film.

“The Rivals of Amziah King” is a neo-western crime drama written and directed by Andrew Patterson and starring Matthew McConaughey, Angelina LookingGlass, Owen Teague, Jake Horowitz, Tony Revelori, Scott Shepherd and Kurt Russell. It is rated R for language and some grisly images and the run time is 2 hours 10 minutes. It opened in limited release Aug. 14 and will be released wide on Aug. 21. Lynn’s Grade: A-.

By Lynn Venhaus
Attorney Bryan Stevenson’s own account of the Walter McMillian case, as recorded in the 2014 bestselling nonfiction book “Just Mercy: A Tale of Justice and Redemption,” is faithfully adapted on screen by writer-director Destin Daniel Cretton.

After earning a law degree from Harvard, Bryan Stevenson (Michael B. Jordan) sets up shop in Alabama, focusing on defending wrongly condemned Death Row inmates, and finding out many were not afforded proper representation.

McMillian (Jamie Foxx) is one of his first cases. He is sentenced to die in 1987 for the murder of an 18-year-old girl. Evidence overwhelmingly proves his innocence, but it’s an uphill battle because of racism and legal and political maneuvering.

While the film is basically a legal procedural, it pushes buttons – frustration, anger and a clear indication that justice is sometimes only for those who can afford a good lawyer.

Cretton, along with screenwriter Andrew Lantham, depicts the harsh reality of dealing with black-and-white issues in the deep South (and beyond) as it methodically details the ‘cover your ass’ local good-old-boy police and legal system.

What elevates this film, however, is the acting. With the customary outstanding portrayals one expects from Michael B. Jordan and Oscar winner Jamie Foxx, we are presented with the ‘so-what’ obstacles that have led real-life hero Stevenson to overturn convictions of dozens of innocent people.

The McMillian case, detailed on “60 Minutes,” is so obvious in its railroading of an innocent man that the struggles seem more outrageous as the film weaves its matter-of-fact account with all the subtlety of a freight train collision.

The supporting cast also excels in bringing clearly defined characters to life – especially Rob Morgan and O’Shea Jackson Jr. as Death Row inmates Herbert Richardson and Anthony Ray Hinton. Brie Larson, so good in Cretton’s film “Short Term 12,” conveys activist Eve Ansley’s plight as a Southern wife and mother.

Versatile character actor Tim Blake Nelson delivers one of his finest performances as a key witness, Ralph Myers, whose original testimony helped put McMillian in prison.

Stevenson’s work, through his Equal Justice Institute, shows how badly the criminal justice system is broken – more criminal than just – and the filmmakers have done a public service by bringing it to our attention.

“Just Mercy” won the Audience Award at the St. Louis International Film Festival in November. It’s easy to see why it strikes a chord with anyone who believes in truth and justice.

This image released by Warner Bros Pictures shows Michael B. Jordan, left, and Rob Morgan in a scene from “Just Mercy.” (Jake Netter/Warner Bros. Pictures via AP)

Genre: Drama, True Story
Director: Destin Daniel Cretton
Starring: Michael B. Jordan, Jamie Foxx, Brie Larson, Tim Blake Nelson, O’Shea Jackson Jr.
Rated: Rated PG-13 for thematic content including some racial epithets.
Lynn’s Grade: B+

A version of this review was originally published in the Times newspapers.