15 arts organizations will join forces with OTSL and RAC to present a streamed concert in support of artists whose livelihoods have been directly impacted by COVID-19.
Together with 14 other arts organizations and the Regional Arts Commission (RAC), Opera Theatre of Saint Louis (OTSL) is proud to announce “Arts United STL,” a free virtual benefit in support of RAC’s Artist Relief Fund, which provides critical aid to St. Louis working artists whose livelihoods have been critically interrupted by the pandemic. Produced by OTSL in partnership with the St. Louis Shakespeare Festival, this benefit will take place at 7 p.m. on Sunday, May 31st and present performances from local arts organizations, including The Big Muddy Dance Company, The Black Rep, Circus Flora, COCA, Jazz St. Louis, The Muny, Opera Theatre of Saint Louis, Repertory Theatre of St. Louis, St. Louis Ballet, St. Louis Children’s Choirs, St. Louis Shakespeare Festival, St. Louis Symphony Orchestra, The Sheldon, STAGES St. Louis, the Tennessee Williams Festival St. Louis, and more.
Arts United STL was first envisioned by OTSL General Director Andrew Jorgensen as a way for St. Louis’ established arts institutions to help support the community’s vibrant arts ecosystem. After an initial consultation between OTSL, RAC, and the St. Louis Shakespeare Festival, a consortium of 15 organizations was invited across an array of arts mediums. In the coming days, RAC will also encourage open submissions from independent artists and other arts organizations to further highlight the artistic diversity of the city.
More information about Arts United STL can be found on Opera Theatre’s website at ExperienceOpera.org/ArtsUnited, which will also host the live video stream on Sunday, May 31st. In addition, viewers may watch the livestream via YouTube on Opera Theatre’s channel. Viewers will be encouraged to donate to the RAC Artist Relief Fund during the concert. To date, the Artist Relief Fund has distributed $136,500 in direct support to individual artists. The goal of Arts United STL is to raise an additional $250,000 through 1,000 individual donations and sponsorships. Supporters may donate to the Artist Relief Fund at ExperienceOpera.org/ArtsUnited at any time before, during, or after the live event.
The arts and culture sector is an important driver for the St. Louis economy. According to the 2015 Americans for the Arts Economic Prosperity 5 study commissioned by RAC, the nonprofit arts and culture sector generated $590.9 million and 19,129 full-time equivalent jobs for the greater St. Louis area during that same year. Since the start of the pandemic, based on research conducted by Americans for the Arts, 89% of St. Louis City and County arts institutions have canceled events that would have reached more than 285,000 individuals.
“This benefit represents an exciting and collaborative effort to respond to the global crisis affecting the arts and culture sector in our region,” said Mont Levy, chair of the board of commissioners at RAC. “As the major public funder of arts in the region with a mandate to support individual artists, we know it is RAC’s responsibility to provide emergency support during this time of great need. We could not be more grateful to Opera Theatre of Saint Louis for spearheading this event, or to the St. Louis Shakespeare Festival and every participating organization for their work to highlight the rich cultural tapestry of our region and support their fellow artists.”
The Regional Arts Commission of St. Louis is the largest annual funder of non-profit arts in the region, providing grants to individual artists, arts and culture organizations, and other programs since 1985. RAC established the Artist Relief Fund through the St. Louis Community Foundation on April 1st to help working artists who have lost income due to the pandemic. So far, the fund has distributed $500 and $1,000 grants to more than 130 artists and will resume accepting new relief applications once additional funds have been secured.
OTSL General Director Andrew Jorgensen says of the effort, “We are thrilled to be collaborating with so many other arts organizations to help local artists, whose work makes St. Louis an immeasurably vibrant, special place. OTSL couldn’t be happier to produce this concert in support of artists during these difficult times. This benefit will highlight a fantastic array of art from different genres that reflect the artistic diversity and traditions of this community. I am so grateful to all my many colleagues who are uniting in this remarkable way to support one another and our entire arts ecosystem.”
All participating organizations are donating their time, with production costs and staffing needs covered by Opera Theatre of Saint Louis, additional staffing needs covered by St. Louis Shakespeare Festival, and an in-kind donation from Switch. The program will be directed by St. Louis Shakespeare Festival Artistic Director Tom Ridgely. Arts United STL is produced in partnership with the Regional Arts Commission, and the following arts partners: The Big Muddy Dance Company, The Black Rep, Circus Flora, COCA, Jazz St. Louis, The Muny, Opera Theatre of Saint Louis, Repertory Theatre of St. Louis, St. Louis Ballet, St. Louis Children’s Choirs, St. Louis Shakespeare Festival, St. Louis Symphony Orchestra, The Sheldon, STAGES St. Louis, and the Tennessee Williams Festival St. Louis.
Here is the HEC featurette piece: https://youtu.be/Upzz841hHX4
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About Regional Arts Commission
The Regional Arts Commission of St. Louis (RAC) supports artists and arts organizations through grantmaking, strategic initiatives and other programs that build capacity, improve quality and advance diversity, equity and inclusion within the region’s arts and culture sector. Celebrating its 35th anniversary in 2020, RAC has been pivotal in nurturing the vibrant art scene throughout St. Louis, awarding more than 7,000 grants totaling over $100 million since its inception in 1985. Directed by a board of 15 commissioners appointed by the chief executives of St. Louis City and St. Louis County, RAC prioritizes quality in its support of nonprofit arts organizations, individual artists, and programs and promotes partnerships that strengthen the sector and drive progress throughout the region. RAC receives its funding from hotel/motel room sales tax revenue from St. Louis City and County. Visit www.racstl.org for more information, or follow us on Facebook at Regional Arts Commission or Twitter @RACStLouis.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.
Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.
Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.
PROFESSIONAL VENUES
Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down.
This includes theatres, galleries, clubs, restaurants, cafes, and libraries.
These closures will remain in place until at least May 11.
This includes the Kranzberg Arts Center, The Marcelle
Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room,
Sophie’s Artist Lounge and the High-Low building.
Fox Theatre Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.
On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.
“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.
Ticket holders should
keep their tickets until new dates are announced. More information will be
available once new dates are secured.
The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.
The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.
“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.
Plans to reschedule other postponed shows are currently underway. Ticket holders should hold on to their tickets – they will be honored on the new dates.
Decisions about other future shows will be made as we
follow the evolving situation with the COVID-19 virus and the City of St.
Louis’ determination of the length of this prohibition, public relations
manager Megan Ketcherside said.
Operational hours are subject to change based on the
COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix
314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m.,
closed on Saturday and Sunday.
Visit the website, www.fabulousfox.com/coronavirus
Family Arena
As of March 25, the Family Arena and The Family Arena Box
Office is closed to the public until such time as the limit on public
gatherings is lifted in St. Charles County.
Tickets are still available for purchase at
Ticketmaster.com.
Manager Tom O’Keefe said if you purchased tickets at the
box office for an upcoming rescheduled event that you would like a refund for,
please hold on to your tickets until they re-open and they will refund your
tickets at that time.
They have partnered with Ticketmaster to address all fan
questions regarding the cancellation and rescheduling of live events. Visit the
Ticketmaster Help Center for guidance and check back regularly for additional
information and status updates, www.familyarena.com.
Stifel Theatre
The Stifel Theatre and Enterprise Center Box Offices will
not open until further notice. For guests who purchased tickets to an upcoming
show through the box office that has been cancelled, please hold on to your
tickets until we re-open and are able to assist with your questions.
These events at Stifel Theatre have been postponed. Ticket
holders should hold on to their tickets, as all tickets will be honored on the
rescheduled dates.
Here are rescheduled dates:
Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco
Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18
to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March
20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour
from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.
The following events have been cancelled and refunds will
be available at original point of purchase:
“Sesame Street Live,” March 27-29; TD Jakes, April 10; The
Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April
23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.
Decisions about other future shows will be made as they continue
to monitor this rapidly evolving situation. Visit www.stifeltheatre.com
Chaifetz Arena
The arena is closed until further notice and in an abundance of caution, the
venue will be thoroughly cleaned while closed.
They are currently working to reschedule all impacted
events and will provide updates as quickly as possible. We ask all current
ticket-holders to retain their tickets for these events until such time when a
new date is determined as your current ticket will be valid for the new date. “Please
be patient and hang tight as we work through this unprecedented time,” a
spokesman said.
Additionally, they have partnered with Ticketmaster to
address all fan questions regarding the cancellation and rescheduling of live
events. Visit the Ticketmaster Help Center by clicking here for guidance and
check back regularly for additional information and status updates as they
become available.
Impacted Events: Festival Of Laughs from March 20 to Sept.
26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28
to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15;
Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24
to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29
to TBD.
The Playhouse at Westport
All March/April events were cancelled, including “Flanagan’s Wake,” which had
been extended to mid-April.
John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain
scheduled.
Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/
EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!
New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.
The Muny
The
Muny administrative offices and box office are closed through late April.
Ticketing services for the 2020 season are available online at any time.Ticketing
related questions can be sent to boxoffice@muny.org
“We are closely monitoring all developments regarding the
COVID-19 outbreak and will continue to follow the guidance of health and
government officials with the goal of keeping our staff and community as safe
and healthy as possible,” the Muny statement reads on their website.
“With the start of our 2020 season still months away, we
remain optimistic that the season will proceed as planned and hope the
restrictions on gatherings are lifted in early May, as scheduled. If that
changes, we will adjust accordingly. Meanwhile, we continue communicating with
health officials on all levels to stay fully informed and responsive to this
unprecedented situation,” the statement reads.
Given the Stay at Home order for St. Louis City and County,
and for the health and safety of our team, The Muny Offices are currently
closed and some ticketing dates have changed. However, we’re still busy getting
ready for the 2020 summer season, and we can’t wait to meet you at The Muny
this summer!
Ticketing Update as of March 26 – These dates are subject
to change.
Muny Season Tickets will be mailed in early May
Season Ticket Exchanges: May 26 – 29
Single Ticket on Sale: June 1
To purchase new season tickets, or pay a current balance on
existing season tickets, please visit:
muny.org/buy-tickets
To purchase season tickets with a gift card you currently
have in-hand, please email The Muny Box Office at boxoffice@muny.org and a Muny
Ticketing agent will contact you to process
your request. If you wish to purchase a gift card, it will not be mailed until
the restrictions on gatherings have been lifted.
Also, if you are looking for a way to stay entertained
during these “quiet days,” we encourage you to enjoy a specially curated set of
video clips from our previous productions on our social media channels. You can
follow us on Facebook, Twitter and Instagram.
The Repertory Theatre of St. Louis
The Repertory Theatre had to cancel the run of “The Cake,”
which began in the Studio Theatre on March 14, but was forced to be shutdown
March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from
March 21, with the goal of mounting it this summer.
“The Cake”
An online stream of “The Cake” has been made available to all
Studio Theatre patrons who previously purchased tickets at no additional cost.
There are a limited number of streaming tickets available
for purchase for those who are interested in viewing the final performance of the
Steve Woolf Studio Series this season. That is available through April 24.
Additionally, The Rep is collaborating with a national
group of theatres to commission a series of short plays specifically developed
to spark joy and connection among people who are sheltering in place. These
initiatives are designed to keep the art alive and vital, even in a time of
isolating quarantines.
“Keep an eye out for more entertaining content and
educational resources from The Rep and our local and national partners by
following us on social media,” spokesman Jeremy Goldmeier said.
On March 27, The Rep announced that they have honored the entire contracts of
the guest artists who devoted their talents to “Dreaming Zenzile” and “The
Cake,” despite their runs being delayed or cut short.
“In these uncertain times, The Rep felt it was imperative
that these artists, whose livelihoods depend on their contracts, not bear the
additional burden of lost wages in this pandemic,” a statement said.
“As you know, The Rep has an extraordinarily talented and
dedicated staff that works year-round to support the productions, education,
and community initiatives to serve the greater St. Louis region. We have
continued to pay the full salaries of our full-time, year-round administrative
staff, with no furloughs or other lapses in pay. We have moved our
administrative and box office teams to work remotely to serve you during this
period,” a statement said.
Play at Home
The Repertory Theatre of St. Louis has teamed with
Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly
Mammoth Theatre Company to present Play at Home, a series of micro-commissioned
short plays from some of the American theatre’s most exciting and prominent
playwrights.
These new plays – which all run 10 minutes or less – are
available for the public to download, read and perform at home for free at
playathome.org.
In the wake of widespread event cancellations following the
spread of the coronavirus (COVID-19), the participating theatres conceived Play
at Home as a way to support artists, connect people to theatre, and to ignite
imagination and joy in these uncertain times.
Each organization commissioned multiple playwrights – most
of whom had plays canceled due to the coronavirus outbreak – to create new
works that were big, joyful and not bound by the constraints of what might be
“possible” on a traditional stage.
The Rep’s commissioned playwrights feature:
Regina Taylor (playwright of The Rep’s 2020-2021 production
of Oo-Bla-Dee)
Karen Zacarias (playwright of The Rep’s 2020-2021
production of Native Gardens)
Steph Del Rosso (playwright of The Rep’s 2020-2021 world
premiere of The Gradient)
Guadalís Del Carmen (who appeared at The Rep as an actor in
2020’s Mojada: A Medea in Los Angeles)
Tre’von Griffith (a St. Louis performer and playwright,
co-founder of TLT Productions)
These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.
Max and Louie Productions
Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.
Moonstone Theatre Company Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.
The Midnight Company Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.
It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved. Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating. A difficult show to describe but what it is is excellent.” Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word. The Cardinals are the talk of the town again. This show should be the talk of the town, too!” Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show. At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.” “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation. The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.” Throughout, the playwright draws links between what’s happened and happening – from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time. Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.
There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.
New Line Theatre
New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.
Its June production of “Urinetown” has been cancelled.
Stray Dog Theatre
“Annie,” which was to open April 9, has been postponed,
with dates to be announced.
“We will honor all tickets already purchased to any of the
new performance dates once they are announced. To purchase tickets to any other
future productions, please call our box office directly at (314) 865-1995.
“We are currently planning to hold the remainder of the
2019-2020 season as scheduled. Any changes or additional information will be
shared as soon as possible. If you have any questions, please feel free to
contact us,” said Artistic Director Gary F. Bell.
“We would like to thank everyone for the hard work they’ve
already put into the production and we would like to thank you for your
patience as we work to bring you the quality story telling you, our family,
deserve. Annie is that bit of light we all need right now, ‘the sun will come
out tomorrow’ and we will overcome anything,” Bell said.
“We know we are not the only organization dealing with
these difficult decisions and we stand with them, ready to come back stronger.
Your continued support of all arts organizations is always appreciated but
never more than in times like these. We look forward to seeing you soon,” he
said. “Please stay safe and be kind to one another.”
Kenneth Lonergan’s “Lobby Hero” is set to run June 4
– June 20
“However, due to the extreme strain currently being faced
by many organizations we have made the decision to halt online sales of
upcoming productions. We will resume online sales once matters have settled and
the timeline of events moving forward becomes more defined,” Bell said.
“You may continue to purchase tickets for upcoming shows by calling our Box
Office at (314) 856-1995 or emailing us at boxoffice@straydogtheatre.org. Thank
you for your patience and your continued support as we manage these unfortunate
events.”
Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10
This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.
New Jewish Theatre
Initially, New Jewish rescheduled “We Are the Levinsons”
from March 19 to May, but now they have pushed it back, along with their
Sondheim musical revue, “Putting It Together.” They would like to reschedule later this
summer.
All activities at the JCCA have been suspended during the
public health crisis.
For more information, please contact them by email or by
phone, 314-442-3283.
Opera Theatre of St. Louis
Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah.
Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again.
At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!
For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:
This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.
“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.
Shakespeare Festival St. Louis
The 2020 Shakespeare in the Park production of “Much Ado
About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director
Tom Ridgely said it was in order to provide the best possible chance of safely
gathering artists and audiences for its 20th anniversary season. It
is to be directed by Bruce Longworth.
“For the past 20 years in St. Louis, the opening of
Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely
said. “This year it’s clear that the only way to care for our actors, crew,
volunteers and community is to give as much time as possible for social distancing
measures to take effect and hope to be one of the ways we all bring our summer
2020 to a much happier close.”
The previously announced creative team of Matt Pace &
Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis
(Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design)
remains the same.
In response to the widespread cancellation of live events,
the Festival has already shifted to generating a full schedule of new and
original content for the online and social media platforms under the umbrella
of “ShakespeareTV.”
These include the previously aired “watch party” of its
canceled regional tour of Cymbeline, a live reading of “Venus and Adonis”
(which Shakespeare wrote during a plague-induced theater closure) and a
five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together
they’ve already been viewed 10,000 times.
Now through May 29 on ShakespeareTV, which can be accessed
on their Facebook page:
THE ZOOM PLAYS: a weekly series of 20- to 30-minute
original plays written especially to be performed live over the
videoconferencing app Zoom. Created and performed by local playwrights,
directors and actors.
GREEN SHOW MONDAYS: an eclectic variety program featuring
music, comedy and performance from Festival favorites.
SHAKESPEARE AND CHILL: a special selection of
Shakespeare-inspired movies featuring live commentary from artists and
scholars, co-curated by Cinema St. Louis.
Other one-night only events to be announced.
May 29 – June 21 is SHAKE20
A 20th anniversary reboot of the beloved engagement program
SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on
Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s
originally scheduled run, May 29-June 21.
Like the original, SHAKE20 will be a region-wide
collaboration involving artists and organizations including SHAKE38 alumni:
Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics,
Poor Monsters and Theater Nuevo. More details about the program and how to
apply will be shared soon.
“In the meantime, we
hope that you and yours stay well. We have planned an incredible season of free
Shakespeare, and we cannot wait to share it with you. It’s an interesting time
to be in the business of live theatre and touring productions, but the Festival
is committed to paying our artists and staff throughout this crisis,” Ridgely
said.
So, if you have ever considered becoming a member, know
that we are always grateful for your support—but especially so at this time,” he
said.
“During this crisis, we feel more connected to Shakespeare
and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The
Plague was the single most powerful force shaping [Shakespeare’s] life and
those of his contemporaries.’ During times of quarantine, Shakespeare wrote
some of his most important sonnets and plays,” Ridgely said.
“We can’t claim to have his genius, but we will take
inspiration from his dedication and from artists around the world that are
stepping up to create, facilitate, and share stories in new and exciting ways.
Stay tuned for updates on new and existing Festival programs,” he said.
For more information, visit the website sfstl.com and on
social media. Visit https://www.facebook.com/shakesfestSTL
Stages St. Louis
While Stages St. Louis continues to follow guidance from the CDC as well as
mandates from both local and national government, for the time being, they have
made no adjustments to the schedule for our upcoming 2020 Season.
However, here are some changes regarding tickets, activities
and outreach:
Single tickets for the 2020 Season will now go on sale
beginning Monday, April 27.
All in-person activities with the Stages Performing Arts
Academy will be canceled until the start of our Summer Semester on Monday, June
1.
The Stages administrative, production, and academy offices
will remain closed until Thursday, April 23.
In the meantime, the Box Office is still open for questions
or subscription ticket sales online at www.StagesStLouis.org or by phone at
(314) 821-2407.
The Stages Performing Arts Academy will continue to offer
digital and streaming content in order to continue performing arts education
for students at home and can answer any and all questions by phone at (636)
449-5775.
Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.
Tennessee Williams Festival St. Louis
Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.
The Tesseract Theatre Company Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.
For more information, contact: brittaniegunn@gmail.com or visit the website, www.tesseracttheatre.com
That Uppity Theatre Company Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.
Upstream Theater In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.
West End Players Guild
Steven Dietz’s “Bloomsday” set to open April 17 and run through
April 26 has been cancelled. It was the final production of the group’s 109th
season.
“As our country copes with the growing threat of the
Coronavirus, one of the most important steps we must take to protect ourselves
and each other is the kind of “social distancing” that is impossible at a
theatrical production. Our Board of Directors believes it is highly unlikely
that the need for social distancing will be any less in April than it is today,
and decided that the best course of action for our company and our patrons was
to act now to cancel the show,” a statement reads.
Patrons who have purchased advance tickets through Brown
Paper Tickets will be issued automatic refunds. WEPG will reach out to season
ticket holders in the near future with refund options.
WEPG will begin its 110th season in September.
Alfresco Productions Auditions
for “Hairspray Jr.” will be by video for the Granite City community theater
production. The show is to run July 24-26 and deadline for video submissions is
April 19. The age limit is from 6th grade to 18 years old. For more
information, visit: https://www.alfrescoproductions.org/auditions
Alton Little Theatre
All productions and concert events through May 1 have been
cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and
“Broadway Salutes America” may be refunded or transferred. Call
618-462-3205 for options.
“Brigadoon” has been moved from May to June, with plans for
a June 5 opening, with eight performances through June 14. Season ticket
holders can follow the same schedule but can call the office at 618-462-3205 anytime
in May.
“Shrek” auditions have been rescheduled for Saturday, May
10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting
at least 30 characters. The show will run July 31-Aug. 9 for eight
performances.
Clayton Community Theatre “The
Philadelphia Story” was to run March 12-22 but was cancelled after opening
weekend.
They hope to premiere “Broadway Bound” July 9 -14
Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a
future date in 2020, to be determined, and cancelled March 28 auditions. The musical
was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep
informed of updates, visit www.curtainsuptheater.com
Kirkwood Theatre Guild
Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek:
The Musical,” which were set to run in April and May.
Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on
hold. More information will be forthcoming. Please follow or check out website
www.HawthornePlayers.com for any further announcements.
Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it
after state and local mandates due to the COVID-19 pandemic.
They have cancelled the rest of the season, including “Rock
of Ages” in May and have moved it to the opening slot in the fall.
“We are reaching out to the publishers to reschedule and are hopeful that we
will be able to still perform the show in September,” he said.
They hope to announce the full season soon and for patrons
who renew their season tickets for next year, they will receive a 10 percent
discount.
“Currently, we are still planning our summer youth
production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror
Show.”
Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19
and 24-26, has been postponed.
Due to the current health crisis in our area, all MASC rehearsals and
activities at the Capitol Theater have been postponed effective Monday, March
16.
“The MASC Board will be discussing the plan of action
moving forward regarding Watch on the Rhine, the current show in production,
and the remainder of the 2019-2020 season, as we monitor the progression of
this crisis. Specific information regarding these two shows will be sent out
accordingly. The health and safety of our membership and patrons is our highest
priority,” a statement read.
O’Fallon Theatre Works
The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions
were recently handled by video.
Over Due Theatre Company
The group in Olivette has postponed “My Fair Lady.” It was
to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye
Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.
The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”
“We are hopeful and fully intend to mount this production
at a later date,” a statement read.
AWARDS EVENTS
St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle
Awards were to take place on March 30 at the Loretto-Hilton Center on the
campus of Webster University, but the event has been cancelled. Local theater
critics will still honor outstanding regional professional theater, however.
Instead, HEC will provide a streamcast of the awards on
Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy
outfits and schmoozing, the event will be downscaled reading of the nominations
and awards.
The theater critic members of the St. Louis Theater Circle
have recorded the nominations, and their voice-overs will run over photos of
the nominees. Then HEC announcer Rod will announce the winner. There are 34
categories to give awards in, which cover dramas, comedies and musicals. A
special award is being given to Ken and Nancy Kranzberg for their tremendous
support and commitment to the arts.
Visit the Theater Circle’s Facebook page for more
information.
If you would like to see who was nominated, here is the
PopLifeSTL article:
https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/
Arts For Life
In community theater, the Arts For Life board of directors
presents two awards events each year, the Best Performance Awards honor musical
theater and youth productions, and the Theatre Mask Awards honor straight
plays.
The fifth annual Theatre Mask Awards, which honors both
dramas and comedies, was to take place at a brunch on Saturday, April 4, at The
Atrium Center at Christian Hospital. However, it has been rescheduled for July
18.
The 21st annual Best Performance Awards is scheduled for
Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at
Chaminade. However, the AFL board of directors will decide shortly on whether
the event will be moved. Stay tuned.
For more information and to see lists of nominations, visit
www.artsforlife.org.
You can get tickets to both events for the special price of
$40. Visit www.artsforlife.org for more information and to see a complete list
of nominees.
Emcees are Donna Northcott, a theater professor at
Lindenwood University – St. Charles, for the TMAs, and local singer-actress
Karen Fulks for the BPAs.
AFL President Mary McCreight has suspended all public
activities of the AFL organization, effective until at least May 1. This
includes all judging activities of the Theatre Recognition Guild.
“As our world, our nation and our region face a major
health threat, it falls upon us as a community to adopt measures that will both
foster the protection of those who work and ‘play’ in Metro St. Louis community
theatre and ultimately allow AFL to continue our charitable mission of service
and recognition once the threat passes,” she said.
(Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).
ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS
In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season.
The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date.
ARTS CENTERS AND CONCERT HALLS
The Hettenhausen Center for the Arts
All events and performances scheduled through June 1 have
been cancelled at “The Hett,” which is located on the campus of McKendree
University.
“TAO Drum” has been
rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah”
has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.
The ReMINDers has been cancelled for April 6.
They are offering patrons the possibility of applying their
tickets to a future event at the Hett, donating the ticket value to the
University or contacting them for a full refund, less any original mailing
fees. Please contact the box office during operating hours to discuss ticket
disposition at 618-537-6863. The box office is open from noon to 4 p.m.
Monday-Friday.
Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For
more information, please contact thehett@mckendree.edu.
St. Louis Symphony Orchestra
All performances through April 12 are postponed or
canceled. For information regarding tickets and schedules, visit slso.org.
The Sheldon Concert Hall & Art Galleries
All Sheldon-presented concerts and other events through May
10 have been postponed or canceled. Plans to reschedule are underway, and
ticket buyer should retain their current tickets – they will be honored for the
new dates. Additional information will be provided to ticket buyers as events
are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley,
“Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17;
David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes
for events presented by non-Sheldon promoters will be handled on a case by case
basis. All updates can be found at TheSheldon.org or at MetroTix.com.
The Sheldon is located at 3648 Washington Blvd., St. Louis.
Fair Saint Louis
Fair Saint Louis and America’s
Birthday Parade events have been canceled this year due to concerns about the
COVID-19 pandemic.
Fair Saint Louis was set to run July 2-4 at the Gateway Arch
with concerts, air show, and fireworks each night.
“While we are saddened to cancel two of our region’s most
popular and free Fourth of July celebrations, the safety of our community is of
utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair
Saint Louis and America’s Birthday Parade embody the prideful spirit of our
city, and over the past few weeks, we’ve seen that spirit shine so brightly
within our community as we face this unthinkable challenge together.”
This year would have marked the 40th Fair Saint Louis and 138th
America’s Birthday Parade.
“We look forward to returning to downtown St. Louis and celebrating
with our community in the future when the time is right,” said David Plufka,
Chairman, America’s Birthday Parade.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
COVID-19
Pandemic Results in Production Streamcast by HEC Media
New Jewish Theatre led the way with six awards at the eighth annual St. Louis Theater Circle Awards ceremony on Tuesday, April 7, 2020. Max & Louie Productions’ performance of Indecent garnered five awards, followed by four awards to The Tennessee Williams Festival St. Louis for its production of A Lovely Sunday forCreveCoeur.
Because of the COVID-19 pandemic, the Circle’s gala event for this year’s award ceremony, originally scheduled for March 30, 2020 at the Loretto-Hilton Center, was canceled. Instead, HEC Media produced a version of the ceremonies that was streamcast on HEC Media’s Facebook page (https://www.facebook.com/hectv/live/) as well as telecast on Spectrum channel 989 and AT&T U-verse channel 99. Here is the YouTube link: https://www.youtube.com/embed/tCo0AFHbChE
Awards were given in 31 categories covering comedies, dramas
and musicals as well as two categories for opera. In addition, Ken and Nancy
Kranzberg received a special award for their philanthropic contributions to the
arts and theater in the St. Louis area, including many developments in Grand
Center. The awards honored outstanding achievement in locally produced professional
theater for the calendar year 2019.
A total of 21 productions and 14 companies were recognized by the awards, including eight individuals who have received honors in previous years. Will Bonfiglio, honored as Outstanding Actor in a Comedy for his performance in New Jewish Theatre’s production of Fully Committed, received an award for the third time in the last four years.
The 2020 presentation featured nominees from two companies,
Black Mirror Theatre and The Q Collective, which were represented for the first
time in consideration of St. Louis Theater Circle Awards. Each company received an award for
outstanding achievement.
In all, 25 local companies received nominations in 33
categories for comedy, drama, musical and opera, as well as 125 individuals up
for awards. Honorees who have previously received St. Louis Theater Circle
Awards include Will Bonfiglio, J. Samuel Davis, Kari Ely, Michael Hamilton,
Patrick Huber, Sean M. Savoie, Margery and Peter Spack, and Maggie Wininger.
The mission of the St. Louis Theater Circle is simple: To
honor St. Louis professional theater. Other cities around the country, such as
Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and
Washington D.C., pay tribute to their own local theatrical productions with similar
awards programs.
Nominations for the St. Louis Theater Circle Awards were
divided into categories for musicals, dramas, comedies and operas. More than 120 local professional theatrical
productions were staged in the St. Louis area in 2019.
Honorees of the eighth annual St. Louis Theater Circle
Awards are:
Outstanding
Ensemble in a Comedy
A
Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis
Outstanding
Supporting Actress in a Comedy
Kelley Weber, A Lovely Sunday for Creve
Coeur, Tennessee Williams Festival St. Louis
Outstanding
Supporting Actor in a Comedy
Patrick Blindauer, Love’s Labors Lost, Shakespeare Festival St. Louis
Outstanding
Actress in a Comedy (tie)
Katie Kleiger, Pride and Prejudice, Repertory Theatre
of St. Louis
Maggie Wininger, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St.
Louis
Outstanding Actor
in a Comedy
Will Bonfiglio, Fully Committed, New Jewish Theatre
Outstanding
Director of a Comedy
Kari Ely, A Lovely Sunday for Creve Coeur,
Tennessee Williams Festival St. Louis
Outstanding
Production of a Comedy
Brighton
Beach Memoirs, New Jewish Theatre
Outstanding
Ensemble in a Drama
Indecent,
Max & Louie Productions
Outstanding
Supporting Actress in a Drama
Carly Uding, Translations,
Black Mirror Theatre
Outstanding
Supporting Actor in a Drama
J. Samuel Davis, District Merchants,
New Jewish Theatre
Outstanding
Actress in a Drama
Donna Weinsting, Salt, Root and Roe,
Upstream Theater
Outstanding Actor
in a Drama
Gary Wayne Barker, District Merchants, New Jewish
Theatre
Outstanding
Director of a Drama
Joanne Gordon, Indecent, Max &
Louie Productions
Outstanding
Production of a Drama
Indecent,
Max & Louie Productions
Outstanding Set
Design in a Play
Margery and Peter Spack, Brighton Beach Memoirs,
New Jewish Theatre
Outstanding
Costume Design in a Play
Felia Davenport, District Merchants,
New Jewish Theatre
Outstanding
Lighting Design in a Play
Patrick Huber,
Indecent, Max & Louie Productions
Outstanding Sound
Design
Phillip Evans, Indecent, Max &
Louie Productions
Outstanding Set
Design in a Musical
Mary Engelbreit and Paige Hathaway, Matilda, The Muny
Outstanding
Costume Design in a Musical
Sarah Porter, La Cage aux Folles, New
Line Theatre
Outstanding
Lighting Design in a Musical
Sean M. Savoie, Man of La Mancha,
Stages St. Louis
Outstanding
Musical Director
Charles Creath, Don’t Bother Me, I Can’t
Cope, The Black Rep
Outstanding
Choreographer
Dexandro Montalvo, Such Sweet Thunder, Shakespeare
Festival St. Louis,
Big Muddy Dance Company, Jazz St. Louis, Nine
Network of Public Media
Outstanding
Ensemble in a Musical
Matilda,
The Muny
Outstanding
Supporting Actress in a Musical
Taylor Louderman, Kinky Boots, The
Muny
Outstanding
Supporting Actor in a Musical
Tielere Cheatem, La Cage aux Folles,
New Line Theatre
Outstanding
Actress in a Musical
Kendra Kassebaum, Guys and Dolls, The
Muny
Outstanding Actor
in a Musical
Luke Steingruby, Hedwig and the Angry
Inch, The Q Collective
Outstanding
Director of a Musical
Michael Hamilton, Man of La Mancha,
Stages St. Louis
Outstanding
Production of a Musical
Such
Sweet Thunder, Shakespeare Festival St. Louis,
Big Muddy Dance Company, Jazz St. Louis, Nine
Network of Public Media
Outstanding New
Play
Nonsense and Beauty, by Scott C.
Sickles, Repertory Theatre of St. Louis
Outstanding
Achievement in Opera (tie)
Terence Blanchard and Kasi Lemmons, Fire
Shut Up in My Bones, Opera Theatre of Saint Louis
Roland Wood, Rigoletto, Opera Theatre
of St. Louis
Outstanding
Production of an Opera
La
Boheme, Union Avenue Opera
Special Award
Ken and Nancy Kranzberg
Members of the St. Louis Theater Circle include Steve Allen,
stagedoorstl.com; Mark Bretz, Ladue News;
Bob Cohn, St. Louis Jewish Light;
Tina Farmer, KDHX; Michelle Kenyon, snoopstheatrethoughts.com; Gerry Kowarsky, Two on the Aisle (HEC Media); Chuck
Lavazzi, KDHX; Sarah Bryan Miller, St.Louis
Post-Dispatch; Judith Newmark, judyacttwo.com; Ann Lemons Pollack,
stlouiseats.typepadcom; Tanya Seale,
Broadwayworld.com; Lynn Venhaus, PopLifeSTL.com;
Bob Wilcox, Two on theAisle (HEC Media); and Calvin Wilson, St.
Louis Post-Dispatch.Eleanor
Mullin, local actress and arts supporter, is the group’s administrator.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Repertory Theatre of St. Louis has teamed with Baltimore
Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre
Company to present Play at Home, a series of micro-commissioned short plays
from some of the American theatre’s most exciting and prominent playwrights.
These new plays – which all run 10 minutes or less – are
available for the public to download, read and perform at home for free at
playathome.org.
In the wake of widespread event cancellations following the
spread of the coronavirus (COVID-19), the participating theatres conceived Play
at Home as a way to support artists, connect people to theatre, and to ignite
imagination and joy in these uncertain times.
Each organization commissioned multiple playwrights – most
of whom had plays canceled due to the coronavirus outbreak – to create new
works that were big, joyful and not bound by the constraints of what might be
“possible” on a traditional stage.
The Rep’s commissioned playwrights feature:
Regina Taylor (playwright of The Rep’s 2020-2021 production
of Oo-Bla-Dee)
Karen Zacarias (playwright of The Rep’s 2020-2021
production of Native Gardens)
Steph Del Rosso (playwright of The Rep’s 2020-2021 world
premiere of The Gradient)
Guadalís Del Carmen (who appeared at The Rep as an actor in
2020’s Mojada: A Medea in Los Angeles)
Tre’von Griffith (a St. Louis performer and playwright,
co-founder of TLT Productions)
These plays are meant to be read at home among family and
friends, and we highly encourage readers to share photos or videos of their
home performances on social media using the hashtag #playathome.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The eighth annual St. Louis Theater Circle Awards are taking place in cyberspace on Tuesday, April 7, rather than at the Loretto-Hilton Center on the campus of Webster University. That March 30 event was cancelled because of the current public health crisis. The COVID-19 global pandemic has affected the St. Louis region, with government quarantine orders in both St. Louis city and county through April 22.
The awards honoring excellence in professional regional theater for the 2019 season are being made available by the Higher Education Channel at 7 p.m. on their platforms. Their link is: Higher Education Channel TV (HEC-TV)
The streamcast will be able to be seen on HEC Media’s Facebook page, channel 989 on Spectrum (Charter) and channel 99 on AT&T U-verse.
HEC Announcer Rod Milam will state the winner after the Circle members voice-over the nominations in 33 categories. It is expected to take a half-hour.
The Muny, now in its second century of performances at its outdoor amphitheater in Forest Park, leads the way with a total of 25 nominations, followed by 24 for The Repertory Theatre of St. Louis (The Rep) and 21 for New Jewish Theatre. Stages St. Louis follows with 13 nominations, West End Players Guild with 10 and Stray Dog Theatre with a total of eight nominees.
In all, 25 local professional companies received nominations for 51 different shows. Lighting designer Sean M. Savoie leads all nominees with three different nominations out of a total of 125 nominated artists, including six who received two nominations apiece. The awards honor outstanding achievement in locally produced professional theater for the calendar year 2019.
More than 120 locally produced professional theatrical productions were presented in the St. Louis area last year.
Ken and Nancy Kranzberg will be honored with a Lifetime Achievement Award in recognition of their long-standing commitment to the arts and theater in St. Louis, including Grand Center.
The official hashtag for the event, to be used on Twitter and Facebook, is: #TCA20
The St. Louis Theater Circle would like to thank the folks at HEC Media, including Dennis Riggs, Boyd Pickup, Rod Milam, Paul Langdon, Christina Chastain and their colleagues, for stepping up and making this streamcast production possible after the COVID-19 pandemic caused the cancellation of our eighth annual gala.
The St. Louis Theater Circle includes Calvin Wilson, St. Louis Post-Dispatch; Tanya Seale, Broadway World; Judith Newmark, Judy’s Second Act: Mark Bretz, Ladue News; Tina Farmer, KDHX; Gerry Kowarsky, “Two on the Aisle” HEC; Bob Wilcox “Two on the Aisle” HEC: Ann Lemons Pollack, St Louis Eats; Steve Allen, Stage Door STL; Chuck Lavazzi, KDHX; Michelle Kenyon, Snoop’s Theatre Thoughts; Bob Cohn, St. Louis Jewish Light; and Lynn Venhaus, PopLifeSTL.com. Eleanor Mullin is the administrator.
For more information, visit the Circle’s Facebook page.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
St. Louis Theater Circle Awards Ceremony Cancelled, AFL’s Theatre Mask Awards Moved to July
By Lynn Venhaus
Because of the COVID-19 pandemic, productions scheduled in March, April and May at New Jewish Theatre, St. Louis Actors’ Studio, Tennessee Williams Festival, Upstream Theater, West End Players Guild and the Playhouse at Westport have announced postponements, some with new dates and others to be determined.
The Kranzberg Arts Foundation has closed all its venues.
St. Louis Theater Circle has cancelled the March 30 Awards Ceremony and Arts For Life has pushed back its annual Theatre Mask Awards. Metro Theatre Company has announced some changes in scheduling.
Here is the most up-to-date information available, and updates will be happening as we get word.
The companies are following the U.S. Centers for Disease Control guidelines for social distancing, which has recommended limiting gatherings of no more than 50 for the next eight weeks. St. Louis City and St. Louis County have banned such public gatherings.
On Monday, the White House advised the public to avoid groups of more than 10 and urged older people to stay at home for the next 15 days in a set of new guidelines designated to fight a spreading coronavirus outbreak.
Kranzberg Arts Foundation They announced Tuesday that they have followed the recommendations and guidelines put in place by our government and health officials and have moved to shut down all Kranzberg Arts Foundation venue operations. This includes theatres, galleries, clubs, restaurants, cafes, and libraries. For the time being, our tenant and resident organization offices remain open. These closures will remain in place until at least May 11:
The Grandel Theatre
The Marcelle
The Kranzberg Studio, Black Box, and Gallery
.ZACK Theatre
High Low
Sophie’s Artist Lounge
The Dark Room
To ticket holders, MetroTix will be reaching out and instructing guests to respond with “refund” or “donate”. “While this is a difficult time for everyone, arts organizations and artists will be particularly impacted by COVID-19 and the disruption to their jobs. We’re asking for guests, as they are able to, to consider donating to the organizations instead of asking for a refund,” Executive Director Chris Hansen said.
“We will continue to work with our funding partners and local government agencies to find ways to help support artists and arts organizations through these unprecedented times and to make sure the arts are still felt and present in people’s daily lives,” he said.
“We will stay connected through social media and other digital platforms and will share resources, updates, and next steps as frequently as possible,: Hansen said.
West End Players Guild West End Players Guild said Monday that Steven Dietz’s “Bloomsday,” originally scheduled for April 17 – 26, has been cancelled as the season’s final show but will be rescheduled in September as the first show of the 2020-2021 season.
WEPG said online ticket purchasers will receive an automatic full refund through Brown Paper Tickets. “Please allow two weeks for the refund to be posted to your credit card. Season ticket holders will be advised of refund options this week by email,” the statement said.
New Jewish Theatre New Jewish Theatre has moved “We Are the Levinsons” to May 6 0 17. The St. Louis premiere had been scheduled to open this Thursday and run from March 19 to April 5.
A comedy that tugs on your heart, it centers on Rosie, a divorced fiftyish TV writer with an insufferable 21 year-old daughter, who suddenly finds herself responsible for her father’s care. This thoughtful and earnest play delves into some difficult but universal passages of life. We all must give up the insolence of youth and take on the mantle of adulthood. Along the way are opportunities to love and to pursue our dreams. We are the Levinsons teaches us how we should cherish these moments with tenderness and with laughter.
Fox Theatre
At the Fox Theatre, the touring production of “Charlie and the Chocolate Factory,” which had been set to open Tuesday, March 17 and run through, has been postponed but a new date has not been announced.
“We are working with the producers of the show to reschedule for dates in the near future and I will be sure to keep you updated!” Publicity Manager Megan Ketcherside said.
“We appreciate your support and please know that the health and safety of our guests is always our top priority. We will continue to look to our government and health professionals for guidance as we work through this unprecedented time in our history.,” she said.
As of March 17 announcement, “Cats” scheduled for April 7-19 and Chaka Khan scheduled for April 24 are postpone until a future date can be determined.
The Fox Performing Arts Charitable Foundation’s 10th annual St. Louis Teen Talent Competition Finals are being moved from Saturday, April 4, to a later date, to be determined.
In the spirit of fostering the emerging talent in the St. Louis performing arts community, the Fox Performing Arts Charitable Foundation is proud to underwrite and produce an adjudicated competition showcasing the talented teens of the St. Louis region. Students are competing for college scholarships, cash awards, prizes, and public appearance opportunities
The Playhouse @ Westport
All March events are presently cancelled, including Flanagan’s Wake due to the updated information and recommendations implemented to regarding Covid-19. “Flanagan’s Wake” had been extended through April 11, with a special St. Patrick’s Day performance March 17.
John Denver Tribute May 7-10 and Rockin’ Chair June 5 and 6 are still scheduled.
Refunds are available at point of purchase.
St. Louis Actors’ Studio
The St. Louis Actors’ Studio has postponed its world premiere of Neil LaBute’s “Comfort,” that was to run from April 17 to May 3 at the Gaslight Theatre, but is providing an offer for online content.
“STLAS to offer Neil LaBute’s 10 x 10 series as exclusive streaming content for its current subscribers (new subscribers to the 20/21 season) and ticket holders and will postpone the world premiere of LaBute’s play “Comfort,” said William Roth, founder and artistic director.
“While we wait at home for the virus to settle, Neil and I quickly put our heads together to see how we could entertain our best patrons as we figure out how to navigate these ever-changing waters. Neil has been so very generous to us and he truly appreciates, as I do, our ongoing collaboration as well as the patrons and artists of St. Louis.” Roth said.
Each of the 10-minute films features one actor telling their story directly to the viewer. The first five feature Frederick Weller (In Plain Sight, The Good Wife), St. Louisan Jenna Fischer (The Office), Louisa Krause (Martha Marcy May Marlene, Young Adult), Richard Kind (Luck, Burn Notice, Curb Your Enthusiasm) and Judith Light (Other Desert Cities, Assembled Parties).
Weller’s character is a man who relays the story of an encounter he had with a woman sitting next to him on a flight. Fisher portrays a woman telling about the abuse she suffered at the hands of her husband and about her new life partner. Krause’s character is a young woman who discusses the way in which she takes control of her sexual destiny. Kind portrays a man discussing his feelings about his long-time marriage and his views on same-sex marriage as well. Light becomes a woman remembering the ‘man who got away’ while discussing her former marriage and her new boyfriend.
The second five feature Adam Brody (Some Girls), Maggie Grace (Taken; Taken 2), Jason Patric (Your Friends and Neighbors), Amy Madigan (Gone Baby Gone) and Bill Pullman (While You Were Sleeping). Each film explores the nature of human relationships, specifically themes of love and lust, told by characters at different stages in their lives.
Brody portrays a young man bemoaning his impending hair loss and talking about his ‘ideal’ woman. Grace’s character is a woman talking about a friend who was killed in a car accident while texting her boyfriend. Patric embodies a man recounting the tale of a fight between parents that he was involved in at a little league game. Madigan plays a woman confessing to slowly having lost her will to live and asks a visitor for some spiritual help. Pullman becomes a man considering the ever-changing culture around him and his evolving views on love and life
LaBute explains, “The series was initially written as exclusive content for DIRECTV’s ‘AUDIENCE CHANNEL’ and has been rarely seen since its initial airing on television. 10 X 10 is a collection of original monologues— five men, five women—that are performed directly to the camera and in real time, meaning there is no editing or camera trickery. It is all about the material and the actor, bringing each piece to the audience at home as purely and directly as possible.”
The 10 x 10 videos will be released weekly to STLAS patrons via email with password a protected link. They will also be providing in-home entertainment from the Gaslight courtesy of St. Louis Actors’ Studio as it can be generated and as regulations permit.
Details for the new dates for “Comfort” will be announced soon. The new LaBute play is about a mother and son meeting after some time apart to see if their relationship can survive the past and two new book deals.
Tennessee Williams Festival St. Louis Executive Artistic Director Carrie Houk said the multiple activities of the fifth annual Tennessee Williams Festival St. Louis would be moved to summer. It had been scheduled for May 7 – 17 in the Grand Center.
“After careful deliberation, we find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe.The show WILL go on. We will be announcing new dates shortly,” she said. . The multi-award-winning Tennessee Williams Festival St. Louis headliner is The Rose Tattoo. There will be more than a dozen separate elements, scheduled so that attendees may attend every one during the eleven-day run, all held in the Grand Center Arts District and on The Hill. Events include:
3 productions: The Rose Tattoo, The St. Louis Rooming House Plays, Amor Perdido
Academic series, “Tennessee Williams and his Midwest Experiences”
“Williams Playwriting Initiative”
A staged reading of Glass
screenings of Italian-themed The Roman Spring of Mrs. Stone and Boom
Public Discussion Panels
La Dolce Vita Pool Party at the Last Hotel
Bus Tour of important Williams’ sites
“Tennessee Williams Tribute”
“TW Jam”
“In the meantime, love deeply, be kind, eat, drink, be merry and smell the roses. Lots and lots of roses!: Houk said.
Upstream Theater
Upstream Theater is postponing “Iphigenia in Splott,” set from April 17 to May 3, until the fall, Oct. 9 – 25.The regional premiere by Welsh playwright Gary Owen stars Jennifer Theby-Quinn and is directed by Patrick Siler. If you have purchased single tickets or a season passport they will honor your ticket at that time.
Stumbling around Cardiff’s gritty Splott neighborhood at 11:30 AM drunk, Effie is the kind of person you’d avoid eye contact with. You think you know her, but you really don’t—because here is someone whose life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day … until one night gives her a chance to be something more. Inspired by the Greek myth about a young woman offered as a human sacrifice, Gary Owen’s Iphigenia in Splott is a blisteringly poetic monologue that drives home the high price people pay for society’s shortcomings …
.Metro Theatre Company As of March 18, MTC’s artistic and administrative staff will go to a remote work model. Their physical office in Grand Center will be closed.
Their spring gala, After Dark, originally scheduled for May 7 will now be held Sept. 24. Tickets will automatically transfer to the new date. The Golden Ticket raffle will still happen digitally on May 7.
In light of school closures, for the time being MTC’s in-school arts-integrated curriculum work is paused. While we cannot be present in person in schools, our talented education team is developing digital resources to help parents supporting their children’s learning needs while they are home. Look for some of these digital resources via email and on our Facebook page in the weeks ahead, said executive director Joe Gfaller.
At this time we anticipate that our summer camps will proceed as planned, starting in June. Middle SchoolGrand Theater Camp is June 1-12; Advanced Middle School Grand Theater Camp is June 15-26; High School Grand Theater Camp is July 6-10; and Creative Arts Camp for Pre-K through 5th Grade is offered July 27-August 1 and August 3-7.
“Even as you engage in social distancing in the weeks and months ahead, we encourage you to find ways to continue to support those businesses and artists who make St. Louis such a rewarding community in which to live and raise a family. COVID-19 impacts our friends in travel and tourism, restaurants, entertainment, and small business – not to mention scores of working artsts across St. Louis,” Gfaller said.
St. Louis Theater Circle Awards
President Mark Bretz issued this statement on March 13: “In consideration of the ongoing COVID-19 pandemic, as well as decisions in the last few days by the City of St. Louis, St. Louis County, the State of Missouri, Major League Baseball and many others, the upcoming St. Louis Theater Circle Awards presentation has been canceled, effective immediately.
Brown Paper Tickets said that those who already had purchased tickets to the gala, which was scheduled for Monday, March 30, will receive full refunds after contacting Brown Paper Tickets.
“We hope soon to reveal our alternative plan for announcing this year’s award recipients in each of our 34 categories. Thank you for your patience and understanding,” Bretz said.
12th Natya Indian Dance Festival – April 24- 26 – POSTPONED, Date TBD
Wydown Auditorium
Dedicated to Indian Classical dance, music and theatre, this year’s festival will include a special presentation of SAMARPAN-2, the 3.5 hour long story of India’s struggle for freedom from 16th-20th century through dance, music and drama with artists from India.
Arts For Life
AFL President Mary McCreight has suspended all public activities of the Arts For Life organization effective March 16 until at least May 1, 2020. This includes all judging activities of the Theatre Recognition Guild (TRG). The Theatre Mask Awards Ceremony has been rescheduled for July 18. The Best Performance Awards are not yet affected by this suspension as they are scheduled to take place in mid-June.
“We will continue to base our decisions on the best information available in this rapid evolving situation, recognizing the need for timely notifications. All of this uncertainty poses challenges, and we will endeavor to communicate about our plans and share decisions promptly and transparently,” she said.
“It is apparent most shows scheduled before May 1 would likely not be allowed to be open anyway given the restrictions on event/gathering sizes put in place by local authorities this weekend. We ask that all participating groups keep us apprised as to their individual decisions regarding cancellations and/or postponements as soon as possible. We know that the various licensing houses (MTI, Concord and others) are are offering generous low- and no-penalty options for groups to either postpone and/or cancel productions. Please check with your respective licensors,” she said.
Other Companies
As previously reported, The Repertory Theatre of St. Louis has postponed “Dreaming Zenzile” and hopes to reschedule this summer. “The Cake” in the Studio ran over the weekend, but beginning March 16, the production was suspended.
New Line Theatre closed “Head Over Heels” early because of the St. Louis City and County mandates about crowd size.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
As concerns for public health grows as the Coronavirus spreads in the U.S.,
many arts and entertainment events have been cancelled in the metropolitan St.
Louis area. Some will be rescheduled. While others, in smaller venues,
continue.
St. Louis City banned events with crowds bigger than 1,000
Thursday and St. Louis County announced Friday it is preventing crowds bigger
than 250, effective immediately, until further notice.
Slowing the spread of COVID-19 is the utmost importance in
making these decisions. Governors of Missouri and Illinois have declared states
of emergency, as had the U.S. President on Friday.
Nationally, Broadway went dark and its 31 theatres
announced they would be closed through Easter, which is April 12.
Dramatists Play Service, which holds the rights to many shows, has announced
refunds to companies who have to cancel and also information regarding possibly
live-streaming shows. For further information, visit https://www.dramatists.com/text/covid19cancellationpolicy.asp
Here is a list of what’s the latest news from local
companies and venues, with the most up-to-date information as possible. It is
best to check with a group before heading out as news can change fast.
Most companies released statements about how they have
stepped up cleaning efforts and encouraging those feeling sick to stay home.
They have also offered refund information. Check their social media and
websites for current information.
On Thursday, the Fox Theatre announced postponement of all
performances and tours through March 31.
“The Bachelor Live on Stage, scheduled for Friday, March 13
and Charlie and the Chocolate Factory scheduled for March 17-29 will both be
postponed. Plans to reschedule are
currently underway. Ticket holders should hold on to their tickets – they will
be honored on the new dates,” statement said.
Decisions about other future shows will be made as they
follow the evolving situation with the COVID-19 Virus and the City of St.
Louis’ determination of the length of this prohibition, a spokesman said.
The Repertory Theatre of St. Louis, on the campus of
Webster University, is opening “The Cake” in the Studio Theatre March 13, and Friday
evening announced that they would suspend all performances beginning Monday,
March 16. They are postponing the opening of “Dreaming Zenzile,” set to open
March 20, with hopes of rescheduling this summer.
This is a reversal of their announcement Wednesday that all
their performances would continue. Here is the new statement:
“Following the declaration of a state of emergency in St. Louis County
surrounding the spread of coronavirus (COVID-19), The Repertory Theatre of St.
Louis must place the safety of its patrons, staff and artists above all other
considerations.
Based on the Centers for Disease Control and World Health
Organization’s recommendations against large group gatherings, The Rep has
decided to cancel all performances and events beginning Monday, March 16
through the end of the season. We plan to postpone our Mainstage world premiere
of Dreaming Zenzile, with the goal of mounting it this summer.
“We do not take this decision lightly, knowing that the
communal connections made at public arts events are some of the strongest tools
against the fears and anxieties of this moment. As we ride out this turbulent
time together, we remain resolutely committed to the power of storytelling to
change lives and uplift our shared humanity. Thank you for your understanding
and for being a part of our Rep family. We look forward to welcoming you home
again this summer.
We will be reaching out to ticketholders shortly via email,
phone and/or text with more details regarding ticket options. For additional
updates, stay tuned to repstl.org and our Facebook and Twitter feeds,” the
statement said.
The Playhouse at Westport continues “Flanagan’s Wake”
performances as planned. However, the company that owns the venue released a
statement explaining their efforts.
“Our efforts in cleaning the venue have been stepped up and
we will be disinfecting each seat, handrail and surface within the theatre
prior to opening doors for each performance. Our bartenders will be wearing
gloves, which will be changed frequently through the evening.
“In addition, Cushman & Wakefield, the property
management for Westport Plaza has increased their efforts to assist in
providing a safe environment for those that visit the Plaza. All public
surfaces, from elevator buttons to escalator rails, to door handles and
bathrooms are all being heavily sanitized multiple times throughout each day.
We, along with, many of you, are closely following and
monitoring all reports issued from the CDC as well as our local and state
governmental agencies and will adjust any and all protocol accordingly. At this
time, all shows are playing as scheduled,” explained Sue Silverstein, vice president
/ general manager, Playhouse @ Westport Plaza
The Moolah Shrine have announced plans to reschedule the
annual circus March 19-22 at Family Arena. Here is their statement:
For more than 78 years, the Moolah® Shriners have provided family entertainment
to St Charles and St Louis region. As always, our focus has been the safety and
well-being of families. After consulting with government health professionals
and the Family Arena, We have decided to take strong but necessary actions to
protect the health and well-being of all who plan on attending our circus.
As Shriners, we are about compassion and love; we help heal
the sick, care for those in need. Our plans, for now, are to reschedule our
78th Moolah Shrine Circus for later this year. Thank you for your support, and
we look forward to seeing you all later this year.
For further information, please refer to Moolah.org on
Monday, March 16,” they noted.
William Roth, founder and artistic director of St. Louis
Actors’ Studio, said they would offer their black box theater, The Gaslight
Theatre, to performers in need of space during this pandemic.
“Many performers and band members have lost their incomes.
The 100- seat Gaslight Theatre, based on availability, is offering itself up to
bands whose gigs have been canceled. This offer is, of course, based on
availability and the daily health regulations posted by the CDC and the local
governments. As long as it’s legal we are an available venue,”
Roth said. He can be reached by email at william@stlas.org
THE SHOW MUST GO ON “Clybourne Park” at Alpha Players at the Florissant Civic Center Theatre this Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m. The audience is limited to 200.
Note: “We are constantly disinfecting common surfaces as
much as we can. We ask that high risk individuals (as defined by the CDC) or
those that are exhibiting symptoms to refrain from entering the premises.”
“It’s Only a Play” at Looking Glass Playhouse in Lebanon,
Ill. this Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.
Note: “As of 12 March 2020 we have no intention to cancel
any performances for It’s Only a Play. If we do, every effort will be made to
give a minimum notice of 24 hours.”
Also, cleaning efforts stepped up and ticket refunds
available.
“Flanagan’s Wake” at The Playhouse at Westport continue
performances as planned, extended through April 11, with a special St.
Patrick’s Day performance Tuesday.
Note: “Please be aware of your own health. If you are sick,
or even questioning you are sick, please stay home. We will be happy to
exchange your tickets for another performance. The top priority at the
Playhouse @ Westport is the safety and the well-being of our guests, casts and
employees.”
“Love Sex and the IRS” at Theatre Guild of Webster Groves
this Friday and Saturday at 8 p.m. and Sunday at 2 p.m. at their theatre,
Newport and Summit.
“On Golden Pond” at Kirkwood Theatre Guild this Friday and Saturday at 8 p.m.
and Sunday at 2 p.m. at the Robert G. Reim Theatre, 111 S. Geyer Road.
“The Philadelphia Story” at Clayton Community Center
cancelled their opening night, March 12, but continue performances March 13 and
14 and at 2 p.m. March 15 in the Washington University South Campus Theatre.
“Return to Forbidden Planet” at KTK Productions in the St. John the Baptist
gymnasium, 4200 Delor, this weekend and next (Friday and Saturday at 7:30 p.m.
and Sunday at 2 p.m.)
“Head Over Heels” at New Line Productions at The Marcelle Theatre this Friday
and Saturday at 8 p.m., sold out, and continuing Thursday through Saturday
until March 28.
Note: “We hope to run as scheduled through March 28, but
we’ll continue to monitor the news and re-assess as the situation evolves. If
anyone has purchased tickets but is not feeling well, please stay home, rest
up, and contact MetroTix for a refund. The usual “no refund” rule
will not apply.”
POSTPONED “The Bachelor Live on Stage” tour at The Fox Theatre March 13. Plans to be rescheduled.
“Charlie and the Chocolate Factory” tour at The Fox Theatre March 17 – 29. To be rescheduled.
10th Annual St. Louis Teen Talent Competition
April 4 at The Fox Theatre. To be rescheduled.
CANCELLED The Black Rep “Spell #7” at the A.E. Hotchner Studio Theatre. They had extended the run through this weekend, but cancelled it in light of the COVID-19 developments.
The Hettenhausen Center for the Arts at McKendree University All events and performances (internal, hosted or rented) scheduled through June 1. This includes: Shakespeare Festival St. Louis “Cymbeline” (March 16), Young People’s Concert (March 19), TAO DRUM (March 24), The ReMINDers (April 6), and speaker, Ishmael Beah (April 15).
Patrons are offered the possibility of applying their
tickets to a future event at the Hett, donating the ticket value to the
University or contacting them for a full refund, less any original mailing
fees.
Please contact the box office, during operating hours, to
discuss your ticket disposition. The box office is open Monday – Friday from noon
to 4 p.m.
College Performances Cancelled
“Cabaret” at Lindenwood University – St. Charles.
Representatives will contact ticket holders on refunds.
“A Doll’s House” at Missouri Baptist University. Will transition to streaming.
More information to follow.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus A 10-time Tony winner’s national tour comes to the ‘Lou, world premieres of “The Roommate” and last chance to see a whole roster of shows. There is a feast of choices as we usher March in, and spring can’t be far behind. Here’s what’s on local stages.
“Annapurna” St. Louis Actors’ Studio The Gaslight Theatre N. Boyle Ave., St. Louis Thursday – Saturday at 8 p.m. Sunday at 3 p.m. Feb. 14 – March 1 www.stlas.org 314-458-2978
Laurie McConnell and John Pierson star as Emma and Ulysses in Sharr White’s play about love and loss in the backdrop of the Colorado Rockies. Once married, they have a child, but haven’t seen each other for a long time.
“The Band’s Visit” Fox Theatre 527 N. Grand Feb. 25 – March 8 www.fabulousfox.com
Winner of 10 Tony Awards, including Best Musical in 2018, this joyously offbeat story is set in a remote town where a band of musicians arrive, lost. They bring the town to life in unexpected ways. This is an adaptation of a 2007 Israeli film, with music and lyrics by David Yazbek. It is performed without intermission.
Here is our review: https://www.poplifestl.com/unforgettable-music-big-heart-distinguish-tony-winner-the-bands-visit-at-the-fox/
“The Ever After” Curtain’s Up Saturday, Feb. 29, at 6:30 p.m. Dunham Hall, SIUEdwardsville www.curtainsuptheater.com
A cheesy talk show host invites familiar fairy tale characters who have been estranged for 20 years to reconcile on the show.
“Flanagan’s Wake” Emery Entertainment The Playhouse at Westport Plaza 635 Westport Plaza Jan. 24 – March 21 www.playhouseatwestport.com
This interactive hit show from Chicago is set in an Irish pub, and Flanagan’s family and friends give him a comedic memorial with plenty o’ pints, crazy sing-a-longs and witty tales. Cast includes Brian Ballybunion, Fiona Finn (Jennifer Theby-Quinn), Mickey Finn Father Damon Fitzgerald (Patrick Blindauer), Kathleen Mooney, Mayor Martin O’Doul
“Ghost”
Metro Theatre Company
Feb. 2 – March 1
Fridays at 7 p.m., Sundays at 2 p.m.
The Grandel Theatre
3610 Grandel Square
www.metroplays.org
World premiere of a new play adapted by Idris Goodwin from
Jason Reynolds’ award-winning bestseller for young readers. Castle Cranshaw,
aka “Ghost,” has only known running, but he runs for all the wrong reasons
until he meets Coach. Directed by Jacqueline Thompson and stars
“Men on Boats”
The Performing Arts Department at Washington University
Feb. 21 – March 1
Edison Theatre on campus
pad.artsci.wustl.edu
John Wesley Powell’s expedition down the Green and Colorado rivers is a 19th
century journey.
“The Mystery of Irma Vep” The Repertory Theatre of St. Louis Feb. 14 – March 8 Loretto-Hilton Center on the Webster University campus www.repstl.org
One dark and stormy night…two actors play eight characters, with a few dozen costume changes, a lot of wigs and a blending of classic horror, B-movie mysteries and farce. Charles Ludlam’s supernatural comedy includes a newly revived mummy, a mysterious portrait, a family curse and a howling werewolf.
“The Office! A Musical Parody”
Emery Entertainment
March 4 – 8
Wednesday-Friday at 8 p.m.
Saturday at 4 p.m. and 8 p.m.
Sunday at 2 p.m.
The Grandel Theatre
Tickets: Metrotix 314-534-1111 or one hour before showtime at Grandel box
office.
www.theofficemusicalparody.com/tour
Dunder Mifflin is opening an office near you. This is the third
North American tour of the unauthorized off-Broadway show, written by Bob and
Tobly McSmith. It is still playing at the Jerry Orbach Theatre at 210 West 50th
Street in NYC.
Mashable calls it “the world’s most elaborate inside job,
created with a whole lot of love, just for fans.” It’s a typical morning at
Scranton’s third largest paper company until, for no logical reason, a
documentary crew begins filming the lives of the employees.
“Picnic” Webster University’s Conservatory of Theatre Arts Feb. 20 – March 1 Thursday and Friday at 7:30 p.m. Saturday at 2 p.m. and 7:30 p.m. Sunday at 2 p.m. Stage III Auditorium www.webster.edu 314-968-7128
William Inge’s play is set in a small town one Labor Day Weekend in the joint backyards of two widows. One lives with her two daughters and a boarder; the other is a woman and her mother. A studly young man, Hall, comes to town, and the resulting electrical charge causes some friction.
“The Roommate” The West End Players Guild Friday and Saturday at 8 p.m. Sunday at 2 p.m. Additional Thursday show Feb. 27 at 8 p.m. Feb. 21 – March 1 Union Avenue Christian Church 733 N. Union at Enright www.westendplayers.org 314-367-0025
St. Louis premiere of Jen Silverman’s contemporary comedy
has been described as “The Odd Couple” meets “Breaking Bad.” Sharon, a divorced
empty nester takes on a roommate in her Iowa City house – and Robyn has come from
the Bronx. She has a mysterious, shady past who moves around a lot. She is
everything Sharon is not — a vegan and gay, for starters. They begin to
influence each other in surprising ways.
“Saint Joan of Arc”
The University Theatre at Saint Louis University
Collaborative piece with Prison Performing Arts
Thursday through Saturday at 8 p.m.
Sunday at 2 p.m.
Feb. 21 – March 1
Kranzberg Arts Center
501 N. Grand
Tickets: www.metrotix.com
Inspired by love of God and country, Joan became a 15th century
French military leader. This is a contemporary retelling directed by Lucy
Cashion.
“Spell #7”
The Black Rep
Wednesday at
Feb. 19 – March 8
A.E. Hotchner Studio at Washington University.
www.theblackrep.org
Ntozake Shange’s Spell #7 is a choreopoem set in a bar in St. Louis frequented
by Black artists and musicians, actors, and performers. In a series of
dreamlike vignettes and poetic monologues, they commiserate about the
difficulties they face as black artist.
“Transluminate”
A short-play festival
The Q Collective
Thursday and Friday, Feb. 27 and 28, at 7:30 p.m.
Saturday, Feb. 29, at 4 and 7:30 p.m.
Sunday at 4 p.m.
The Chapel
6238 Alexander Drive www.theqcollective.theater
“The Vagina Monologues”
St. Louis College of Pharmacy
Friday, Feb. 28 at 7 p.m.
Academic and Research Building Auditorium
4531 Children’s Place, St. Louis, MO 63110
Tickets: $5 at the door (cash only) or available for purchase on Eventbrite
ahead of time
Note: All proceeds from ticket and dessert sales will go
directly to Lydia’s House in St. Louis
Eve Ensler’s play is based on interviews with more than 200
women. With humor and grave, the piece celebrates sexuality and strength.
Through this play and the liberation of this one-word, countless people throughout
the world have taken control of their bodies and their lives.
The play gave birth to V-Day, a global activist movement to end violence against
all women and girls. Activists are working to end harassment, rape, battery,
incest, female genital mutilation and sex slavery. (https://www.vday.org/homepage.html)
It is sponsored by the Department of Liberal Arts and the
Office of Diversity and Inclusion. For more information, email angela.doerr@stlcop.edu
Lydia’s House works in faith to end domestic violence by
being a place of healing and a voice of hope for abused women and their
children.” (https://www.lydiashouse.org/)
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The theatre will produce classics Moby Dick and Little Shop of Horrors, as well as two world premieres at two different theatres this season ST. LOUIS — The Repertory Theatre of St. Louis announces a dynamic new set of shows for its 2020-2021 season designed to delight, excite and engage theatregoers like never before.
“This year, we want to share the magic of The Rep with both our longtime supporters and new audiences across the region,” said Hana S. Sharif, The Rep’s Augustin Family Artistic Director. “Our new season will feature classics, contemporary thought-provoking shows and robust family programming to make theatre accessible to more people than ever before.”
The 2020-2021 season will include well-known works such as Moby Dick and Little Shop of Horrors, as well as groundbreaking contemporary plays like Hir, a dark comedy that explores family dysfunction and gender roles in America, and Mlima’s Tale, a captivating work from two-time Pulitzer Prize-winning playwright Lynn Nottage.
The Rep will also debut world-premiere productions of Top of the World, a riveting psychological thriller, and The Gradient, a daring new play set in a near-future world where there are rehabilitation centers for men accused of sexual misconduct.
Sharif announced the season lineup at an event Thursday evening at Delmar Hall emceed by Julie Tristan, award-winning host and journalist for 98.1 FM and KPLR 11, and featuring special guest Missouri State Sen. Jamilah Nasheed, who delivered a proclamation welcoming Sharif to Missouri.
For the first time, two of The Rep’s productions this season will be presented in partnership with COCA – Center of Creative Arts in the soon-to-be-opened, state-of-the-art Berges Theatre in University City.
“Welcoming partners such as The Rep into our space is just the type of new programming we envisioned as we launched COCA’s expansion plans,” said Kelly Pollock, Executive Director of COCA. “Hosting part of The Rep’s season in the new Berges Theatre creates an opportunity to support professional theatre in St. Louis, while providing opportunities for young people brings us all closer to creating a St. Louis that is connected and inclusive.”
Event guests also got a sneak peek of the 2020-2021 season lineup with a special musical performance from Little Shop of Horrors, performed by vocalists Shayna Blass and Mark G. Meadows.
In addition to the six Mainstage shows and three Studio shows, The Rep will also produce the story of Donny Hathaway in Twisted Melodies, three productions for young audiences as part of its Imaginary Theatre Company, as well as an expanded New Play Festival in the fall. This season also kicks off a new holiday tradition with a December production of Charles Dickens’ classic, A Christmas Carol. (Detailed descriptions and run dates of all shows below and at repstl.org/2020-2021).
ABOUT THE REPERTORY THEATRE ST. LOUIS The Rep is the St. Louis region’s most honored live professional theatre company. Founded in 1966, The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres, The League of St. Louis Theatres and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. Learn more about The Rep at www.repstl.org.
The Rep’s 2020-2021 Season
MAINSTAGE:
Little Shop of Horrors Book by Howard Ashman Music by Alan Menken Lyrics by Howard Ashman
Previews: Sept. 4-10, 2020 Performances: Sept. 11 – Oct. 2, 2020 Performed at the Loretto-Hilton Center for the Performing Arts (130 Edgar Rd.)
It’s a classic tale, really: Girl meets boy. Boy meets carnivorous alien plant. Carnivorous alien plant develops an insatiable taste for blood. Join Seymour and Audrey on this musical comedy joy ride bursting with pop melodies, soul ballads and girl group swagger. Buckle up for an evening of romance, action and a just a touch of overzealous dentistry.
Top of the World by Catherine Butterfield
Performances: October 2020 Performed at COCA’s Berges Theatre (524 Trinity Ave.)
A riveting psychological thriller makes its world premiere at The Rep. Following the suicide of his wife, television crime show runner Brendan Murray desperately seeks any clues he might have missed. The mystery deepens when an episode of Brendan’s TV show begins to mirror his real-life tragedy all too closely. As Brendan and his family replay their memories seeking answers, they only unlock more questions. One question looms above the rest: how do they find a pathway to healing?
The Great Leap by Lauren Yee
Previews: Oct. 30 – Nov. 5, 2020 Performances: Nov. 6-22, 2020 Performed at the Loretto-Hilton Center for the Performing Arts
Armed with a lethal crossover dribble and a knack for devastating trash talk, 17-year-old Manford Lum is the star point guard of a U.S. college basketball team traveling to Beijing for an exhibition match between two rival coaches. But as this Chinese-American phenom arrives amidst the roiling backdrop of the 1989 Tiananmen Square protests, Manford discovers himself at the epicenter of a personal, political and cultural standoff. Lauren Yee’s formidable play bristles with all the relentless energy of its underdog hero.
Native Gardens by Karen Zacarias
Previews: Jan. 15-21, 2021 Performances: Jan. 22 – Feb. 7, 2021 Performed at the Loretto-Hilton Center for the Performing Arts
“The difference between a flower and a weed is a judgment.” In Karen Zacarías’ brilliant comedy, cultures and gardens collide, turning well-meaning neighbors into feuding enemies. The play begins as a polite backyard dispute between the young, upwardly mobile Del Valles and the thoroughly Baby Boomer Butleys. But as the pairs squabble over the two feet of dirt where their properties meet, the action spirals into a symphony of inspired chaos.
Oo-Bla-Dee by Regina Taylor
Performances: February 2021 Performed at COCA’s Berges Theatre
The piano is rollicking, the bass is thumping and the saxophone is wailing. It can only mean one thing: Evelyn Waters & The Diviners are in town. Regina Taylor’s swinging musical chronicles a 1940s Black female jazz band as they journey from St. Louis to Chicago seeking fame and freedom in a climate of racism, sexism and an unforgiving industry. Inspired by the true stories of Billie Holiday, Sweethearts of Rhythm, Valaida Snow and May Lou Williams, Oo-Bla-Dee celebrates all the women musicians who fought for and earned their rightful place in American history.
Moby Dick Adapted by David Catlin From the book by Herman Melville
Previews: March 12-18, 2021 Performances: March 19 – April 11, 2021 Performed at the Loretto-Hilton Center for the Performing Arts
Madness, obsession and bloodlust take harrowing flight in a thrilling revision of Melville’s masterpiece. Captain Ahab’s hunt for the great White Whale soars to new heights through exhilarating acrobatic and theatrical spectacle that invites audiences into the heart of the action. This adaptation from Lookingglass Theatre Company brings a literary legend to life in an experience that’s both visceral and evocative.
STEVE WOOLF STUDIO SERIES:
Hir by Taylor Mac
Previews: Oct. 9-15, 2020 Performances: Oct. 16 – Nov. 1, 2020 Performed at the Loretto-Hilton Center for the Performing Arts
As Isaac returns from the war zone of Afghanistan, he finds fresh battle lines have been drawn in his childhood home. This dark comedy sees the soldier’s dysfunctional family in a total role reversal: a tyrannical father enfeebled by sickness, a once timid mother drunk with power and a sibling transitioning into a person he doesn’t recognize anymore. With the family’s former identity upended, old wounds and unresolved grudges drag them into all-out chaos.
The Gradient by Steph Del Rosso
Previews: Jan. 8 – Jan. 14, 2021 Performances: Jan. 15-31, 2021 Performed at the Loretto-Hilton Center for the Performing Arts
In this world premiere satire set in the not-so-distant future, a new facility promises to take men accused of sexual misconduct and rehabilitate them into responsible citizens. But inside the walls of The Gradient, the culture ruled by profit margins and corporate buzzwords muddles its high ideals. New employee Tess is eager to do her part, but finds herself locked in a subtle psychological battle with her latest client – one who has the perfect answer to her every question. Steph Del Rosso’s bold new play asks: can we mass-produce forgiveness?
Mlima’s Tale by Lynn Nottage
Previews: March 26 – April 1, 2021 Performances: April 2-18, 2021 Performed at the Loretto-Hilton Center for the Performing Arts
Mlima, a majestic and powerful African elephant, is murdered for his tusks. From beyond the veil of death, Mlima’s spirit follows the path of his tusks on a moving, lyrical journey through the dark world of the international ivory trade. From Lynn Nottage, the two-time Pulitzer Prize-winning playwright of Sweat and Ruined, Mlima’s Tale is a captivating and haunting fable come to life.
SPECIAL SHOWS:*
Twisted Melodies Written by and starring Kelvin Roston, Jr.
Performances: July 2020
This powerful one-man show is based on the life of St. Louis soul music icon Donny Hathaway, perhaps best known for his duets with Roberta Flack. Twisted Melodies is an immersive and crushing play about the brilliant singer and composer’s compelling inner struggle. Torn between the muses that inspire him and the mental illness that torments him, Hathaway evaluates his life in a gripping performance by St. Louis native Kelvin Roston, Jr.
A Christmas Carol by Charles Dickens Adapted by Michael Wilson
Previews: Dec. 6-10, 2020 Performances: Dec. 11-30, 2020 Performed at the Loretto-Hilton Center for the Performing Arts
At long last, the ghosts of Ebenezer Scrooge’s past, present and future have caught up with him. Now London’s most infamous miser must take a transformative journey as he faces the worst parts of himself and discovers unexpected redemption. Families are sure to delight in this enchanting winter’s tale filled with the wonder of Christmas in a theatrical extravaganza unlike any that St. Louis has seen before. Don’t miss the start of a new tradition as The Rep launches its annual production of Michael Wilson’s fantastical adaptation of Charles Dickens’ beloved tale.
* Single-ticket exclusives
IMAGINARY THEATRE COMPANY:
A Gnome for Christmas by Sarah Brandt Music and lyrics by Stephen James Neale
A warm-hearted holiday musical sprinkled with fun and hijinks, A Gnome for Christmas returns to the Imaginary Theatre Company. Lulu’s father is an inventor…just not a very successful one. After another of his failed inventions lands the family at a rundown farmhouse, Lulu’s about ready to give up. But when mysterious and magical things start happening, it seems that this farm might be home to more than meets the eye. A mischievous enchanted gnome, Timmy, is determined to bring Lulu a little Christmas cheer. With memorable songs and lovable characters, it’s the perfect holiday confection.
Puss in Boots by Nathan and Jennifer Roberts
Everyone’s favorite feline fable is here to charm and beguile! The miller’s son is not finding life easy, with barely a penny to his name and no inheritance from his father, save for a useless cat and a pair of too-small boots. But this cat hides a secret: She can talk! And sing! And she has a plan to take them from the poorhouse to a princely castle. But how long can this extraordinary kitty keep up the ruse before the cat is out of the bag? Bring the whole family and share the legend of Puss in Boots!
Tomás and the Library Lady Adapted by José Cruz Gonzalez From the book by Pat Mora
Dive into a fantastical world of books in this celebratory true story. As Tomás’ family heads north to Iowa for work, they find fewer and fewer people who speak their native Spanish language. Looking for a place to fit in, Tomás finds a new passion when he befriends a librarian who introduces him to the magical world of books. This enchanting story adventures through the pages of towering dinosaurs and ferocious tigers, igniting Tomás’ imagination and bringing the audience along for the ride.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus “The Mystery of Irma Vep” is the play that went wrong — and not in a funny way. Its once-red hot reputation for absurdity and daring has dimmed as the overwhelming digital world of content has surpassed its satiric mix of genres three decades later.
Mashing up B-movie mysteries is no longer novel and spoofing Victorian melodrama is too creaky, even in drag. And despite its look-hard-to-read-between-the-lines allegory for monsters and terminal illness, none of it registers with this 21st century audience. Sadly, the show never catches fire and the material lands with a loud thud.
Playwright Charles Ludlam’s campy farce is a specific scenario that may make clever interactive dinner-theater but somehow seems saggy and dated in 2020, especially as a major production. Artistic Director Hana S. Sharif described it as one of the all-time great comedies, the 1984 original won Drama Desk and Obie Awards, and in 1991, it was the most produced play in America.
Thirty-six years later, no matter how they focused on the ‘monsters in society’ during the AIDS epidemic, its message is lost in translation because this script is not engaging.
Think the goofy merriment of Monty Python, or even Tim
Conway and Harvey Korman on the old “The Carol Burnett Show.” They are timeless
but this show is not. Why doesn’t it work? Are the dark-and-stormy-night manor
gimmicks no longer effective? It’s old Abbott and Costello hijinks set in an
outdated supernatural world.
When the dense pop culture landscape has given us vampires next door, the
walking dead roaming our cities and ghost hunters flourishing in recent years, “Irma
Vep” doesn’t even have quaint going for it.
Out of touch and out of tune, the show is in sorely need of a trim, as its construct fails to engage in two too-long acts on The Rep’s mainstage. Clearly, a 90-minute running time would have helped, instead of prolonging viewers’ misery, and the pace could have picked up.
Unlike the 2005 parody adaptation of Hitchcock’s 1935 movie
“The 39 Steps,” which turned into a surprising amusing romp, this jumble of
ancient family curse, mummy and howling werewolf is not interesting. When they went
to Egypt, they lost me and it went downhill from there.
A “Penny Dreadful” is a psychological thriller that features dark mystery and suspense, but when this show is intended for laughs, neither the comedy nor the horror ignites. That’s a shame because the odd day-glo weird angles set by scenic designer Michael Locher looks terrific – although some sight line issues and what is with the giant skull? — and the lighting by designer Marie Yokoyama is spooky and effective.
This play was produced years ago in The Studio, and that intimate space seems to be a better fit than the larger auditorium. It could have benefited the two actors who try very hard to keep a momentum that involves playing eight characters and a few dozen costume changes and wigs. Bless those dressers, who get a herculean work out.
Nimble Esteban Andres Cruz and Tommy Everett Russell are obviously accomplished actors and look fabulous in the bold, elaborate costume designs by Sara Ryung Clement. They are trying hard to entertain, especially in the colorful drag outfits, and play off each other well.
But the frolic seems forced. This is a show that sorely needed a fresh interpretation, but director Nelson T. Eusebio III didn’t hit the refresh button to deconstruct what didn’t age well, but went big visually with the souped-up focus on outrageous drag looks and gender politics. That’s unfortunate because the production is an epic letdown.
Is it trying to do too much? To be more things to more people? To have hidden meaning when people aren’t looking for it? To create magic, you need a spark, and why isn’t it there?
And by the number of audience members who left at
intermission, it’s not connecting with core subscribers. I was hoping it would
find it’s “legs,” but there is obviously something that’s preventing people from
getting into the story. The adventure isn’t all that adventurous.
The Repertory Theatre of St. Louis presents “The
Mystery of Irma Vep” Feb. 14 – March 8 on the mainstage at the Loretto-Hilton
Center on the Webster University campus. For more information, visit repstl.org.
For the box office, call 314-968-4925.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.