Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
McKendree University’s Hettenhausen Center for the Arts plans to show six critically acclaimed movies during its 2020-2021 Film Art Series at the Lebanon, Ill., campus. A university professor will briefly discuss each film’s theme or concept beforehand during an informal “Screen Talk” at 6 p.m.
Appropriate precautions will be taken to protect audience members’ health and safety during the COVID-19 pandemic, said Liz Crabtree, director of the Hett. The Hett will follow state and local public health recommendations for events as outlined by the governor’s current Restore Illinois recovery plan. Seating capacity may be reduced to create more distance between individual seats, or pairs of adjacent seats, to minimize contact inside the 488-seat auditorium.
Admission is free to all screenings. Some films contain adult themes or language and may not be appropriate for everyone. For more information, visit theHett.com, or call 618-537-6863. The schedule is as follows:
Sept. 22: “Booksmart” (2019) On the eve of their high school graduation, two academic overachievers try to cram four years of fun into one chaotic, adventurous night. Rated R; 1 hour, 42 minutes. Screen Talk host: Dr. Jenny Mueller, professor of English.
Oct. 12: “The Night of the Hunter” (1955) Released from prison for car theft, a religious fanatic marries a gullible widow, whose children are reluctant to say where their dad hid $10,000 he stole in a robbery. Not rated; 1 hour, 32 minutes. Screen Talk host: Dr. Jessica Campbell, assistant professor of English.
Nov. 12: “Scotland, Pa.” (2001) A modern black comedy retelling of Shakespeare’s “Macbeth” is set in a suburban Pennsylvania hamburger stand in the early 1970s. Rated R; 1 hour, 44 minutes. Screen Talk host: Dr. Nichole DeWall, professor of English.
Feb. 11, 2021: “Spider-Man: Into the Spider-Verse” (2018) Bitten by a radioactive spider in the subway, a Brooklyn teenager suddenly develops mysterious powers that transform him. Rated PG; 1 hour, 57 minutes. Screen Talk host: Dr. Brenda Boudreau, professor of English.
Feb. 23: “The Last Black Man in San Francisco” (2019) Jimmie and his best friend try to reclaim the house built by his grandfather, taking them on a poignant odyssey that connects them to their past and tests their friendship and sense of belonging. Rated R; 2 hours, 1 minute. Screen Talk host: Amy MacLennan, M.F.A., associate professor of art.
Apr. 22: “Anthropocene: The Human Epoch” (2018) Filmmakers travel to six continents and 20 countries to capture stunning images documenting the catastrophic impact humans have made on the planet. Not Rated, 1 hour, 27 minutes. Screen Talk host: Dr. Martha Patterson, professor of English.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Innovative Virtual Theatrical Experiences Begin This Fall
The Repertory Theatre of St. Louis is thrilled to announce a return to live, in-person performances in March 2021.
“Over the past months we have not been able to gather together in the theater, but the hunger for storytelling that illuminates our humanity is fiercer than ever,” said Hana S. Sharif, The Rep’s Augustin Family Artistic Director. “I still believe that great art can transform lives, so we have adapted this season to create unique and safe opportunities to bring arts to our community.”
In March, The Rep shares joy and laughter with the family-friendly musical Little Shop of Horrors at the Loretto-Hilton Center, and May brings the majestic and powerful Mlima’s Tale by Pulitzer Prize-winner Lynn Nottage, at the state-of-the-art Catherine B. Berges Theatre at COCA. Focused on the well-being of the St. Louis community, The Rep continues to develop safety plans for all in-person performances.
In addition to these two productions, Rep artists are hard at work creating a hybrid of interactive, site-specific and virtual experiences that make theatre more accessible for everyone. The Rep will announce these exciting initiatives throughout the fall and winter.
The first virtual event of the 20-21 season is a free staged reading of Black Like Meby Monty Cole, based on the memoir of the same name by John Howard Griffin.
This noir docu-drama tells the true story of a white journalist in 1959 who temporarily dyed his skin in an effort to experience life as a Black man. Playwright/Director Cole created modern-day Black characters to reenact the story, respond in real time to the events of the play and wrestle with their own concepts of equality and social justice. The one-night-only staged reading of Black Like Me is free and available for online streaming anywhere in the world on September 10 at 7:30 p.m. CDT. People can register here to reserve a virtual “seat.”
Rep subscriptions are on sale now. Single tickets go on sale February 15, 2021. For tickets or more information, call The Rep Box Office Monday through Friday between 10:30 a.m. and 5 p.m. at 314-968-4925, or visit repstl.org.
ABOUT THE REPERTORY THEATRE ST. LOUIS
The Rep is the St. Louis region’s most honored live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. www.repstl.org.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
SATE presents Project Verse: Creativity in the Time of Quarantine in collaboration with COCA and Prison Performing Arts, Featuring two new plays — Quatrains in Quarantine by e.k. doolin and Dream On, Black Girl: Reflections in Quarantine by Maxine du Maine Premiering online Aug. 28, 2020 at 7 p.m.(CST) Presented free of charge on SATE’s website (slightlyoff.org), Facebook page (facebook.com/satestl), Instagram @satestl.
SATE presents the culminating week of Project Verse, a three-week collaboration with COCA and Prison Performing Arts (PPA) as education and engagement partners. COCA presented the artist talks on their Facebook page to celebrate the creativity of those who are caregivers and artists.
Artist talks included poetry with jessica Care moore and King Thomas Moore on August 12 and visual arts with Maxine du Maine on August 19. The final week’s offering on August 26 was dance and poetry with Delaney Piggins and Norah Brozio. Quatrains in Quarantine was written by e.k. doolin in response to a call for scripts based in the Zoom platform. The call was issued by COCA (Center of Creative Arts).
The COCAwrites program seeks to produce works that are intended for a multi-generational audience. Cara is a young poet, trying to process the unprecedented time she is living through in the best way she knows how – her verse. Nicole is her mother, trying to survive another day of uncertainty and working/parenting simultaneously from home. Mimi is her friend, seemingly winning at all things. JJ is her brother, absent in more ways than one.
Quatrains in Quarantine is directed by Ellie Schwetye and features Rachel Tibbetts and Clayton High School students Claudia Taylor, Anna Lawrence, and Tommy Karandjeff. Dream On, Black Girl: Reflections in Quarantine, written and directed by Maxine du Maine, focuses on a writing teacher guiding two young ladies through a poetry class on Zoom.
Both students share poems that reflect on the tragedies that continue to plague their community during the quarantine. The poems in the play are inspired by the young black children that were quarantined before COVID-19. They spent their time in a juvenile detention center reflecting on their lives, experiences and emotions through powerful art and writing. Young black youth are tomorrow’s leaders and deserve a platform to represent themselves accurately in the media and have their voice heard.
Dream On, Black Girl: Reflections in Quarantine is their platform. The performing ensemble includes Maxine du Maine, Gabby Eubanks, and Alana Wilson.
Please call (314) 827-5760, email sate.stl@gmail.com, or visit the SATE website at slightlyoff.org for more information. Project Verse is made possible by funding from COCA, Prison Performing Arts, Regional Arts Commission, and SATE.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Repertory Theatre of St. Louis invites audiences to witness the new play development process firsthand on September 10 with a virtual, staged reading of Black Like Me by Monty Cole, based on the memoir of the same name by John Howard Griffin. This entertaining noir docu-drama examines the fine line between allyship and appropriation.
In 1959, a white journalist sought a doctor’s help to temporarily darken his skin so he could “pass” as Black. He traveled the segregated South for three weeks and published his experiences in 1961. Griffin’s journal has been celebrated by many as an indictment of racism, while others have described it as patronizing or offensive.
Chicago-based artist Monty Cole was compelled to express the conflicting feelings he experienced while reading the book, so he created modern-day Black characters to reenact the story, respond in real time to the events of the play and wrestle with their own concepts of equality and social justice. The piece is a captivating juxtaposition of historical and contemporary, analytical and emotional, lighthearted and heartbreaking.
“As I read Griffin’s book, I was simultaneously enticed and repulsed, understanding and critical, pushing back against it and being sucked into the Twilight Zone aspect of it,” said Cole.
The Chicago-based cast and artistic team include Director/Playwright: Monty Cole, Dramaturg: Regina Victor, Project Manager: Christopher Maxwell and Actors: Adia Alli, Breon Arzell, Brianna Buckley, McKenzie Chinn, Joe Dempsey, Eric Gerard, Daniel Kyri and Netta Walker. They will workshop the script for four days and record a staged reading, incorporating the changes honed during those rehearsals. Fans of The Rep’s Ignite New Play Festival know the electricity of offering input that helps a new play come to life.
“Of the many doors that theatre opens, civic dialogue is one of my favorites,” said Hana S. Sharif, The Rep’s Augustin Family Artistic Director. “Monty Cole’s brilliant new play is a compassionate and creative entry point. The Rep is thrilled to elevate this artist and this work.”
The one-night-only staged reading of Black Like Me is free and available for online streaming anywhere in the world on September 10, 2020, at 7:30 p.m. CST. There are a limited number of “seats,” so don’t wait to register. Visit this link to reserve your online viewing and experience this theatrical event from the comfort of your home.
For more information, visit repstl.org or call The Rep Box Office at 314-968-4925 Mondays through Fridays between 10:30 a.m. and 5 p.m.
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ABOUT PLAYWRIGHT/DIRECTOR MONTY COLE
Cole is a Chicago-based director, producer and playwright who has workshopped and directed new plays and re-imaginings of classic texts around the country, working with significant companies such as Steppenwolf, Center Theatre Group, The Goodman Theatre, Victory Gardens Theater, Cape Cod Theatre Project, Alley Theatre All New Festival, American Theatre Company, California Institute of the Arts and others. He directed the Jeff Award winning production of The Hairy Ape for Oracle Productions. Cole has a BFA in Theatre Studies from Emerson College and an MFA in Directing from the California Institute of the Arts. www.monty-cole.com
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ABOUT THE REPERTORY THEATRE ST. LOUIS
The Rep is the St. Louis region’s most honored live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. www.repstl.org
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Cinema St. Louis (CSL) and the Saint Louis Science Center are excited to announce the third edition of their science-fiction and fantasy short film contest – an opportunity for regional filmmakers to let their imaginations shine. This year’s edition has a Mega Monster Movie focus.
The following films have been selected as part of this year’s event. Beginning Monday, Aug. 24, and continuing through Thursday, Sept. 3, the films will be available to stream for free. Viewers will also have the opportunity to vote on their three favorite films, and the winners will be announced as part of the Saint Louis Science Center’s Virtual First Friday event on Friday, Sept. 4. Follow SLSC’s Event Page for more details.
The Bowl (Christina Sittser, 2020, 2 min.) A snack leads to an unusual afternoon when a girl discovers her kitchen bowl has a special power. CowBot (Rahul Menon, 2020, 3 min.) Based on a rumor that might just be true. Dinosaurs … in Space? (Thomas Watson, 2020, 4 min.) 65 million years ago, two outer-space explorers were sent to Earth to capture a specimen and collect the DNA of a dinosaur for scientific study. EneMe (Lacey Turner, 2020, 2 min.) Jason wakes up and is desperate to run away from something. Exchange (Goldie Vang, 2020, 3 min.) A shaman travels to the spirit world to save his friend. Just Boom It (Ivon Wuchina, 2020, 3 min.) A young man with a broken heart overcomes his troubles with the magic of music. Kerosene and Matches (Trevan Jay Hiatt & Chris Stempel, 2020, 5 min.) A glimpse into the life of a black-ops agent working deep within the CIA. MAYA the Sacrifice Trailer (Maria Brenda, 2020, 1 min.) A film dedicated to mental health. Monochrome Heart (Angel Stefano, 2020, 3 min.) Breaking their usual routine, two artists invite another friend to collaborate on a much larger project. N.E.O. 421 (Wyatt Weed, 2020, 4 min.) Two astronauts intercept an asteroid on a collision course with Earth, but on closer examination, they discover that it may not be an asteroid at all. Period. (Gonzalo Peral Perez, 2020, 2 min.) A fictional story about the evolution of the universe. Potluck (Jared Goudsmit & Olivia Squires, 2020, 5 min.) Five lovely ladies organize a neighborhood get-together. Shrine (Julia Koza, 2020, 5 min.) A young girl performs a spell in order to find love. Tiffanys (Caitlin Chiusano, Sean Esser & Zhara Honore, 2020, 5 min.) A planet-conquering alien mistakes a high-school girl for the ruler of Earth and competes against her for the prom-queen crown.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The St Louis Black Repertory Company announces three virtual programs for the month of September. Two virtual readings and a virtual discussion with playwright Melda Beaty and Artistic Director of The Ensemble Theatre in Houston, Eileen Morris.
Coconut Cake will be presented in conjunction with The Ensemble Theatre in Houston who originally produced a zoom reading of the play on Father’s Day Weekend. The Black Rep will stream this production September 11-13, 2020 at 7pm. Coconut Cake features Producing Director Ron Himes who says,
“What I miss most is the chatter in the lobby and the feeling of anticipation as the lights go down and we sit for a moment anticipating another evening in the theatre. We can never replace that experience but we can maintain our connections with our audiences until it’s safe for us to come together again. We are so happy to introduce the work of Melda Beaty to our audiences in September.”
When Eddie Lee’s wife, Iris, joins him in retirement, the truth about his “ladies man” ways resurface. To avoid her, Eddie retreats to the sanctuary of McDonald’s where coffee refills are free and the rest of his retired friends, with marital problems of their own, wait faithfully for him. When a mystery woman moves in down the street, with her Creole wiles, melt in your mouth coconut cake, and medicine cabinet secrets, Eddie is not the only one who pays her a visit; a visit that threatens to change all their lives forever. Coconut Cake also features, Jason Carmichael, Ted Lange, Alex Morris, and Ed Muth.
The Black Rep will then have a virtual discussion with Eileen Morris, who directed the production of Coconut Cake, and Melda Beaty, the playwright. This will take place on Friday September 18, 2020.
The Black Rep will close the month of September with a virtual production of Front Porch Society by Melda Beaty. America is on the eve of electing its first Black president. Amidst the town’s excitement over Barack Obama, Carrie Honey grieves her son’s tragic death. After 40 years of failed attempts to seek justice, Carrie has grown bitter and is no longer interested in life’s celebrations, but when a scandal in town rocks this historic day, a past secret is revealed that restores her faded faith.
This production will be live-streamed with direction by Ron Himes. This cast will feature Marjorie Johnson, Marsha Cann, Thomasina Clarke, Perri Gaffney, Keith Bolden, Christian Kitchens, and Wendy Gordon. This production will live stream on September 25, 2020 at 7pm. The production will then be available until Sunday September 27, 2020 until 7pm.
Additional programming will be announced at a later date.
# # #
About The St. Louis Black Repertory Company
The St Louis Black Repertory Company was founded in 1976 by Producing Director Ron Himes. The Black Rep is one of the largest, professional African-American theatre companies in the nation and the largest African-American performing arts organization in Missouri. Quality professional dramas, comedies and musicals by primarily African-American and third world playwrights are produced. Mainstage productions and education programs combine to reach more than 80,000 people annually.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus A playwright and theater director, Leoni staged “The Playground,” which was about unhoused youth. He talked to two homeless girls, who eventually wound up dead. As he learned more about the at-risk youngsters and their risky behavior, he wanted to help, and thought filming a 2-minute public service announcement would raise awareness. What happened instead changed his life.
By getting close to a group of street kids in Hollywood and Venice, Leoni earned their trust and heard their stories, which he filmed and has included in his stark and intense feature documentary, “American Street Kid.”
The numbers are overwhelming: 1.8 million kids are homeless;
5,000 die a year, which is 13 a day.
Leoni used guerrilla-style
filmmaking, hand-held cameras, recordings of many phone calls and split screen
editing for the 1-hour, 44-minute film. He also became part of the story, impacting
lives and creating a transformational program.
There is little surprise as he captured their daily
struggle of finding food, trying to get money, seeking a safe place to sleep.
They are scared. They are crime victims. They prostitute themselves for
survival.
Leoni quickly became involved as a caring friend, trying
to help but realizing that he couldn’t fix all these broken lives. His
frustration with the system becomes another aspect of the film.
He focuses on a few who have created a family on the
streets, and these portraits are haunting and riveting, as we see the
psychological damage of lost childhoods and unloved, neglected, troubled young
adults who can’t seem to break the cycle. Some are addicts, some dream of
better lives but do not have the mental and emotional tools to succeed. They
can’t get past their pasts.
The tales of woe are gut-wrenching – beatings, sexual
assaults, drug-addicted parents, stepdads who don’t want them around, their own
issues with substance abuse – drugs are everywhere on the streets, and a way to
numb their pain.
Their multiple problems can’t get the attention from the
under-staffed and under-financed social services and non-profit groups. The
shelters and the rescue missions are full.
Ryan, whose father thought he was worthless, has just
wanted a home and family. His girlfriend Nessa is pregnant, but she was also
diagnosed with HIV. He uses meth. Ishmael, an aspiring musician, said he is the
son of a pimp and a prostitute who abandoned him. Nick left home at 15. A girl said
she didn’t know what rape was but went into the school nurse bleeding. She was immediately
taken away to foster care..
The film is rough to watch. Hopelessness pervades the
film, even though Leoni tries – he is their confidante, their advisor. He tries
to find places for them. He counsels them to go into rehab. He looks for
programs that can better their lives. He never gives up on them.
Stacia Fiore, an outreach counselor, warns Leoni about
getting too close. But she is impressed with his advocacy and is a sounding
board.
There are glimmers of hope and a few success stories, which
drives the film.
However, the biggest success came after the movie – for Marquesha
Babers, known as “Kiki.” She was 15 when the filmmakers first met her. Her
poetry has gone on to inspire women around the world. She has performed “That
Girl” in London and for such luminaries as Angelina Jolie, Hillary Clinton and Freida
Pinto. The poem is included on a collaboration album, “6 Feat,” a collection of
poems turned into songs with social justice as the theme.
The film, several years in the making and completed in
2018, is produced by Kandoo Films, a Los Angeles-based production company run
by Howard Barish, who produced “13th” and “Middle of Nowhere.”
Inspired by figuring out it’s the
transformation, not just transition, that is needed, Leoni founded the
organization Spare Some Change. He created and launched a media campaign/artistic
mentoring program that exposes street youth to the arts and motivates them to
create change in their lives. www.sparesomechangethemovement.com.
The movie has a lot to carry on its
shoulders but its heart is definitely in the right place.
“American Street Kid” is a documentary written and directed by Michael Leoni. It’s not rated, but there is pervasive drug use and language throughout. The runtime is 1 hour, 44 minutes. Lynn’s Grade: B. The movie is available video on demand through digital and cable platforms as of Aug. 21.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus
Sometimes,
we see magic happen under the stars in Forest Park. This summer, we saw a
different kind of Muny Magic – but enchanted evenings nonetheless.
It took a global pandemic for the Muny to achieve its greatest magic trick ever – they transformed our isolation into a community through a live variety special.
And they did it with such hard work and passion. Using modern technology, incredibly creative professionals and tip-top talent from coast to coast, it was a huge undertaking, which was obvious to anyone who tuned in for even a fraction of an episode.
For the fifth Summer Variety Hour Live! on Monday, Aug. 17, the Muny supersized the presentation and it was a splashy grand finale, tugging on our heartstrings in a big but intimate way. So much genuine emotion in new works, in memories and archival footage that reminded us how special our outdoor theatre is, the largest and oldest one in the country.
Seeing Muny mainstay Beth Leavel perform her showstopper
“Rose’s Turn” from “Gypsy” (2018) with the view from the wings! My heart was
bursting. Tari Kelly leading the ebullient “Forget About the Boy” in
“Thoroughly Modern Millie” (2012) and one of the all-time great musical theater
numbers, ‘Sit Down, You’re Rocking the Boat” from last year’s “Guys and Dolls,”
with the surprise appearance by Kennedy Holmes to hit those high notes. I was
grinning ear to ear. The Mission: Feel-Good was on!
For five episodes, the Muny reinvigorated its treasure
trove of tradition, 102 years strong, to provide virtual entertainment that
filled the void of a cancelled season. The collaborative spirit on display was
inspiring.
Let’s face it, the summer has been dismal, especially with
rising coronavirus cases in our bi-state region. More things shut down and were
postponed in a never-ending stream of disappointments in 2020. But as a gift to
“the Muny family,” the management and creative teams conceived a way to connect
us. We all felt it, whether tuning in on Monday or catching the rerun on
Thursday from July 20 to Aug. 17 as the evening twilight faded.
For a brief shining moment, it seemed like old times. The
8:15 p.m. start was a constant to look forward to in an uncertain year during
an unprecedented public health crisis. With Executive Producer and Artistic Director Mike Isaacson’s bold and
unique concept, and his ability to attract the talent he did, each episode was
a captivating mix of tempo and tone, under the direction of multi-talented
Michael Baxter.
What an emotional palette we experienced, touching on why
we love the Muny, from veteran performer Colby Dezelick’s touching original
song, “I Will Be Your Home” — with a behind-the-scenes video love letter
dedicated to his Muny family, to sweet Jenny Powers describing her feelings
about flying above the audience as Mary Poppins in 2013, and how the staff took
such good care of her. Straight to the heart.
And while seeing up-and-coming talent do what they do best
is always enjoyable, feeling their sheer joy in performing is blissful.
Watching St. Louis native and Broadway performer Richard Riaz Yoder use his
exceptional talents to dance “Broadway Melody” using the Muny as his canvas –
tap-dancing for a time in sneakers! – was breathtaking.
So was jubilant Jack Sippel’s choreographed dance number,
the cheery “You Can’t Stop the Beat!” from “Hairspray,” which was performed by
19 Muny alums and sung by Nasia Thomas, Muny vet and Broadway performer in
“Beautiful,” “Ain’t Too Proud to Beg” and soon, the revival of “Caroline, or
Change.”
In the 2017 production of “A Chorus Line,”
director-choreographer Denis Jones used young versions of the dancers in
certain scenes, to emphasize their dreams and drive. On Monday, they showed the
wistful “At the Ballet” number, which was performed by Holly Ann Butler as
Sheila, Bronwyn Tarboton as Maggie and Caley Crawford as Bebe, with little
ballerinas in view.
As lump-in-the-throat as that song is, nothing can match the show’s curtain
call for its spectacular finish, and they recreated it for The Muny Centennial
Gala, complete with fireworks. Such a thrilling moment to revisit.
The energy, enthusiasm and talent of the Muny Teens and
Kids each episode was another heart-tugger. Because six teens were graduating,
they had a special senior sendoff: Michael Harp, Cate Phillips, Michael Lee
Jr., Fiona Scott, Jack Deters and Caitlin Chau sang “Our Time” from Stephen Sondheim’s
“Merrily We Roll Along.” I have seen these kids grow up. Misty eyes.
“Worlds to change, and worlds to win Our turn,
coming through.”
The Muny Kids’ adorable and confident youngsters mashed up
“Come Alive” from the film “The Greatest Showman,” with songs by Oscar and Tony
winners Benj Pasek and Justin Paul, with “A Little More Homework” from Jason
Robert Brown’s “13.”
For comic relief, there was the fun “Munywood Squares” game show, good sports all, and jolly John Tartaglia reprising his Murray the Muny Raccoon schtick, making Isaacson laugh.
Isaacson, who has been the visionary executive producer and
artistic director since the 2012 season, named to the post in 2010, cares
deeply about the Muny’s place in historic context and local lore, and with his
Broadway experience, he’s able to give us quality casts, teams and a really
dedicated staff.
Clearly wearing his heart on his sleeve as this summer’s host, he gave us something that we could enjoy on many levels and for many reasons. Isaacson has multiple Tony Awards and 24 Broadway shows and national tours to his credit. He makes things happen in a way that elevates the Muny in stature, boosting our civic pride, but also gains respect in the larger theatrical world. His reverence for the art form is obvious, and he has shown us, time and again, the possibilities of what the Muny can accomplish.
That connection that he spoke of, all the people who came
together without hesitation, all the selfless devotion, a renewed sense of
purpose – it felt very real and elicited a teary farewell.
I think, like “Field of Dreams,” Forest Park and the Muny are
mystical places. After all, musical theatre is a constant in our lives, like
baseball. We want to believe that in a time of everything turned upside down,
of norms being shattered, that there exists a place we feel safe, happy, loved.
That sharing theater and music brings us together like no other art form.
So, the Muny Variety Hour gave us the opportunity to be in
the company of performers who love the Muny like it is a family, a home. That
theme was repeated over and over. And that’s what we are craving in these anxious
times.
And in Colby’s song: “When it’s dark, I’ll be the light.”
Another almost spiritual song was the centuries-old tune
and Muny season-ender tradition “Auld Lang Syne,” sung by Beth Malone, who
accompanied herself on acoustic guitar. Beautiful and bittersweet.
The ties that bind us, recalling happy golden days of yore. “Meet Me in St. Louis” appeared again in the line-up – of course. Yes, it’s schmaltzy, but its inclusion of the 1904 World’s Fair, which has impacted our lives and region ever since those seven months, and the work preceding it, make it a nostalgic chestnut.
Married
couple and Muny performers Erin Dilly and Stephen R. Buntrock sang a lovely
duet, “You and I,” from their home. They appeared as Mr. and Mrs. Smith in the
2018 production, the Centennial season finale.
Maggie
Kuntz, a Muny vet and two-time winner of the Best Actress Award from the St.
Louis High School Musical Theatre Awards, sang the iconic “The Trolley Song”
live from under the Culver Pavilion with polish and panache.
And then in
the sentimental sweet spot, they played “The Skinker’s Swamp” picnic scene
featuring Emily Walton as Esther and Dan DeLuca as John Truitt. The video
projection was The Palace of Fine Arts, now the St. Louis Art Museum, under
construction in a muddy field.
How many
times have we been in the shadow of our treasured landmarks?
The world
was watching when the Louisiana Purchase Exposition celebrated the 100th
anniversary of the U.S. expansion under Thomas Jefferson. More than 60
countries and 43 states participated from April 30 to Dec. 1 in Forest Park and
nearby locations.
So, the Muny
and Forest Park remain crown jewels that we cherish.
And the
Summer Variety Hour Live! reinforced our past, present and future. I’ll meet
you at the Muny next summer. Looking forward to greeting the Muny family once
more. “Through the years, we’ll always be together, if the fates allow.”
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus Among the many thousands of people tuning in to the Muny’s Summer Variety Hour Live! on Monday nights, a health care professional told Mike Isaacson, the executive producer and artistic director who conceived this musical mash-up, that the show has saved her sanity and her summer. I second that.
If this summer were a mix-tape, mine would include all the magical
Muny-ized showtunes, “Hamilton” (just because) and the TwinstheNewTrend (just
watch). This bittersweet blend has become Operation: Summer Salvation. We
didn’t know how desperately we needed this balm, like a cool breeze on an
unbearably muggy day (or a Lemon Freeze under a Muny fan).
Why else would tears be streaming down my face as the
sublime Kennedy Holmes beautifully sang “Children Will Listen” live under the
Culver Pavilion, with Tali Allen on piano on Aug. 10, the fourth episode? Holmes,
who broke out as Little Inez in 2015’s “Hairspray,” went on to become a phenom
on “The Voice,” with a fourth-place finish. (She was robbed!). She remains a
loyal Muny Teen and, as the soloist Monday, displayed a stunning maturity.
Under Isaacson – who loves Stephen Sondheim as much as I do
– we were able to witness an extraordinary “Into the Woods” in 2015, and as I
teared up at least five times during the Muny production back then, watching
Tony winner Heather Headley sing “Children Will Listen” was the highlight among
many. Leave it to a young woman, Kennedy, to remind us:
Children will look to you
For which way to turn
To learn what to be
Careful before you say
“Listen to me”
From a musical stressing the reality behind the
make-believe, Monday’s rendition took on a greater poignancy. And being able to
see Kennedy’s growth and blossoming as a future major star was another unforgettable
“Muny moment.”
In a crazy world of scary happenings and headlines, we have been comforted by
the talent of this joyful, faithful and hopeful ‘family’ of entertainers and the
time-honored tradition of the Municipal Opera, now 102 years old, for four
shows so far. Every superbly mixed show has elicited a rollercoaster of
emotions as we take our seat, not in the 11,000 open-air theater, on a warm
summer night, but instead before our televisions and computer screens, tissues
at the ready.
The anticipation is matched by the exquisite renditions,
whether live or on tape, but the added bonus has been seeing the work of such creative
spirits – putting together all those filmed clips and using Zoom technology.
And then you have the sunny optimism of those Muny Kids and Teens, and well,
leaky eyes.
It feels real, even if it is make-believe. Somehow, through
cyberspace, we feel connected. And we need it, apparently, for more than
140,000 people tuned in to the first three.
“Through the years, we’ll always be together, if the fates
allow” — little did we know how much the lyrics of “Meet Me in St. Louis”
would mean during a pandemic, “right here.” So, of course, this cast from the
Centennial presentation in 2018 would be this week’s heartwarming sing-a-long
reunion.
The sentimentality showed up in waves during the
penultimate super-duper deluxe show, despite a heavy thunderstorm in the region
that caused uprooted trees, power outages and flash flooding. Yet, here was
Mike, underneath the stage, guiding us through another enchanted evening. We
weren’t huddled together with our umbrellas, but nonetheless united.
And the urgency of underlying theme “Gotta Dance!” saved
the day with some fresh, fantastic choreography.
The unbridled happiness of tap dancers, near and far, took
us from stages to home spaces in “Tap Your Troubles Away.” Conceived and
choreographed by Muny Resident and Teen Choreographer Katie Johannigman, this was
a jolt of jubilation that had me grinning ear to ear, featuring alums from the
past decade. And then Jack Sippel’s moving contemporary dance piece,
“Speechless” featuring Muny Teens. Breath-taking! A St. Louis native, Broadway
performer and Muny alum, Sippel is currently working on the Netflix version of
“The Prom,” as he was the dance captain of the Broadway show.
“West Side Story” is my all-time favorite musical, and the Jerome Robbins choreography is swoon-worthy, so to be treated to the goosebumps-inducing “Dance at the Gym” from “Jerome Robbins’ Broadway” in 2018 was a treat. The Muny’s 2013 production of “West Side Story” will always stand as one of the best ever, and the West Side Story suite from the Robbins’ greatest-hits compilation reminded me why the show is timeless 63 years later.
The archival footage included “Jersey Boys,” the sensational national premiere outside Broadway/national tours in 2018, and the splendid re-imagining of “The Unsinkable Molly Brown” with life force Beth Malone from 2017. Plus, one of the best “Annie” shows I’ve ever seen – “NYC”! — in 2018 helmed by the one-of-a-kind John Tartaglia.
It would not be a Muny summer without the exceptional Tartaglia, and he delivered the night’s best laugh-out-loud surprise – appearing as Murray the Muny Raccoon,” the pesky scene-stealer who waddled on stage during ‘The Addams Family” and is missing his scraps and his adoring fans. The versatile performer has memorably played The Cat in the Hat in “Seussical,” the Genie in “Aladdin” and won the St. Louis Theater Circle Award for Supporting Actor in a Musical for playing Hysterium in “A Funny Thing Happened on the Way to the Forum,” in 2017, in addition to his directing work. He started as a puppeteer on “Sesame Street,” and went on to “Avenue Q” and playing Pinocchio in “Shrek.”
For the weekly Couple Duo, we had not one but two. Real-life
couple Jason Gotay (Jack! Prince Eric! Prince Charming (well, Topher) in
Cinderella!) and Muny regular Michael Hartung charmingly performed “Song on the
Sand” from “La Cage aux Folles.”
Then the adorable power couple Jenny Powers and Matt Cavenaugh – who wowed us at the Sheldon a few years ago – brought baby daughter Rose with them to reprise “New Words,” a song by composer Maury Yeston. It’s not from a show, but he has composed “Titanic,” “Nine,” “Grand Hotel” among others. Waterworks.
This multi-tissue moment brought the house down, so to
speak. All across the nation, we collectively burst into tears while they sang
about “the moon, stars and love.”
Wait there was more! “Do-Re-Mi,” a special song-and-dance
performance by those effusive Muny Kids and Teens. And those indomitable teens
sang a bouncy rendition from “It Roars” from “Mean Girls.”
The Munywood Squares was another fun segment, and behind
the scenes is always illuminating. We heard about the Clydesdales Ace and
Deuce, and seeing the excitement of that experience from the creative anecdotes
was a nice perk.
One more chance to see this show Thursday at 8:15 p.m. on
Muny TV. For more information: muny.org/varietyhour/
And then Monday will be the swan song. Supersized (and with the traditional “Auld Lang Syne” too). Aug. 17, 8:15 p.m.
I’m so glad we’ve had this time together, just to have a
laugh or sing a song…
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Fabulous Fox Theatre has announced the postponement of three fall shows that were to open the 2020-2021 U.S. Bank Broadway Season Ticket package and one season special. “In light of the current status of the COVID-19 virus, the Fox and our producing partners have agreed that tour dates for fall of 2020 must be re-scheduled for the safety and well-being of our guests, staff, casts and crew” said John O-Brien, director of programming for the Fabulous Fox. The seven-show season ticket package will now open with Disney’s FROZEN February 10-21.
The postponed musicals are: MEAN GIRLS scheduled for September; MY FAIR LADY scheduled for October; JESUS CHRIST SUPERSTAR scheduled for November and CHARLIE AND THE CHOCOLATE FACTORY scheduled for December.
“As a presenter of national tours, we are in ongoing conversations with producers and agents each and every week. The COVID-19 pandemic has wreaked havoc on the touring industry as theatres and booking agents across America reinvent calendars that were two to three years in the making” said O’Brien. “In addition to the four shows mentioned above, we are also finding new dates for CATS and HAMILTON which were postponed in the spring.”
THE CURRENT SEVEN-SHOW SEASON TICKET PACKAGE IS:
FROZEN * February 5-21, 2021
AIN’T TOO PROUD * March 2-14, 2021
THE PROM * April 6-18, 2021
PRETTY WOMAN * April 27-May 9, 2021
Plus 3 additional musicals to be announced later.
THE SCHEDULE OF SPECIALS IS:
A CHRISTMAS CAROL * December 3-6, 2020
RUDOLPH THE RED-NOSED REINDEER * December 18-19, 2020
BLUE MAN GROUP * March 19-21, 2021
HAIRSPRAY * June 4-6, 2021
Additional information about the Season Ticket package and specials will be released when the pandemic eases and shows confirm their re-routing plans.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.