This season’s exhilarating offerings feature contemporary plays by Madhuri Shekar  and Dominique Morisseau, classics by Noël Coward and Agatha Christie,  a musical tribute to Stephen Sondheim and the return of ‘A Christmas Carol’ 

The Repertory Theatre of St. Louis (The Rep) Augustin Family Artistic Director, Hana S. Sharif, and Managing Director, Danny Williams, are excited to announce the 2022-2023 show lineup for the 56th Season. The Rep is thrilled to welcome audiences back this fall with a season filled with world-class productions, a joyful mix of classics featuring tributes to theatrical icons, and new work from powerhouse voices of the 21st century.

The 2022-23 Mainstage Season kicks off in August with the highly anticipated House of Joy by Madhuri Shekar – an action-packed fantasy filled with romance and lots of girl power. In late-September, journey down the 1930s French Riviera in Noël Coward’s Private Lives, a scathing sendup of the British upper class. Just in time for the holidays, The Rep rings in the spirit of the season with the second annual production of the magical wintery wonderland of Charles Dickens’ A Christmas Carol adapted by Michael Wilson.

Heading into the new year, The Rep lights up the stage with Steven Sondheim’s, Putting It Together: A Musical Review, featuring many of the legend’s most unforgettable masterpieces. Then stay tuned for Confederates, a time-bending drama fresh off its New York debut from MacArthur Genius Award-Winning Playwright Dominique Morisseau and produced in association with Oregon Shakespeare Festival. Closing out the Mainstage is the timeless Agatha Christie classic, Murder on the Orient Express, adapted for the stage by Ken Ludwig.

Spring 2023 will mark the long-awaited return of the beloved Steve Woolf Studio Series, adventurous theatre for adventurous theatregoers — a provocative and memorable black box experience at the new state-of-the-art Strauss Black Box Theatre in Kirkwood Performing Arts Center (KPAC). Show announcement to come in May. 

“I look forward to inviting new and old friends to our theatre homes to share in the beauty and magic of the wonderful productions that will light up our stages next season,” said Sharif. “As I programmed the 2022-23 season I was inspired by the blossoming life of spring. From our reinvestment in the arts to the renewal of our commitment to the St. Louis community; my goal was to provide an array of productions that align with our mission of sharing entertaining and thought-provoking world-class art.”

“I am immensely excited to be at the helm of The Rep for my first full season with such a thrilling lineup of shows,” added Williams. “It’s been a true joy to watch this season come together and we can’t wait to share with everyone St. Louis.”

New for the 2022-2023 season, The Rep is offering several tiered subscription pass options, available now (prices vary by section). These exclusive subscription passes offer audiences the opportunity to find the perfect subscription for them. Subscription options:

●      Classic Subscription Pass: Get your tickets for all 5 Mainstage shows, plus your choice of our Holiday or Steve Woolf Studio offerings. Lock in your preferred seats and dates for the entire season when you order. And if your plans change, enjoy no-fuss exchanges.

●      Flex Subscription Pass: Get six passes to use for the best available seats to the shows you want most on the dates that fit your schedule, redeemable any time during the season.

●      Insider Preview Subscription Pass: Be the first to see the show and get a great deal! Just like the Classic Pass, you’ll get tickets for the 5 Mainstage performances, plus your choice of either our Holiday or Steve Woolf Studio offerings. By attending Insider Preview Weekends (the first Friday-Sunday of each show’s run), you get priority access to the best seats in the theatre and save substantially on your subscription.

Mainstage shows will take place at the Loretto-Hilton Center for the Performing Arts and the Catherine B. Berges Theatre at COCA. The full schedule for the 2022-2023 Season is as follows:

●      House of Joy: August 26 – September 18, Loretto-Hilton Center

At first glance, The House of Joy is a dazzling utopia; but when a new guard joins the emperor’s army, she discovers it’s more prison than paradise. This genre-busting adventure fantasy is filled with stunning locales, electrifying combat, steamy romance and badass girl power.

●      Private Lives: September 30 – October 23, Catherine B. Berges Theatre

Amanda and Elyot are enjoying a romantic honeymoon – just not with each other. A chance meeting on their adjoined hotel balconies brings this divorced duo face-to-face for the first time in five years. Passions and tempers collide in this combustible romp, as the two remember why they fell in love and why they divorced in the first place.

●      A Christmas Carol: November 18 – December 30, Loretto-Hilton Center

The Rep rings in the spirit of the season with the second annual production of this holiday classic. At long last, the ghosts of Ebenezer Scrooge’s past, present and future have caught up with him. Now London’s most infamous miser must face down his demons, reconcile the consequences of his choices and experience the power and joy of a miraculous redemption.

●      Putting it Together: A Musical Review: January 27 – February 19, Catherine B. Berges Theatre

Celebrate legendary composer and lyricist Stephen Sondheim by revisiting nearly 30 of the most poignant, powerful and witty songs in the American musical theatre canon. This beautiful, funny and emotionally charged musical review exposes the complicated relationships and deepest desires of two couples out for an elegant evening. 

●      Confederates: February 10 – March 5, Loretto-Hilton Center

An enslaved rebel turned Union spy and a tenured professor in a modern-day private university are having parallel experiences of institutionalized racism, despite existing more than a century apart. Dominique Morisseau brilliantly bends the continuum of time and weaves together the stark realities of racial and gender bias both women face in this illuminating drama.

Confederates is being produced in association with the Oregon Shakespeare Festival.

●      Agatha Christie’s Murder on the Orient Express: March 17 – April 16, Loretto-Hilton Center

It’s 1934, just after midnight, and a snowstorm has stopped the opulent Orient Express sleeper train in its tracks. A wealthy American businessman is discovered dead, and the brilliant and beautifully mustachioed Hercule Poirot must solve the mystery before the murderer strikes again. Agatha Christie’s plot-twisting masterpiece takes audiences on a suspenseful thrill ride.

Agatha Christie’s “Murder on the Orient Express” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

●      Steve Woolf Studio Series: Spring 2023Strauss Black Box Theatre in Kirkwood Performing Arts Center (KPAC)

Adventurous theatre for adventurous theatregoers — a provocative and memorable black box experience at the new state-of-the-art . Show announcement to come in May.

For more information and to purchase, visit repstl.org or call the Box Office at (314) 968-4925. The Rep Box Office at the Loretto-Hilton Center will be open Tuesdays and Wednesdays from 10:30 AM – 5:00 PM.

About The Repertory Theatre of St. Louis

The Rep is the St. Louis region’s most honored live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. Visit www.repstl.org for more, and find The Rep on FacebookTwitterInstagram and YouTube.

The Repertory Theatre of St. Louis is excited to introduce Amelia Acosta Powell as its new associate artistic director.Beginning on June 17, Acosta Powell will join The Rep’s new artistic leadership team headed by Augustin Family Artistic Director Hana S. Sharif.Acosta Powell most recently served as line producer at Oregon Shakespeare Festival, a Tony Award-winning organization that stands as one of the preeminent destinations for American regional theatre. Before that, she worked as the casting director and artistic associate at Arena Stage in Washington, D.C. A graduate of Georgetown University (where she dual-majored in theatre and Spanish), Acosta Powell’s wide-ranging artistic career includes producing and directing plays throughout the D.C. area.In 2017, American Theatre magazine named her as a rising star in the industry as part of its “Theatre Workers You Should Know” series.“Amelia is an extraordinary producer and a talented director that is a joyful addition to the artistic team,” Sharif said. “I look forward to collaborating with her in creating captivating theatre that captures the indomitable spirit of St. Louis.”“I’m very humbled and honored,” Acosta Powell said. “Hana is an inspiring and galvanizing leader who is both compassionate and persistent. It was an easy ‘yes’ when she offered me this role. The more that I’ve learned about the work at The Rep, the more excited I am to be a part of this organization and the city of St. Louis. It’s ripe with opportunity.” Acosta Powell will succeed Seth Gordon, The Rep’s associate artistic director of nine years, as he moves on to pursue new opportunities outside the organization.Acosta Powell says that she expects to spend much of her first year in St. Louis on a “listening tour,” learning more about the theatre and the city as she focuses on building The Rep’s outreach into the community. Her day-to-day work will include serving as a facilitator and liaison between The Rep’s artistic leadership, guest artists and staff.She’s most excited about the work that will happen on The Rep’s intimate stages.“What I love about theatre is being live in the room together,” Acosta Powell said. “I love to engage in the dialogue that happens when you’re at a play that doesn’t necessarily happen at a movie or other entertainment events. I love when the story that’s being told on stage is impacting the people in the room. Whether it’s loud laughter or groans of recognition at something cringeworthy, that kind of really visceral response is unique and thrilling.”One of Acosta Powell’s Oregon colleagues can’t wait to see what happens next in her career.“Amelia is a sophisticated artist, intrepid producer, and an exemplary leader who has had an extraordinary impact on the evolution of the Oregon Shakespeare Festival,” said Mica Cole, repertory producer at Oregon Shakespeare Festival. “Her appointment as associate artistic director of The Repertory Theatre of St. Louis makes me not only ecstatic for the future of The Rep, but for the seismic shift Hana and Amelia will undoubtedly bring to the field at large.”