“THE BATMAN” LEADS FILM NOMINATIONS

“EVIL,” “HOUSE OF THE DRAGON,” “THE BOYS,” AND “WHAT WE DO IN THE SHADOWS” LEAD WITH MOST TV NODS

Winners to be Announced on March 16

The Critics Choice Association (CCA) announced the nominees for the 3rd Annual Critics Choice Super Awards, honoring the most popular, fan-obsessed genres across both television and movies, including Superhero, Science Fiction/Fantasy, Horror, and Action. Winners will be revealed via a special announcement on Thursday, March 16.

“The Batman” leads this year’s film nominees, earning six nominations including Best Superhero Movie.  Robert Pattinson, Paul Dano, and Colin Farrell each received nods for Best Actor in a Superhero Movie, while Zoë Kravitz is up for Best Actress in a Superhero Movie.  Paul Dano could also take home the award for Best Villain in a Movie. 

“Evil,” “House of the Dragon,” “The Boys,” and “What We Do in the Shadows” tied for the most television nominations, with each project garnering four nods.  “Evil” and “What We Do in the Shadows” were both nominated for Best Horror Series, while “House of the Dragon” received a nomination for Best Science Fiction/Fantasy Series, and “The Boys” received a nod for Best Superhero Series. Mike Colter from “Evil” garnered a nomination for Best Actor in a Horror Series, while Katja Herbers will vie for Best Actress in a Horror Series, and Michael Emerson earned a nod for Best Villain in a Series.  “What We Do in the Shadows” also has two actors, Matt Berry and Harvey Guillén, competing in the category of Best Actor in a Horror Series, while Natasia Demetriou is also up for Best Actress in a Horror Series.  For “House of the Dragon,” Matt Smith garnered two nominations for both Best Actor in a Science Fiction/Fantasy Series and Best Villain in a Series, while Milly Alcock received a nod for Best Actress in a Science Fiction/Fantasy Series.  For “The Boys,” Antony Starr received a nomination for Best Actor in a Superhero Series in addition to Best Villain in a Series, and Erin Moriarty is up for Best Actress in a Superhero Series. 

Follow the Critics Choice Super Awards on Twitter and Instagram @CriticsChoice and on Facebook/CriticsChoiceAwards.

What We Do in the Shadows
FILM NOMINATIONS FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDSBEST ACTION MOVIE
Bullet Train
RRR
Top Gun: Maverick
The Unbearable Weight of Massive Talent
The Woman King

BEST ACTOR IN AN ACTION MOVIE
Nicolas Cage – The Unbearable Weight of Massive Talent
Ram Charan – RRR
Tom Cruise – Top Gun: Maverick
Brad Pitt – Bullet Train
N.T. Rama Rao Jr. – RRR

BEST ACTRESS IN AN ACTION MOVIE
Sandra Bullock – The Lost City
Jennifer Connelly – Top Gun: Maverick
Viola Davis – The Woman King
Joey King – Bullet Train
Joey King – The Princess

BEST SUPERHERO MOVIE*
The Batman
Black Panther: Wakanda Forever
DC League of Super-Pets
Doctor Strange in the Multiverse of Madness
Thor: Love and Thunder

BEST ACTOR IN A SUPERHERO MOVIE*
Benedict Cumberbatch – Doctor Strange in the Multiverse of Madness
Paul Dano – The Batman
Colin Farrell – The Batman
Tenoch Huerta – Black Panther: Wakanda Forever
Robert Pattinson – The Batman

BEST ACTRESS IN A SUPERHERO MOVIE*
Angela Bassett – Black Panther: Wakanda Forever
Zoë Kravitz – The Batman
Elizabeth Olsen – Doctor Strange in the Multiverse of Madness
Natalie Portman – Thor: Love and Thunder
Letitia Wright – Black Panther: Wakanda Forever

BEST HORROR MOVIE
Barbarian
The Black Phone
Pearl
Smile
Speak No Evil
X

BEST ACTOR IN A HORROR MOVIE
Ethan Hawke – The Black Phone
Fedja van Huêt – Speak No Evil
Ralph Fiennes – The Menu
Rory Kinnear – Men
Justin Long – Barbarian

BEST ACTRESS IN A HORROR MOVIE
Jessie Buckley – Men
Aisha Dee – Sissy
Anna Diop – Nanny
Mia Goth – Pearl
Rebecca Hall – Resurrection

BEST SCIENCE FICTION/FANTASY MOVIE
Avatar: The Way of Water
Everything Everywhere All at Once
Nope
The Northman
Prey

BEST ACTOR IN A SCIENCE FICTION/FANTASY MOVIE
Colin Farrell – After Yang
Daniel Kaluuya – Nope
Ke Huy Quan – Everything Everywhere All at Once
Ryan Reynolds – The Adam Project
Alexander Skarsgård – The Northman

BEST ACTRESS IN A SCIENCE FICTION/FANTASY MOVIE
Karen Gillan – Dual
Stephanie Hsu – Everything Everywhere All at Once
Amber Midthunder – Prey
Keke Palmer – Nope
Zoe Saldana – Avatar: The Way of Water
Michelle Yeoh – Everything Everywhere All at Once

BEST VILLAIN IN A MOVIE
Paul Dano – The Batman
Mia Goth – Pearl
Tenoch Huerta – Black Panther: Wakanda Forever
Joey King – Bullet Train
Elizabeth Olsen – Doctor Strange in the Multiverse of Madness
Mark Rylance – Bones and All

* Superhero categories also include Comic Book and Video Game Inspired MoviesTELEVISION NOMINATIONS FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDSBEST ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
9-1-1
Cobra Kai
Kung Fu
Reacher
Tulsa King
Vikings: Valhalla

BEST ACTOR IN AN ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Kevin Costner – Yellowstone
John Krasinski – Tom Clancy’s Jack Ryan
Ralph Macchio – Cobra Kai
Alan Ritchson – Reacher
Sylvester Stallone – Tulsa King
William Zabka – Cobra Kai

BEST ACTRESS IN AN ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Angela Bassett – 9-1-1
Queen Latifah – The Equalizer
Olivia Liang – Kung Fu
Katherine McNamara – Walker: Independence
Helen Mirren – 1923
Kelly Reilly – Yellowstone

BEST SUPERHERO SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE*
The Boys
Doom Patrol
Ms. Marvel
Peacemaker
She-Hulk: Attorney at Law
Werewolf by Night

BEST ACTOR IN A SUPERHERO SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE*
John Cena – Peacemaker
Brendan Fraser – Doom Patrol
Grant Gustin – The Flash
Oscar Isaac – Moon Knight
Elliot Page – The Umbrella Academy
Antony Starr – The Boys

BEST ACTRESS IN A SUPERHERO SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE*
Danielle Brooks – Peacemaker
Michelle Gomez – Doom Patrol
Caity Lotz – Legends of Tomorrow
Tatiana Maslany – She-Hulk: Attorney at Law
Erin Moriarty – The Boys
Iman Vellani – Ms. Marvel

BEST HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Anne Rice’s Interview with the Vampire
Chucky
Dahmer – Monster: The Jeffrey Dahmer Story
Evil
The Walking Dead
Wednesday
What We Do in the Shadows

BEST ACTOR IN A HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Jacob Anderson – Anne Rice’s Interview with the Vampire
Matt Berry – What We Do in the Shadows
Mike Colter – Evil
Harvey Guillén – What We Do in the Shadows
Evan Peters – Dahmer – Monster: The Jeffrey Dahmer Story
Sam Reid – Anne Rice’s Interview with the Vampire

BEST ACTRESS IN A HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Jennifer Coolidge – The Watcher
Natasia Demetriou – What We Do in the Shadows
Katja Herbers – Evil
Niecy Nash-Betts – Dahmer – Monster: The Jeffrey Dahmer Story
Jenna Ortega – Wednesday
Christina Ricci – Wednesday

BEST SCIENCE FICTION/FANTASY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Andor
For All Mankind
House of the Dragon
The Lord of the Rings: The Rings of Power
Star Trek: Strange New Worlds
Stranger Things

BEST ACTOR IN A SCIENCE FICTION/FANTASY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Chiwetel Ejiofor – The Man Who Fell to Earth
Samuel L. Jackson – The Last Days of Ptolemy Grey
Diego Luna – Andor
Anson Mount – Star Trek: Strange New Worlds
Adam Scott – Severance
Matt Smith – House of the Dragon

BEST ACTRESS IN A SCIENCE FICTION/FANTASY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Milly Alcock – House of the Dragon
Patricia Arquette – Severance
Morfydd Clark – The Lord of the Rings: The Rings of Power
Moses Ingram – Obi-Wan Kenobi
Fiona Shaw – Andor
Sissy Spacek – Night Sky

BEST VILLAIN IN A SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE
Ethan Hawke – Moon Knight
Brad Dourif – Chucky
Matt Smith – House of the Dragon
Hayden Christensen – Obi-Wan Kenobi
Antony Starr – The Boys
Michael Emerson – Evil
Jamie Campbell Bower – Stranger Things
Harriet Sansom Harris – Werewolf By Night

* Superhero categories also include Comic Book and Video Game Inspired SeriesNOMINATIONS BY FILM FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDSAfter Yang – 1
Best Actor in a Science Fiction/Fantasy Movie – Colin Farrell

Avatar: The Way of Water – 2
Best Science Fiction/Fantasy Movie
Best Actress in a Science Fiction/Fantasy Movie – Zoe Saldana

Barbarian – 2
Best Horror Movie
Best Actor in a Horror Movie – Justin Long

Black Panther: Wakanda Forever – 5
Best Superhero Movie
Best Actor in a Superhero Movie – Tenoch Huerta
Best Actress in a Superhero Movie – Angela Bassett
Best Actress in a Superhero Movie – Letitia Wright
Best Villain in a Movie – Tenoch Huerta

Bones and All – 1
Best Villain in a Movie – Mark Rylance

Bullet Train – 4
Best Action Movie
Best Actor in an Action Movie – Brad Pitt
Best Actress in an Action Movie – Joey King
Best Villain in a Movie – Joey King

DC League of Super-Pets – 1
Best Superhero Movie

Doctor Strange in the Multiverse of Madness – 4
Best Superhero Movie
Best Actor in a Superhero Movie – Benedict Cumberbatch
Best Actress in a Superhero Movie – Elizabeth Olsen
Best Villain in a Movie – Elizabeth Olsen

Dual – 1
Best Actress in a Science Fiction/Fantasy Movie – Karen Gillan

Everything Everywhere All at Once – 4
Best Science Fiction/Fantasy Movie
Best Actor in a Science Fiction/Fantasy Movie – Ke Huy Quan
Best Actress in a Science Fiction/Fantasy Movie – Stephanie Hsu
Best Actress in a Science Fiction/Fantasy Movie – Michelle Yeoh

Men – 2
Best Actor in a Horror Movie – Rory Kinnear
Best Actress in a Horror Movie – Jessie Buckley

Nanny – 1
Best Actress in a Horror Movie – Anna Diop

Nope – 3
Best Science Fiction/Fantasy Movie
Best Actor in a Science Fiction/Fantasy Movie – Daniel Kaluuya
Best Actress in a Science Fiction/Fantasy Movie – Keke Palmer

Pearl – 3
Best Horror Movie
Best Actress in a Horror Movie – Mia Goth
Best Villain in a Movie – Mia Goth

Prey – 2
Best Science Fiction/Fantasy Movie
Best Actress in a Science Fiction/Fantasy Movie – Amber Midthunder

Resurrection – 1
Best Actress in a Horror Movie – Rebecca Hall

RRR – 3
Best Action Movie
Best Actor in an Action Movie – Ram Charan
Best Actor in an Action Movie – N.T. Rama Rao Jr.

Sissy – 1
Best Actress in a Horror Movie – Aisha Dee

Smile – 1
Best Horror Movie

Speak No Evil –2
Best Horror Movie
Best Actor in a Horror Movie – Fedja van Huêt

The Adam Project – 1
Best Actor in a Science Fiction/Fantasy Movie – Ryan Reynolds

The Batman – 6
Best Superhero Movie
Best Actor in a Superhero Movie – Paul Dano
Best Actor in a Superhero Movie – Colin Farrell
Best Actor in a Superhero Movie – Robert Pattinson
Best Actress in a Superhero Movie – Zoë Kravitz
Best Villain in a Movie – Paul Dano

The Black Phone – 2
Best Horror Movie
Best Actor in a Horror Movie – Ethan Hawke

The Lost City – 1
Best Actress in an Action Movie – Sandra Bullock

The Menu – 1
Best Actor in a Horror Movie – Ralph Fiennes

The Northman – 2
Best Science Fiction/Fantasy Movie
Best Actor in a Science Fiction/Fantasy Movie – Alexander Skarsgård

The Princess – 1
Best Actress in an Action Movie – Joey King

The Unbearable Weight of Massive Talent – 2
Best Action Movie
Best Actor in an Action Movie – Nicolas Cage

The Woman King – 2
Best Action Movie
Best Actress in an Action Movie – Viola Davis

Thor: Love and Thunder – 2
Best Superhero Movie
Best Actress in a Superhero Movie – Natalie Portman

Top Gun: Maverick – 3
Best Action Movie
Best Actor in an Action Movie – Tom Cruise
Best Actress in an Action Movie – Jennifer Connelly

X – 1
Best Horror MovieNOMINATIONS BY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDS9-1-1 – 2
Best Action Series, Limited Series or Made-For-TV Movie
Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Angela Bassett

1923 – 1
Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Helen Mirren

Andor – 3
Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie
Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Diego Luna
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Fiona Shaw

Anne Rice’s Interview with the Vampire – 3
Best Horror Series, Limited Series or Made-For-TV Movie
Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Jacob Anderson
Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Sam Reid

Chucky – 2
Best Horror Series, Limited Series or Made-For-TV Movie
Best Villain in a Series, Limited Series or Made-For-TV Movie – Brad Dourif

Cobra Kai – 3
Best Action Series, Limited Series or Made-For-TV Movie
Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Ralph Macchio
Best Actor in an Action Series, Limited Series or Made-For-TV Movie – William Zabka

Dahmer – Monster: The Jeffrey Dahmer Story – 3
Best Horror Series, Limited Series or Made-For-TV Movie
Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Evan Peters
Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Niecy Nash-Betts

Doom Patrol – 3
Best Superhero Series, Limited Series or Made-For-TV Movie
Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Brendan Fraser
Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Michelle Gomez

Evil – 4
Best Horror Series, Limited Series or Made-For-TV Movie
Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Mike Colter
Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Katja Herbers
Best Villain in a Series, Limited Series or Made-For-TV Movie – Michael Emerson

For All Mankind – 1
Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie

House of the Dragon – 4
Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie
Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Matt Smith
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Milly Alcock
Best Villain in a Series, Limited Series or Made-For-TV Movie – Matt Smith

Kung Fu – 2
Best Action Series, Limited Series or Made-For-TV Movie
Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Olivia Liang

Legends of Tomorrow – 1
Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Caity Lotz

Moon Knight – 2
Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Oscar Isaac
Best Villain in a Series, Limited Series or Made-For-TV Movie – Ethan Hawke

Ms. Marvel – 2
Best Superhero Series, Limited Series or Made-For-TV Movie
Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Iman Vellani

Night Sky – 1
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Sissy Spacek

Obi-Wan Kenobi – 2
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Moses Ingram
Best Villain in a Series, Limited Series or Made-For-TV Movie – Hayden Christensen

Peacemaker – 3
Best Superhero Series, Limited Series or Made-For-TV Movie
Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – John Cena
Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Danielle Brooks

Reacher – 2
Best Action Series, Limited Series or Made-For-TV Movie
Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Alan Ritchson

Severance – 2
Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Adam Scott
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Patricia Arquette

She-Hulk: Attorney at Law – 2
Best Superhero Series, Limited Series or Made-For-TV Movie
Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Tatiana Maslany

Star Trek: Strange New Worlds – 2
Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie
Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Anson Mount

Stranger Things – 2
Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie
Best Villain in a Series, Limited Series or Made-For-TV Movie – Jamie Campbell Bower

The Boys – 4
Best Superhero Series, Limited Series or Made-For-TV Movie
Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Antony Starr
Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Erin Moriarty
Best Villain in a Series, Limited Series or Made-For-TV Movie – Antony Starr

The Equalizer – 1
Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Queen Latifah

The Flash – 1
Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Grant Gustin

The Last Days of Ptolemy Grey – 1
Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Samuel L. Jackson

The Lord of the Rings: The Rings of Power – 2
Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie
Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Morfydd Clark

The Man Who Fell to Earth – 1
Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Chiwetel Ejiofor

The Umbrella Academy – 1
Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Elliot Page

The Walking Dead – 1
Best Horror Series, Limited Series or Made-For-TV Movie

The Watcher – 1
Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Jennifer Coolidge

Tom Clancy’s Jack Ryan – 1
Best Actor in an Action Series, Limited Series or Made-For-TV Movie – John Krasinski

Tulsa King – 2
Best Action Series, Limited Series or Made-For-TV Movie
Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Sylvester Stallone

Vikings: Valhalla – 1
Best Action Series, Limited Series or Made-For-TV Movie

Walker: Independence – 1
Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Katherine McNamara

Wednesday – 3
Best Horror Series, Limited Series or Made-For-TV Movie
Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Jenna Ortega
Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Christina Ricci

Werewolf by Night – 2
Best Superhero Series, Limited Series or Made-For-TV Movie
Best Villain in a Series, Limited Series or Made-For-TV Movie – Harriet Sansom Harris

What We Do in the Shadows – 4
Best Horror Series, Limited Series or Made-For-TV Movie
Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Matt Berry
Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Harvey Guillén
Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Natasia Demetriou

Yellowstone – 2
Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Kevin Costner
Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Kelly Reilly
The Boys

About the Critics Choice Association (CCA) 

The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 600 media critics and entertainment journalists.  It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the intersection between film, television, and streaming content.  For more information, visit:

By Lynn Venhaus

Jason Robert Brown’s musical compositions are strenuous and so are two-character pieces, therefore, “The Last Five Years” was a daunting choice for the enterprising Tesseract Theatre Company as they dive into musical theater endeavors.

However, the group pulled off this marriage chronicle with aplomb when I saw it Feb. 19.. With spirited performers, exemplary musicians, accomplished direction, and smart creative choices, “The Last Five Years” is splendid.

With its all-sung framework and an unconventional structure, Brown’s unforgettable score and emotionally powerful lyrics tug at the heartstrings, for in 85 minutes, they go from meeting to break-up (Jamie Wellerstein) and from break-up to meeting (Cathy Hiatt), intersecting at their wedding.

High praise must be bestowed on an exceptional five-piece orchestra lead by veteran maestro Leah Schultz, who is on piano, with Adam Rugo on guitar, John Gerdes on bass, Chuck Evans on violin, and Marie Brown on cello. (The strings are the cherry on top here, lovely and lush.)

The music is beautiful to get lost in, and highlights are “The Next Ten Minutes,” “Still Hurting,” and “Goodbye Until Tomorrow.”

While this might sound like a simple endeavor, it is not. Brown has incorporated many genres, including jazz, blues, folk, and Latin besides his usual pop-rock fusion with musical theatre. His distinctive melodies are notoriously difficult, and his atypical harmonies require a broad vocal range.

The two leads, Kevin Corpuz as Jamie and Grace Langford as Cathy, as dynamic as they are, struggle a wee bit on a few demanding notes.  Nevertheless, with the high wire singing for nearly an hour and a half, it’s a dandy achievement – especially the stamina required.

With their pizzazzy personalities on display, Corpuz and Langford are engaging as two New Yorkers – he’s a writer and she’s an actress. They convincingly convey a couple from start to finish over five years — exhilaration at falling in love to crestfallen going through a difficult break-up.

You can’t not be moved by the ebbs and flows as the storytelling weaves the doubts that 20-somethings fret about with careers and commitment.

The aching-yearning-worried songs include “Moving Too Fast” and “A Miracle Could Happen” (Jamie) and “I’m a Part of That” and “Climbing Uphill” (Cathy), which they deliver sincerely.

Langford, a strong vocalist who is well-trained, and Corpuz, who moves with great ease, have worked together multiple times in local regional professional theater, so their comfort level with each other is obvious. This is their first time paired as a romantic couple, and they are believable.

Director Taylor Gruenloh has given the piece some needed vitality, for I’ve seen this musical a couple of times where the pair just basically stand there. No, not a move you’d likely see from inventive Gruenloh, nor Corpuz or Langford. Gruenloh’s tweaked it in a good way, making it more heartfelt.

Lankford is particularly fetching in the clever ditty “A Summer in Ohio,” about her experience in summer stock away from her husband, and the humorous “I Can Do Better Than That,” about her hopes and dreams.

And Corpuz’s energy isn’t containable, so he must move. His “Shiksa Goddess” is amusing in a brazen way, a song detailing his character’s Jewish heritage.

The songs that are raw and tinged with sadness — “If I Didn’t Believe in You,” “I Could Never Rescue You,” and “Nobody Needs to Know,” have forceful solos.

Brown has won three Tony Awards – for his original score to “Parade” in 1999 (currently revived on Broadway) and for original score and orchestrations for “The Bridges of Madison County” in 2014. He was nominated for Billy Crystal’s “Mr. Saturday Night” score last year (with Amanda Green lyrics).

This musical, his third, was inspired by his first marriage, and premiered in Chicago in 2001. It moved to off-Broadway in 2002. St. Louis native Norbert Leo Butz originated the role of Jamie in Chicago and played opposite Sherie Renee Scott off-Broadway, and they recorded the cast album.

That production won the 2002 Drama Desk Award for Outstanding Music and Lyrics, as well as receiving Drama Desk nominations for musical, actor, actress, orchestrations and set design. It also received Lucille Lortel Award nominations for musical and actor, and the Outer Critics Circle Award nomination for Off-Broadway musical.

An enduring and popular musical with regional, colleges and community theaters, it has been revived on Broadway, turned into a 2015 movie with Anna Kendrick and Jeremy Jordan, had an acclaimed London run, a 20th anniversary concert with Butz and original Cathy Lauren Kennedy, and directed by Brown, among other presentations.

The music remains hummable and memorable, and add Tesseract to the list of companies that do it right. Sound designer Phillip Evans has figured out .Zack’s finicky acoustics for flawless work, Brittanie Gunn’s lighting design is striking, and Gruenloh did fine projection work. Actress Josie Schnelten shows up for a cameo.

After their triumphant “Ordinary Days” last fall, and now this 2-hander, Tesseract’s prowess on staging musicals must be highly regarded. “Kinky Boots” is next up at the Grandel Theatre Aug. 17-27, one that will be a must-see.

And you don’t want to miss “The Last Five Years” – a show about love, produced with great affection, and another opportunity to hear those glorious songs.

The Tesseract Theatre Company presents “The Last Five Years” from Feb. 17 to Feb. 26, with performances Friday and Saturday at 8 p.m. and Sunday at 4 p.m. at the .ZACK, 3224 Locust, in the Grand Center. For more information or tickets, visit: www.tesseracttheatre.com.

By Lynn Venhaus

Ah, existential angst. Few acting roles are as consequential as the ones in Anton Chekhov’s “Uncle Vanya,” and few casts are up to the stimulating challenge like the outstanding ensemble is at St. Louis Actors’ Studio.

Expert craftsmen present deeply felt and moving performances, as they peel off the many layers of Chekhov’s tortured characters like they are giving a master class in rejuvenating a classic 19th century work.

To portray how a family’s ordinary life on a rural estate is disrupted by a self-centered relative and his alluring younger second wife one summer, each performer shades the subtext, making sure the melancholy is perceived and yet, displaying glimmers of joy.

Smooth, insightful direction by Annamaria Pileggi makes every corner of The Gaslight Theatre’s intimate black box crackle with tension and melodrama as messy family entanglements unfold.

Greg Johnston makes the vain retired university professor Aleksandr Vladimirovich Serebryakov thoroughly detestable. He has lived in the city for years on the earnings of his late first wife’s rural estate. You can understand his brother-in-law Vanya’s resentment and how his faithful wife Yelena has fallen out of love with this irritable, demanding man.

As the beautiful Yelena, Jennelle Gilreath Owens makes her misery palpable and her torment realistic over two other men professing their love, as she has beguiled them with regal bearing, and intelligence.

John Pierson as Uncle Vanya. Photo by Patrick Huber.

As lovesick Vanya, aka Ivan Petrovich Voynitsky, John Pierson gives one of his finest, most explosive performances – and I didn’t think he could top “Blackbird” and “Annapurna,” but he burns bright as an agitated powder keg of conflicting emotions and seethes, consumed by grudges, and fumes, because of the rejections and his many regrets. It’s also a surprisingly physical part, too.

Grumbling Vanya and his devoted niece Sonya have kept the crumbling estate going, all in service to the professor, and he is hopping mad at giving his life to such a thankless role. His sister, first wife, is Sonya’s mother and this was her estate.

In a devastating performance, Bryn McLaughlin is heartbreaking as beleaguered Sonya, written as “plain” but kind, and wise beyond her years. She is in love with the visiting doctor, Mikhail Astrov, who only has eyes for Yelena, and endures countless agony as a woman without any prospects for marriage. McLaughlin, a young actress fairly new to St. Louis, breaks through in this memorable role.

Our empathy for Sonya is strong. As the rock of the family, she clings to her idealism as well as her practical nature, still hopeful and understanding of her circumstances. She soothes her malcontent uncle, even though she is deserving of happiness too.

Michael James Reed is commanding as the visiting country doctor Mikhail Lvovich Astrov, glum yet charismatic. His provincial existence isn’t fulfilling, and neither is his medical work, although he takes it very seriously.

He is clueless about Sonya’s unrequited love, which causes her hard-to-bear sorrow. She has poured her heart out to her stepmother, not realizing the sparks between her and the good, but hard-drinking, doctor. He is drawn to spend more time there and things get topsy-turvy.

Photo by Patrick Huber

In supporting roles, Jan Meyer is Maria Vasilyevna Voynitskaya, Vanya’s out-of-touch mother; Eleanor Mullin is caring, pragmatic housekeeper Marina Timofeevna; and Michael Musgrave-Perkins is good-natured Ilya Ilych Telegin, a poor landowner, who is nicknamed “Waffles” for his pockmarked skin, and lives on the estate as a dependent. His music added a pleasant cultural note.

Patrick Huber’s set design is visually appealing and practical for country living in a sweltering summer. Teresa Doggett’s costume design outfits each character well, especially Owens. One quibble — McLaughlin’s wig is too large and heavy for her delicate face.

This version of Chekhov’s “Uncle Vanya” was adapted by contemporary playwright Neil LaBute in 2020, and he has retained the passion and intensity without chopping much, to my recollection. Any changes he made aren’t jarring or noticeable, and the length is still three hours.

This Chekhov work has been adapted many times on stage and in film, and inspired other works. The fact that its chaos is relatable today – lonely people living in isolation, family hierarchies, and even the doctor’s talk of ecological problems and destruction of forests — is remarkable.

Vanya is one of Chekhov’s four classics, written in 1897 and directed by Konstantin Stanislavski at the Moscow Art Theatre two years later, following “The Seagull” and before “The Three Sisters” and “The Cherry Orchard.”

Because of his penchant for realism, Chekhov is credited with establishing modernism in theater, and Stanislavski took the ‘between the lines’ concept one further with the “Method” acting blueprint for many performers.

His influences remain, and it’s refreshing to see how much we can relate to his bleak visions on lost youth, disappointments and finding our purpose – but with some satiric touches, too. For a classic to work in the 21st century, it must have a vitality and teach us anew.

In 2016, St. Louis Actors’ Studio presented “Ivanov,” which was a tall order with 14 people in the cast but was an effective, smart work with stellar performances.

Greg Johnston, Jennelle Gilreath Owens. Photo by Patrick Huber.

The skill shown throughout this ambitious work is exceptional, and another crown jewel for St. Louis Actors’ Studio.

The St. Louis Actors’ Studio presents Chekov’s “Uncle Vanya” from Feb. 17 to March 5, with 8 p.m. shows on Fridays and Saturdays and at 3 p.m. on Sundays, with Thursdays at 8 p.m. on Feb. 23 and March 2, at the Gaslight Theatre, at 360 North Boyle in the Central West End. Tickets through Ticketmaster or show up at the box office half-hour before curtain. For more information: www.stlas.org.

Photo by Patrick Huber
Michael James Reed, Michael Musgrave-Perkins, John Pierson. Photo by Patrick Huber

By Lynn Venhaus
Known mostly in offbeat roles, versatile actors Colleen Backer and Jason Meyers are a dynamic duo in the irresistible romantic comedy “Outside Mullingar” at the West End Players Guild.

They shine as neighbors – 40-ish singles who are not mingling, and desperation about time passing by is creeping into their humdrum lives. Clearly, they are meant to be together, but their stars have been crossed by shyness, insecurities, grudges, stubbornness, misperceptions, their peculiar families, and past heartbreak.

Only children, they have lived their whole lives on adjacent family farms outside Mullingar, County Westmeath, in Ireland — with a pesky land dispute issue — and cared for elderly parents until they passed. Later, on their own, you’d think there would be an easier path to true love. But when you meet feisty Rosemary Muldoon and gentle, introverted Anthony Reilly, you will find out why it’s been a rocky road.

This confection is from acclaimed writer John Patrick Shanley, an Oscar winner for his original 1987 screenplay “Moonstruck” and a Tony winner for “Doubt: A Parable” in 2005, which also won a Pulitzer Prize. In 2014, he was nominated for another Tony Award for Best Play for this laugh-out-loud rom-com produced by the Manhattan Theatre Club that is also poignant and redolent with local color.

His lilting dialogue has a delightful rhythm to it, and the four-person cast is nimble in delivery, especially with the quirky cultural colloquialisms and customs. Shanley expresses his love for the land, and what makes Ireland so special, too, which is n interesting addition.

This is Shanley’s second play to be adapted into a movie, which came out as “Wild Mountain Thyme” in 2020 with Jamie Dornan, Emily Blunt and Christopher Walken, and cast Jon Hamm as the American cousin Adam, although in the play, you never see Adam, just hear about him. The film is available to stream on Hulu.

Jodi Stockton and Brad Slavik are well-suited to play Rosemary’s plucky widowed mother Aoife and Anthony’s gruff ailing father Tony with droll wit and pragmatic wisdom –while not exactly guiding their children in the most encouraging ways. Oh, those Irish squabbles that never seem to fade from memory.

Jodi Stockton, Colleen Backer and Brad Slavik. Photo by John Lamb

In this distinctive Shanley scenario, the women seem to be stronger in lessons learned from life than the men do – and aren’t afraid to admonish them about it. Recognize your own family members? They may be a tad stereotypical, but they resonate.

The snappy repartee is one of the most fun aspects of this beguiling show – the parent and child scenes as well as the ones with a feisty Rosemary and a testy Anthony. She is often antagonistic, and he is frequently defensive, so sparks fly in a genuine way – and they convey the more complicated suppressed yearning and desires.

Backer and Meyer aren’t usually cast in “regular people’ roles, often unconventional – and good at it, as they are both current St Louis Theater Circle Award nominees for comedic work last year. But with abundant zeal, they are very sweet together as this couple finding their way. In fact, it would be swell if they were cast together again.

The almost sold-out audience on Feb. 17 was rooting for them – you could hear a few cheers, shouts, and whoops.

WEPG has produced other engaging Irish plays before – “The Lonesome West” last year and “Bloomsday” by Steven Dietz the year prior, and it’s a good fit, with their modest stage and intimate setting.

But perhaps none more adorable. Director Jessa Knust, with assistance from Karen Pierce, recognized the humor in the idiosyncratic characters, and ensures they are endearing, even when they are arguing.

And they stage the “Will they or won’t they?” framework with cleverness and sharp moves by swift Backer and Meyers, who are terrific at physical comedy.

Morgan Maul-Smith’s sound design is strong, and enhanced by Celtic music and pop hits by the Irish band The Corrs that entertains before, in bumps and after this spirited 90-minute show without an intermission. And the cast nailed the dialects perfectly the night I was there.

The artisan designers did fine work – Tracey Newcomb on costumes, Jacob Winslow on set, Karen Pierce on lighting, and Knust on props.

Timed to be a Valentine’s treat, “Outside Mullinger” is a marvelously performed hopeful tale about affairs of the heart that is not ordinary at all, and all the more delightful because of its daffy characters and Irish warmth.

As Irish novelist James Stephens once said: “What the heart knows today the head will understand tomorrow.”

West End Players Guild presents “Outside Mullingar” from Feb. 10 to Feb. 19, with performances Friday and Saturday at 8 p.m., Thursday Feb. 16 at 8 p.m., and Sundays Feb. 12 and Feb. 19 at 2 p.m. at Union Avenue Christian Church, 733 Union Boulevard in the Central West End. Tickets for all performances of “Outside Mullingar” are on sale at www.WestEndPlayers.org/tickets or at the box office before the show.

Jodi Stockton and Brad Slavik. Photo by John Lamb

By Lynn Venhaus
An engaging cast and relatable story comes alive with joyful music in the world premiere of “Spells of the Sea.”

This uplifting original musical adventure is a joint project from Metro Theater Company and Megan Ann Rasmussen Productions, the first time Metro has partnered commercially with a producer, but one that fulfills its mission – “a commitment to create new work that responds to the emotional intelligence and needs of young people with respect and joy.”

Based on the well-coordinated book, music, and lyrics by Guinevere “Gwenny” Govea, it has additional creative contributions by Anna Pickett, who is the assistant director.

With equal parts whimsy, wonder and wisdom, “Spells of the Sea” has good intentions and a compassionate message. It is designed to reach a wide audience of all ages – recommended for those age 8 and up.

Jon Gentry and Guinevere Govea. Photo by Jennifer A. Lin

Our hero is Finley Frankfurter, a 15-year-old fisherwoman who is not successful in catching fish, but her dad Ferris is a whiz at it. Only her beloved, kind dad, who basically saved the coastal town, has a life-threatening illness.

Can Finley save her dad? Finley is a sweet teen without any confidence, but she grows as she is called to step it up for her dad — and most importantly, finds her purpose. The creator Govea is a charming Finley, a strong singer and actress, conveying a heartfelt relationship with her dad.  Colin McLaughlin, a versatile local musician and actor, is a natural as Ferris Frankfurter. He smoothly guided the boat around the stage. You root for Finley even when she lacks courage.

The town villain is H.S. Crank (Jon Gentry), a grumpy old lighthouse keeper who turned off the light 20 years earlier, causing needless pain and turmoil in the town. Can he redeem himself? Gentry, a sturdy vocalist, is well-suited to be this complicated guy, and we learn why he’s like he is soon enough.

Molly Burris and Gwenny Govea. Photo by Jennifer A. Lin

This unlikely pair travels the ocean to find the Elixir of Life, an elusive remedy, and they encounter mermaids, pirates, and scary whirlpools.

The odyssey comes with honest lessons on family, friendship, and belief in yourself. Trust your abilities. It’s a just-right sincere message straight from the heart.

Govea is a fresh voice to get to know – a recent graduate from the University of Texas at Austin, she developed this story as a podcast during the pandemic. She interacts well with this spirited cast and is a hyphenate with a bright future.

The amiable supporting players include Molly Burris, Syrhea Conaway, Hannah Geisz, Noah Laster, Mitchell Manar, and Tyler White in multiple roles. Burris exaggerates her entitled princess for comic effect, Laster is a robust pirate captain, and the statuesque White is an exotic mermaid serving as a narrator – and also choreographed the show. Laster and Manar contribute as musicians on stage as well, which adds realism.

Colin McLaughlin

The cast is a tight-knit, well-rehearsed, enthusiastic group conveying an earnest story that they believe in, and work well together on stage. With their pure voices and pleasant harmonies, they easily connected with the children in the audience.

The impressive design team has created an enchanting world – with scenic designers Margery and Peter Spack effectively draping materials subbing as sky and sea. It’s a dramatic flourish, and Cristie Johnston, as scenic artist, added some nifty touches too.

The hues are striking, especially with lighting designer Jayson M. Lawshee’s dazzling work. He has creating shimmering seascapes and dawn to dusk time of day depictions that complement this mysterious world.

Costume designer Cynthia Nordstrom combines the everyday with the sparkling to characterize the roles in a smart way.

MTC Artistic Director Julia Flood has created a buoyant setting, and the crisp music direction by Deborah Wicks La Puma adds polish to the proceedings, as does Rusty Wandall’s sound design.

“Spells of the Sea” captivates in an authentic way, aided by the intriguing aspect of nature and the enduring relationships in our life journey that teach us guiding principles.

Pirates and mermaids in ‘Spells of the Sea.” Photo by Jennifer A. Lin

Metro Theater Company presents “Spells of the Sea” live at the Grandel Theatre, 3610 Grandel Square, through March 5 and virtually streaming Feb. 16-March 5 at metroplays.org. It is 70 minutes without an intermission.

Tickets are $20-$36, including ticketing fees, and available through MetroTix, 314-534-1111.

Online virtual streaming begins at $20 and is available through the MTC website, https://www.metroplays.org/spells-of-the-sea.  (The video for the virtual streaming is from an early February filmed performance.)

Gwenny Govea is a hyphenate with a bright future.

Performances are Sundays at 2 p.m., Fridays at 7 p.m., and Saturdays at 1 p.m. and 4 p.m. Socially distanced performances are at 4 p.m. Saturdays.

There are theme weekends during the play’s run – costumes are welcomed, and there are photo booths with props available for guests to enjoy being a princess, a pirate, or a mermaid in the lobby each weekend.

Tyler White as the mermaid. Photo by Jennifer A. Lin

By Lynn Venhaus
Stray Dog Theatre goes for the gusto in a blistering, shattering “Who’s Afraid of Virginia Woolf?” that features bravura performances and a fresh perspective on one of the landmark intellectual works of the 20th century.

Edward Albee’s 1962 dramatic comedy is divided into three acts that bristle with tension and increasingly unsettling confrontations are staged during a long night’s journey as two married couples peer into the abyss.

Passive-aggressive George (Stephen Peirick), an associate history professor at a small New England college, appears to be a milquetoast foil for his brassy and sassy wife, Martha (Mara Bollini), the attention-seeking daughter of the college president. After a faculty party, she has invited another couple back to their home on campus for more cocktails and conversation.

Nick (Stephen Henley) is an ambitious biology professor who is married to a sweet and naïve Honey (Claire Wenzel). They become ensnared in their dysfunctional hosts’ “Fun and Games” in Act One, as drinks flow into the wee hours of the morning and the booze-influenced patter grows uglier.

Wenzel, Henley. Photo by John Lamb

As the volatile middle-aged George and Martha viciously taunt each other, cracks in the young couple’s seemingly pleasant life are revealed, and the older couple is ready to pounce for sport. This isn’t their first rodeo. He seethes, she rages.

Everyone’s had a similar uncomfortable feeling around a bickering couple before, uneasy about the lack of a filter and polite behavior. Eager to please, the young folk stay, but as it gets later, it’s to their detriment – Nick is too power-hungry and Honey too vulnerable. Because the next act gets more disturbing, and the regrets start to pile up.

Act Two, titled “Walpurgisnacht,” is a reference to Christian missionary Saint Walpurga, who was known to repel witchcraft and helped convert Germany from heathenism. Known as an annual witches meeting, it typically takes place April 30, and there is a much longer backstory to know. Albee uses it for satirical reference. Of course.

Albee has the men argue more, and the insults begin. Martha will embarrass George’s literary efforts – with Bollini employing a haughty, degrading laugh meant to ridicule her husband. In turn, George becomes more contemptuous of the couple, devising a new game, “Get the Guests.”

Honey, drinking too much brandy, has a finicky stomach and becomes sick a couple times during these alarming encounters. Martha starts acting seductively towards Nick, which brings up more concerns.

Act Three, bluntly titled “The Exorcism,” is a devastating showcase of pain, pride, and purgatory. It takes on an eeriness not unlike a horror thriller, and sound designer Justin Been helps enhance a sense of danger and drama through cinematic score snippets that separate each act.

“Bringing Up Baby” is the next cruel game George demands they play. And they will reveal details about their son, which is complicated. This is by far the most destructive segment of the show, but also a twisted form of catharsis.

Using his wit and clever wordplay, Albee crafted a tragic circumstance around everyone’s illusions – how they see the world and how their inadequacies are part of their daily codependent lives. Their falsehoods are at times unclear, as Albee wanted to point out how society’s norms impede honesty. And their failures affect their mental health.

Wenzel, Bollini. Photo by John Lamb

The fact that a play written 60 years earlier holds up so well is a testament to Director Gary F. Bell’s vision.

He has masterfully dissected this emotionally intense play, having the actors fully realize their characters’ psychological portraits by creating more layers and nuance.

These are demanding and difficult incendiary roles, ultimately about survivors, and the actors are up for the challenges, nimble in delivering Albee’s bitter and brittle dialogue. Not a one makes a false move – everyone defines their intentions clearly.

These are four characters with dashed dreams and multiple frustrations, and they take turns being defiant and trying to cling to their dignity.

Establishing a tempestuous dynamic, Peirick and Bollini dig deep for their revelatory gut-wrenching performances, and both are at their career best. Henley provides yet another interesting characterization as confident Nick who finds himself eviscerated. Newcomer Wenzel is impressive in her local debut as the impressionable young wife trying to meet the expectations of an American nuclear family.

The scale of each character’s dreams are vastly different, and it’s stunning to see how quickly things get out of control. The truths are harsh, the partying hard, and the humiliations fester.

Photo by John Lamb

As scenic designer, Bell also capably created the modest worn living room where he fluidly moved the characters so nobody is static – and the bar gets a workout. As costume designer, he aptly outfitted the characters in appropriate career and party attire from that era. Lighting designer Tyler Duenow focuses on lighting several lamps in the interior.

The 1963 winner of the Tony Award for Best Play has enjoyed multiple revivals on Broadway, and this particular version produced by Stray Dog is the published 2005 revised script that starred Kathleen Turner as Martha, Bill Irwin as George, Mireille Enos as Honey and David Harbour as Nick.

This emotional roller-coaster of a production, certain to leave a lasting impression, is riveting throughout – even with its more than three-hour runtime. Adult themes are explored, and profanity is used. There are two 10-minute intermissions.

Stray Dog Theatre presents Edward Albee’s “Who’s Afraid of Virginia Woolf?” from Feb. 9 to Feb. 25, Thursday to Saturday at 8 p.m., at the Tower Grove Abbey, 2336 Tennessee Avenue, St. Louis, 63104. There will be a Sunday matinee at 2 p.m. on Feb. 19. For more information, visit www.straydogtheatre.org.

Photo by John Lamb

By Lynn Venhaus

Myah L. Gary has something to say – about female friendships, health woes and relationships. Her original play, “Feminine Energy,” celebrates the faith, hope and love between friends and what women go through in life regarding their reproductive cycles.

Everyone’s journey is both private and universal, and sharing honesty about pregnancy, childbirth and different stages in life is something that Gary has tapped into with sensitivity and realism.

This positive jolt of empowerment is currently running at the Mustard Seed Theatre on Fontbonne University’s campus Thursdays through Sundays now through Feb. 19. The former thriving company has re-emerged to stage this relatable work.

Directed by Jacqueline Thompson with a warmth and assuredness, she was an early champion of this work, which received a reading at the St Louis Shakespeare Festival’s Confluence Regional Writers Project.

Realizing what an unpolished gem she was part of, she enlisted theater colleagues who helped complete this project.

Affected by polycystic ovary syndrome, Gary followed the adage “write what you know.” She does so with a knowledge about human behavior that is able to connect to others.

Currently a doctoral candidate at Southern Illinois University at Carbondale, she is committed to awareness about public health education.  

Photo by Jon Abbott

The staging in two acts has an authenticity because a powerhouse cast is comfortable manuevering through home and work settings, designed by Patrice Nelms.

Erin Rene Roberts – so good to see her back on stage here – plays Dr. Soleil Kirkpatrick, a confident therapist whose issues with endometriosis is interrupting her life. Single, she is seriously debating a hysterectomy to relieve her pain, and if she wants children. She is open to adoption later.

Bubbly Ricki Franklin is well-suited to play a woman whose infertility issues are also disrupting her life. As  Monique Thomas, she is married and works as a midwife. She and her loving husband are talking to treatment specialists, but nothing has worked. She is not defeated, but weary.

Both the women’s stories are relatable to a wide range of women, as is our third storyline.

Andrea Purnell is empathetic as Debra Jackson, a married mother of three who has ovarian cancer, Stage 2. Her journey includes her family and a rocky relationship with her self-absorbed husband and her critical mother.

The supporting cast includes performers playing multiple roles. Michelle Dillard portrays the mothers of each woman, and Joshua Mayfield handles the husband/date roles.

Claire Louis Monarch plays a couple doctors and a very self-centered pregnant woman.

The live-wire Rae Davis plays five roles, including Debra’s vlogging influence daughter Jasmine and Dr. Kirkpatrick’s employee.

They all add to these vibrant portraits. The three leads are so relatable that you are glad to spend time learning about their lives and loves.

The feelings explored help create further dialogue and discussion on women’s health issues, and hopefully will have a long life beyond Mustard Seed’s initial staging.

Mustard Seed Theatre presents “Feminine Energy” Thursday through Saturday at 8 p.m. and Sunday at 2 p.m. through Feb. 19 at Fontbonne University, 6800 Wydown.

Photo by Jon Abbott

Grammy Award-nominated violinist Tessa Lark makes her SLSO debut on short notice in February 18-19 program, performing works by Ernest Chausson and Maurice Ravel

(February 8, 2023, St. Louis, MO) – Today, the St. Louis Symphony Orchestra announced artist and repertoire changes to its February 10-11 and February 18-19 concerts at Powell Hall. Due to illness, violinist Nicola Benedetti is unable to perform with the SLSO over the next two weeks. Benedetti was originally scheduled to perform James MacMillan’s Second Violin Concerto on February 10-11, and the Wynton Marsalis’ Violin Concerto on February 18-19.

With Benedetti’s withdrawal, the February 10-11 concerts, conducted by Sir James MacMillan, will now open with Felix Mendelssohn’s The Hebrides (Fingal’s Cave). The remainder of the previously announced program will still be performed: the SLSO premiere of MacMillan’s The World’s Ransoming featuring SLSO English horn player Cally Banham; Nikolai Rimsky-Korsakov’s Russian Easter Overture; and Pyotr Ilyich Tchaikovsky’s Francesca da Rimini.

In the February 18-19 program, Grammy Award-nominated violinist Tessa Lark makes her SLSO debut, stepping in for Benedetti on short notice, with concerts led by SLSO Music Director Stéphane Denève. An Avery Fisher Career Grant recipient, Lark will perform Ernest Chausson’s Poème and Maurice Ravel’s Tzigane, transforming the concerts into an all-French program. The program also includes Claude Debussy’s Scottish March on a Popular Theme and Ibéria from Images and Maurice Ravel’s La Valse. Lark was nominated for a 2020 Grammy Award for her performance of Michael Torke’s violin concerto, Sky, with the Albany Symphony Orchestra.

Both Saturday night concerts will be broadcast live on 90.7 FM KWMU St. Louis Public Radio, Classic 107.3, or online (stlpr.org). Audiences can attend a Pre-Concert Conversation, an engaging discussion about the music and artists on the program, one hour prior to each classical concert in the auditorium. 

Tickets start at $15 and are on sale now at slso.org or by calling the Box Office at 314-534-1700.

Calendar listings:

Friday, February 10, 2023, 7:30pm CST

Saturday, February 11, 2023, 8:00pm CST

Powell Hall, 718 N. Grand Blvd., St. Louis, MO


Sir James MacMillan, conductor (SLSO debut)

Cally Banham, English horn


Felix MENDELSSOHN                            The Hebrides (Fingal’s Cave)

James MacMILLAN                               The World’s Ransoming (First SLSO performances)

Nikolai RIMSKY-KORSAKOV               Russian Easter Overture

Pyotr Ilyich TCHAIKOVSKY                  Francesca da Rimini

Saturday, February 18, 2023, 10:30am CST 

Sunday, February 19, 2023, 3:00pm CST 

Stéphane Denève, conductor 

Tessa Lark, violin (SLSO debut)

Claude DEBUSSY                                    Scottish March on a Popular Theme  
Ernest CHAUSSON                                 Poème

Maurice RAVEL                                       Tzigane 
Claude DEBUSSY                          Ibéria  
Maurice RAVEL                                La Valse  

About the St. Louis Symphony Orchestra

Celebrated as a leading American orchestra, the St. Louis Symphony Orchestra is the second-oldest orchestra in the country, marking its 143rd year with the 2022/2023 season and its fourth with Music Director Stéphane Denève. The SLSO maintains its commitment to artistic excellence, educational impact, and community collaborations, honoring its mission of enriching lives through the power of music.

The SLSO serves as a convener of individuals, creators, and ideas, and is committed to building community through compelling and inclusive musical experiences. As it continues its longstanding focus on equity, diversity, inclusion, and access, the SLSO embraces its strengths as a responsive, nimble organization, while investing in partnerships locally and elevating its presence globally. For more information, visit slso.org.

ST. LOUIS THEATER CIRCLE AWARDS RETURN FOR IN-PERSON GALA APRIL 3, 2023

TO HONOR OUTSTANDING WORK IN LOCAL PROFESSIONAL THEATER IN 2022

The Muny leads with 21 nominations, Stages St Louis has 19, The Black Rep 17 and Stray Dog Theatre 15

First In-Person Gala Since 2019 Due to Coronavirus Pandemic

ST. LOUIS, February 6, 2023 – After a four-year hiatus of not holding an in-person ceremony due to the coronavirus pandemic in 2020 through 2022, the St. Louis Theater Circle Awards will return April 3, 2023  in a ‘live’ ceremony beginning at 7 p.m. at the Loretto-Hilton Center on the campus of Webster University. The previous two events were streamed online by HEC Media.

Tickets at $23 apiece will soon be available at the box office of The Repertory Theatre of St. Louis at www.repstl.org or 314-968-4925, and also at the box office one hour before the ceremony.

Nominees in more than 30 categories will vie for honors covering comedies, dramas, musicals and operas produced by local professional theater and opera companies in the calendar years 2022. Approximately 90 productions have been considered for nominations for this year’s event. This compares to roughly 120 productions normally considered in one year alone prior to the pandemic.

Three productions – “Chicago” at The Muny, “A Christmas Carol” at The Rep, and “Head Over Heels” at New Line Theatre – were ineligible because the same production was presented within the last three years at the respective venues.

Nationally recognized playwright, theater producer, and long-time advocate for the arts Joan Lipkin will be honored with a special award for lifetime achievement.

The eighth annual award ceremony, which was to have been held at the Loretto-Hilton Center on the campus of Webster University, was cancelled in February 2020 due to the escalating number of cases of COVID-19. Instead, that event, honoring outstanding local theater productions for the year 2019, was held virtually in a highly polished presentation produced by HEC Media and streamed on HEC’s YouTube channel and web site.  A ninth annual ceremony similarly was streamed on HEC Media for the combined years of 2020 and 2021.

The nominees for the 10th annual St. Louis Theater Circle Awards are:

Bronte Sister House Party, SATE. Photo by Joey Rumpell

Outstanding Supporting Performer in a Comedy, Female or Non-Binary Role 

Cassidy Flynn, “Brontë Sister House Party,” SATE 
Hannah Geisz, “The Lonesome West,” West End Players Guild 
Jilanne Klaus, “Barefoot in the Park,” Moonstone Theatre Company 
Bess Moynihan, “Brontë Sister House Party,” SATE 
Valentina Silva, “The Rose Tattoo,” Tennessee Williams Festival St. Louis

Outstanding Supporting Performer in a Comedy, Male or Non-Binary Role 

Ted Drury, “The Lonesome West,” West End Players Guild 
Joel Moses, “Brontë Sister House Party,” SATE 
Bradley Tejeda, “The Rose Tattoo,” Tennessee Williams Festival St. Louis 
Chauncy Thomas, “Much Ado About Nothing,” St. Louis Shakespeare Festival 
Eric Dean White, “Hand to God,” St. Louis Actors’ Studio 

Molly Burris, Dear Jack Dear Louise

Outstanding Performer in a Comedy, Female or Non-Binary Role 

Colleen Backer, “Hand to God,” St. Louis Actors’ Studio 
Molly Burris, “Dear Jack, Dear Louise,” New Jewish Theatre 
Rayme Cornell, “The Rose Tattoo,” Tennessee Williams Festival St. Louis 
Claire Karpen, “Much Ado About Nothing,” St. Louis Shakespeare Festival 
Rachel Tibbetts, “Brontë Sister House Party,” SATE

Jeff Kargus, Jason Meyers, “The Lonesome West” Photo by John Lamb

Outstanding Performer in a Comedy, Male or Non-Binary Role 

Mitchell Henry-Eagles, “Hand to God,” St. Louis Actors’ Studio 
Jeff Kargus, “The Lonesome West,” West End Players Guild 
Ryan Lawson-Maeske, “Dear Jack, Dear Louise,” New Jewish Theatre 
Jason Meyers, “The Lonesome West,” West End Players Guild 
Stanton Nash, “Much Ado About Nothing,” St. Louis Shakespeare Festival

Joe Clapper, Behind the Sheet, Photo by Philip Hamer

Outstanding Lighting Design in a Play 

Amina Alexander, “Stick Fly,” Repertory Theatre of St. Louis 
Jesse Alford, “The Rose Tattoo,” Tennessee Williams Festival St. Louis 
Joe Clapper, “Behind the Sheet,” The Black Rep 
Jasmine Williams, “Dontrell, Who Kissed the Sea,” The Black Rep 
John Wylie, “Much Ado About Nothing,” St. Louis Shakespeare Festival

Outstanding Sound Design 

Lamar Harris, “Behind the Sheet,” The Black Rep 
Pornchanok (Nok) Kanchanabanca, “House of Joy,” Repertory Theatre of St. Louis 
Jackie Sharp, “Dontrell, Who Kissed the Sea,” The Black Rep 
Rusty Wandall, Kareem Deanes, “Much Ado About Nothing,” St. Louis Shakespeare Festival 
Amanda Werre, “Dear Jack, Dear Louise,” New Jewish Theatre

Joel Moses in “Laughter on the 23rd Floor,” New Jewish Theatre, Photo by Jon Gitchoff

Outstanding Costume Design in a Play 

Dorothy Marshall Englis, “Much Ado About Nothing,” St. Louis Shakespeare Festival 
Liz Henning, “Brontë Sister House Party,” SATE 
Liz Henning, “Rodney’s Wife,” The Midnight Company 
Oona Natesan, “House of Joy,” Repertory Theatre of St. Louis 
Michele Friedman Siler, “Laughter on the 23rd Floor,” New Jewish Theatre

Outstanding Set Design in a Play 

Dahlia Al-Habieli, “House of Joy,” Repertory Theatre of St. Louis 
Dunsi Dai, “Dear Jack, Dear Louise,” New Jewish Theatre 
Bess Moynihan, “Rodney’s Wife,” The Midnight Company 
Kyu Shin, “Stick Fly,” Repertory Theatre of St. Louis 
Josh Smith, “Much Ado About Nothing,” St. Louis Shakespeare Festival 

Riley Carter Adams, right, The Bee Play, New Jewish Theatre. Photo by Jon Gitchoff.

Outstanding Supporting Performer in a Drama, Female or Non-Binary Role 

Riley Carter Adams, “The Bee Play,” New Jewish Theatre 
Sarajane Alverson, “The Normal Heart,” Stray Dog Theatre 
Rachel Hanks, “The Christians,” West End Players Guild 
Rachel Tibbetts, “Rodney’s Wife,” The Midnight Company 
Sumi Yu, “House of Joy,” Repertory Theatre of St. Louis 

Outstanding Supporting Performer in a Drama, Male or Non-Binary Role 

Cameron Jamarr Davis, “The African Company Presents Richard III,” The Black Rep 
Joseph Garner, “The Christians,” West End Players Guild 
Michael James Reed, “Proof,” Moonstone Theatre Company 
Joey Saunders, “The Normal Heart,” Stray Dog Theatre 
Jeffrey Wright, “The Normal Heart,” Stray Dog Theatre

Summer Baer, Michael James Reed “Proof,” Moonstone Theatre Company.

Outstanding Performer in a Drama, Female or Non-Binary Role 

Summer Baer, “Proof,” Moonstone Theatre Company 
Lavonne Byers, “Good People,” Stray Dog Theatre 
Kelly Howe, “Rodney’s Wife,” The Midnight Company 
Chinna Palmer, “Behind the Sheet,” The Black Rep 
Jennifer Theby-Quinn, “Iphigenia in Splott,” Upstream Theater

Outstanding Performer in a Drama, Male or Non-Binary Role 

Kevin Brown, “Jitney,” The Black Rep 
Jeff Cummings, “Behind the Sheet,” The Black Rep 
Olajuwon Davis, “Jitney,” The Black Rep 
Joel Moses, “The Christians,” West End Players Guild 
Stephen Peirick, “The Normal Heart,” Stray Dog Theatre 

“Jitney,” The Black Rep, Phillip Hamer photo

Outstanding New Play 

“Bandera, Texas,” by Lisa Dellagiarino Feriend, Prism Theatre Company 
“Brontë Sister House Party,” by Courtney Bailey, SATE 
“The Good Ship St. Louis,” by Philip Boehm, Upstream Theater 
“Roll With It!” by Katie Rodriguez Banister and Michelle Zielinski, The Black Mirror Theatre Company 
“Winds of Change,” by Deanna Jent, St. Louis Shakespeare Festival

Outstanding Achievement in Opera 

Daniela Candillari, “Carmen,” Opera Theatre of Saint Louis 
Thomas Glass, “Harvey Milk,” Opera Theatre of Saint Louis 
Karen Kanakis, “La Rondine,” Winter Opera Saint Louis 
Robert Mellon, “Falstaff,” Union Avenue Opera 
Sarah Mesko, “Carmen,” Opera Theatre of Saint Louis

Union Avenue Opera’s production of A Little Night Music on August 17, 2022.

Outstanding Production of an Opera 

“Awakenings,” Opera Theatre of Saint Louis 
“Falstaff,” Union Avenue Opera 
“The Gondoliers,” Winter Opera Saint Louis 
“Harvey Milk,” Opera Theatre of Saint Louis 
“A Little Night Music,” Union Avenue Opera

Outstanding Musical Director 

Cullen Curth, “Jerry’s Girls,” New Jewish Theatre 
Jermaine Hill, “The Color Purple,” The Muny 
Walter “Bobby” McCoy, “In the Heights,” Stages St. Louis 
James Moore, “Sweeney Todd,” The Muny 
Andrew Resnick, “The Karate Kid – The Musical,” Stages St. Louis 

The Karate Kid – The Musical, Phillip Hamer photo.

Outstanding Choreographer 

Dena DiGiacinto, “A Chorus Line,” Stages St. Louis 
Keone and Mari Madrid, “The Karate Kid – The Musical,” Stages St. Louis 
Patrick O’Neill, “Mary Poppins,” The Muny 
Josh Rhodes, “Joseph and the Amazing Technicolor Dreamcoat,” The Muny 
Luis Salgado, “In the Heights,” Stages St. Louis

Outstanding Supporting Performer in a Musical, Female or Non-Binary Role 

Tami Dahbura, “In the Heights,” Stages St. Louis 
Melissa Felps, “Something Rotten!” New Line Theatre 
Nicole Michelle Haskins, “The Color Purple,” The Muny 
Grace Langford, “The 25th Annual Putnam County Spelling Bee,” Stray Dog Theatre 
Dawn Schmid, “Ride the Cyclone,” Stray Dog Theatre

Marshall Jennings, Melissa Felps “Something Rotten!” New Line Theatre

Outstanding Supporting Performer in a Musical, Male or Non-Binary Role 

Luis-Pablo Garcia, “In the Heights,” Stages St. Louis 
Clayton Humburg, “Something Rotten!” New Line Theatre 
Jeffrey Izquierdo-Malon, “Something Rotten!” New Line Theatre 
Marshall Jennings, “Something Rotten!” New Line Theatre 
Jordan Wolk, “Assassins,” Fly North Theatricals

Outstanding Lighting Design in a Musical 

Tyler Duenow, “Ride the Cyclone,” Stray Dog Theatre 
Bradley King, “The Karate Kid – The Musical,” Stages St. Louis 
John Lasiter, “Sweeney Todd,” The Muny 
Sean M. Savoie, “A Chorus Line,” Stages St. Louis 
Sean M. Savoie, “In the Heights,” Stages St. Louis

“In the Heights,” Stages St. Louis, Photo by Phillip Hamer.

Outstanding Set Design in a Musical 

Edward E. Hayes, Jr. and Greg Emetaz, “Joseph and the Amazing Technicolor Dreamcoat,” The Muny 
Anna Louizos, “In the Heights,” Stages St. Louis 
Derek McLane, “The Karate Kid – The Musical,” Stages St. Louis 
Michael Schweikardt, “Sweeney Todd,” The Muny 
Josh Smith, “Ride the Cyclone,” Stray Dog Theatre

Outstanding Costume Design in a Musical 

Eileen Engel, “A Little Night Music,” Stray Dog Theatre 
Eileen Engel, “Assassins,” Fly North Theatricals 
Samantha C. Jones, “The Color Purple,” The Muny 
Brad Musgrove, “In the Heights,” Stages St. Louis 
Alejo Vietti, “Sweeney Todd,” The Muny 

Anastacia McCleskey, “The Color Purple,” Phillip Hamer photo.

Outstanding Performer in a Musical, Female or Non-Binary Role 

Carmen Cusack, “Sweeney Todd,” The Muny 
Jeanna De Waal, “Mary Poppins,” The Muny 
Eileen Engel, “Ride the Cyclone,” Stray Dog Theatre 
Melissa Felps, “Urinetown,” New Line Theatre 
Anastacia McCleskey, “The Color Purple,” The Muny 

Outstanding Performer in a Musical, Male or Non-Binary Role 

Ryan Alvarado, “In the Heights,” Stages St. Louis
Corbin Bleu, “Mary Poppins,” The Muny 
Ben Davis, “Sweeney Todd,” The Muny 
Stephen Henley, “Assassins,” Fly North Theatricals 
Jovanni Sy, “The Karate Kid – The Musical,” Stages St. Louis

Stephen Henley, The Balladeer, Fly North Theatricals.

Outstanding Ensemble in a Comedy 

“Brontë Sister House Party,” SATE 
“Heroes,” Albion Theatre 
“Laughter on the 23rd Floor,” New Jewish Theatre 
“A Midsummer Night’s Dream,” St. Louis Shakespeare Festival 
“Much Ado About Nothing,” St. Louis Shakespeare Festival 

Outstanding Ensemble in a Drama 

“The African Company Presents Richard III,” The Black Rep 
“Behind the Sheet,” The Black Rep 
“The Christians,” West End Players Guild 
“Jitney,” The Black Rep 
“The Normal Heart,” Stray Dog Theatre

The Christians, West End Players Guild, Photo by John Lamb

Outstanding Ensemble in a Musical 

“The 25th Annual Putnam County Spelling Bee,” Stray Dog Theatre 
“A Chorus Line,” Stages St. Louis 
“The Color Purple,” The Muny 
“In the Heights,” Stages St. Louis 
“Sweeney Todd,” The Muny

Outstanding Director of a Comedy 

Robert Ashton, “The Lonesome West,” West End Players Guild 
Eddie Coffield, “Laughter on the 23rd Floor,” New Jewish Theatre 
David Kaplan, “The Rose Tattoo,” Tennessee Williams Festival St. Louis 
Keating, “Brontë Sister House Party,” SATE 
Bruce Longworth, “Much Ado About Nothing,” St. Louis Shakespeare Festival

“Rodney’s Wife,” The Midnight Company, Photo by Joey Rumpell

Outstanding Director of a Drama 

Gary F. Bell, “The Normal Heart,” Stray Dog Theatre 
Joe Hanrahan, “Rodney’s Wife,” The Midnight Company 
Ron Himes, “The African Company Presents Richard III,” The Black Rep 
Ron Himes, “Behind the Sheet,” The Black Rep 
Ellie Schwetye, “The Christians,” West End Players Guild 

Outstanding Director of a Musical 

Lili-Anne Brown, “The Color Purple,” The Muny 
Scott Miller, “Something Rotten!” New Line Theatre 
Bradley Rohlf, “Assassins,” Fly North Theatricals 
Rob Ruggiero, “Sweeney Todd,” The Muny 
Luis Salgado, “In the Heights,” Stages St. Louis

“Much Ado About Nothing,” St Louis Shakespeare Festival

Outstanding Production of a Comedy 

“Brontë Sister House Party,” SATE 
“Dear Jack, Dear Louise,” New Jewish Theatre 
“The Lonesome West,” West End Players Guild                   
“Much Ado About Nothing,” St. Louis Shakespeare Festival 
“The Rose Tattoo,” Tennessee Williams Festival St. Louis

“The African Company Presents Richard III,” The Black Rep, Photo by Phillip Hamer

Outstanding Production of a Drama 

“The African Company Presents Richard III,” The Black Rep 
“Behind the Sheet,” The Black Rep 
“Good People,” Stray Dog Theatre 
“Jitney,” The Black Rep 
“The Normal Heart,” Stray Dog Theatre

Outstanding Production of a Musical 

“Assassins,” Fly North Theatricals 
“The Color Purple,” The Muny 
“In the Heights,” Stages St. Louis 
“Ride the Cyclone,” Stray Dog Theatre 
“Sweeney Todd,” The Muny

“Ride the Cyclone,” Stray Dog Theatre, Photo by John Lamb

Special Award 

Joan Lipkin, for lifetime achievement 

Joan Lipkin

The mission of the St. Louis Theater Circle is simple: To honor outstanding achievement in St. Louis professional theater. Other cities around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and Washington, D.C., pay tribute to their own local theatrical productions with similar awards programs.

Members of the St. Louis Theater Circle include Steve Allen (stagedoorstl.com); Mark Bretz (Ladue News); Bob Cohn (St. Louis Jewish Light); Tina Farmer (The Riverfront Times); Michelle Kenyon (snoopstheatrethoughts.com and KDHX); Gerry Kowarsky (Two on the Aisle, HEC Media); Chuck Lavazzi (KDHX); Rob Levy (Broadwayworld.com); Judith Newmark (judyacttwo.com); Lynn Venhaus (PopLifeSTL.com); Bob Wilcox (Two on the Aisle, HEC Media); and Calvin Wilson (St. Louis Post-Dispatch). Eleanor Mullin, local performer and arts supporter, is group administrator.

For more information, contact [email protected] or ‘like’ the St. Louis Theater Circle on Facebook.

Metro Theater Company presents the world premiere musical at the Grandel Theatre

World premiere musical adventure originates at Metro Theater Company with anticipated off-Broadway transfer in Fall 2023

Metro Theater Company (MTC), St. Louis’ premier professional theater for youth and families and St. Louis’ third-oldest professional theater company, continues its 2022/23 50th Anniversary Season with the world premiere musical, Spells of the Sea, live at the Grandel Theatre February 10 – March 5 and virtual streaming February 16 – March 5 at metroplays.org. Tickets are $20-$36 (including ticketing fees) and available through MetroTix. 

Due to a breakthrough COVID-19 case within our cast, we are postponing the opening of Spells of the Sea until Friday, February 10 at 7 pm. If you have tickets for the February 5 performance, we will gladly reschedule your tickets to a date of your choice.

Current MTC donors are invited to contact Individual Support and Events Manager Sarah Rugo to exchange your tickets at [email protected]. All other patrons may contact either Eleanor Marsh, School Bookings and Audience Services Manager at [email protected] or MetroTix at 314.534.1111 to reschedule.

Our originally scheduled donor reception on February 5 has been moved to Saturday, February 11–following the 1 pm performance.

School matinees will still be offered February 8, 9, and 10.

As a result of the change to our opening date, the start date for streaming will be changing as well. MTC will update our website with those details and contact all ticketed streaming patrons as soon as that start date is finalized.

Spells of the Sea in-person performances run through March 5. Thank you for your understanding and help us wish our cast member a speedy recovery!

At the center of Spells of the Sea is Finley Frankfurter, the 15-year-old daughter of a heroic fisherman, but who herself so far has been terrible at fishing. H.S. Crank is a grumpy old lighthouse keeper who has been sitting for 20 years in the dark. Together, this unlikely pair begins an adventure through the ocean to find ingredients to make the Elixir of Life, an elusive remedy that will save Finley’s father from a mysterious illness. On their journey, the pair encounter mermaids and pirates, whirlpools and their worst fears, and finally a new understanding of the meaning of family, friendship, and trust in yourself. 

Spells of the Sea is Metro Theater Company’s first project in its 50-year history with a commercial production partner. Presented by special arrangement with award-winning commercial producer Megan Ann Rasmussen ProductionsSpells of the Sea is based on the book, music, and lyrics by Guinevere “Gwenny” Govea, with additional creative contributions by Anna Pickett. Gwenny began Spells of the Sea in quarantined isolation in Austin, Texas and developed it into an enchanting podcast during the pandemic. Now, this unique tale breathes new life as an epic musical adventure on stage at the Grandel Theatre. 

Photo by Jennifer A. Lin

“Metro Theater’s 50-year history of creating work that celebrates the emotional wisdom of young people makes this theater the perfect place to create a new musical for families,” said Megan Ann Rasmussen, president of MAR Productions. “They value young people, families, community, and theater that uplifts and strengthens. I can’t think of a better place to make its world premiere.”
The production features innovative olfactory design incorporated into the story, creating a complete ambiance for audiences of all ages at key moments in the musical. After Metro Theater Company’s world premiere, Spells of the Sea makes its way to commercial stages outside of St. Louis, with an anticipated off-Broadway transfer for the fall of 2023.

Spells of the Sea continues Metro Theater Company’s legacy of bringing the best new voices to the stage. Gwenny Govea is an award-winning actor, writer, and composer, who recently graduated from the University of Texas at Austin. She and Anna Pickett are shining young talents in musical theater whose careers are lifting off, both on stage and off. In Metro Theater Company’s world premiere production of Spells of the Sea, Gwenny plays Finley Frankfurter and Anna serves as assistant director. The production also reflects MTC’s commitment to create new work that responds to the emotional intelligence and needs of young people with respect and joy. 
During Metro Theater Company’s world premiere run, three theme weekends will be offered to help young audiences embrace the fun of the story. Costumes are welcomed each weekend, and themed photo booths with props are available for guests to enjoy being a princess, a pirate, or a mermaid each weekend. 

Spells of the Sea is directed by MTC Artistic Director Julia Flood. Musical direction is by Deborah Wicks La Puma. The cast, which features performers from St. Louis and across the country, includes Molly BurrisSyrhea ConawayHannah GeiszJon GentryGuinevere Govea,Noah LasterMitchell ManarColin McLaughlin, and Tyler White. A full listing of Spells of the Sea design and production team can be found online at https://www.metroplays.org/spells-of-the-seaSpells of the Sea is 70 minutes with no intermission. It’s recommended for ages 8 and up!  

Who/What 

Metro Theater Company by special arrangement with Megan Ann Rasmussen Productions presents the world premiere of Spells of the Sea

When  

February 10 – March 5, 2023

Sundays at 2 p.m.  |   Fridays at 7 p.m.  | Saturdays at 1 p.m. & 4 p.m.

Socially distanced performances: Every Saturday at 4 p.m. 

Audio Description performance by MindsEye: February 25 at 4 p.m.

ASL-interpreted performance by DEAF, Inc.: February 26 at 2 p.m.

Where

Grandel Theatre, 3610 Grandel Square, St. Louis, MO 63103

Tickets

$20-$36 (including ticketing fees). Tickets are available now through MetroTix at 314-534-1111 or https://www.metroplays.org/spells-of-the-sea.

Theme Weekends

Enjoy fun photo booth opportunities in the lobby of the Grandel Theatre. Costumes are welcomed, but not required. 

Princess Weekend: February 10-12

Pirate Weekend: February 17-19

Mermaid Weekend: February 24-26

Virtual Streaming

February 16 – March 5, 2023

Online virtual streaming begins at $20 and is available through the MTC website, https://www.metroplays.org/spells-of-the-sea.  (The video for the virtual streaming is from an early February filmed performance.) 

Virtual streaming is a part of PNC Arts Alive funding’s of the MTC Remote initiative – MTC’s online streaming of mainstage productions that ensures digital accessibility across the St. Louis region and beyond.

Pay-What-You-Wish Tickets

Metro Theater Company is committed to ensure that economic barriers do not prevent families from experiencing its programs. MTC offers pay-what-you-wish tickets for live performances and virtual streaming. Details at https://www.metroplays.org/spells-of-the-sea.  

Pay-What-You-Wish in-person performances: February 10 at 7 p.m., February 11 at 1 p.m. and 4 p.m.

Pay-What-You-Wish streaming: February 16-18 

School Groups & Group Sales

School groups can enjoy live performances or virtual field trips at heavily discounted rates, with streaming tickets available for $5 or less and in-person tickets available for $10 per student. Group sales of 10 tickets or more receive a 40% discount. Full details at https://www.metroplays.org/group-sales.  

Support

Spells of the Sea is presented by National Endowment for the Arts, Thornock Family Fund, and Mid-America Arts Alliance.

Metro Theater Company’s 2022-23 Season lead institutional support comes from The Shubert Foundation, Regional Arts Commission, Emerson, Kranzberg Arts Foundation, Whitaker Foundation, PNC Arts Alive, Crawford Taylor Foundation, Missouri Arts Council, The Opportunity Trust, Arts & Education Council, Trio Foundation of St. Louis, Edward Jones, the Saigh Foundation , and RGA.

For tickets or more information on Spells of the Sea, visit metroplays.org/spells-of-the-sea.

________

About Metro Theater CompanySince 1973, Metro Theater Company has been creating productions that respect young people’s intelligence, tell compelling stories, stimulate curiosity, and provoke thoughtful reflection. The Company has reached a total audience of more than two million and has a national reputation for excellence in the field of professional theater for young audiences. Metro Theater Company has received major honors and awards, both locally and nationally. The company is led by Artistic Director Julia Flood and Managing Director Joe Gfaller. For more information, please visit http://metroplays.org

About Megan Ann Rasmussen Productions Megan Ann Rasmussen is the president of MAR Productions. For more than 20 years she has served as an award-winning producer, director, and educator, creating theater that uplifts and strengthens. She is thrilled to help bring Spells of the Sea to life and celebrate the voices of Gwenny Govea and Anna Pickett. Megan Ann’s Broadway credits include A Beautiful Noise: The Neil Diamond Musical (INVESTOR) and Joy: The Musical (CO-PRODUCER), a new show with Tony award-winning producer Ken Davenport. Additional credits include Barry Manilow’s Harmony (INVESTOR), The Griswold’s Broadway Vacation (INVESTOR), Kinky Boots (Off-Broadway | INVESTOR), True North (regional | INVESTOR), and Heaven Come Home (regional | PRODUCER). Her directing credits include Senora Tortuga and Cinderella Eats Rice and Beans: A Salsa Fairy Tale. Megan Ann served as president of Theater for Young Audiences/USA and delegate to the International Association of Theater for Children and Young People. She taught theater at three universities in Utah and was founder and producing artistic director of The Firehouse Theatre for Youth. Megan Ann’s articles and photos can be seen in Stage of the Art and TYA Today. She is the founder of the new podcast Bit by Bit, Broadway’s only podcast dedicated to the producer/investor relationship. For more information, please visit https://meganannrasmussen.com