By Lynn Venhaus
In “The Rivals of Amziah King,” bluegrass, beekeeping and backwoods buddies keep this folksy fable brimming with surprises – with its twisty story, distinctive characters and strong sense of community.

In his first film in six years, Matthew McConaughey charms effortlessly as the title character. Convincing with his warm smile, deep drawl, and caring demeanor, Amziah is obviously beloved in this weathered patch of Oklahoma. A proponent of hospitality, potlucks and jam sessions, he dispenses poetic wisdom, surrounded by a fiercely loyal crew of eccentrics, misfits and lost souls.

Through superb cinematic storytelling, writer-director Andrew Patterson, whose impressive debut 2020 film “The Vast of Night” was an engrossing sci-fi thriller, has crafted a lived-in world that ebbs and flows with an entrancing Southern rhythm.

With its layered natural look, the cinematography by M.I. Littin-Menz and editing by Patrick J. Smith distinguish this film.

Owen Teague and Matthew McConaughey playing bluegrass.

Yes, it meanders, sprawling in a messy way, but it’s never not true to its roots. The message of integrity, tenacity and shared values strikes a chord in a fascinating found-family tale. Patterson’s on-the-nose metaphors are meaningful – the beehives are as captivating as communities as King’s devoted ragtag inner circle.

The homespun story unfolds in an unhurried fashion and is rich in noteworthy details. An unorthodox river heist is a marvel of ingenuity and determination while King’s tasty tour of dishes at a potluck, revealing the cook behind each recipe, is authentic in its ‘truth or a lie” sage advice.

Of the film’s many highlights, the breakout performance by Angelina LookingGlass as Kateri, who once stayed with Amziah and his wife Glenda when they were foster parents, is a heart-tugger. After Glenda died, Amziah was no longer able to foster youths and Kateri went back to her biological mother. They meet again, and it is kismet. He takes her under his wing as an apprentice, and she’s an unswerving protégé, with an interesting mystical side, too.

Other supporting characters are memorable. Jake Horowitz is street-smart and resourceful fixer Remmick, Scott Shepherd is mush-mouthed eccentric Chimmy, Cole Sprouse is fast-food worker Oat with super-sleuth skills, and Bruce Davis is savvy state investigator Sunderland. 

Kurt Russell as Dob McCoy.

In a brief but pivotal role, Kurt Russell is Dob McCoy, a slick powerful agricultural bigwig who oozes good ol’ boy charm.

Playing music are Rob Morgan as right-hand legal counsel Rippy; Owen Teague as rugged former Marine and fiddle player Pirate; and Tony Revolori as newcomer Colmar, among others.

The toe-tapping music soundtrack is sublime, with songs written by Erick Alexander and produced by T Bone Burnett. The joyous “Quill,” sung during a kitchen jam session with Ben Hardesty, is a standout.

While one can quibble with its thick aw-shucks characters that could lean towards cartoonish if they weren’t so genuine, what Patterson has created has a deeper emotional connection. His use of roots music to tell a tale about roots among people and towns is deftly delivered.

Amziah King demonstrates to Kateri how the hive reacts to the queen bee.

King says “Ain’t no one all bad or all good” and that’s the approach Patterson took writing these colorful characters. It gets a tad unsavory in the final third, as a revenge crime drama takes over.

McConaughey, the charismatic Oscar winner in his first big-screen role since “The Gentlemen” in 2019, is as magnetic as ever. (OK, he did “The Lost Bus” in 2025, but that was a streaming release, and his voice work in the “Sing” movies doesn’t count). The movie is reminiscent of his 2012 “Mud” – about a tight-knit community in rural Arkansas, and has a crowd-pleasing quality, like “The Peanut Butter Falcon” did in 2019.

McConaughey has a sweet, earthy chemistry with LookingGlass, and she lights up the screen when called upon to help save the business.

“The Rivals of Amziah King,” which premiered at the 2025 SXSW Film Festival, has all the makings of a summer sleeper hit, in the same way that “Hell or High Water” became a big August surprise in 2016. At a recent Saturday matinee, the theater was packed with senior moviegoers, which was sweet music to my ears, much like this film.

“The Rivals of Amziah King” is a neo-western crime drama written and directed by Andrew Patterson and starring Matthew McConaughey, Angelina LookingGlass, Owen Teague, Jake Horowitz, Tony Revelori, Scott Shepherd and Kurt Russell. It is rated R for language and some grisly images and the run time is 2 hours 10 minutes. It opened in limited release Aug. 14 and will be released wide on Aug. 21. Lynn’s Grade: A-.

By Lynn Venhaus

It is rare to find a low-budget independent film that is so assured, so confident in its fluid camera movements and spot-on production elements that it makes you believe in the thrilling possibility of movies. “The Vast of Night” is the most pleasant of surprises – a thoroughly satisfying genre film that gets many things right for 89 captivating minutes.

One fateful night in a sleepy town in New Mexico, a naive switchboard operator (Sierra McCormick) and cocky radio DJ (Jake Horowitz) begin to suspect some supernatural goings-on that may alter their future. Could it be a UFO? Commies? After all, it is the 1950s. They set out on a mission of discovery as some sort of invasion seems imminent.

In a brilliant film debut, director Andrew Patterson – whose day job included promotional video for the Oklahoma City Thunder NBA team – breaks through as a fresh, imaginative talent. It is not so much the plot, which is a standard UFO science fiction tale, but it is the way he builds an eerie tone and intriguing rhythms in this old-fashioned, well-worn story.

The first sign that we are in for a fun ride is framing it as an episode of “Paradox Theatre,” a Twilight Zone knockoff in glorious black-and-white, ‘50s-style. I can imagine sitting in my grandparents’ living room watching this on “Chiller Thriller” or at the drive-in.

Set in fictional Cayuga, N.M., in 1957, most townsfolk are packed inside the local high school gym for a big game with cross-valley rivals. ‘Big fish in a little pond’ DJ Everett “The Maverick” Sloane is setting up the reel-to-reel tape for recording the action and fast-talking with everyone, including 16-year-old Fay Crocker. Both techie nerds, they share a fascination with the future and what may be in store for mankind.

She must work her part-time job as a switchboard operator, so they walk to the town’s communication center, talking in an engaging style, reminiscent of Richard Linklater films. The tracking shot is a dazzling feat while snappy repartee ensues beneath the glow of streetlights.

Patterson’s slowly builds the suspense, aided by M.I. Littin Menz’s striking cinematography. Is this an instance where “good people go bad and smart people go mad,” Everett wonders.

With intelligence and wit, screenwriters James Montague and Craig W. Sanger have crafted interesting blocks of dialogue, establishing the characters’ personalities right away. The set-up is almost Altman-esque, the way everyone chatters about a squirrel biting through an electric chord that has wreaked havoc.

What kind of storm is brewing? The phones seem on the fritz with weird noises. People are reporting seeing “something in the sky.” That turns Everett and Fay into super-sleuths. They are determined to crack the mystery, and with the help of two call-in listeners to the radio station, they are certain an invasion of some sort is afoot.

By setting it in the 1950s, when everyone was nervous about the Russians and the Cold War, let alone post-atomic paranoia, that factors into an “Invasion of the Body Snatchers” and “The X-Files” vibe as well as a “Close Encounters of the Third Kind” feel.

The main duo, Sierra McCormick and Jake Horowitz convey a wholesome earnestness that is refreshing.

Bruce Davis, as an ex-military man describing secret government operations, is hypnotic during a fade-to-black monologue. So is an elderly shut-in, harboring a dark secret. Gail Cronauer imbues Mabel Blanche with a palpable sadness, as she is convinced that aliens abducted her child years ago but always dismissed if she brings it up. Those segments are reminiscent of old-timey radio plays.

After its Toronto international Film Festival debut last November, “The Vast of Night” was a runner-up to the people’s choice award. At Slamdance in 2019, it won the audience award for best narrative feature. The screenwriters were nominated for best first feature screenplay at the Independent Spirit Awards earlier this year.

With its critical raves and crowd-pleasing awards, “The Vast of Night” is now ready to be seen by the public.

“The Vast of Night,” directed by Andrew Patterson; starring Jake Horowitz, Sierra McCormick, Bruce Davis, Gail Cronauer.
Rated: PG-13 for brief strong language. Run time: 89 minutes. Lynn’s Grade: A
Available on Amazon Prime May 29

This review ran in the Webster-Kirkwood Times .