The St. Louis Black Repertory Company continues its 46th Anniversary Season with the musical revue EUBIE!, featuring music from the groundbreaking musician and composer Eubie Blake. The production opens May 3 through Sunday May 21, 2023 at The Edison Theatre on the campus of Washington University in St. Louis. This project is supported in part by the National Endowment for the Arts.
On Broadway in the 1970s, Eubie! re-introduced audiences to Blake’s iconic career and highlighted his role in breaking down racial barriers with the 1921 musical, Shuffle Along – the first Broadway musical written, directed by and starring Black Americans.
At The Black Rep, the ensemble cast for EUBIE! includes Coda Boyce (The African Company Presents Richard III; The Light), DeAnté Bryant (TBR debut), Robert Crenshaw (Spell #7; Don’t Bother Me, I Can’t Cope), Serdalyer Darden (TBR debut), Evann De-Bose (Lines in the Dust; Black Nativity), Samantha Madison (Do I Move You? Black Nativity), Venezia Manuel (Crossin’ Over), Carvas Pickens (TBR debut), Tamara PiLar (TBR debut), J’Kobe Wallace (TBR debut), and Taijha Necole Silas (Behind The Sheet; Death Of A Salesman).
Audiences will be treated to well-known tunes such as: “In Honeysuckle Time,” and “I’m Just Wild About Harry,” with live music featuring: Joseph Dreyer – Piano, Chris Tomlin – tuba, Bernard Long Jr. – drums, Anthony Wiggins – trumpet, and Harvey Lockhart – saxophone.
“EUBIE! showcases many of Blake’s best songs, many from Shuffle Along, which was a smashing success when it ran on Broadway in 1921,” explains Ron Himes, Founder and Producing Director of The Black Rep. “Eubie Blake not only helped shape American musical theatre as we know it today, but that show is credited with kicking off the Harlem Renaissance that swept New York City culture in the late 1920s and 1930s.”
Directed by Ron Himes with Musical Director Joe Dreyer and written by Eubie Blake, Andy Razaf, Noble Sissle and Julianne Boyd, the production showcases Choreography by Vivian Watt, Heather Beal, and Robert Crenshaw; Scenic Design by Tim Jones, Costume Design by Marc W. Vital II, Sound Design by Justin Schmitz, Lighting Design by Jasmine Williams. Tracy Holliway D. Wiggins is the Stage Manager and Zahria Moore is the Assistant Stage Manager.
Tickets are available at theblackrep.org or through the Box Office at 314-534-3807. Reduced pricing is available for seniors, educators, museum staff, students, and groups of 12 or more. The Black Rep is highly recommending face masks inside the theatre. Please visit theblackrep.org for up-to-date health protocols.
Support for The Black Rep’s 46th Main Stage Season comes from the Arts and Education Council, The Berges Family Foundation, The Black Seed Initiative, Caleres, Missouri Arts Council, the National Endowment for the Arts, the Regional Arts Commission, Rogers-Townsend, The Shubert Foundation, the Steward Family Foundation, and Washington University in St. Louis, with matinee support from the Union Pacific Foundation.
About The Black Rep
The Black Rep, a 46-year-old legacy Black arts organization, is committed to producing, re-imagining, and commissioning work written by Black playwrights and creating opportunities for new voices and youth. Founded by Producing Director Ron Himes, the vision for The Black Rep continues: a more equitable distribution of opportunities and resources for Black professionals and students in the theatre; improved representation on and back-stage in the theatre industry; and a fostered community culture of support and mentorship for those who will follow. For more information: www.theblackrep.org
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
