By Lynn Venhaus
Managing Editor
The March winds are blowing in snow and ice, with productions starting strong,
and there is a mix of classic musicals, hard-hitting dramas and hilarious
comedies on local stages.

It’s the last weekend to catch the absorbing “Oslo” at the
Rep, the tenth anniversary “Rock of Ages” tour comes to The Fox, and “Avenue Q”
is extended at The Playhouse at Westport. New musicals opening include “The 25th
Annual Putnam County Spelling Bee,” “Company,” “La Cage Aux Folles.”
Wash U continues with “Angels in America” and SLU presents “The Misanthrope.”

“Well” opens at Mustard Seed Theatre, “One Flew Over the Cuckoo’s
Nest” at Theatre Guild of Webster Groves, and “The Glitter Girls” at Alton
Little Theatre. The Black Rep’s “Milk Like Sugar” continues at The Black Rep.

Roar back and go see a play!

“The 25th Annual Putnam County Spelling Bee” O’Fallon Theatre Works March 1-3 and 8-10 Friday and Saturday at 8 p.m., and Sunday at 2 p.m. O’Fallon City Hall Tickets: www.ofallon.mo.us Tickets are on sale now at the Renaud Spirit Center and at the box office, which opens one hour before each show. What It’s About: Winner of the Tony and the Drama Desk Awards for Best Book, “The 25th Annual Putnam County Spelling Bee” is a musical comedy with a funny book by Rachel Sheinkin and a vibrant musical score by William Finn.

An eclectic group of six adolescents vies for the spelling
championship of a lifetime. While candidly disclosing hilarious and touching
stories from their home lives, the tweens spell their way through a series of
(potentially made-up) words, hoping never to hear the soul-crushing,
pout-inducing, life un-affirming “ding” of the bell that signals a spelling
mistake. Six spellers enter; one speller leaves! At least the losers get juice
boxes.

A riotous ride complete with audience participation, “The
25th Annual Putnam County Spelling Bee” is a fast-paced crowd-pleasing comedy.

Director: Melissa Boyer, with music director Wendi Dicken and choreographer Cameron Bopp. Starring: Ann Hier Brown, Mark Killmer, Benni Jillette, James McKinzie, Ben Ketcherside, Josh Towers, Hayden Hays, Mia Porcelli and Stefanie Kluba.

FRIDAY, FEB. 1, 2019 – This is a promotional photo for “Angels in America” by Washington University’s Performing Arts Department. Photo by Jerry Naunheim Jr./WUSTL Photos “Angels in America, Part 1: Millennium Approaches” The Performing Arts Department at Washington University Feb. 22 – March 3 Thursdays and Fridays at 7 p.m., 2 and 8 p.m. Saturdays and 2 p.m. Sundays. Edison Theatre Tickets: 314-935-6543 or visit pad.artsci.wustl.edu What It’s About: an epic that ranges from earth to heaven; focuses on politics, sex and religion; transports us to Washington, the Kremlin, the South Bronx, Salt Lake City and Antarctica; deals with Jews, Mormons, WASPs, blacks; switches between realism and fantasy, from the tragedy of AIDS to the camp comedy of drag queens to the death or at least the absconding of God.

“Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie
Mueller

Starring: Andrew Keeler, Brent Ambler, Jennifer
Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won three Tony
Awards, including Best Musical.

“Company” Over Due Theatre March 1-3, 8-10 8 p.m. Friday and Saturday, 2 p.m. Sunday Olivette Community Center 9723 Grandview 314-210-2959 www.overduetheatrecompany.com

What It’s About: First produced in 1970, Company was
nominated for a record-setting fourteen Tony Awards and won six, including Best
Musical. Company takes an unvarnished look at marriage through the eyes of
Bobby who, unmarried on his thirty-fifth birthday, finds himself lost in the
company of his married friends. With his trademark wit and sophistication,
Stephen Sondheim examines the flawed nature of human relationships as Bobby
journeys towards the realization that, in spite of all of his friends’
failings, there is no point in “Being Alive” unless he has someone with whom to
share it.

“The Glitter Girls” Alton Little Theatre March 1- 10 Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m. 2450 North Henry in Alto 618.462.6562 www.altonlittletheater.org.

What It’s About: A brand new play economically described as
“Steel Magnolias” meets “Survivor,” with a big dose of quirky humor thrown in
for good measure. A strong ensemble play, which questions the wisdom of sudden
wealth and the bonds of friendship.  

“La Cage Aux Folles” New Line Theatre Feb. 28 – March 23 Thursday, Friday and Saturday at 8 p.m. Marcelle Theater, 3310 Samuel Shepard Drivewww.newlinetheatre.com

Tickets: MetroTix.com

What It’s About: What happens when the son of a middle-aged
gay couple brings home the daughter of an arch-conservative politician — and
her parents — for dinner? Musical comedy ensues.

“La Cage Aux Folles” takes place on the French Riviera for
a night of love, laughs, illusions and truths, and the triumph of family over
bullies and bigots.

Based on the 1973 French play and its 1978 film adaptation,
“La Cage Aux Folles” tells the story of a middle-aged show business couple,
grappling with aging, fidelity, kids, and holding on to their dignity when the
world around them would rather strip it away. At the center is Georges, a St.
Tropez nightclub owner, and his husband Albin, who is also the club’s erratic
headliner Zaza. When Georges’ son gets engaged to the daughter of a right-wing
politician, we see the politics and culture wars of 2019, at their most
ridiculous and most fevered, onstage right in front of us.

Director: Scott Miller and Mike Dowdy-Windsor, with music
direction by Nicolas Valdez and choreography by Michelle Sauer and Sara Rae
Womack.
Starring: Zachary Allen Farmer (Albin/Zaza), Robert Doyle (Georges), Kevin
Corpuz (Jean-Michel), Tielere Cheatem (Jacob), Zora Vredeveld (Anne), Kent
Coffel (M. Dindon), Mara Bollini (Mme. Dindon), Lindsey Jones (Jacqueline),
Joel Hackbarth (Francis), and as the notorious Cagelles – Jake Blonstein,
Dominic Dowdy-Windsor, Evan Fornachon, Tim Kaniecki, Clayton Humburg, and Ian
McCreary..

Of Note: In its original 1983 production, the show was a
safely old-fashioned musical comedy. But in its 2008 London revival and 2010
Broadway revival, the show was transformed from a lightweight comedy into a
more serious story with a lot of laughs.

The original 1983 Broadway production ran four years and
1,761 performances. The show received nine Tony nominations and won six,
including Best Musical, Best Score and Best Book — beating out Sondheim’s
Sunday in the Park with George. It’s been revived on Broadway and in London
multiple times.

“Milk Like Sugar”

 “The Misanthrope” Saint Louis University TheatreFeb. 28 – March 3Thursday through Saturday at 8 p.m. and Saturday and Sunday at 2 p.m.Kranzberg Arts Center Black Box501 N. Grand Blvd.Tickets through metrotix.com or 314.534-1111.

What It’s About: This Molière classic looks at the hypocrisy of society and the consequences of total honesty and will be directed by Lucy Cashion.Of Note: The additional Saturday matinee was scheduled due to the limited seating at the venue. A seating policy is in place for this production: unfilled seats will be released 7 minutes prior to the start of the show.Yourcooperation is appreciated.

“One Flew Over the Cuckoo’s Nest” The Theatre Guild of Webster Groves March 1-3, 7-10 Shows at 8 p.m., except Sunday matinees at 2 p.m. 517 Theatre Lane, Webster Groves Tickets are available only at the door (cash or check). Sorry, we do not take advanced reservations www.theatreguildwg.org 314-962-0876

What It’s About: Ken Kesey’s iconic counter-culture novel
is set in a psychiatric hospital, where convicted criminal McMurphy winds up.
He challenges authority and changes patients’ lives. This is the play adaptation,
which was turned into an Oscar-winning film.

Director: Jessica Johns-Kelly.

Starring: Jerry Crump, Matthew Linhardt, Betsy Gasoske,
Greg Savel, Tyler Crandall, Hal Morgan, Jason Blackburn, David Eiben, Christian
Davis, Sherre Ward, Scott Ewers, Russ Leonard, Donald Kidd, Aaron Mermelstein,
Noreen Ann G. Rhodes and Amie Bossi.

Of Note: This show contains content not suitable for
children.

The Theatre Guild of Webster Groves is very old historic
building with many steps and is not handicapped or wheelchair assessable.

Photo by Peter Wochniak

“Oslo” Feb. 8 – March 3 The Repertory Theatre of St. Louis 130 Edgar Road, St. Louiswww.repstl.org 314-968-4925 What It’s About: The winner of the 2017 Tony Award for Best Play, this play by J.T. Rogers is set in 1993, when two bitter enemies shocked the world by shaking hands and agreeing to work towards peace. “Oslo” finds the unlikely story behind the historic event. The drama explores the secretive and precarious negotiations that made that moment possible and focuses on the Norwegian couple who brokered talks between the Israelis and Palestinians. Director: Steven Woolf Starring: Jim Poulos, Kathleen Wise, Rajesh Bose, Ben Graney, Jerry Vogel, Michael James Reed, Amro Salama, John Rensenhouse, Michelle Hand, Jonathan Gillard Daly, Jeff Cummings, Jim Shankman, Chaunery Kingsford Tanguay, Jack Theiling and Tom Wethington. Of Note: “Oslo” is recommended for adult audiences. The show contains strong adult language and weighty discussions about global politics and diplomatic relations.

“Rock of Ages” The Fox Theatre March 1-3 Friday at 7:30 p.m. Saturday at 2 and 7:30 p.m, and Sunday at 1 and 6:30 pm,. The Fox Theatre is at 527 North Grand in Grand Centerwww.fabulousfox.com What It’s About: Nominated for five Tony Awards®, including Best Musical, Rock of Ages” captures the iconic era that was the big bad 1980s Hollywood. Know What Love Is, Feel the Noise, and Take Your Best Shot at one of the Sunset Strip’s last epic venues, a place where the legendary Stacee Jaxx returns to the stage and rock-n-roll dreamers line up to turn their fantasies into reality. Featuring the music of hit bands such as Styx, Poison, Twisted Sister, and Whitesnake among many others, this Tenth Anniversary production features a dynamic new cast revisiting the larger than life characters and exhilarating story that turned the musical into a global phenomenon. This is one for the ages that will have you singing “Here I Go Again.”

“Well” Mustard Seed Theatre Fontbonne Fine Arts Theatre 314-719-8060www.mustardseedtheatre.com What It’s About: Lisa Kron’s experimental play intends to explore racial and religious integration and cultural concepts of health. She does not want to talk about her Mother, who unexpectedly joins her on stage. What could possibly go wrong?

By Lynn VenhausManaging EditorAnd down the stretch we come! In the waning days of February, our shortest month, dusk is getting later and sure signs of spring are upon us. We can stay indoors for awhile longer — the weather is still frightful — but what awaits us inside a theater is juicy entertainment. Whether you are in the mood for taut political dramas (“Farragut North,” “Oslo”) or classic Arthur Miller (“The Crucible”) or goofy foul-mouthed puppets, the St. Louis stages are showcasing some mighty fine talent.Some local college theater departments are presenting classics, with Lindenwood taking on “Our Town” and St. Louis Community College at Florissant Valley is tackling Tennessee Williams’ “A Streetcar Named Desire.” Washington University is presenting the first part of “Angels in America.” Such ambition! Such enthusiasm! Catch it — Go See a Play!

FRIDAY, FEB. 1, 2019 – This is a promotional photo for “Angels in America” by Washington University’s Performing Arts Department. Photo by Jerry Naunheim Jr./WUSTL Photos “Angels in America, Part I: Millennium Approaches”Washington University Performing Arts Department Feb. 22 – March 3Thursdays and Fridays at 7 pm, Saturday at 2 and 8 pm, and Sundays at 2 p.m.Edison Theatre314-935-6543www.pad.artsci.wustl.eduWhat It’s About: Tony Kushner’s epic play focuses on politics, sex and religion, switching between realism and fantasy, dealing with the tragedy of AIDS to very spiritual territory.

Director: Henry SchveyStarring: Louis Gordon and Alex Knapp are Prior and Louis, and Nathan Wetter and Stephanie Wright are Joe and Harper. Stephen Reaugh is Roy Cohn. Justin Wright is Prior’s ex-lover Belize, a nurse and former drag queen. Jacque Randolph is the Angel, Kelley Abell is Hannah, Joe’s mother. Helen Fox fills a variety of roles.

“Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 17 (extended run) www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie
Mueller

Starring: Andrew Keeler, Brent Ambler, Jennifer
Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won three Tony
Awards, including Best Musical.

“By the Way…Meet Vera Stark” Feb. 13 – 24 Webster University’s Conservatory of Theatre Arts Wednesday through Saturday at 7:30 p.m.; Sunday at 2 p.m. Emerson Studio Theatre at the Loretto-Hilton Centerwww.webster.edu/conservatory/season 314-968-7128

What It’s About: A new comedy from the Pulitzer Prize-winning playwright of Lynn Nottage, this draws upon the screwball films of the 1930s to take a funny and irreverent look at racial stereotypes in Hollywood. “By the Way…Meet Vera Stark” is a 70-year journey through the life of Vera Stark, a headstrong African-American maid and budding actress, and her tangled relationship with her boss, a white Hollywood star desperately grasping to hold on to her career.

Photo by John Lamb“The Crucible” Stray Dog Theatre Feb. 7 – 23 Thursdays through Saturdays at 8 p.m.; special 2 p.m. matinee Sunday, Feb. 17. Tower Grove Abbey 2336 Tennessee www.straydogtheatre.org 314-865-1995

What It’s About: Lies. Betrayal. Lust. In 1690s
Salem, a young girl leads a Puritanical purge of witchcraft against a local
farmer and his wife. As fear and excitement grow in the town, the accusations
grow more ferocious and terrifying, until no one is safe, and the truth is
obscured completely. Written by Arthur Miller and winner of the 1953 Tony Award
for Best Play.

Starring: John Proctor: Graham Emmons, Elizabeth Proctor:
Cynthia Pohlson, Abigail Williams: Alison Linderer, Mercy Lewis: Sienna DeSuza,
Rebecca Nurse: Suzanne Greenwald, John Danforth: Joe Hanrahan, Ezekiel Cheever:
Charles Heuvelman, John Hathorne: Jonathan Hey, Ann Putnam: Laura Kyro, Francis
Nurse: Chuck Lavazzi, Susanna Walcott: Zoe Liu, Giles Corey: Gerry Love, Hopkins
: Michael Maskus, Sarah Good: Liz Mischel, Thomas Putnam: Tom Moore, John
Willard: Stephen Peirick, Rev. Samuel Parris: Ben Ritchie, Betty Parris: Avery
Smith, John Hale: Abraham Shaw, Mary Warren: Chrissie Watkins and Tituba: Kelli
Wright.

Photo of Spencer Sickmann and Hollyn Gayle by Patrick Huber. “Farragut North” St. Louis Actors’ Studio Feb. 8 – 24 Thursdays through Saturdays at 8 p.m.; Sunday at 3 p.m. Gaslight Theatre 358 North Boyle Metrotix.com 314-458-2978www.stlas.org

What It’s About: Stephen Bellamy is a wunderkind press secretary who has built a career that men twice his age would envy. During a tight presidential primary race, Stephen’s meteoric rise falls prey to the backroom politics of more seasoned operatives. “Farragut North” is a timely story about the lust for power and the costs one will endure to achieve it. Director: Wayne Salomon Starring: Spencer Sickmann, Peter Mayer, David Wassilak, Shannon NaraThe West End Grill and Pub will be open before and after the performances for drinks.

“The Hundred Dresses” Metro Theatre Company Feb. 3 – Feb. 25 The Grandel Theatre Metrotix.com www.metroplays.org

What It’s About: Wanda Petronski, the new girl in Room 13,
is a Polish immigrant who lives in a shabby house and doesn’t have any friends.
Every day she wears the same faded blue dress, but tells her new class-mates
that she has a hundred dresses at home. Her classmates tease Wanda about her
hundred dresses until one day she disappears from school. As guilt overtakes
the children, they decide to find out what happened to Wanda and to make
amends. But is it too late? Bullying, friendship and forgiveness are at the
center of this play adapted from the beloved Newbery Honor Book by Eleanor
Estes.

Of Note: Eleanor Estes wrote down her childhood memories while recovering from tuberculosis and became a children’s author. Her many published works are widely read; but “The Hundred Dresses” continues to be the most popular, remaining in print since its publication in 1944. It was awarded the Newbery Honor in 1945. Speaking about “The Hundred Dresses” Eleanor Estes said, “I am holding up a mirror, and the scene reflected in the mirror is a true image of childhood, and the mirror, besides reflecting, also speaks and echoes the clear, profound, unpremeditated utterances, thoughts, and imageries of these children. I like to make children laugh or cry, to be moved in some way by my writing.

Justis Drakes “Milk Like Sugar”The Black RepFeb. 13 – March 3Hotchner StudioWashington Universitywww.theblackrep.org

What It’s About: Milk Like Sugar is an astute gut-wrenching observation of the impact of racism on African American youth. We see the cyclical nature of inherited trauma, the normalization of underfunded communities, the dire need for education that nurtures latent talent, childhood hunger, the categorization of Black youth as adults, and the injustice of the criminal system. The myth of self-determination and seeing those who cannot escape their circumstance as inferior is keeping us for mobilizing and tithing whatever time and talent we might have to give into those communities. This play affirms these children need us, just as much as we need them.

Photo by Peter Wochniak

“Oslo” Feb. 8 – March 3 The Repertory Theatre of St. Louis 130 Edgar Road, St. Louiswww.repstl.org 314-968-4925 What It’s About: The winner of the 2017 Tony Award for Best Play, this play by J.T. Rogers is set in 1993, when two bitter enemies shocked the world by shaking hands and agreeing to work towards peace. “Oslo” finds the unlikely story behind the historic event. The drama explores the secretive and precarious negotiations that made that moment possible and focuses on the Norwegian couple who brokered talks between the Israelis and Palestinians. Director: Steven Woolf Starring: Jim Poulos, Kathleen Wise, Rajesh Bose, Ben Graney, Jerry Vogel, Michael James Reed, Amro Salama, John Rensenhouse, Michelle Hand, Jonathan Gillard Daly, Jeff Cummings, Jim Shankman, Chaunery Kingsford Tanguay, Jack Theiling and Tom Wethington. Of Note: “Oslo” is recommended for adult audiences. The show contains strong adult language and weighty discussions about global politics and diplomatic relations.

“Our Town”Lindenwood UniversityFeb. 21 – 23 at 7:30 p.m.Scheidegger Center for the Arts, St. Charles campuswww.lindenwood.edu

What It’s About: Thornton Wilder’s timeless drama of life in the mythical village of Grover’s Corners, New Hampshire, has become an American classic with universal appeal. It first appeared on Broadway in 1938.

Director: Patrice Foster

“The Rat Pack is Back” Friday, February 22, at 7:30 p.m.. The Fox Theatre 527 North Grand in Grand Centerwww.fabulousfox.comWhat It’s About: This spirited show recreates one of the famous “Summit at the Sands” nights when the swingin’, ring-a-ding group known as “The Rat Pack” was creating hipster legend with a free-wheeling, no-holds-barred nightclub act starring Frank Sinatra, Sammy Davis, Jr., Dean Martin and Joey Bishop.

“A Streetcar Named Desire”St. Louis Community College at Florissant ValleyFeb. 21 – 24Fisher Theatre, 3400 Pershall Road www.stlcc.edu/fv/

“Transluminate”The Q Collective Feb. 21 – 23Thursday and Friday at 7 p.m. and Saturday at 4:30 p.m. and 8 p.m.The Chapel, 6238 Alexander Drivehttps://theqcollective.theater

What It’s About: A short-play festival and celebration of transgender, agender, non-binary, genderqueer, and genderfluid artists.

By Lynn VenhausManaging EditorAnother opening, another show, and another, and another…We have an abundance of riches in the St. Louis region this weekend — many solid offerings from St. Peters, Mo. to Waterloo, Ill.

Whether it’s established playwrights like Arthur Miller, Sarah Ruhl or Laura Gunderson or emerging writers, we encourage you to take a fresh look at a classic or dive in to something new.

Speaking of playwrights, homegrown Beau Willimon will be in town Thursday night to attend the preview performance of his drama, “Farragut North.”

Willimon, who adapted the British TV series “House of Cards” for the American version on Netflix, is a graduate of John Burroughs High School, where he was a student of director Wayne Salomon.It’s the final week for several shows — “District Merchants” at New Jewish Theatre, “Wittenberg” at Upstream Theatre and “The Motherf**ker with the Hat” at R-S Theatrics. “Fiddler on the Roof” tour ends its St. Louis stop on Sunday.

Openings include “The Crucible” at Stray Dog Theatre, “Farragut North” at St. Louis Actors’ Studio, “Oslo” at the Repertory Theatre of St. Louis, and “Exit, Pursued by a Bear” at West End Players Guild.Four shows open in Community Theatre — “Don’t Dress for Dinner” at Act Two, ” “First Date” at Clinton County Showcase, “Little Shop of Horrors” at MASC and “Eurydice” at Clayton Community Theatre.

Metro Theatre continues with “The Hundred Dresses,” “Avenue Q” goes through March 3 at The Playhouse at Westport, “Deenie Nast Is Back” is just on Fridays, and SATE’s “Classic Mystery Game” has two more weekends.Whatever you are in the mood for, you can find it in the ‘Lou, or by crossing one of the bridges. Wherever you go, GO SEE A PLAY! “Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie
Mueller

Starring: Andrew Keeler, Brent Ambler, Jennifer
Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won three Tony Awards, including Best Musical. “Black Theatre Workshop” Metcalf Theatre Southern Illinois University at Edwardsville Friday, Feb. 8 at 7:30 p.m. and Sunday, Feb. 10 at 5 p.m. 618-650-2774www.siue.edu

Of Note: In honor for the 20th anniversary celebration of Black
Theater Workshop, SIUE Theater and Dance welcomes the return of alumnus Greg
Fenner who directed this year’s edition of BTW “Black in My Day.”
Fenner has worked in professional theater in both St. Louis and Chicago, and is
the recipient of Best Actor in a Comedy for “Fully Committed” from the St.
Louis Theater Circle.

Photo by Joey Rumpell“Classic Mystery Game” Slightly Askew Theatre Ensemble (SATE) Wednesdays – Saturdays at 8 p.m. Jan. 30 – Feb. 16 The Chapel, 6238 Alexander Drive, 63105www.brownpapertickets.comrachel@slightlyoff.org 314-827-5760

What It’s About: SATE opens its Season of Ritual with a parody of the cult classic 1985 movie, “Clue,” written by Katy Keating. She has written about the failure of capitalism in a climate-changing world.

The film was written by Jonathan Lynn, and that was based
on the game, “Cluedo,” which was created by Anthony E. Pratt.

Director: Katy Keating

Starring: Will Bonfiglio. Maggie Conroy, Michael Cassidy
Flynn, Carl Overly Jr., Reginald Pierre, Ellie Schwetye, Rachel Tibbetts, Kristen
Strom, Marcy Wiegert and Bess Moynihan

Of Note: Wednesdays, Feb. 13, are “Pay What You Can”

Photo by Justin Been“The Crucible” Stray Dog Theatre Feb. 7 – 23 Thursdays through Saturdays at 8 p.m.; special 2 p.m. matinee Sunday, Feb. 17. Tower Grove Abbey 2336 Tennessee www.straydogtheatre.org 314-865-1995

What It’s About: Lies. Betrayal. Lust. In 1690s
Salem, a young girl leads a Puritanical purge of witchcraft against a local
farmer and his wife. As fear and excitement grow in the town, the accusations
grow more ferocious and terrifying, until no one is safe, and the truth is
obscured completely. Written by Arthur Miller and winner of the 1953 Tony Award
for Best Play.

Director:
Starring: John Proctor: Graham Emmons, Elizabeth Proctor: Cynthia Pohlson, Abigail
Williams: Alison Linderer, Mercy Lewis: Sienna DeSuza, Rebecca Nurse: Suzanne
Greenwald, John Danforth: Joe Hanrahan, Ezekiel Cheever: Charles Heuvelman, John
Hathorne: Jonathan Hey, Ann Putnam: Laura Kyro, Francis Nurse: Chuck Lavazzi, Susanna
Walcott: Zoe Liu, Giles Corey: Gerry Love, Hopkins : Michael Maskus, Sarah
Good: Liz Mischel, Thomas Putnam: Tom Moore, John Willard: Stephen Peirick, Rev.
Samuel Parris: Ben Ritchie, Betty Parris: Avery Smith, John Hale: Abraham Shaw,
Mary Warren: Chrissie Watkins and Tituba: Kelli Wright.

“Deenie Nast is Back” Ten Directions and the St. Lou Fringe Fridays at 8 p.m. Feb. 1, 8 and 15 Emerald Room at The Monocle www.deenienast.com

What It’s About: One-woman show by Audrey Crabtree features
international performance superstar Deenie Nast, who delivers a no holds
barred, song-filled tribute to her lonely fans. Nast presents a hilarious and
heartbreaking exploration of relationships, loneliness, and true connections.
Nast sings the hits from her past, revealing very personal stories. Songs,
physical comedy and audience interaction are involved.

Photo by Eric Woolsey “District Merchants” New Jewish Theatre Jan. 24 – Feb. 10 Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m. Wool Studio Theater Jewish Community Center, 2 Millstone Campus Drivewww.newjewishtheatre.org 314-442-3283

What It’s About: Love, litigation, deep passions and
predatory lending are taken to a new level. The play wades fearlessly into the
complexities of life in America. It is set among Black and Jewish populations
in an imagined time and place, simultaneously Shakespearean and post- Civil War
Washington, D.C.

Directed by Jacqueline Thompson

Cast: Gary Wayne Barker, J. Samuel Davis, Courtney Bailey
Parker, Alicen Moser, Erika Flowers, Karl Hawkins, Ron White, Rae Davis

Of Note: In Aaron Posner’s re-imagining, the play becomes
less about the quality of mercy and more about how flexible a supposedly
egalitarian society can be to the varied tribes struggling to find partners in
America. Aaron Posner expertly blends humor, emotional truths and topics that
make people think. He is able to create characters who are deeply flawed, like
we are. In his “uneasy” comedy, he wants us to look at a snapshot in time, the
Reconstruction Era, but what he has written is relevant to audiences today.

Trish Nelke, John Emery, Laura Deveney and Becky Loughridge. Photo by Lori Biehl“Don’t Dress for Dinner” Act Two Theatre Feb. 8 – 17 Fridays and Saturdays at 7:30 p.m.; Sundays at 2 p.m. St. Peters Cultural Arts Centrewww.acttwotheatre.com What It’s About: Bernard and Jacqueline are a not-so-happily married couple, both of whom are having extramarital affairs. As Jacqueline prepares to go out of town to visit her mother, Bernard invites his mistress and Robert, his best friend (and also Jacqueline’s lover, unbeknownst to Bernard), over for the weekend. He’s even hired a Cordon Bleu chef to cater the evening. Jacqueline discovers Robert is coming to town and cancels her trip, causing Bernard to panic. When Robert arrives, Bernard asks him to pretend Suzanne is Robert’s mistress. Robert mistakes the chef, for Bernard’s mistress, producing a highly complicated dinner of hilarious hijinks, secret trysts and slapstick comedy.” Performances take place in the St. Peters Cultural Arts Centre at 1 St Peters Centre Blvd, St. Peters, MO 63376. For more information: act2theater.com.

Director: Paul James Starring: Trish Nelke, John Emery, Laura Deveney, Becky Loughridge, Travis Wiggins, Justin Spurgeon

“Eurydice” Clayton Community Theatre Feb. 7 – 17 Thursday – Saturday at 8 p.m.; Sunday at 2 p.m. Washington University South Campus Theatre  6501 Clayton Road Tickets by email at tickets@placeseveryone.org 314-721-9228 www.placeseveryone.org. What It’s About: This “weird and wonderful” (New York Times) retelling of the Greek myth about the musician Orpheus and his wife Eurydice ruminates on love, loss, and the power of memory. “Eurydice” by Sarah Ruhl is one of the few retellings of the classic myth told from the heroine’s perspective. It considers her untimely death and descent to the Underworld, what she finds there, and her difficult decision of whether or not to return to Earth with Orpheus. “Eurydice” was nominated for Drama League and Drama Desk awards in 2008. Director – Jessa Knust

Starring: Eurydice – Mary Tomlinson, Orpheus – Wil Spaeth, Eurydice’s Father – Jeff Lovell, Nasty Interesting Man / Lord of the Underworld – Britteny Henry, Big Stone – Jack Janssen, Little Stone – Amie Bossi, Loud Stone – Ann Egenriether

Photo by John Lamb“Exit, Pursued by a Bear” West End Players Guild Feb. 8 – 17 Showtimes are 2 p.m. Sundays and 8 p.m. Fridays and Saturdays, with Thursday the second week. Union Avenue Christian Church 733 Union Boulevard in the Central West End www.westendplayersguild.com

What It’s About: Nan Carter has had it.  She’s had it with her husband Kyle’s
“good ole boy” ways – the coming home drunk, the passing out on the
couch, but not before he gives her a good shot or two.  More importantly, she’s had it with a life
contained within the four walls of their dreary North Georgia cabin.  She knows there’s a more exciting world out
there, and she’s decided to leave Kyle’s world behind and go find her own.

But first, she’s going to have some fun.

With the help of her stripper pal Sweetheart and her best
bud theatre pal Simon, Nan is going to duct tape Kyle to his favorite chair,
put on a little show to teach Kyle the error of his ways and then feed him to a
bear.

Director: Teresa Doggett
Starring: Lexa Wroniak as Nan Carter, Alex Fyles as Kyle Carter, Tara Ernst as
Sweetheart and Ethan Isaac as Simon.

Of Note: The play marks a return for playwright Lauren
Gunderson, recognized last year by American Theatre magazine as America’s
most-produced playwright. Gunderson’s Silent Sky was the big hit of WEPG’s
2018-19 season.

Please note that the Thursday show is on Valentine’s Day.  For this show only, all ladies in attendance will receive a flower and chocolate. Gentlemen will receive a red duct tape bracelet.

Photo by Patrick Huber“Farragut North” St. Louis Actors’ Studio Feb. 8 – 24 Thursdays through Saturdays at 8 p.m.; Sunday at 3 p.m. Gaslight Theatre 358 North Boyle Metrotix.com 314-458-2978www.stlas.org

What It’s About: Stephen Bellamy is a wunderkind press secretary who has built a career that men twice his age would envy. During a tight presidential primary race, Stephen’s meteoric rise falls prey to the backroom politics of more seasoned operatives. “Farragut North” is a timely story about the lust for power and the costs one will endure to achieve it. Director: Wayne Salomon Starring: Spencer Sickmann, Peter Mayer, David Wassilak, Luis Aguilar, Hollyn Gayle, Shannon Nara and Joshua Parrack. Of Note: Playwright Beau Willimon, who grew up in St. Louis and was a student of the director at John Burroughs School, will be in attendance for a special preview on Thursday, Feb. 7, at 8 p.m. The West End Grill and Pub will be open before and after the performances for drinks.

Fiddler on the Roof“Fiddler on the Roof” Jan. 29 – Feb. 10 The Fabulous Fox Theatre 529 N. Grand www.fabulousfox.com

What It’s About: Tony-winning director Bartlett Sher and
the team behind South Pacific, The King and I and 2017 Tony-winning Best Play
Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece
from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon
Harnick.

The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family. “First Date” Clinton County Showcase Feb. 8 – 17 Fridays and Saturdays at 8 p.m., Sundays at 2 p.m. Avon Theatre, 525 N. Second St., Breese, Ill. www.ccshowcase.com What It’s About: Aaron is a “blind date virgin,” while Casey has been on more than her fair share. When the two are set up by a mutual friend, sparks fly-or do they? The night unfolds over the course of this couple’s hilarious first date, and it’s not without its share of surprises in the form of imaginary visits from Aaron’s ex-girlfriend, Casey’s uptight sister, the pair’s protective parents and even their future son.

“The Hundred Dresses” Metro Theatre Company Feb. 3 – Feb. 25 The Grandel Theatre Metrotix.com www.metroplays.org

What It’s About: Wanda Petronski, the new girl in Room 13,
is a Polish immigrant who lives in a shabby house and doesn’t have any friends.
Every day she wears the same faded blue dress, but tells her new class-mates
that she has a hundred dresses at home. Her classmates tease Wanda about her
hundred dresses until one day she disappears from school. As guilt overtakes
the children, they decide to find out what happened to Wanda and to make
amends. But is it too late? Bullying, friendship and forgiveness are at the
center of this play adapted from the beloved Newbery Honor Book by Eleanor
Estes.

Cast: Sophie Murk as Wanda, Alicia Revé Like as Maddie, Hailey Medrano as Peggy, Philip C. Dixon as Mr. Mason, and Jacob Cange as Tommy/Mr. Svenson

Of Note: Eleanor Estes wrote down her childhood memories while recovering from tuberculosis and became a children’s author. Her many published works are widely read; but “The Hundred Dresses” continues to be the most popular, remaining in print since its publication in 1944. It was awarded the Newbery Honor in 1945. Speaking about “The Hundred Dresses” Eleanor Estes said, “I am holding up a mirror, and the scene reflected in the mirror is a true image of childhood, and the mirror, besides reflecting, also speaks and echoes the clear, profound, unpremeditated utterances, thoughts, and imageries of these children. I like to make children laugh or cry, to be moved in some way by my writing.

“Little Shop of Horrors” Monroe Actors Stage Company Feb. 8 – 10, 15 – 17 Friday and Saturday at 7:30 p.m.; Sunday at 2:30 p.m. Historic Capitol Theatre Waterloo, Ill. 618-939-7469www.masctheatre.org What It’s About: Science fiction mixes with romantic comedy for the musical based on the Roger Corman B-movie, “Little Shop of Horrors,” with book and lyrics by Howard Ashman and music by Alan Menken. Seymour Krelbourn works for a florist on skid row and purchases a strange plant that appears during an eclipse, which he names Audrey Two. He has a crush on his co-worker Audrey, who dates a sado-masochistic dentist. The plant is a big hit, and things get weird. Director: Matt Dossett, with music direction by Marcia Braswell Starring: George Doerr IV as Seymour, John Jauss as Mr. Mushnik, Julie Petraborg as Audrey, Seth Acock as Orin, Tim McWhirter as Audrey Two, and Sarah Polizzi, Kara Grossmann and Hannah Lindsey as the street urchin chorus, with Jeff Clinebell, Valleri Dillard, Jennifer Kerner, Reagan Posey, Rachel Mackenzie, Mark Sochowski and Austin Brouk.

Of Note: A sensory-friendly performance is set for Sunday,
Feb. 10.

Jesse Munoz, Adam Flores, Aaron Dodd. Photo by Jill Ritter Lindberg“The Motherf**ker with The Hat” R-S Theatrics Jan. 25 – Feb. 3 Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. .Zack, 3224 Locust www.r-stheatrics.com

What It’s About: How do you know where you’re going…if you
don’t know who has been in your home? The serio-comedy explores how five people
in New York navigate loyalty, trust, and duty through friendship, love and the
challenges of adulthood. And how no one should ever underestimate the
importance of cleaning up their accessories.

Director: Carl Overly Jr.

Starring: Adam Flores, Sofia Lidia, Jesse Munoz, Aaron
Dodd, Taleesha Caturah.

Of Note: Adult themes and language, recommended for mature
audiences.

Photo by Peter Wochniak“Oslo” Feb. 8 – March 3 The Repertory Theatre of St. Louis 130 Edgar Road, St. Louiswww.repstl.org 314-968-4925 What It’s About: The winner of the 2017 Tony Award for Best Play, this play by J.T. Rogers is set in 1993, when two bitter enemies shocked the world by shaking hands and agreeing to work towards peace. “Oslo” finds the unlikely story behind the historic event. The drama explores the secretive and precarious negotiations that made that moment possible and focuses on the Norwegian couple who brokered talks between the Israelis and Palestinians. Director: Steven Woolf Starring: Jim Poulos, Kathleen Wise, Rajesh Bose, Ben Graney, Jerry Vogel, Michael James Reed, Amro Salama, John Rensenhouse, Michelle Hand, Jonathan Gillard Daly, Jeff Cummings, Jim Shankman, Chaunery Kingsford Tanguay, Jack Theiling and Tom Wethington. Of Note: “Oslo” is recommended for adult audiences. The show contains strong adult language and weighty discussions about global politics and diplomatic relations.

Photo by ProPhotoSTL“Wittenberg” Upstream Theater Jan. 25 – Feb. 10 Friday and Saturday at 8 p.m.; Sunday at 7 p.m. except Feb. 10 at 2 p.m. Kranzberg Arts Center www.upstreamtheater.org

What It’s About: It’s October 1517, and the new fall
semester at the University of Wittenberg finds certain members of the faculty
and student body at personal and professional crossroads. Hamlet (senior, class
of 1518) is returning from a summer in Poland spent studying astronomy, where
he has learned of a revolutionary scientific theory that threatens the very
order of the universe, resulting in psychic trauma and a crisis of faith for
him. His teacher and mentor John Faustus has decided at long last to make an
honest woman of his paramour, Helen, a former nun who is now one of the
Continent’s most sought-after courtesans. And Faustus’ colleague and Hamlet’s
instructor and priest, Martin Luther, is dealing with the spiritual and medical
consequences of his long-simmering outrage at certain abusive practices of the
Church.

Director: Philip Boehm

Starring: Casey Boland, Steve Isom, Alan Knoll and Caitlin
Mickey.

Of Note: St. Louis premiere.

By Lynn VenhausManaging EditorWhat a weekend to Go See a Play! Lots o’ fresh offerings mixed with classics. Whether you want to laugh or have the heartstrings tugged, get out and see a show!

Jennfer Theby-Quinn and Andrew Keeler “Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a college grad who moves into the city with big dreams and a tiny bank account. He and his Avenue Q neighbors struggle to find jobs, dates and their life’s purpose.

Director: Lee Anne Mathews, with Music Director Charlie MuellerStarring: Andrew Keeler, Brent Ambler, Jennifer Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won three Tony Awards, including Best Musical.“

Heather Beal, choreographer for “Black AF”“Black AF”TLT ProductionsFeb. 1 and 28 p.m. Friday and 3 p.m. and 8 pm. SaturdayMarcelle Theatre3310 Sam Shepard DriveMetrotix: metrotix.com or 314-534-1111tltproductionsllc@gmail.com

What It’s About: The exploration of blackness, love, culture and the African-American experience brought to life through original works of dance.

Curated and conceived by Heather Beal, this modern dance concert is a joint undertaking by Heather Beal, Tre’von Griffith, Lauron Thompson and costume designer Marissa Perry.

“Classic Mystery Game”Slightly Askew Theatre Ensemble (SATE)Wednesdays – Saturdays at 8 p.m.Jan. 30 – Feb. 16The Chapel, 6238 Alexander Drive, 63105www.brownpapertickets.comrachel@slightlyoff.org314-827-5760 What It’s About: SATE opens its Season of Ritual with a parody of the cult classic 1985 movie, “Clue,” written by Katy Keating.She has written about the failure of capitalism in a climate-changing world.

The film was written by Jonathan Lynn, and that was based on the game, “Cluedo,” which was created by Anthony E. Pratt.

Director:Starring: Will Bonfiglio. Maggie Conroy, Michael Cassidy Flynn, Carl Overly Jr., Reginald Pierre, Ellie Schwetye, Rachel Tibbetts, Marcy Wiegert

Of Note: Wednesdays, Feb. 6 and 13, are “Pay What You Can”

“Deenie Nast is Back”Ten Directions and the St. Lou FringeFridays at 8 p.m.Feb. 1, 8 and 15Emerald Room at The Monoclewww.deenienast.comWhat It’s About: One-woman show by Audrey Crabtree features international performance superstar Deenie Nast, who delivers a no holds barred, song-filled tribute to her lonely fans. Nast presents a hilarious and heartbreaking exploration of relationships, loneliness, and true connections. Nast sings the hits from her past, revealing very personal stories. Songs, physical comedy and audience interaction are involved.

Photo by Eric Woolsey“District Merchants: An Uneasy Comedy”New Jewish TheatreJan. 24 – Feb. 10Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m.Wool Studio TheaterJewish Community Center, 2 Millstone Campus Drivewww.newjewishtheatre.org314-442-3283

What It’s About: Love, litigation, deep passions and predatory lending are taken to a new level. The play wades fearlessly into the complexities of life in America. It is set among Black and Jewish populations in an imagined time and place, simultaneously Shakespearean and post- Civil War Washington, D.C. Directed by Jacqueline ThompsonCast: Gary Wayne Barker, J. Samuel Davis, Courtney Bailey Parker, Alicen Moser, Erika Flowers, Karl Hawkins, Ron White, Rae DavisOf Note: In Aaron Posner’s re-imagining, the play becomes less about the quality of mercy and more about how flexible a supposedly egalitarian society can be to the varied tribes struggling to find partners in America. Aaron Posner expertly blends humor, emotional truths and topics that make people think. He is able to create characters who are deeply flawed, like we are. In his “uneasy” comedy, he wants us to look at a snapshot in time, the Reconstruction Era, but what he has written is relevant to audiences today.

Fiddler on the Roof

“Fiddler on the Roof”The Fabulous Fox Theatre Jan. 29-Feb. 10What It’s About: Tony®-winning director Bartlett Sher and the team behind South Pacific, The King and I and 2017 Tony-winning Best Play Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick.

The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.

“The Hundred Dresses”Metro Theatre CompanyFeb. 3 – Feb. 25The Grandel TheatreMetrotix.comwww.metroplays.orgWhat It’s About: Wanda Petronski, the new girl in Room 13, is a Polish immigrant who lives in a shabby house and doesn’t have any friends. Every day she wears the same faded blue dress, but tells her new class-mates that she has a hundred dresses at home. Her classmates tease Wanda about her hundred dresses until one day she disappears from school. As guilt overtakes the children, they decide to find out what happened to Wanda and to make amends. But is it too late? Bullying, friendship and forgiveness are at the center of this play adapted from the beloved Newbery Honor Book by Eleanor Estes.Cast:

Of Note: Eleanor Estes wrote down her childhood memories while recovering from tuberculosis, and became a children’s author. Her many published works are widely read; but “The Hundred Dresses” continues to be the most popular, remaining in print since its publication in 1944. It was awarded the Newbery Honor in 1945. Speaking about “The Hundred Dresses” Eleanor Estes said, “I am holding up a mirror, and the scene reflected in the mirror is a true image of childhood, and the mirror, besides reflecting, also speaks and echoes the clear, profound, unpremeditated utterances, thoughts, and imageries of these children. I like to make children laugh or cry, to be moved in some way by my writing.

“Jekyll and Hyde”

Next Generation Theatre Company Jan. 26 – Feb. 2 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m.

What It’s About: An evocative tale of two men – one, a passionate doctor; the other, a terrifying madman – and two women, both in love with the same man and both unaware of his dark secret. Murder and chaos is pitted against love and virtue.

Starring: Keith Boyer as Dr. Henry Jekyll

Of Note: Rated PG-13 for violence.

“Jesus Christ Superstar”Looking Glass PlayhouseJan. 24 – Feb. 3Thursdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m.301 West St Louis Street in Lebanon, Ill.www.lookingglassplayhouse.comWhat It’s About: The Andrew Lloyd Webber-Tim Rice musical is a timeless work set against the backdrop of a Biblical series of events but seen through the eyes of Judas Iscariot.

“Maybe This Time”Alton Little TheatreFriday and Saturday, Feb. 1 and 2 at 7:30 p.m.; Sunday, Feb. 3 at 2 p.m. 618-462-3205www.altonlittletheater.org. What It’s About: Four dating vignettes.

Directed By: Lee Cox, Kevin Frakes, Gail Drillinger and Brant McCance, who all act in the show, too.

Starring: Lee Cox, Kevin Frakes, Gail Drillinger and Brant McCance The “she” brain is played by Tiffani Bowen; “he” brain by Sawyer Burton. The barista in the coffee shop is portrayed by Nick Trapp.

Of Note: St. Louis native Michael Madden is the playwright. He will be on hand for Q&A after the show Friday, followed by an opening night celebration at Applebee’s in Alton.

As homage to the coffee shop in the play, ALT’s coffee and wine bar will offer patrons a free beverage as part of the ticket price.

Photo by Jill Ritter Lindberg“The Motherf*cker with The Hat”R-S TheatricsJan. 25 – Feb. 3Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m..Zack, 3224 Locustwww.r-stheatrics.com

What It’s About: How do you know where you’re going…if you don’t know who has been in your home? The seriocomedy explores how 5 people in New York navigate loyalty, trust, and duty through friendship, love and the challenges of adulthood. And how no one should ever underestimate the importance of cleaning up their accessories.

Directed by:

Starring: Adam Flores, Sofia Lidia, Jesse Munoz, Aaron Dodd, Taleesha Caturah.

Alan Knoll and Steve Isom“Wittenberg”Upstream TheaterJan. 25 – Feb. 10Friday and Saturday at 8 p.m.; Sunday at 7 p.m. except Feb. 10 at 2 p.m.Kranzberg Arts Centerwww.upstreamtheater.org

What It’s About: It’s October 1517, and the new fall semester at the University of Wittenberg finds certain members of the faculty and student body at personal and professional crossroads. Hamlet (senior, class of 1518) is returning from a summer in Poland spent studying astronomy, where he has learned of a revolutionary scientific theory that threatens the very order of the universe, resulting in psychic trauma and a crisis of faith for him. His teacher and mentor John Faustus has decided at long last to make an honest woman of his paramour, Helen, a former nun who is now one of the Continent’s most sought-after courtesans. And Faustus’ colleague and Hamlet’s instructor and priest, Martin Luther, is dealing with the spiritual and medical consequences of his long-simmering outrage at certain abusive practices of the Church.

Directed by: Philip BoehmStarring: Casey Boland, Steve Isom, Alan Knoll and Caitlin Mickey.

Of Note: St. Louis premiere.

Photo by Jon Gitchoff“The Wolves”The Repertory Theatre of St. LouisJan. 18 – Feb. 3 Studio TheatreLoretto-Hilton Center on the Webster University campuswww.repstl.orgWhat It’s About: Nine teenage girls prepare for battle on a soccer field. As they stretch and warm up together, the teammates’ nonstop banter reveals how a collection of disparate personalities bonds to form a team.

Directed by Melissa Rain AndersonStarring: Cassandra Lopez, Cecily Dowd, Colleen Dougherty, Cece Hill, Maya J. Christian, Mary Katharine Harris, Esmeralda Garza, Rachael Logue, Keaton Whittaker, Nancy Bell,

Of Note: St. Louis premiere

By Lynn Venhaus
Managing Editor
State Librarian Emily Wheelock Reed would have largely gone unnoticed in a job
she did quite well had it not been for a children’s book, “The Rabbits’
Wedding,” which became a lightning rod for deep South segregationists in 1959.

This play by Kenneth Jones, written in 2015, has
illuminated a time not that long ago – 60 years – where people were judged by
the color of their skin.

While the true-life story about censorship is
heart-wrenching and fascinating – and still shocking today – the addition of a
fictional subplot to hammer home the fractured friendships and divisive mindset
before the civil rights movement seems contrived and superfluous, rendering
less effective.

The initial firestorm might have been merely a historical
footnote, but now, in these emboldened nationalist times, it serves as a
reminder to beware of conniving people with agendas who try desperately to
control a narrative.

Once again, quicksilver mob mentalities rear their ugly
head. We’re in Montgomery, Alabama, coincidentally where Martin Luther King
Jr.’s church is located – but long before Dexter Avenue Baptist Church was a
memorial and the Rosa Parks Museum was nearby.

Carl Palmer is lizard-like as good ol’ boy State Senator
E.W. Higgins, a Dixie traditionalist and narrow-minded blowhard, who believes
he’s the righteous gatekeeper of the populace. He is convinced the children’s
book in question is advocating interracial marriage, which offends him.

With all his mighty power, Higgins tries to stop the book’s
availability. But he meets his match in the state librarian. Emily is thrown
into a reluctant fight, with her loyal assistant Thomas Franklin showing her
what matters.

They both display exemplary character, valuing literature
and ideas, and the principles they hold dear, but it’s a bumpy, winding road,
and they grapple with the harsh glare of the national spotlight.

Jeanne Paulsen stands tall as the prim and proper librarian
who struggles with doubt but stays firm as the challenges mount. This is where
Carl Howell as Franklin shines, conveying how this mild-mannered wingman earns
his hero stripes.

Howell’s thoughtful performance as Franklin, as meek as
Palmer’s is blustery, shows the inner fortitude of an unassuming introvert who
grows in stature as he reveals how he feels, and the realities of the world he
inhabits. Howell is unforgettable as his moral compass nudges this kind, gentle
soul into activism, as he discovers his voice.

The book’s author, Garth Williams, who was a well-known illustrator
of such classic books as “Charlotte’s Web” and “The Little House on the
Prairie,” is the narrator, and provides witty comments. He speaks directly to
the audience with wide-eyed amusement over what havoc is wreaked about two
rabbits – one white, one black in a children’s storybook.

Larry Paulsen is endearing portraying the author, who says
with sincerity that he thought it was an innocent story about two rabbits of
contrasting colors. Paulsen also fills several supporting roles, including a
local newspaper reporter.

In the overwrought subplot, Corey Allen is affecting as
Joshua Moore, a bright young black man caught up in the maelstrom. However, his
counterpart, Anna O’Donoghue, as aprivileged, clueless white woman, is more
broad-stroke caricature.

As she walks down a rose-colored memory lane, her drawn-out
drawl seems more affected than effective, and her behavior suggests she watched
too many showings of “The Long, Hot Summer” and other turgid stereotypical
Southern romances.

Director Paul Mason Barnes is not subtle at all yet
effectively builds the tension to the climactic result.

William Bloodgood’s scenic design is quite clever in an
obvious way – and overwhelming, in a good way. Towering bookcases filled with
tomes are covered in shades of grey. Bold news headlines paper the flooring.

Kenton Yeager’s lighting design enhances the drab color
palette and punctuates the conversation.

While the themes of racism, bigotry and censorship are not
new, the points on freedom of expression are skillfully presented.

And the fact that we’re still talking about these
intolerance issues – and in a current context – should be cause for alarm.

“Alabama Story” runs Jan. 2 – 27 at the Repertory Theatre of St. Louis, 130 Edgar Road. For tickets, call the box office at 314- or visit, www.repstl.org.

By Lynn Venhaus Managing Editor As barren as the outdoors is of life, inside the walls of our theatrical spaces, large and small, are full of life. There are 15 shows available to audiences this weekend! There is something for every taste — pick one or two or three! And Go See a Play!

Accelerando – A Circus Spy Thriller Circus Harmony Jan. 26 at noon and 2 p.m. and Jan. 27 at 2 p.m.www.circusharmony.org/accelerando What It’s About: The annual show features their famous flying children with new acts, including Chinese Pole and Hoop Diving.

Photo by Jon Gitchoff“Alabama Story” Jan. 2 – 27 The Repertory Theatre of St. Louis www.repstl.org

What It’s About: A determined librarian and a
segregationist senator face off over an innocent children’s book in 1959
Montgomery. Depicting the marriage of two rabbits – who happen to have
different-colored fur – the story has Sen. E.W. Higgins calling for a book ban.
But even as the pressure mounts, librarian Emily Wheelock Reed refuses to yield
to censorship. Inspired by true events.

Directed by Paul Mason Barnes Starring: Larry Paulsen, Jeanne Paulsen, Carl Howell, Carl Palmer, Corey Allen, Anna O’Donoghue“Avenue Q” The Playhouse at Westport Plaza Jan. 25 – March 3 www.playhouseatwestport.com

What It’s About: Part flesh, part felt and packed with
heart, “Avenue Q” is a laugh-out-loud musical telling the story of Princeton, a
college grad who moves into the city with big dreams and a tiny bank account.
He and his Avenue Q neighbors struggle to find jobs, dates and their life’s
purpose.

Director: Lee Anne Mathews, with Music Director Charlie MuellerStarring: Andrew Keeler, Brent Ambler, Jennifer Theby-Quinn, Kevin O’Brien, Grace Langford, Illeana Kirven, April Strelinger

Of Note: For mature audiences. “Avenue Q” won Tony Awards,
including

“Canfield Drive” The Black Rep Jan. 9 – 27 Edison Theatre on the campus of Washington University www.theblackrep.org What It’s About: The world premiere production is about two high-powered news reporters from across the aisle who are thrown together during the national coverage of the aftermath following the Michael Brown shooting death in Ferguson, Mo., in summer 2014.

As they untangle facts, they struggle to keep their private
lives out of the spotlight.
Directed by Ron Himes
Starring: Kristen Adele Calhoun, Christopher Hickey, Amy Loui, Eric Conners

Of Note: Created from diverse interviews of people from
around the corner and around the world, Canfield Drive was written by Kristen
Adele Calhoun and Michael Thomas Walker. It is a National Performance Network
Creation and Development Fund Project co-commissioned by 651 Arts in
partnership with The St. Louis Black Repertory Company, and NPN.

Photo by Eric Woolsey“District Merchants: An Uneasy Comedy” New Jewish Theatre Jan. 24 – Feb. 10 Wednesdays and Thursdays at 7:30 p.m., Saturdays at 2 and 8 p.m., and Sundays at 2 p.m. Wool Studio Theater Jewish Community Center, 2 Millstone Campus Drivewww.newjewishtheatre.org 314-442-3283

What It’s About: Love, litigation, deep passions and predatory lending are taken to a new level. The play wades fearlessly into the complexities of life in America. It is set among Black and Jewish populations in an imagined time and place, simultaneously Shakespearean and post- Civil War Washington, D.C. Directed by Jacqueline Thompson Cast: Gary Wayne Barker, J. Samuel Davis, Karl Hawkins, Ron White, Rae Davis Of Note: In Aaron Posner’s reimagining, the play becomes less about the quality of mercy and more about how flexible a supposedly egalitarian society can be to the varied tribes struggling to find partners in America. Aaron Posner expertly blends humor, emotional truths and topics that make people think. He is able to create characters who are deeply flawed, like we are. In his “uneasy” comedy, he wants us to look at a snapshot in time, the Reconstruction Era, but what he has written is relevant to audiences today.

Fiddler on the Roof “Fiddler on the Roof” Fox TheatreJan. 29 –“L’Italiana in Algeri” Winter Opera St. Louis Jan. 25 at 8 p.m. and Jan. 27 at 3 p.m. The Skip Viragh Center for the Arts at Chaminade 425 S. Lindbergh “Jekyll & Hyde” Next Generation Theatre Company Jan. 26 – Feb. 2 Friday and Saturday at 7:30 p.m., Sunday at 2 p.m. James J. Eagan Center, Florissant http://www.nextgenerationtheatre.company/jekyll/

What It’s About: An evocative tale of two men – one, a
passionate doctor; the other, a terrifying madman – and two women, both in love
with the same man and both unaware of his dark secret. Murder and chaos is
pitted against love and virtue.

Starring: Keith Boyer as Dr. Henry Jekyll

Of Note: Rated PG-13 for violence.

“Jesus Christ Superstar” Looking Glass Playhouse Jan. 24 – Feb. 3 Thursdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m. 301 West St Louis Street in Lebanon, Ill. www.lookingglassplayhouse.com What It’s About: The Andrew Lloyd Webber-Tim Rice musical
is a timeless work set against the backdrop of a Biblical series of events but
seen through the eyes of Judas Iscariot.

“Love, Linda” Max and Louie Productions Jan. 18 – Jan. 27 Marcelle Theatre in Grand Arts Center www.maxandlouie.com

What It’s About: Linda Lee Thomas was the Southern beauty
who married and was the driving force behind legendary song writer Cole Porter
at the dawn of the roaring twenties. Though Cole Porter was gay, their
companionship and love lasted through 35 years of marriage and a spectacular,
glamour-filled life.
Through innovative jazz arrangements, the music and lyrics of Cole Porter
examine the darker sides of their life while also celebrating the deep love
that blossomed through their unconventional relationship.
Directed by Ken Page, Music Director Greg Schweizer
Starring Debby Lennon

“The Marvelous Wonderettes” Hard Road Theatre Productions Friday and Saturday at 7 p.m. and Sunday at 2 p.m. Highland Elementary School auditorium in Highland, Ill. www.hardroad.org

What It’s about: The pop doesn’t stop in this musical about
a high school prom in 1958 and, in the second act, a 10-year reunion in 1968,
with a soundtrack that includes big hits from both decades.  

Photo by Jill Ritter Lindberg“The Motherf*cker with The Hat” R-S Theatrics Jan. 25 – Feb. 1 Fridays and Saturdays at 8 p.m. and Sundays at 7 p.m. .Zack, 3224 Locust www.r-stheatrics.com

What It’s About: How do you know where you’re going…if
you don’t know who has been in your home? The seriocomedy explores how 5 people
in New York navigate loyalty, trust, and duty through friendship, love and the
challenges of adulthood. And how no one should ever underestimate the
importance of cleaning up their accessories.

Directed by:

Starring: Adam Flores, Sofia Lidia, Jesse Munoz, Aaron Dodd, Taleesha Caturah

“On Golden Pond” Alton Little Theater Jan. 25 – 27 Fridays and Saturdays at 7:30 p.m. and Sundays at 2 p.m. Alton Little Theater, 2450 N. Henry in Alton, Ill. 618-462-6562www.altonlittletheater.org What It’s About: At a summer lake home, the play focuses on a daughter’s turbulent relationship with her father, and also the trails of a loving couple in the twilight years of a long marriage.

“Wittenberg” Upstream Theater Jan. 25 – Feb. 10 Friday and Saturday at 8 p.m.; Sunday at 7 p.m. except Feb. 10 at 2 p.m. Kranzberg Arts Center www.upstreamtheater.org

What It’s About: It’s October 1517, and the new fall
semester at the University of Wittenberg finds certain members of the faculty
and student body at personal and professional crossroads. Hamlet (senior, class
of 1518) is returning from a summer in Poland spent studying astronomy, where
he has learned of a revolutionary scientific theory that threatens the very
order of the universe, resulting in psychic trauma and a crisis of faith for
him. His teacher and mentor John Faustus has decided at long last to make an
honest woman of his paramour, Helen, a former nun who is now one of the
Continent’s most sought-after courtesans. And Faustus’ colleague and Hamlet’s
instructor and priest, Martin Luther, is dealing with the spiritual and medical
consequences of his long-simmering outrage at certain abusive practices of the
Church.

Directed by: Philip Boehm
Starring: Casey Boland, Steve Isom, Alan Knoll and Caitlin Mickey.

Of Note: St. Louis premiere.

Photo by Jon Gitchoff“The Wolves” The Repertory Theatre of St. Louis Jan. 18 – Feb. 3 Studio Theatre Loretto-Hilton Center on the Webster University campus www.repstl.org What It’s About: Nine teenage girls prepare for battle on a
soccer field. As they stretch and warm up together, the teammates’ nonstop
banter reveals how a collection of disparate personalities bonds to form a
team.

Directed by Melissa Rain Anderson
Starring: Cassandra Lopez, Cecily Dowd, Colleen Dougherty, Cece Hill, Maya J.
Christian, Mary Katharine Harris, Esmeralda Garza, Rachael Logue, Keaton Whittaker,
Nancy Bell,

Of Note: St. Louis premiere

“Workers’ Opera” Bread and Roses Sunday, Jan. 27 Missouri History Museum 1 to 2:30 p.m. Free and open to the public www.breadandrosesmo.gov What It’s About: Bread and Roses presents these vignettes of new and revised sketches about laborers, unions, and workers’ rights in the past and the present. Every sketch is full of good music, some history and lots of political humor.

Director: Kathryn Bentley, associate professor at
SIU-Edwardsville and Artistic Director of the Black Theater Workshop.

Music and script editing by Colin McLaughlin.

Of Note: Written and performed by members of Service
Employees International Union, Communications Workers of America, United Media
Guild, Actors Equity, Asbestos Workers, and others involved in the arts and
organized labor.

ST. LOUIS, January 25, 2019 
— The musical Evita, which opened the 51st season of
The Repertory Theatre of St. Louis last September, and the Tennessee Williams
Festival’s production of A Streetcar Named Desire each has garnered 11
nominations to lead the list of contenders for the seventh annual St. Louis
Theater Circle Awards.

Winners in more than 30 different categories covering comedies,
dramas and musicals will be announced at the awards ceremony on Monday, March
25 at the Loretto-Hilton Center on the campus of Webster University, home of
The Rep.  In addition, nominations also
have been announced for two categories in opera.

Tickets once again will be $15 apiece and can be obtained
through Brown Paper Tickets at www.brownpapertickets.com
or at the Loretto-Hilton Center box office on the night of the event.
Llywelyn’s Catering will offer a selection of snack boxes, desserts and drinks
available on a pay-as-you-go basis at the event.

The Rep leads the way with a total of 21 nominations,
followed by 18 for The Muny and Stray Dog Theatre’s 15 nominees.  Some 23 local professional companies received
nominations for 54 different shows.  A
total of 120 artists have been nominated, including 10 who received two
nominations apiece. The awards honor outstanding achievement in locally
produced professional theater for the calendar year 2018.

In addition, three special awards have been announced:  To The Muny for a century of performances
celebrated during its centennial season of 2018; to Kathleen Sitzer, founder
and long-time artistic director of the New Jewish Theatre, for lifetime
achievement; and to Steven Woolf, Augustin artistic director of The Rep for
more than 30 years, also for lifetime achievement.

Sitzer retired following the conclusion of her company’s
2017-18 season, while Woolf will be retiring at the conclusion of The Rep’s
2018-19 season this spring.

The mission of the St. Louis Theater Circle is simple: To
honor outstanding achievement in St. Louis professional theater. Other cities
around the country, such as Boston, Chicago, Los Angeles, Philadelphia, San
Diego, San Francisco and Washington D.C., pay tribute to their own local
theatrical productions with similar awards programs.

Nominations for the St. Louis Theater Circle Awards are
divided into categories for musicals, dramas, comedies and opera.  Nearly 130 locally produced professional
theatrical productions were presented in the St. Louis area in 2018.

The nominees for the seventh annual St. Louis Theater Circle
Awards are:

Outstanding
Ensemble in a Comedy

Into the Breeches!, Shakespeare Festival St. Louis

Life Sucks, New Jewish Theatre

The Most Fabulous Story Ever Told, Stray Dog Theatre

The Realistic Joneses, Rebel and Misfits Productions

Red Scare on Sunset, Stray Dog Theatre

Outstanding
Supporting Actress in a Comedy

Kari Ely, Into the Breeches!, Shakespeare Festival
St. Louis

Carmen Garcia, Luchadora!, Mustard Seed Theatre with
Theatre Nuevo

Jennelle Gilreath, The Most Fabulous Story Ever Told,
Stray Dog Theatre

Katy Keating, Life Sucks, New Jewish Theatre

Shannon Nara, Red Scare on Sunset, Stray Dog Theatre

Outstanding
Supporting Actor in a Comedy

Gary Wayne Barker, Into the Breeches!, Shakespeare
Festival St. Louis

Isaiah Di Lorenzo, Rosencrantz and Guildenstern Are Dead,
St. Louis Shakespeare

Brad Fraizer, A Christmas Story, Repertory Theatre of
St. Louis

Stephen Henley, Red Scare on Sunset, Stray Dog
Theatre

Carl Overly Jr., Luchadora!, Mustard Seed Theatre
with Theatre Nuevo

Outstanding
Actress in a Comedy

Sarajane Alverson, Raging Skillet, New Jewish Theatre

Michelle Hand, Into the Breeches!, Shakespeare Festival
St. Louis

Nancy Nigh, Every Brilliant Thing, R-S Theatrics

Ruth Pferdehirt, Born Yesterday, Repertory Theatre of
St. Louis

Heather Sartin, The Great Seduction, West End Players
Guild

Outstanding Actor
in a Comedy

Will Bonfiglio, Red Scare on Sunset, Stray Dog
Theatre

Alan Knoll, An Act of God, New Jewish Theatre

Luke Steingruby, The Most Fabulous Story Ever Told,
Stray Dog Theatre

Robert Thibaut, Rosencrantz and Guildenstern Are Dead,
St. Louis Shakespeare

Pete Winfrey, The Importance of Being Earnest,
Insight Theatre Company

Outstanding
Director of a Comedy

Gary F. Bell, Red Scare on Sunset, Stray Dog Theatre

Nancy Bell, Into the Breeches!, Shakespeare Festival
St. Louis

Edward Coffield, Life Sucks, New Jewish Theatre

Pamela Hunt, Born Yesterday, Repertory Theatre of St.
Louis

Anna Skidis Vargas, Luchadora!, Mustard Seed Theatre
with Theatre Nuevo

Outstanding
Production of a Comedy

Born Yesterday, Repertory Theatre of St. Louis

Into the Breeches!, Shakespeare Festival St. Louis

Life Sucks, New Jewish Theatre

Luchadora!, Mustard Seed Theatre with Theatre Nuevo

Red Scare on Sunset, Stray Dog Theatre

Outstanding
Ensemble in a Drama

As It Is in Heaven, Mustard Seed Theatre

The Last Days of Judas Iscariot, Mustard Seed Theatre

The Little Foxes, St. Louis Actors’ Studio

Macbeth: Come Like Shadows, Rebel and Misfits
Productions

A Streetcar Named Desire, Tennessee Williams Festival
St. Louis

Outstanding
Supporting Actress in a Drama

Nicole Angeli, Doctor Faustus, or the Modern Prometheus,
SATE

Lana Dvorak, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

Laurie McConnell, The Little Foxes, St. Louis Actors’
Studio

Jennifer Theby-Quinn, Silent Sky, Insight Theatre
Company

Brandi Threatt, Torn Asunder, The Black Rep

Outstanding
Supporting Actor in a Drama

Chuck Brinkley, The Little Foxes, St. Louis Actors’
Studio

Ryan Lawson-Maeske, Tribes, St. Louis Actors’ Studio

Thom Niemann, Admissions, Repertory Theatre of St.
Louis

Spencer Sickmann, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

Eric Dean White, The Last Days of Judas Iscariot,
Mustard Seed Theatre

Outstanding
Actress in a Drama

Elizabeth Birkenmeier, Blackbird, St.
Louis Actors’ Studio

Sophia Brown, A Streetcar Named Desire,
Tennessee Williams Festival St. Louis

Kari Ely, The Little Foxes, St. Louis
Actors’ Studio

LaShunda Gardner, Torn Asunder, The
Black Rep

Angela Ingersoll, End of the Rainbow,
Max & Louie Productions

Outstanding Actor
in a Drama

Ron Himes, Fences, The Black Rep

Nick Narcisi, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

John Pierson, Blackbird, St. Louis Actors’ Studio

Rob Riordan, New Jerusalem, New Jewish Theatre

David Wassilak, The Dresser, St. Louis Actors’ Studio

Outstanding
Director of a Drama

Lorna Littleway, Fences, The Black Rep

Bobby Miller, The Dresser, St. Louis Actors’ Studio

Tim Ocel, New Jerusalem, New Jewish Theatre

Tim Ocel, A Streetcar Named Desire, Tennessee
Williams Festival St. Louis

Annamaria Pileggi, Blackbird, St. Louis Actors’
Studio

Outstanding
Production of a Drama

Blackbird, St. Louis Actors’ Studio

End of the Rainbow, Max & Louie Productions

Fences, The Black Rep

New Jerusalem, New Jewish Theatre

A Streetcar Named Desire, Tennessee Williams Festival
St. Louis

Outstanding Set
Design in a Play

Dunsi
Dai, End of the Rainbow, Max & Louie Productions

Gianni
Downs, The Humans, Repertory Theatre of St. Louis

Peter
and Margery Spack, Blow, Winds, Shakespeare Festival St. Louis

Peter
and Margery Spack, Life Sucks, New Jewish Theatre

James
Wolk, A Streetcar Named Desire, Tennessee Williams Festival St. Louis

Outstanding
Costume Design in a Play

Lou Bird, Born Yesterday, Repertory Theatre of St. Louis

Megan Harshaw, The Little Foxes, St. Louis Actors’ Studio

Amy Hopkins, Red Scare on Sunset, Stray Dog Theatre

Michele Friedman Siler, Into the Breeches!, Shakespeare Festival
St. Louis

Michele Friedman Siler, A Streetcar Named Desire, Tennessee
Williams Festival

Outstanding
Lighting Design in a Play

Rob
Lippert, Silent Sky, Insight Theatre Company

Jon
Ontiveros, Macbeth: Come Like Shadows, Rebel and Misfit Productions

Peter
E. Sargent, A Christmas Story, Repertory Theatre of St. Louis

Sean
M. Savoie, A Streetcar Named Desire, Tennessee Williams Festival St.
Louis

Nathan
Schroeder, Silent Sky, West End Players Guild

Outstanding Sound
Design in a Play

James
Blanton, Silent Sky, Insight Theatre Company

Rusty
Wandall, A Christmas Story, Repertory Theatre of St. Louis

Rusty
Wandall, The Humans, Repertory Theatre of St. Louis

Amanda
Werre, Life Sucks, New Jewish Theatre

Amanda
Werre, A Streetcar Named Desire, Tennessee Williams Festival St. Louis

Outstanding Set
Design in a Musical

Luke
Cantarella, Evita, Repertory Theatre of St. Louis

Dunsi
Dai, Crowns: A Gospel Musical, The Black Rep

Paul
Tate dePoo III, Singin’ in the Rain, The Muny

Michael
Schweikardt, Meet Me in St. Louis, The Muny

James
Wolk, Mamma Mia!, Stages St. Louis

Outstanding
Costume Design in a Musical

Leon
Dobkowski, The Wiz, The Muny

Colene
Fornachon, Anything Goes, New Line Theatre

Daryl
Harris, Crowns: A Gospel Musical, The Black Rep

Robin
L. McGee, Jerome Robbins’ Broadway, The Muny

Alejo
Vietti, Evita, Repertory Theatre of St. Louis

Outstanding
Lighting Design in a Musical

Rob
Denton, Jersey Boys, The Muny

Rob
Denton, Meet Me in St. Louis, The Muny

Tyler
Duenow, Jesus Christ Superstar, Stray Dog Theatre

John
Lasiter, Evita, Repertory Theatre of St. Louis

Sean
M. Savoie, Mamma Mia!, Stages St. Louis

Outstanding
Musical Director

Charlie Alterman, Evita, Repertory Theatre of St.
Louis

Rick Bertone, Jersey Boys, The Muny

Jennifer Buchheit, The Robber Bridegroom, Stray Dog
Theatre

Charles Creath, Crowns: A Gospel Musical, The Black
Rep

Nicolas Valdez, Anything Goes, New Line Theatre

Outstanding
Choreographer

Camille A. Brown, The Wiz, The Muny

Tony Gonzalez, Mamma Mia!, Stages St. Louis

Dana Lewis, Oklahoma!, Stages St. Louis

Rommy Sandhu, Singin’ in the Rain, The Muny

Gustavo Zajac and Mariana Parma, Evita, Repertory
Theatre of St. Louis

Outstanding
Ensemble in a Musical

Anything Goes, New Line Theatre

Evita, Repertory Theatre of St. Louis

Jerome Robbins’ Broadway, The Muny

The Robber Bridegroom, Stray Dog Theatre

The Zombies of Penzance, New Line Theatre

Outstanding
Supporting Actress in a Musical

Joy Boland, Disney’s The Little Mermaid, Variety
Theatre

E. Faye Butler, The Wiz, The Muny

Julia Knitel, Gypsy, The Muny

Macia Noorman, The Light in the Piazza, R-S Theatrics

Megan Sikora, Singin’ in the Rain, The Muny

Outstanding
Supporting Actor in a Musical

Kent Coffel, The Light in the Piazza, R-S Theatrics

Matthew Curiano, Oklahoma!, Stages St. Louis

Zachary Allen Farmer, The Zombies of Penzance, New
Line Theatre

Nathan Lee Graham, The Wiz, The Muny

Sean MacLaughlin, Evita, Repertory Theatre of St.
Louis

Outstanding
Actress in a Musical

Michele Aravena, Evita, Repertory Theatre of St.
Louis

Sarah Ellis, Oklahoma!, Stages St. Louis

Beth Leavel, Gypsy, The Muny

Kay Love, The Light in the Piazza, R-S Theatrics

Sarah Porter, Anything Goes, New Line Theatre

Outstanding Actor
in a Musical

Corbin Bleu, Singin’ in the Rain, The Muny

Tielere Cheatem, The Light in the Piazza, R-S
Theatrics

Phil Leveling, The Robber Bridegroom, Stray Dog
Theatre

Pepe Nufrio, Evita, Repertory Theatre of St. Louis

Blake Price, Oklahoma!, Stages St. Louis

Outstanding
Director of a Musical

Justin Been, The Robber Bridegroom, Stray Dog Theatre

Linda Kennedy, Crowns: A Gospel Musical, The Black
Rep

Scott Miller and Mike Dowdy-Windsor, Anything Goes,
New Line Theatre

Josh Rhodes, Jersey Boys, The Muny

Rob Ruggiero, Evita, Repertory Theatre of St. Louis

Outstanding
Production of a Musical

Anything Goes, New Line Theatre

Crowns:  A Gospel
Musical, The Black Rep

Evita, Repertory Theatre of St. Louis

Jersey Boys, The Muny

The Light in the Piazza, R-S Theatrics

Outstanding New
Play

Stacie Lents, Run-On Sentence, SATE

Scott Miller, The Zombies of Penzance, New Line
Theatre

Nikkole Salter, Torn Asunder, The Black Rep

John Wolbers, Doctor Faustus, or the Modern Prometheus,
SATE

Vladimir Zelevinsky, The Great Seduction, West End
Players Guild

Outstanding
Achievement in Opera

Susan Graham, Regina, Opera Theatre of
Saint Louis

Kenneth Overton, Lost in the Stars,
Union Avenue Opera

Susanna Phillips, Regina, Opera
Theatre of Saint Louis

Patricia Racette, La Traviata, Opera
Theatre of Saint Louis

Shaun Patrick Tubbs, Lost in the Stars,
Union Avenue Opera

Outstanding
Production of an Opera

An American Soldier, Opera Theatre of
Saint Louis

L’elisir d’amore, Winter Opera Saint
Louis

La Traviata, Opera Theatre of Saint
Louis

Lost in the Stars, Union Avenue Opera

Regina, Opera Theatre of Saint Louis

Members of the St. Louis Theater Circle include Steve Allen,
stagedoorstl.com; Mark Bretz, Ladue News;
Bob Cohn, St. Louis Jewish Light;
Tina Farmer, KDHX; Chris Gibson, Broadwayworld.com; Michelle Kenyon,
snoopstheatrethoughts.com; Gerry Kowarsky, Two
on the Aisle (HEC-TV); Chuck Lavazzi, KDHX; Sarah Bryan Miller (opera
only), St. Louis Post-Dispatch; Judith Newmark, judyacttwo.com; Ann
Lemons Pollack, stlouiseats.typepad.com;
Lynn Venhaus, St. Louis Limelight
Magazine; Bob Wilcox, Two on the Aisle (HEC-TV); and Calvin Wilson, St. Louis Post-Dispatch. Eleanor
Mullin, local actress and arts supporter, is group administrator. 

For more information, contact stltheatercircle@sbcglobal.net
or ‘like’ The St. Louis Theater Circle on Facebook.

                                                            ###

A group of nationally renowned playwrights will present public readings of their newest scripts at The Repertory Theatre of St. Louis’ Ignite! Festival of New Plays, running March 27 – April 4 in The Rep’s Emerson Studio Theatre.Launched in 2012, the festival offers St. Louis theatre lovers the chance to see in-development scripts performed by professional actors, and then offer their feedback directly to the playwrights in post-performance talkbacks.This year’s festival features:Quiz Out by Margot ConnollyDirected by Shelley Butler7:30 p.m. March 27High school junior Harper and her best friend Hannah join their church’s Bible Quiz team. The more time they spend together, the more they learn about themselves, their faith, their sexual identities, and the intense and occasionally claustrophobic world of Bible Quiz. A crazy, heartwarming comedy by an exciting new voice in the American theatre. 

Frankenstein by Eric Schmiedl, adapted from the novel by Mary ShelleyDirected by Seth Gordon7:30 p.m. March 30

What does it mean to be human? In 1783, the lives of four outsiders come crashing together: Victor, a brilliant young student, Elizabeth, the love of his life, Henry, his best friend, and the Creature – a force that can unite them, or tear them all to pieces. This new adaptation celebrates the insight, passion and youthful exuberance of Mary Shelley’s seminal novel on the 200th anniversary of its publication. 

Frida Book and lyrics by Michael Aman, music by Dana P. RoweDirected by Gustavo Zajac7:30 p.m. April 4After an injury that should have killed her, the renowned artist Frida Kahlo finds relief from her pain through paintings that would change the rules of art forever. Despite a complicated relationship with her husband – the great painter Diego Rivera – and multiple surgeries, she never succumbs to self-pity. Frida is a new musical about a woman’s indomitable creative spirit and love for her husband, as told through the music, movement and art of her country. 

Tickets are now on sale and cost $10 for single performances or $25 to see all three readings.Notable Ignite! alumni include Dael Orlandersmith’s Until the Flood, which world premiered at The Rep in 2016 and played at theatres throughout the nation in 2018, The Invisible Hand by Ayad Akhtar, Gidion’s Knot by Johnna Adams and Soups, Stews and Casseroles: 1976 by Rebecca Gilman.Nonsense and Beauty, presented at the 2018 Ignite! festival, will make its world premiere in The Rep’s Studio Theatre this March.For more information on Ignite!, visit repstl.org/ignite.

By Lynn Venhaus
Managing Editor
As the year winds down, so do our stage offerings. But there is plenty of cheer to mark the holidays — the national tour of “Anastasia” is at the Fox while the Church Basement Ladies are rocking around the Christmas tree at The Playhouse@Westport and Alice’s Rock ‘n Roll Adventure is enthralling kids and adults at The Grandel.
The first production of the new year kicks off at The Repertory Theatre of St. Louis. “Alabama Story” begins previews Jan. 2. Inspired by true events and written by Kenneth Jones, the drama is about a determined librarian and a segregationist senator who face off over an innocent children’s book in 1959 Montgomery.
Make sure your new year includes plans to Go See a Play!
“Alabama Story”
Carl Palmer and Jeanne Paulsen. Photo by Jerry Naunheim Jr.The Repertory Theatre of St. Louis
Jan. 2 – Jan. 27
www.repstl.org
314-968-4925
What It’s About: Depicting the marriage of two rabbits — who happen to have different colored fur — the story has Sen. E.W. Higgins calling for a book ban. But even as the pressure mounts, librarian Emily Wheelock Reed refuses to yield to censorship. Inspired by true events, this is a stirring testament to free expression.
Director: Paul Mason Barnes
Starring: Jeanne Paulsen (Emily Wheelock Reed), Carl Palmer (Senator E.W. Higgins), Larry Paulsen (Garth Williams, Others), Corey Allen (Joshua Moore). Anna O’Donoghue (Lily Whitfield) and Carl Howell (Thomas Franklin)

Lila Koogan as Anastasia. Photo by Evan Zimmerman.“Anastasia”
The Fabulous Fox
Dec. 26 – Jan. 6
www.metrotix.com or www.fabulousfox.com
What It’s About: Inspired by the beloved films, the romantic and adventure-filled new musical “Anastasia” is from the Tony Award-winning creators of “Ragtime,” Stephen Flaherty (music) and Lynn Ahrens (lyrics), with a book by playwright Terrence McNally.
It transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“Wonderland: Alice’s Rock ‘n Roll Adventure”
“Wonderland: Alice’s Rock ‘n Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.
 

Lila Koogan as Anastasia. Photo by Evan Zimmerman.“Anastasia”
The Fabulous Fox
Dec. 26 – Jan. 6
www.metrotix.com or www.fabulousfox.com
What It’s About: Inspired by the beloved films, the romantic and adventure-filled new musical “Anastasia” is from the Tony Award-winning creators of “Ragtime,” Stephen Flaherty (music) and Lynn Ahrens (lyrics), with a book by playwright Terrence McNally.
It transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“Wonderland: Alice’s Rock ‘n Roll Adventure”
“Wonderland: Alice’s Rock ‘n Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.
 

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“Wonderland: Alice’s Rock ‘n Roll Adventure”
“Wonderland: Alice’s Rock ‘n Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.
 

By Lynn Venhaus
Managing Editor
Edward Coffield likes to make people laugh.
As a director, his forte has been comedy, and this past year, he has helmed “Life Sucks” and “An Act of God” at the New Jewish Theatre, where he took over the reins as Artistic Director from longtime chief Kathleen Sitzer, who retired in July after 22 years.
Kathleen programmed the 2018-2019 season, and he collaborated with her. The season opened with “Raging Skillet” on Oct. 3, then “An Act of God” Nov. 29 – Dec. 16 and continues with the upcoming “District Merchants” Jan. 24 – Feb. 10, “Time Stands Still” March 28 – April 14, and “I Now Pronounce” May 16 – June 2, a wedding comedy, which he will direct.
In assuming the Artistic Director position, Coffield said he wanted to deepen and extend the relationship he had with the company for 16 years, most recently as associate artistic director.
“New Jewish has a very steady and loyal audience who are smart and love a great story,” he said.
During his tenure at NJT, he directed “Yentl,” the original 2005 production of “Driving Miss Daisy,” “My Mother’s Lesbian Jewish Wiccan Wedding,” “Laughter on the 23rd Floor,” and the award-winning “Jacob and Jack,” among many others. He was nominated for a Kevin Kline Award for “From Door to Door” and by the St. Louis Theater Circle for his work on the farce “Is He Dead?” for St. Louis Shakespeare.
Currently, he is working on “District Merchants,” which is being directed by Jacqueline Thompson.
This adaptation of Shakespeare’s “The Merchant of Venice” takes love and litigation, deep passions and predatory lending to a new level as it explores race, religion, power and money in America.
“I am very excited to produce this play. When Kathleen Sitzer (NJT’s founding Artistic Director) was planning the 2018-19 season we had several conversations about producing ‘The Merchant of Venice,’ which we had produced previously in 2005. It is one of those plays that continues to remain relevant. The Jewish people read the Torah year after year. Not because the Torah changed but because we change. Maybe that is true with great plays, they should be revisited,” he said.
“Kathleen knew about this adaptation and we both like Aaron Posner the playwright (author of “Life Sucks”) – so it seemed like the perfect time to produce this play. Posner expertly blends humor, emotional truths and topics that make people think. He is able to create characters who are deeply flawed, like we are. In his ‘uneasy’ comedy, he wants us to look at a snapshot in time, the Reconstruction Era, but what he has written is relevant to audiences today,” he said.
What might be his calling card, the signature of a Coffield production?
“People tell me I have a knack for casting well,” he said.
Coffield recently directed the comedy “An Act of God,” which the New York Times referred to as “A gut-busting-funny riff on the never-ending folly of mankind’s attempts to fathom God’s wishes through the words of the Bible and use them to their own ends.”
In this 2015 play by David Javerbaum, God decides to introduce revised laws and doesn’t hold back.
“It’s funny, funny, funny,” he said, “plus Alan Knoll.”
Coffield and Knoll have worked on more than a dozen productions.
“We are close friends. He might be the funniest actor I know,” he said.
After three decades here, he will only take on certain projects.
“I will not direct a show that does not speak to me emotionally or intellectually,” he said.
In addition to running the J, he is on the faculty of the Conservatory of Theatre Arts at Webster University, and freelances as a director. He has directed for Insight Theatre Company, St. Louis Shakespeare, Stray Dog Theatre, Ozark Actors Theatre and The Repertory Theatre of St. Louis, and the former Orange Girls company.
He spent 28 years at The Rep as production manager.
“He understands how the theatre business works. He connects well with artists, technicians, staff and contributors,” said Steven Woolf, Artistic Director of the Repertory Theatre of Saint Louis, when Coffield was announced as NJT Artistic Director.
Working in the local theater community has its rewards, Coffield noted.
“We are a great theatre town and we continue to grow and expand. It is a very exciting time to be a theatre maker here,” he said. “I am so honored to be part of a great theatre community.”
The downside is: “There is a lot of theatre here and scheduling can be tricky,” he said.
As a new year is about to begin, he is excited about what’s ahead.
“I look forward to continue the growth and success of NJT,” Coffield said.
For more information, visit www.newjewishtheatre.org
Here are Edward’s answers to our Take Ten Questions:
Why did you choose your profession/pursue the arts?
“From an early age, I knew I wanted to be a producer. I suppose at that point, I did not really know what that meant. I have come to learn that it means leading the collaborative process of theatre on stage and off.”
How would your friends describe you?
“Funny.”
How do you like to spend your spare time?
“Avid Foodie and Cook.”
What is your current obsession?
“Old episodes of “Perry Mason.”
What would people be surprised to find out about you?
“As gregarious as I am, I am very shy.”
Can you share one of your most defining moments in life?
“Years ago, in summer stock, I was stage managing a production of “Hello, Dolly!” One night as we are about to start the title song, I looked in to the audience and watched a 60-something man put his arm around his (I presume) wife. They snuggled together and sang along at the top of their lungs. I was so touched, I laughed and then teared up. It was a great reminder of the power and sweetness that the theatre has to make people change.
Who do you admire most?
“My late twin brother Philip. An actor and director – he taught me about theatre and most importantly, he taught me how to laugh.”
8. What is at the top of your Bucket List?
“A trip to Italy, Israel, Argentina …..it’s a long list.”
What is your favorite thing to do in St. Louis?
“Farmer’s Markets.”
What’s next?
“Directing ‘I Now Pronounce’ for New Jewish Theatre.”
More about Edward:
Name: Edward (Eddie) Coffield
Age: 54
Birthplace: New Mexico
Current location: University City
Family: 2 cats (Barnaby and Cornelius), amazing father and siblings, and the greatest friends in the world.
Education: University of Texas at Austin
Day job: Artistic Director-Producer the New Jewish Theatre
First job: Long John Silver – “Ahoy, can I help you!”
Awards/Honors/Achievements: Multiple nominee Best Director- Circle Awards and Kline Awards
Favorite quote/words to live by: “Prance with vigor.”
A song that makes you happy: “Smile” by Charlie Chaplin.