Cinema St. Louis to Host 13th Annual Robert Classic French Film Festival

Cinema St. Louis to Host 13th Annual Robert Classic French Film Festival

Aug. 20-22 and 27-29: Webster University’s Winifred Moore Auditorium in Webster Hall, 470 E. Lockwood Ave.

Tickets/Passes: Tickets are $14 for general admission; $11 for students and Cinema St. Louis members. Two types of passes are available: Five-Film Passes are $60, $45 for CSL members; All-Access Passes are $100, $80 for CSL members. Passes and advance tickets can be purchased through the Cinema St. Louis website. More Info: 314-289-4150, cinemastlouis.org

The 13th Annual Robert Classic French Film Festival — presented by TV5MONDE, sponsored by the Jane M. & Bruce P. Robert Charitable Foundation, and produced by Cinema St. Louis (CSL) — celebrates St. Louis’ Gallic heritage and France’s extraordinary cinematic legacy, offering a revealing overview of French cinema.

The Robert Classic French Film Festival is the first CSL in-person event since the Covid-19 pandemic. The host venues — Washington University on Aug. 13-15 and Webster University on Aug. 20-22 and 27-29 — have not yet determined whether capacity limits or masks will be required. Details will be announced on the CSL website when available.

The fest annually includes significant restorations, and this year features a quintet of such works: Melvin Van Peebles’ “The Story of a Three-Day Pass,” Diane Kurys’ “Entre Nous,” Joseph Losey’s “Mr. Klein,” Jacques Deray’s “La piscine,” and the extended director’s cut of Jean-Jacques Beineix’s “Betty Blue.”

The fest also provides one of the few opportunities available in St. Louis to see films projected the old-school, time-honored way, with Agnes Varda’s “Vagabond” screening from a 35mm print.

As part of CSL’s year-long Golden Anniversaries programming, which features films celebrating their 50th anniversaries, the fest includes a pair of films from 1971: François Truffaut’s “Two English Girls” and Claude Jutra’s French-Canadian “Mon oncle Antoine.”

Completing the fest is a pandemic-delayed tribute to the late Anna Karina, who died in December 2019: Jean-Luc Godard’s essential “Vivre sa vie.”

Every program features introductions and discussions by film or French scholars and critics.

All films are in French with English subtitles (“The Story of a Three-Day Pass” is in both English & French).

TV5MONDE serves as the fest’s presenting sponsor, and the Jane M. & Bruce P. Robert Charitable Foundation is the event’s title sponsor.

Schedule

For film synopses,  see the CSL website

7:30 PM FRIDAY, AUG. 13, WASHINGTON U.

Mon oncle Antoine

Claude Jutra, Canada, 1971, 104 min., color, DCP

With an introduction and post-film discussion by Lionel Cuillé, teaching professor in French and director of the cultural center French ConneXions at Washington University.

7:30 PM SATURDAY, AUG. 14, WASHINGTON U.

Entre Nous/Coup de foudre

Diane Kurys, France, 1983, 110 min., color, new restoration, DCP

Entre Nous

With an introduction and post-film discussion by Colin Burnett, associate professor of Film & Media Studies at Washington U. and author of “The Invention of Robert Bresson: The Auteur and His Market.”

7 PM SUNDAY, AUG. 15, WASHINGTON U.

Mr. Klein

Joseph Losey, France, 1976, 123 min., color, new restoration, DCP

With an introduction and post-film discussion by Pier Marton, video artist, self-described “Unlearning Specialist at the School of No Media,” and former instructor at several leading U.S. universities.

7:30 PM FRIDAY, AUG. 20, WEBSTER U.

The Story of a Three-Day Pass/La permission

Melvin van Peebles, France/U.S., 1967, B&W, 86 min., English & French, new restoration, MP4 file

With an introduction and post-film discussion by Diane Carson, professor emerita of film at St. Louis Community College at Meramec and film critic for KDHX (88.1 FM).

7:30 PM SATURDAY, AUG. 21, WEBSTER U.

Vagabond/Sans toit ni loi

Agnès Varda, France, 1985, 105 min., color, 35mm print

With an introduction and post-film discussion by Kathy Corley, documentary filmmaker and professor emerita of film at Webster University.

6:30 PM SUNDAY, AUG. 22, WEBSTER U.

Betty Blue

Jean-Jacques Beineix, France, 1986, 185 min., color, new restoration of extended director’s cut, Blu-ray

With an introduction and post-film discussion by Andrew Wyatt, editor of and film critic for Cinema St. Louis’ The Lens and the Gateway Cinephile film blog.

7:30 PM FRIDAY, AUG. 27, WEBSTER U.

Vivre sa vie/Vivre sa vie: Film en douze tableaux

Jean-Luc Godard, 1962, 83 min., B&W, Blu-ray

With an introduction and post-film discussion by Pete Timmermann, director of the Webster U. Film Series and adjunct professor of film studies at Webster U.

7:30 PM SATURDAY, AUG. 28, WEBSTER U.

La piscine

Jacques Deray, 1969, France, 122 min., color, new restoration, Blu-ray

With an introduction and post-film discussion by Calvin Wilson, theater critic for the St. Louis Post-Dispatch, who also writes on film, dance, and music.

7 PM SUNDAY, AUG. 29, WEBSTER U.

Two English Girls/Les deux Anglaises et le continent

François Truffaut, 1971, France, 130 min., color, Blu-ray

With an introduction and post-film discussion by Robert Garrick, attorney, board member of the French-preservation nonprofit Les Amis, and former contributor to the davekehr.com film blog.

Cinema St. Louis Presents Virtual Robert Classic French Film Festival July 17-23

Cinema St. Louis Presents Virtual Robert Classic French Film Festival July 17-23

The 12th Annual Robert Classic French Film Festival — presented by TV5MONDE, sponsored by the Jane M. & Bruce P. Robert Charitable Foundation, and produced by Cinema St. Louis (CSL) — celebrates St. Louis’ Gallic heritage and France’s extraordinary cinematic legacy. 

Because of the Covid-19 health crisis, the fest will be presented virtually this year. CSL is partnering with Eventive, which also handles our ticketing, to present the Virtual Festival. Filmswill be available to view on demand anytime from July 17-23. Access to programs is limited to Missouri and Illinois. Once a ticket-holder begins watching a program, access to it remains available for 24 hours. 

Regrettably, streaming rights to most of the films we planned to feature at the 2020 Robert Classic French Film Festival were not available to us. But CSL is pleased that we’re able to offer a trio of works from the original lineup: Marguerite Duras’ rarely seen “India Song”; a new restoration of Jacqueline Audry’s “Olivia”; and René Clément’s “Rider on the Rain,” which is part of our year-long Golden Anniversaries programming that features films from 1970. All films are in French with English subtitles.

Although the films will be presented virtually, the programs will still feature recorded introductions by and post-film discussions with film or French scholars and critics. 

TV5MONDE serves as the fest’s presenting sponsor, and the Jane M. & Bruce P. Robert Charitable Foundation is the event’s title sponsor. The fest’s other sponsors are the Alliance Française de Saint Louis, American Association of Teachers of French,Arts & Education Council, Centre Francophone at Webster University, Les Amis, Missouri Arts Council, Regional Arts Commission, Washington University’s Film & Media Studies, and Webster University Film Series.

Films

Olivia 1951

Olivia

Jacqueline Audry, 1951, 96 min., B&W, new restoration

A remarkable work by Jacqueline Audry (1908-77), one of France’s groundbreaking female filmmakers, “Olivia” deserves rediscovery after being neglected for almost 70 years. Plunging the viewer — and the main character — into a true lion’s den, Audry depicts a 19th-century boarding school for young girls. The two mistresses of the house, Miss Julie (Edwige Feuillere) and Miss Cara (Simone Simon), are engaged in a turf war — and a war of the heart. Competing for the affections of their students, they rouse passion, hatred, and unexpected reversals of loyalties. Although “Olivia” does not address female homosexuality directly, the film sensitively explores the students’ discovery of love and attraction. With an introduction and post-film discussion by Cait Lore, film critic for Cinema St. Louis’ The Lens.

India Song 1975

India Song

Marguerite Duras, 1975, 120 min., color

Associated with both the nouveau roman literary and the Left Bank film movements, Marguerite Duras was a versatile polymath who worked as a novelist, playwright, essayist, short-story writer, screenwriter, and film director. From a cinematic perspective, Duras’ best-known work is her screenplay for Alain Resnais’ “Hiroshima, mon amour,” but she also directed more than a dozen of her own features. Because Duras’ films remain difficult to access in the U.S., the Classic French Film Festival is especially pleased to offer what many consider her masterpiece, “India Song.” Based on an unproduced play that adapted her novel “Le Vice-consul,” the film chronicles the discontent of the wife (Delphine Seyrig) of the French ambassador in 1930s India. Bored with her oppressive lifestyle, she compulsively sleeps with a series of men but refuses the advances of the entranced vice-consul of Lahore (Michael Lonsdale). With an introduction and post-film discussion by Jean-Louis Pautrot, professor of French and international studies at Saint Louis University.

Rider on the Rain 1970

Rider on the Rain/La Passager de La Pluie

René Clément, 1970, 118 min., color

René Clément — the legendary director of “Forbidden Games” and “Purple Noon” — delivers a stylish thriller starring screen legend Charles Bronson. When a beautiful young woman (Marlène Jobert) in the South of France is stalked and then assaulted by a mysterious masked assailant, she kills the man in self-defense and, in a moment of misjudgment, dumps his corpse over a cliff into the sea instead of calling the police. Trying to return to her life before the attack, her world is turned upside down when an American investigator (Bronson) shows up and, to her horror, seems to know everything about what she has done. “Rider on the Rain” is presented in the 118-minute French-language cut. With an introduction and post-film discussion by Tom Stockman, editor of the We Are Movie Geeks website.