Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Bi-state area high school students compete for scholarships & prizesat a free family event at The Fabulous Fox on Saturday, April 8
On February 26, 49 metro area high school acts competed in the semi-final round of the 13th Annual St. Louis Teen Talent Competition. The acts were divided into four categories (vocal, instrumental, dance and specialty) and adjudicated by nine St. Louis performing arts professionals, each representing the respective categories. The judges narrowed the field to 14 acts (22 students) who will move on to the finals at the Fabulous Fox Theatre on Saturday, April 8 at 7:30 pm.
The final competition is a professionally produced production the Foundation is grateful to provide as a gift to the community that is FREE and open to the public. General Admission tickets are required and are available now at no charge through Metrotix online at metrotix.com and the Fox Box Office. The following finalists include a variety of singers, musicians, dancers, and acrobats:
Rayquan Strickland / Singer, Songwriter / Senior at Centra VPA
Ava Hettenhausen / Singer / Junior at O’Fallon Township High School
Ariana Kroegger / Singer / Senior at Clayton High School
Noah Van Ess / Singer, Pianist / Senior at Lindbergh High School
Cortland English / Singer / Junior at O’Fallon Township High School
Kyla Gerhardt / Singer / Senior at Granite City High School
Anna Layher / Circus Arts / Senior at Nerinx Hall High School
Kyleigh McCourt / Baton Twirler / Junior at Mehlville High School
Saisha Bhutani / Traditional Indian Dancer / Junior at Clayton High School
Avery Payne / Dancer / Sophomore at Orchard Farm High School
Cats Jazz Collective / Jazz Band/ Sophomore, Juniors, and Seniors at Webster Groves High School
Cindy Yan / Pianist / Junior at Ladue Horton Watkins High School
Yrwin Batan / Pianist / Junior at St. Louis Priory High School
Drum Warriors Ensemble / Drummers / Junior at Grand Center Arts Academy; Junior at Collegiate School of Medicine and Bio Science; Sophomore at Clayton High School; Junior at Carnahan High School
“We’ve got a fantastic group of students this year! I’m looking forward to seeing these talented teens on the Fox stage! The students seem to get better and better each year,” exclaimed Mary Strauss, Fox Performing Arts Charitable Foundation Board President.
In addition to the excitement of performing on the Fox Stage, contestants are eligible to win scholarships, prizes, and performance opportunities. Nearly $50,000 in prizes, cash awards and college scholarships will be distributed among the top competitors. A full list of prizes along with official event information can be found on the Fox Performing Arts Charitable Foundation’s (FPACF) website.
The Finals production will be directed by St. Louisan Lee Anne Mathews, a veteran Equity actor of international stages, longtime director, COCA educator and current artistic director with Westport Playhouse. Mathews will work with choreographer Yvonne Meyer Hare and music director Steve Neale to prepare performers for the Fox Stage.
Finalist acts will be judged on technical ability, interpretation, stage presence, and originality. Judges for the finals have careers spanning music, dance, and Broadway. A complete list of final round judges is available on the FoxPACF website.
The community response to this event has been significant as the program has grown over the past thirteen years. Annually viewers have watched the Nine PBS featured program on the final competition. FoxPACF is grateful for the continued partnership with Nine PBS, which will film the 2023 Finals in front of a live audience for a special broadcast to air later this spring.
The 2022 co-winners, Aubory Bugg, a homeschooled vocalist and guitarist and “Trifecta,” the circus tumbling troupe, will return this year for special performances. A complete list of winners and finalists from the past eleven years can be found on the FoxPACF website.
PLEASE NOTE:
All seating is general admission. There is a limit of 10 tickets per transaction. Seating is first-come-first-seated and is not guaranteed. The theater will be over-sold to ensure a full house. Please, arrive early.
Fox Performing Arts Charitable Foundation fosters, promotes, and encourages young people in the St. Louis region to discover and participate in the joy and wonder of live performances.
In addition to the St. Louis Teen Talent Competition, the Fox Performing Arts Charitable Foundation also produces a variety of other performing arts programs including Kids’ Night at the Fabulous Fox, Broadway Master Classes, Educational Encores,and is a producing partner of the St. Louis High School Musical Theatre Awards.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
“EVIL,” “HOUSE OF THE DRAGON,” “THE BOYS,” AND “WHAT WE DO IN THE SHADOWS” LEAD WITH MOST TV NODS
Winners to be Announced on March 16
The Critics Choice Association (CCA) announced the nominees for the 3rd Annual Critics Choice Super Awards, honoring the most popular, fan-obsessed genres across both television and movies, including Superhero, Science Fiction/Fantasy, Horror, and Action. Winners will be revealed via a special announcement on Thursday, March 16.
“The Batman” leads this year’s film nominees, earning six nominations including Best Superhero Movie. Robert Pattinson, Paul Dano, and Colin Farrell each received nods for Best Actor in a Superhero Movie, while Zoë Kravitz is up for Best Actress in a Superhero Movie. Paul Dano could also take home the award for Best Villain in a Movie.
“Evil,” “House of the Dragon,” “The Boys,” and “What We Do in the Shadows” tied for the most television nominations, with each project garnering four nods. “Evil” and “What We Do in the Shadows” were both nominated for Best Horror Series, while “House of the Dragon” received a nomination for Best Science Fiction/Fantasy Series, and “The Boys” received a nod for Best Superhero Series. Mike Colter from “Evil” garnered a nomination for Best Actor in a Horror Series, while Katja Herbers will vie for Best Actress in a Horror Series, and Michael Emerson earned a nod for Best Villain in a Series. “What We Do in the Shadows” also has two actors, Matt Berry and Harvey Guillén, competing in the category of Best Actor in a Horror Series, while Natasia Demetriou is also up for Best Actress in a Horror Series. For “House of the Dragon,” Matt Smith garnered two nominations for both Best Actor in a Science Fiction/Fantasy Series and Best Villain in a Series, while Milly Alcock received a nod for Best Actress in a Science Fiction/Fantasy Series. For “The Boys,” Antony Starr received a nomination for Best Actor in a Superhero Series in addition to Best Villain in a Series, and Erin Moriarty is up for Best Actress in a Superhero Series.
FILM NOMINATIONS FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDSBEST ACTION MOVIE Bullet Train RRR Top Gun: Maverick The Unbearable Weight of Massive Talent The Woman King
BEST ACTOR IN AN ACTION MOVIE Nicolas Cage – The Unbearable Weight of Massive Talent Ram Charan – RRR Tom Cruise – Top Gun: Maverick Brad Pitt – Bullet Train N.T. Rama Rao Jr. – RRR
BEST ACTRESS IN AN ACTION MOVIE Sandra Bullock – The Lost City Jennifer Connelly – Top Gun: Maverick Viola Davis – The Woman King Joey King – Bullet Train Joey King – The Princess
BEST SUPERHERO MOVIE* The Batman Black Panther: Wakanda Forever DC League of Super-Pets Doctor Strange in the Multiverse of Madness Thor: Love and Thunder
BEST ACTOR IN A SUPERHERO MOVIE* Benedict Cumberbatch – Doctor Strange in the Multiverse of Madness Paul Dano – The Batman Colin Farrell – The Batman Tenoch Huerta – Black Panther: Wakanda Forever Robert Pattinson – The Batman
BEST ACTRESS IN A SUPERHERO MOVIE* Angela Bassett – Black Panther: Wakanda Forever Zoë Kravitz – The Batman Elizabeth Olsen – Doctor Strange in the Multiverse of Madness Natalie Portman – Thor: Love and Thunder Letitia Wright – Black Panther: Wakanda Forever
BEST HORROR MOVIE Barbarian The Black Phone Pearl Smile Speak No Evil X
BEST ACTOR IN A HORROR MOVIE Ethan Hawke – The Black Phone Fedja van Huêt – Speak No Evil Ralph Fiennes – The Menu Rory Kinnear – Men Justin Long – Barbarian
BEST ACTRESS IN A HORROR MOVIE Jessie Buckley – Men Aisha Dee – Sissy Anna Diop – Nanny Mia Goth – Pearl Rebecca Hall – Resurrection
BEST SCIENCE FICTION/FANTASY MOVIE Avatar: The Way of Water Everything Everywhere All at Once Nope The Northman Prey
BEST ACTOR IN A SCIENCE FICTION/FANTASY MOVIE Colin Farrell – After Yang Daniel Kaluuya – Nope Ke Huy Quan – Everything Everywhere All at Once Ryan Reynolds – The Adam Project Alexander Skarsgård – The Northman
BEST ACTRESS IN A SCIENCE FICTION/FANTASY MOVIE Karen Gillan – Dual Stephanie Hsu – Everything Everywhere All at Once Amber Midthunder – Prey Keke Palmer – Nope Zoe Saldana – Avatar: The Way of Water Michelle Yeoh – Everything Everywhere All at Once
BEST VILLAIN IN A MOVIE Paul Dano – The Batman Mia Goth – Pearl Tenoch Huerta – Black Panther: Wakanda Forever Joey King – Bullet Train Elizabeth Olsen – Doctor Strange in the Multiverse of Madness Mark Rylance – Bones and All
* Superhero categories also include Comic Book and Video Game Inspired MoviesTELEVISION NOMINATIONS FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDSBEST ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE 9-1-1 Cobra Kai Kung Fu Reacher Tulsa King Vikings: Valhalla
BEST ACTOR IN AN ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Kevin Costner – Yellowstone John Krasinski – Tom Clancy’s Jack Ryan Ralph Macchio – Cobra Kai Alan Ritchson – Reacher Sylvester Stallone – Tulsa King William Zabka – Cobra Kai
BEST ACTRESS IN AN ACTION SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Angela Bassett – 9-1-1 Queen Latifah – The Equalizer Olivia Liang – Kung Fu Katherine McNamara – Walker: Independence Helen Mirren – 1923 Kelly Reilly – Yellowstone
BEST SUPERHERO SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE* The Boys Doom Patrol Ms. Marvel Peacemaker She-Hulk: Attorney at Law Werewolf by Night
BEST ACTOR IN A SUPERHERO SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE* John Cena – Peacemaker Brendan Fraser – Doom Patrol Grant Gustin – The Flash Oscar Isaac – Moon Knight Elliot Page – The Umbrella Academy Antony Starr – The Boys
BEST ACTRESS IN A SUPERHERO SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE* Danielle Brooks – Peacemaker Michelle Gomez – Doom Patrol Caity Lotz – Legends of Tomorrow Tatiana Maslany – She-Hulk: Attorney at Law Erin Moriarty – The Boys Iman Vellani – Ms. Marvel
BEST HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Anne Rice’s Interview with the Vampire Chucky Dahmer – Monster: The Jeffrey Dahmer Story Evil The Walking Dead Wednesday What We Do in the Shadows
BEST ACTOR IN A HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Jacob Anderson – Anne Rice’s Interview with the Vampire Matt Berry – What We Do in the Shadows Mike Colter – Evil Harvey Guillén – What We Do in the Shadows Evan Peters – Dahmer – Monster: The Jeffrey Dahmer Story Sam Reid – Anne Rice’s Interview with the Vampire
BEST ACTRESS IN A HORROR SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Jennifer Coolidge – The Watcher Natasia Demetriou – What We Do in the Shadows Katja Herbers – Evil Niecy Nash-Betts – Dahmer – Monster: The Jeffrey Dahmer Story Jenna Ortega – Wednesday Christina Ricci – Wednesday
BEST SCIENCE FICTION/FANTASY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Andor For All Mankind House of the Dragon The Lord of the Rings: The Rings of Power Star Trek: Strange New Worlds Stranger Things
BEST ACTOR IN A SCIENCE FICTION/FANTASY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Chiwetel Ejiofor – The Man Who Fell to Earth Samuel L. Jackson – The Last Days of Ptolemy Grey Diego Luna – Andor Anson Mount – Star Trek: Strange New Worlds Adam Scott – Severance Matt Smith – House of the Dragon
BEST ACTRESS IN A SCIENCE FICTION/FANTASY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Milly Alcock – House of the Dragon Patricia Arquette – Severance Morfydd Clark – The Lord of the Rings: The Rings of Power Moses Ingram – Obi-Wan Kenobi Fiona Shaw – Andor Sissy Spacek – Night Sky
BEST VILLAIN IN A SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE Ethan Hawke – Moon Knight Brad Dourif – Chucky Matt Smith – House of the Dragon Hayden Christensen – Obi-Wan Kenobi Antony Starr – The Boys Michael Emerson – Evil Jamie Campbell Bower – Stranger Things Harriet Sansom Harris – Werewolf By Night
* Superhero categories also include Comic Book and Video Game Inspired SeriesNOMINATIONS BY FILM FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDSAfter Yang – 1 Best Actor in a Science Fiction/Fantasy Movie – Colin Farrell
Avatar: The Way of Water – 2 Best Science Fiction/Fantasy Movie Best Actress in a Science Fiction/Fantasy Movie – Zoe Saldana
Barbarian – 2 Best Horror Movie Best Actor in a Horror Movie – Justin Long
Black Panther: Wakanda Forever – 5 Best Superhero Movie Best Actor in a Superhero Movie – Tenoch Huerta Best Actress in a Superhero Movie – Angela Bassett Best Actress in a Superhero Movie – Letitia Wright Best Villain in a Movie – Tenoch Huerta
Bones and All – 1 Best Villain in a Movie – Mark Rylance
Bullet Train – 4 Best Action Movie Best Actor in an Action Movie – Brad Pitt Best Actress in an Action Movie – Joey King Best Villain in a Movie – Joey King
DC League of Super-Pets – 1 Best Superhero Movie
Doctor Strange in the Multiverse of Madness – 4 Best Superhero Movie Best Actor in a Superhero Movie – Benedict Cumberbatch Best Actress in a Superhero Movie – Elizabeth Olsen Best Villain in a Movie – Elizabeth Olsen
Dual – 1 Best Actress in a Science Fiction/Fantasy Movie – Karen Gillan
Everything Everywhere All at Once – 4 Best Science Fiction/Fantasy Movie Best Actor in a Science Fiction/Fantasy Movie – Ke Huy Quan Best Actress in a Science Fiction/Fantasy Movie – Stephanie Hsu Best Actress in a Science Fiction/Fantasy Movie – Michelle Yeoh
Men – 2 Best Actor in a Horror Movie – Rory Kinnear Best Actress in a Horror Movie – Jessie Buckley
Nanny – 1 Best Actress in a Horror Movie – Anna Diop
Nope – 3 Best Science Fiction/Fantasy Movie Best Actor in a Science Fiction/Fantasy Movie – Daniel Kaluuya Best Actress in a Science Fiction/Fantasy Movie – Keke Palmer
Pearl – 3 Best Horror Movie Best Actress in a Horror Movie – Mia Goth Best Villain in a Movie – Mia Goth
Prey – 2 Best Science Fiction/Fantasy Movie Best Actress in a Science Fiction/Fantasy Movie – Amber Midthunder
Resurrection – 1 Best Actress in a Horror Movie – Rebecca Hall
RRR – 3 Best Action Movie Best Actor in an Action Movie – Ram Charan Best Actor in an Action Movie – N.T. Rama Rao Jr.
Sissy – 1 Best Actress in a Horror Movie – Aisha Dee
Smile – 1 Best Horror Movie
Speak No Evil –2 Best Horror Movie Best Actor in a Horror Movie – Fedja van Huêt
The Adam Project – 1 Best Actor in a Science Fiction/Fantasy Movie – Ryan Reynolds
The Batman – 6 Best Superhero Movie Best Actor in a Superhero Movie – Paul Dano Best Actor in a Superhero Movie – Colin Farrell Best Actor in a Superhero Movie – Robert Pattinson Best Actress in a Superhero Movie – Zoë Kravitz Best Villain in a Movie – Paul Dano
The Black Phone – 2 Best Horror Movie Best Actor in a Horror Movie – Ethan Hawke
The Lost City – 1 Best Actress in an Action Movie – Sandra Bullock
The Menu – 1 Best Actor in a Horror Movie – Ralph Fiennes
The Northman – 2 Best Science Fiction/Fantasy Movie Best Actor in a Science Fiction/Fantasy Movie – Alexander Skarsgård
The Princess – 1 Best Actress in an Action Movie – Joey King
The Unbearable Weight of Massive Talent – 2 Best Action Movie Best Actor in an Action Movie – Nicolas Cage
The Woman King – 2 Best Action Movie Best Actress in an Action Movie – Viola Davis
Thor: Love and Thunder – 2 Best Superhero Movie Best Actress in a Superhero Movie – Natalie Portman
Top Gun: Maverick – 3 Best Action Movie Best Actor in an Action Movie – Tom Cruise Best Actress in an Action Movie – Jennifer Connelly
X – 1 Best Horror MovieNOMINATIONS BY SERIES, LIMITED SERIES OR MADE-FOR-TV MOVIE FOR THE 3RD ANNUAL CRITICS CHOICE SUPER AWARDS9-1-1 – 2 Best Action Series, Limited Series or Made-For-TV Movie Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Angela Bassett
1923 – 1 Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Helen Mirren
Andor – 3 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Diego Luna Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Fiona Shaw
Anne Rice’s Interview with the Vampire – 3 Best Horror Series, Limited Series or Made-For-TV Movie Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Jacob Anderson Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Sam Reid
Chucky – 2 Best Horror Series, Limited Series or Made-For-TV Movie Best Villain in a Series, Limited Series or Made-For-TV Movie – Brad Dourif
Cobra Kai – 3 Best Action Series, Limited Series or Made-For-TV Movie Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Ralph Macchio Best Actor in an Action Series, Limited Series or Made-For-TV Movie – William Zabka
Dahmer – Monster: The Jeffrey Dahmer Story – 3 Best Horror Series, Limited Series or Made-For-TV Movie Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Evan Peters Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Niecy Nash-Betts
Doom Patrol – 3 Best Superhero Series, Limited Series or Made-For-TV Movie Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Brendan Fraser Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Michelle Gomez
Evil – 4 Best Horror Series, Limited Series or Made-For-TV Movie Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Mike Colter Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Katja Herbers Best Villain in a Series, Limited Series or Made-For-TV Movie – Michael Emerson
For All Mankind – 1 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie
House of the Dragon – 4 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Matt Smith Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Milly Alcock Best Villain in a Series, Limited Series or Made-For-TV Movie – Matt Smith
Kung Fu – 2 Best Action Series, Limited Series or Made-For-TV Movie Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Olivia Liang
Legends of Tomorrow – 1 Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Caity Lotz
Moon Knight – 2 Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Oscar Isaac Best Villain in a Series, Limited Series or Made-For-TV Movie – Ethan Hawke
Ms. Marvel – 2 Best Superhero Series, Limited Series or Made-For-TV Movie Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Iman Vellani
Night Sky – 1 Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Sissy Spacek
Obi-Wan Kenobi – 2 Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Moses Ingram Best Villain in a Series, Limited Series or Made-For-TV Movie – Hayden Christensen
Peacemaker – 3 Best Superhero Series, Limited Series or Made-For-TV Movie Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – John Cena Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Danielle Brooks
Reacher – 2 Best Action Series, Limited Series or Made-For-TV Movie Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Alan Ritchson
Severance – 2 Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Adam Scott Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Patricia Arquette
She-Hulk: Attorney at Law – 2 Best Superhero Series, Limited Series or Made-For-TV Movie Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Tatiana Maslany
Star Trek: Strange New Worlds – 2 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Anson Mount
Stranger Things – 2 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie Best Villain in a Series, Limited Series or Made-For-TV Movie – Jamie Campbell Bower
The Boys – 4 Best Superhero Series, Limited Series or Made-For-TV Movie Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Antony Starr Best Actress in a Superhero Series, Limited Series or Made-For-TV Movie – Erin Moriarty Best Villain in a Series, Limited Series or Made-For-TV Movie – Antony Starr
The Equalizer – 1 Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Queen Latifah
The Flash – 1 Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Grant Gustin
The Last Days of Ptolemy Grey – 1 Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Samuel L. Jackson
The Lord of the Rings: The Rings of Power – 2 Best Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie Best Actress in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Morfydd Clark
The Man Who Fell to Earth – 1 Best Actor in a Science Fiction/Fantasy Series, Limited Series or Made-For-TV Movie – Chiwetel Ejiofor
The Umbrella Academy – 1 Best Actor in a Superhero Series, Limited Series or Made-For-TV Movie – Elliot Page
The Walking Dead – 1 Best Horror Series, Limited Series or Made-For-TV Movie
The Watcher – 1 Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Jennifer Coolidge
Tom Clancy’s Jack Ryan – 1 Best Actor in an Action Series, Limited Series or Made-For-TV Movie – John Krasinski
Tulsa King – 2 Best Action Series, Limited Series or Made-For-TV Movie Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Sylvester Stallone
Vikings: Valhalla – 1 Best Action Series, Limited Series or Made-For-TV Movie
Walker: Independence – 1 Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Katherine McNamara
Wednesday – 3 Best Horror Series, Limited Series or Made-For-TV Movie Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Jenna Ortega Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Christina Ricci
Werewolf by Night – 2 Best Superhero Series, Limited Series or Made-For-TV Movie Best Villain in a Series, Limited Series or Made-For-TV Movie – Harriet Sansom Harris
What We Do in the Shadows – 4 Best Horror Series, Limited Series or Made-For-TV Movie Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Matt Berry Best Actor in a Horror Series, Limited Series or Made-For-TV Movie – Harvey Guillén Best Actress in a Horror Series, Limited Series or Made-For-TV Movie – Natasia Demetriou
Yellowstone – 2 Best Actor in an Action Series, Limited Series or Made-For-TV Movie – Kevin Costner Best Actress in an Action Series, Limited Series or Made-For-TV Movie – Kelly Reilly
The Boys
About the Critics Choice Association (CCA)
The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 600 media critics and entertainment journalists. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the intersection between film, television, and streaming content. For more information, visit:
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Jason Robert Brown’s musical compositions are strenuous and so are two-character pieces, therefore, “The Last Five Years” was a daunting choice for the enterprising Tesseract Theatre Company as they dive into musical theater endeavors.
However, the group pulled off this marriage chronicle with aplomb when I saw it Feb. 19.. With spirited performers, exemplary musicians, accomplished direction, and smart creative choices, “The Last Five Years” is splendid.
With its all-sung framework and an unconventional structure, Brown’s unforgettable score and emotionally powerful lyrics tug at the heartstrings, for in 85 minutes, they go from meeting to break-up (Jamie Wellerstein) and from break-up to meeting (Cathy Hiatt), intersecting at their wedding.
High praise must be bestowed on an exceptional five-piece orchestra lead by veteran maestro Leah Schultz, who is on piano, with Adam Rugo on guitar, John Gerdes on bass, Chuck Evans on violin, and Marie Brown on cello. (The strings are the cherry on top here, lovely and lush.)
The music is beautiful to get lost in, and highlights are “The Next Ten Minutes,” “Still Hurting,” and “Goodbye Until Tomorrow.”
While this might sound like a simple endeavor, it is not. Brown has incorporated many genres, including jazz, blues, folk, and Latin besides his usual pop-rock fusion with musical theatre. His distinctive melodies are notoriously difficult, and his atypical harmonies require a broad vocal range.
The two leads, Kevin Corpuz as Jamie and Grace Langford as Cathy, as dynamic as they are, struggle a wee bit on a few demanding notes. Nevertheless, with the high wire singing for nearly an hour and a half, it’s a dandy achievement – especially the stamina required.
With their pizzazzy personalities on display, Corpuz and Langford are engaging as two New Yorkers – he’s a writer and she’s an actress. They convincingly convey a couple from start to finish over five years — exhilaration at falling in love to crestfallen going through a difficult break-up.
You can’t not be moved by the ebbs and flows as the storytelling weaves the doubts that 20-somethings fret about with careers and commitment.
The aching-yearning-worried songs include “Moving Too Fast” and “A Miracle Could Happen” (Jamie) and “I’m a Part of That” and “Climbing Uphill” (Cathy), which they deliver sincerely.
Langford, a strong vocalist who is well-trained, and Corpuz, who moves with great ease, have worked together multiple times in local regional professional theater, so their comfort level with each other is obvious. This is their first time paired as a romantic couple, and they are believable.
Director Taylor Gruenloh has given the piece some needed vitality, for I’ve seen this musical a couple of times where the pair just basically stand there. No, not a move you’d likely see from inventive Gruenloh, nor Corpuz or Langford. Gruenloh’s tweaked it in a good way, making it more heartfelt.
Lankford is particularly fetching in the clever ditty “A Summer in Ohio,” about her experience in summer stock away from her husband, and the humorous “I Can Do Better Than That,” about her hopes and dreams.
And Corpuz’s energy isn’t containable, so he must move. His “Shiksa Goddess” is amusing in a brazen way, a song detailing his character’s Jewish heritage.
The songs that are raw and tinged with sadness — “If I Didn’t Believe in You,” “I Could Never Rescue You,” and “Nobody Needs to Know,” have forceful solos.
Brown has won three Tony Awards – for his original score to “Parade” in 1999 (currently revived on Broadway) and for original score and orchestrations for “The Bridges of Madison County” in 2014. He was nominated for Billy Crystal’s “Mr. Saturday Night” score last year (with Amanda Green lyrics).
This musical, his third, was inspired by his first marriage, and premiered in Chicago in 2001. It moved to off-Broadway in 2002. St. Louis native Norbert Leo Butz originated the role of Jamie in Chicago and played opposite Sherie Renee Scott off-Broadway, and they recorded the cast album.
That production won the 2002 Drama Desk Award for Outstanding Music and Lyrics, as well as receiving Drama Desk nominations for musical, actor, actress, orchestrations and set design. It also received Lucille Lortel Award nominations for musical and actor, and the Outer Critics Circle Award nomination for Off-Broadway musical.
An enduring and popular musical with regional, colleges and community theaters, it has been revived on Broadway, turned into a 2015 movie with Anna Kendrick and Jeremy Jordan, had an acclaimed London run, a 20th anniversary concert with Butz and original Cathy Lauren Kennedy, and directed by Brown, among other presentations.
The music remains hummable and memorable, and add Tesseract to the list of companies that do it right. Sound designer Phillip Evans has figured out .Zack’s finicky acoustics for flawless work, Brittanie Gunn’s lighting design is striking, and Gruenloh did fine projection work. Actress Josie Schnelten shows up for a cameo.
After their triumphant “Ordinary Days” last fall, and now this 2-hander, Tesseract’s prowess on staging musicals must be highly regarded. “Kinky Boots” is next up at the Grandel Theatre Aug. 17-27, one that will be a must-see.
And you don’t want to miss “The Last Five Years” – a show about love, produced with great affection, and another opportunity to hear those glorious songs.
The Tesseract Theatre Company presents “The Last Five Years” from Feb. 17 to Feb. 26, with performances Friday and Saturday at 8 p.m. and Sunday at 4 p.m. at the .ZACK, 3224 Locust, in the Grand Center. For more information or tickets, visit: www.tesseracttheatre.com.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Ah, existential angst. Few acting roles are as consequential as the ones in Anton Chekhov’s “Uncle Vanya,” and few casts are up to the stimulating challenge like the outstanding ensemble is at St. Louis Actors’ Studio.
Expert craftsmen present deeply felt and moving performances, as they peel off the many layers of Chekhov’s tortured characters like they are giving a master class in rejuvenating a classic 19th century work.
To portray how a family’s ordinary life on a rural estate is disrupted by a self-centered relative and his alluring younger second wife one summer, each performer shades the subtext, making sure the melancholy is perceived and yet, displaying glimmers of joy.
Smooth, insightful direction by Annamaria Pileggi makes every corner of The Gaslight Theatre’s intimate black box crackle with tension and melodrama as messy family entanglements unfold.
Greg Johnston makes the vain retired university professor Aleksandr Vladimirovich Serebryakov thoroughly detestable. He has lived in the city for years on the earnings of his late first wife’s rural estate. You can understand his brother-in-law Vanya’s resentment and how his faithful wife Yelena has fallen out of love with this irritable, demanding man.
As the beautiful Yelena, Jennelle Gilreath Owens makes her misery palpable and her torment realistic over two other men professing their love, as she has beguiled them with regal bearing, and intelligence.
John Pierson as Uncle Vanya. Photo by Patrick Huber.
As lovesick Vanya, aka Ivan Petrovich Voynitsky, John Pierson gives one of his finest, most explosive performances – and I didn’t think he could top “Blackbird” and “Annapurna,” but he burns bright as an agitated powder keg of conflicting emotions and seethes, consumed by grudges, and fumes, because of the rejections and his many regrets. It’s also a surprisingly physical part, too.
Grumbling Vanya and his devoted niece Sonya have kept the crumbling estate going, all in service to the professor, and he is hopping mad at giving his life to such a thankless role. His sister, first wife, is Sonya’s mother and this was her estate.
In a devastating performance, Bryn McLaughlin is heartbreaking as beleaguered Sonya, written as “plain” but kind, and wise beyond her years. She is in love with the visiting doctor, Mikhail Astrov, who only has eyes for Yelena, and endures countless agony as a woman without any prospects for marriage. McLaughlin, a young actress fairly new to St. Louis, breaks through in this memorable role.
Our empathy for Sonya is strong. As the rock of the family, she clings to her idealism as well as her practical nature, still hopeful and understanding of her circumstances. She soothes her malcontent uncle, even though she is deserving of happiness too.
Michael James Reed is commanding as the visiting country doctor Mikhail Lvovich Astrov, glum yet charismatic. His provincial existence isn’t fulfilling, and neither is his medical work, although he takes it very seriously.
He is clueless about Sonya’s unrequited love, which causes her hard-to-bear sorrow. She has poured her heart out to her stepmother, not realizing the sparks between her and the good, but hard-drinking, doctor. He is drawn to spend more time there and things get topsy-turvy.
Photo by Patrick Huber
In supporting roles, Jan Meyer is Maria Vasilyevna Voynitskaya, Vanya’s out-of-touch mother; Eleanor Mullin is caring, pragmatic housekeeper Marina Timofeevna; and Michael Musgrave-Perkins is good-natured Ilya Ilych Telegin, a poor landowner, who is nicknamed “Waffles” for his pockmarked skin, and lives on the estate as a dependent. His music added a pleasant cultural note.
Patrick Huber’s set design is visually appealing and practical for country living in a sweltering summer. Teresa Doggett’s costume design outfits each character well, especially Owens. One quibble — McLaughlin’s wig is too large and heavy for her delicate face.
This version of Chekhov’s “Uncle Vanya” was adapted by contemporary playwright Neil LaBute in 2020, and he has retained the passion and intensity without chopping much, to my recollection. Any changes he made aren’t jarring or noticeable, and the length is still three hours.
This Chekhov work has been adapted many times on stage and in film, and inspired other works. The fact that its chaos is relatable today – lonely people living in isolation, family hierarchies, and even the doctor’s talk of ecological problems and destruction of forests — is remarkable.
Vanya is one of Chekhov’s four classics, written in 1897 and directed by Konstantin Stanislavski at the Moscow Art Theatre two years later, following “The Seagull” and before “The Three Sisters” and “The Cherry Orchard.”
Because of his penchant for realism, Chekhov is credited with establishing modernism in theater, and Stanislavski took the ‘between the lines’ concept one further with the “Method” acting blueprint for many performers.
His influences remain, and it’s refreshing to see how much we can relate to his bleak visions on lost youth, disappointments and finding our purpose – but with some satiric touches, too. For a classic to work in the 21st century, it must have a vitality and teach us anew.
In 2016, St. Louis Actors’ Studio presented “Ivanov,” which was a tall order with 14 people in the cast but was an effective, smart work with stellar performances.
Greg Johnston, Jennelle Gilreath Owens. Photo by Patrick Huber.
The skill shown throughout this ambitious work is exceptional, and another crown jewel for St. Louis Actors’ Studio.
The St. Louis Actors’ Studio presents Chekov’s “Uncle Vanya” from Feb. 17 to March 5, with 8 p.m. shows on Fridays and Saturdays and at 3 p.m. on Sundays, with Thursdays at 8 p.m. on Feb. 23 and March 2, at the Gaslight Theatre, at 360 North Boyle in the Central West End. Tickets through Ticketmaster or show up at the box office half-hour before curtain. For more information: www.stlas.org.
Photo by Patrick HuberMichael James Reed, Michael Musgrave-Perkins, John Pierson. Photo by Patrick Huber
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus Known mostly in offbeat roles, versatile actors Colleen Backer and Jason Meyers are a dynamic duo in the irresistible romantic comedy “Outside Mullingar” at the West End Players Guild.
They shine as neighbors – 40-ish singles who are not mingling, and desperation about time passing by is creeping into their humdrum lives. Clearly, they are meant to be together, but their stars have been crossed by shyness, insecurities, grudges, stubbornness, misperceptions, their peculiar families, and past heartbreak.
Only children, they have lived their whole lives on adjacent family farms outside Mullingar, County Westmeath, in Ireland — with a pesky land dispute issue — and cared for elderly parents until they passed. Later, on their own, you’d think there would be an easier path to true love. But when you meet feisty Rosemary Muldoon and gentle, introverted Anthony Reilly, you will find out why it’s been a rocky road.
This confection is from acclaimed writer John Patrick Shanley, an Oscar winner for his original 1987 screenplay “Moonstruck” and a Tony winner for “Doubt: A Parable” in 2005, which also won a Pulitzer Prize. In 2014, he was nominated for another Tony Award for Best Play for this laugh-out-loud rom-com produced by the Manhattan Theatre Club that is also poignant and redolent with local color.
His lilting dialogue has a delightful rhythm to it, and the four-person cast is nimble in delivery, especially with the quirky cultural colloquialisms and customs. Shanley expresses his love for the land, and what makes Ireland so special, too, which is n interesting addition.
This is Shanley’s second play to be adapted into a movie, which came out as “Wild Mountain Thyme” in 2020 with Jamie Dornan, Emily Blunt and Christopher Walken, and cast Jon Hamm as the American cousin Adam, although in the play, you never see Adam, just hear about him. The film is available to stream on Hulu.
Jodi Stockton and Brad Slavik are well-suited to play Rosemary’s plucky widowed mother Aoife and Anthony’s gruff ailing father Tony with droll wit and pragmatic wisdom –while not exactly guiding their children in the most encouraging ways. Oh, those Irish squabbles that never seem to fade from memory.
Jodi Stockton, Colleen Backer and Brad Slavik. Photo by John Lamb
In this distinctive Shanley scenario, the women seem to be stronger in lessons learned from life than the men do – and aren’t afraid to admonish them about it. Recognize your own family members? They may be a tad stereotypical, but they resonate.
The snappy repartee is one of the most fun aspects of this beguiling show – the parent and child scenes as well as the ones with a feisty Rosemary and a testy Anthony. She is often antagonistic, and he is frequently defensive, so sparks fly in a genuine way – and they convey the more complicated suppressed yearning and desires.
Backer and Meyer aren’t usually cast in “regular people’ roles, often unconventional – and good at it, as they are both current St Louis Theater Circle Award nominees for comedic work last year. But with abundant zeal, they are very sweet together as this couple finding their way. In fact, it would be swell if they were cast together again.
The almost sold-out audience on Feb. 17 was rooting for them – you could hear a few cheers, shouts, and whoops.
WEPG has produced other engaging Irish plays before – “The Lonesome West” last year and “Bloomsday” by Steven Dietz the year prior, and it’s a good fit, with their modest stage and intimate setting.
But perhaps none more adorable. Director Jessa Knust, with assistance from Karen Pierce, recognized the humor in the idiosyncratic characters, and ensures they are endearing, even when they are arguing.
And they stage the “Will they or won’t they?” framework with cleverness and sharp moves by swift Backer and Meyers, who are terrific at physical comedy.
Morgan Maul-Smith’s sound design is strong, and enhanced by Celtic music and pop hits by the Irish band The Corrs that entertains before, in bumps and after this spirited 90-minute show without an intermission. And the cast nailed the dialects perfectly the night I was there.
The artisan designers did fine work – Tracey Newcomb on costumes, Jacob Winslow on set, Karen Pierce on lighting, and Knust on props.
Timed to be a Valentine’s treat, “Outside Mullinger” is a marvelously performed hopeful tale about affairs of the heart that is not ordinary at all, and all the more delightful because of its daffy characters and Irish warmth.
As Irish novelist James Stephens once said: “What the heart knows today the head will understand tomorrow.”
West End Players Guild presents “Outside Mullingar” from Feb. 10 to Feb. 19, with performances Friday and Saturday at 8 p.m., Thursday Feb. 16 at 8 p.m., and Sundays Feb. 12 and Feb. 19 at 2 p.m. at Union Avenue Christian Church, 733 Union Boulevard in the Central West End. Tickets for all performances of “Outside Mullingar” are on sale at www.WestEndPlayers.org/tickets or at the box office before the show.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus An engaging cast and relatable story comes alive with joyful music in the world premiere of “Spells of the Sea.”
This uplifting original musical adventure is a joint project from Metro Theater Company and Megan Ann Rasmussen Productions, the first time Metro has partnered commercially with a producer, but one that fulfills its mission – “a commitment to create new work that responds to the emotional intelligence and needs of young people with respect and joy.”
Based on the well-coordinated book, music, and lyrics by Guinevere “Gwenny” Govea, it has additional creative contributions by Anna Pickett, who is the assistant director.
With equal parts whimsy, wonder and wisdom, “Spells of the Sea” has good intentions and a compassionate message. It is designed to reach a wide audience of all ages – recommended for those age 8 and up.
Jon Gentry and Guinevere Govea. Photo by Jennifer A. Lin
Our hero is Finley Frankfurter, a 15-year-old fisherwoman who is not successful in catching fish, but her dad Ferris is a whiz at it. Only her beloved, kind dad, who basically saved the coastal town, has a life-threatening illness.
Can Finley save her dad? Finley is a sweet teen without any confidence, but she grows as she is called to step it up for her dad — and most importantly, finds her purpose. The creator Govea is a charming Finley, a strong singer and actress, conveying a heartfelt relationship with her dad. Colin McLaughlin, a versatile local musician and actor, is a natural as Ferris Frankfurter. He smoothly guided the boat around the stage. You root for Finley even when she lacks courage.
The town villain is H.S. Crank (Jon Gentry), a grumpy old lighthouse keeper who turned off the light 20 years earlier, causing needless pain and turmoil in the town. Can he redeem himself? Gentry, a sturdy vocalist, is well-suited to be this complicated guy, and we learn why he’s like he is soon enough.
Molly Burris and Gwenny Govea. Photo by Jennifer A. Lin
This unlikely pair travels the ocean to find the Elixir of Life, an elusive remedy, and they encounter mermaids, pirates, and scary whirlpools.
The odyssey comes with honest lessons on family, friendship, and belief in yourself. Trust your abilities. It’s a just-right sincere message straight from the heart.
Govea is a fresh voice to get to know – a recent graduate from the University of Texas at Austin, she developed this story as a podcast during the pandemic. She interacts well with this spirited cast and is a hyphenate with a bright future.
The amiable supporting players include Molly Burris, Syrhea Conaway, Hannah Geisz, Noah Laster, Mitchell Manar, and Tyler White in multiple roles. Burris exaggerates her entitled princess for comic effect, Laster is a robust pirate captain, and the statuesque White is an exotic mermaid serving as a narrator – and also choreographed the show. Laster and Manar contribute as musicians on stage as well, which adds realism.
Colin McLaughlin
The cast is a tight-knit, well-rehearsed, enthusiastic group conveying an earnest story that they believe in, and work well together on stage. With their pure voices and pleasant harmonies, they easily connected with the children in the audience.
The impressive design team has created an enchanting world – with scenic designers Margery and Peter Spack effectively draping materials subbing as sky and sea. It’s a dramatic flourish, and Cristie Johnston, as scenic artist, added some nifty touches too.
The hues are striking, especially with lighting designer Jayson M. Lawshee’s dazzling work. He has creating shimmering seascapes and dawn to dusk time of day depictions that complement this mysterious world.
Costume designer Cynthia Nordstrom combines the everyday with the sparkling to characterize the roles in a smart way.
MTC Artistic Director Julia Flood has created a buoyant setting, and the crisp music direction by Deborah Wicks La Puma adds polish to the proceedings, as does Rusty Wandall’s sound design.
“Spells of the Sea” captivates in an authentic way, aided by the intriguing aspect of nature and the enduring relationships in our life journey that teach us guiding principles.
Pirates and mermaids in ‘Spells of the Sea.” Photo by Jennifer A. Lin
Metro Theater Company presents “Spells of the Sea” live at the Grandel Theatre, 3610 Grandel Square, through March 5 and virtually streaming Feb. 16-March 5 at metroplays.org. It is 70 minutes without an intermission.
Tickets are $20-$36, including ticketing fees, and available through MetroTix, 314-534-1111.
Online virtual streaming begins at $20 and is available through the MTC website, https://www.metroplays.org/spells-of-the-sea. (The video for the virtual streaming is from an early February filmed performance.)
Gwenny Govea is a hyphenate with a bright future.
Performances are Sundays at 2 p.m., Fridays at 7 p.m., and Saturdays at 1 p.m. and 4 p.m. Socially distanced performances are at 4 p.m. Saturdays.
There are theme weekends during the play’s run – costumes are welcomed, and there are photo booths with props available for guests to enjoy being a princess, a pirate, or a mermaid in the lobby each weekend.
Tyler White as the mermaid. Photo by Jennifer A. Lin
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus Stray Dog Theatre goes for the gusto in a blistering, shattering “Who’s Afraid of Virginia Woolf?” that features bravura performances and a fresh perspective on one of the landmark intellectual works of the 20th century.
Edward Albee’s 1962 dramatic comedy is divided into three acts that bristle with tension and increasingly unsettling confrontations are staged during a long night’s journey as two married couples peer into the abyss.
Passive-aggressive George (Stephen Peirick), an associate history professor at a small New England college, appears to be a milquetoast foil for his brassy and sassy wife, Martha (Mara Bollini), the attention-seeking daughter of the college president. After a faculty party, she has invited another couple back to their home on campus for more cocktails and conversation.
Nick (Stephen Henley) is an ambitious biology professor who is married to a sweet and naïve Honey (Claire Wenzel). They become ensnared in their dysfunctional hosts’ “Fun and Games” in Act One, as drinks flow into the wee hours of the morning and the booze-influenced patter grows uglier.
Wenzel, Henley. Photo by John Lamb
As the volatile middle-aged George and Martha viciously taunt each other, cracks in the young couple’s seemingly pleasant life are revealed, and the older couple is ready to pounce for sport. This isn’t their first rodeo. He seethes, she rages.
Everyone’s had a similar uncomfortable feeling around a bickering couple before, uneasy about the lack of a filter and polite behavior. Eager to please, the young folk stay, but as it gets later, it’s to their detriment – Nick is too power-hungry and Honey too vulnerable. Because the next act gets more disturbing, and the regrets start to pile up.
Act Two, titled “Walpurgisnacht,” is a reference to Christian missionary Saint Walpurga, who was known to repel witchcraft and helped convert Germany from heathenism. Known as an annual witches meeting, it typically takes place April 30, and there is a much longer backstory to know. Albee uses it for satirical reference. Of course.
Albee has the men argue more, and the insults begin. Martha will embarrass George’s literary efforts – with Bollini employing a haughty, degrading laugh meant to ridicule her husband. In turn, George becomes more contemptuous of the couple, devising a new game, “Get the Guests.”
Honey, drinking too much brandy, has a finicky stomach and becomes sick a couple times during these alarming encounters. Martha starts acting seductively towards Nick, which brings up more concerns.
Act Three, bluntly titled “The Exorcism,” is a devastating showcase of pain, pride, and purgatory. It takes on an eeriness not unlike a horror thriller, and sound designer Justin Been helps enhance a sense of danger and drama through cinematic score snippets that separate each act.
“Bringing Up Baby” is the next cruel game George demands they play. And they will reveal details about their son, which is complicated. This is by far the most destructive segment of the show, but also a twisted form of catharsis.
Using his wit and clever wordplay, Albee crafted a tragic circumstance around everyone’s illusions – how they see the world and how their inadequacies are part of their daily codependent lives. Their falsehoods are at times unclear, as Albee wanted to point out how society’s norms impede honesty. And their failures affect their mental health.
Wenzel, Bollini. Photo by John Lamb
The fact that a play written 60 years earlier holds up so well is a testament to Director Gary F. Bell’s vision.
He has masterfully dissected this emotionally intense play, having the actors fully realize their characters’ psychological portraits by creating more layers and nuance.
These are demanding and difficult incendiary roles, ultimately about survivors, and the actors are up for the challenges, nimble in delivering Albee’s bitter and brittle dialogue. Not a one makes a false move – everyone defines their intentions clearly.
These are four characters with dashed dreams and multiple frustrations, and they take turns being defiant and trying to cling to their dignity.
Establishing a tempestuous dynamic, Peirick and Bollini dig deep for their revelatory gut-wrenching performances, and both are at their career best. Henley provides yet another interesting characterization as confident Nick who finds himself eviscerated. Newcomer Wenzel is impressive in her local debut as the impressionable young wife trying to meet the expectations of an American nuclear family.
The scale of each character’s dreams are vastly different, and it’s stunning to see how quickly things get out of control. The truths are harsh, the partying hard, and the humiliations fester.
Photo by John Lamb
As scenic designer, Bell also capably created the modest worn living room where he fluidly moved the characters so nobody is static – and the bar gets a workout. As costume designer, he aptly outfitted the characters in appropriate career and party attire from that era. Lighting designer Tyler Duenow focuses on lighting several lamps in the interior.
The 1963 winner of the Tony Award for Best Play has enjoyed multiple revivals on Broadway, and this particular version produced by Stray Dog is the published 2005 revised script that starred Kathleen Turner as Martha, Bill Irwin as George, Mireille Enos as Honey and David Harbour as Nick.
This emotional roller-coaster of a production, certain to leave a lasting impression, is riveting throughout – even with its more than three-hour runtime. Adult themes are explored, and profanity is used. There are two 10-minute intermissions.
Stray Dog Theatre presents Edward Albee’s “Who’s Afraid of Virginia Woolf?” from Feb. 9 to Feb. 25, Thursday to Saturday at 8 p.m., at the Tower Grove Abbey, 2336 Tennessee Avenue, St. Louis, 63104. There will be a Sunday matinee at 2 p.m. on Feb. 19. For more information, visit www.straydogtheatre.org.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Myah L. Gary has something to say – about female friendships, health woes and relationships. Her original play, “Feminine Energy,” celebrates the faith, hope and love between friends and what women go through in life regarding their reproductive cycles.
Everyone’s journey is both private and universal, and sharing honesty about pregnancy, childbirth and different stages in life is something that Gary has tapped into with sensitivity and realism.
This positive jolt of empowerment is currently running at the Mustard Seed Theatre on Fontbonne University’s campus Thursdays through Sundays now through Feb. 19. The former thriving company has re-emerged to stage this relatable work.
Directed by Jacqueline Thompson with a warmth and assuredness, she was an early champion of this work, which received a reading at the St Louis Shakespeare Festival’s Confluence Regional Writers Project.
Realizing what an unpolished gem she was part of, she enlisted theater colleagues who helped complete this project.
Affected by polycystic ovary syndrome, Gary followed the adage “write what you know.” She does so with a knowledge about human behavior that is able to connect to others.
Currently a doctoral candidate at Southern Illinois University at Carbondale, she is committed to awareness about public health education.
Photo by Jon Abbott
The staging in two acts has an authenticity because a powerhouse cast is comfortable manuevering through home and work settings, designed by Patrice Nelms.
Erin Rene Roberts – so good to see her back on stage here – plays Dr. Soleil Kirkpatrick, a confident therapist whose issues with endometriosis is interrupting her life. Single, she is seriously debating a hysterectomy to relieve her pain, and if she wants children. She is open to adoption later.
Bubbly Ricki Franklin is well-suited to play a woman whose infertility issues are also disrupting her life. As Monique Thomas, she is married and works as a midwife. She and her loving husband are talking to treatment specialists, but nothing has worked. She is not defeated, but weary.
Both the women’s stories are relatable to a wide range of women, as is our third storyline.
Andrea Purnell is empathetic as Debra Jackson, a married mother of three who has ovarian cancer, Stage 2. Her journey includes her family and a rocky relationship with her self-absorbed husband and her critical mother.
The supporting cast includes performers playing multiple roles. Michelle Dillard portrays the mothers of each woman, and Joshua Mayfield handles the husband/date roles.
Claire Louis Monarch plays a couple doctors and a very self-centered pregnant woman.
The live-wire Rae Davis plays five roles, including Debra’s vlogging influence daughter Jasmine and Dr. Kirkpatrick’s employee.
They all add to these vibrant portraits. The three leads are so relatable that you are glad to spend time learning about their lives and loves.
The feelings explored help create further dialogue and discussion on women’s health issues, and hopefully will have a long life beyond Mustard Seed’s initial staging.
Mustard Seed Theatre presents “Feminine Energy” Thursday through Saturday at 8 p.m. and Sunday at 2 p.m. through Feb. 19 at Fontbonne University, 6800 Wydown.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Grammy Award-nominated violinist Tessa Lark makes her SLSO debut on short notice in February 18-19 program, performing works by Ernest Chausson and Maurice Ravel
(February 8, 2023, St. Louis, MO) – Today, the St. Louis Symphony Orchestra announced artist and repertoire changes to its February 10-11 and February 18-19 concerts at Powell Hall. Due to illness, violinist Nicola Benedetti is unable to perform with the SLSO over the next two weeks. Benedetti was originally scheduled to perform James MacMillan’s Second Violin Concerto on February 10-11, and the Wynton Marsalis’ Violin Concerto on February 18-19.
With Benedetti’s withdrawal, the February 10-11 concerts, conducted by Sir James MacMillan, will now open with Felix Mendelssohn’s The Hebrides (Fingal’s Cave). The remainder of the previously announced program will still be performed: the SLSO premiere of MacMillan’s The World’s Ransoming featuring SLSO English horn player Cally Banham; Nikolai Rimsky-Korsakov’s Russian Easter Overture; and Pyotr Ilyich Tchaikovsky’s Francesca da Rimini.
In the February 18-19 program, Grammy Award-nominated violinist Tessa Lark makes her SLSO debut, stepping in for Benedetti on short notice, with concerts led by SLSO Music Director Stéphane Denève. An Avery Fisher Career Grant recipient, Lark will perform Ernest Chausson’s Poème and Maurice Ravel’s Tzigane, transforming the concerts into an all-French program. The program also includes Claude Debussy’s Scottish March on a Popular Theme and Ibéria from Images and Maurice Ravel’s La Valse. Lark was nominated for a 2020 Grammy Award for her performance of Michael Torke’s violin concerto, Sky, with the Albany Symphony Orchestra.
Both Saturday night concerts will be broadcast live on 90.7 FM KWMU St. Louis Public Radio, Classic 107.3, or online (stlpr.org). Audiences can attend a Pre-Concert Conversation, an engaging discussion about the music and artists on the program, one hour prior to each classical concert in the auditorium.
Tickets start at $15 and are on sale now at slso.org or by calling the Box Office at 314-534-1700.
Calendar listings:
Friday, February 10, 2023, 7:30pm CST
Saturday, February 11, 2023, 8:00pm CST
Powell Hall, 718 N. Grand Blvd., St. Louis, MO
Sir James MacMillan, conductor (SLSO debut)
Cally Banham, English horn
Felix MENDELSSOHN The Hebrides (Fingal’s Cave)
James MacMILLAN The World’s Ransoming (First SLSO performances)
Nikolai RIMSKY-KORSAKOV Russian Easter Overture
Pyotr Ilyich TCHAIKOVSKY Francesca da Rimini
Saturday, February 18, 2023, 10:30am CST
Sunday, February 19, 2023, 3:00pm CST
Stéphane Denève, conductor
Tessa Lark, violin (SLSO debut)
Claude DEBUSSYScottish March on a Popular Theme Ernest CHAUSSON Poème
Maurice RAVEL Tzigane Claude DEBUSSYIbéria Maurice RAVELLa Valse
About the St. Louis Symphony Orchestra
Celebrated as a leading American orchestra, the St. Louis Symphony Orchestra is the second-oldest orchestra in the country, marking its 143rd year with the 2022/2023 season and its fourth with Music Director Stéphane Denève. The SLSO maintains its commitment to artistic excellence, educational impact, and community collaborations, honoring its mission of enriching lives through the power of music.
The SLSO serves as a convener of individuals, creators, and ideas, and is committed to building community through compelling and inclusive musical experiences. As it continues its longstanding focus on equity, diversity, inclusion, and access, the SLSO embraces its strengths as a responsive, nimble organization, while investing in partnerships locally and elevating its presence globally. For more information, visit slso.org.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
ST. LOUIS THEATER CIRCLE AWARDS RETURN FOR IN-PERSON GALA APRIL 3, 2023
TO HONOR OUTSTANDING WORK IN LOCAL PROFESSIONAL THEATER IN 2022
The Muny leads with 21 nominations, Stages St Louis has 19, The Black Rep 17 and Stray Dog Theatre 15
First In-Person Gala Since 2019 Due to Coronavirus Pandemic
ST. LOUIS, February 6, 2023 – After a four-year hiatus of not holding an in-person ceremony due to the coronavirus pandemic in 2020 through 2022, the St. Louis Theater Circle Awards will return April 3, 2023 in a ‘live’ ceremony beginning at 7 p.m. at the Loretto-Hilton Center on the campus of Webster University. The previous two events were streamed online by HEC Media.
Tickets at $23 apiece will soon be available at the box office of The Repertory Theatre of St. Louis at www.repstl.org or 314-968-4925, and also at the box office one hour before the ceremony.
Nominees in more than 30 categories will vie for honors covering comedies, dramas, musicals and operas produced by local professional theater and opera companies in the calendar years 2022. Approximately 90 productions have been considered for nominations for this year’s event. This compares to roughly 120 productions normally considered in one year alone prior to the pandemic.
Three productions – “Chicago” at The Muny, “A Christmas Carol” at The Rep, and “Head Over Heels” at New Line Theatre – were ineligible because the same production was presented within the last three years at the respective venues.
Nationally recognized playwright, theater producer, and long-time advocate for the arts Joan Lipkin will be honored with a special award for lifetime achievement.
The eighth annual award ceremony, which was to have been held at the Loretto-Hilton Center on the campus of Webster University, was cancelled in February 2020 due to the escalating number of cases of COVID-19. Instead, that event, honoring outstanding local theater productions for the year 2019, was held virtually in a highly polished presentation produced by HEC Media and streamed on HEC’s YouTube channel and web site. A ninth annual ceremony similarly was streamed on HEC Media for the combined years of 2020 and 2021.
The nominees for the 10th annual St. Louis Theater Circle Awards are:
Bronte Sister House Party, SATE. Photo by Joey Rumpell
Outstanding Supporting Performer in a Comedy, Female or Non-Binary Role
Cassidy Flynn, “Brontë Sister House Party,” SATE Hannah Geisz, “The Lonesome West,” West End Players Guild Jilanne Klaus, “Barefoot in the Park,” Moonstone Theatre Company Bess Moynihan, “Brontë Sister House Party,” SATE Valentina Silva, “The Rose Tattoo,” Tennessee Williams Festival St. Louis
Outstanding Supporting Performer in a Comedy, Male or Non-Binary Role
Ted Drury, “The Lonesome West,” West End Players Guild Joel Moses, “Brontë Sister House Party,” SATE Bradley Tejeda, “The Rose Tattoo,” Tennessee Williams Festival St. Louis Chauncy Thomas, “Much Ado About Nothing,” St. Louis Shakespeare Festival Eric Dean White, “Hand to God,” St. Louis Actors’ Studio
Molly Burris, Dear Jack Dear Louise
Outstanding Performer in a Comedy, Female or Non-Binary Role
Colleen Backer, “Hand to God,” St. Louis Actors’ Studio Molly Burris, “Dear Jack, Dear Louise,” New Jewish Theatre Rayme Cornell, “The Rose Tattoo,” Tennessee Williams Festival St. Louis Claire Karpen, “Much Ado About Nothing,” St. Louis Shakespeare Festival Rachel Tibbetts, “Brontë Sister House Party,” SATE
Jeff Kargus, Jason Meyers, “The Lonesome West” Photo by John Lamb
Outstanding Performer in a Comedy, Male or Non-Binary Role
Mitchell Henry-Eagles, “Hand to God,” St. Louis Actors’ Studio Jeff Kargus, “The Lonesome West,” West End Players Guild Ryan Lawson-Maeske, “Dear Jack, Dear Louise,” New Jewish Theatre Jason Meyers, “The Lonesome West,” West End Players Guild Stanton Nash, “Much Ado About Nothing,” St. Louis Shakespeare Festival
Joe Clapper, Behind the Sheet, Photo by Philip Hamer
Outstanding Lighting Design in a Play
Amina Alexander, “Stick Fly,” Repertory Theatre of St. Louis Jesse Alford, “The Rose Tattoo,” Tennessee Williams Festival St. Louis Joe Clapper, “Behind the Sheet,” The Black Rep Jasmine Williams, “Dontrell, Who Kissed the Sea,” The Black Rep John Wylie, “Much Ado About Nothing,” St. Louis Shakespeare Festival
Outstanding Sound Design
Lamar Harris, “Behind the Sheet,” The Black Rep Pornchanok (Nok) Kanchanabanca, “House of Joy,” Repertory Theatre of St. Louis Jackie Sharp, “Dontrell, Who Kissed the Sea,” The Black Rep Rusty Wandall, Kareem Deanes, “Much Ado About Nothing,” St. Louis Shakespeare Festival Amanda Werre, “Dear Jack, Dear Louise,” New Jewish Theatre
Joel Moses in “Laughter on the 23rd Floor,” New Jewish Theatre, Photo by Jon Gitchoff
Outstanding Costume Design in a Play
Dorothy Marshall Englis, “Much Ado About Nothing,” St. Louis Shakespeare Festival Liz Henning, “Brontë Sister House Party,” SATE Liz Henning, “Rodney’s Wife,” The Midnight Company Oona Natesan, “House of Joy,” Repertory Theatre of St. Louis Michele Friedman Siler, “Laughter on the 23rd Floor,” New Jewish Theatre
Outstanding Set Design in a Play
Dahlia Al-Habieli, “House of Joy,” Repertory Theatre of St. Louis Dunsi Dai, “Dear Jack, Dear Louise,” New Jewish Theatre Bess Moynihan, “Rodney’s Wife,” The Midnight Company Kyu Shin, “Stick Fly,” Repertory Theatre of St. Louis Josh Smith, “Much Ado About Nothing,” St. Louis Shakespeare Festival
Riley Carter Adams, right, The Bee Play, New Jewish Theatre. Photo by Jon Gitchoff.
Outstanding Supporting Performer in a Drama, Female or Non-Binary Role
Riley Carter Adams, “The Bee Play,” New Jewish Theatre Sarajane Alverson, “The Normal Heart,” Stray Dog Theatre Rachel Hanks, “The Christians,” West End Players Guild Rachel Tibbetts, “Rodney’s Wife,” The Midnight Company Sumi Yu, “House of Joy,” Repertory Theatre of St. Louis
Outstanding Supporting Performer in a Drama, Male or Non-Binary Role
Cameron Jamarr Davis, “The African Company Presents Richard III,” The Black Rep Joseph Garner, “The Christians,” West End Players Guild Michael James Reed, “Proof,” Moonstone Theatre Company Joey Saunders, “The Normal Heart,” Stray Dog Theatre Jeffrey Wright, “The Normal Heart,” Stray Dog Theatre
Summer Baer, Michael James Reed “Proof,” Moonstone Theatre Company.
Outstanding Performer in a Drama, Female or Non-Binary Role
Summer Baer, “Proof,” Moonstone Theatre Company Lavonne Byers, “Good People,” Stray Dog Theatre Kelly Howe, “Rodney’s Wife,” The Midnight Company Chinna Palmer, “Behind the Sheet,” The Black Rep Jennifer Theby-Quinn, “Iphigenia in Splott,” Upstream Theater
Outstanding Performer in a Drama, Male or Non-Binary Role
Kevin Brown, “Jitney,” The Black Rep Jeff Cummings, “Behind the Sheet,” The Black Rep Olajuwon Davis, “Jitney,” The Black Rep Joel Moses, “The Christians,” West End Players Guild Stephen Peirick, “The Normal Heart,” Stray Dog Theatre
“Jitney,” The Black Rep, Phillip Hamer photo
Outstanding New Play
“Bandera, Texas,” by Lisa Dellagiarino Feriend, Prism Theatre Company “Brontë Sister House Party,” by Courtney Bailey, SATE “The Good Ship St. Louis,” by Philip Boehm, Upstream Theater “Roll With It!” by Katie Rodriguez Banister and Michelle Zielinski, The Black Mirror Theatre Company “Winds of Change,” by Deanna Jent, St. Louis Shakespeare Festival
Outstanding Achievement in Opera
Daniela Candillari, “Carmen,” Opera Theatre of Saint Louis Thomas Glass, “Harvey Milk,” Opera Theatre of Saint Louis Karen Kanakis, “La Rondine,” Winter Opera Saint Louis Robert Mellon, “Falstaff,” Union Avenue Opera Sarah Mesko, “Carmen,” Opera Theatre of Saint Louis
Union Avenue Opera’s production of A Little Night Music on August 17, 2022.
Outstanding Production of an Opera
“Awakenings,” Opera Theatre of Saint Louis “Falstaff,” Union Avenue Opera “The Gondoliers,” Winter Opera Saint Louis “Harvey Milk,” Opera Theatre of Saint Louis “A Little Night Music,” Union Avenue Opera
Outstanding Musical Director
Cullen Curth, “Jerry’s Girls,” New Jewish Theatre Jermaine Hill, “The Color Purple,” The Muny Walter “Bobby” McCoy, “In the Heights,” Stages St. Louis James Moore, “Sweeney Todd,” The Muny Andrew Resnick, “The Karate Kid – The Musical,” Stages St. Louis
The Karate Kid – The Musical, Phillip Hamer photo.
Outstanding Choreographer
Dena DiGiacinto, “A Chorus Line,” Stages St. Louis Keone and Mari Madrid, “The Karate Kid – The Musical,” Stages St. Louis Patrick O’Neill, “Mary Poppins,” The Muny Josh Rhodes, “Joseph and the Amazing Technicolor Dreamcoat,” The Muny Luis Salgado, “In the Heights,” Stages St. Louis
Outstanding Supporting Performer in a Musical, Female or Non-Binary Role
Tami Dahbura, “In the Heights,” Stages St. Louis Melissa Felps, “Something Rotten!” New Line Theatre Nicole Michelle Haskins, “The Color Purple,” The Muny Grace Langford, “The 25th Annual Putnam County Spelling Bee,” Stray Dog Theatre Dawn Schmid, “Ride the Cyclone,” Stray Dog Theatre
Marshall Jennings, Melissa Felps “Something Rotten!” New Line Theatre
Outstanding Supporting Performer in a Musical, Male or Non-Binary Role
Luis-Pablo Garcia, “In the Heights,” Stages St. Louis Clayton Humburg, “Something Rotten!” New Line Theatre Jeffrey Izquierdo-Malon, “Something Rotten!” New Line Theatre Marshall Jennings, “Something Rotten!” New Line Theatre Jordan Wolk, “Assassins,” Fly North Theatricals
Outstanding Lighting Design in a Musical
Tyler Duenow, “Ride the Cyclone,” Stray Dog Theatre Bradley King, “The Karate Kid – The Musical,” Stages St. Louis John Lasiter, “Sweeney Todd,” The Muny Sean M. Savoie, “A Chorus Line,” Stages St. Louis Sean M. Savoie, “In the Heights,” Stages St. Louis
“In the Heights,” Stages St. Louis, Photo by Phillip Hamer.
Outstanding Set Design in a Musical
Edward E. Hayes, Jr. and Greg Emetaz, “Joseph and the Amazing Technicolor Dreamcoat,” The Muny Anna Louizos, “In the Heights,” Stages St. Louis Derek McLane, “The Karate Kid – The Musical,” Stages St. Louis Michael Schweikardt, “Sweeney Todd,” The Muny Josh Smith, “Ride the Cyclone,” Stray Dog Theatre
Outstanding Costume Design in a Musical
Eileen Engel, “A Little Night Music,” Stray Dog Theatre Eileen Engel, “Assassins,” Fly North Theatricals Samantha C. Jones, “The Color Purple,” The Muny Brad Musgrove, “In the Heights,” Stages St. Louis Alejo Vietti, “Sweeney Todd,” The Muny
Anastacia McCleskey, “The Color Purple,” Phillip Hamer photo.
Outstanding Performer in a Musical, Female or Non-Binary Role
Carmen Cusack, “Sweeney Todd,” The Muny Jeanna De Waal, “Mary Poppins,” The Muny Eileen Engel, “Ride the Cyclone,” Stray Dog Theatre Melissa Felps, “Urinetown,” New Line Theatre Anastacia McCleskey, “The Color Purple,” The Muny
Outstanding Performer in a Musical, Male or Non-Binary Role
Ryan Alvarado, “In the Heights,” Stages St. Louis Corbin Bleu, “Mary Poppins,” The Muny Ben Davis, “Sweeney Todd,” The Muny Stephen Henley, “Assassins,” Fly North Theatricals Jovanni Sy, “The Karate Kid – The Musical,” Stages St. Louis
Stephen Henley, The Balladeer, Fly North Theatricals.
Outstanding Ensemble in a Comedy
“Brontë Sister House Party,” SATE “Heroes,” Albion Theatre “Laughter on the 23rd Floor,” New Jewish Theatre “A Midsummer Night’s Dream,” St. Louis Shakespeare Festival “Much Ado About Nothing,” St. Louis Shakespeare Festival
Outstanding Ensemble in a Drama
“The African Company Presents Richard III,” The Black Rep “Behind the Sheet,” The Black Rep “The Christians,” West End Players Guild “Jitney,” The Black Rep “The Normal Heart,” Stray Dog Theatre
The Christians, West End Players Guild, Photo by John Lamb
Outstanding Ensemble in a Musical
“The 25th Annual Putnam County Spelling Bee,” Stray Dog Theatre “A Chorus Line,” Stages St. Louis “The Color Purple,” The Muny “In the Heights,” Stages St. Louis “Sweeney Todd,” The Muny
Outstanding Director of a Comedy
Robert Ashton, “The Lonesome West,” West End Players Guild Eddie Coffield, “Laughter on the 23rd Floor,” New Jewish Theatre David Kaplan, “The Rose Tattoo,” Tennessee Williams Festival St. Louis Keating, “Brontë Sister House Party,” SATE Bruce Longworth, “Much Ado About Nothing,” St. Louis Shakespeare Festival
“Rodney’s Wife,” The Midnight Company, Photo by Joey Rumpell
Outstanding Director of a Drama
Gary F. Bell, “The Normal Heart,” Stray Dog Theatre Joe Hanrahan, “Rodney’s Wife,” The Midnight Company Ron Himes, “The African Company Presents Richard III,” The Black Rep Ron Himes, “Behind the Sheet,” The Black Rep Ellie Schwetye, “The Christians,” West End Players Guild
Outstanding Director of a Musical
Lili-Anne Brown, “The Color Purple,” The Muny Scott Miller, “Something Rotten!” New Line Theatre Bradley Rohlf, “Assassins,” Fly North Theatricals Rob Ruggiero, “Sweeney Todd,” The Muny Luis Salgado, “In the Heights,” Stages St. Louis
“Much Ado About Nothing,” St Louis Shakespeare Festival
Outstanding Production of a Comedy
“Brontë Sister House Party,” SATE “Dear Jack, Dear Louise,” New Jewish Theatre “The Lonesome West,” West End Players Guild “Much Ado About Nothing,” St. Louis Shakespeare Festival “The Rose Tattoo,” Tennessee Williams Festival St. Louis
“The African Company Presents Richard III,” The Black Rep, Photo by Phillip Hamer
Outstanding Production of a Drama
“The African Company Presents Richard III,” The Black Rep “Behind the Sheet,” The Black Rep “Good People,” Stray Dog Theatre “Jitney,” The Black Rep “The Normal Heart,” Stray Dog Theatre
Outstanding Production of a Musical
“Assassins,” Fly North Theatricals “The Color Purple,” The Muny “In the Heights,” Stages St. Louis “Ride the Cyclone,” Stray Dog Theatre “Sweeney Todd,” The Muny
“Ride the Cyclone,” Stray Dog Theatre, Photo by John Lamb
Special Award
Joan Lipkin, for lifetime achievement
Joan Lipkin
The mission of the St. Louis Theater Circle is simple: To honor outstanding achievement in St. Louis professional theater. Other cities around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and Washington, D.C., pay tribute to their own local theatrical productions with similar awards programs.
Members of the St. Louis Theater Circle include Steve Allen (stagedoorstl.com); Mark Bretz (LadueNews); Bob Cohn (St. Louis Jewish Light); Tina Farmer (The Riverfront Times); Michelle Kenyon (snoopstheatrethoughts.com and KDHX); Gerry Kowarsky (Two on the Aisle, HEC Media); Chuck Lavazzi (KDHX); Rob Levy (Broadwayworld.com); Judith Newmark (judyacttwo.com); Lynn Venhaus (PopLifeSTL.com); Bob Wilcox (Two on theAisle, HEC Media); and Calvin Wilson (St. Louis Post-Dispatch). Eleanor Mullin, local performer and arts supporter, is group administrator.
For more information, contact [email protected] or ‘like’ the St. Louis Theater Circle on Facebook.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.