Lynn Venhaus

Total Post: 1137

Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.  She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.  She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle. She is retired from teaching journalism/media as an adjunct college instructor.

New Line Theatre’s Scott Miller Publishes Book on 14 Oddball Musicals

New Line Theatre’s Scott Miller Publishes Book on 14 Oddball Musicals

New Line Theatre is proud to announce that artistic director Scott Miller has published another collection of essays, “LITERALLY ANYTHING GOES: 14 ODDBALL MUSICALS AND WHAT MAKES THEM TICK.” Miller’s fifth book of deep-dive musical theatre exploration is a surprising and entertaining journey into more than a dozen quirky but fascinating musicals, some famous, some less so.
The shows surveyed literally span the history of the art form, and New Line has produced them all — “The Threepenny Opera,” “Anything Goes,” “The Nervous Set,” “The Fantasticks,” “Zorba,” “Two Gentlemen of Verona,” “The Robber Bridegroom,” “Evita,” “Return to the Forbidden Planet,” “Kiss of the Spider Woman,” “A New Brain,” “Reefer Madness,” “Bukowsical”, and “Love Kills” — proving that there have always been oddball musicals and oddball musical theatre writers eager to crash through the existing conventions to something new and different. Times haven’t changed as much as we think.
And if you think some of these shows don’t seem all that oddball to you, see if you feel the same way after you read the book. As Miller puts it, “Anything Goes is the old-fashioned family classic that really isn’t any of those things;” and “The Fantasticks is a deceptively complex, Beat-inspired, jazz fable.”
Miller’s other analysis collections include From Assassins to West Side Story, 1996, now in its 8th printing (covering Assassins, Cabaret, Carousel, Company, Godspell, Gypsy, How to Succeed in Business Without Really Trying, Into the Woods, Jesus Christ Superstar, Les Misérables, Man of La Mancha, Merrily We Roll Along, My Fair Lady, Pippin, Sweeney Todd, and West Side Story);Deconstructing Harold Hill, 1999, (covering Ragtime, Camelot, Chicago, Passion, The Music Man, March of the Falsettos, Sunday in the Park with George, and The King and I); Rebels with Applause, 2001, (covering Hair, Rent, Oklahoma!, Pal Joey, Anyone Can Whistle, Floyd Collins, Jacques Brel, The Cradle Will Rock, Songs for a New World, and The Ballad of Little Mikey); andSex, Drugs, Rock & Roll, and Musicals, 2011, (covering The Wild Party, Grease, Hair, Jesus Christ Superstar, The Rocky Horror Show, The Best Little Whorehouse in Texas, I Love My Wife, Bat Boy, Hedwig and the Angry Inch, and High Fidelity).
Scott Miller is a musical theatre composer, lyricist, bookwriter, historian, consultant, fanboy, and the founder and artistic director of New Line Theatre in St. Louis. He has written nine musicals, two plays, and seven books about musical theatre. For fifteen years, he co-hosted the radio show Break a Leg: Theatre in St. Louis and Beyond on KDHX, and now he hosts the theatre podcast Stage Grok, available on iTunes and at StageGrok.com.
The cover art for Literally Anything Goes was designed by St. Louis artist Matt Reedy.
Miller has also recently put together a novelty book of 400 questions about the musical theatre, to test your knowledge, your opinions, and your insights into our art form. The book is called It’s a Musical! 400 Questions to Ponder, Discuss, and Fight About, and it’s addictive. It’s the perfect gift for the musical theatre obsessive who has everything. His other books include Strike Up the Band: A New History of Musical Theatre, and Let the Sun Shine In: The Genius of Hair.
AMAZON SMILE
And just a reminder, when you shop at Amazon, go to smile.amazon.com instead (and bookmark it) — it’ll ask you to choose a charity (you’ll choose New Line Theatre), and then whatever you buy on the site will kick back a small donation to New Line! It really adds up!
ABOUT NEW LINE THEATRE
New Line Theatre, “the bad boy of musical theatre,” is a professional company dedicated to involving the people of the St. Louis region in the exploration and creation of daring, provocative, socially and politically relevant works of musical theatre. New Line was created back in 1991 at the vanguard of a new wave of nonprofit musical theatre just starting to take hold across the country. New Line has given birth to several world premiere musicals over the years and has brought back to life several shows that were not well served by their original New York productions.
Altogether, New Line has produced 85 musicals since 1991, and the company has been given its own entry in the Cambridge Guide to American Theatre and the annual Theater World. New Line receives funding from the Missouri Arts Council, a state agency.
The 2018-2019 season includes the world premiere of The Zombies of Penzance in October, the classic La Cage aux Folles in March, and the new rock musical Be More Chill, based on the bestselling novel, next June.
Read more about The Zombies of Penzance here.
Read more about La Cage aux Folles here.
Read more about Be More Chill here.
For other information, visit New Line Theatre’s full-service website at www.newlinetheatre.com. All programs are subject to change.

Peter Mayer Named Upstream Theater’s Managing Director

Peter Mayer Named Upstream Theater’s Managing Director

Upstream Theater is excited to announce the appointment of Peter Mayer as Managing Director.
Mayer will work closely with Artistic Director Philip Boehm as the company—now entering its 14th season—continues to bring a world of theater to St. Louis with plays that “move you, and move you to think.”
A longtime member of Actors’ Equity, Mayer also brings a wealth of experience in business and law to the company. Board chair Mary Wertsch is excited by the development:
“We feel extremely fortunate to have someone as experienced, knowledgeable, and well networked as Peter Mayer in the position of managing director, particularly at this time of seriously diminished funding of theater companies by arts agencies.  He shares Upstream’s dream of providing sustainably funded, thought provoking, all-professional theater to St. Louis for many years to come.”

For his part, Mayer is equally pleased to join what he calls “a vibrant, exciting theater characterized by an artistic vision and an intellectual dimension that are quite rare. It will be an honor to work alongside Philip.”
Since 2005, Upstream Theater has produced over two dozen U.S. or world premieres by leading playwrights from nearly twenty countries. With this appointment the company looks forward to strengthening their organizational capacity, expanding their outreach, and extending their influence beyond St. Louis, both by developing new projects and by partnering with other institutions in the region.
The 2018-2019 season includes “Chef” by Sabrina Mahfouz, starring Linda Kennedy and directed by Marianne de Pury, Sept. 28030, Oct. -7, 11-14; and “Salt, Root and Roe” by Tim Price, directed by Kenn McLaughlin, set for April 26-28, May 2-5, 9-12.
A winter show is to be determined, and dates are Jan. 25-27, Jan. 31-Feb. 3 and Feb. 7-10.
Shows are Thursday through Saturday at 8 p.m., and the first two Sundays at 7 p.m., and the final Sunday at 2 p.m.
Season tickets are on sale now. For more information, visit www.upstreamtheater.org
 

Kranzberg Arts Foundation Launches Second Season at The Grandel

Kranzberg Arts Foundation Launches Second Season at The Grandel

 
Following a highly successful first year in operation, The Grandel, newly renovated by the Kranzberg Arts Foundation (KAF), will launch its second Fall/Winter season of programming on the main stage in September, starting with “Labor of Love 2018: A Kranzberg Arts Foundation Resident Showcase” at The Grandel on Saturday, Sept. 1.
Hosted by Artists for a Cause’s Terry Barber, this unique evening of dance, theatre and music by top local talent includes performances by KAF resident organizations, with all proceeds directly benefiting the companies and artists performing.
In addition to forthcoming national touring productions, comedy and musical acts, shows and events currently scheduled in the 2018-2019 season at The Grandel are as follows:

Sept. 1: Labor of Love 2018: A Kranzberg Arts Foundation Resident Showcase
Sept. 8: CommUNITY Arts Festival
Sept. 15: Dance St. Louis presents “Wewolf”
Sept. 22: Karlovsky & Company Dance presents Playful Pairings: Dance, Beats, Wine and Treats
Sept. 25: St. Louis Paranormal Research Society presents The Grandel Haunted Tour
Oct. 11-14: Saint Louis University Theatre presents “Eurydice”
Oct. 20-21: Ashleyliane Dance Company presents Roots and Rhythm: A Tribute to Jazz
Oct. 28-November 24: Shakespeare Festival St. Louis presents “In the Works: A New Play Festival”
Dec. 2-31: Metro Theater Company presents “Wonderland: Alice’s Rock and Roll Adventure”
Jan. 10-13: Ignite Theatre Company presents “Disney’s Beauty and the Beast”
Jan. 18 & 20: Artists for a Cause Dance for Food
Jan. 19: Winter Jazz Fest Featuring John Patitucci
Jan. 26: The Big Muddy Dance Company presents “Homegrown
Feb. 3-24: Metro Theater Company presents “The Hundred Dresses”
“We had a fantastic first year and we’re excited to continue the momentum as we kick off our second full season with our outstanding resident companies,” said Kranzberg Arts Foundation Executive Director Chris Hansen. “With The Grandel we have created a true example of diversity in audience, programming and organizational use that furthers the mission of the Grand Center Arts District to create a place where people are connected to the arts and the arts can flourish.”
More events and performances will be added to the schedule regularly. Visit The Grandel online or on Facebook for the complete calendar, ticket info and regular updates.
 About Kranzberg Arts Foundation
The Kranzberg Arts Foundation is committed to providing the essential infrastructure necessary for the arts to thrive in the St. Louis community. Through the development of performing arts venues, visual arts galleries, free music programs, and work spaces for non-profit arts organizations, the Foundation creates opportunities for and nurtures the growth of artists, while working with emerging and leading arts organizations to engage with St. Louis’s diverse community in ways that are relevant, inclusive, and inspiring. For more information, visit www.kranzbergartsfoundation.org.

Broadway Actor Terrence Mann to Appear in Variety Theatre’s ‘The Little Mermaid’

Broadway Actor Terrence Mann to Appear in Variety Theatre’s ‘The Little Mermaid’

Broadway icon Terrence Mann comes to St. Louis in the fall to play the part of King Triton in Variety Theatre’s production of Disney’s The Little Mermaid for six shows-October 18-21, at the Touhill Performing Arts Center.
A three-time Tony nominee, Terry was the original Rum Tum Tugger in Cats, the original Inspector Javert in Les Misérables, and the original Beast in Beauty and the Beast.  He also originated the role of Chauvelin in The Scarlet Pimpernel and The Man in the Yellow Suit in Tuck Everlasting.  His most recent Tony nomination was for his portrayal of King Charlemagne in Pippin, which also earned him the Outer Critics Circle Award.
Last spring, Terry starred as Jerry Springer in The New Group New York premiere of Jerry Springer: The Opera at the Signature Theatre. Other Broadway credits include The Addams Family (Mal Bienekie), Lennon (Ensemble), The Rocky Horror Show (Frank ‘N Furter),Getting Away with Murder (Greg), A Christmas Carol (Scrooge), Rags (Saul), Barnum (Ringmaster), and Jerome Robbins Broadway (Narrator).

Terry’s credits also include a wide range of film and TV work. Currently, he can be seen as arch-villain Mr. Whispers on the Netflix series “Sense8.”  He appeared as Bob on the Sci-Fi Channel’s series “The Dresden Files.”
Additional credits include features CRITTERS, A CHORUS LINE, BIG TOP PEE-WEE, and SOLAR BABIES and TV shows; ”Sleepy Hollow,” “Instinct,” “Law and Order,” “Mrs. Santa Claus,” “American Revolution,” and “One Life to Live.”.
Terry’s theatre credits also include work as a director, composer, professor and artistic director.  He is the Director/Composer for the musical adaptation on Romeo and Juliet currently in development. He was the founding Artistic Director of the Carolina Arts Festival and currently serves as the endowed chair of Musical Theatre at Western Carolina University. In addition, he is the Artistic Director of the Connecticut Repertory Theater’s Nutmeg Summer Theater Festival.  He and his wife Charlotte d’Amboise are co-artistic directors of the Triple Arts Musical Theatre intensive for young performers at Western Carolina University.
Now in its 10th year, Variety Theatre is the country’s only production of its kind. Featuring an inclusive Children’s Ensemble performing alongside a professional adult cast, this Broadway classic is a must-see event. In 2018, Variety Theatre was awarded the “Special Award for a Body of Work” by the St. Louis Theater Circle, an honor that is not an annual award, but is only presented when it is felt it is truly deserved.
“But one theater here defies a particularly persistent stereotype:  the assumption that only able-bodied people can perform in musical theater.  In recognition of their eye-opening, audience delighting productions, we are very happy to present our special award for a body of work to Variety Theatre”. Judith Newmark, Post-Dispatch
 Yet again under the direction of Tony Award nominee, Lara Teeter, Variety’s production of Disney’s The Little Mermaid will feature Variety children with disabilities in the children’s ensemble, along with St Louis’ most talented children, as well as Adult Actors’ Equity Association performers.
The 2018 cast of Disney’s The Little Mermaid will include 16 children with a disability, including cerebral palsy, spina bifida, Down’s syndrome, autism, brittle bone disease, muscular dystrophy, hearing impairment, and blindness.  They will all be singing and dancing their way into your heart.  Behind the scenes, 10 children with disabilities including cerebral palsy, Down’s syndrome, hearing loss and neuro-muscular disorder, will be working as interns with the designers and directors.
About Variety the Children’s Charity of St. Louis
Variety empowers children with physical and developmental disabilities, also referred to as children with special needs, and improves their quality of life. Our programs highlight ability rather than disability. This holistic approach gives access to critical medical equipment and therapies, along with innovative Camp and Performing Arts programs, which provide opportunities for recreation, socialization, and artistic expression. Children gain or maintain independence, boost socialization among their friends and family, demonstrate belief in themselves, and increase skills they need to engage their world as fully as possible. www.varietystl.org
Photo credit: Merie Weismiller Wallace

Go See a Play! What’s Happening Aug. 30 – Sept. 5

Go See a Play! What’s Happening Aug. 30 – Sept. 5

By Lynn Venhaus
Managing Editor
Holiday, celebrate! It will be so nice if you take the time to see a play over the next few days. Stray Dog Theatre’s New Works Laboratory is presenting a fresh slate of one-acts, SATE gives us existential question to ponder in their final performances of “No Exit” and Next Generation Theatre Company opens the first community theatre production of “Newsies.”
Both the Black Rep and The Repertory Theatre of St. Louis kick off their seasons with musicals Wednesday – The Black Rep opens its 42nd with the spirit-stirring hand-clapping good time “Crowns” while The Rep opens its 52nd with the Andrew Lloyd Webber masterpiece “Evita.”
So take a holiday, celebrate with theater. In the words of Madonna, “It’s time for the good times, Forget about the bad times, One day to come together, To release the pressure, We need a holiday.” Go See a Play!
“Crowns: The Gospel Musical”
The Black Repertory Theatre of St. Louis
Sept. 5 – 23
Edison Theatre at Washington University
Box Office: (314) 534-3807
www.blackrep.org
What It’s About: Crowns refers to hats worn by black women. Hats become a springboard for an exploration of black history and identity as seen through the eyes of a young black woman who has come down South to stay with her aunt after her brother is killed in Brooklyn.
Hats are everywhere, in exquisite variety, and the characters use the hats to tell tales about everything from the etiquette of hats to their historical and contemporary social functions.
Director: Linda Kennedy
Cast: Anita Jackson leads the cast as Mother Shaw, with Maureen Williams as Wanda, Amber Rose as Velma, Leah Stewart as Mabel, Eleanor Humphrey as Jeannette, Myke Andrews as The Man and Tyler White as Yolanda.
Of Note: Director Linda Kennedy says: “The mothers and grandmothers, women of the church, were the glue that held us all together. They helped to raise us and helped make us accountable for our actions. We feared them then but are so grateful to them now. One of the greatest gifts a child can receive is the opportunity to sit and listen to and learn from an elder.” Rounding out the behind the scenes team will be the stage manager, Tracy D. Holliway-Wiggins, set designer, Dunsi Dai, lighting by Joe Clapper, and costumes by Daryl Harris.
“An Evening of One-Acts”
Stray Dog Theatre New Works Laboratory
Thursday through Saturday, Aug. 30 – Sept. 1, 8 p.m.
Tower Grove Abbey
2336 Tennessee Avenue, St. Louis
314-865-1995www.straydogtheatre.org
What It’s About: The evening consists the one-act plays “Marge” by Lawrence E. Mooney, “Lights in the Sky” by Courtney Taylor, “Joyland” by Karen Saari, and “Life Ever After” by Alyssa Ward.
With the New Works Laboratory, the audience, performers, and writer all take part in the play development process. The writer creates the script, the actors translate the page to the stage, and audience members exchange immediate and uncensored reaction to the play, providing all with insight into further development of the product.
Playwrights with a unique vision, innovative subject matter, and diverse perspectives are thus given a voice which otherwise might never be afforded to them in the contemporary world of performing arts.
Directors: “Marge” – Lavonne Byers, “Lights in the Sky” — Kevin O’Brien, “Joyland” –Stephen Peirick, and “Life Ever After” – Miles Bledsoe.
Casts: “Joyland” – Sarajane Alverson and Sara Rae Womack; “Lights in the Sky” – Stephen Henley and Luis Castro; “Life Ever After” – Chrissie Watkins, Maria Bartolotta, and Jonathan Hey; and “Marge” – Jan Nieoff, Jonathan Hey, Dawn Schmid and Simon Desilets.
Of Note: Tickets are free. To reserve yours, please visit: www.straydogtheatre.
“Evita”
The Repertory Theatre of St. Louis
Sept. 5 – 30www.repstl.org
What It’s About:  The incandescent Eva Perón’s rise from poverty to power electrified the world – and made her an iconic political celebrity. Winner of seven Tony Awards, Andrew Lloyd Webber and Tim Rice’s tour-de-force musical revels in the glamour, charisma and controversy that defined the First Lady of Argentina. With its unforgettable anthem “Don’t Cry for Me Argentina” and kaleidoscope of sights and sounds, “Evita” dazzles with pure passion.
Director: Rob Ruggiero, with music direction by Charlie Alterman and choreography by Gustavo Zajac.
Cast: Michelle Aravena (Eva Perón), Pepe Nufrio (Che), Sean MacLaughlin (Juan Perón), Nicolas Dávila (Augstín Magaldi/Ensemble), Shea Gomez (Perón’s Mistress/Ensemble).
Ensemble: Maria Bilbao, Nathaniel Burich, Ben Chavez, Samuel Druhora, Carmen Garcia, Esmeralda Garza, Samantha Gershman, Julie Hanson, Keith Hines, Jose Luaces, Ben Nordstrom, Waldemar Quinones-Villanueva, April Strelinger andTim Wessel.
Disney’s “Newsies”
Next Generation Theatre Company
Aug. 31 – Sept. 9
Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m.
Florissant Civic Center Theatre
314-921-5678www.nextgenerationtheatre.company
What It’s About: Disney’s Newsies tells the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged ‘newsies.’ When titans of publishing raise distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right.
Based on the 1992 motion picture and inspired by a true story, “Newsies” features a Tony Award-winning score by Alan Menken (Little Shop of Horrors, Sister Act) and Jack Feldman and a book by Tony Award winner Harvey Fierstein (Kinky Boots). Featuring the now classic songs “Carrying the Banner,” “Seize the Day,” and “Santa Fe,” Newsies is packed with non-stop thrills and a timeless message that is perfect for the whole family.
Director: Joe Elvis Baker, who is also choreographer, with music direction by Meredith Todd.
Cast: Main characters – Jack Kelly – Matthew Riordan; Crutchie – Matthew Cox; Davey – Jack Erbs; Les – Max Slavik; Katherine Plumber – Leigha Stockton; Joseph Pulitzer – Joel Hackbarth; and Medda Larkin – Brenda Bass.
Newsies: Race – Andrew Maroney, Albert/Crutchie Understudy – Corey Fraine, Romeo – Braden Stille, Henry – DJ Wojciehowski, Finch – Isaiah Henry, Specs – Rebekah Side, Elmer – Conrad Powell, Mush – Joel Brown, Jo Jo – Mia Polittle, Buttons – Andrea Brown, Sniper – Justin Harris, Splasher – Jess Gerst, Spot Conlon – Kellen Green, Scab 1 – Cami Dummerth, Scab 2 – Hayden Rodgers, Scab 3 – Justin Harris, Trey Ball, Elise Brubaker, Sabrina Furman, Gabby Diebold, Nya Martin, Kate Shaefer, Sarah Burke, Logan Brown, Aiden Kelly, Rebecca Walthall
Nuns: Mica Tharp, Elise Brubaker, Caitlin Sauors, Mackenzie Baum
Bowery Beauties: Devon Shipley, Nya Martin, Kate Shaefer, MacKenzie Baum
Of Note: The performance on Sept. 2 at 2 p.m. will be a sensory friendly performance. This performance will have a few adjustments to create a welcoming environment for our entire community, such as the house lights being at half for the entire performance. If you would like more information regarding this performance or a “What to Expect” guide, please contact us at contact@nextgenerationtheatre.company.
“No Exit”
Slightly Askew Theatre Ensemble
Aug. 15 – Sept. 1
Wednesday through Saturday at 8 p.m.
The Chapel
6238 Alexander Drive
www.slightlyoff.org
What It’s About: Jean-Paul Sartre’s existential play “No Exit” is about three damned souls are brought to the same room in hell by a mysterious Valet. Expecting medieval torture devises to punish them for eternity, they are surprised by the deceptively simple and relatively ugly room. As they are all introduced, none of them will admit the reason for their damnation. But Inez demands that they all stop lying to themselves and confess to their crimes. The play is an exploration into the human psyche and the invisible wounds we are capable of inflicting upon others, and ourselves.
Director: Bess Moynihan
Cast: Rachel Tibbetts, Shane Signorino, Sarah Morris, Katy Keating
Of Note “No Exit” is the source of Sartre’s famous quotation ‘L’enfer, c’est les autres’ or “Hell Is Other People.”
Photo by Joey Rumpell

Southwestern Illinois Creative Arts Syndicate Announces Fall Schedule

Southwestern Illinois Creative Arts Syndicate Announces Fall Schedule

Listen to a guest speaker, view student films, gaze upon art or enjoy the sounds of the United States Air Force Band of Mid-America at Southwestern Illinois College this fall.
The college’s arts series, called the Southwestern Illinois Creative Arts Syndicate, features a variety of events ranging from the Film and Mass Communication programs’ open house Sept. 25 to a lecture and demonstration by film makeup artist Jeff Lewis on Oct. 22, and the SWIC Holiday Concert Dec. 4.
“There is something for everyone whether you’re into chamber music, love art or want to find out more about filmmaking,” said Nicole Dutton, Schmidt Art Center curator. “We want our students and the community to enjoy the arts right here in the Metro East.”
The fall 2018 SWICARTS calendar is below. For details on individual events, visit swic.edu or facebook.com/swicarts.

SPEAKER SERIES 
Sept. 18 – Guest Lecture: SWIC Clarinet Instructor Meghan Yankowskas, 2 p.m., The Schmidt
Sept. 19 – Guest Lecture: Humans of STL Creator Lindy Drew, 3 p.m., The Schmidt
Oct. 3 ­­­– Faculty Speaker: Associate Professor of Music Ed Jacobs­ – Operatic Empathy, 3 p.m., The Schmidt
Oct. 22 – Guest Lecture and Demonstration: Jeff Lewis – Film Make Up Artist, 6 p.m., The Schmidt
Oct. 23 – Sound Meditation with Pati Pellerito, 4:30 p.m., The Schmidt
Nov. 1 – Guest Lecture: Sarah Borgstede – Empathy, Government, and YOU: Advocacy with RESULTS, 3 p.m., The Schmidt
Nov. 7 – Faculty Panel Discussion: Dan Cross, Paula Haniszewski, Ed Jacobs and Julie Willis – 2001: A Space Odyssey The Film Reviewed after 50 Years, 3 p.m.,
The Schmidt
Nov. 15 – Tellebration: A Storytelling Event, 6 p.m., The Schmidt
FILM  
Oct. 29 – Documentary Film Screening: ‘Whose Streets’ Co-Directed by Sabaah Folayan and Damon Davis, 11 a.m., 3 p.m., 7 p.m., LAC Theater
Nov. 20 – Alumni Student Film Screening: ‘A Blast from the Past,’ 3 p.m., LAC Theater
ART 
For exhibition information, visit swic.edu/theschmidt.
Oct. 25 – Finocchio-Clary-Barnes-Méthot Exhibition Opening Reception, 4-7 pm., The Schmidt
Nov. 29 – Pottery Sale, 10 a.m. to 2 p.m., The Schmidt
MUSIC  
For concert information, visit swic.edu/music.
Sept. 18 – Music Faculty Recital: Meghan Yankowskas, Electric Clarinet 3 p.m., The Schmidt
Sept. 25 – Chamber Music Recital: U.S. Air Force Band of Mid-America 7 p.m., The Schmidt
Oct. 19 – Jr. High Band Concert: Empathy Is Created – Teaching Human Beings Through Music ALL DAY, Varsity Gym
Oct. 20 – SWIC Choirs & St. Paul UCC Chancel Choir: From the Heavens to Earth 7 p.m., St. Paul United Church of Christ, Belleville
Oct. 30 – Chamber Music Recital: Sound Czech, 7 p.m., The Schmidt
Oct. 31 – SWIC Student Recital, 3 p.m., The Schmidt
Nov. 3 – No-Name Chorale 7 p.m., The Schmidt
Nov. 5 – Jazz Band: America’s Original Art 7 p.m., MC Theatre
Nov. 15 – SWIC Concert Band: Salvation is [Re]Created 7 p.m., St. Clare of Assisi Church, O’Fallon
Dec. 4 – SWIC Holiday Concert 7 p.m., Varsity Gym
Dec. 5 – SWIC Student Honors Recital 3 p.m., The Schmidt
Dec. 8 – SWIC Concert Choir & Chamber Singers: Carols by Candlelight IV 7 p.m., Union United Methodist Church, Belleville
MASS COMMUNICATION
Sept. 25 – Media Arts Open House, 5 p.m., LA 1342 and 1348
Oct. 5 – College Radio Day, ALL DAY Listen on Blue Storm Radio on TuneIn
About the cover photo: A photograph of a bike in Venice is from the Schmidt Art Center’s current exhibition, “Art at the Speed of Light” by Donald Bevirt, which opened Aug. 23 and runs through Oct. 5.

Strong Acting Complements Rich Voices in Stirring ‘Lost in the Stars’ Opera

Strong Acting Complements Rich Voices in Stirring ‘Lost in the Stars’ Opera

By Lynn Venhaus
Managing Editor
A compelling plea for compassion and understanding, Kurt Weill’s mighty “Lost in the Stars” will break your heart and uplift your spirit in Union Avenue Opera’s stirring production.
This ambitious vibrant opera features more than 50 performers, many new to the art form, and that provides some of St. Louis’ finest dramatic artists with an opportunity to stretch their acting muscles. Under Shaun Patrick Tubbs’ fluid direction, they seamlessly blend into Weill’s powerful operatic retelling of “Cry, the Beloved Country.”
Alan Paton’s 1948 novel is set in South Africa during the 1940s era of apartheid, a time of great racial and economic divide. Adapted the following year into the opera “Lost in the Stars,” Weill wrote his last score, and famed historical playwright Maxwell Anderson wrote both the book and lyrics.

This hard-hitting work resonates today, demonstrating a need for humanity in a time of intolerance, misunderstanding and prejudice.
Rev. Stephen Kumalo (Kenneth Overton) travels to Johannesburg, and hopes to locate his son, Absalom (Myke Andrews), whom he hasn’t seen for a year. At the railroad station, he talks to Arthur Jarvis (Stephen Peirick), a white lawyer who is a benefactor of the church and believes in treating all people the same. He is with his disapproving father, wealthy plantation owner James Jarvis (Tim Schall), whose bigotry runs deep.
While Absalom is out on parole for a crime and is living with Irina (Krysty Swann), pregnant with their child, he is convinced to be part of a burglary with two others. It’s at the Jarvis plantation, but Arthur walks in and is shot by Absalom, who got flustered and scared. A legal scheme is hatched for acquittal but Absalom will have none of it, he confesses and while honorable, will be sentenced to death.
The Reverend can’t save his son, and the elder Jarvis has lost a son too. Eventually some common ground can be achieved. But it’s a hard road, and old ways must be forgotten to forge a new understanding.
In an emotional powder-keg of a role, Kenneth Overton soars with his potent baritone and poignant renditions of every number.  He pulls everyone’s heartstrings tight and has the ability to take your breath away and reduce you to tears. His showstopping “Lost in the Stars” delivery to close Act I is haunting and will remain one of my favorite and best moments of Union Avenue Opera’s 24th season.
He anchored an outstanding youthful ensemble displaying a notable energy and passion. Speaking roles included Jeanitta Perkins as Grace Kumalo, Stephen’s wife and Absalom’s mother; Reginald Pierre as Stephen’s lawyer brother John; Carl Overly Jr. as burglar Matthew Kumalo, Abraham Shaw as burglar Johannes Pafuri and Chuck Lavazzi as parole officer Mark Eland. Their mastery of their Afrikaner accents and their projection was noteworthy.
Tim Schall and Stephen Peirick excelled in their roles as the Jarvis father and son on opposite ends of their beliefs.
Myke Andrews, who was impressive in The Black Rep’s “Torn Asunder” and Metro Theatre Company’s “Bud, Not Buddy,” turned in his best work yet as Absalom. He is stunning, maneuvering a wide range of emotions with conviction. His ‘goodbye’ scene will rip your heart and have you reaching for tissues, along with soprano Kristy Swann as Irina, showcasing a warm rich voice.
Rising star Melody Wilson has a fetching turn as Linda and Roderick George sang the Leader role with authority.
Young Charlie Mathis, so impressive as Dill in “To Kill a Mockingbird” at The Rep, was at home here as Arthur Jarvis’ young son, Edward, as was Sherrod Murff as Alex, Stephen Kumalo’s nephew. Sherrod delivers a sweet solo song at a time where a break from all the intense melodrama was welcome.
Artistic Director Scott Schoonover conducted the orchestra with crisp precision, emphasizing the cultural context in a meaningful way. And the orchestra was quite robust.
The creative team also contributed key elements to the overall period feel of the production. James W. Clapper’s lighting design was eloquent, and his “stars” lighting a few at a time was just beautiful. Teresa Doggett’s costume design nailed the time and place, as did Roger Speidel’s minimal set design that doubled as multiple interiors with ease.
“Lost in the Stars” delivers a forceful message with not only an urgency but with kindness. It remains a timeless work of historical significance that needs to be seen now.
“Lost in the Stars” is presented by Union Avenue Opera for four performances Aug. 17, 18, 24 and 25 at the Union Avenue Christian Church. For more information, visit ww.unionavenueopera.org.

Photos by John Lamb

Go See a Play! What’s Happening Aug. 23 – 29

Go See a Play! What’s Happening Aug. 23 – 29

By Lynn Venhaus
Managing Editor
It’s back to school and back to work after vacation as summer winds down. It’s also back to the boards for local theater companies, as we do not have any openings, only shows returning for more performances.
The St. Louis Fringe Festival returns, as voices continue to be unleashed Thursday through Saturday in the Grand Arts Center.
Two showcases for primo voices have final performances this weekend, so you do not want to miss “The Light in the Piazza” and Kurt Weill’s “Lost in the Stars.”
And the drama goes on in Jean-Paul Sartre’s “No Exit” and “King Charles III.”
Go, See a Play!

Britteny Henry and James Reiss. Photo by Ron James.“King Charles III”
St. Louis Shakespeare
Aug. 17 – 26
The Ivory Theatre
7620 Michiganwww.stlshakespeare.org
314-361-5664
What It’s About: Mike Bartlett’s controversial 2014 play is “a future history” about what happens after Queen Elizabeth II dies, and the prince ascends to the throne after a lifetime of waiting. But how to rule? Who are these people beneath the crowns, the conscience of Britain’s most famous family and the unwritten rules of our democracy.
Director: Donna Northcutt
Cast: Colin Nichols, Jeremy Goldmeier, Andra Harkins, Britteny Henry, Lexie Baker, Michael Bouchard, Patience Davis, Hannah Pauluhn, Donna Postel, James Reiss, Jeff Lovell and William Pendergast.
Of Note: This is the first production of St. Louis Shakespeare’s 34th season.
Photo by Ron James
Kay Love as Margaret.“The Light in the Piazza”
R-S Theatrics
Fridays and Saturdays at 8 p.m., and Sundays at 7 p.m.
Aug. 10 – 26
The Marcelle Theatre
3310 Sam Shepard Drive
www.r-stheatrics.org
What It’s About: Winner of numerous Tony Awards in 2005, this musical tells the story of a young American woman vacationing with her mother in Florence in the 1950s. When the woman falls for a local Italian man, uncomfortable truths come to light about what was past and what may be future.”
Director: Christina Rios, with music direction by Sarah Nelson
Starring: Kay Martin Love as Margaret, Macia Noorman as Clara, Tielere Cheatem as Fabrizio, Stephanie Merritt as Franca, Micheal Lowe as Guiseppe, Kent Coffel as Signor Naccarelli, Jodi Stockton as Signora Naccarelli and Avery Smith as Young Clara.
Ensemble includes Robert Doyle, Lindy Elliott, Anthony Randle, Melissa Felps, Ann Heir, Chris Kernan, Jason Meyers and Louisa Wimmer.
Of Note: St. Louis premiere.
“Lost in the Stars”
Union Avenue Opera
Aug. 17 – 25
Friday and Saturday at 8 p.m.
Union Avenue Christian Church
733 Union at Enright.www.unionavenueopera.org
314-361-2881
What It’s About: Kurt Weill’s provocative work addresses the weighty moral issues of racism and injustice, more relevant now than ever in St. Louis. For his final Broadway score, Weill took “Cry, the Beloved Country” – a powerful, uncompromising social indictment of apartheid South Africa – and gave it a passionate voice.
Two aging men – a black country parson and a white British planter – are drawn into friendship by a shared grief. The parson’s faith is challenged by his son’s unintentional murder of the planter’s son, while the planter acquires faith through the loss of his son.
Director: Shaun Patrick Tubbs
Cast: Leader – Roderick George, Nita – Evan Adams*, Grace Kumalo – Jeanitta Perkins*, Stephen Kumalo – Kenneth Overton*, James Jarvis – Tim Schall*, Edward Jarvis – Charlie Mathis*, Arthur Jarvis – Stephen Peirick*, John Kumalo – Reginald Pierre*, Alex – Sherrod Murff*, Foreman – Ross Rubright, Mrs. Mkize – Rose Fischer, Hlabeni – Michael Hawkins, Mark Eland – Chuck Lavazzi*, Linda – Melody Wilson, Johannes Pafuri – Abraham Shaw*, Matthew Kumalo – Carl Overly, Jr.*, Absalom Kumalo – Myke Andrews*, Irina – Krysty Sawnn*, Burton – Anthony Heinemann and The Judge – Joel Rogier.
Ensemble – Evan Adams*, Sharifa Black*, Madeleine Buckley*, Erika Cockerham*, Laurel Ellison Dantas, Ebony Easter*, Rose Fischer, David Goldman*, Brittany Graham*, Michael Hawkins, Anthony Heinemann, Merry Keller, Lisa Khaimova*, Gina Malone, Randell McGee, Maika Miller*, Paul Herbert Pitts*, Joel Rogier, Ross Rubright, Mark Saunders, Moses Anthony Weathers* and Benjamin Worley*.
*Union Avenue Opera debut
Photo by John Lamb
“No Exit”
Slightly Askew Theatre Ensemble
Aug. 15 – Sept. 1
Wednesday through Saturday at 8 p.m.
The Chapel
6238 Alexander Drive
www.slightlyoff.org
What It’s About: Jean-Paul Sartre’s existential play “No Exit” is about three damned souls are brought to the same room in hell by a mysterious Valet. Expecting medieval torture devises to punish them for eternity, they are surprised by the deceptively simple and relatively ugly room. As they are all introduced, none of them will admit the reason for their damnation. But Inez demands that they all stop lying to themselves and confess to their crimes. The play is an exploration into the human psyche and the invisible wounds we are capable of inflicting upon others, and ourselves.
Director: Bess Moynihan
Cast: Rachel Tibbetts, Shane Signorino, Sarah Morris, Katy Keating
Of Note “No Exit” is the source of Sartre’s famous quotation ‘L’enfer, c’est les autres’ or “Hell Is Other People.”
Photo by Joey Rumpell
“Race Cars and Romance”
St. Louis Fringe Festival National Headline Act
Aug. 23 – 25
The Grandel Theatrewww.stlouisfringe.com
What It’s About: A Fringe Family-Friendly Event starring “Something Rotten!’s” Kate Bailey and Ralph Meitzler, and directed by St. Louis native and Broadway star Brandon Bieber.
“Race Cars and Romance” is a fast-paced, hilarious rom-com that tells the story of a young woman mechanic fighting to earn professional respect in the male-dominated world of stock car racing. She is torn between her desires to find love in a traditional relationship and the reality of her agitated, greasy, masculine working conditions. Her fortunes turn for the better after an unexpected meeting with an old foe and down-and-out race car driver leads to a winning relationship on the track but troubled romance off the track. Meanwhile, traditional relationships are redefined when her best friend, the playful Louraine finds her first “respectful” relationship, former shop owner Paw Paw offers dear Grandma Myrtle appreciation that’s long overdue, and other colorful customers find their connections while keeping the oil change business in non-stop laughter.”
St. Louis Fringe Festival
Aug. 23 – 25, Thursday through Saturday
Grand Arts Centerwww.stlouisfringe.com
www.MetroTix.com
What It’s About: Original material – theater, dance, music, comedy, circus arts, performance art, cabaret and burlesque – are accepted for the annual festival. Tech is minimal and shows are often brief.
Fringe builds community by connecting uncensored, unjuried performing arts with accessible and affordable performances for audiences.
Venues: Kranzberg Art Center Black Box and Studio theatres, The Duet Gallery, The Grandel and .Zack.
Here is the line-up Aug. 23-25. For dates and locations, visit www.stlouisfringe.com
“Any Man in America” – Declaration Stage Company
“The Bothered” – Rogue Theatre Company
“Broadway Favorites” – Debut Theater Company
“The Countdown” – Open House Theatre
“The Devil’s Passion” – Bankside Repertory
“Ectopic: A Hypersexual Play” – Tesseract Theatre Company
“Grim Tales, Horific Vignettes” – Spooky Scary Productions
“Intervals” – Mill Hill Productions
#MeToo, Her Voice Must be Heard” – Until You’ve Walked in Her Shoes Inc.
“Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond – The Midnight Company
“Pain” – Tony Marr Jr.
“Perennial Growth” – Whale of the People
“Political Snarkasm” – The Riccardi’s
“Race Cars and Romance” – National Headline Act
“Tall Tale Camp Tale” – On a Wing and a Prayer
“Til the Cold Winter’s Through – because, why not?

Muny Announces $20 Million Pledge For Second Century Campaign

Muny Announces $20 Million Pledge For Second Century Campaign

The Muny has announced a remarkable pledge of $20 million from The JSM Charitable Trust for its Second Century Capital Campaign. This fundraising effort will fund major capital improvements, including a complete rebuild of the Muny stage, the support, maintenance and upkeep of the aging 11.5 acre campus, and the building of the theatre’s endowment, which supports The Muny’s ever-growing education and outreach programs.
Elizabeth and James McDonnell“As one of the lead supporters of this campaign, James and Elizabeth McDonnell, through The JSM Charitable Trust, have once again set the tone for philanthropy in the St. Louis community and we are incredibly humbled and grateful to be on the receiving end of their generosity,” said Muny President and CEO Denny Reagan. “This gift helps secure a thriving future for The Muny and the generations of St. Louisans we will continue to serve.”

“There’s music and magic on that stage, but behind the scenes are dated technologies and a crumbling infrastructure that hold it all together,” said James S. McDonnell III, Trustee of The JSM Charitable Trust, Honorary Campaign Chair, Board Member and long-time Muny supporter. “This is our chance to give a gift of great value to generations and secure the future of this civic institution for years to come.”
This announcement was part of The Muny’s official kick-off event, Intermission: Setting the Stage for the Next Act, for the upcoming stage renovation. Major donors were invited for an intimate evening onstage that included brief remarks regarding the Second Century Capital Campaign and the upcoming major renovations to the theatre.
Mike Isaacson, artistic director and executive producerPhotos by Phillip Hamer

Many St. Louisans Met at The Muny This Summer: Attendance Figures Released

Many St. Louisans Met at The Muny This Summer: Attendance Figures Released

100th Season Included Two Regional World Premieres
The numbers are in: 393,398 people attended the Muny’s Centennial season under the stars at America’s oldest and largest outdoor musical theater.
It is a six percent increase over 2017, and that includes an 11 percent growth in season tickets. Nearly 100,000 guests experienced a Muny production at no cost through The Muny’s free seat and community access programs.
Of the seven shows, “Meet Me in St. Louis” drew the biggest crowds, with  76,500 in attendance.  The season included “Annie,” 69,638; “Singin’ in the Rain,” 56,385; “Jersey Boys,” 54,766;  “The Wiz,” 49,486;  “Gypsy,” 43,712; and “Jerome Robbins’ Broadway,” 42,911.
“This season – from that magnificent Gala all the way through the fireworks finale of Meet Me In St. Louis – was truly a community-wide celebration,” said Muny President and CEO Denny Reagan. “We are so proud to have had this opportunity to share this summer with the hundreds of thousands of audience members who have made The Muny’s storied past and inspiring future possible.”

“Muny 100 was a season we will all remember the rest of our lives,” said Muny Artistic Director and Executive Producer Mike Isaacson. “The passion and joy we received from the audience was palpable, and everyone on and backstage gave their extraordinary best. The only response I can have is profound awe and gratitude.”
 In addition, 6,804 guests attended The Muny’s Centennial Gala, An Evening with the Stars. When combined, total attendance for the seven-show summer season and An Evening with the Stars: 400,202.
VIDEO recap of 2018 Season: https://youtu.be/WsMENOI8yv4
100th Season attendance by show:
Jerome Robbins’ Broadway: 42,911
This monumental world regional premiere was a celebratory start to our centennial season! Scenes from some of Robbins’ biggest hits, including West Side Story, On the Town, Peter Pan, The King and I and Fiddler on the Roof showcased the talent of Tony Award-winning director and choreographer, Jerome Robbins. In its first ever staging since its original Broadway production and national tour, it enchanted audiences.
The Wiz: 49,486
In its first Muny production in 36 years, this feel-good favorite had audiences clicking their heels in the aisles all night long. Sparkling with heart-pounding soul, unforgettable gospel and infectious rock rhythms, this reimagined familiar favorite had audiences ready to “Ease on Down the Road” to meet The Wiz!
Singin’ in the Rain: 56,385
Known for its splashy production numbers and snappy dialogue, this timeless Muny favorite was a downpour of pure delight. The forecast predicted sunny smiles and dazzling dancing, and stars Corbin Bleu, Berklea Going and Jeffrey Schecter splashed right into audiences’ hearts.
Jersey Boys: 54,766
The story of the magic behind the music of international sensation Frankie Valli and The Four Seasons arrived at The Muny in style in its world regional premiere. The star-studded cast even captured the heart of real-life Four Seasons member Bob Gaudio, who stopped by to give our production his heartfelt blessing.

Annie: 69,638
Everyone’s favorite plucky, freckle-faced orphan did not disappoint! Audiences took a stroll down “Easy Street” to follow the story of Annie’s journey from a “Hard Knock Life” to her forever home. With songs and kick-lines that entertained the entire family, this production was a multigenerational hit!
Gypsy: 43,712
Fans were awestruck by the countless showstoppers and striking backstory of famous burlesque dancer Gypsy Rose Lee. The hidden hardships and highlights of show business came center stage with a heart-stirring performance by Beth Leavel as Momma Rose in this cherished classic. We loved letting them entertain us all night long!

Meet Me In St. Louis: 76,500
Zing, zing, zing went our heartstrings! Meet Me In St. Louis was the perfect finale to our majestic centennial season. Showcasing a boy-next-door romance and a close-knit, Midwestern family, this production was the perfect ribbon on a monumental season…right here in St. Louis.

The Muny’s 101st Season announcement will take place at Muny Magic at The Sheldon on October 17 and 18 at 7:30 p.m. Tickets are available now, online at muny.org, by phone 314-534-1111 or at The Muny Box Office.
 
The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 390,000 theatregoers over our nine-week season.
Celebrating 100 seasons in St. Louis, The Muny remains one of the
premier institutions in musical theatre. For more information about The Muny, visit muny.org