By Alex McPherson

A lightweight, enjoyable treat that leans into sports movie cliches while adding some wrinkles, director Taika Waititi’s “Next Goal Wins” doesn’t try to be high art, but succeeds where it counts, and offers a breath of fresh air in our cynical times.

Inspired by the 2014 documentary of the same name, and introduced by a priest played by none other than Waititi himself, the film follows disgraced coach Thomas Rongen (Michael Fassbender) on a journey of personal growth. He’s sent by the American Soccer Federation – led by Alex Magnussen (Will Arnett), who’s dating Rongen’s ex-wife Gail (Elisabeth Moss), also on the Board – to coach the American Samoan national soccer team to FIFA World Cup qualification. It’s really about punishment for his hot-headed behavior and a nudge to “help himself” while floating in career purgatory. When the Board delivers the news to Rongen, he experiences the five stages of grief, explained via a crude PowerPoint presentation by Waititi-regular Rhys Darby.  

Unfortunately for Rongen, his newly assigned team doesn’t have the best track record. They infamously lost to Australia 31-0 in a 2001 World Cup qualifying match: the worst defeat in international soccer history. The team lacks drive and organization, rendering Rongen’s assignment quite an uphill battle. The former coach, lovably goofy and earnest Tavita (Oscar Kightley), who works various odd jobs around the island, merely wants Rongen to help the team score one goal. “One goal,” Tavita repeats, as he slowly backs away from Rongen at a beachside restaurant, “One goal.”

It’s all infuriating for the temperamental, alcoholic, and close-minded Rongen – a fish-out-of-water in an unfamiliar culture with traditions and ideals that buck against his hard-assed attitude. In his view, nobody on the team takes soccer, or him, seriously, especially Jaiyah Saelua (Kaimana), a transgender woman whose identity Rongen refuses to accept and respect, while the rest of the team does.

It’s little surprise that Rongen’s hatred gradually fades away as he learns more about American Samoan culture and bonds with the players. Their patience, compassion, and kindness help Rongen conquer his demons and open his heart, which in return helps the team come together and try their best, no matter the outcome, delivering plenty of zany jokes along the way.

Indeed, “Next Goal Wins” follows a familiar template that yields few real surprises. Thanks to strong performances, Waititi’s signature brand of awkward-funny humor, and some emotional moments that (despite their predictability) hit with earnest impact, though, it’s an eminently enjoyable watch. Waititi’s preference for jokes over “dramatic” moments lessens their potency, and the focus on Rongen is less compelling than Jaiyah’s experiences, but “Next Goal Wins” still manages to score that elusive goal, no matter its faults.

Fassbender (coming fresh off his awards-worthy turn in David Fincher’s “The Killer”), fits the gruff, damaged Rongen well – often seeming at odds with the beaming, idiosyncratic people surrounding him on the island. Like Fincher’s nameless hitman, it’s another performance from Fassbender that mocks his character’s “masculine” refusal to be vulnerable and acknowledge his faults, consumed by his work and suffering past trauma to the detriment of everyone around him (except those laughing at his childish behaviors). Rongen’s arc is easy to foresee, but it’s heartwarming, particularly his eventual bond with Jaiyah, the film’s real MVP.

Rongen’s initially awful treatment of Jaiyah is difficult to watch – a scenario that, despite the film’s largely comedic atmosphere, seems plausible and disquieting. It’s thanks to Jaiyah’s refusal to view Rongen in black-and-white absolutes, though, that helps them connect. She won’t write him off or give up her dreams to play soccer. Kaimana brings warmth, pathos, and groundedness to her portrayal, leading to several tear-inducing scenes later on when the empathy she exhibits to others is returned. Her story is inspirational, and the most winning aspect of Waiti’s film.

The rest of the team (including performances from a pitch-perfect David Fane as assistant coach Ace, and Uli Latukefu as former goalie Nicky Salapu, haunted by past failures during the Australia match) aren’t given anywhere near as much depth as Rongen and Jaiyah. Waititi instead paints them in broad strokes – there for pun-filled, pop-culture-heavy punchlines over three-dimensionality. 

It’s an unfortunate choice, perhaps due to the film’s 104-minute runtime, which speeds through the story without lingering on gags or otherwise poignant beats. Rongen’s arc notably falls prey to Waititi and Iain Morris’s rushed screenplay – a short heart-to-heart can make him change his tune to an unbelievable, if crowd-pleasing, extent, and a late-movie plot twist with his character is easy to foresee.

This applies to the meat and potatoes of what Rongen and the team are actually doing, too. “Next Goal Wins” is less focused on the game of soccer itself (or the players’ reasons for participating in the first place), and more on the thawing of Rongen’s tough exterior and the formation of community and friendship above all else. Viewers shouldn’t expect many thrilling sequences of last-minute saves and goals. In fact, Waititi seems to actively resent it, shifting attention to relationships and team-building with comparatively small-scale (but important) stakes in the final stretch.

We’re left with an imperfect, tonally inconsistent sports film that aims to put a smile on one’s face and raise awareness of a culture’s, and team’s, continued striving and resilience. On those merits, “Next Goal Wins” wholeheartedly succeeds. It’s no masterpiece (and one yearns for the daring Waititi of “Jojo Rabbit” and “Hunt for the Wilderpeople”), but sometimes films like this are needed, just to restore one’s faith in humanity a little bit more, because every bit counts.

“Next Goal Wins” is a 2023 Sports Comedy directed by Taika Waititi and starring Michael Fassbender, Elisabeth Moss, Will Arnett, Oscar Kightley, Kaimana, and David Fane. It’s rated: PG-13 for some strong language and crude material and runs 1 hour, 43 minutes. It opened in theatres Nov. 17. Alex’s Grade: B.

By Lynn Venhaus

Think a second tier “Ted Lasso” meets a “Cool Runnings” vibe in this rough-around-the-edges underdog sports comedy-drama that is based on a true story.

The now infamous American Samoa soccer team, known for a historically brutal 2001 FIFA match they lost 31-0 to Australia, seeks redemption — and a goal — in 2014 or they’ll be booted out of the football federation.

Aimed at the heart with emphasis on quirky, director and co-writer Taika Waititi focuses on the likability of the Pacific Islanders involved with the soccer team, and the colorful inhabitants of American Samoa, a U.S. territory in the South Pacific Ocean.

It’s a mixed result. Waititi and co-screenwriter Aian Morris follow the template of the 2014 documentary of the same name, but naturally embellished for a narrative. 

Set in 2014, many people still have not gotten over the 2001 humiliation and are doubtful about the next World Cup qualifying match as the team hasn’t scored a goal since. Football Federation President Tavita, wonderfully played by charmer Oscar Kightley, is determined to get the team across that hurdle, so he hires a hothead Dutch-born coach Thomas Rongen (Michael Fassbender), who has been fired for egregious behavior, four weeks away from the game.

Naturally, he’s a fish out of water – faced with the ultimatum to leave or take the American Samoan job. His surly demeanor is at odds with the happy-go-lucky islanders, and does he even like soccer? He drinks too much, yells too much, and cares far too little. 

Following the familiar beats of goodness triumphing over meanness, like every true-story sports movie, “Next Goal Wins” is a crowd-pleaser but average paint-by-numbers movie.

New Zealander Waititi is known for his offbeat work in “What We Do in the Shadows” and “Hunt for the Wilderpeople” won an Oscar for “JoJo Rabbit,” and has directed a couple mega budget “Thor” movies.

Michael Fassbender and Jaiyah

Most surprising is seeing the intense Michael Fassbender cast as the down-on-his-luck maverick coach Thomas Rongen, who is tasked with turning the world’s worst soccer team around as World Cup Qualifiers approach. American Samoa is ranked last, and if they do not win, will be booted.

Fassbender, two-time Oscar nominee for “Steve Jobs” and “12 Years a Slave,” is known for serious roles. He is an odd choice, but this rage-aholic coach is a high-strung guy, so playing cantankerous, screaming so much his veins stand out, is within his specific set of skills. 

The character is designed to be redeemed, of course, and he gets his big speech, although throws a couple curves in, to explain some of his behavior. Fassbender is never going to be warm and fuzzy, or funny, for that matter, but you do root for him to get out of his own way.

In the spirit of “The Mighty Ducks” and “Bad News Bears,” the team players espouse the ‘old college try’ philosophy, and fit the kooky mold Waititi was going for, along with providing a strong sense of community. 

The likable Jaiyah, a transgender player, portrayed by a winsome Kaimana, is horribly disrespected by Rongen, and that relationship development is a focus of the plot, but the others aren’t given much to work with – Beulah Koale as Tavita’s son, Semu Filipo as police officer Rambo, and Uli Latukefu as the former goalie Nicky Salapu stand out.

Armani, the kid helping Rongen, is another source of comic relief, and Waititi uses the young actor Armani Makaiwa wisely. 

In supporting roles are Elisabeth Moss as Rongen’s divorce-headed wife, Will Arnett, who replaced Armie Hammer, as football federation board’s Alex Magnussen, and Rachel House as Tavita’s wife Ruth.

Showcasing the natural beauty of the island makes for a pleasant backdrop, with beaches, reefs and stunning cliff outlooks. And the characters’ relaxed way of life adds to the authentic depiction.

If you’re looking for heartwarming, you can find it here. However, if you are seeking a rousing underdog sports film that’s a cut above the usual, seek out the Oscar-winning documentary “Undefeated.”

“Next Goal Wins” is a 2023 Sports Comedy directed by Taika Waititi and starring Michael Fassbender, Elisabeth Moss, Will Arnett, Oscar Kightley, Kaimana, and David Fane. It’s rated: PG-13 for some strong language and crude material and runs 1 hour, 43 minutes. It opens in theatres Nov. 17. Lynn’s Grade: C.

By Lynn Venhaus
Clever, brimming with wit and good nature, “Free Guy” is one of the most pleasant surprises of the summer.

An action video game, comic-book slate of heroes and villains and romantic comedy rolled into one, the plot focuses on a mild-mannered bank teller Guy (Ryan Reynolds) who discovers that he’s actually a NPC inside a brutal, open world video game. When he spontaneously decides to become his own hero, and proceeds to rewrite his story so that he saves the world — on his own terms, he unleashes a frantic race against time. Antwan (Taika Waititi), a megalomaniac tech mastermind, is hell-bent against Guy succeeding.

As one who isn’t a gamer – and had to look up what a NPC is (non-player character), I expected to be lost, but thanks to an engaging cast, I could not only keep up but also be entertained.

Set in a world of video game creation and role-playing, a town called Free City is where the action takes place, a busy burg with old-fashioned charm. Think Mayberry meets Metropolis. 

Every day, the mayhem and mean streets one associates with video game action occurs as most everyone is trying to go about their daily lives. They deal with explosions, gunfire, criminals and stunts like it’s normal.

Guy’s jovial best friend, Buddy (Lil Rel Howery), is a security guard. The simple pleasure of a good cup of coffee makes their day, which includes a routine where they avoid gunshots, falling debris and hulking monsters.

Their oblivion and good hearts are refreshing, but of course, if there wasn’t a conflict, there would not be a movie. Can an action movie, particular in the sci-fi realm, be light-hearted? 

“Free Guy” demonstrates that a little originality and a lot of technical acumen can produce a fizzy summer blockbuster not bogged down in high expectations.

As agreeable as cheery Guy is to watch going about his day, reminiscent of “The Truman Show,” waiting to pounce is a nefarious computer genius, Antwan. Waititi, the wildly talented actor-writer-director who won an Oscar for writing “JoJo Rabbit,” is gloriously over-the-top playing the devious guru who has underhandedly ripped off an enterprising programming whiz Keys (Joe Keery) and his resourceful co-creator Millie (Jodie Comer) by stealing their innovative life’s work.

Somehow, Guy switches up the rules and displays a mind of his own, which is unheard of in this universe. The whole world is watching as “Blue Shirt Guy” captures viewers/players’ hearts, and he is motivated because he is attracted to one of the tough female characters, also played by the winning Comer, Emmy winner for ‘Killing Eve.”

Game on! The action gets fast, furious – and fun. Shawn Levy has directed this in a high-spirited way. He’s known for the “Night at the Museum” franchise and the streaming TV show “Stranger Things,” and keeps the action moving and the story sharp.

The actor who has played Steve Harrington, Joe Keery, is a likable mild-mannered gamer and smart techie who is on to Antwan’s schemes. With the help of his cynical work pal Mouser, the well-cast Utkarsh Ambudkar, they’re one step ahead.

The cast appears to be ‘all in’ – and having a blast with the story’s playfulness. Howery, whose breakthrough was “Get Out” and has carved a niche as a good buddy, has a nice camaraderie with the everyman movie star Reynolds.

Reynolds is at his best as a good guy caught up in something he doesn’t understand. He has a knack for playing regular dudes under pressure, ready with a quip, and doesn’t shrink from saving the day. This role is more jocular, like DC’s “Deadpool,” his biggest hit, and he’s thoroughly charming.

“Free Guy” possesses a self-assured quality, and its veteran screenwriters know a thing or two about crowd-pleasers. Zak Penn, who sold his first script, “The Last Action Hero” when he was 23, has worked on films in the Marvel Comics Universe, including “X-Men 2” and “The Avengers,” and wrote “Ready Player One,” which bears a strong resemblance to the crux of “Free Guy.”

His co-writer Matt Lieberman has been working on such family-friendly fare as “The Christmas Chronicles” starring Kurt Russell as Santa Claus and the animated “The Addams Family” reboot.

Jodie Comer and Joe Keery in “Free Guy”

Together, they have fashioned a breezy romp that’s well-suited for the big screen and makes nimble use of a crackerjack cast, who has splendidly mastered green screen acting.

“Free Guy,” which was slated for release last summer, is one of those rare August treats that unexpectedly has provided a delightful cinematic experience. 

“Free Guy” is a 2021 action, sci-fi, fantasy, comedy directed by Shawn Levy and starring Ryan Reynolds, Jodie Comer, Taika Waititi, Joe Keery and Utkarsh Ambudkar. Rated: PG-13 for strong fantasy violence throughout, language and crude/suggestive references, its run time is 1 hour, 55 minutes. It opened in theatres on Aug. 13. Lynn’s Grade: B+