The Sheldon is thrilled to welcome two-time Tony Award-winner and St. Louis native Norbert Leo Butz, Friday, September 29 at 7:30 p.m. for a special Notes From Home performance in the perfect acoustics of The Sheldon. Butz will celebrate the launch of his latest album, King of Hearts. Devon Cahill joins as a special guest. General admission tickets are $35 and on sale now through MetroTix at 314.534.1111 or at TheSheldon.org.  


“I feel extremely fortunate and grateful for the opportunity to open for the amazing Norbert Leo Butz’s hometown album release show,” says Devon Cahill. “He and I have so much of the same musical taste and have been working together whenever we get the chance for the past 10 years. His new album sounds so good and I’m honored to kick off the show with my original indie folk tunes. My band will include some special guests, and you can expect some fun collaborations throughout the evening! This will be a lovely celebration of music, and a night to remember.”

Born and raised in St. Louis, Norbert Leo Butz’s love of theater began at an early age. His Broadway credits span a number of iconic and award-winning productions including Wicked, where he originated the role of Fiero, as well as Big Fish, The Last Five Years and My Fair Lady. He won two Tony Awards for Best Performance by a Leading Actor in a Musical — one for his performance in Dirty Rotten Scoundrels and the second for Catch Me if You Can. Butz’s television credits include roles in BloodlineMercy StreetFosse/Verdon and many others. King of Hearts is his fourth solo album.

Devon Cahill made her professional debut at age 6 in a three-month run of The Sound of Music. In 2012, she shifted gears from musical theatre and formed the indie folk band Letter to Memphis, which quickly became a local favorite, playing at venues and major cultural events throughout St. Louis and winning Best Folk Band from the Riverfront Times two years in a row. In 2017, she ventured out as a solo artist, and debuted her first solo EP, entitled When I Wake, in October 2018. Her rootsy songwriting style is a hybrid of Americana, indie and folk music. When not performing solo, Cahill leads a band with David Newmann, Simon Chervitz, Dave Anson and special guests. 

Devon Cahill

Line-Up Includes Rising Stars and Returning Favorites, Plus New Partnership with St. Louis Symphony – 

ST. LOUIS, MO – New subscription tickets for The Sheldon’s exciting 2023-2024 concert season go on sale Tuesday, May 16 at 10 a.m. through The Sheldon at 314-533-9900 or at TheSheldon.orgConcert packages start at $85 and offer an eclectic mix of artists and genres set in the acoustically-perfect and intimate Sheldon Concert Hall.  Signature series including The Sheldon Rhythm & Jazz, Sheldon Folk, Coffee Concerts and the Whitaker World Music Concerts return, along with an expanded classical music series – St. Louis Symphony Orchestra (SLSO): Live at The Sheldon – debuting in partnership with the SLSO.  

Highlights for the season include modern jazz great Christian McBride and Inside Straight featuring St. Louis favorite, Peter Martin; alt-country originators The Jayhawks; mandolin wizard Sam Bush; dynamic Afro-Cuban percussionist Pedrito Martinez; bluegrass and world music superstars Béla Fleck, Zakir Hussain, Edgar Meyer and Rakesh Chaurasia; Eliades Ochoa, an original member of the famed Buena Vista Social Club; rising bluegrass star Sierra Hull; and many more. The series also showcases local favorites including jazz vocalist Denise Thimes, swing band Sweetie and the Toothaches anda Christmas concert withsaxophonist Kendrick Smith. 

Bela Fleck

The Friends of The Sheldon fall benefit will see the return of Grammy-winning roots artist Rhiannon Giddens, 2023 Pulitzer Prize winner, co-founder of the Carolina Chocolate Drops and McArthur Genius Grant recipient.

The Sheldon is also pleased to announce an expanded classical music series in partnership with the St. Louis Symphony Orchestra. Curated and performed by SLSO musicians, the St. Louis Symphony Orchestra: Live at The Sheldon series will give classical music fans a rare chance to see their favorite SLSO musicians in an intimate setting, performing new and beloved chamber works in The Sheldon’s perfect acoustics.  

Sheldon Rhythm & Jazz series tickets are $180 orchestra / $164 balcony; Sheldon Folk series tickets are $210 orchestra /  

$190 balcony; St. Louis Symphony: Live at The Sheldon series tickets are $175 orchestra/$153.75 balcony 1 / $132.50 balcony 2, and Coffee Concerts are $85 orchestra / $70 balcony.  

Single tickets go on sale Friday, August 4 at 10 a.m. through MetroTix at 314-534-1111 or at TheSheldon.org.     

SHELDON RHYTHM & JAZZ 


Subscription Price: $180 orchestra/$164 balcony (Best Value!) 

Pedrito Martinez                                                                                                             Saturday, October 14, 2023 at 8 p.m. 

$50 orchestra / $45 balcony 1 / $40 balcony 2 / $15 student 

Brad Mehldau Trio                                                                                                          Wednesday, November 15, 2023 at 8 p.m. 

$50 orchestra / $45 balcony 1 / $40 balcony 2 / $15 student  

John Pizzarelli and Catherine Russell                                                                      Saturday, February 24, 2024 at 8 p.m. 

Two Legendary Singers Share the Stage 

$50 orchestra / $45 balcony 1 / $40 balcony 2 / $15 student 

Christian McBride and Inside Straight                                                                     Friday, May 24, 2024 at 8 p.m. 

$50 orchestra / $45 balcony 1 / $40 balcony 2 / $15 student 

Rhythm & Jazz is sponsored by Steward Family Foundation  |  Welcomed by 88.7 The Sound 

SHELDON FOLK 

Subscription Price: $210 orchestra/$190 balcony (Best Value!)

The Black Opry Revue                                                                                                   Friday, October 6, 2023 at 8 p.m.
 

$45 orchestra / $40 balcony 1 / $35 balcony 2  

Hasta La Muerte: A Day Of The Dead Show by Las Cafeteras                       Wednesday, November 8, 2023 at 8 p.m. 

$45 orchestra / $40 balcony 1 / $35 balcony 2 

Sam Bush Band                                                                                                                 Friday, February 9, 2024 at 8 p.m. 

$50 orchestra / $45 balcony 1 / $40 balcony 2  

Sierra Hull                                                                                                                          Thursday, March 21, 2024 at 8 p.m. 

$45 orchestra / $40 balcony 1 / $35 balcony 2 

The Jayhawks                                                                                                                    Friday, April 19, 2024 at 8 p.m. 

$50 orchestra / $45 balcony 1 / $40 balcony 2 

WHITAKER WORLD MUSIC CONCERTS 

Béla Fleck, Zakir Hussain, Edgar Meyer and Rakesh Chaurasia                    Friday, November 3, 2023 at 8 p.m. 

$55 orchestra / $50 balcony 1 / $45 balcony 2 / $15 student 

Eliades Ochoa                                                                                                                    Saturday, March 9, 2024 at 8 p.m. 

$45 orchestra / $40 balcony 1 / $35 balcony 2 / $15 student 

Oumou Sangaré                                                                                                               Saturday, April 13, 2024 at 8 p.m. 

 $45 orchestra / $40 balcony 1 / $35 balcony 2 / $15 student 

Made possible by the W H I T A K E R F O U N D A T I O N

St Louis Symphony Orchestra

St. Louis Symphony Orchestra: Live at The Sheldon 

Subscription Price: $175 orchestra/$153.75 balcony 1/$132.50 balcony 2 (Best Value!) 


Valerie Coleman and Louis Spohr: Winds with Strings
                            Wednesday, October 25, 2023 at 7:30 p.m.  

$41 orchestra / $36 balcony 1 / $31 balcony 2 / $10 student 

Schubert, Jessie Montgomery, Christian Quiñones: Strings                    Wednesday, December 6, 2023 at 7:30 p.m.  

 $41 orchestra / $36 balcony 1 / $31 balcony 2 / $10 student 

Ravel and Dvořák: Strings with Piano                                                    Wednesday, February 7, 2024 at 7:30 p.m

$41 orchestra / $36 balcony 1 / $31 balcony 2 / $10 student 

Stravinsky, Martinů, and Shannon Wood: Percussion Spotlight              Wednesday, March 6, 2024 at 7:30 p.m

 $41 orchestra / $36 balcony 1 / $31 balcony 2 / $10 student 

Beethoven and Hindemith: Horns with Strings                                      Sunday, April  7, 2024 at 3 p.m. 

 $41 orchestra / $36 balcony 1 / $31 balcony 2 / $10 student 

Sheldon Classics is sponsored by the Sinquefield Charitable Foundation  |  Welcomed by Classic 107.3 

COFFEE CONCERTS 

Subscription Price: $85 orchestra/$70 balcony (Tuesday mornings only) (Best Value!)  

Denise Thimes                                                                                                                  Tues. & Wed., October 10 & 11, 2023 

$23 orchestra / $20 balcony 

Christmas with Kendrick Smith                                                                                  Tues. & Wed., December 12 & 13, 2023 

$23 orchestra / $20 balcony 

Eleanor & Dario:                                                                                                               Tues. & Wed., February 20 & 21, 2024 

A Trip Around the World  

$23 orchestra / $20 balcony 

Steve Neale & Ben Nordstrom: We’re Not Cool                                                 Tues.** & Wed., March 12 & 13, 2024 

$23 orchestra / $20 balcony  

Sweetie and The Toothaches                                                                                      Tues.** & Wed., April 16 & 17, 2024 

$23 orchestra / $20 balcony 

SPECIAL CONCERTS 

Friends of The Sheldon benefit featuring
Rhiannon Giddens                                                                                                          Thursday, September 14, 2023 at 8 p.m. 

Patron tickets: $175 Patron   Concert-only tickets: $66 orchestra / $56 balcony 1 / $46 balcony 2 

All prices include a $1 per ticket historic preservation fee. 

By Lynn Venhaus
As frothy as a cappuccino and sweet as cotton candy, “Joseph and the Amazing Technicolor Dreamcoat” took hold of The Muny stage as a swirling kaleidoscope of color, a glittery burst of cheer from a youthful ensemble that brings it home.

In the first full season after the challenging post-pandemic years 2020-2021, The Muny wraps up a groundbreaking summer with this beloved big, splashy musical that has been here six times. Last produced in 2012, the show first arrived in 1986 and returned in 1997, 2002 and 2007.

With its technical razzle-dazzle matched by the effervescent Muny Kids and Teens in the youth ensemble and children’s choir, the entire company looked like they were at the happiest place on earth.

That engaged the crowd, and the charismatic principals Jason Gotay as golden child Joseph, Jessica Vosk as the regal Narrator, and Mykal Kilgore as the swaggering Pharoah elevated the wispy material, delivering knock-out performances.

Narrator and Potiphar. Photo by Phillip Hamer.

However, the show is not without heartache and adversity – with a turnaround because of strength, perseverance, and blessings, for it is based on the Old Testament Book of Genesis tale of Jacob, his favorite son Joseph, his 11 other sons, and that famous coat of many colors.  

After Joseph’s jealous brothers sell him into slavery, he impresses the Egyptian noble Potiphar, but then rejects his wife’s amorous advances, and is thrown in jail. While locked up, Joseph’s talent for interpreting dreams is put to good use. He ingratiates himself with the Pharoah because he offers a solution to the country’s famine, and that stroke of fortune results in Joseph becoming the Pharoah’s right-hand man. He is eventually reunited with his family.

In the stylized re-imagining by composer Andrew Lloyd Webber and lyricist Tim Rice, the story is told through song and dance.

Considered innovative in the 1970s, the musical comedy has expanded over time, and is now regarded as a family-friendly favorite staged by thousands of schools and groups in the U.S. and across the pond. 

The EGOT duo began this journey collaborating for the second time in 1968. Commissioned by a music teacher who was a family friend of Webber’s, their 15-minute pop cantata was performed at the Colet Court School in London. After more tinkering, it was recorded by Decca Records in 1969.

When their next piece, the rock opera “Jesus Christ Superstar,” skyrocketed them to fame in 1971, the earlier musical was stretched to 35 minutes for the Edinburgh International Festival the next year. More modifications followed, and the modern format was staged in 1974. It was mounted on Broadway in 1982 and nominated for seven Tony Awards. Revivals, tours and a 1999 direct-to-video film starred Donny Osmond followed.

Like the other pop Biblical musical of that era, Stephen Schwartz’s “Godspell,” it is re-interpreted for every presentation. Consider this the theme park ride version, with the youngsters displaying as much energy as those attending summer cheerleading camps.

Photo by Phillip Hamer.

It’s a swell dance party, briskly performed in several celebratory scenes and elaborate pastiches – including countrified “One More Angel in Heaven/Hoedown,” the French-inspired lament “Those Canaan Days,” island-flavored “Benjamin Calypso” and the grandmaster flashy finale “Megamix.”

The pleasant pop-py tunes “Any Dream Will Do” and “Go, Go, Go Joseph.” are certain to be hummable on your way home.

Music director Charlie Alterman, who won last year’s St Louis Theater Circle Award for “Chicago,” is adept at lively shows with many moving parts and his orchestras are a treat to listen to — and he’s aware of the Muny’s pit challenges this season.

Of course, a show directed and choreographed by Josh Rhodes would seize the day. Rhodes, who is known for his athletic and acrobatic dances, returns after successes helming “Jersey Boys,” “Paint Your Wagon” and that stunning tap number to “Putting on the Ritz” in 2016’s “Young Frankenstein.”

This is a show that requires a special set of skills, and Rhodes’ crisp and snappy choreography is flat-out fun. He was aided by associate choreographer Lee Wilkins and dance captain Emilie Renier.

In its last national tour in 2014, the ingenious three-time Tony Award winner Andy Blankenbuehler directed and choreographed a fresh interpretation that ran at the Fox Theatre that spring. That show featured American Idol finalist Ace Young as Joseph and his wife, fellow finalist Diana DeGarmo, as the Narrator.

The role of Joseph is often filled by a pop star – and teen heartthrobs David Cassidy, Andy Gibb and Donny Osmond have played the lead before. (And first American Idol runner-up Justin Guarini, who has played various roles at the Muny, was Joseph in 2012.)

At the Muny, Jason Gotay has won over hearts as a charming leading man, appearing as Prince Eric in “The Little Mermaid,” Prince Topher in “Rodgers + Hammerstein’s Cinderella” and as Jack in “Into the Woods.”

His strong velvety vocals emphasize he is no lightweight, heart-tugging in “Close Every Door.”  He commands the stage confidently, capably leading the large cast in the group numbers.

Mykal Kilgore as the Pharoah. Photo by Phillip Hamer.

However, the showstopper in this production is Mykal Kilgore.

One of my favorites since I saw him at the Muny Magic concert at the Sheldon in 2017, the affable Kilgore slays as the megawatt Pharoah. It’s as if James Brown and Little Richard had a baby.

 In a departure from the previous Elvis-like personas, Kilgore reaches back to his R&B roots for “Song of the King,” bringing the house down. The Pharoah’s stage time is brief, but his impact is mighty.

Jessica Vosk makes her Muny debut, playing a hands-on narrator who just doesn’t just observe the action from the sidelines, but propels it along. Here, she is a surrogate mother hen to the youngsters as she tells the tale.

Vosk has the powerful pipes to fill an arena and is well-suited for this grand production. She has played the role before, in the 50th anniversary show at the Lincoln Center, and is remarkably assured while the action bubbles up around her.

Other noteworthy debuts are multi-hyphenate Eric Jordan Young in the dual role of well-meaning Jacob and flamboyant Potiphar, and Darron Hayes as playful Judah, who takes the lead in “Benjamin Calypso.”

The adult choir is chock-full of Muny regulars, and some familiar castmates are playing brothers. Dynamic Harris Milgrim, a standout as Benjamin in last year’s “Seven Brides for Seven Brothers,” is again as Reuben in “One More Angel.”

Sean Ewing, in his third season at the Muny, is second son Simeon, amusing in “Old Canaan Days.”

Not all the hijinks work, for the mashups often are silly, and the gaudy pageantry can easily slide into trivial frivolity, but that’s the problem with the show itself. As the years ago on, they keep gilding the lily, adding more to an already over-the-top show. But it remains a huge crowd-pleaser.

And the joyous look on those kids’ faces on stage said it all. (I counted 40 in the youth ensemble and 14 in the children’s choir, in addition to the 19 in ensemble, not to mention principals.)

Photo by Phillip Hamer.

Edward E. Haynes Jr., the award-winning scenic designer for “Smokey Joe’s Café” last year, combines glitz, a Skittles rainbow of bold colors, and Egyptian symbols for the second act, in a whimsical set reminiscent of Tim Burton and the Marvel superheroes’ cinematic universe.

In a stunning backdrop, he references King Tutankhamen’s gold headdress in a giant piece anchoring a fancy staircase with neon piping..

Video designer Greg Emetaz is in sync with Haynes’ vision, and an extension of the gold-plated theme uniting the looks is on the LED screens.

Costume designer Leon Dobkowski references Vegas showgirls, exotic images and B.C. looks to create sparkly outfits and a sunny vibe. His elaborate headdresses are something special to see. The different gold fabrics stand out in garments, and kudos to wig designer Kelly Jordan for the Pharoah’s massive ‘do.

Jason Lyons’ lighting design capitalizes on the wonder and magical parts, and smartly ascertains between the dreamy sequences and the dark times.

It’s fitting that The Muny focused on home, family, relying on each other and connection for the last show of the 104th season, particularly after what they endured from mid-June to now with the double-whammy of back-to-back floods, extreme heat – even by St. Louis standards (oh you layered Edwardian Londoners in “Mary Poppins”!), and a new strain of COVID-19 on the rise in the region (but thanks to understudies and swings, the shows went on).

In his annual farewell address, Mike Isaacson, executive producer and artistic director since 2011, joked that the season was ‘biblical,’ and who could argue?

Known for its fizzy fun, “Joseph” delivered a spectacle to end the season on a high-spirited note.

If you think of the Muny in terms of a summer vacation, “Chicago” was nightlife fun, “Camelot” was a Renaissance Faire, “Mary Poppins” was a trip to the Magic House, “Legally Blonde” was a class reunion, “Sweeney Todd” was visiting the Louvre, “The Color Purple” was the Smithsonian and “Joseph and the Amazing Technicolor Dreamcoat” was a trip to Disneyland.

Until we meet again under the stars in Forest Park, here’s raising a glass to a summer tradition that I am grateful for, and will never ever take for granted.

Cast of ‘Joseph.’ Photo by Phillip Hamer.

The Muny presents the musical “Joseph and The Amazing Technicolor Dreamcoat” Aug.13-18 at 8:15 pm. Performances take place on the outdoor stage in Forest Park. For more information, visit www. muny.org.

Eric Jordan Young. Photo by Phillip Hamer.

By Lynn Venhaus Managing EditorGreetings! Spring has sprung after a miserable, dreary winter of 24 inches of snow and long stretches of gray days. We bring to you a long catch-up column, a winter wrap-up with lots o’ news about our wonderful theater talents in our metro area. It’s always sunny when we’re talking bright lights.

AWARDS SEASON: Spring means theater awards in St. Louis! For regional professional theater, the seventh annual St. Louis Theater Circle Awards will be presented on Monday, March 25, at the Loretto-Hilton Center on the campus of Webster University.

For general admission tickets ($15), visit: www.brownpapertickets.com You
can purchase tickets the night of the ceremony by cash or check. Our Circle
Facebook page is updated with information. We are not having pre-festivities
food, but Llewyn’s Catering will have drinks, desserts and snack boxes
available throughout the night.

If you missed who’s nominated, here is our Limelight link: https://stllimelight.com/2019/01/25/evita-streetcar-lead-st-louis-theater-circle-nominations/

See you at Theater Prom Monday!

For local community theater, Arts For Life will present the fourth annual Theatre Mask Awards, honoring comedies and dramas, on Saturday, April 6, at a.m. at The Atrium Banquet Center, Paul F. Detrick Building, on the campus of Christian Hospital, beginning at 10:30 a.m. Doors open at 10 a.m. Radio personality Vic Porcelli is the host.

A brunch buffet is served and awards in 18 categories are given out. Tables of 8 are available, and you can select what theater group or person you want to sit with – just tell afltrg@artsforlife.org or mark it at checkout. Tickets are $25 and must be purchased by March 22. Visit www.artsforlife.org.

For a Power Point Presentation of the TMA Nominations, here
is the link: http://nebula.wsimg.com/60b66319ddb8e5ebbac7b8ba7019e6dd?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1

AFL will present the 20th annual Best Performance Awards, for musicals, on Sunday, June 9, at 2 p.m. at the Skip Viragh Center for the Performing Arts, 425 Lindbergh Blvd. (Chaminade). Actor Ryan Cooper is the emcee.

From a pool of 1,302 community theater artists, 48 shows
produced by 26 community theater groups in the Metro-St. Louis area have been
reviewed for consideration for this year’s Best Performance Awards. Trophies
will be awarded in 33 categories.

The event will include performances from the 13 musicals
nominated in the three Best Musical Production categories and a special
presentation to Lifetime Achievement Award winner. Formal attire is
requested. 

All tickets are reserved seating. Group seating will not be
guaranteed on orders received after May 10. All ticket orders will be held at
the box office unless a self-addressed stamped envelope is included with ticket
order. Please let us know if you require any special needs.

Early Bird Tickets are $20 and available until May 10, and
regular tickets are $25 ($26/credit card at the door).
A special rate of $40 for a combined BPA/TMA ticket for both, which is $10 off,
is available until March 22.  Visit the
website for more information, www.artsforlife.org.

For a PDF of the BPA Nominations, here is the link: http://nebula.wsimg.com/b255dc30a55d222d652ab689930da965?AccessKeyId=901C1079C3BABD637603&disposition=0&alloworigin=1 *** ARTS LIVES: This year’s AFL Lifetime Achievements Awards are being bestowed on Joseph Paule Sr. at the Best Performance Awards June and Alton Little Theatre’s Kevin Frakes at the Theatre Mask Awards April 6.

Kevin Frakes

Frakes, current president of the Alton Little Theatre, will
be honored for his lifelong devotion and involvement in community theater, and
for helping with ALT’s growth and expansion. He began 40 years ago and has
directed and/or acted in more than 100 shows.

Joseph Paule Sr. has been involved with several community theater groups over the years, including Christ Memorial Productions and Hawthorne Players.

Caroline Santiago Turner

*** YOUTH PHENOMS: Special Awards recognition is going to two talented teens this year at AFL’s Best Performance Awards. Sean Harvey will receive Best Youth Featured Dancer for his fleet footwork as Bobby in “Crazy for You” produced by the Gateway Center for the Performing Arts and Caroline Santiago Turner will receive Best Youth Musical Performance for her exquisite vocals as Violet in “Violet,” also produced by the Gateway Center for the Performing Arts.

These awards are not giving annually, only when the Theatre
Recognition Guild judges deem performances so outstanding that they deserve
special recognition.

Sean Harvey in “Crazy for You”

Sean, who graduated from high school in Wentzville last
year, studies musical theatre at Chicago College of Performing Arts. Caroline,
who graduated from Visitation Academy in 2018, is working on her BFA in musical
theater at Indiana University.

They will be in good company. Past youth winners Zach Erhardt, Troyer Coultas and Yvette Lu toured nationally in ‘The Book of Mormon,” “The Wizard of Oz” and “Hamilton” respectively last year.

***BROADWAY BUZZ: The Tony Awards are Sunday, June, at 7 p.m. on CBS, and nominations will be announced on April 30. The local folks involved in producing the original musical “The Prom” are hoping for good news that day. The original musical comedy was among the best reviewed shows in 2018, after opening Nov. 15 on Broadway.  

The PromThe show has multiple local connections – Centralia, Ill., native Chad Beguelin is the co-book writer, with Bob Martin (co-creator of “The Drowsy Chaperone”) and lyricist, with music by Matthew Sklar. A number of cast members have performed at The Muny: St. Louisans Drew Reddington and Jack Sippel, and stars Beth Leavel and Christopher Sieber.

Some local producers include Jack Lane, executive director of Stages St. Louis; Ken and Nancy Kranzberg, Patty Gregory of Belleville, Terry Schnuck, Andrew S. Kuhlman of St. Louis and Fairview Heights native Joe Grandy.

Casey Nicholaw, Tony winner for “The Book of Mormon,”
directed and choreographed the show.

“The Prom” is about a canceled high school dance – a
student is barred from bringing her girlfriend to the prom — and four fading
Broadway stars who seize the opportunity to fight for justice — and a piece of
the spotlight.

As one of four musical acts in the 92nd annual Macy’s
Thanksgiving Day Parade, they made parade history with the first same-sex kiss
televised live.

Here is that performance: https://youtu.be/VDZDLJjzJBI

And the cast also performed live on “Late Night with Seth
Meyers.”

***VIVE LA VISIONARIES: More local arts awards for women! The St. Louis Visionary Awards will honor established working arts professionals, arts educators, emerging artists and community impact artists on Monday, April 22, at 6 p.m. at the Sun Theatre.

The Saint Louis Visionary Awards celebrates the numerous
contributions and achievements of women who work in or support the arts in the
greater St. Louis region. The awards are presented by an independent committee
of women dedicated to promoting the arts here.

Brava! To the 2019 Saint Louis Visionary Awards honorees, who  are, from left: Standing: Carmen Dence; Susan Barrett; Kathie Winter; and Kari Ely. Seated: Brea McAnally; Jacqueline Thompson. Photo by Diane Anderson ***COMMUNITY RECOGNITION: Congratulations to the Alton Little Theater will receive a prestigious national award for excellence in innovation, dedication to community and organizational development ensuring the future of live theater. The Twink Lynch Organizational Development Award will be presented to Kevin Frakes and Lee Cox at the AACT  (American Association of Community Theaters) National Convention in Gettysburg, Pa.,  in June.

A Raisin in the Sun

The Hawthorne Players give out “Duckies” at the year’s end, as voted on by the members and season ticket holders. The awards are named after the late veteran Hawthorne actress and director, Duckie DeMere. “A Raisin in the Sun” was the most lauded production, with , including Best Show, Best Director (Nancy Crouse), Best Actor (Erick Lindsey), Best Actress (Kimmie Kidd-Booker), Best Supporting Actor (Moses Weathers), Best Cameo Actress (Rhonda Cropp), Best Set Design (Nancy Crouse) and a Special Award (Archie Coleman).Elizabeth Breed Penny won Best Supporting Actress, for her role as Pauline in “Legally Blonde” and John Robertson won Best Cameo Actor in “The Fantasticks.” Eric Wennlund won two — Best Lighting and Best Sound for “The Fantasticks” Special Awards went to Connie Mulch of “The Fantasticks” and Michele Paladin, “Legally Blonde.”

*** NAME-DROPPING: Did you know the musical “Beautiful – The Carole King Musical” has a local connection? Producers are Paul Blake, former executive director at the Muny for 22 seasons, and Mike Bosner, Burroughs grad and Muny front office alum. The second national tour recently stopped at the Fox Theatre in St. Louis for a limited 5-day engagement. The musical celebrated its fifth season on Broadway in January. They tell me a movie is in the works! Here is my article ICYMI: https://stllimelight.com/2019/03/12/local-producers-found-beautiful-success-with-carole-king-musical/

There is another big-news local connection. Perhaps you’ve
heard about the college admissions scandal. Well, turns out Joe Buck’s daughter
is the roommate of Lori Laughlin’s daughter, the clueless and vapid video blogger
Olivia Jade, at University of Southern California. Ms. Buck is attending the
prestigious USC Film School. (Thanks, J.C. Corcoran for this tidbit).

Meadow Nguy

Meadow Nguy of O’Fallon, Ill., appeared in a new musical “Arrowhead” in concert at Feinstein’s/54 Below. The new Jackson Teeley and Sarah Galante work takes you inside the cozy and tuneful world of Arrowhead Café — from the heartache of love unrequited to the bliss of love that’s true, uncover all the ups, downs, and inevitable complications of modern love over a simple cup of coffee. The concert was directed by Dan Barron and music directed by Michael Pacifico, and featured a cast of 14.

Lisa Ramey, who performed at The Muny, Stages St. Louis and The Black Rep, was picked by John Legend for his team on Season 16 of “The Voice,” now finished with the Blind Auditions. Ramey currently lives in New York City and fronts a band called Superbad. She auditioned last year but did not get a chair turn, talked to the coaches about what she should do to improve, and returned this year.

Beau Willimon, third from left, speaks to the cast, while one of his mentors, director Wayne Salomon stands next to him. (Photo provided)Playwright Beau Willimon attended the preview night of his first Broadway play, “Farragut North,” which was produced at St. Louis Actors’ Studio last month. Willimon grew up in St. Louis and is a graduate of John Burroughs. He is most known for developing the American version of “House of Cards” for Netflix and was show runner for four years. His recent screenplay was the 2018 film “Mary, Queen of Scots.”

St. Louis’ sunny Jenna Fischer can now be seen with Ted Danson in a commercial for Smirnoff Vodka.

***

AND THEN THERE WERE 15: A harpist, juggler, dancers, acrobats, musicians and singers will be competing in Fox Performing Arts Charitable Foundation’s 9th Annual St. Louis Teen Talent Competition, which takes place Saturday, April 13, at the Fox Theatre in St. Louis. The public is invited to attend for free, but general admission tickets must be reserved at Metrotix.com or 314-534-1111. You can vote for the Audience Award.

The youths will have an opportunity to win scholarships and prizes. They were selected from a process that began with 140 acts auditioning in the preliminary round, and a semifinal round on March 9 that featured 45 acts who were then whittled down to the 15 finalists. More than 50 high schools, homeschoolers and performing arts schools were represented.

Congratulations to those who advanced — quite a lot of variety: Modern Dancers: Arielle Adams, Senior DessaRae Lampkins, Senior Brooke Reese, Senior De’Jai Walker, Senior Hazelwood Central High School. Musical Theatre Act: Kaley Bender, Sophomore, Nerinx Hall Nathaniel Mahone, Sophomore, Lafayette High School. Consecrated: pianist and drummer Emmanuel Morgan, Junior Thaddaeus Morgan, Sophomore Kirkwood High School.Expressions Academy of Dance: Emma Bilzing, Sophomore; Mackenzie Branson, Freshman; Kaele Kidwell, Senior; Ja’la Stancil, Sophomore Belleville East High School Ukulele/Vocalist/Sonwriter Afiya Faatuono, Sophomore McKinley Classical Leadership Academy Pop Vocalist Jameson Falconer, Sophomore Ladue Horton Watkins High School Modern Dancer Ashley Gardner, Junior Trinity Catholic High School Pop Vocalist Madelynn Gartland, Sophomore Kirkwood High School Partner Acrobatics K.O. Duo, Oliver Layher, Senior, Vianney High School Kyran Walton, Senior, Metro Academic and Classical High School Bharatnatyam Dancer Samanvita Kasthuri, Junior Parkway South High School Ballet Dancer Anne Oberman, Junior Cor Jesu Academy Juggler Sean Petric, Sophomore Oakville High School Harpist Mereya Riopedre, Junior MICDS Guitarist and Vocalist Joanna Serenko, Senior Kirkwood High School Musical Theatre Vocalist Troy Staten, Sophomore McCluer High School These talented teens are the entertainers of tomorrow.

For more information about the competition, visit: http://www.foxpacf.org/programs/teen-talent-competition/ for more information. ***SCHOLARSHIP OPPORTUNITY:  Since 2012, Arts For Life has awarded a scholarship to a student who is pursuing an education in the arts. The deadline for applicants is April 12. Applicant must be enrolled in an arts undergraduate program at an accredited college or university. Arts programs include, but are not exclusive to: performing arts (music, dance, theatre) and visual arts (painting, sculpture, architecture, film,photography, etc). Arts programs not defined as Fine Arts but related to the arts may be considered if superior work has been demonstrated in this area. Applicant must have participated in a Metro St. Louis community theater production or event in the past two years (1/1/2016-12/31/2018). Metro St. Louis defined as any location within 35 miles from Clayton. Here is the link: http://www.artsforlife.org/scholarship.html***

Taylor Louderman

THE POWER OF THEATRE: Tony Award nominee Taylor Louderman will host a one-night-only cabaret to celebrate performing arts education and support rural Missouri’s Ozark Actors Theatre.

It’s set for May 20 at 7:30 p.m. at the Sheldon Concert Hall.

Louderman, proud native of Bourbon, Mo., will take part in “The Power of Theatre,” bringing together the voices of some of St. Louis’s best performers as they share the power of theater education.

Currently starring on Broadway as Regina George in “Mean
Girls,” she is well-known on local stages. Her career began at Ozark Actors
Theater in 2001, when she played the title role of ‘Annie.”

Since then, she appeared on Broadway in “Bring It On: The
Musical” and “Kinky Boots,” as well as NBC’s “Peter Pan Live.” She spent
summers performing at the Muny, last seen in “Aida.” She voices the character
Blair on Nickelodeon’s “Sunny Day” and can be seen in “The Good Fight” and HBO’s
“High Maintenance.”

She likes to give back to the community where she started
and grateful to be a part of the OAT board.

Evening also includes silent and live auctions, and a special introduction by News 4’s Paige Hulsey.

All proceeds from this event will benefit Ozark Actors
Theatre’s education programming.

Tickets are available in person at the Fox Theatre box office without a handling fee. For more information: https://www.thesheldon.org/concert-detail.php?id=768

***

Wendy Renee Greenwood as war photographer in “Time Stands Still”GO SEE A PLAY POLL: Modern relationships are certainly complicated, aren’t they? But they sure make compelling dramas. We’re giving away two tickets to New Jewish Theatre’s upcoming production of “Time Stands Still” that runs March 28 – April 15. All you have to do is enter our drawing and select your favorite play on modern relationships for our poll (see below).

“Time Stands Still” revolves around Sarah, a photojournalist who has returned from covering the Iraq war after being injured by a roadside bomb, and her reporter boyfriend James who is swamped by guilt after having left Sarah alone in Iraq. The two are trying to find happiness in a world that seems to have gone crazy. Theirs is a partnership based on telling the toughest stories, and together, making a difference. But when their own story takes a sudden turn, the adventurous couple confronts the prospect of a more conventional life. Can they stay together amidst unspoken betrayals and conflicting ideals? Playwright Donald Margulies answers these questions, while leaving unanswered qualms regarding the way America deals with war and tragedy coverage.

Directed by Doug Finlayson, the cast includes Wendy Renee Greenwood as Sarah, Ben Nordstrom as James, Jerry Vogel as Robin and Eileen Engel as Mandy.

To enter our drawing, please send your email address and
phone number to Lynn Venhaus, lynnvenhaus@gmail.com, by Friday,
March 22, before 5 p.m., with your choice for your favorite contemporary play
on modern relationships.

What would yours be? Here’s our list from which to select:August: Osage County God of Carnage The Humans Proof Rabbit Hole Stop Kiss Venus in Fur

Thanks for entering. Our last drawing for tickets to “Avenue Q” at the Playhouse @Westport Playhouse was won by Jennelle Gilreath. *** BEST WISHES: Kelly Hummert, founder and artistic director of Rebel and Misfits Productions, has decided to move on to other projects, and will no longer be producing shows in St. Louis.

Kelly Hummert

We will miss seeing what innovative and immersive plays she
put her heart and soul into, and the outstanding ensembles she brought together
during the past three years.

Rebel and Misfits’ “The Realistic Joneses” and “Macbeth: Come Like Shadows” have been nominated for Best Ensemble in this year’s St. Louis Theater Circle Awards, and last year, both Andrew Michael Niemann and Jim Butz won acting awards for “Uncle Vanya: Valiantly Accepting Next Year’s Agony.”

Break a leg, Kelly! The best is yet to come!

*** AUTHOR! AUTHOR!: Don Miller, an expert on media literacy and a local playwright, actor and professor, wrote a reference book, “Coming of Age in Popular Culture: Teenagers, Adolescence, and the Art of Growing Up,” that is getting good reviews. He is being lauded for his thoughtful work and providing insight into popular culture.

“And the beat goes on! What a wonderful tribute to the
decades. A entertaining explanation of our influences of the decades that
brought back so many memories,” said bestselling author Wade Rouse.

“This text is a tremendous boost to the media literacy
education field at a time when both the media communicator as well as the media
consumer hold great sway on many platforms in our digital communications
environment and understanding these processes can help both be better. And, the
timing couldn’t be better to have this definitive, well researched and
well-documented textbook regarding an age-old relationship about teens and
their media,” said Jessica Z. Brown, founder of Gateway Media Literacy
Partners.

Miller documented the evolution of teens and media from the
1950s through 2010, this book examines the films, books, television shows, and
musical artists that impacted American culture and shaped the “coming of
age” experience for each generation.

He will speak to the Mid Rivers Ethical Society in July.

***

“The Lusty Month of May” from the movie “Camelot” 1967TRIVIA TIME-OUT: We flip seasons to spring! Yay! Happy Dance. What a cold, dreary, gray winter. Here are some questions about productions focused on a spring.

In “The Producers,” what is the name of the musical
that Max Bialistock and Leo Bloom are mounting?Who sings “The Lusty Month of May” on the
original cast recording of “Camelot”? In the movie?What original cast member won a Tony Award in
the musical “Spring Awakening”?What musical features the song “Younger Than
Springtime”?ANSWERS 1. “Springtime for Hitler” 2. Julie Andrews; Vanessa Redgrave (Guinnevere)3. John Gallagher Jr.4. “South Pacific”

***

Richard Beymer and Natalie Wood in “West Side Story”MOVIE MUSICAL MAKEOVER: “Angels in America” playwright Tony Kushner is writing the script for Steven Spielberg’s new version of “West Side Story,” which is expected to be released in 2020. The announced movie cast includes Ansel Elgort as Tony, Rachel Zegler as Maria, Tony Award nominee Ariana DeBose (Donna Summer) as Anita, Tony Award winner David Alvarez (Billy Elliot) as Bernardo, Josh Andres Rivera as Chino, Brian d’Arcy James as Sergeant Krupke and Corey Stoll as Lieutenant Schrank.

The sole returning cast member of the original is EGOT
winner Rita Moreno, who will play a new character, Valentina. She won an Oscar playing
Anita.

This will be Spielberg’s first musical. He had a casting
call for Latinx performers and received 30,000 submissions. Seventeen-year-old
high school newcomer Rachel Zegler won the part of Maria.

The 1961 landmark film is the most-award winning movie musical
of all-time, nominated for 11 Academy Awards and winning 10. With choreography
by Jerome Robbins, music by Leonard Bernstein and lyrics by Stephen Sondheim,
the movie adaptation was directed by Robert Wise (“The Sound of Music”) and
Robbins.

Fun Fact: Natalie Wood played Maria but her singing was
dubbed by Marni Nixon, who also subbed for Audrey Hepburn in “My Fair Lady.”

***

Jared Sanz-Agero

IN MEMORIAM: Friends, family and colleague are remembering the wonderful talent that Jared Sanz-Agero was. The actor died Feb. 19, from injuries suffered in a horrific automobile accident two weeks earlier, on Feb 5.

Twice-nominated for St. Louis Theater Circle Awards for “Stones
in My Pocket” and “The Liar,” he was a passionate presence on many regional
group’s stages. You might have chatted with him at the .Zack, working at the
bar and concessions. He attended Southwest Missouri State University.

Jared, 47, was traveling to Kansas City for a commercial
shoot when his 2004 Toyota Matrix slid off the ice-covered roadway. He was
taken to the Centerpoint Hospital ICU in Independence, Mo., according to the
police report.
Official cause of death was internal bleeding and loss of blood, and is being
investigated by his family, from what’s on the Go Fund Me page.

A memorial service is being planned for a later date. If
you would like to contribute to a Go Fund Me account set up by his brother
Gentry after the accident to help with his medical expenses, and now, costs
related to his death investigation, and services, here is the link to the Jared
Sanz-Agero Memorial Fund: https://www.gofundme.com/help-jared-heal-fund

***WORD: To quote Jonathan Larson, who wrote “Rent” and died on opening day from an aneurysm:

“It’s not how many years you live, but how you fulfill the time you spend here.”

Opera Theatre’s Artists-in-Training Program continues with the partnership of Bayer Fund

Opera Theatre of Saint Louis’ Monsanto Artists-in-Training Program, recognized as a flagship arts education program in the U.S. for more than 29 years, will be renamed the Bayer Fund Artists-in-Training Program in recognition of the company’s generous investment.

Since its inception in 1990, Monsanto Fund has provided support for the Artists-in-Training Program, with more than $500,000 in scholarships awarded to over 240 students. It has helped launch the careers of celebrated singers, including Julia Bullock, Jermaine Smith, and Derrell Acon.

Opera Theatre gratefully acknowledges Monsanto Fund for its visionary and steadfast investment in the Artists-in-Training Program and is honored to now partner with Bayer Fund, which has provided leadership support to continue this important work.

“Bayer Fund is honored to continue the many years of ongoing support for the Artists-inTraining Program,” said Al Mitchell, Bayer’s Vice President of Community Engagement. “This program has positively impacted the lives of a large number of St. Louis students, and we look forward to seeing this success continue.”

“We are so grateful for the support Monsanto Fund has provided over the past 29 years,” said Opera Theatre of Saint Louis General Director Andrew Jorgensen. “I look forward to continuing the work of identifying and nurturing rising artists in the St. Louis community in partnership with Bayer Fund.”

The Annual Spring Recital for Bayer Fund Artists-in-Training will be held on Sunday, April 14 at 3 p.m. at the Sheldon Concert Hall, 3648 Washington Boulevard. This event is the culmination program of a year’s study for these talented young singers, and approximately $12,000 in scholarships will be awarded based on their performances.

The 2019 Bayer Fund Artists-in-Training Program provides year-long college-level vocal training to 24 high school students from across the St. Louis region, as well as week-long master classes with major artists from across the country.

In the week leading up to the recital, these students will train with internationally renowned bass Morris Robinson. Morris Robinson is considered one of the most interesting and sought-after basses performing today. Mr. Robinson regularly appears at the Metropolitan Opera, where he is a graduate of the Lindemann Young Artist Program. He made his debut there in a production of Fidelio and has since appeared as Sarastro in Die Zauberflöte, Ferrando in Il Trovatore, the King in Aida, and in roles in Nabucco, Tannhäuser, Les Troyens, and Salome. He has also appeared at such prestigious venues as the San Francisco Opera, Lyric Opera of Chicago, and Teatro alla Scala, among others.

Established in 1990, Opera Theatre’s Bayer Fund Artists-in-Training Program sets out to identify, coach, and encourage talented students from high schools across the St. Louis area with weekly voice lessons by opera professionals at one of the four area universities.

The year-long program also offers master classes with visiting artists, awards more than $25,000 annually in scholarships, provides college tours of vocal programs from select universities and conservatories, and offers college guidance to high school graduates.

The Bayer Fund Artists-inTraining Program has been recognized by the President’s Committee for the Arts and the Humanities as one of ten model U.S. programs for at-risk youth. About Opera Theatre of Saint Louis Opera Theatre of Saint Louis is a spring festival featuring casts of the opera world’s most exciting singers accompanied by the acclaimed St. Louis Symphony Orchestra.

Each season, OTSL presents four inventive new productions in English during the months of May and June. In addition to presenting innovative interpretation of classics, OTSL is also committed to premiering new and relevant operas by prominent composers; since its inaugural season in 1976, 27 operas have premiered at Opera Theatre. Andrew Jorgensen began his tenure as general director in 2018, and James Robinson serves as artistic director.

Opera Theatre’s competitive young artist programs foster the next generation of emerging American singers; these programs have been a springboard for an exceptional number of extraordinary artists in launching international careers.

Opera Theatre of Saint Louis is funded in part by the Regional Arts Commission, Arts and Education Council, National Endowment for the Arts, and the Missouri Arts Council, with audience-building programs supported by The Wallace Foundation. Opera Theatre gratefully acknowledges Webster University for its sustaining partnership.

About Bayer Fund Bayer Fund is a nonprofit organization dedicated to strengthening the communities where Bayer customers and employees live and work by providing funding for food and nutrition, education and community development projects.