The Fabulous Fox Unveils Its ‘Magical’ 2025-2026 Broadway Season

The Fabulous Fox Unveils Its ‘Magical’ 2025-2026 Broadway Season

The Fabulous Fox is delighted to unveil its captivating 2025-2026 Broadway season, promising audiences an unforgettable journey through the magic of theatre. The 2025-2026 Broadway Subscription will feature the breathtaking, Tony Award® winning production of LIFE OF PI, a love story for the ages in THE NOTEBOOK, a spectacular revival of THE WIZ direct from Broadway, the groundbreaking new adaptation of THE OUTSIDERS, the soulful new musical from 17-time Grammy winner Alicia Keys, HELL’S KITCHEN, the triumphant return of THE PHANTOM OF THE OPERA, the spellbinding HARRY POTTER AND THE CURSED CHILD and the hysterical comedy of SPAMALOT. Broadway Extras include LES MISÉRABLES, A CHRISTMAS STORY THE MUSICAL, STOMP, BEETLEJUICE, MJ, and HADESTOWN.

LIFE OF PI | October 7-19, 2025

A theatrical event unlike anything else! Winner of three Tony Awards® and the Olivier Award for Best Play, the Broadway and West End sensation LIFE OF PI is “an exhilarating evening of theater” (The Wall Street Journal). Based on Yann Martel’s best-selling novel that sold more than 15 million copies and became a worldwide phenomenon, LIFE OF PI is an epic story of perseverance and hope that speaks to every generation and “gives new life to Broadway” (The Today Show). Told with jaw-dropping visuals, world-class puppetry and exquisite stagecraft, Lolita Chakrabarti’sstage adaptation of LIFE OF PI creates a breathtaking journey that will leave you filled with awe and joy.


THE NOTEBOOK | November 4-16, 2025

Based on the best-selling novel that inspired the iconic film, THE NOTEBOOK tells the story of Allie and Noah, both from different worlds, who share a lifetime of love despite the forces that threaten to pull them apart. “Full of butterfly-inducing highs and beautiful songs” (Entertainment Weekly), THE NOTEBOOK is a deeply moving portrait of the enduring power of love. Chris Jones of The Chicago Tribune says THE NOTEBOOK is “absolutely gorgeous, not to be missed,” and The New York Daily News calls it “a love story for the ages.” THE NOTEBOOK is directed by Michael Greif (Dear Evan Hansen, Next to Normal, Rent) and Schele Williams (The Wiz, Aida), and features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson, book by Bekah Brunstetter (NBC’s “This Is Us”), and choreography by Katie Spelman.

THE WIZ | November 25 – December 7, 2025

The Tony® Award-winning Best Musical that took the world by storm is back. THE WIZ returns “home” to stages across America in an all-new tour, direct from Broadway. The Baltimore Sun raves “Powerhouse performances. Stunning choreography. Visionary sets” and the Chicago Tribune proclaims THE WIZ is “An eye-popping and high-intensity revival!” This groundbreaking twist on The Wizard of Oz changed the face of Broadway—from its iconic score packed with soul, gospel, rock, and 70s funk to its stirring tale of Dorothy’s journey to find her place in a contemporary world. Everybody rejoice–this dynamite infusion of ballet, jazz, and modern pop brings a whole new groove to easing on down the road!

THE OUTSIDERS I January 7-18, 2026

The winner of the 2024 Tony Award® for Best Musical is THE OUTSIDERS. Adapted from S.E. Hinton’s seminal novel and Francis Ford Coppola’s iconic film, this thrilling new musical features a book by Adam Rapp with Justin Levine, music and lyrics by Jamestown Revival (Jonathan Clay & Zach Chance) and Justin Levine, music supervision, orchestration, and arrangements by Justin Levine, choreography by Rick Kuperman & Jeff Kuperman, and direction by Tony Award® winner Danya Taymor. Entertainment Weekly says, “It has the power to inspire an entire generation.” In Tulsa, Oklahoma, 1967, Ponyboy Curtis, his best friend Johnny Cade and their Greaser family of ‘outsiders’ battle with their affluent rivals, the Socs. THE OUTSIDERS navigates the complexities of self-discovery as the Greasers dream about who they want to become in a world that may never accept them. With a dynamic original score, THE OUTSIDERS is a story of friendship, family, belonging…and the realization that there is still “lots of good in the world.”

HELL’S KITCHEN | January 27 – February 8, 2026

Ali is a 17-year-old girl full of fire – searching for freedom, passion and her place in the world. How she finds them is a New York City coming-of-age story you’ve never felt before – HELL’S KITCHEN, a new musical from 17-time Grammy® Award winner Alicia Keys, whose new songs and greatest hits about growing up in NY inspire a story made for Broadway. Rebellious and stifled by an overprotective single mother, Ali is lost until she meets her mentor: a neighbor who opens her heart and mind to the power of the piano. Set to the rhythm of the 90s, HELL’S KITCHENis a love story between a mother and daughter. It’s about finding yourself, your purpose, and the community that lifts you. Come remember where dreams begin. Hailed as a New York Times Critic’s Pick that is, “thrilling from beginning to end – a rare must-see!” HELL’S KITCHEN is directed by four-time Tony Award® nominee Michael Greif, with choreography by four-time Tony Award® nominee Camille A. Brown, a book by Pulitzer Prize® finalist Kristoffer Diaz, and the music of Alicia Keys.

THE PHANTOM OF THE OPERA | February 18 – March 1, 2026

The Phantom is back to thrill audiences once again! Cameron Mackintosh presents a revitalized new production of Andrew Lloyd Webber’s legendary musical, THE PHANTOM OF THE OPERA, which was rapturously received by London critics when it reopened in 2021. Featuring Maria Björnson’s brilliant original design and based on the celebrated direction of Harold Prince, with musical staging and choreography by Gillian Lynne, PHANTOM triumphantly returns to St. Louis “more spectacular than ever!” (Sunday Express). THE PHANTOM OF THE OPERA is widely considered one of the most beautiful and spectacular productions in history, playing to over 160 million people in 47 territories and 195 cities in 21 languages. Andrew Lloyd Webber’s romantic, haunting, and soaring score includes “The Music of the Night,” “All I Ask of You,” “Wishing You Were Somehow Here Again,” “Masquerade,” and the iconic title song. It tells the tale of a disfigured musical genius known only as ‘The Phantom’ who haunts the depths of the Paris Opera House. Mesmerized by the talents and beauty of a young soprano, Christine, The Phantom lures her as his protégé and falls fiercely in love with her. Unaware of Christine’s love for Raoul, The Phantom’s obsession sets the scene for a dramatic turn of events where jealousy, madness, and passions collide.  

HARRY POTTER AND THE CURSED CHILD | March 28 – April 18, 2026

It’s time to believe in magic! Broadway’s spellbinding spectacular HARRY POTTER AND THE CURSED CHILD is coming to St. Louis! Join the next adventure and experience the wizarding world like never before at this record-breaking hit and winner of six Tony Awards® including Best Play. “It’s one of the most defining pop culture events of the decade” (Forbes). When Harry Potter’s head-strong son Albus befriends the son of his fiercest rival, Draco Malfoy, it sparks an unbelievable new journey for them all—with the power to change the past and future forever. Prepare for a mind-blowing race through time, spectacular spells, and an epic battle, all brought to life with the most astonishing theatrical magic ever seen on stage. It’s a “marvel of imagination” (The New York Times) that will “leave you wondering ‘how’d they do that?’ for days to come” (People Magazine).

SPAMALOT | May 5-17, 2026

SPAMALOT, which first galloped onto Broadway in 2005, features a book & lyrics byEric Idle and music by John Du Prez and Eric Idle. The original Broadway production was nominated for fourteen Tony Awards® and won three, including Best Musical. The musical comedy lovingly ripped off from the film classic, Monty Python and the Holy Grail, has everything that makes a great knight at the theatre, from flying cows to killer rabbits, British royalty to French taunters, dancing girls, rubbery shrubbery, and of course, the Lady of the Lake. SPAMALOTfeatures well-known song titles such as “Always Look on the Bright Side of Life,” “The Song That

Goes Like This,” “Find Your Grail” and more that have become beloved classics in the musical theatre canon.

Broadway Extras

Six shows will be offered as Broadway Extras to 2025–2026 season ticket holders for priority seating before their public on sale dates. Back by popular demand, LES MISÉRABLES returns to The Fabulous Fox stage November 18-23 for one week only! A CHRISTMAS STORY, THE MUSICAL will bring the classic 1983 movie to hilarious life on stage just in time for the holidays December 12-14. See what all the noise is about when the international percussion sensation STOMP returns to St. Louis March 6-8. The Broadway smash hit musical based on Tim Burton’s dearly beloved film, BEETLEJUICE, comes back to haunt the Fabulous Fox April 24-26. Back by overwhelming demand, the multiple Tony Award®-winning musical MJ is “startin’ somethin’” as it makes its way back St. Louis for a limited run May 19-24. The 2025-2026 Broadway season will end with an unforgettable journey to the underworld and back in Tony and Grammy Award-winning best musical, HADESTOWN, May 29-31. 

Eight and seven-show season ticket packages will be available for the 2025-2026 Broadway Season. The eight-show package includes THE PHANTOM OF THE OPERA. New seven and eight-show season ticket packages will go on sale Wednesday, May 28. Current Broadway season ticket holders will receive their renewal information in the coming days. On sale dates for individual shows will be announced later. For more information, please visit FabulousFox.com.

2025 – 2026 Broadway Series Shows and Broadway Extras:

(The Season Ticket Package shows are in bold)

LIFE OF PI * October 7-19, 2025

THE NOTEBOOK * November 4-16, 2025

LES MISÉRABLES * November 18-23, 2025

THE WIZ * November 25 – December 7, 2025

A CHRISTMAS STORY, THE MUSICAL * December 12-14, 2025

THE OUTSIDERS * January 7-18, 2026

HELL’S KITCHEN * January 27 – February 8, 2026

THE PHANTOM OF THE OPERA * February 18 – March 1, 2026

STOMP * March 6-8, 2026

HARRY POTTER AND THE CURSED CHILD * March 28 – April 18, 2026

BEETLEJUICE * April 24-26, 2026

SPAMALOT * May 5-17, 2026

MJ * May 19-24, 2026

HADESTOWN * May 29-31, 2026

Episode 2 of Muny’s ‘Summer Variety Hour Live’ Showcases the Stars Under the Stars

Episode 2 of Muny’s ‘Summer Variety Hour Live’ Showcases the Stars Under the Stars

By Lynn Venhaus
The sights and sounds of nights gone by are such a welcome sentimental journey on the exciting new online Muny Mondays.

But the variety show is not all a “Remember When” montage, and that is what sets it apart. With a fresh batch of pixie dust, the Muny’s second episode of its smash hit Summer Variety Hour Live more than met expectations after such a sensational series launch July 20.

Rob McClure and Maggie Lakis

If you were curious as to how they could top the inaugural show, now that we know the formula, one look at the lineup beforehand answered that quickly. Tony nominee Taylor Louderman singing live under the Culver Pavilion! Tony nominee and fan favorite Rob McClure, versatile veteran of six Muny shows, singing “Suddenly Seymour” with his wife Maggie Lakis, who has been in two Muny musicals, from their home in Philadelphia. McClure’s Muny debut was “Little Shop of Horrors” in 2011, so that was fitting. The cast of 2017’s spectacular “The Little Mermaid,” lead by Commodore Primous III as Sebastian, reuniting to sing a buoyant “Under the Sea.” I mean, the deck was stacked.

The best way to describe the ebb and flow of the carefully curated selection of acts is to compare it to a multi-course gourmet dinner especially crafted to include favorite dishes, comfort food, bold choices and unique taste treats, every bite bursting with flavor.

When the “Wow” factors were unveiled — those unforgettable Muny moments that you will always recall with awe, so grateful to have experienced it in person – they blew me away. It isn’t hard to pick five, ten or 20 out of your head if you are a regular. (We probably share some of the same ones – we’ll have to compare notes).

And this supersonic flash came from two performers I saw in ensembles but did not know their names: Nkeki Obi-Melekwe and Chloe O. Davis. I will never forget them now.

Nkeki Obi-Melekwe

Nkeki soared singing “If You Knew My Story” from “Bright Star” during her time, a selection to reinforce color-blind casting. Nkeki, a Michigan graduate, appeared in the Muny’s 2017 “All Shook Up” and went on to play Tina Turner in “Tina the Musical” in London’s West End in April 2019, then move to Broadway in October.

If you are unfamiliar with “Bright Star,” the musical by Steve Martin and Edie Brickell, it came out the same year “Hamilton” did and lost the Tony Award for Best Musical to the landmark show in 2016.

Chloe O. Davis, a dancer who grew up in St. Louis and was in “All Shook Up” and “The Wiz” in recent years, was featured in “My Tribute to Black Broadway and Black Choreography: I Thrive Now Because You Dared Then,” a dance she conceived and choreographed.

As she used Forest Park as her stage, she gave us a history lesson that stirred “all the feels.” She created the styles of famous black choreographers, using audio and visual clips in addition to her dance moves – East St. Louis’ international icon Katherine Dunham, George Faison, Debbie Allen, Hope Clarke, Gregory Hines, Donald Byrd, Bill T. Jones and Camille A. Brown among them.

Chloe O Davis

Moving. Powerful. Elegant. Truly a shining moment.

A delightful song-and-dance interlude was courtesy of three dynamos Maya Bowles, Trevor Michael Schmidt and Gabi Stapula, whose high-spirited “There’s Gotta Be Something Better Than This” from “Sweet Charity” captured our anxiety and their eagerness to get back to the business of entertaining. These chorus gypsies reminded us how ensemble cohesiveness is so important to any big splashy musical.

Gabi also works with the Muny Teens, and their fun-loving mashup of “Bring On the Monsters” from “The Lightning Thief: The Percy Jackson Musical” and “Drive It Like You Stole It” from “Sing Street” again showcased how talented some local students are – and their sunny dispositions. I’m a big fan of the 2016 movie “Sing Street,” which is writer-director John Carney’s third film about the transforming power of music (“Once” and “Begin Again”), and its stage adaptation was set to open on Broadway in April after rave reviews off-Broadway.

The power ‘hour’ also featured behind-the-scenes stories about what’s happening at The Muny, including being able to pull off the stunning fireworks at the Centennial Gala, and the amusing game show throwback Munywood Squares. With interesting fun facts, hosted by Gordon Greenberg and featuring nine Muny performers in the Zoom grid,  including E. Faye Butler, J. Harrison Ghee, Ann Harada, Raymond J. Lee, Vicki Lewis, Steve Rosen, Jeffrey Schecter, John Scherer and Christopher Sieber. This week’s good sport contestants were photographer Phillip Hamer and Muny company manager Sue Greenberg. Fun remembering the raccoon who waddled on to the stage in “The Addams Family” in 2014!

Taylor Louderman

On an intermittent rainy night, star Taylor Louderman was accompanied by four socially distanced musicians, to sing live the power ballad “Astonishing” from “Little Women.” Always nice to include a female empowerment song, this one from Louisa May Alcott’s timeless and timely heroine, Jo March. From Bourbon, Mo., 60 miles southwest of St. Louis, Taylor went from Muny Teen to Tony nominee as Regina George in “Mean Girls.” She made her Broadway debut in 2012’s “Bring It On!,” has been in seven Muny shows and won the St. Louis Theater Circle Award for Best Supporting Actress in a Musical for last summer’s “Kinky Boots.” (And this year, finished her bachelor’s degree that she had started at Michigan in 2009 and was married five weeks ago to Brooks Toth).

The archival footage of past summer shows is a fond trip down memory lane, starting with Muny titans Beth Leavel and Ben Davis in 2015’s “Oklahoma!” Leavel, Tony winner for “The Drowsy Chaperone” and nominee for ‘The Prom,” is a frequent St. Louis Theater Circle Award nominee, winning for her Mamma Rose in 2018 “Gypsy.” Davis, seen last year as Sky Masterson in “Guys and Dolls,” has been nominated multiple times, and once joked during an interview that he is the ‘Susan Lucci’ of the Circle Awards.

Davis was in the now legendary production of “Spamalot” in 2013 as Sir Galahad. Host Mike Isaacson introduced “Always Look on the Bright Side of Life,” which holds the distinction of being the most popular song at funerals, pointing out how weather affected the show. I remember that on opening night June 17, a steady rain was falling after torrential downpours for days preceding it. So, there was little opportunity to rehearse outdoors. The audience for the show opener of the 95th season was so eager to see this Muny premiere that we came in droves with our umbrellas — and were mightily rewarded.

It’s a night I’ll never forget. During the curtain call, actor John O’Hurley, playing King Arthur, stopped the show to introduce Monty Python founder and show creator Eric Idle! Whoops, cheers and thunderous applause! Everyone on their feet. I turned to my companion and said: “We are in the presence of a Python!” Oh, be still my heart. It was pure bliss – he led us in “Always Look on the Bright Side of Life” after mentioning this was the largest audience to ever see the musical and he wanted to see if we could get in the Guinness Book of World Records for our sing-a-long.

Oh, what a night! I had the good fortune to interview John O’Hurley later that fall when he was touring as Billy Flynn in “Chicago,” and we had a pleasant conversation about that enchanted evening.

Another splendid memory was shared with the incredible “We’re in the Money” from the extraordinary 2016 production of “42nd Street,” choreographed by Denis Jones, St. Louis Theater Circle Award winner. That curtain call – go see it on YouTube – as the cast cascaded down a staircase will go down as my favorite (next to “A Chorus Line”) in Muny history.

All these elements are what make summer nights special at the Muny, and spotlighting the world-class talent – from the musical theater majors from the best schools in the country to the stars with Broadway credentials — who come together in Forest Park – is one I like to emphasize. Years ago, seasons were headlined by ‘names’ – mostly from TV – and while recognizable, I much prefer having the best talent possible give us their all on that stage. Drama geek that I am, I read all the bios and notice who returns to the Muny, who creates magic on the stage, or is given the part of a lifetime.

And in that spirit, the Summer Variety Hour Live emphasizes how many parts make each show happen.

And it is a warm, familiar embrace at a time we all need a hug.

On July 20, The Muny 2020 Summer Variety Hour Live! drew more than 30,000 viewers from across the U.S. and around the world. This total sets a new, record-breaking first in The Muny’s live-streaming history.

On July 27, we were connected by the calypso beat of newly crowned EGOT winner Alan Menken, the banjo picking of brilliant Steve Martin, the Britpop synthesizer of ‘80s New Wave, the zaniness of silly comic geniuses, homages to Busby Berkeley and Broadway chestnuts, the triumph of a ‘local’ small-town girl with a dream, sweetness, sincerity, showmances and people who think sitting under those stars in St. Louis is like coming home.

These shows (5 total, 3 left) are exclusive, one-time-only streams and will not be available after the Thursday night airing. The July 30 re-airing will include audio description and captions. The link is: youtube.com/themunytv

The Muny’s online 2020 season is sponsored by World Wide Technology. Episode 1 was made possible by US Bank and Episode 2 by Edward Jones. They announce the next lineup every Wednesday.

Go See a Play This Weekend!

Go See a Play This Weekend!

By Lynn VenhausManaging EditorSpring has sprung, with many to-dos on your list. So, what play are you going to see this weekend/week?

From college theater productions to intimate dramas to touring musicals, you have a variety of offerings. Celebrate art in any season! Go See a Play!“Are U R?” Southern Illinois University at Edwardsville April 24-28 Metcalf Theatrewww.siue.edu 618- 650-2774 What It’s About: Based on the 1920 Czech play, “R.U.R.” by Karel Cepak, this original SIUE adaptation is an irreverent and provocative mash-up of humor and horror, philosophy and presents From Metropolis to The Matrix, from Brave New World to Westworld, humans are obsessed with the possibility of intelligent machines and the all the questions that they inspire – What is the mind? What is consciousness? And what will it look like when smart technology turns against its creators? and science/fiction, pop culture and faith that explores the nature of artificial intelligence and human consciousness.

“From Jimmy, to America: An Ode to James Baldwin” University of Missouri at St. Louis April 27 and 28 Saturday at 7 p.m. and Sunday at 2 p.m. Touhill Performing Arts Center www.touhill.org

What It’s About: Through the words of James Baldwin, this
production explores race, identity, and America. In collaboration with Nu-World
Contemporary Danse Theatre, actors and dancers explore our racial identity
through the works, words, and musicality of James Baldwin.

“Godspell” University Theatre at Saint Louis University April 25-28 8 p.m. Thursday through Saturday, 2 p.m. Sunday The Grandel Theatre, 3610 Grandel Square MetroTix: 314-534-1111 Tickets available at the door

What It’s About: This is the 2012 retelling of the Stephen Schwartz musical, which is based on the gospel of St. Matthew, that features new arrangements and contemporary references as it takes us on a rousing journey through the parables of Jesus. Director: Stephanie Tennill

‘The Laramie Project’ at St. Charles Community College“The Laramie Project” St. Charles Community College April 24-28 SCC Center Stage Theatre in the Donald D. Shook Fine Arts Building 4601 Mid Rivers Mall Drive in Cottleville, Mo.www.stchas.edu 636-922-8050

What It’s About: This gripping play concerns Americans’
reaction to the hate-crime murder of a young gay man, Matthew Shepard. In
October of 1998, Shepard was kidnapped, severely beaten, and left to die in
Laramie, Wyoming. Moisés Kaufman and the Tectonic Theater went to Laramie and
conducted more than 200 interviews about the event, from which they wrote this
play.

Director: Samantha Stavely

Cast: David Amrhein, Rachel Bohn, Jim Dishian, Jordan
Dennis, Johnny Dishian, Andrew Edmonston, Dane Harris, Jasminn Jones, Jacob
Krznar, Kat Leffler, Amanda May, Travis McIntyre, Angela McNeil, Mia Millican,
Joshua David Neighbors, Mia Politte, Gabby Rivera, Braden Stille, Graham
Woodward and Peggy Woodward.

“A Midsummer Night’s Dream” April 26-28 R-S Theatrics and Three Blind Pigs Friday and Saturday at 7 p.m. and Sunday at 5 p.m. William Kerr Foundation 21 O’Fallon Street, North St. Louis www.r-stheatrics.com

What It’s About: One of Shakespeare’s most beloved
comedies, you’ll see lovers’ spats, clueless actors, and a fairy queen.

Of Note: Shake38 may be gone, but Blind Pigs’ partnership
with R-S Theatrics lives on

“Miss Saigon” Fox Theatre April 23-May 5 www.fabulousfox.com

What It’s About: National tour of acclaimed revival, from the creators of “Les Miserables.”  Based on the Puccini opera “Madame Butterfly,” this is the story of a young Vietnamese woman named Kim who is orphaned by war and forced to work in a bar run by a notorious character known as the Engineer. There she meets and falls in love with an American G.I. named Chris, but they are torn apart by the fall of Saigon. For 3 years, Kim goes on an epic journey of survival to find her way back to Chris, who has no idea he’s fathered a son. Featuring stunning spectacle and a sensational cast of 42 performing the soaring score, including Broadway hits like “The Heat is On in Saigon,” “The Movie in My Mind,” “Last Night of the World” and “American Dream.”

“Never Let Go: A One-Woman TitanicERA TheatreApril 18-20 at The Monocle, Emerald Room, 8 p.m.April 26-27 at The Improv Shop, 3960 Chouteau, 10 p.m.www.eratheatre.org

What It’s About: Twenty-four years ago, Rose ‘Dawson’ miraculously survived the sinking of the Titanic. But her lover, Jack Dawson, did not, and she is not over it. Despite her grief, she’s pursuing her dream of becoming an Academy Award nominated actress. In this production, Rose pitches the idea of turning her story into a work of theatre, or even a motion picture, to an audience of potential producers and investors. She shifts seamlessly from past and present, often without warning, and artistically, and maybe somewhat insanely, blurs the distinction between reality and imagination. Join us for the maiden voyage of your life and never let go!

Starring: Rachel Tibbetts

Playwrights: Will Bonfiglio and Lucy Cashion

Stage Manager and Dramaturg: Miranda Jagels-Felix

Designers: Morgan Fisher and Bess Moynihan

Eric Dean White and Amy Loui i “Salt, Root and Roe”“Salt, Root and Roe” Upstream Theatre April 26 – May 12 Shows at 8 p.m. except Sundays at 7 p.m. but May 12 at 2 p.m. Kranzberg Arts Centerwww.upstreamtheater.org What It’s About: Tim Price’s play is about the nature of change, the comfort of home and the eternal bond of love, set against the mythical backdrop of the Pembrokeshire coast in western Wales. Identical twins Iola and Anest, who are devoted to age other and aging fast. Anest’s daughter, Menna, rushes to her long-abandoned childhood home where her own ideas of love and compromise are tested to the limit. Director: Kenn McLaughlin Cast: Donna Weinsting, Sally Edmundson, Eric Dean White, Amy Loui

Of Note: A U.S. premiere in co-production with Stages Repertory Theatre of Houston. New at Upstream is “Bohemian Thursday” – all tickets $10 May 2 only.

“Spamalot” Clinton County Showcase April 26-28 & May 3-5 Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. Avon Theater, 525 N. Second St., Breese, Ill.www.ccshowcase.com What It’s About: Adaptation of classic comedy film, “Monty Python and the Holy Grail,” the Tony-Award winning musical retells the legend of King Arthur and the Knights of the Round Table.

“Translations” The Black Mirror Theatre April 25 – May 4 Thursday – Saturday at 7:30 p.m., Sunday at 2 p.m. .Zack, 3224 Locust www.blackmirrortheatre.com What It’s About: Brien Friel’s “Translations” is an intimate look into a world at odds with itself. It could have been set in one of any number of eras and lands – anywhere in which an alien force imposes its culture on a conquered people through the suppression of all that which gave and gives that culture cohesion, especially its language. One needs to look no farther than America, where indigenous peoples still struggle to maintain and transmit their values, beliefs, their souls thru their native tongues.

Paul James and Rich Loughbridge. Photo by Lori Biehl“Tuesdays with Morrie” April 24-May 5 Act Two Theatre St. Peters Cultural Arts Centre www.act2theatre.com What It’s About:  The autobiographical story of Mitch Albom, an accomplished journalist driven solely by his career, and Morrie Schwartz, his former college professor. Sixteen years after graduation, Mitch happens to catch Morrie’s appearance on a television news program and learns that his old professor is battling Lou Gehrig’s Disease. Mitch is reunited with Morrie, and what starts as a simple visit turns into a weekly pilgrimage and a last class in the meaning of life.

Director: Nancy Crouse
Cast: Paul James as Morrie Schwartz, Rich Loughridge as Mitch Albom

William Humphrey, William Roth in “True West.” Photo by Patrick Huber.“True West” April 4 – 28 St. Louis Actors’ Studio Thursdays through Saturdays at 8 p.m. and Sundays at 3 p.m. The Gaslight Theatre, 358 N. Boyle 314-458-2978 www.stlas.org

What It’s About: This American classic by Sam Shepard explores
alternatives that might spring from the demented terrain of the California
landscape. Sons of a desert-dwelling alcoholic and a suburban wanderer clash
over a film script. Austin, the achiever, is working on a script he has sold to
producer Sal Kimmer when Lee, a demented petty thief, drops in. He pitches his
own idea for a movie to Kimmer, who then wants Austin to junk his bleak, modern
love story and write Lee’s trashy Western tale.
Director: William Whitaker
Cast: Isaiah Di Lorenzo, William Humphrey, William Roth, Susan Kopp