Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
An ultra-violent wild and woolly “Boy Kills World” benefits from a strong cast, wit, and flashy moves, but is hurt by its lack of restraint.
While destined to be a cult classic among genre fans, it’s just too much excess in every way to take it seriously as a narrative feature when it’s clearly a gonzo video game.
Had first-time director Moritz Mohr and his screenwriting partners Tyler Burton Smith, a video game writer, and Arend Remmers, toned down the sickening and savage splatter-fest, it could have been entertaining in a “John Wick” meets “Scott Pilgrim vs. the World” way.
It’s based on Mohr’s same-titled short film that he wrote. With its high-body count, severed limbs and gushing blood, it’s a tough watch.
The action thriller is set in a dystopian future, where the deranged matriarch of an evil dynasty stages “The Culling,” a brutal organized thinning of the dissident herd. Think “The Hunger Games” and “The Purge.”
Emulating Hong Kong action films in a cartoonish and comic-book way, our hero, simply named Boy, is driven by vengeance. As a youth, he witnessed his mother and sister killed in the annual televised spectacle. He is trained by a mentor and grows up to become a martial art killing machine. Think “Kill Bill.”
In this post-apocalyptic world, Hilda Van Der Koy (Famke Janssen) executes people who are a ‘threat’ to their way of life.
Now grown, Bill Skarsgard is the buff assassin who is deaf and mute from the torture he endured. He has repressed his vivid imagination to become an instrument of death.
His part is narrated by H. Jon Benjamin, who voices Bob on “Bob’s Burgers,” and that’s an inspired move. So is the boy talking to his sister’s ghost — Mina is played charmingly by Quinn Copeland.
The mysterious shaman Yayan Ruhian has prepared him for a showdown with this insane totalitarian regime, which besides Janssen, includes Michelle Dockery (“Downtown Abbey”!!!), Sharlto Copley as her idiot husband game show host Glen and a very funny Brett Gelman, of “Stranger Things,” as hard-drinking Gideon.
Jessica Rothe, who made a good impression in “Happy Death Day 2 U,” is their ruthless soldier assassin called “June 27.”
Boy’s resistance group pals are played by Andrew Koji and Isaiah Mustafa, and they have a stand-out scene slicing and dicing in a “winter wonderland’ TV set.
“Do you know how hard it is to get a cereal company to sponsor mass murder?” Melanie screams after things go horribly awry.
Mohr confidently and cheekily directed this fever dream in an over-the-top style that will appeal to all short-attention-span viewers. He unleashes torrents of carnage, like a demented Nickelodeon employee dousing folks with slime, only here it’s buckets of fake blood.
Dawid Szatarski, a fight coordinator who has worked on such films as “Kingsman: The Secret Service” and “Wonder Woman,” designed the fight choreography, and it is a barrage of fast moves and gruesome injuries, captured by stylish camerawork from cinematographer Peter Matjasko, with crisp editing by Lucian Barnard.
The stunt work is exceptional, as expected. If the film weren’t so off-putting with its gore for gore’s sake, it could have had some lasting merit, especially with some of the inspired characters, but it’s just exhaustive fighting from start to finish for 1 hour, 55 minutes.
The plot takes a sharp hairpin turn midway that may not work for viewers, but this film’s audience is there for the mayhem. The director has jumbled a bunch of styles from different films, given it a graphic novel sheen, and presented this slaughter with the mind-numbing and relentless action of a video game.
Produced by Sam Raimi, this work premiered at last fall’s Toronto International Film Festival.
“Boy Kills World” is a 2023 action thriller directed by Moritz Mohr and starring Bill Skarsgard, Famke Janssen, Sharlto Copley, Brett Gelman, Jessica Rothe, Yayan Ruhian and Michelle Dockery. It is rated R for strong bloody violence and gore throughout, language, some drug use and sexual references, and runtime is 1 hour, 55 minutes. It opened in theatres April 26. Lynn’s Grade: C-.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
That one little word changes everything in how we perceive “Don’t Wait for the Marlboro Man,” a cryptic collision of lifestyles and values that is interestingly framed in a small space teeming with tension.
The acting trio’s performances are strong, and the production values are too as this enigmatic story unfolds. Director Philip Boehm translated a play written by Olivier Garofalo about two distinctive personalities who meet in a hospital waiting area, from German to English, for its U.S. premiere by Upstream Theater.
An air of mystery pervades because the narrator Eric J. Conners, matter of fact and authoritative, seems to indicate a larger force at work, possibly spiritual and other-worldly in nature.
It is a view askew. But we can only surmise what is real and what is imagined. The two acting partners don’t ever give us a hint, just indicate it may not be so clear-cut by their halting speech patterns and unnatural stylized movements.
Pro Photo STL
That may be because Boehm said the original script did not punctuate any dialogue, leaving it up to the actors to determine what to do, along with the director, in a collaborative spirit.
Superb Caitlin Mickey plays the driven, controlling Sarah, who has rushed to the hospital from her office after receiving the news of her fiancé’s motorcycle accident. With her cell phone in hand, she is working while waiting for news.
In struts a peculiar fellow, Pedro, and whipsmart Isaiah Di Lorenzo excels at playing oddballs. He is her boyfriend’s motorcycle buddy that she knows nothing about, which immediately puts her on edge. Who is this shaggy dude who brought a grocery sack of snacks and shares information about her, but she’s never heard of him?
She appears to wonder what else doesn’t she know, and what more does he know, but isn’t saying? This establishes an off-kilter sense of action – and reaction.
The pair circle each other warily. Can they trust each other, or will they keep pretending to do this unsettling dance as minutes tick by? They take turns being anxious and apprehensive.
ProPhotoSTL
He has a fondness for ants. She recalls happier times with her partner. His eccentricities agitate her, and her chilly demeanor annoys him. DiLorenzo is always at his best being physical, and Mickey’s skillset is a good foil. The unconventional nature of this play adds to their wordy swordplay.
The sound design by Michael Musgrave-Perkins and Boehm is particularly effective, lending a real but frenetic quality to the proceedings. A vending machine’s noises are contrasted with the medical machine beeps that monitor vital signs, and it’s lulling as we acclimate to the waiting area’s purpose: passing time. But also, eerie.
As the two chat, they touch on personal freedom, social responsibility and risks. The characters are complex, and as the play progresses, their behaviors raise more questions than answers.
Sarah hates motorcycles and disapproved of her beau’s hobby. They don’t seem compatible. But maybe they were attracted by ideology and not by inclination.
Pedro appears to be open-minded but may not like her at all and she acts close-minded but maybe she isn’t so rigid.
Doubtful, but these two are thrown together by happenstance. (Or are they?) And should it matter?
The pieces of the puzzle don’t seem to fit – or maybe they do. It’s up to you, and how you suppose what happened before, during and after figure into this tale.
ProPhotoSTL
The story gives one plenty to ponder once you leave the well-appointed space. Described as a “cold hallway in a hospital with fluorescent lighting,” Mike Loui’s set design is well-suited for the characters’ movements. Steve Carmichael’s lighting design and the intriguing sound design add to the details.
Michele Friedman Siler’s costumes astutely outfit the characters’ personalities – Mickey in a blazer and DiLorenzo in leather jacket, jeans, and bandana, with nifty safety goggles.
“Don’t Wait for the Marlboro Man” is a rumination on life and death that’s well-acted and executed. The characters are drawn together by a man in critical condition. One could overthink it but shouldn’t. Our mortality has an endgame that we all must face, and this taps into that finality.
Upstream Theater presents “Don’t Wait for the Marlboro Man” April 12-14, 18-21, and 25-28 at the Kranzberg Arts Center, 501 N. Grand. All show are at 8 p.m., except Sundays (April 14 at 7 p.m., April 21 at 2 p.m. and April 28 at 2 p.m.). For more information, visit www.upstreamtheater.org
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Basically, Francois Truffaut’s “Jules and Jim” knockoff set in the highly competitive world of professional tennis, “Challengers” is a baffling vanity exercise that is a disservice to the considerable talents of its super-cool star trio.
Director Luca Guadagnino has always favored more style than substance, which is frustrating because he tends to meander. (Cases in point: “Call Me by Your Name” and “A Bigger Splash” – although fans like that he is fond of pretty people and luxurious settings.)
He teases an erotic menage-a-trois between best friends broken apart by their fixation and desire for a golden child, but doesn’t complete the game, set, and match. He’s ineffective with pacing, tone, and emotional connection, and the back-and-forth volleying with the timeline becomes distracting.
This melodramatic film is 2 hours, 11 minutes, with a nearly unbearable 45- minute third act as tensions collide that ultimately crashes into an unsatisfying conclusion.
The superficial screenplay is credited to Justin Kuritzkes, and it’s a glossy mess of a love triangle between a former child prodigy and the two high-level players she met as teenagers that have been a major part of her life ever since.
Tough and ambitious Tashi Duncan (Zendaya) first dated slippery Patrick Zweig (Josh O’Connor) but married earnest Art Donaldson (Mike Faist). Art is a champion on a losing streak, and Tashi not only is the mother of his daughter Lily, but his demanding coach. Patrick is down on his luck despite growing up as a rich kid.
Gifted athletes and savvy marketers, Art and Tashi’s lifestyle is a brand, but they rarely look happy. Misery seems to be hanging like a rain cloud, although their creature comforts indicate they once enjoyed pleasure in all aspects of life.
When her strategy for his redemption involves playing a Challengers tournament, which is like the minor leagues, surprise – the former BFFs must face each other!
The timeline toggles between a 2019 setting, then back as college students, and their hook-ups during the past 13 years. The guys, once doubles partners nicknamed “Fire and Ice,” have known each other since they were 12 and roommates in a tennis boarding school.
Betrayals at different stages make the characters hard to like, and Disney teen alum Zendaya, two-time Emmy winner for “Euphoria,” is completely unlikable. She’s mesmerizing but the aloof character is soulless. Guadagnino likes to linger the camera on her, which becomes excessive, and she’s too vague emotionally to sustain interest.
Now the guys, believably boyish and intense, have serious acting cred. They deliver fascinating performances, although not trustworthy because of the secrets and lies, but we needed more. Despite the trio’s magnetic screen presence, their characters’ vulnerabilities are never fully realized.
BAFTA-nominated Faist, who broke through as Riff in the 2021 remake of “West Side Story” after establishing a career in musical theatre on Broadway (Tony nominee as Connor in “Dear Evan Hansen” and was in “Newsies”) has the physicality and energy for the athletic role.
O’Connor won an Emmy in 2021 for playing Prince Charles in “The Crown,” so his playing against type is interesting, and he’s surprisingly robust and gymnastic.
The competitive dynamics are intriguing, and the level of commitment the three make to portraying world-class athletes is remarkable. If only Guadagnino would have taken a page out of Michael Ritchie’s competition films playbook (including “The Candidate,” “Downhill Racer,” and “Smile”), where even victories are at great personal cost. Aesthetics can only take a film so far.
Kuritzkes wants to say a lot, especially on the characters’ codependency, but there is no resolution. Again, we never fully understand the three. What is the price of winning? Why should we care?
There is also a homo-erotic undercurrent that is only teased, if you are looking for that (the film’s trailer is misleading). Apparently, they can’t quit each other, and it’s complicated.
Now the camera work by Sayombhu Mukdeeprom is sensational – and the tennis action is Grand Slam-level. Mukdeeprom has worked with Guadagnino before, and excelled in Ron Howard’s “Thirteen Lives.”
The music score is by Oscar winners Trent Reznor and Atticus Ross (“Social Network” and “Soul”), and it’s mainly modern electric-synthesizer heavy compositions not unlike the hypnotic score for “American Gigolo.” While propulsive, it is at times overpowering.
The guys preface a request or rationale to goddess Tashi by saying “You’re going to get mad at me…”
As if that’s their excuse for tiptoeing around her all the time. Please…get out of your own way and move on!
“Challengers” is a 2024 drama directed by Luca Guadagnino and starring Zendaya, Josh O’Connor and Mike Faist. It is rated R for language throughout, some sexual content and graphic nudity and runtime is 2 hours, 11 minutes. It opened in theaters April 26. Lynn’s Grade: D+.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
World Premieres with Jenna Ortega, Lily Gladstone, Michael Cera, Maya Erskine, Kristen Stewart, Demi Moore, Rob Lowe, Renée Elise Goldsberry, Mike Birbiglia, Neil Patrick Harris, Liza Minnelli, and More
The 2024 Tribeca Festival, presented by OKX, today unveiled its features lineup, offering a diverse array of narrative, documentary, and animated films. Scheduled to run from June 5-16 in New York City, this year’s Festival promises a thoughtfully curated program and includes everything from timely documentaries addressing political and social concerns to independent narratives showcasing award-winning actors. Additionally, the opening night event, presented in partnership with OKX and City National Bank, was announced.
Tribeca kicks off on Wednesday, June 5 with the world premiere of Diane von Furstenberg: Woman in Charge, an intimate look at the life of the fashion designer and cultural luminary. The film captures Diane von Furstenberg’s impact as a creative icon, who challenged the status quo with the bold inquiry, “Why shouldn’t a woman do what a man can do?” Directed by Tribeca alumni Trish Dalton and Sharmeen Obaid-Chinoy, Woman in Charge opens the lineup of features.
The 2024 selection of feature films includes Jazzy with Lily Gladstone; Daddio starring Dakota Johnson and Sean Penn; Firebrand starring Alicia Vikander and Jude Law; BRATS, directed by Andrew McCarthy, with Demi Moore, Ally Sheedy, Rob Lowe, Molly Ringwald, and Lea Thompson; Sacramento, directed by Michael Angarano, starring Michael Cera, Kristen Stewart, and Maya Erskine; Winter Spring Summer or Fall starring Jenna Ortega and Percy Hynes White; and Liza: A Truly Terrific Absolutely True Story with Liza Minnelli. Comedic stars are in Group Therapy, including Neil Patrick Harris, Mike Birbiglia, and Tig Notaro; All That We Love stars Margaret Cho and Jesse Tyler Ferguson; and Outstanding: A Comedy Revolution features Lily Tomlin, Wanda Sykes, Rosie O’Donnell, Hannah Gadsby, and Joel Kim Booster.
Satisfied
Music documentaries highlight the boldest voices of each generation with They All Came Out To Montreux with Prince, Sting, Carlos Santana, Aretha Franklin, and Keith Richards; Satisfied about Renée Elise Goldsberry; Linda Perry: Let It Die Here with Linda Perry, Dolly Parton, Brandi Carlile, and Christina Aguilera; and Avicii – I’m Tim with Tim “Avicii” Bergling, Chris Martin and David Guetta. Renée Elise Goldsberry and Linda Perry will be performing following the world premiere of their respective films.
“Each year, the Tribeca Festival reflects our culture, capturing the essence of the present moment. We’re thrilled to showcase our 23rd edition, delving into captivating explorations of artificial intelligence with Demis Hassabis, thought-provoking discussions on the future of democracy, and so much more,” Tribeca Co-Founder and CEO Jane Rosenthal. “Storytelling possesses a remarkable ability to bring us together, offering hope in these challenging times. We eagerly anticipate engaging with audiences on difficult yet timely subjects.”
The 23rd edition of Tribeca reflects our activist roots, to showcase a slate of films that speak to today’s political moment and inform voters ahead of the upcoming election. Hacking Hate, directed by Simon Klose, questions the role of social media in amplifying hate speech and extremism. McVeigh, directed by Mike Ott, portrays right-wing extremism with chilling modern implications. America’s Burning, directed by David Smick and narrated by Michael Douglas, dives into the economic root of hate and division.
At the core of our mission is the belief that art can spark change, particularly in the aftermath of global conflicts. The Cranes Call, directed by Laura Warner, spotlights war crimes investigators for the Clooney Foundation for Justice, led by Amal and George Clooney, as they risk their lives traveling across Ukraine to build cases against Russian soldiers and commanders. Antidote, directed by James Jones, digs into the truth about Russian President Vladimir Putin’s deadly regime. Checkpoint Zoo, directed by Joshua Zeman, documents the daring rescue of thousands of animals trapped behind enemy lines in the Russian invasion of Ukraine. As War continues to affect regions like the Middle East and Ukraine, art serves as a powerful reminder of our shared humanity.
Kneecap
“In a year of record high submissions, despite industry-wide challenges, and global tumult, our incredible filmmaking community delivered again with some of the most surprising, inspiring, hilarious, galvanizing, boundary-breaking, and downright entertaining work we’ve had the privilege to feature at the festival,” said Tribeca Festival Director and SVP of Programming Cara Cusumano. “Whether grappling with everything from the crisis of global democracy to the most intimate of human dramas, it was heartening to be reminded of the undeniable power of a great film to illuminate our world.”
For the first time, Tribeca’s signature Viewpoints section of bold original visions and innovative perspectives will be in competition. The interdisciplinary program encompasses U.S. and international films across narrative, documentary, and animation, including the animated feature Boys Go to Jupiter starring Elsie Fisher, Tavi Gevinson, Julio Torres, and Sarah Sherman, and the narrative thriller Darkest Miriam with Britt Lower. Documentaries include Champions of the Golden Valley, directed by Ben Sturgulewski, an inspiring sports fable and portrait of people in profound political and social transition, and Searching for Amani, directed by Debra Aroko, a 13-year-old’s dramatic quest to investigate his father’s mysterious murder in one of Kenya’s largest wildlife conservancies.
The final selections were chosen from a record-breaking number of submissions (13,016). This year’s program includes 103 feature films from 114 filmmakers across 48 countries. The lineup comprises 86 world premieres, two international premieres, six North American premieres, and eight New York premieres. Half of the films in competition are directed by women. Additionally, 35% (36) of feature films are directed by BIPOC filmmakers. There are 30 films directed by first-time filmmakers and 25 directors returning to Tribeca with their latest projects.
Lake George
The Tribeca Festival is curated by Festival Director and SVP of Programming Cara Cusumano, Artistic Director Frédéric Boyer; VP of Shorts Programming Ben Thompson; Senior Programmers Liza Domnitz, Faridah Gbadamosi, Jarod Neece, José F. Rodriguez; Programmers Casey Baron, Jason Gutierrez, Jonathan Penner, and Madison Egan; VP of Games and Immersive Casey Baltes and Immersive Curator Ana Brzezińska; EVP of Artist Relations Nancy Lefkowitz and VP of Artist Relations Meredith Mohr; Curator of Audio Storytelling Davy Gardner; Music Programmer Vincent Cassous; along with a team of associate programmers; supported and inspired by the legendary Paula Weinstein.
The full feature film lineup is detailed below. For more updates on programming follow @Tribeca and #Tribeca2024 on Twitter, Instagram, Facebook, and LinkedIn. A Tribeca Membership or 2024 Tribeca Festival passes and ticket packages can be purchased at tribecafilm.com.
ABOUT THE TRIBECA FESTIVAL
The Tribeca Festival, presented by OKX, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, music, audio storytelling, games, and immersive. With strong roots in independent film, Tribeca is synonymous with creative expression and entertainment. Tribeca champions emerging and established voices, discovers award-winning talent, curates innovative experiences, and introduces new ideas through exclusive premieres, exhibitions, conversations, and live performances.
The Festival was founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff in 2001 to spur the economic and cultural revitalization of lower Manhattan following the attacks on the World Trade Center. The annual Tribeca Festival will celebrate its 23rd year from June 5–16, 2024 in New York City.
In 2019, James Murdoch’s Lupa Systems bought a majority stake in Tribeca Enterprises, bringing together Rosenthal, De Niro, and Murdoch to grow the enterprise.
BRATS
ABOUT THE 2024 TRIBECA FESTIVAL PARTNERS
The 2024 Tribeca Festival is presented by OKX and with the support of our partners: AT&T, Audible, Canva, CHANEL, City National Bank, Diageo, Easterseals Disability Services, Indeed, KLM Royal Dutch Airlines, NBC4 and Telemundo 47, NYC Mayor’s Office of Media and Entertainment, National CineMedia, New York Magazine, Spring Studios New York, The Wall Street Journal, Variety, Vulture and WeTransfer.
Diane von Furstenberg: Woman in Charge, (United States) – World Premiere. Child of a Holocaust survivor, Princess by marriage, and founder of a fashion empire, the many faces of fashion icon Diane von Furstenberg are revealed in this captivating and glamorous documentary portrait, featuring interviews with Oprah Winfrey, Marc Jacobs, Hillary Rodham Clinton and more. Directed by Sharmeen Obaid-Chinoy and Trish Dalton. Produced by Fabiola Beracasa Beckman, Tracy Aftergood, Sean Stuart, Obaid-Chinoy and Dalton. A Hulu release.
Firebrand
U.S. NARRATIVE COMPETITION
Discover breakout independent voices from around the country as these extraordinary world premieres compete for honors in Tribeca’s U.S. Narrative Competition.
Adult Best Friends, (United States) – World Premiere. Inseparable since childhood, levelheaded Katie takes her codependent best friend Delaney on a girls’ trip to break the news that she is getting married. Things do not go as planned. Directed by Delaney Buffett. Written by Katie Corwin, Delaney Buffett. Produced by Marie Nikolova, Delaney Buffett. With Katie Corwin, Delaney Buffett, Zachary Quinto, Cazzie David.
Bitterroot, (United States) – World Premiere. Reeling from a failed marriage and in need of comfort and a new perspective, a middle aged man returns home to take care of his aging mother within the deceptively tranquil landscape of rural Montana. Directed and written by Vera Brunner-Sung. Produced by Ki Jin Kim, Kazua Melissa Vang, Yeej. With Wa Yang, Qu Kue, April Charlo, Gia Vang.
The French Italian, (United States) – World Premiere. A prank on an annoying neighbor escalates to ridiculous heights in this quietly absurd comedy set in the dog-eat-dog world of New York City apartment politics. Directed and written by Rachel Wolther. Produced by Miranda Kahn. With Catherine Cohen, Aristotle Athari, Chloe Cherry, Ruby McCollister.
Griffin in Summer, (United States) – World Premiere. In this coming-of-age comedy, a fourteen-year-old wannabe playwright becomes enamored with a local handyman over the course of summer vacation. Directed and written by Nicholas Colia. Produced by Juliet Berman, Camila Mendes, Rachel Matthews. With Everett Blunck, Melanie Lynskey, Owen Teague, Kathryn Newton.
Jazzy, (United States) – World Premiere. In the follow up to her award-winning film The Unknown Country, filmmaker Morrisa Maltz captures the joys and heartbreaks of childhood friendship as young Jazzy navigates the challenges of growing up on the Oglala Lakota reservation in South Dakota. Directed by Morrisa Maltz. Written by Morrisa Maltz, Vanara Taing, Lainey Bearkiller Shangreaux, Andrew Hajek. Produced by Miranda Bailey, John Way, Natalie Whalen. With Jasmine Bearkiller Shangreaux, Syriah Fool Head Means, Raymond Lee, Lily Gladstone.
jazzy
The Knife, (United States) – World Premiere. After the mysterious appearance of a stranger in their home, a young Black family must deal with the fallout of their choices, big and small, as a steadfast detective tries to crack the case over the course of one fateful night. Directed by Nnamdi Asomugha. Written by Nnamdi Asomugha, Mark Duplass. Produced by Nnamdi Asomugha, Mark Duplass, Jonathan Baker. With Nnamdi Asomugha, Melissa Leo, Aja Naomi King, Manny Jacinto.
The Other, Gold, (United States) – World Premiere. At the end of the day, sometimes an old friend and a bowl of ramen are as good as gold. For one Black TV writer, this is just the beginning as she battles grief and ‘pandemic’ isolation in Little Tokyo while seeking to rekindle her bond with a former BFF. Directed by Sharaé Nikai, David Lassiter. Written and produced by Sharaé Nikai. With Sharaé Nikai, Krista Marie Yu, Amin Joseph, Crystal Lee Brown.
Rent Free, (United States) – World Premiere. This freewheeling comedy follows down-on-their-luck Gen Z best friends Ben and Jordan as they mooch off of their friends’ and acquaintances’ hospitality, all while grappling with love, heartbreak and awkward flings. The film’s effortless humor brings forth a fresh exploration on queer male friendship. Directed by Fernando Andrés. Written by Fernando Andrés, Tyler Rugh. Produced by Fernando Andrés, Jacob Roberts, Temple Baker. With Jacob Roberts, David Treviño, Molly Edelman, Neal Mulani.
Sacramento, (United States) – World Premiere. When free-spirited Ricky suddenly reappears in father-to-be Glenn’s life, the two former best friends embark on a spontaneous road trip from LA to Sacramento in Michael Angarano’s original take on the buddy comedy. Directed by Michael Angarano. Written and produced by Chris Smith, Michael Angarano. Produced by Stephen Braun, Chris Abernathy, Eric Fleischman. With Michael Cera, Michael Angarano, Maya Erskine, Kristen Stewart.
Vulcanizadora, (United States) – World Premiere. In this intense tale from provocateur Joel Potrykus, two friends embark on a disturbing mission in the Michigan woods. When their plan unravels, one must face the surreal and unsettling consequences back home. Directed and written by Joel Potrykus. Produced by Ashley Potrykus, Hannah Dweck, Matt Grady. With Joshua Burge, Joel Potrykus, Bill Vincent, Solo Potrykus.
Sacramento
DOCUMENTARY COMPETITION
Experience the cinema of reality with these remarkable non-fiction premieres sure to make waves in the coming year.
Antidote, (UK) – World Premiere. With extraordinary access and urgent storytelling, Antidote anchors its timely narrative on whistleblowers and activists who have worked to uncover Vladimir Putin’s deadly regime — and are now facing dangerous and fatal consequences for their courageous actions. Directed and produced by James Jones.
Bad Actor: A Hollywood Ponzi Scheme, (United States) – World Premiere. Wannabe actor Zachary Horwitz was desperate to make it big as a movie star. The only thing stopping him was talent. Bad Actor: A Hollywood Ponzi Scheme is a juicy true story about deception, denial, and the seductive promise of fame and fortune.Directed by Joslyn Jensen. Produced by Ted Speaker, Dan O’Meara, Matthew Cherchio.
Checkpoint Zoo, (Ukraine, United States) – World Premiere. After the Russian invasion, thousands of animals were trapped behind enemy lines at the zoo in Kharkiv, Ukraine. Running out of food and water while facing constant peril from Russian bombs, a heroic team of zookeepers and volunteers undertake a daring rescue. Directed and produced by Joshua Zeman. Produced by Zachary Mortensen, Ian Davies, Torquil Jones.
The Debutantes, (United States) – World Premiere. Focusing on the first group of Black debutantes in Canton, Ohio in over a decade, this documentary follows the young women as they unpack the ball’s troubled legacy and chart their path forward, both for tradition and themselves. Directed and produced by Contessa Gayles. Produced by Alyse Shorland, Jannat Gargi, Molly O’Brien.
DRIVER, (United States) – World Premiere. DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination. Directed by Nesa Azimi. Produced by Nesa Azimi, Ines Hofmann Kanna, Nicolas Borel.
Hacking Hate
Hacking Hate, (Sweden, Denmark, Norway) – World Premiere. Simon Klose’s kinetic and socially-pressing documentary follows award-winning Swedish journalist My Vingren as she goes undercover online as a white supremacist in order to expose a network of neo-Nazis and far-right organizations that are viciously fostering hate speech and extremism on a global scale. Directed by Simon Klose. Produced by Elin Kamlert.
Made in Ethiopia, (United States, Ethiopia, Denmark, UK, Canada, South Korea) – World Premiere. Made in Ethiopia examines China’s increasing impact on Africa through the story of charismatic businesswomen Motto, who is tasked with launching the biggest Chinese industrial zone in Ethiopia. Directed by Xinyan Yu, Max Duncan. Produced by Tamara Dawit, Max Duncan, Xinyan Yu.
New Wave, (United States) – World Premiere. With depth and emotional resonance, Elizabeth Ai’s lively first feature is both an endearingly nostalgic exploration of the defiant Vietnamese new wave music scene, as well as a vulnerable and personal look at the filmmaker and her community’s revisiting of their unexamined past. Directed by Elizabeth Ai. Produced by Elizabeth Ai, Rachel Sine.
Pirópolis, (Chile) – World Premiere. Nicolás Molina’s visually astounding Pirópolis drops the viewer in the fiery port city of Valparaíso, Chile and observes a pack of determined volunteer firefighters as they band together to combat turbulent wildfires ravaging the city. Directed by Nicolás Molina. Produced by Joséphine Schroeder, Francisca Barraza.
Quad Gods, (United States) – World Premiere. As the world’s first all quadriplegic esports gaming team, the Quad Gods are fierce competitors in this captivating story that challenges assumptions about disability, and spotlights the restorative power of resilience, passion and found community. Directed by Jess Jacklin. Produced by Johnny Fego, Jess Jacklin.
Sabbath Queen, (United States) – World Premiere. Sabbath Queen is a remarkable 20 year journey in the life of Rabbi Amichai Lau-Lavie, a 39th generation Orthodox rabbi — and drag queen. Directed and produced by Sandi DuBowski.
Shelf Life, (United States) – World Premiere. Quirky and contemplative, this delectable documentary takes us on a surprising global odyssey into the world of cheese, drawing unexpected parallels between the aging of cheese and the human experience of growing old. Directed by Ian Cheney. Produced by Robyn Metcalfe.
Eternal Playground
INTERNATIONAL NARRATIVE COMPETITION
The New-York based Festival breaks its geographical boundaries with the International Narrative Competition, welcoming filmmakers from abroad to join a global platform for contemporary world cinema.
Bikechess, (Kazakhstan) – World Premiere. As Dina, a Kazakh journalist, finds herself disenchanted with reporting inane government initiatives, she balances supporting her activist lesbian sister while navigating a relationship with her married cameraman. Directed and written by Assel Aushakimova. Produced by Antoine Simkine, Almagul Tleukhanova, Christian Fredrik Martin. With Saltanat Nauruz, Assel Abdimavlenova, Shyngys Beibituly, Duisenbek Sydykbekov.
The Dog Thief, (Bolivia, Chile, Mexico, Ecuador, France, Italy) – World Premiere. Martín, an orphan who works as a shoeshine boy, decides to steal the dog of his best client, a lonely tailor he has begun to imagine is his father. Directed and written by Vinko Tomičić Salinas. Produced by Álvaro Manzano Zambrana. With Alfredo Castro, Franklin Aro, Teresa Ruiz, María Luque.
Don’t You Let Me Go, (Uruguay) – World Premiere. Adela has just lost her best friend, Elena, so she boards a magic bus back in time to spend one last beautiful weekend with Elena in a house by the beach. Directed and written by Ana Guevara, Leticia Jorge. Produced by Agustina Chiarino. With Chiara Hourcade, Victoria Jorge, Eva Dans.
Eternal Playground, (France) – World Premiere. It’s the last day of school in Paris and most of first-year music teacher Gaspard’s colleagues are thinking about vacation. But, Gaspard is surreptitiously planning a weekend sleepover in the school with his childhood crew to honor his recently departed twin sister. Directed and written by Pablo Cotten, Joseph Rozé. Produced by Antoine Playoust, Martin Playoust, Nicolas Tzipine. With Andranic Manet, Alassane Diong, Carla Audebaud, Alba-Gaïa Bellugi.
Family Therapy, (Slovenia, Italy, Norway, Croatia, Serbia) – World Premiere. A nouveau riche family finds their life of detached superiority upended when the patriarch’s son from another relationship arrives at the family home, revealing cracks in their staid façade. Directed and written by Sonja Prosenc. Produced by Rok Sečen. With Mila Bezjak, Aliocha Schneider, Marko Mandić, Katarina Stegnar.
Hunters on a White Field, (Sweden) – International Premiere. Three men go on a hunting trip deep in the Swedish forest. Things start well, but one day all the animals vanish and the forest turns eerily quiet, leaving the men alone as they insist the hunt must continue. Directed and written by Sarah Gyllenstierna. Produced by Maria Larsson Guerpillon, Charlotte Most. With Ardalan Esmaili, Magnus Krepper, Jens Hultén.
Samia, (Germany) – World Premiere. Raised in a Somalia torn asunder by civil war and extremists increasingly gaining a foothold, Samia Yusuf Omar, an assertive, independent young woman, fights to realize her dream of becoming an Olympic athlete. Directed by Yasemin Şamdereli. Written by Yasemin Şamdereli, Nesrin Şamdereli, Giuseppe Catozzella. Produced by Simone Catania, Dietmar Güntsche, Anja Karina Richter. With llham Mohamed Osman, Fathia Mohamed Absie, Fatah Ghedi, Elmi Rashid Elmi.
Some Rain Must Fall, (Singapore) – North American Premiere. Mother and housewife Cai thought having a family was everything, but when she inadvertently injures the grandmother of one of her daughter’s less privileged teammates, her supposedly perfect life descends into chaos. Directed and written by Qiu Yang. Produced by Edmond Yang. With Yu Aier, Di Shike, Wei Yibo, Xu Tianyi.
Swimming Home, (UK, Greece, Netherlands, Brazil) – North American Premiere. The presence of a mysterious houseguest exposes subtle fractures in the marriage between a poet and a war correspondent in this sexy, languid drama set on the stunning, sun-baked Mediterranean coast. Directed and written by Justin Anderson. Produced by Emily Morgan, Andy Starke, Giorgos Karnavas. With Christopher Abbott, Mackenzie Davis, Ariane Labed, Nadine Labaki.
Under the Grey Sky, (Poland) – World Premiere. Based on true events, a Belarusian journalist is arrested after covertly livestreaming brutal government crackdowns on peaceful demonstrators following rigged elections. Her husband, refusing to leave her, also faces recriminations from a regime determined to break them both. Directed and written by Mara Tamkovich. Produced by Katarzyna Ocioszynska. With Aliaksandra Vaitsekhovich, Valentin Novopolskij.
Between the Temples
SPOTLIGHT+
Tribeca’s unique Spotlight+ events bring the film experience off the screen with live events, performances, and conversations after each screening.
Bam Bam: The Sister Nancy Story, (Canada) – World Premiere. For decades the iconic track “Bam Bam” has been a sampled darling within the music industry, creating many new stars along the way. But what do we know of its legendary creator? From Kingston to the world, witness the transcendent stylings and legacy of Sister Nancy. Directed by Alison Duke. Produced by Alison Duke, Ngardy Conteh George.
After the Movie: Special performance by Sister Nancy with DJ Gravy.
BRATS, (United States) – World Premiere. Actor/director/writer Andrew McCarthy crisscrosses the country reconnecting with fellow Brat-Packers like Rob Lowe, Demi Moore, Ally Sheedy, Emilio Estevez, and more to reflect on what it meant to be in the Brat Pack and how the label impacted their lives, personally and professionally. Directed by Andrew McCarthy. Produced by Adrian Buitenhuis, Derik Murray. An ABC News Studios release.
After the Movie: Panel to follow featuring director Andrew McCarthy, other members of the cast, and surprise guests.
Desire: The Carl Craig Story, (Switzerland, UK) – World Premiere. At once a portrait of techno producer Carl Craig and a love letter to his city of Detroit, Desire: The Carl Craig Story lays out the vast backdrop of artists and venues who played a part in the rise of Craig’s massive, genre-defying career. Directed by Jean-Cosme Delaloye. Produced by Dan Wechsler, Andreas Roald.
After the Movie: Post premiere musical selection by Carl Craig.
Following Harry, (United States) – World Premiere. Featuring Harry Belafonte, Aja Monet, Aloe Blacc, and Jesse Williams, Following Harry explores the life and legacy of cultural and civil rights icon Harry Belafonte through the stories of those artists and activists carrying on his life’s work dedicated to social justice. Directed by Susanne Rostock. Produced by Frankie Nasso, Edward Zeng, Susanne Rostock.
After the Movie: The presentation of the Harry Belafonte Voices for Social Justice Award with special guests.
Group Therapy, (United States) – World Premiere. Neil Berkeley’s latest is a thoughtful and humorous navigation of personal conversations on mental health. Produced by Kevin Hart, this unique documentary takes the form of a group therapy session led by some of today’s funniest comedians and comic performers. Directed by Neil Berkeley. Produced by Kevin Healey, Luke Kelly-Clyne, Bryan Smiley.
After the Movie: A conversation with film subjects Tig Notaro, Neil Patrick Harris, Mike Birbiglia, London Hughes, Gary Gulman and Atsuko Okatsuka.
Linda Perry: Let It Die Here, (United States) – World Premiere. Award-winning filmmaker Don Hardy explores the life of pioneering songwriter and producer Linda Perry in this intimate and revealing journey. It’s a story of the strength and resilience of a gifted artist, daughter and mother who is finally able to embark on a search to find her own voice. Directed by Don Hardy. Produced by Don Hardy, Shawn Dailey.
After the Movie: Special performance by Linda Perry.
Linda Perry: Let It Die Here
Outstanding: A Comedy Revolution, (United States) – World Premiere. This rapturous documentary steps into the dynamic world of queer stand-up and examines the powerful cultural influence it has had on social change in America. The film combines rare archival materials, stand up performances, and interviews with a show-stopping lineup including Lily Tomlin, Fortune Feimster, Eddie Izzard, and Rosie O’Donnell, to present a definitive history of queer comedy. Directed by Page Hurwitz. Produced by Katherine LeBlond, Page Hurwitz, Wanda Sykes. A Netflix release.
Before the Movie: A standup performance featuring stars of the film.
Rebel Country, (UK, United States) – World Premiere. Country music is changing — or maybe it’s returning to its roots. This musical documentary traces the troubled history and inclusive future of the genre with performances from today’s most talented iconoclasts, including Blanco Brown, Jelly Roll, Lainey Wilson, and BRELAND. Directed and produced by Francis Whately.
After the Movie: A special appearance by platinum selling country music artist BRELAND.
Satisfied, (United States) – World Premiere. An intimate look at the actress Renée Elise Goldsberry; a woman’s struggle to have a family and balance a career, against the backdrop of the hit musical Hamilton. Directed by Chris Bolan, Melissa Haizlip. Produced by Steven Cantor, Jamie Schutz, Chris Bolan.
After the Movie: A performance by Renée Elise Goldsberry and special guests.
State of Silence, (Mexico) – World Premiere. A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers. Directed by Santiago Maza. Produced by Joris Debeij, Abril López Carrillo.
After the Movie: A conversation with Mexican journalists Marcos Vizcarra and Maria de Jesus Peters, director Santiago Maza and executive producers Diego Luna and Gael García Bernal.
Memes & Nightmares
SPOTLIGHT NARRATIVE
A launching pad for the most buzzworthy new films, Tribeca’s Spotlight section brings audiences anticipated premieres from acclaimed filmmakers and star performers.
All That We Love, (United States) – World Premiere. After losing her beloved dog, Emma Gwon embarks on a heartwarming journey of self-discovery and reconnection with loved ones in Yen Tan’s touching dramedy that celebrates second chances and the power of family bonds. Directed by Yen Tan. Written by Yen Tan, Clay Liford. Produced by Kelly Williams, Rebecca Green, Theresa Steele Page. With Margaret Cho, Jesse Tyler Ferguson, Kenneth Choi, Alice Lee.
Bad Shabbos, (United States) – World Premiere. Over the course of one night during an anything-but-typical New York City shabbos, a family get-together takes a turn for the worse in Daniel Robbins’ unique take on the dinner party farce. Directed by Daniel Robbins. Written by Zack Weiner, Daniel Robbins. Produced by Adam Mitchell. With Jon Bass, Kyra Sedgwick, Method Man, Milana Vayntrub.
Bang Bang, (United States) – World Premiere. Tim Blake Nelson stars as “Bang Bang” Rozyski, an eccentric retired pugilist obsessed with rectifying the sins of his past. Directed by Vincent Grashaw. Written by Will Janowitz. Produced by Ran Namerode, Angelia Adzic, Cole Payne. With Tim Blake Nelson, Glenn Plummer, Kevin Corrigan, Andrew Liner.
Between the Temples, (United States) – New York Premiere. Ben, a young widower and cantor at the local synagogue, finds a sense of purpose and unexpected connection when Carla, his septuagenarian elementary school music teacher who yearns to become a bat mitzvah, re-enters his life. Directed by Nathan Silver. Written by Nathan Silver, C. Mason Wells. Produced by Tim Headington, Theresa Steele Page, Nate Kamiya. With Jason Schwartzman, Carol Kane, Dolly De Leon, Madeline Weinstein. A Sony Pictures Classics release.
Crossing, (Sweden, Denmark, Georgia, Turkey, France) – North American Premiere. Lia, a retired teacher, has promised to find her long-lost niece, Tekla. Her search takes her to Istanbul where she meets Evrim, a lawyer fighting for trans rights and becomes embraced in the local trans community. Directed and written by Levan Akin. Produced by Mathilde Dedye. With Mzia Arabuli, Lucas Kankava, Deniz Dumanli. A MUBI release.
Daddio, (United States) – New York Premiere. New York City. JFK airport. A young woman jumps into the backseat of a yellow taxi toward Manhattan. The cabbie strikes up a conversation, resulting in an epic and remarkable journey. Directed and written by Christy Hall. Produced by Dakota Johnson, Ro Donnelly, Emma Tillinger Koskoff. With Dakota Johnson, Sean Penn. A Sony Pictures Classics release.
In the Summers
The Damned, (UK, Iceland, Ireland, Belgium) – World Premiere. When a ship sinks near her isolated fishing post, Eva must choose: rescue the shipwrecked or survive winter. Guilt ridden, the fishermen believe they are being punished for their choices. Directed by Thordur Palsson. Written by Jamie Hannigan. Produced by Emilie Jouffroy, Kamilla Kristiane Hodøl, John Keville. With Odessa Young, Joe Cole, Rory McCann, Siobhan Finneran.
The Everything Pot, (United States) – World Premiere. A comedy of errors unfolds upon the delivery of The Everything Pot, a wedding gift that inadvertently becomes a Pandora’s box, forcing two couples to reevaluate their respective relationships. Directed, produced and written by Sherise Dorf. Produced by Callie Bloem, Christopher J. Ewing, Sean Patrick Kelly. With Lisa Edelstein, Erik Griffin, James Wolk, Delaney Rowe.
Firebrand, (UK, United States) – North American Premiere. In Tudor England, where court intrigue and the king’s paranoia threaten her survival, Katherine Parr navigates a perilous marriage to the volatile Henry VIII. Directed by Karim Aïnouz. Written by Henrietta Ashworth, Jessica Ashworth. Produced by Gabrielle Tana, Carolyn Marks Blackwood. With Alicia Vikander, Jude Law, Eddie Marsan, Sam Riley. A Roadside Attractions release.
In the Summers, (United States) – New York Premiere. In this poignant debut film, embark on a journey with two sisters as they grapple with their relationship to their well-meaning but troubled father during their childhood summers. Directed and written by Alessandra Lacorazza Samudio. Produced by Alexander Dinelaris, Rob Quadrino, Nando Vila. With Rene Perez Joglar, Sasha Calle, Lio Mehiel, Leslie Grace.
Kneecap, (Ireland) – New York Premiere. The band themselves, Kneecap, star in this raucous, sly award-winning musical set in post-Troubles Belfast when the rap trio erupted as a defiant champion of the Irish language and potent symbol of Ireland’s disenfranchised youth. Directed and written by Rich Peppiatt. Produced by Trevor Birney, Jack Tarling. With Naoise Ó Cairealláin, Liam Óg Ó Hannaidh, Jj Ó Dochartaigh, Michael Fassbender. A Sony Pictures Classics release.
Lake George, (United States) – World Premiere. A pair of misfit oddballs strike a deal too big to pass up — and maybe too good to be true — as they set out on a road trip and redemption story in this dark comedy neo-noir. Directed and written by Jeffrey Reiner. Produced by Jeffrey Reiner, Joey Oglesby, Cleta Ellington. With Shea Whigham, Carrie Coon, Glenn Fleshler, Max Casella.
McVeigh, (United States) – World Premiere. After the Waco siege, an unthinkable plan brews in the mind of army veteran Timothy McVeigh. A psychological thriller based on the harrowing real life events of the deadliest act of domestic terrorism in U.S. history. Directed by Mike Ott. Written by Mike Ott, Alex Gioulakis. Produced by Miles Alva, Nicolaas Bertelsen, Monte Zajicek. With Alfie Allen, Brett Gelman, Ashley Benson, Anthony Carrigan.
Memes & Nightmares, (United States) – World Premiere. If one of the most popular memes goes missing from Twitter, would anyone notice? Executive Produced by LeBron James and Maverick Carter, NBA Twitter King Josiah Johnson seeks an answer, where his journey explores our relationship with ephemeral media, and each other in the digital age. Directed by Charles Todd, Matt Mitchener. Written by Matt Mitchener. Produced by Sheira Rees-Davies, Brock Williams, Benjamin Wiessner. With Josiah Johnson, Jamel Johnson, Mero, Darius Miles.
A Mistake, (New Zealand) – World Premiere. Dr. Beth Taylor is a surgeon at the top of her field, where split-second decisions and millimeter movements can mean the difference between life and death. Christine Jeffs’ edge-of-your-seat medical thriller unpacks the perilous aftermath of a single human error. Directed and written by Christine Jeffs. Produced by Matthew Metcalfe, Christine Jeffs. With Elizabeth Banks, Simon McBurney, Mickey Sumner, Rena Owen.
The Shallow Tale of a Writer Who Decided to Write About a Serial Killer, (United States) – World Premiere. In this darkly comedic tale, a struggling writer’s life turns bizarre when he befriends a retired serial killer who becomes his unlikely marriage counselor and muse. Directed and written by Tolga Karacelik. Produced by Scott Aharoni, Sinan Eczasibasi, Wren Arthur. With Steve Buscemi, John Magaro, Britt Lower.
Treasure, (Germany, France) – International Premiere. Ruth, a neurotic businesswoman from New York, takes her charmingly stubborn Holocaust survivor father on a journey to Poland to make sense of their family’s past. Directed by Julia von Heinz. Written by Julia von Heinz, John Quester. Produced by Fabian Gasmia, Julia Von Heinz, Lena Dunham. With Lena Dunham, Stephen Fry, Zbigniew Zamachowski. A FilmNation Entertainment and Bleecker Street release.
The Wasp, (UK) – World Premiere. In this tense, twist-filled psychological thriller, Naomie Harris and Natalie Dormer deliver captivating performances as two estranged friends who reunite over tea, only to unveil a dangerous and deceptive plot that will irrevocably alter their lives. Directed by Guillem Morales. Written by Morgan Lloyd Malcolm. Produced by Maxime Cottray, Nate Bolotin, Sean Sorensen. With Naomie Harris, Natalie Dormer, Dominic Allburn. A Shout! Studios release.
Winter Spring Summer or Fall, (United States) – World Premiere. Jenna Ortega and Percy Hynes White star in this sweet teen love story about a Harvard-bound girl genius and a laid-back guy who find each other in their final year of high school. Directed by Tiffany Paulsen. Written by Dan Schoffer. Produced by Brad Krevoy, Josh Shader, David Wulf. With Jenna Ortega, Percy Hynes-White, Marisol Nichols, Adam Rodriguez.
Luther: Never Too Much
SPOTLIGHT DOCUMENTARY
Both onscreen and behind the camera, Spotlight Documentary films represent the most noteworthy names in nonfiction premiering high profile new work.
1-800-ON-HER-OWN, (United States) – World Premiere. Ani DiFranco was an unmistakable talent that shook the ‘90s alternative music scene. In this vulnerable look at her life today, she struggles to balance artistry with the demands of family. Directed by Dana Flor. Produced by Amy Hobby.
America’s Burning, (United States) – World Premiere. Narrated by Michael Douglas, America’s Burning calls on a remarkable range of expert perspectives from James Carville to Leon Panetta to Amy Chua as macroeconomist David Smick embarks on a searing dive into the precarious state of America’s seemingly unbridgeable economic divide — with a surprisingly optimistic outlook on its future. Directed by David Smick. Produced by Ian Michaels.
Avicii – I’m Tim, (Sweden, United States) – World Premiere. Before there was Avicii, there was just Tim. For the first time through his own words, witness the journey of a shy but prodigious musical talent who would soon become one of the defining artists of his generation. Directed by Henrik Burman. Produced by Björn Tjärnberg.
Black Table, (United States) – World Premiere. In the wake of the Supreme Court’s decision to abolish affirmative action, this film thoughtfully looks back at the largest class of Black students at Yale in the 1990s, the dining table that bonded them, and how their story informs our future. Directed by John Antonio James, Bill Mack. Produced by Katie Taber, John Antonio James, Bill Mack.
The Cranes Call, (France, Germany, Netherlands, UK, Ukraine, United States) – World Premiere. Working with their team at the Clooney Foundation for Justice, Anya Neistat, a brilliant war crimes investigator, joins forces with Solomiia Stasiv, a young Ukrainian woman just entering the field. Together they document atrocities in the fight to bring Russian generals to trial and justice to the Ukrainian people. Directed by Laura Warner. Produced by Evan Williams.
Emergent City, (United States) – World Premiere. When global developers purchase Industry City — a series of connected industrial buildings within a primarily immigrant, working class community in Brooklyn — conflicting views draw battlelines between residents, city officials and master planners as the fate of the city and contemporary urban development hangs in the balance. Directed by Kelly Anderson, Jay Arthur Sterrenberg. Produced by Kelly Anderson, Brenda Avila-Hanna.
I’m Your Venus
I’m Your Venus, (United States) – World Premiere. A moving and timely documentary following the unsolved murder of Venus Xtravaganza, star of the legendary Paris Is Burning as Venus’ two families — biological and ballroom — come together to seek answers and celebrate her legacy. Directed by Kimberly Reed. Produced by Jamie Schutz, Steven Cantor, Mike Stafford.
It Was All a Dream, (United States) – World Premiere. From the personal archives of journalist and filmmaker dream hampton, this visual ode to the golden era of hip-hop provides intimate access to some of rap’s greatest minds, including dream herself. Directed by dream hampton. Produced by Josh Begley, Morgan Willis, Emir Lewis.
Jago: Into the White, (Italy) – World Premiere. A portrait of the artist as a young man — Jago, a sculptor in Naples, works through the days and nights chipping away at his next marble masterpiece: a recreation of one of Michelangelo’s iconic subjects. Directed by Luigi Pingitore. Produced by Stefano Cardillo.
LIZA: A Truly Terrific Absolutely True Story, (United States) – World Premiere. Rich with archival gems and Liza Minnelli’s own point of view, Bruce David Klein’s luminous documentary celebrates a young entertainer full of boundless raw talent and the deep, creative relationships with her mentors and influences. Directed by Bruce David Klein. Produced by Bruce David Klein, Alexander J. Goldstein, Robert Rich.
Luther: Never Too Much, (United States) – New York Premiere. Dawn Porter offers an in-depth look into the life and career of Luther Vandross as he overcomes personal and professional challenges to become one of the greatest vocalists of all time. Directed by Dawn Porter.
Made in England: The Films of Powell & Pressburger, (UK) – New York Premiere. Martin Scorsese’s personal journey through the films of Powell and Pressburger, the visionary British filmmakers behind classics like The Red Shoes and Black Narcissus, offers a captivating exploration of their genius and enduring influence on cinema. Directed by David Hinton. Produced by Nick Varley, Matt Wells. A Cohen Media Group release.
Pandora’s Code, (United States) – World Premiere. Kyle Vorbach’s documentary, based on his latest novel, delves into the mesmerizing ascent of artificial intelligence, balancing its remarkable capabilities and dark ethical concerns, making for an engaging, thought-provoking exploration of AI’s double-edged sword. Directed and produced by Kyle Vorbach.
Rebel Nun, (United States, UK) – World Premiere. Rebel Nun follows the story of Catholic nun and leading death penalty abolitionist Sister Helen Prejean, whose story was first captured in the 1995 film Dead Man Walking. Now, almost 30 years later, filmmaker Dominic Sivyer takes a look at six decades of the life and work of Sister Helen as she continues to be an inspirational force for justice. Directed and produced by Dominic Sivyer. A Universal Pictures Content Group release.
Untitled Casa Bonita Documentary, (United States) – World Premiere. South Park creators Trey Parker and Matt Stone launch a hands-on attempt to restore the iconic Colorado “eatertainment” mecca Casa Bonita to its former glory. Directed by Arthur Bradford. Produced by Jennifer Ollman.
S/He Is Still Her/e – The Official Genesis P-Orridge Doc, (United States) – World Premiere. An introduction, conversation and perhaps goodbye to Genesis P-Orridge, who left an astounding and provocative legacy on the worlds of music, art, performance, religion and the occult. A larger-than-life personality that must be experienced to be grasped, Genesis opens up portals to a way of living that transforms and transcends. Directed by David Charles Rodrigues. Produced by David Charles Rodrigues, Bud Johnston.
Skywalkers: A Love Story, (China, Hong Kong, France, Malaysia, Russia, Thailand) – New York Premiere. Battling a global pandemic and a fraying relationship, rooftopping sensations Angela Nikolau and Vanya Beerkus face the ultimate test of their love when scaling the world’s newest super-skyscraper in this visually stunning testament to facing fear and letting go. Directed and produced by Jeff Zimbalist. Produced by Maria Bukhonina, Tamir Ardon, Chris Smith. A Netflix release.
Slave Play. Not a Movie. A Play., (United States) – World Premiere. A playful and illuminating self-portrait of writer Jeremy O. Harris as he workshops and mines Slave Play, the provocative play that thrust him into the spotlight, with a new cast of young actors from New York’s William Esper Studio. Directed by Jeremy O. Harris. Produced by Chris Moukarbel. An HBO Documentary Films release.
Stevie Van Zandt: Disciple, (United States) – World Premiere. Stevie Van Zandt: Disciple traces Van Zandt’s career as a musician, activist and actor from the clubs of Asbury Park, NJ, to stadiums around the world, to the Bada Bing Club. Directed by Bill Teck. Produced by David Fisher, Robert Cotto, Bill Teck. An HBO Documentary Films release.
They All Came Out to Montreux, (UK) – World Premiere. Utilizing a wealth of archival footage featuring Prince, Aretha Franklin, Miles Davis and more, They All Came Out to Montreux is an affectionate story about how Claude Nobs turned his Swiss town into the home for one of the world’s biggest jazz festivals. Directed by Oliver Murray. Produced by Bill Lord.
The Thinking Game, (United States) – World Premiere. The Thinking Game chronicles the extraordinary life of visionary scientist Demis Hassabis and his relentless quest to solve the enigma of artificial general intelligence. Directed by Greg Kohs. Produced by Gary Krieg.
Ciera Eis as Claire (left) and Evan Held as Robert in Word for Word, Z Space and Black Artists Contemporary Cultural Experience’s “Boys Go to Jupiter.”
VIEWPOINTS
Tribeca’s home for distinct points of view and bold directorial visions, Viewpoints discovers the most boundary-pushing, rule-breaking new voices in independent film. For the first time, Viewpoints selections will be presented in competition.
Alien Weaponry: Kua Tupu Te Ara, (New Zealand) – World Premiere. Meet Alien Weaponry, a thrash metal band that sings in the Maori language, as they figure out how to navigate the music industry, culture, family, tour, and each other. Directed by Kent Belcher. Produced by Nigel McCulloch.
Arzé, (Lebanon, Egypt, Saudi Arabia) – North American Premiere. When the scooter that struggling mother Arzé buys for her son to deliver her homemade pies is stolen, the two take a desperate, kaleidoscopic journey through Beirut in pursuit of the purloined moped. Directed by Mira Shaib. Written by Louay Khraish, Faissal Sam Shaib. Produced by Louay Khraish, Faissal Sam Shaib, Ali Elarabi. With Diamand Abou Abboud, Betty Taoutel, Bilal Al Hamwi.
Boys Go to Jupiter, (United States) – World Premiere. Suburban Florida is transformed into a 3D animated wonderland in this charming deadpan musical comedy from the creator of Art Sqool, featuring a voice cast of alt-comedy all stars. Directed and written by Julian Glander. Produced by Peisin Yang Lazo. With Jack Corbett, Elsie Fisher, Tavi Gevinson, Julio Torres.
Champions of the Golden Valley, (United States, Afghanistan, Germany) – World Premiere. Former Afghan Olympic hopeful Alishah Farhang establishes Afghanistan’s first ever ski club and the annual Afghan Ski Challenge competition in the ancient mountain town of Bamyan, bringing people together in an unlikely but joyful pastime. Directed by Ben Sturgulewski. Produced by Katie Stjernholm, Baktash Ahadi.
Champions of the Golden Valley
Color Book, (United States) – World Premiere. Following the passing of his wife, a devoted father is learning to raise his son with Down Syndrome as a single parent. While adjusting to their new reality, the two embark on a journey through Metro Atlanta to attend their first baseball game. Directed and written by David Fortune. Produced by Kristen Uno, Kiah Clingman, Autumn Bailey-Ford. With William Catlett, Brandee Evans, Terri J. Vaughn, Jeremiah Daniels.
Darkest Miriam, (Canada) – World Premiere. The fog of grief shrouding Miriam, a branch librarian, begins to lift when she starts a love affair with cab driver Janko. But what’s the deal with the vaguely threatening letters she keeps finding? Directed and written by Naomi Jaye. Produced by Julie Baldassi, Brian Robertson. With Britt Lower, Tom Mercier, Sook-Yin Lee, Jean Yoon.
Era Oculta – Hidden Era, (Mozambique, Germany, Colombia) – World Premiere. In the vibrant city of Maputo, Mozambique, Rastafari artist Phambi works to support his young son’s education while resiliently navigating the complexities of living an artistic life in a dynamic city. Directed and produced by Carlos Vargas. Written by Carlos Vargas, Franziska Ruess. With Paula Matlombe, Ednora Matlombe, Isac Tivane “Phambi”, Ixon Tivane.
Restless, (UK) – World Premiere. The banal life of a middle-aged empty nester is violently shaken in the blink of an eye when hard-partying — and potentially dangerous — new neighbors move in next door. Directed and written by Jed Hart. Produced by Benedict Turnbull, Iain Simpson, Jens Nielsen. With Lyndsey Marshal, Aston McAuley, Barry Ward, Kate Robbins.
Searching for Amani, (Kenya, United States) – World Premiere. A 13-year-old aspiring journalist investigates his father’s mysterious murder within the boundaries of one of Kenya’s largest wildlife conservancies. As a ravaging drought encroaches, his quest to find the killer shifts as the collateral damage of a warming world is revealed. Directed by Nicole Gormley, Debra Aroko. Produced by Peter Goetz, Mungai Kiroga, Nicole Gormley.
They’re Here, (United States) – World Premiere. The playful and inventive They’re Here places the viewer within a community of New Yorkers who have had close encounters with UFOs and reexamined their lifestyles as a result. Directed and produced by Daniel Claridge, Pacho Velez.
Witches, (UK) – World Premiere. Elizabeth Sankey’s deeply personal documentary examines the relationship between the cinematic portrayals of witches and the all-too-real experiences of postpartum depression by utilizing footage that spans the entirety of film history alongside heartrending personal testimony. Directed by Elizabeth Sankey. Produced by Manon Ardisson, Chiara Ventura, Jeremy Warmsley.
The Devil’s Bath
MIDNIGHT
Surprising, shocking, frightening, and thrilling, Tribeca Midnight is the destination for the best in horror and more for late night audiences.
The A-Frame, (United States) – World Premiere. A quantum physicist’s machine opens a portal to a subatomic universe, accidentally discovering a radical cancer treatment. As human trials begin, the stakes rise in this Cronenbergian sci-fi comedy. Directed and written by Calvin Lee Reeder. Produced by Ran Namerode, Angelia Adzic, Cole Payne. With Johnny Whitworth, Dana Namerode, Nik Dodani, Laketa Caston.
Beacon, (United States) – World Premiere. After an ambitious solo trip leaves her shipwrecked on a remote island, a young sailor is rescued by its lone inhabitant: a lighthouse keeper. As the walls of reality begin to vanish and the trust between them unravels, survival becomes a test of grueling proportions. Directed by Roxy Shih. Written by Julio Rojas. Produced by Neil Elman. With Demián Bichir, Julia Goldani Telles. A Fox Entertainment Tideline release.
A Desert, (United States) – World Premiere. While on a road trip, a photographer befriends a young couple whose reckless ways turn his world upside down and into a nightmare in this unpredictable and horror-tinged neo-noir knockout. Directed by Joshua Erkman. Written by Joshua Erkman, Bossi Baker. Produced by Hugues Barbier, Joshua Erkman. With David Yow, Kai Lennox, Sarah Lind, Zachary Ray Sherman.
The Devil’s Bath, (Austria, Germany) – International Premiere. In 18th century Austria, an executed woman has been displayed for all to see. Deeply religious, newlywed Agnes looks upon the woman with pity, but also longing, as her own evil thoughts have begun to arise. Directed and written by Severin Fiala, Veronika Franz. Produced by Georg Aschauer, Ulrich Seidl. With Anja Plaschg, Maria Hofstätter, David Scheid. A Shudder release.
Mars, (United States) – World Premiere. In this outrageous animated comedy, a ragtag group of misfits embark on a wild space adventure to Mars, only to discover they’ve been bamboozled by a billionaire. Directed and produced by Sevan Najarian. Written and produced by Timmy Williams, Zach Cregger, Sam Brown. Produced by Kara Welker, James Bristow, Darren Trumeter. With Trevor Moore, Zach Cregger, Sam Brown, Darren Trumeter.
The Weekend, (Nigeria) – World Premiere. This gripping Nigerian thriller will keep you guessing until the very last moment with its unique take on the age-old question: what’s wrong with the in-laws? Directed by Daniel Emeke Oriahi. Written by Egbemawei Dimiyei Sammy, Vanessa Kanu, Freddie O. Anyaegbunam Jr. Produced by Uche Okocha. With Uzoamaka Aniunoh, Bucci Franklin, Meg Otanwa, Keppy Ekpeyong Bassey.
AMFAD
ESCAPE FROM TRIBECA
Mind-bending premieres, spine-chilling classics, and Godzilla-sized dance parties make for an unforgettable escape tailor-made for adventurous movie lovers craving the extraordinary.
AMFAD: All My Friends Are Dead, (United States) – World Premiere. Slasher cinema gets a candy-coated and raucous new spin as a group of young friends staying at an Airbnb are picked off one by one by a killer whose elaborate murder set pieces are inspired by the seven deadly sins. Directed by Marcus Dunstan. Written by Josh Sims, Jessica Sarah Flaum. Produced by John Baldecci, Sarah Donnelly, Kirk Shaw. With Jade Pettyjohn, Jojo Siwa, Jennifer Ens, Ali Fumiko Whitney. A Cineverse release.
Kill, (India) – New York Premiere. A passenger train bound for New Delhi becomes a battleground of close-quarters combat as a pair of commandos square off against 40 invading bandits. Relentless and wildly entertaining, Nikhil Nagesh Bhat’s action thriller is the most brutal fight film in years. Directed and written by Nikhil Nagesh Bhat. Produced by Hiroo Yash Johar, Guneet Monga Kapoor, Achin Jain. With Lakshya, Raghav Juyal, Tanya Maniktala. A Roadside Attractions release.
She Loved Blossoms More, (Greece, France) – World Premiere. Hoping to bring their dead mother back to life, three brothers build a time machine in this visually decadent, bizarre and altogether mesmerizing head-trip. Directed by Yannis Veslemes. Written by Yannis Veslemes, Dimitris Emmanouilidis. Produced by Fenia Cossovitsa, Christos V. Konstantakopoulos. With Panos Papadopoulos, Dominique Pinon.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
A longtime multi-hyphenate in St. Louis, actor, director and playwright Stephen Peirick’s latest challenge is a very personal and special experience for him, what he describes as a “dream opportunity.”
As director of the regional theater premiere of the Tony-winning “The Inheritance,” he said it’s not only an honor and privilege to be a part of the work, but described the production as an “embarrassment of riches” because of his “hands-down brilliant” cast.
Tesseract Theatre Company will present “The Inheritance, Parts 1 and 2” by Matthew Lopez April 26 to May 5 at the Marcelle Theatre in Grand Center. There is one day, May 4, where both parts will be presented. For more information, visit www.tesseracttheatre.com and tickets are available at MetroTix.
Peirick is working with Tesseract for the first time. Taylor Gruenloh, former founder and artistic director, said he first thought of Stephen while reading the play, and locked him in to make it happen.
“As soon as I read that play, it reminded me of all the work Stephen was doing in town. And knowing how passionate he is about this kind of subject matter made it important to know he was at the helm before the rights were secured,” Gruenloh said.
The Daily Telegraph said it was “perhaps the most important American play of this century.” The play is based on “Howard’s End” by E.M. Forster and takes place in New York City decades after the AIDS epidemic, as three generations of gay men attempt to forge a future for themselves amid turbulent and changing America.
“This play doesn’t deny the pain of our experience.. it allows people to remember how we have gotten this far, what it’s like to fight, and who we have lost along the way. That sometimes our best weapon is our sense of humor, is our wit, is our intelligence, and is the love we have for each other,” said playwright Matthew Lopez.
Gabriel Paul and Chris Kernan. Photo by Tesseract Theatre Company.
Eric Glass (Chris Kernan) is a political activist engaged to his writer boyfriend, Toby Darling (Gabriel Paul). When two strangers enter their lives — an older man and a younger one — their futures suddenly become uncertain as they begin to chart divergent paths. This is an epic examination of survival, healing, class divide, and what it means to call a place home.
Besides Kernan and Paul, “The Inheritance” cast includes Tyson Cole, Stephen Henley, Jon Hey, Donald Kidd, Alex Moore, Kevin O’Brien, Jacob Schmidt, Sean Seifert, Nic Tayborn, Kelvin Urday, and Margery Handy. Assistant Director is Dani Mann.
Among its accolades, “The Inheritance” won the 2020 Tony Award for Best Play., the 2020 Drama Desk Award for Best Play and the 2019 Olivier Award for Best Play.
This production is for mature audiences. May contain mature themes, language, nudity, sexuality, violence, satire and/or progressive ideas.
Peirick has been working with Stray Dog Theatre for years, and has performed and directed at West End Players Guild and performed with Union Avenue Opera in “Lost in the Stars.” He also works with Take Two Productions, a community theatre.
He is known for writing original plays as well, and has received nominations for Best New Play from the St. Louis Theater Circle for “Wake Up, Cameron Dobbs” and “Four Sugars.”
Last year, the Circle nominated him for his performance as Ned Weeks in “The Normal Heart” and several years ago for “The Doll’s House.”
He has also been nominated for the local community theatre Arts for Life awards for directing, lighting design, choreography and scenic design — winning the latter for Fun Home with Take Two Productions.
Next up is directing “Merrily We Roll Along” for Take Two Productions, which will be presented in September and October.
Stephen as Ned Weeks in “The Normal Heart,” with Joey Saunders, at Stray Dog Theatre in 2022. Photo by John Lamb.
Take Ten Questionnaire with Stephen Peirick
1. What is special about your latest project?
Larry Kramer masterfully wrote the brilliant play The Normal Heart, which detailed his experiences fighting for the gay community during the AIDS crisis in the 1980s. When I first saw Kramer’s play in 2011, it amplified a history I had been almost entirely ignorant of. It was a humbling moment as a gay man: an embarrassing privilege of my age. Kramer’s play inspired me to want to share this history with the world, and in particularly with the next generation of queer youth.
Our history is important. We are important. Matthew Lopez’s first-rate epic The Inheritance goes one step further, by asking audiences to ponder not only what we owe the generation who came before us, but what will we leave behind for the generation to come?
It’s not often that you get asked about your interest in directing a two-part epic – this has been a dream opportunity. It has been my incredible honor and privilege to direct the St. Louis premiere of this Tony-Award winning play.
And then, on top of it, to get to work with a hands-down brilliant local cast (Tyson Cole, Nic Tayborn, Sean Seifert, Jacob Schmidt, Stephen Henley, Donald Kidd, Kevin O’Brien, Kelvin Urday, Chris Kernan, Gabriel Paul, Alex C. Moore, Jon Hey, and Margery Handy) and an exceptional behind the scenes team (Dani Mann, Rachel Downing, Amanda Brasher, Abby Pastorello, Tony Anselmo, Jacob Baxley, Sarah Baucom, Kent Coffel, Kevin Sallwasser, as well as Tesseract’s Creative Directors Brittanie Gunn and Kevin Corpuz): this show has been an embarrassment of riches for a director. A special experience, for sure.
2. Why did you choose your profession/pursue the arts?
Because I can’t NOT pursue it. (I would be so much more well-rested if I just stay away!) At the end of the day, I’m a storyteller trying to get better at this craft. Whether I’m directing, acting, or writing…I have a passion for creating, and no matter how tired I get, I keep going back for more.
As George in “Who’s Afraid of Virginia Woolf?” at Stray Dog Theatre in 2023, with Stephen Henley and Claire Wenzel. John Lamb Photo.
3. How would your friends describe you?
First and foremost, I think they’d say I was hot. And also, probably…hilarious. Okay; maybe they wouldn’t say either of those things unprovoked…or at all. But in my mind, those are the two compliments they are always ABOUT to share with me…before they get distracted by something else and forget .
4. How do you like to spend your spare time?
What is that? Spare time? Alas…should I ever find it again, I’d love to get back to writing.
5. What is your current obsession?
The Inheritance. I literally have no time for anything else. But once the show has come and gone, I love to spend summers outside…I love lounging in a pool, and enjoying R & R time. I love to find and read new plays, and I’m always on the lookout for some good Halloween décor. I track what’s playing in NYC, both on Broadway and Off…and I love reality television, or binding scripted shows.
6. What would people be surprised to find out about you?
If I told you, it wouldn’t be a surprise.
7. Can you share one of your most defining moments in life?
Seeing my sister’s high school production of The Diary of Anne Frank when I was six or seven. It ignited in me my love for live theatre. When I look back on my life, I think it was the very beginning moment of this whole journey.
8. Who do you admire most?
My mom was, no doubt, the most influential person on me. She passed away nearly 10 years ago, and I miss her everyday, and I can’t help but wonder what she would think of the work I’ve done over these years.
Lavonne Byers, Stephen Peirick and Laurell Stevenson in “Good People” at Stray Dog Theatre in 2022. Photo by John Lamb.
9. How were you affected by the pandemic years, and anything you would like to share about what got you through and any lesson learned during the isolation periods? Any reflections on how the arts were affected? And what it means to move forward?
I was just getting ready to return to the stage as an actor (after having taken a year off) when the pandemic hit. Like for everyone else, it caused so much disruption to projects I had in the pipeline. Most of them still got to happen, although after a long delay, including directing Fun Home with Take Two Productions, and playing Mike in Good People and Ned in The Normal Heart for Stay Dog Theatre.
The Normal Heart was my dream project, and had been since 2011, so the fear that it would never get to happen, and that the arts might never recover was real.
I think it’s important to go see and support live theatre as one’s schedule (and wallet) allows. Volunteer to usher, and post to the socials when you go see work. Help your friends and family see that it is safe to return to the theatre, and that good things are happening. (And masks are still welcome in any theatre you might want that added layer of protection.)
10. What is your favorite thing to do in St. Louis? (Or your hometown)
I love to be immersed in our local arts scene as much as possible. This month alone, I saw productions with Stray Dog Theatre, The Rep, Clayton Community Theatre, and St. Louis Shakespeare. I love hitting up restaurants (The Tavern is a favorite for special occasions), and spending time with friends and family. 12. What’s next?
Next up, I am directing the musical Merrily We Roll Along for Take Two Players. This dynamic and rarely produced musical is currently having an incredible run on Broadway. Running for two weekends in September and October, our cast features an incredible group of local talent, including Ryan Farmer, Grace Langford, and Michael Baird in the central roles of Frank, Mary and Charlie. www.taketwoproductions.org
Stephen Peirick and husband Jon Hey. Photo by Lynn Venhaus
More Information on Stephen Peirick Birthplace: Franklin County, MO Current location: St. Louis Family: I am married to the incredible Jon Hey, and we have three cats: Kona, Poppy and George. I have four older sisters, three nephews, two nieces, two great nephews and two great nieces. Education: BA in Communications/Theatre with a minor in Education Day job: I have spent the last 15+ years working for a state association. I create our online newsletters, content for our socials, etc., and appreciate working for an organization that understands and supports my passion for the arts. First job: I was a Ticket Taker at Six Flags when I was 15 years old. First play or movie you were involved in or made: The first real, non-grade school Christmas play I did was a courtroom drama called The Night of January 16 when I was a freshman in high school. Favorite jobs/roles/plays or work in your medium? Playing Ned Weeks in The Normal Heart at Stray Dog Theatre was such a dream; and seeing the premiere of my first, full-length play (in 2012 at West End Players Guild) Wake Up, Cameron Dobbs is something that I will never forget. Dream job/opportunity: Taking Wake Up, Cameron Dobbs to New York maybe? Awards/Honors/Achievements: I have been nominated for four St. Louis Theatre Circle Awards; two for acting (The Normal Heart and A Doll’s House) and two for writing (Wake Up, Cameron Dobbs and Four Sugars). I have also been nominated for our local, community theatre Arts for Life awards for directing, lighting design, choreography and scenic design (winning the latter for Fun Home with Take Two Productions). Favorite quote/words to live by: Tell your story bravely. It’s a story worth telling.” – Morgan, The Inheritance A song that makes you happy: I love 80s music. Here I Go Again by Whitesnake is a fave.
Stephen Peirick and Nicole Angeli in Stray Dog’s “Hedda Gabler” in 2017. Photo by John Lamb.“Art” outdoors at Stray Dog, with Ben Ritchie and Jeremy Goldmeier in 2021. Photo by John Lamb
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Described as a cultural shaper and visionary creator, Kate Bergstrom assumes the role of Augustin Family Artistic Director at The Repertory Theatre of St. Louis beginning May 13.
While she is new to St. Louis, theatergoers are familiar with her work, as she directed “It’s a Wonderful Life: A Live Radio Play” at Christmastime, for which she was nominated for best director by the St. Louis Theater Circle. She also directed “The 39 Steps” in 2022.
“The unwaveringly beautiful and crucial component of The Repertory Theatre of St. Louis is, of course, St. Louis! I am honored and humbled to return to this wonderful community in this role to celebrate – through excellent, engaging, and relevant storytelling – this beloved region,” Bergstrom said.
Her appointment follows a six-month nationwide search after Hana S. Sharif’s departure last summer. Sharif stepped down after five years in the role and moved on to The Arena Stage in Washington, D.C., to serve as artistic director there.
Bergstrom becomes the eighth artistic director in The Rep’s 58-year history. The region’s premiere theater was founded in 1966 and made its home at the Webster University’s Loretto-Hilton Center for the Performing Arts.
Kate Bergstrom. Photo by Antonio T. Harris
After a bombshell announcement last fall that The Rep season was in jeopardy and they needed to cover a $2.5 million budget shortfall to continue, community support came through in an organized “Rally for the Rep” multi-year fundraising campaign.
People had cited dwindling ticket sales, season subscribers not renewing, employee turnover, shows in several different venues, and eroding community support as factors that led to the predicament, in addition to challenges brought on by the pandemic.
Managing Director Danny Williams acknowledged the need for better communication and consistency in programming.
“We had to change. We are listening to what people are saying. Some of the shows were not up to the Rep’s standards,” he said last October.. “We are committed to programming for St. Louis audiences.”
Williams became managing director in January 2022 when Mark Bernstein retired after 32 years in that role. He had served as senior director of finance and administration at New York’s Public Theater.
The Rep was able to complete the 2023-2024 season because of the Rally success. A Holiday Benefit Experience that featured St. Louis alumnus John Goodman raised more than $150,000.
Williams announced in January that 80% of the goal had been reached to fund the second half, productions “Moby Dick” and “August: Osage County.”
At that time, Williams said the goal was to ensure continuing to bring world-class, adventurous new works and beloved classics to their stage as they approach their 60th anniversary.
“We are so grateful for the outpouring of love and support that we’ve received from the St. Louis community, he said. “While our first big hurdle is behind us, the need for continued support remains as we build a sustainable future for The Rep to inspire generations and ensure the arts thrive in our beloved city.”
Williams cited the need to build a stable future amid an industry undergoing radical change.
The Rep exterior. File photo.
“We are working to build a model that responds to today’s cultural landscape so that we remain an anchoring cultural force for St. Louis, using the transformative power of the arts to build bridges in our region and beyond,” he said.
On Tuesday, the Rep stated: “With her appointment, Bergstrom brings a passionate energy for The Rep’s next chapter that builds on the theater’s success as a vital, celebrated, cultural cornerstone of St. Louis.”
Bergstrom said she considers The Rep more than a theater.
“It serves as a critical cultural heart in St. Louis by elevating and expanding the capacity for the extraordinary in us all. I’m excited to set down roots and galvanize transcendent work, using my skills and experiences to foster engagement that uplifts and world-class storytelling that is both tremendously entertaining and vital,” she said.
Williams said he looked forward to partnering with Kate to realize this new chapter.
“Kate is a bold and generous leader, who works with a heart-forward approach to center an artistic vision that will bring out the best in The Rep. At this critical juncture in the organization, her passion, energy, and commitment to St. Louis makes her an inspired choice to ensure a vibrant future for the theatre,” he said.
To conduct the search, The Rep engaged Arts Consulting Group. From a field of many applicants with diverse backgrounds and experiences, the committee narrowed down the search to three extremely qualified candidates.
Each candidate participated in Zoom interviews and full-day in-person meetings, during which The Rep staff were encouraged to meet and ask questions with the potential candidates. The process took six months and included Rep staff and leadership, along with a search committee of arts leaders and community stakeholders led by Board Vice President Ann Cady Scott, the board of directors and independent search firm ACG.
“The Rep has a long-storied history of inspiring and thoughtful leaders, and we are thrilled to pass the torch of leadership to Kate Bergstrom,” said Brian Clevinger, The Rep’s Board President. “Kate’s It’s a Wonderful Life was an electrifying production that brought out the best in our local talent and inspired joy throughout St. Louis. We look forward to her work in deepening The Rep’s impact on its stages and in the community.”
“It’s a Wonderful Life: Live Radio Play” at The Rep.
New Season
The Rep’s 2024-2025 season, which kicks off in September with the suspense thriller “Dial M for Murder,” was programmed by Williams and the current artistic team. Bergstrom will lead the selection of the Steve Woolf Studio Series this season.
Bergstrom said she will continue to deepen her relationship with St. Louis and the local arts community by actively listening to audiences as crucial collaborators to bring about a vision and strategic plan for the 25/26 season and beyond.
“We have the grand opportunity ahead to celebrate the power of extraordinary togetherness in this beloved region during a divisive time. By bridging the differences that make us unique and the undergirding humanity that unites us all, The Rep looks to spark joy, discovery, and that extraordinary togetherness towards a thriving St. Louis and beyond. I’m ready to infuse care, love for this community and a clear, heart-forward vision of excellence into the Rep for years to come,” she said.
Williams said, in announcing that “August: Osage County” was a go thanks to completing the fundraising, that the season had rallied their staff, board, volunteers, artists, and community to keep the magic of live theatre alive at The Rep.
“We are deeply grateful for the outpouring of support that we’ve received from the St. Louis community. It is their belief in our 57 years of work and dedication to the arts that propels us forward and allows us to continue to bring world-class theatrical experiences to our stages,” he said.
Next year’s season is: Dial M for Murder Sept.18 – Oct. 13; the holiday musical “Million Dollar Quartet Christmas” in partnership with Stages St. Louis on Dec. 4 – 22; Lynn Nottage’s Tony-nominated comedy, “Clyde’s,” Feb. 5 – March 2, 2025; the retelling of “Sherwood: The Adventures of Robin Hood,” March 19 – April 13, 2025, all performed at the Loretto-Hilton Center, in the Virginia Jackson Browning Theatre on the campus of Webster University. Tickets are on sale now. Visit www.repstl.org for details and follow @repstl.
In December 2023, The Rep was named a Missouri Historical Theatre, which is awarded to theaters that contribute to tourism in Missouri, promote arts in its community and throughout Missouri, and has been operational for a minimum of 50 years.
Kate Bergstrom. Photo by Antonio T. Harris
About Bergstrom
Born in California, Bergstrom holds an MFA in directing from Brown University and a BA in Directing and Acting from UCLA. She will move here from New York. with her husband Mike and their dog Crispy.
Among her credits are directing at regional theaters across the country, which belong to the League of Resident Theatres, including the Marin Theatre Company, Alabama Shakespeare Festival and Trinity Repertory Company and more.
As a festival director, she programmed the Big Eddy Film Festival in Upstate New York where her responsibilities included fundraising, audience and community development and partnership building.
This grew from her tenure as Founder and Producing Artistic Director of On The Verge, a festival premiering female and LGTBQIA writers in Santa Barbara, Calif.
As a performance coach and account manager at Stand and Deliver, she has worked with dozens of large corporate clients such as Google, Genentech, and Cisco co-leading multi-day programs and long-term adviserships toward improving external and internal organizational communication.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Award-winning St. Louis writer-photographer CB Adams has been named a Missouri Arts Council Featured Artist
Since the Missouri Arts Council founded the Missouri Featured Artists Program in December 2020, they have highlighted nearly 170 imaginative makers from throughout the state – painters, pencil artists, sculptors, dancers, singers, instrumental musicians, poets, novelists, filmmakers, ceramicists, jewelry artists, glass artists, and many more who create in myriad other ways.
The Council has recognized Adams before when he received the state’s (now defunct) top literary prize, the Missouri Writers’ Biennial, in 1995. That same year, the Riverfront Times named him “St. Louis’ Most Under-Appreciated Writer.”
“Bonfire of the Verities” photo by C.B. Adams
His photography has been shown in more than 35 galleries throughout the United States, including New York City, Boston, New Orleans and Sacramento and published in numerous magazines and journals. He is currently working to turn his project True North, a decade-long photographic examination of North St. Louis, into a solo show and monograph.
His short stories have appeared in more than 13 literary journals. His non-fiction has been published in local, regional and national publications. He is a former music/arts editor and feature writer for the St. Louis Globe-Democrat.
In addition to his lifestyle blog, Life On Snob Hill, Adams is a theater, music, dance and reviewer for Poplifestl and KDHX and a member of the St. Louis Theater Critics Circle.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
At only 16, Nadja Kapetanovich is beginning to make a splash on local stages. She is appearing as Ellie in “The Whale,” a role she says is her favorite to date: “It has been a true gift.”
A junior in high school who lives in Alton, Ill., she has appeared in community theater, youth productions and recently, in regional professional theater. She was Tony Manero’s little sister Linda in Stray Dog Theatre’s “Saturday NIght Fever” last fall and a dancer in St. Louis Shakespeare Festival’s “Winds of Change,” an original production presented in the Bevo Mill neighborhood as part of the Shakespeare in the Streets event in 2022.
She played another daughter in “From the Garden,” an original play by Don Cameron Miller, that was produced by Wee Laddie Theatrics. She will be part of a reading this summer for another original play, “13 Hours of Sun,” by Elizabeth Breed Penny.
And then trying to figure out school, future, and what’s ahead.
Here’s a glimpse into the young actress currently in “The Whale” at St. Louis Actors’ Studio Thursday, Friday and Saturday evenings at 8 p.m. and Sundays at 3 p.m. April 5 through April 21 at The Gaslight Theatre, 358 N. Boyle. For more information: stlas.org.
Take Ten Q & A with Nadja Kapetanovich
Nadja Kapetanovich and William Roth in “The Whale.” Photo by Patrick Huber.
1. What is special about your current project?
“The Whale” has been a true gift. Getting to play a character who is so misunderstood and broken has been a big challenge, but doing it alongside this cast of actors is everything I could have ever wished for. Being directed by Annamaria Pileggi has taught me so much, and I will always thank her for showing me what it feels like to really understand a character and allow myself to truly feel every emotion that comes in a natural way.
2 Why did you choose your profession/pursue the arts?
“My favorite memories from when I was a little kid were going to see musicals and plays in St Louis with my family. My childhood dream was to be an actor, and my parents were extremely supportive and helped me to find my first few auditions. I have always loved dissecting people’s personalities and finding out who they really are, which is why I found the process of developing your own version of a show with your cast and crew members to be extremely exciting and rewarding.”
3. How would your friends describe you?
“I did not know how my friends would describe me, so I asked them! Here were some of the things they said: “outgoing,” “super-funny and spontaneous,” “constantly bursting into song, would burst into dance but space often doesn’t allow,” “hard-working and persevering,” “passionate about her dreams,” “kind-hearted, honest, and true to her word,” and “quick-witted.” I have the best friends ever.”
4. How do you like to spend your free time?
“Recently, I have been spending my free time going on walks with my friends, trying to teach myself guitar, playing piano, painting and drawing, and reading.”
5. What is your current obsession?
“My current obsession is going on walks after school and on the weekends. I love walking around my neighborhood while listening to my favorite music. I am also currently very obsessed with vegetarian chicken sandwiches.”
6. What would people be surprised to find out about you?
“Many people are very surprised to find out that I speak Bosnian. I do not tell my new friends this, and just let them find out by hearing me speak to my dad in Bosnian for the first time. I really appreciate the shock value.”
:The Gingerbread Lady” at KTK Productions. Nadja was nominated for an Arts For Life Theater Mask Award in 2023.
7. Can you share one of your most defining moments?
“One of my most defining moments was when I was 3 years old and I saw my first musical. I think it might have either been “Annie” or “Cinderella.” At this moment, I absolutely fell in love with live theatre. On the way home from the show, I turned to my mom and said “Mommy? On Monday I need you to find out how I can become an actress.” The rest is history!
8. Who do you admire the most?
“The person I admire most in my life is my grandma. She is the most caring and helpful person I have ever met, and she is full of a huge amount of love and life. She has taught me so so much, and has been there for me whenever I needed help with anything. She is truly inspiring, and I hope that I will be like her in my future.”
9. What is at the top of your bucket list?
“Currently, moving to a big city is at the top of my bucket list. Chicago, New York, or St. Louis are all places I would really love to live. Also, I would love to be in a film in the near future.”
10. How were you affected by the pandemic years, and anything you would like to share about what got you through and any lesson learned during the isolation periods? Any reflections on how the arts were affected? And what it means to move forward?
“The COVID-19 pandemic was extremely hard for my family and I. A few months after quarantine started, my grandpa was infected with COVID. He ended up passing away from the virus, and we were not able to say goodbye to him because of social distancing. I learned that I get my energy from being around other people, so having to be apart from all of my friends and loved ones during that time was extremely difficult. Also, not getting to perform for a year was very sad. I was supposed to make my professional debut in “Looking For Normal” at Max and Louie Productions, but the show was cancelled due to the pandemic. Moving forward from COVID in the arts was extremely exciting, and it feels great to be able to come back and make my professional play debut four years later.”
11. What is your favorite thing to do in St. Louis – or your hometown?
“As someone who lives about 45 minutes away from St. Louis, I come often, but usually visit the same places over and over. I love the Zoo and the Art Museum. I also really enjoy walking in Central West End before rehearsals with my dad. In my hometown, Alton, I really love walking down by the river and on the docks with my friends.”
12. What’s next?
“I’m currently auditioning for some summer shows, and I will be doing a reading of a play by Elizabeth Breed Penny called “13 Hours of Sun” this summer. Apart from theatre, I am very focused on school right now. I’m going to be a senior next year, which means I have to start applying to colleges and decide what I am going to do with my future.”
Nadja in “Winds of Change,” an original production presented in the Bevo Mill neighborhood as part of the Shakespeare in the Streets event in 2022.
More Information on Nadja Kapetanovich
Age: 16 years old Birthplace: Alton, Ill. Current Location: Alton, Ill. Family: Jennifer and Mirsad Kapetanovich are my incredible parents.I do not have any siblings, but spend a lot of time with my grandparents. Education: Currently a high school junior. Day job: High School First Job: Selling vegetables at a farmers’ market First play you were involved in: “Shrek the Musical” when I was 8 years old. Favorite Jobs/Roles/Plays or work in your medium: My favorite role I have played is Ellie in “The Whale,” but Jeannine Pratt in “Ordinary People,” Esther Smith in “Meet Me in St. Louis,” and Polly Meara in “The Gingerbread Lady” are also high on my list. Dream job/opportunity: Professional actor/clinical psychologist Awards/Honors/Achievements: I was nominated for Best Supporting Actress in a Drama for my role in The Gingerbread Lady” a few years ago! I also won Best Supporting Performer in a Play for the 2023 St. Louis Broadway World Awards. Favorite quote/words to live by: “There are places you haven’t been where you already belong” A song that makes you happy: “Here Comes the Sun” by The Beatles
“Freaky Friday” at Christ Memorial Productions in 2023..
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Renowned for its innovative and impactful theatrical work in St. Louis, Gateway Center for Performing Arts is producing one of its most epic musical endeavors yet — “Ragtime.”
“This production pulls out all the stops, including aerial effects by On the Fly Productions, the functioning Model T Ford used in the national tour, and a large live orchestra,” said GCPA Executive Director Paul Pagano, who is directing the show.
“This is a very deep, emotional, and complicated story. These young artists are telling it with a wisdom that is beyond their years. They understand what it means to fight for equity far better than I did at their age. I learn a lot from them. My hope is that through their telling of this story, you will learn from them, too,: Pagano said.
The musical will be staged for four performances at the Kirkwood Performing Arts Center April 19-21, with showtimes at 7 p.m. Friday, 2 p.m. and 7 p.m. Saturday, and 2 p.m. Sunday.
“Ragtime” intertwines the lives of three families – white, black and immigrant – navigating the vibrant and tumultuous landscape in turn-of-the-century America. The lush Tony award-winning musical score by Lynn Ahrens and Stephen Flaherty sets the backdrop for this powerful tapestry, delving into the complexities of racial tensions, social change, and the pursuit of the “American Dream.”
GCPA’s talented and passionate young cast, under the direction of a diverse powerhouse creative team, tell a story that not only revisits the struggles of the past, but also holds a mirror to the present, inviting audiences to reflect on how much has truly changed, and how much remains the same.
“My role was to research this show, but I really learned the most from the actors in this cast,” said Dramaturg Kate Schuler. “We can – and should – learn about racial injustice in school, but learning directly from the performers, having open conversations and how the story of “Ragtime” resonates with them as they bring it to life, has been so Important. We need to keep having these conversations.”
Zion Thomas, a GCPA alum now joining the creative team as Assistant Director, shared his perspective. “We see the protagonist, the passionate and adventurous Coalhouse Walker Jr., grow angry and violent as the story unfolds. His actions are a calculated response to all he has lost. They come from the mind of a man who screams for respect yet has found no other way to be heard. I do not excuse his actions, but I do understand them.”
“In my opinion, one cannot focus on Coalhouse’s violence without first dwelling upon what drove him to it: the defilement of his dignity, the inability to obtain legal justice, and the brutal murder of his love with impunity. Like all people, Coalhouse sought common decency and respect. And when it was denied him, he demanded it. I hope you fall in love with Coalhouse, but more importantly, I hope you hear his plea. It is one that many cry to this day,” he said.
Ragtime takes a hard look at the connection between the injustices of the past and the present, but it also calls audiences to action for the future. Aurora Lindsey, who plays Sarah’s friend, shared the impact of connecting with community while developing her character.
“Working alongside this gifted cast, especially in a group of gifted black friends, I have experienced such deep connection as we’ve grown together through telling this story. My character experiences a lot of pain, but she has taught me the importance of even through pain, always taking the chance to lift people up, create change, and move forward.”
Activist Emma Goldman is played by Grace Cooperstein, who reflected, “I’ve learned from my character how to speak up and use every opportunity to make change. My sword is my voice.”
And James Davis IV, who is a part of the Harlem Ensemble and plays Coalhouse’s Follower, said: “Ragtime illuminates the very real discrimination we still face today, but my takeaway is that these characters never gave up and never stopped fighting for their joy and for their dreams. We have the power. especially when we are family together, to make change. When opportunity strikes, don’t linger in the noise. Keep going.”
The choreography is by Laura Roth and Lawrence Haliburton and Lori Pagano is the music director.
Tickets are available through Metrotix or the KPAC box office for $15-26 and can be purchased through www.gcpastl.org/tickets. Student tickets are available on Saturday night for $15. You can avoid Metrotix fees by purchasing directly from the KPAC box office.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Anyone who has experienced grief knows that moving forward, life is measured by “Before” and “After.”
“The Whale” delves into the mental and physical health problems of a morbidly obese recluse, showing us the “After” and explaining the “Before” in an emotionally honest drama by Samuel D. Hunter.
In yet another well-cast, impeccably directed production, St. Louis Actors’ Studio imbues this gut-punch of a script with empathy and authenticity.
In his play, Hunter forces us to see the complexities in human nature, so impressions aren’t so easily defined, and judgment can wait. He has crafted flawed characters who have dealt with adversity and challenges in very different ways. Yet, they are stuck in time.
First presented in 2012, Hunter later wrote a bleak screenplay adaptation for the 2022 film that won two Oscars – one for Brendan Fraser’s performance and the other for makeup.
The film, while much dimmer inside the claustrophobic apartment, is very similar to the stage play, yet the characters are more severely portrayed, and redemption doesn’t seem plausible.
Set in a small town in northern Idaho, over the course of a week, four people interact with a nearly immobile Charlie (William Roth) in his dingy living room – nurse and friend Liz (Colleen Backer), estranged daughter Ellie (Nadja Kapetanovich), ex-wife Mary (Lizi Watt), and Mormon missionary Elder Thomas (Thomas Patrick Riley).
All affected by loss and loneliness, they are each wrapped in their own cocoons, and grace has eluded them. Director Annamaria Pileggi has drawn out nuances among this exemplary cast as they reveal truths about themselves. You feel their misery, but you also see signs of hope.
In a brave, towering performance, William Roth has never been better as Charlie, a sensitive soul whose heartache and regrets have led to self-destructive behavior. A writing instructor who now conducts classes online, he has ballooned to 600 lbs., suffers from congestive heart failure and is on a trajectory to imminent death.
Roth has delivered virtuoso performances before, notably as George in “Who’s Afraid of Virginia Woolf?” and as Charlie Aikin in “August: Osage County,” both at St. Louis Actors’ Studio, which he founded and is the artistic director.
William Roth as Charlie. Photo by Patrick Huber
But this realization is both heartfelt and haunting. Hunter enlists many ways to display Charlie’s self-loathing, visually masking his pain with an eating disorder, and describing memories from what had been an ordinary life. Roth disappears into the role, wistfully recounting happier times at the seashore with his wife and child, and then later being with his lover and former student Alan. Will he ever forgive himself for what he perceives are his failings?
Using a colloquial term, Charlie has “let himself go.” Eating his feelings since Alan’s death eight years ago, he has guilt in his psyche – but passion in his heart for literature. You feel his remorse – and his enormous capacity for love.
Through grading papers, talking to his class via computer, and reading aloud their essays, Charlie displays a fine mind, a keen grasp of literature, what authors meant, and encourages self-expression.
Conveying that love for the written word that once gave him great joy makes it much sadder that, sidelined by grief, he’s not the teacher he once was, and not entirely comfortable connecting with his students (yet, astute in his comments). The isolation, as reflected in that tiny room, is crushing.
He also has vast unconditional love for his daughter Ellie, a sullen teenager who feels abandoned and lashes out cruelly. After years of no contact, he has attempted to reconnect with her, and she is seemingly unreachable – tough, rebellious, impulsive.
Her mother, angry and filled with rage too, has kept her from establishing a relationship with her father. At 17, she hates everything and everybody, and is flunking out of school. She is repulsed by his appearance, but visits anyway — after all, he is writing her English papers, and there is a pledge of money.
Displaying hostility, confusion, forlornness, and defiance, Nadja Kapetanovich is a knockout in a finely textured performance as Ellie. It’s a sensational breakthrough performance in regional theatre.
Kapetanovich, Riley, Watt, Backer, Roth. Photo by Patrick Huber.
Thomas Patrick Riley also has a breakout opportunity as Elder Thomas, and he’s splendid. He has the most complicated backstory of them all, and represents the evangelical religion that Hunter focuses on as a root to issues expressed here, particularly religious homophobia, and pointedly The Church of Jesus Christ of Latter-day Saints.
More dots in the plot are connected through Liz, the tough-love nurse played with heartbreaking compassion by Colleen Backer, whose ability to shift moods between comic and dramatic is one of her finest features.
Liz is Alan’s sister, so there is that. And she’s trying to keep Charlie healthy and alive, but also enabling him with high-fat, high-sodium foods (fried chicken, sub sandwiches, pizza, doughnuts and soda). She offers comfort while admonishing him with lectures. It’s an endearing performance by the always entertaining Backer.
In a brief but pivotal role, Lizi Watt blows in as the blustery ex-wife Mary, whose resentment is at a full rolling boil. She’s full of outrage, and vents to Charlie on how exasperated she is about their daughter. While she’s snarling, she’s also drinking copious amounts of vodka. It’s apparent that Ellie is a mirror image of her mother.
What is interesting about these hardened characters is you see them mentally and physically soften when confronted with Charlie’s predicament – if only fleeting. There is also more humor in the play than I recall from the film, which are moments of relief from the grim subject matter and the blame game volleys.
Wearing an impressively designed body suit by Angela B. Calin and engineered and constructed by Laurie Donati of the South Coast Repertory Theatre in Costa Mesa, Calif., Roth’s physicality is key to the character, portraying the very real struggles of someone so overweight as to be in pain from the slightest exertion.
Costume Designer Teresa Doggett also worked skillfully on Roth’s prosthetics to ready him for this appearance on stage, and her casual outfit choices for the five actors were on point.
Patrick Huber’s scenic and lighting design reflects the slovenly quarters but also Charlie’s thirst for knowledge, with crammed bookshelves and papers everywhere. Props designer Emma Glose did a fine job littering the apartment with discarded food boxes, beverage containers and academia.
Caleb D. Long supervised the crafts parts as technical director. Another standout is the sound design by Kristi Gunther, also production manager, which incorporated hearing seaside noises like seagulls and the waves on the beach to evoke pleasant memories.
Others responsible for shaping this tight production: Bryn McLaughlin was the assistant director, and stage manager Amy J. Paige, with Glose her assistant.
This show’s cast was able to let us into their world, tinged with melancholy, and indicate the possibility of mercy, which is a final grace note.
And we can debate the ending for a long time, but I choose triumph, even if it is just in the teeniest glimmers of change that may be ahead for all.
St. Louis Actors’ Studio presents “The Whale” Thursday, Friday and Saturday evenings at 8 p.m. and Sundays at 3 p.m. April 5 through April 21 at The Gaslight Theatre, 358 N. Boyle. For more information: stlas.org.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
