Lynn Venhaus

Total Post: 1248

Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.  She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.  She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle. She is retired from teaching journalism/media as an adjunct college instructor.

New Line Brings Back John Waters’ “Cry-Baby” to Open 29th Season

New Line Brings Back John Waters’ “Cry-Baby” to Open 29th Season

New Line Theatre, “the bad boy of musical theatre,” has announced that one of the most popular shows in the company’s long history is returning — the outrageous rock musical “Cry-Baby,” based on the iconic John Waters film, a wild and wacky fable about class, justice, and rock and roll, featuring classic songs like “Girl, Can I Kiss You With Tongue?”, “The Anti-Polio Picnic,” “Screw Loose,” “Baby, Baby, Baby, Baby (Baby, Baby),” “I’m Infected,” and many more.

The show will run Sept. 26-Oct. 19 at the Marcelle Theater in the Grand Center Arts District,  to open New Line’s 29th season. The other two shows in the season have not been announced.

It’s 1954. Everyone likes Ike, nobody likes communism, and Wade “Cry-Baby” Walker is the coolest boy in Baltimore. He’s the bad boy with a good cause — truth, justice, and the pursuit of rock and roll. Wayward youth, juvenile delinquents, sexual repression, cool music, dirty lyrics, social rejects, and at the center of this world are the star-crossed lovers, Cry-Baby and the square rich girl Allison, the good girl who yearns to be bad in Cry-Baby’s arms.

Fueled by hormones and the new rhythms of rock and roll, she turns her back on her squeaky clean boyfriend Baldwin to become a “drape” (a Baltimore juvenile delinquent) and Cry-Baby’s moll. At the other end of the topsy-turvy moral meritocracy of 1950s America, Baldwin as king of the squares leads his close-harmony pals against the juvenile delinquents, who are ultimately arrested for arson, sending the drapes all off to prison. 

It’s Romeo and Juliet meets High School Hellcats. Director Scott Miller says, “After a disastrous original run on Broadway, we proved that this razor sharp, wickedly funny show is so much better than people thought. The authors commissioned new orchestrations just for New Line, and we brought the show back to life. Now, productions are happening around the country, which is so wonderful.”

The critics were unanimous in their praise for New Line’s American regional premiere of “Cry-Baby” in 2012. Judith Newmark wrote in the St. Louis Post-Dispatch, “If you just want to have a great time, then pick up tickets for New Lilne’s latest giddy extravaganza, Cry-Baby. You’ll laugh too hard to catch all the hilarious lyrics.” Mark Bretz wrote in The Ladue News, “A glorious and infectious American regional premiere by New Line Theatre. Under Miller’s devoted and painstaking direction, this Cry-Baby rocks the room with an effervescent energy, exploding across the stage.” Richard Green wrote for BroadwayWorld, “I couldn’t stop smiling and laughing through this stage-musical version of John Waters’ film, though I have to admit I never really tried. From the opening chords, which (of course) sound like some 1950s movie about teen rebels, we know we’re in for a counter-cultural extravaganza.” Chris Gibson at BroadwayWorld wrote, “At times, it’s like watching a throwdown between Little Richard and Pat Boone over who really sings ‘Good Golly, Miss Molly’ the best. This is a rockin’ good show! Go see Cry-Baby and enjoy!”

Open auditions will be held in June. Details will be posted to the New Line website.

Season tickets will go on sale in May. The season will include two more shows which will be announced soon.

ABOUT NEW LINE THEATRENew Line Theatre is a professional company dedicated to involving the people of the St. Louis region in the exploration and creation of daring, provocative, socially and politically relevant works of musical theatre. New Line was created back in 1991 at the vanguard of a new wave of nonprofit musical theatre just starting to take hold across the country. The company has given birth to several world premiere musicals over the years and has brought back to life several shows that were not well served by their original New York productions. Altogether, New Line has produced 86 musicals since 1991, and the company has been given its own entry in the Cambridge Guide to American Theatre and the annual Theater World. New Line receives funding from the Missouri Arts Council, a state agency.

New Line is very proud to announce that season tickets sales for the 2018-2019 season skyrocketed, a massive 258% increase over last season! New Line’s 28th season also includes “La Cage aux Folles” in March, and the St. Louis premiere of the new rock musical “Be More Chill” in June.

For other information, visit New Line Theatre’s full-service website at www.newlinetheatre.com. All programs are subject to change.

Shakespeare Festival St. Louis Announces New Initiative for Emerging Playwrights

Shakespeare Festival St. Louis Announces New Initiative for Emerging Playwrights

Three emerging playwrights – two from St. Louis and one from Chicago – have been selected to participate in a new initiative developed by Shakespeare Festival St. Louis called the Confluence Regional Writers Project.

As part of the program, the festival has also selected St. Louisan Carter Lewis, a two-time nominee for the American Theatre Critics Award, as well as the Festival’s 2019 Playwrighting Fellow.

Mariah L. Richardson and Shualee Cook of St. Louis, and Kristin Idaszak, of Chicago, will participate as the emerging playwrights. 

“Confluence brings together two of the Festival’s top priorities: investing in local artists and engaging with our surrounding region,” said Tom Ridgely, executive producer of the Festival. “This sparkling cohort of writers is speaking from the unique perspective of not only who they are, but also where they live and work. If we truly want to understand what’s going on in America today, we need voices like theirs as part of our country’s cultural conversation.” 

In addition to fostering a regional culture of playwriting, the new program and its annual Playwriting Fellowship, will also include an annual Emerging Playwrights Cohort, staged readings, public workshops and a fully-produced new work for the stage. Nancy Bell, who authored the dynamic Shakespeare in the Streets productions, will serve as Confluence project director. 

“It’s an incredible opportunity for us to work with these very talented up and coming playwrights who live both locally and regionally throughout the Midwest. While St. Louis has a tremendous theatre scene, with lots of great opportunities for actors, directors and designers, we thought it important to cast a light on the ones who actually start the process for everyone else, the playwrights themselves,” Bell said. “The Emerging Playwrights Cohort will help us do just that by creating more resources for playwrights and helping to foster a more vibrant culture of new play development throughout our region.” 

Each cohort will attend a weekend retreat in February as well as monthly visits to St. Louis throughout the year for writing sessions, day-long workshops and mentorship activities with Lewis. Each will then be committed to producing a new full-length work. 

As part of his year-long residency at the Festival, Lewis, a playwriting and dramaturgy professor at Washington University in St. Louis, will receive a commission for a new work to be developed during the Festival. Through the years, Lewis has been recognized with several national playwriting awards including: the Julie Harris – Playwriting Award; the State Theatre – Best New American Play; the Cincinnati Playhouse Rosenthal New Play Prize (1996, 2001); the New Dramatist Arnold Weissberger Playwriting Award; and the Playwright’s Center Jerome Residency, to name a few. Lewis’ play, “While We Were Bowling,” won the Blanche and Irving Laurie Foundation Award for Best New American Play. 

In addition to the mentoring with Lewis, the festival will also provide each cohort with a stipend, workshops with guest artists and industry professionals, dedicated time and space to write together, as well as actors, a director and rehearsal time for a public reading of the work in St. Louis. 

Background highlights of playwrights: 

Mariah L. Richardson

Richardson most recently served as the Playwriting Fellow in the remounting of the Festival’s 2018 Shakespeare in the Streets “Blow, Winds” production. Additional works of hers have premiered at the Kranzberg Theatre (“Soy Yo! An Afro-Latina Suite”), St. Louis Community College (“Idris Elba is James Bond,” “Sistahs Indeed!”) and Metro Theater Company (“Delilah’s Wish”/Kevin Kline Award, 2011).  Richardson has performed with both Metro Theater and the St. Louis Black Repertory Theatre. She received her Communications degree from the University of New Mexico and an MFA in Playwriting from Smith College. 

Shualee Cook

Cook’s most recent work includes “Sunset Artists of the American West” (Chicago’s About Face Theatre) and “Cercle Hermaphroditos” (National Queer Theatre in New York). She also served as Resident Playwright with Tesseract Theatre (“Earworm”) in St. Louis and as the spring/summer resident at Stage Left in Chicago. Cook’s other plays that have received productions or readings include “Tempest in a Teapot” (R-S Theatrics, 2016 Idle Muse Athena Festival), “An Invitation Out” (Mustard Seed Theatre, 2017 Benchmark Theatre Fever Dream Festival), “Osgood Rex” (Saint Lou Fringe), “The Geography of Nowhere” (Mustard Seed Theatre), and “Music of the Goddess” (SATE’s Aphra Behn Emerging Artists Showcase). She was also a finalist for the 2016 David Calicchio Prize, the 2016 Jane Chambers Award, the 2015 and 2016 Goodman Theatre Playwrights Unit, and was this year’s Honorable Mention Playwright for the Annual Parity Commission. 

Kristin Idaszak

Idaszak is a playwright, dramaturg, performance maker, and the Artistic Director of Cloudgate Theatre. Her play, “Second Skin,” received the Kennedy Center’s Paula Vogel Playwriting Award and the Jean Kennedy Smith Playwriting Award.  “Another Jungle” (Relentless Award Honorable Mention) received its world premiere with Cloudgate Theatre and The Syndicate in April 2018. Idaszak’s work has also been developed through residencies at the City of Chicago’s Department of Cultural Affairs, Stage Left Theatre, and the Qualcomm Institute at Calit2 in San Diego. Kristin has co-created collaborative original work that has been seen at the WoW Festival at La Jolla Playhouse and the Blurred Borders Festival, an international showcase of contemporary dance theatre. Her numerous awards and accolades include: Joseph Jefferson Award for Best New Work nominee; two honorable mentions on the Kilroys’ List; 2015 Kennedy Center Fellow at the Sundance Theatre Lab; and two Playwrights’ Center Jerome Fellowships. Idaszak is an adjunct faculty member at The Theatre School at DePaul University. 

The Confluence Regional Writers Project is generously funded by Sondra and Dorsey Ellis.

About Shakespeare Festival St. Louis

Shakespeare Festival St. Louis presents Shakespeare and works inspired by his legacy of storytelling. Since 2001, the festival has grown from producing a single production of Shakespeare in the Park to a year-round season of new plays in exciting and accessible venues throughout the St. Louis community. The festival’s artistic and education programs reached more than 50,000 patrons and students during the 2018 season and over one million since the festival’s first season in 2001. Leadership support for Shakespeare Festival St. Louis’ 2019 season is provided by the Whitaker Foundation. The festival is also funded in part by the National Endowment for the Arts, the Missouri Arts Council, the Regional Arts Commission, and the Arts & Education Council of Greater St. Louis. For more information, please visit www.sfstl.com, or call 314-531-9800.

Join Racial and Gender Equity Conversation Jan. 20

Join Racial and Gender Equity Conversation Jan. 20

Representation & Responsibility: Racial and Gender Equity in Film and TelevisionThe second installment of Opera Theatre’s 2019 Representation & Responsibility series will take Sunday, Jan. 20, at 1 p.m. at the Regional Arts Commission. This community conversation will focus on the topic of racial and gender equity in film and television.The panel discussion will be followed by a light wine and cheese reception. It is free to attend, but RSVPs are encouraged at opera-stl.org.Kasi LemmonsA native of St. Louis, Kasi Lemmons has been acting, writing, and directing for 40 years. She has written and directed films including “Eve’s Bayou” (1997), starring Samuel L. Jackson, and “Talk to Me” (2007), starring Don Cheadle, and her film, “Harriet,: about the life of Harriet Tubman is set to be released in 2019. Some of the stars of Harriet include Cynthia Erivo, Janelle Monáe, and Leslie Odom Jr.She wrote the libretto for Opera Theatre’s 2019 world premiere Fire Shut Up in My Bones.Colleen McGuinness Colleen McGuinness has written for numerous television shows, including NBC’s Emmy-winning “30 Rock,” for which she also received Emmy, WGA, and PGA award nominations. She most recently served as a consulting producer on Amazon’s “Forever,” starring Maya Rudolph and Fred Armisen, and is now a co-executive producer on Stargirl, an upcoming series for the DC Comics streaming service. She has developed pilots with Tina Fey, Matt Damon and Ben Affleck, HBO, and F/X, and is currently creating a show with Reese Witherspoon producing, based on the Curtis Sittenfeld book “You Think It, I’ll Say It.” McGuinness graduated cum laude in English from Harvard University and lives in Los Angeles with her husband Blake, son James, and dog Elaine. Cat NevilleCatherine Neville is the producer of St. Louis’s own nationally syndicated television series “TasteMAKERS” and host of “Feast TV? on KETC. She co-created Sauce Magazine in the early 2000s and launched Feast Magazine in 2010.This event is presented by Opera Theatre of St. Louis. For more information, visit www.opera-stl.org.

The Q Collective Announces Playwrights for Transluminate Festival

The Q Collective Announces Playwrights for Transluminate Festival

The Q Collective announces the playwrights for its first annual Transluminate Festival. We are pleased to be featuring five works by three St. Louis-based playwrights: Elon Ptah, Charlie Meyers, and John Waller in this year’s festival. The Q Collective is also excited to announce that the festival will feature visual arts on display from Feb. 4 through the end of the month with a gallery opening party on Feb. 10 from 2 to 5 p.m.

BREANNAby Charlie Meyersdirected by Sean MichaelAndy and Breanna are androids, centuries removed from the human bodies they were born in. What does it mean to be a man or woman, or even a person, in a posthuman society? How will their connection change them, and potentially change the future?

HOMEBODYwritten and directed by Elon PtahA series of brief glimpses into the life a young, black transguy, Malcolm, as he navigates body image, friendship and dating. A journey from self-loathing to self-love, expressed through the portrayal of Malcolm as 2 characters.

MISS ARKANSASwritten and directed by J.D. CharlesA transgender woman, Stella-Jane competes in a beauty pageant where one of her competitors, Harper, is not so accepting of who she is. A heated argument between the two girls escalates and Stella-Jane’s strength is tested.

NOW BOARDINGby Charlie Meyersdirected by Sean MichaelJo is stuck in an airport. The gate attendant, Roger, speaks in confounding riddles. Tina, a fellow passenger, won’t mind her own business. Jo just wants to get on the plane but has some personal baggage to work through before it can get off the ground.

TWO SUGARSby Charlie Meyersdirected by Sean MichaelTwo friends, Rose and Max, meet for coffee after long years of silence between them. Though both have changed, they feel drawn to each other over coffee and conversation.

Performances of TRANSLUMINATE are Thursday through Saturday, Feb. 21 and 22 at 7 p.m. and Feb. 23 at 4:30 pm and 8 pm. Tickets are $10 in advance through Eventbrite.com or $20 at the door. All performances are at The Chapel, 6238 Alexander Drive, St. Louis, MO 63105.

Casts for each play will be announced in the coming weeks.

Some plays contain adult language and frank sexual situations.

Artists will be announced in the coming weeks.

Visit The Q Collective at www.TheQCollective.theater, and “like” them on Facebook. To contact the staff, email the.q.collective.stl@gmail.com.

Take Ten with Edward Coffield

Take Ten with Edward Coffield

By Lynn Venhaus
Managing Editor
Edward Coffield likes to make people laugh.
As a director, his forte has been comedy, and this past year, he has helmed “Life Sucks” and “An Act of God” at the New Jewish Theatre, where he took over the reins as Artistic Director from longtime chief Kathleen Sitzer, who retired in July after 22 years.
Kathleen programmed the 2018-2019 season, and he collaborated with her. The season opened with “Raging Skillet” on Oct. 3, then “An Act of God” Nov. 29 – Dec. 16 and continues with the upcoming “District Merchants” Jan. 24 – Feb. 10, “Time Stands Still” March 28 – April 14, and “I Now Pronounce” May 16 – June 2, a wedding comedy, which he will direct.
In assuming the Artistic Director position, Coffield said he wanted to deepen and extend the relationship he had with the company for 16 years, most recently as associate artistic director.
“New Jewish has a very steady and loyal audience who are smart and love a great story,” he said.
During his tenure at NJT, he directed “Yentl,” the original 2005 production of “Driving Miss Daisy,” “My Mother’s Lesbian Jewish Wiccan Wedding,” “Laughter on the 23rd Floor,” and the award-winning “Jacob and Jack,” among many others. He was nominated for a Kevin Kline Award for “From Door to Door” and by the St. Louis Theater Circle for his work on the farce “Is He Dead?” for St. Louis Shakespeare.
Currently, he is working on “District Merchants,” which is being directed by Jacqueline Thompson.
This adaptation of Shakespeare’s “The Merchant of Venice” takes love and litigation, deep passions and predatory lending to a new level as it explores race, religion, power and money in America.
“I am very excited to produce this play. When Kathleen Sitzer (NJT’s founding Artistic Director) was planning the 2018-19 season we had several conversations about producing ‘The Merchant of Venice,’ which we had produced previously in 2005. It is one of those plays that continues to remain relevant. The Jewish people read the Torah year after year. Not because the Torah changed but because we change. Maybe that is true with great plays, they should be revisited,” he said.
“Kathleen knew about this adaptation and we both like Aaron Posner the playwright (author of “Life Sucks”) – so it seemed like the perfect time to produce this play. Posner expertly blends humor, emotional truths and topics that make people think. He is able to create characters who are deeply flawed, like we are. In his ‘uneasy’ comedy, he wants us to look at a snapshot in time, the Reconstruction Era, but what he has written is relevant to audiences today,” he said.
What might be his calling card, the signature of a Coffield production?
“People tell me I have a knack for casting well,” he said.
Coffield recently directed the comedy “An Act of God,” which the New York Times referred to as “A gut-busting-funny riff on the never-ending folly of mankind’s attempts to fathom God’s wishes through the words of the Bible and use them to their own ends.”
In this 2015 play by David Javerbaum, God decides to introduce revised laws and doesn’t hold back.
“It’s funny, funny, funny,” he said, “plus Alan Knoll.”
Coffield and Knoll have worked on more than a dozen productions.
“We are close friends. He might be the funniest actor I know,” he said.
After three decades here, he will only take on certain projects.
“I will not direct a show that does not speak to me emotionally or intellectually,” he said.
In addition to running the J, he is on the faculty of the Conservatory of Theatre Arts at Webster University, and freelances as a director. He has directed for Insight Theatre Company, St. Louis Shakespeare, Stray Dog Theatre, Ozark Actors Theatre and The Repertory Theatre of St. Louis, and the former Orange Girls company.
He spent 28 years at The Rep as production manager.
“He understands how the theatre business works. He connects well with artists, technicians, staff and contributors,” said Steven Woolf, Artistic Director of the Repertory Theatre of Saint Louis, when Coffield was announced as NJT Artistic Director.
Working in the local theater community has its rewards, Coffield noted.
“We are a great theatre town and we continue to grow and expand. It is a very exciting time to be a theatre maker here,” he said. “I am so honored to be part of a great theatre community.”
The downside is: “There is a lot of theatre here and scheduling can be tricky,” he said.
As a new year is about to begin, he is excited about what’s ahead.
“I look forward to continue the growth and success of NJT,” Coffield said.
For more information, visit www.newjewishtheatre.org
Here are Edward’s answers to our Take Ten Questions:
Why did you choose your profession/pursue the arts?
“From an early age, I knew I wanted to be a producer. I suppose at that point, I did not really know what that meant. I have come to learn that it means leading the collaborative process of theatre on stage and off.”
How would your friends describe you?
“Funny.”
How do you like to spend your spare time?
“Avid Foodie and Cook.”
What is your current obsession?
“Old episodes of “Perry Mason.”
What would people be surprised to find out about you?
“As gregarious as I am, I am very shy.”
Can you share one of your most defining moments in life?
“Years ago, in summer stock, I was stage managing a production of “Hello, Dolly!” One night as we are about to start the title song, I looked in to the audience and watched a 60-something man put his arm around his (I presume) wife. They snuggled together and sang along at the top of their lungs. I was so touched, I laughed and then teared up. It was a great reminder of the power and sweetness that the theatre has to make people change.
Who do you admire most?
“My late twin brother Philip. An actor and director – he taught me about theatre and most importantly, he taught me how to laugh.”
8. What is at the top of your Bucket List?
“A trip to Italy, Israel, Argentina …..it’s a long list.”
What is your favorite thing to do in St. Louis?
“Farmer’s Markets.”
What’s next?
“Directing ‘I Now Pronounce’ for New Jewish Theatre.”
More about Edward:
Name: Edward (Eddie) Coffield
Age: 54
Birthplace: New Mexico
Current location: University City
Family: 2 cats (Barnaby and Cornelius), amazing father and siblings, and the greatest friends in the world.
Education: University of Texas at Austin
Day job: Artistic Director-Producer the New Jewish Theatre
First job: Long John Silver – “Ahoy, can I help you!”
Awards/Honors/Achievements: Multiple nominee Best Director- Circle Awards and Kline Awards
Favorite quote/words to live by: “Prance with vigor.”
A song that makes you happy: “Smile” by Charlie Chaplin.

Go See a Play! What’s Happening Dec. 27- Jan. 2

Go See a Play! What’s Happening Dec. 27- Jan. 2

By Lynn Venhaus
Managing Editor
As the year winds down, so do our stage offerings. But there is plenty of cheer to mark the holidays — the national tour of “Anastasia” is at the Fox while the Church Basement Ladies are rocking around the Christmas tree at The Playhouse@Westport and Alice’s Rock ‘n Roll Adventure is enthralling kids and adults at The Grandel.
The first production of the new year kicks off at The Repertory Theatre of St. Louis. “Alabama Story” begins previews Jan. 2. Inspired by true events and written by Kenneth Jones, the drama is about a determined librarian and a segregationist senator who face off over an innocent children’s book in 1959 Montgomery.
Make sure your new year includes plans to Go See a Play!
“Alabama Story”
Carl Palmer and Jeanne Paulsen. Photo by Jerry Naunheim Jr.The Repertory Theatre of St. Louis
Jan. 2 – Jan. 27
www.repstl.org
314-968-4925
What It’s About: Depicting the marriage of two rabbits — who happen to have different colored fur — the story has Sen. E.W. Higgins calling for a book ban. But even as the pressure mounts, librarian Emily Wheelock Reed refuses to yield to censorship. Inspired by true events, this is a stirring testament to free expression.
Director: Paul Mason Barnes
Starring: Jeanne Paulsen (Emily Wheelock Reed), Carl Palmer (Senator E.W. Higgins), Larry Paulsen (Garth Williams, Others), Corey Allen (Joshua Moore). Anna O’Donoghue (Lily Whitfield) and Carl Howell (Thomas Franklin)

Lila Koogan as Anastasia. Photo by Evan Zimmerman.“Anastasia”
The Fabulous Fox
Dec. 26 – Jan. 6
www.metrotix.com or www.fabulousfox.com
What It’s About: Inspired by the beloved films, the romantic and adventure-filled new musical “Anastasia” is from the Tony Award-winning creators of “Ragtime,” Stephen Flaherty (music) and Lynn Ahrens (lyrics), with a book by playwright Terrence McNally.
It transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“Wonderland: Alice’s Rock ‘n Roll Adventure”
“Wonderland: Alice’s Rock ‘n Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.
 

Lila Koogan as Anastasia. Photo by Evan Zimmerman.“Anastasia”
The Fabulous Fox
Dec. 26 – Jan. 6
www.metrotix.com or www.fabulousfox.com
What It’s About: Inspired by the beloved films, the romantic and adventure-filled new musical “Anastasia” is from the Tony Award-winning creators of “Ragtime,” Stephen Flaherty (music) and Lynn Ahrens (lyrics), with a book by playwright Terrence McNally.
It transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“Wonderland: Alice’s Rock ‘n Roll Adventure”
“Wonderland: Alice’s Rock ‘n Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.
 

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“Wonderland: Alice’s Rock ‘n Roll Adventure”
“Wonderland: Alice’s Rock ‘n Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.
 

Fox Announces Digital Lottery for ‘Anastasia’ in St. Louis

Fox Announces Digital Lottery for ‘Anastasia’ in St. Louis

The Fabulous Fox Theatre is pleased to announce that ANASTASIA will host a digital ticket lottery during the upcoming St. Louis engagement from Dec. 26 – Jan, 6, offering fans the chance to purchase a limited number of $26 tickets available per performance.
The digital lottery is open to accept entries NOW for all performances and will remain open until Sunday, Dec. 30 at Noon. Fans who have been selected will be notified via email or text and have 24 hours to purchase up to two (2) tickets at $26 each. All entrants are encouraged to follow ANASTASIA on Instagram (@anastasiabway), Twitter (@anastasiabway) and Facebook (@anastasiabway) for additional lottery news and information.
Entrants must be 18 years or older. A valid, non-expired photo ID that matches the name used to enter is required for pickup. Seat locations awarded by the lottery are subject to availability and may not be seated together. Additional details and times will be announced in other tour cities by the local theatre box office prior to the engagement. Additional lottery requirements can be found at www.luckyseat.com/anastasia/.
From the Tony Award®-winning creators of the Broadway classic Ragtime and inspired by the beloved films, ANASTASIA is the new Broadway musical that’s “one of the most gorgeous shows in years!” (New York Observer). This dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.
ANASTASIA features a book by celebrated playwright Terrence McNally, a lush, new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics) and direction by Tony Award-winning director Darko Tresnjak.
The creative team includes Peggy Hickey (Choreography), Alexander Dodge (Set Design), Linda Cho (Costume Design), Donald Holder (Lighting Design), Peter Hylenski (Sound Design),Aaron Rhyne (Projection Design), Charles G. LaPointe (Hair/Wig Design), Joe Dulude II (Makeup Design), Tom Murray (Music Supervision), Lawrence Goldberg (Music Direction), Doug Besterman (Orchestrations), David Chase (Dance Arranger), casting by Telsey + Company/Craig Burns, CSA.
ANASTASIA, currently celebrating an open-ended run on Broadway, began performances on March 23, 2017 at the Broadhurst Theatre (235 West 44th Street) with critics exclaiming “Ahrens and Flaherty have chosen the right moments to musicalize, and their score here sounds complete and full — one of the season’s strongest! (NBC)” and “Smartly adapted by Terrence McNally, Anastasiais a sweeping adventure, romance and historical epic whose fine craftsmanship will satisfy musical-theater fans (Time Out)”. The new musical has played to sold out crowds on Broadway since officially opening in April 2017, in addition to garnering multiple Tony, Drama Desk and Outer Critics Circle awards and nominations.
The National Tour of ANASTASIA is produced by Stage Entertainment, Bill Taylor (Sister Act, Rocky), Tom Kirdahy (It’s Only A Play, The Visit), Hunter Arnold (Kinky Boots, Spring Awakening), 50 Church Street Productions, The Shubert Organization, Elizabeth Dewberry & Ali Ahmet Kocabiyik, Carl Daikeler, Warner/Chappell Music, 42nd Club/Phil Kenny, Judith Ann Abrams Productions, Broadway Asia/Umeda Arts Theater, Peter May, David Mirvish, Sandi Moran, Seoul Broadcasting System, LD Entertainment/Sally Cade Holmes, Seriff Productions, Van Dean, Tamar Climan and in association with Hartford Stage.

Go See a Play! What’s Happening Dec. 20 – 26

Go See a Play! What’s Happening Dec. 20 – 26

By Lynn Venhaus
Managing Editor
Have yourself a Merry Little Christmas, let your hearts be light. The most wonderful time of the year is here, and that means family, food, fun, fellowship and fa la la la la.
Actors are working to entertain us this weekend, and some productions will continue after Christmas Day through the new year.
So, go see a play — and here’s to a cool yule! God Bless Us, Everyone!
“Anastasia”
The Fabulous Fox
Dec. 26 – Jan. 6
www.metrotix.com or www.fabulousfox.com
What It’s About: Inspired by the beloved films, the romantic and adventure-filled new musical ANASTASIA is on a journey to St. Louis at last!
From the Tony Award®-winning creators of the Broadway classic Ragtime, this dazzling show transports us from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, as a brave young woman sets out to discover the mystery of her past. Pursued by a ruthless Soviet officer determined to silence her, Anya enlists the aid of a dashing conman and a lovable ex-aristocrat. Together, they embark on an epic adventure to help her find home, love, and family.
ANASTASIA features a book by celebrated playwright Terrence McNally, a lush new score by Stephen Flaherty (music) and Lynn Ahrens (lyrics) with direction by Tony Award® winner Darko Tresnjak.

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“A Christmas Story”
Jerry Naunheim Jr. PhotoThe Repertory Theatre of St. Louis
Nov. 28 – Dec. 23
Mainstage, Loretto-Hilton Centerwww.repstl.org
314-968-4925
What It’s About: “You’ll shoot your eye out”! An adaptation of the classic holiday film, “A Christmas Story” is about Ralphie Parker’s quest to get a Red Ryder BB gun for Christmas. Filled with small-town family vignettes and colorful characters,
Director: Seth Gordon
Starring: Charlie Matthis, as nine-year-old Ralphie, and Ted Deasy, as the grown-up Ralph who narrates the play.
Brad Fraizer is The Old Man, Laurel Casillo is Mother, Spencer Slavik is younger brother Randy, Jo Twiss is Miss Shields. Tanner Gilbertson, Gigi Koster, Ana McAlister, Rhadi Smith and Dan J. Wolfe are featured child performers.
Of Note: The show had an acclaimed run at The Rep in 2009.
“Facing”Tesseract Theatre Company
Dec. 21-23
Friday and Saturday at 8 p.m. and Sunday at 4 p.m.
The .Zack
3224 Locust in mid-town
www.tesseracttheatre.org
What It’s About: In this new play by Caitlin McCommis, Wilda has modeled her life after that of her grandmother: to be fearless and adventure down the same dirt roads. When she’s diagnosed with a debilitating illness, the vision of her future gets ripped away as she’s welcomed to a club that she never asked to be a part of. But when another club member goes through a crisis, Wilda is forced to look her worst nightmare in the eye.
“It’s a Wonderful Life”
Next Generation Theatre Company
Dec. 21 – 23
Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.
Florissant Civic Center Theatre
Parker and Waterford in Florissant
314-921-5678
www.nextgenerationtheatre.company
What It’s About: Based on the classic Frank Capra film, George Bailey has spent his entire life giving of himself to the people of Bedford Falls. After a huge loss, George is forced to face his own humanity and what things would have been like if he had never been born.
Dawn Schmid and Jeremy Goldmeier in second-act Christmas Party in “The Most Fabulous Story Ever Told.” Photo by John Lamb“The Most Fabulous Story Ever Told”Stray Dog Theatre
Dec 6 – 22
Thursdays through Saturdays at 8 p.m.
Special performance Wednesday, Dec. 19
Tower Grove Abbey, 2336 Tennessee Ave.www.straydogtheatre.org
314-865-1995
What It’s About: This outlandish comedy by Paul Rudnick is about the first men on earth, Adam and Steve, and their lesbian friends Jane and Mabel, who decide to start civilization, despite the challenges. The stage manager, who might be God, leads them through the Garden of Eden, the Great Flood, a visit with a Pharaoh and the Messiah’s birth.
Director: Justin Been
Starring: Patrice Foster, Luke Steingruby, Jennelle Gilreath, Stephen Henley, Maria Bartolotta, Angela Bubash, Jeremy Goldmeier, Dawn Schmid.
Of Note: For mature audiences
Zak Farmer, Mark Kelley, Colleen Backer and Deborah Dennart“Perfect Arrangement”
R-S Theatrics
The Marcelle Theatre
Dec. 7 – 23
Fridays and Saturdays at 8 p.m., Sundays at 7 p.m.
www.r-stheatrics.com
What It’s About: In 1950s America, four people can’t reveal that they are actually two same-sex relationships masquerading as the typical “All-American” couple because gays have been added to the Red Scare. Will their cover be blown as two are U.S. State Department employees.
Director: Sarah Lynne Holt
Starring: Mark Kelley, Zak Farmer, Deborah Dennert, Colleen Backer, Sarah Gene Dowling, Tyson Cole, Erin Struckhoff.
“Rudolph the Red-Nosed Reindeer The Musical”The Fabulous Fox
Feb. 22 – 23
Saturday at 11 a.m., 3 p.m. and 7 p.m., and Sunday at 1 and 5 p.m.
www.fabulousfox.com
What It’s About: The original TV classic comes to life! Come see all of your favorite characters from the special including Santa and Mrs. Claus, Hermey the Elf, Bumble the Abominable Snow Monster, Clarice, Yukon Cornelius and, of course, Rudolph, as they come to life in RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL. It’s an adventure that teaches us that what makes you different can be what makes you special. Don’t miss this wonderful holiday tradition that speaks to the misfit in all of us. Based on the animated television special Rudolph the Red-Nosed Reindeer and the stage production directed and conceived by Jeff Frank and First Stage. Script adaptation by Robert Penola. Arrangements and orchestrations by Timothy Splain
 
“Wonderland: Alice’s Rock and Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.

“Away in the Basement: A Church Basement Ladies Christmas”The Playhouse @ Westport
Nov. 8 – Jan. 6
635 Westport Plaza in Maryland Heightswww.playhouseatwestport.com
MetroTix: www.metrotix.com or 314-534-1111
What It’s About: An all-new holiday show is set in 1959, on the day of the Sunday School Christmas Program. During holiday preparations, the down-to-earth ladies are creating their own memories from Christmases past and present. Content to do things the way they have always been done, yet pondering new ideas, the reality of everyday life hits home as they plan the Sunday School Christmas Program.
As the children rehearse in the sanctuary, several of the ladies are in the kitchen finishing up the treat bags filled with apples, peanuts and ribbon candy while the others put the final touches on the nativity pieces. As they mend old bathrobe costumes, discuss the politics of who’s going to play the various roles, little do the ladies know what surprises are in store for them.
Known for their hilarious antics and subtle charm, they are once again called upon to step in and save the day!
Directors: Lee Anne Mathews and Emily Clinger, with music direction by Joseph Dreyer
Cast: Rosemary Watts, Lee Anne Mathews,
Of Note: Performances are Sundays and Tuesdays at 2 p.m., Thursdays and Fridays at 2 p.m., Saturdays and Wednesdays at 10 a.m. and 3 p.m. Additionally, tickets will be available at the Playhouse @ Westport Plaza box office one hour prior to show time. Groups of 10 or more can call 314-616-4455 for special rates.
All five installments of the musical comedy “Church Basement Ladies” are inspired by the books of author/humorists Janet Letnes Martin and Suzann Nelson, including the bestseller “Growing Up Lutheran.”
“A Christmas Story”
Jerry Naunheim Jr. PhotoThe Repertory Theatre of St. Louis
Nov. 28 – Dec. 23
Mainstage, Loretto-Hilton Centerwww.repstl.org
314-968-4925
What It’s About: “You’ll shoot your eye out”! An adaptation of the classic holiday film, “A Christmas Story” is about Ralphie Parker’s quest to get a Red Ryder BB gun for Christmas. Filled with small-town family vignettes and colorful characters,
Director: Seth Gordon
Starring: Charlie Matthis, as nine-year-old Ralphie, and Ted Deasy, as the grown-up Ralph who narrates the play.
Brad Fraizer is The Old Man, Laurel Casillo is Mother, Spencer Slavik is younger brother Randy, Jo Twiss is Miss Shields. Tanner Gilbertson, Gigi Koster, Ana McAlister, Rhadi Smith and Dan J. Wolfe are featured child performers.
Of Note: The show had an acclaimed run at The Rep in 2009.
“Facing”Tesseract Theatre Company
Dec. 21-23
Friday and Saturday at 8 p.m. and Sunday at 4 p.m.
The .Zack
3224 Locust in mid-town
www.tesseracttheatre.org
What It’s About: In this new play by Caitlin McCommis, Wilda has modeled her life after that of her grandmother: to be fearless and adventure down the same dirt roads. When she’s diagnosed with a debilitating illness, the vision of her future gets ripped away as she’s welcomed to a club that she never asked to be a part of. But when another club member goes through a crisis, Wilda is forced to look her worst nightmare in the eye.
“It’s a Wonderful Life”
Next Generation Theatre Company
Dec. 21 – 23
Friday and Saturday at 7:30 p.m. and Sunday at 2 p.m.
Florissant Civic Center Theatre
Parker and Waterford in Florissant
314-921-5678
www.nextgenerationtheatre.company
What It’s About: Based on the classic Frank Capra film, George Bailey has spent his entire life giving of himself to the people of Bedford Falls. After a huge loss, George is forced to face his own humanity and what things would have been like if he had never been born.
Dawn Schmid and Jeremy Goldmeier in second-act Christmas Party in “The Most Fabulous Story Ever Told.” Photo by John Lamb“The Most Fabulous Story Ever Told”Stray Dog Theatre
Dec 6 – 22
Thursdays through Saturdays at 8 p.m.
Special performance Wednesday, Dec. 19
Tower Grove Abbey, 2336 Tennessee Ave.www.straydogtheatre.org
314-865-1995
What It’s About: This outlandish comedy by Paul Rudnick is about the first men on earth, Adam and Steve, and their lesbian friends Jane and Mabel, who decide to start civilization, despite the challenges. The stage manager, who might be God, leads them through the Garden of Eden, the Great Flood, a visit with a Pharaoh and the Messiah’s birth.
Director: Justin Been
Starring: Patrice Foster, Luke Steingruby, Jennelle Gilreath, Stephen Henley, Maria Bartolotta, Angela Bubash, Jeremy Goldmeier, Dawn Schmid.
Of Note: For mature audiences
Zak Farmer, Mark Kelley, Colleen Backer and Deborah Dennart“Perfect Arrangement”
R-S Theatrics
The Marcelle Theatre
Dec. 7 – 23
Fridays and Saturdays at 8 p.m., Sundays at 7 p.m.
www.r-stheatrics.com
What It’s About: In 1950s America, four people can’t reveal that they are actually two same-sex relationships masquerading as the typical “All-American” couple because gays have been added to the Red Scare. Will their cover be blown as two are U.S. State Department employees.
Director: Sarah Lynne Holt
Starring: Mark Kelley, Zak Farmer, Deborah Dennert, Colleen Backer, Sarah Gene Dowling, Tyson Cole, Erin Struckhoff.
“Rudolph the Red-Nosed Reindeer The Musical”The Fabulous Fox
Feb. 22 – 23
Saturday at 11 a.m., 3 p.m. and 7 p.m., and Sunday at 1 and 5 p.m.
www.fabulousfox.com
What It’s About: The original TV classic comes to life! Come see all of your favorite characters from the special including Santa and Mrs. Claus, Hermey the Elf, Bumble the Abominable Snow Monster, Clarice, Yukon Cornelius and, of course, Rudolph, as they come to life in RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL. It’s an adventure that teaches us that what makes you different can be what makes you special. Don’t miss this wonderful holiday tradition that speaks to the misfit in all of us. Based on the animated television special Rudolph the Red-Nosed Reindeer and the stage production directed and conceived by Jeff Frank and First Stage. Script adaptation by Robert Penola. Arrangements and orchestrations by Timothy Splain
 
“Wonderland: Alice’s Rock and Roll Adventure”Metro Theatre Company
Dec. 2 – Dec. 30
The Grandel Theatre, 3610 Grandel Square in Grand Center
www.metroplays.org
What It’s About: Part rock concert, part theater, all of your favorite characters as Metro Theater Company presents this new, wild and wondrous take on Lewis Carroll’s beloved, poetic tale of self-actualization. A cast of actors/musicians plays an eclectic mix of everything from soul and rock to punk to ska as Alice chases through Wonderland in search of her own inner musical voice. A fun, hip, and refreshing fusion of music, theatre and poetry, it is the search for one’s authentic self, asking how can you march to the beat of your own drummer when you’re still writing the song? It places Alice in a strange, new world, where she conquers her fears and uses her musical skills to defeat the Jabberwock.

Thank-You Note from Managing Editor Lynn Venhaus

Thank-You Note from Managing Editor Lynn Venhaus

Dear Readers,
I must take a moment to thank the St. Louis Theater Community for their outpouring of love and kindness regarding the loss of my first-born son, Tim Venhaus, who died on Dec. 9.
He had just turned 34 and was on trimester break from DePaul University in Chicago, where he was working on an MFA in Screenwriting.
While this is a tremendous and painful loss, my youngest son Charlie and I are comforted by all the condolences, notes, cards, calls, attendance at visitation and/or funeral Mass, the flowers sent, the food dropped off and all the hugs.
The heartfelt support has been gratifying — and we are touched by your caring and concern. My fellow critics in the St. Louis Theater Circle, Arts For Life board of directors and Theater Recognition Guild judges, writing pals (including my review team here), and many actors, directors and producers in professional regional theater and community theater have expressed themselves so beautifully and eloquently.

So have my colleagues in St. Louis Film Critics Association, friends in Cinema St. Louis, radio folks, past and present staffers at Belleville News-Democrat, and SIUE faculty, staff and students in the mass communication department (I teach “Writing for the Media”). You always remember who reaches out because it means so much.
The grief has been overwhelming, and his sudden and unexpected passing has shocked us to our core. My year was already like a bad Lifetime movie, as I have a terminally ill brother, helping out an 86-year-old uncle with a myriad of things, like cancer treatments, and a super-crazy-busy schedule that I juggle with some percentage of success.
I appreciate your understanding and patience. I am slowly going to ease back into working. I must re-learn how to be normal again, and return to a regular routine. Please bear with me while I get a whole bunch of reviews and articles, like Take Ten, up — there is a backlog that I will be posting in the next two weeks, plus Go See a Play and Bright Lights. Some of it might not be so timely, but I want to get it all up.
I’ll be publishing my year-end “LOTTIES” (Lynn’s Love of Theater Awards), plus a special twist. Our Theater Circle ballots are due first week of January, and save the date for our awards, Monday, March 25, at the Loretto-Hilton Center. So much good theater this year! Our AFL Nominations will be announced at the annual Trivia Night on Friday, Feb, 1, with emcee Ryan Cooper, at St.Joseph’s Parish Center in Manchester.
Tim was a one-of-a-kind creative, talented writer, hilarious human, adventurous soul, and fiercely devoted to his family and friends. He had a big heart, loved to laugh — and make people laugh — and, according to his vast circles, was an “influencer,” a thought leader. He was the guiding light for his friends regarding movies, music and TV.
Tim as a game show host in “How to Succeed in Business Without Really Trying”While he was a natural onstage, he was most at home in front of or behind a camera. From the time he was a little kid, he was making movies with his friends and relatives. He earned a B.A. in Cinema Production at Southern Illinois University at Carbondale, with a minor in theater, and interned at “Sesame Street.” He previously received an Associate’s degree from Southwestern Illinois College, thriving in Dan Cross’s film program. It changed his life.
His comedy shorts were selected three times for the St. Louis Filmmakers Showcase, and he won the screenwriting contest at “Alt.News 26:46” at SIUC back-to-back, the first student to do that — and his films were shown on the PBS station, WSIU — “My Dad Lives in a Trunk” and “Watermelon Falls.” His film “Lunchbreak” won the Audience Award at a SWIC Film Fest.
He was in a few community theater productions — “Fiddler on the Roof,” “Guys and Dolls,” “South Pacific” and “West Side Story” – plus the lead in a youth show — at Clinton County Showcase; Chance in “Ghost of a Chance” and Slovitch the butcher in Neil Simon’s “Fools,” both at Monroe Actors Stage Company; and two small roles in “How to Succeed in Business Without Really Trying” for Brass Rail Players at Lindenwood.
He mostly did the early musicals because he and his little brother loved to tag along to my rehearsals when I was involved in youth theater for the Breese Junior Women’s Club, and then community theater at CCShowcase. My boys did not get the musical comedy gene, nor could they sing a lick. But I could twist an arm if I needed some help.
He taught film-making to youths for two seasons at Summer Fenn in Concord, Mass., and at Nature’s Classroom, an outdoor environmental education program at 13 sites in New England, where he worked for spring and fall periods from 2005 to 2017. He was hired by a school district in Naperville to start a film-making program in January 2019.
Tim as an extra on “Everyday Magic” – he wound up on cutting room floorWhen he was interning at “Sesame Street,” he worked in the talent department and was in charge of taking care of the parents whose children were guest performers, and taking the kids to the stage, and sometimes, the guest stars. For his first cousin Nick’s two young children, Tim enlisted Abby Cadabby to record a Christmas greeting. It is posted below.
Tim sure made his mark in his 34 years. People came from near and far — all over the country — to pay their respects. The love was overflowing. So were the stories.
Hope you are able to enjoy a merry Christmas and best wishes for a happy new year. Covering theater has enriched my life, and reminded me that sharing our humanity through art is a wonderful connection to encourage.
“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” — Ferris Bueller’s Day Off
I am going to miss my goofball every day of the rest of my life. He was a wonderful son. It does not seem real that I have to talk about him in the past tense. Like so many other relationships he cultivated, we had a special bond. He will never be forgotten, and I am so blessed to have so many people in my corner. I can’t thank you enough.
Regards,
Lynn Venhaus
Managing Editor 2018
lynnvenhaus@gmail.com
618-917-8175

The Muny Announces Creative Teams for 101st Season

The Muny Announces Creative Teams for 101st Season

The Muny announced Tuesday the directors, choreographers and music directors for its 2019 season, which opens on June 10 with Guys and Dolls.
“We head into our second century with the first phase of our new stage, and a renewed sense of passion and commitment to our audiences, artists and community,” said Muny Artistic Director and Executive Producer Mike Isaacson. “I’m so thrilled to announce these brilliantly talented colleagues who will create this season. They are already hard at work, ready to make this season just as historic and memorable as our 100th.”
GUYS AND DOLLS
June 10 – 16
Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
GORDON GREENBERG (Director) co-wrote and directed the Broadway stage adaptation of Irving Berlin’s Holiday Inn for Roundabout, Universal and PBS Great Performances. Recent work includes Barnum (London), Heart of Rock and Roll (Old Globe), the acclaimed West End revival of Guys and Dolls, nominated for six Olivier Awards (Savoy Theatre, Phoenix Theatre, Chichester, UK and international tour), the Drama Desk Award-winning NYC revivals of Working and Jacques Brel, the stage adaptation of Tangled for Disney, and writing TV musicals for Disney and Nickelodeon. Muny: Meet Me In St. Louis (revised book), Jesus Christ Superstar, Holiday Inn, West Side Story, Pirates! Upcoming: The Secret of My Success (Universal), Mystic Pizza (MGM), Dracula (Maltz). He attended Stanford University and NYU and is a member of SDC, WGA and the Dramatists Guild.

LORIN LATARRO (Choreographer) Broadway: Waitress, Les Liasions Dangereuses, Waiting for Godot. Curious Incident of the Dog… and American Idiot (Associate). Additional choreography: La Traviata (The Met), Chess (Kennedy Center), Twelfth Night (The Delacorte), Lin-Manuel Miranda’s 21 Chump Street(BAM), Heart of Rock and Roll (Old Globe), Assassins, God Bless You, Mr. Rosewater (Encores!), Between The Lines (KC Rep), Queen of The Night (Drama Desk Award), Kiss Me, Kate (Barrington); The Best Is Yet To Come (59E59, Drama Desk Award). Director: Taste of Things to Come (Chicago). Lorin performed in 12 Broadway shows and danced for Tharp, Momix, Graham. Juilliard graduate. Upcoming: Merrily We Roll Along (Roundabout), SuperHero (Second Stage), Waitress and Home Street Home (West End).
BRAD HAAK (Music Director/Conductor) Muny: A Funny Thing…Forum, Fiddler on the Roof, Into the Woods, South Pacific, The King and I and Gypsy. Broadway: An American in Paris, Mary Poppins, Lestat and Il Divo – A Musical Affair. National tours: The Lion King, Miss Saigon. Music supervision and orchestrations:Daddy Long Legs (Off-Broadway, London, Tokyo, Seoul and 19 US productions) and John Caird’s A Knight’s Tale (Tokyo, 2018). International: Sousatzka (Toronto), An American in Paris (Paris), Honk! (Singapore and Philippines); Jane Eyre (Tokyo). Chicago Shakespeare Theater’s Sunday in the Park with George and Follies (Jeff Award for music direction), Children of Eden (Kennedy Center). Orchestrations for New York and Boston Pops, National Symphony, L.A. Philharmonic.
KINKY BOOTS
June 19 – 25
Music and Lyrics by Cyndi Lauper
Book by Harvey Fierstein
Based on the Miramax motion picture of the same name, written by Geoff Deane and Tim Firth
DB BONDS (Director) is thrilled to be making his directorial debut at The Muny after appearing as Emmett in Legally Blonde in 2011. DB is the associate director of Kinky Boots and Pretty Woman on Broadway. He also served as the associate director of Kinky Boots worldwide with productions in England, Australia, Canada, Germany, Japan and Korea. As an actor, he appeared in Broadway and national touring productions of Les Misérables, The Phantom of the Opera, Legally Blonde and Dirty Rotten Scoundrels.
RUSTY MOWERY (Choreographer) is thrilled to be back at the magical Muny after serving as choreographer for The Muny productions of Legally Blonde and Hairspray. He is currently the Associate Choreographer of Pretty Woman on Broadway and the Associate Choreographer of Kinky Boots for Broadway, both U.S. national tours, England, Australia, Canada, Germany, Korea and Japan tours. Proud SDC member. As an actor, Rusty appeared on Broadway in Cats, Ragtime, Hairspray, Seussical and Legally Blonde.
RYAN FIELDING GARRETT (Music Director/Conductor) NYC/national tour: Kinky Boots, Jasper in Deadland, The Man in the Ceiling, Hamilton, Mary Poppins, Sweeney Todd (NY Philharmonic), Wicked, Big River (Encores!), Finding Neverland, The Three Little Pigs. Regional: Next to Normal (Weston Playhouse), Little Miss Scrooge (Rubicon Theatre), Passing Strange, [title of show], Chess (Playhouse Square), Two Gentlemen of Verona (Lake Tahoe Shakespeare). NYC orchestration credits include Darling, A Night Like This. Graduate of Baldwin Wallace University.
JERRY MITCHELL (Original Broadway Direction and Choreography) Tony Award winner for Best Choreography: La Cage aux Folles (revival) and Kinky Boots (also nominated as Director). Broadway: Pretty Woman (Director/Choreographer) and the Gloria Estefan musical On Your Feet! (Director). Other recent work includes the pre-Broadway productions of Half Time (Chicago and Paper Mill Playhouse) and Dirty Rotten Scoundrels (West End, Olivier nomination for Choreography). In the 35 preceding years, Jerry has been involved with over 50 Broadway, West End and touring productions, including as choreographer of You’re A Good Man, Charlie Brown, The Full Monty (Tony nomination), The Rocky Horror Show, Hairspray (Tony nomination and NBC telecast), Gypsy, Never Gonna Dance (Tony nomination), Dirty Rotten Scoundrels (Tony nomination), La Cage aux Folles, Legally Blonde (Tony nomination), Catch Me If You Can and Kinky Boots.
1776
June 27 – July 3
Book by Peter Stone
Music and Lyrics by Sherman Edwards
Based on a concept by Sherman Edwards
ROB RUGGIERO (Director) is thrilled to be returning for The Muny’s 101st season. Last year, he directed Gypsy, as well as past productions of The Music Man, Oklahoma!; Hello, Dolly!; South Pacific and The King and I. He has also directed many award-winning productions at The Repertory Theatre of St. Louis, including Follies, Sunday in the Park with George and a recent production of Evita. Broadway: High and Looped. Off-Broadway he conceived and directed Make Me a Song (Drama Desk and Outer Critics Circle nominations). Rob also recently directed Oliver!, his 11th collaboration with Goodspeed Musicals, with whom he also adapted and directed a new production of Show Boat. He is the Producing Artistic Director for TheaterWorks in Hartford, Connecticut.
JAMES MOORE (Music Director/Conductor) The Muny: Gypsy, The Music Man, Irving Berlin’s Holiday Inn, Hello, Dolly!; West Side Story, Meet Me In St. Louis, The Producers. Broadway: Miss Saigon, On the Town, Gigi, Follies, South Pacific, Ragtime, Steel Pier, Company. National tours: The Producers, Kiss Me, Kate; Crazy for You, And the World Goes ‘Round. The Kennedy Center: Camelot starring Brian Stokes Mitchell, My Fair Lady starring Jonathan Pryce, Mame starring Christine Baranski. Concerts: National Symphony, Orchestra of St. Luke’s, Santa Barbara Symphony. Mr. Moore serves as the music supervisor for the United States touring productions of Les Misérables and Miss Saigon. Upcoming: Titanic (Broadway revival). Education: Master and Bachelor degrees from the Indiana University Jacobs School of Music.
RODGERS AND HAMMERSTEIN’S CINDERELLA
July 8 – 16
Music by Richard Rodgers
Book by Oscar Hammerstein II
Lyrics by Oscar Hammerstein II
MARCIA MILGROM DODGE (Director) is a Tony and Drama Desk nominated director & choreographer. The Muny: Meet Me In St. Louis (100th Season!), The Little Mermaid, Young Frankenstein, The Buddy Holly Story, The Addams Family. Broadway: Ragtime, High Society. National tours: Ragtime, Curious George,Seussical, Cookin’. New York: Venus Flytrap, Radio Gals, Maltby & Shire’s Closer Than Ever (original production) and William Finn’s Romance in Hard Times. TV/Video: Sesame Street and Elmo‘s Wild West. Upcoming: Deathtrap (Cape Playhouse), Mary Poppins (Drury Lane) and a new Buddy (Cincinnati Playhouse). Between reimagining revivals and directing & choreographing world premieres regionally and abroad, Dodge is also a wife, a mother, a teacher, an SDC Executive Board Member and a published and produced playwright.
JOSH WALDEN (Choreographer) returns to The Muny after choreographing Meet Me In St Louis (2018), The Little Mermaid (2017) and The Buddy Holly Story (2015). He directed/ choreographed A Chorus Line for Maltz Jupiter Theatre and Theatre Memphis, The Rocky Horror Show for University of Buffalo, Legally Blonde for Merry-Go-Round Playhouse and the rock opera Fallen Angel in the New York International Fringe Festival. Josh has also choreographed for Des Moines Metro Opera, Signature Theatre, Sacramento Music Circus, Doonce Productions, Actors Theatre of Louisville, Gateway Playhouse and Morag Productions for Seabourn Cruise Lines. On Broadway, he was the associate director/associate choreographer for the revival of Ragtime. As a performer, Josh was in the Broadway revivals of 42nd Street, La Cage aux Folles, A Chorus Line and Ragtime.
GREG ANTHONY RASSEN (Music Director/Conductor) Drama Desk winner and Tony nominee for Bandstand. Other Broadway credits include: An American in Paris, Bullets Over Broadway, The Little Mermaid, The Book of Mormon, R&H’s Cinderella, A Chorus Line (revival). Arranger/ orchestrator: Jerry Springer: The Opera (New Group); Between the Lines (Kansas City Rep.), The Beast in the Jungle (Vineyard). Commissions include: New York Pops, Boston Pops, Philly Pops, Indianapolis Pops; Leslie Odom, Jr., Ashley Brown, Sierra Boggess, Jeremy Jordan, Norm Lewis, Darren Criss, Liz Callaway, Julia Murney, André Previn, John Williams. TV: The Late Show with Stephen Colbert, Live with Kelly & Michael, The View. M.M. degree from Cincinnati Conservatory of Music. www.greganthonymusic.com
FOOTLOOSE
July 18 – 24
Music by Tom Snow
Lyrics by Dean Pitchford
Stage Adaptation by Dean Pitchford and Walter Bobbie
Based on the original screenplay by Dean Pitchford
Additional Music by Eric Carmen, Sammy Hagar, Kenny Loggins and Jim Steinman
CHRISTIAN BORLE (Director) is a two-time Tony Award winner and has starred in a myriad of roles both on stage and screen. His turn as Shakespeare in Something Rotten! garnered him both Tony and Drama Desk Awards for Best Featured Actor in a Musical, as well as a Tony Award for Best Featured Actor in a Play as Black Stache in Peter and the Starcatcher. Other Broadway: Footloose, Jesus Christ Superstar, Thoroughly Modern Millie, Amour, Spamalot, Mary Poppins, Legally Blonde, Falsettos and Charlie and the Chocolate Factory. Film: Blackhat, Bounty Hunter. TV: Masters of Sex, Lifesaver, The Good Wife, Smash and NBC’s TheSound of Music Live! Most recently, Christian made his directorial debut with the off-Broadway production of Popcorn Falls at The Davenport Theatre.
JESSICA HARTMAN (Choreographer) is thrilled to return for The Muny’s 101st after choreographing Annie(2018), All Shook Up (2017), Mamma Mia! (2016); Hairspray (2015/Co-Choreographer) and Seussical (2014/Associate). Broadway: Lysistrata Jones (Associate Choreographer), The Boy from Oz starring Hugh Jackman (Assistant Choreographer). Off-Broadway: Elephant and Piggie’s We Are in a Play! (Choreographer, New Victory Theatre). Other credits include: Memphis (Choreographer, TUTS), Norwegian Creative Studios/Oceania Cruise Lines (Choreographer), Disney Jr. Dance Party (Associate Show Director/ Choreographer, Universal Studios/The Wizarding World of Harry Potter (Associate), How to Succeed… (Associate, TUTS), West Side Story (Associate, Signature Theatre), Next to Normal (Choreographer, BaltimoreCenter Stage). Up next: Mamma Mia! at TUTS (Choreographer) and a new musical for The Kennedy Center. Jessica is the Artistic Director of Broadway Theatre Connection.
ANDREW GRAHAM (Music Director/Conductor) New York: The Book of Mormon, Wicked and Avenue Q. Las Vegas: Spamalot, Avenue Q. National tours: Wicked, Avenue Q, Pippin, Thoroughly Modern Millie, Seussical, The Music Man, Footloose. European tours: Hair and Grease. Regional: world premiere of Disney’s Freaky Friday at Signature Theatre, La Jolla Playhouse, Cleveland Play House and Alley Theatre. Muny: Aida, Annie and Footloose. Beauty and the Beast and the world premiere of Disney’s When You Wish at Tuacahn Center for the Arts. He holds degrees from both Capital University in Columbus, Ohio and Trinity College of Music in London.
LERNER & LOEWE’S PAINT YOUR WAGON
July 27 – August 2
Book and Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Revised Book by Jon Marans
Produced in Association with On the Wagon Productions and Garmar Ventures
JOSH RHODES (Director/Choreographer) directed Grand Hotel (NY City Center Encores!), Ken Ludwig’s Baskerville (Old Globe Theatre), Jersey Boys (The Muny), Guys and Dolls (Asolo Rep/Old Globe), Evita(Asolo Rep), Spamalot (5th Avenue Theatre), Ebenezer Scrooge’s Big Playhouse Christmas Show (Bucks County Playhouse) and Celestina Warbeck and the Banshees at The Wizarding World of Harry Potter. He alsochoreographed the Broadway productions of Rodgers & Hammerstein’s Cinderella, It Shoulda Been You, First Date and Bright Star. On London’s West End, he choreographed Carousel at the English National Opera and Sweeney Todd starring Emma Thompson. Other choreography credits include Company starring Neil Patrick Harris and Sondheim: The Birthday Concert (PBS), Young Frankenstein (Muny) and the current U.K. tour ofDoctor Dolittle. Rhodes is a proud graduate of the University of Michigan.
BEN WHITELEY (Music Director/Conductor) Muny: Singin’ in the Rain, A Chorus Line, 42nd Street, My Fair Lady, The Addams Family, Spamalot, Pirates!; The Sound of Music (twice), Beauty and the Beast (thrice), Kiss Me, Kate; Oklahoma!; The Music Man, Meet Me In St. Louis, South Pacific. Music director for 1776 at NY City Center Encores! Broadway/national tours: A Christmas Story, The Addams Family, Spamalot, The Full Monty, Cats (conducted final original Broadway performance), Grand Hotel, Falsettos, Big. Carnegie Hall: Sail Away (with Elaine Stritch). Choral direction: Carousel (NY Philharmonic/PBS), My Fair Lady (NY Philharmonic). Encores!: associate music director and chorus master for over 30 productions. Other: St. Louis Symphony, Paper Mill Playhouse, The 5th Avenue Theatre, University of Michigan. Recordings: Allegro, Boardwalk Empire (Grammy Award),Paint Your Wagon.
MATILDA
August 5 – 11
Book by Dennis Kelly
Music and Lyrics by Tim Minchin
Based on Matilda by Roald Dahl
JOHN TARTAGLIA (Director) Director: Stephen Schwartz’s The Secret Silk (Princess Cruises, writer/director), Beauty and the Beast (Maltz Jupiter Theatre), Annie, The Wizard of Oz, Tarzan and Shrek (Muny), Claudio Quest (NY Musical Festival, Best of the Fest), Shrek the Halls (DreamWorks Theatricals) and many more. Broadway: Avenue Q (Tony nomination), Beauty and the Beast and Shrek. Muny: Aladdin (The Genie), Seussical (The Cat in the Hat), A Funny Thing Happened on the Way to the Forum (Hysterium, St. Louis Theater Circle Award). Film/TV: The Happytime Murders (STX Films), Johnny and the Sprites (Disney Jr., Emmy nomination), Sesame Street (PBS Kids), Jim Henson’s Word Party and Julie’s Greenroom (both on Netflix), creator, co-executive producer and star of Jim Henson’s Splash and Bubbles (PBS Kids, Emmy nomination).
CHRIS BAILEY (Choreographer) Gettin’ The Band Back Together (Broadway), Jerry Springer: The Opera(New Group, 2018 Chita Rivera Award nomination); The New Yorkers and 1776 (NY City Center Encores!), The Entertainer with Kenneth Branagh (West End), Assassins (Menier Chocolate Factory), Because of Winn Dixie (Alabama Shakespeare Festival), 2013 Tony Awards (CBS), Muny: Jerome Robbins Broadway(production supervisor), Newsies (St. Louis Theater Circle Award), The Music Man, Into the Woods, My Fair Lady, Tarzan, West Side Story and Thoroughly Modern Millie. 2013-2015 Academy Awards (Assistant Choreographer). Film: Cinderella, Ted 2, A Million Ways to Die in the West and Beyond the Sea. Chris was also the movement director for the Roundabout Theatre Company’s production of Cyrano De Bergerac on Broadway.
MICHAEL HORSLEY (Music Director/Conductor) is The Muny’s music supervisor. 25 Muny seasons include: Jerome Robbins Broadway, Mamma Mia!; The Buddy Holly Story, Grease, Mary Poppins, Joseph and the Amazing Technicolor® Dreamcoat, Thoroughly Modern Millie, 42nd Street, Godspell, White Christmas, Damn Yankees, Sleeping Beauty, Singin’ in the Rain, and many more. National tours: Thoroughly Modern Millie, Chicago, Cinderella, White Christmas and Seven Brides for Seven Brothers. Other regional: Into the Woods (Theatrezone), Roman Holiday (Guthrie Theater), On a Clear Day You Can See Forever (Music Theatre Wichita), Fiddler on the Roof (AMT San Jose), A Chorus Line (Pioneer Theatre Company), The Full Monty(North Carolina Theatre). Voice director: Christmas Concert Series for the Detroit, National and Birmingham Symphony Orchestras. He is the music director for the San Francisco Conservatory of Music.
The 2019 season schedule is: Guys and Dolls (June 10 – 16), Kinky Boots (June 19 – 25), 1776 (June 27 – July 3), Rodgers and Hammerstein’s Cinderella (July 8 – 16), Footloose (July 18 – 24), Lerner and Loewe’s Paint Your Wagon (July 27 – August 2) and Matilda (August 5 – 11).
World Wide Technology (WWT) and The Steward Family Foundation became the first overall season sponsor in the history of The Muny in 2014. They are committed to continuing in this role with their leadership gift as The Muny’s 2019 Season Presenting Sponsor.
Muny gift cards for the 101st season are now available online and at The Muny Box Office. For more information, visit muny.org or call (314) 361-1900.
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The Muny’s mission is to enrich lives by producing exceptional musical theatre, accessible to all, while continuing its remarkable tradition in Forest Park. As the nation’s largest outdoor musical theatre, we produce seven world-class musicals each year and welcome over 400,000 theatregoers over our nine-week season. Celebrating 101 seasons in St. Louis, The Muny remains one of the premier institutions in musical theatre.
For more information about The Muny, visit muny.org
For more information about The Missouri History Museum’s
Muny Memories: 100 Seasons Onstage exhibit, visit mohistory.org
For more information about The Missouri History Museum’sMuny Memories: 100 Seasons Onstage exhibit, visit mohistory.org