Lynn Venhaus

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Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.  She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.  She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle. She is retired from teaching journalism/media as an adjunct college instructor.

St Louis Film Critics Association Announce 2022 Awards Nominations

St Louis Film Critics Association Announce 2022 Awards Nominations

‘The Banshees of Inisherin’ leads with 11 nominations, followed by ‘Everything Everywhere All at Once’ with 10; ‘Women Talking’ and ‘The Fabelmans’ earn 8 each

Special Merit recognition to Jafar Panahi, Ashley Judd and David Bowie

The St. Louis Film Critics Association have announced nominations for its annual awards, to be presented on Dec. 18.

In addition to determining nominations in 23 categories, the regional critics’ group recognized three people for special merit: imprisoned Iranian director Jafar Panahi, whistleblower actress Ashley Judd and posthumously, influential musician-actor David Bowie.

“The Banshees of Inisherin,” Martin McDonagh’s dark comedy about two lifelong friends at an impasse, was nominated for film, director, actor, supporting actor and actress, ensemble cast, original screenplay, cinematography, editing, music score and production design.

The multiverse mind-bender, “Everything Everywhere All at Once,” garnered nominations for film, directors, actress, supporting actor, ensemble, original screenplay, editing, visual effects, comedy, and action film.

Two dramas, “Women Talking” and “The Fabelmans,” were recognized with eight nominations apiece, while the “Elvis” biopic had seven, and sequels “Top Gun: Maverick” and “Glass Onion: A Knives Out Mystery” earned six.

See below for a complete list of nominations.

Regarding the Special Merit nods, SLFCA President Jim Tudor said the group wanted to recognize filmmaker Jafar Panahi, who was sentenced to six years in prison by the Iranian government for inquiring about the arrests of his fellow filmmakers Mohammad Rasoulof and Mostafa Al-Ahmad.

The international film community has denounced his imprisonment as unjust. His latest work, “No Bears,” was shown at the Venice Film Festival and New York Film Festival this fall.

The SLFCA statements on the three Special Merits:

Jafar Panahi

“In recognition of the courage of imprisoned Iranian director Jafar Panahi and all those film professionals confronting political oppression in the pursuit of free speech, human rights, and artistic expression.”

Ashley Judd

“We recognize Ashley Judd for the bravery and courage she demonstrated in portraying herself in ‘She Said.’”

David Bowie

“After nominating the experimental documentary “Moonage Daydream,” we want to also honor the expansive and continuing cinematic presence of singer-songwriter and actor David Bowie, whose life and music continues to permeate and enrich the cinema landscape.”

Founded in 2004, the St. Louis Film Critics Association is a nonprofit organization of professional film reviewers who regularly publish current and timely film criticism, support local productions and festivals, and enhance public education, awareness, and appreciation of films. Vetted members are affiliated with qualifying media outlets in the St. Louis metropolitan region.

For the awards, eligible films are those that opened in the greater St. Louis area or had an online premiere during the 2022 calendar year – including those film that were given awards-qualifying runs in 2021 but were not available to all SLFCA members until 2022. Films slated for release in early in 2023 are also eligible if a press screening, DVD screener, or screening link was provided to all SLFCA members.

For more information, visit the site: www.stlfilmcritics.com

The complete list of nominations are as follows:

She Said

BEST FILM

The Banshees of Inisherin
Elvis
Everything Everywhere All at Once
She Said
Women Talking

BEST DIRECTOR

The Daniels (Daniel Kwan & Daniel Scheinert) – Everything Everywhere All at Once
Baz Luhrmann – Elvis
Martin McDonagh – The Banshees of Inisherin
Sarah Polley – Women Talking
Steven Spielberg – The Fabelmans

BEST ACTOR

Austin Butler – Elvis
Daniel Craig – Glass Onion: A Knives Out Mystery
Colin Farrell – The Banshees of Inisherin
Brendan Fraser – The Whale
Paul Mescal – Aftersun

BEST ACTRESS

Cate Blanchett – Tár
Danielle Deadwyler – Till
Mia Goth – Pearl
Emma Thompson – Good Luck to You, Leo Grande
Michelle Williams – The Fabelmans
Michelle Yeoh – Everything Everywhere All at Once

BEST SUPPORTING ACTOR

Andre Braugher – She Said
Brendan Gleeson – The Banshees of Inisherin
Judd Hirsch – The Fabelmans
Ke Huy Quan – Everything Everywhere All at Once
Ben Whishaw – Women Talking

BEST SUPPORTING ACTRESS

Angela Bassett – Black Panther: Wakanda Forever
Kerry Condon – The Banshees of Inisherin
Claire Foy – Women Talking

Janelle Monae – Glass Onion: A Knives Out Mystery
Carey Mulligan – She Said

Glass Onion

BEST ENSEMBLE CAST

The Banshees of Inisherin
Everything Everywhere All at Once
The Fabelmans
Glass Onion: A Knives Out Mystery
Women Talking

BEST ADAPTED SCREENPLAY

Glass Onion: A Knives Out Mystery – Rian Johnson; based on characters created by him

Guillermo del Toro’s Pinocchio – Guillermo del Toro and Patrick McHale; Guillermo del Toro and Matthew Robbins (story); based on the novel by Carlo Collodi

She Said – Rebecca Lenkiewicz; based on the book She Said by Jodi Cantor and Megan Twohey, and on the New York Times investigation by Jodi Kantor, Megan Twohey, and Rebecca Corbett

White Noise – Noah Baumbach; based on the novel by Don DeLillo

Women Talking – Sarah Polley and Miriam Toews; based on the novel by Miriam Toews

BEST ORIGINAL SCREENPLAY

The Banshees of Inisherin – Martin McDonagh
Decision to Leave – Park Chan-wook and Gong Seo-kyeong
Everything Everywhere All at Once – The Daniels (Daniel Kwan & Daniel Scheinert)
The Fabelmans – Steven Spielberg & Tony Kushner
The Menu – Seth Reiss & Will Tracy
Tár – Todd Field

The Menu


BEST EDITING

The Banshees of Inisherin – Mikkel E.G. Nielsen
Elvis – Jonathan Redmond and Matt Villa
Everywhere Everywhere All at Once – Paul Rogers
Tár – Monika Willi
Top Gun: Maverick – Eddie Hamilton

BEST CINEMATOGRAPHY

The Banshees of Inisherin – Ben Davis
The Batman – Greig Fraser
Nope – Hoyte Van Hoytema
Top Gun: Maverick – Claudio Miranda
Women Talking – Luck Montpellier

BEST PRODUCTION DESIGN

Avatar: The Way of Water – Dylan Cole and Ben Procter
The Banshees of Inisherin – Mark Tinldesley
Black Panther: Wakanda Forever – Hannah Beachler
Elvis – Catherine Martin and Karen Murphy
Glass Onion: A Knives Out Mystery – Rick Heinrichs

BEST COSTUME DESIGN

Black Panther: Wakanda Forever – Ruth E. Carter
Elvis – Catherine Martin
The Fabelmans – Mark Bridges
Mrs. Harris Goes to Paris – Jenny Beavan
The Woman King – Gersha Phillips

BEST VISUAL EFFECTS

Avatar: The Way of Water – Joe Letteri, Richard Baneham, Eric Saindon, and Daniel Barrett

Everything Everywhere All at Once – Zak Stoltz (Visual Effects Supervisor); Ethan Feldbau and Benjamin Brewer (Visual Effects Lead Artists); Jeff Desom (Visual Effects Artist)

Nope – Guillaume Rocheron (Visual Effects Supervisor); Jeremy Robert (Visual Effets Supervisor); Sreejith Venugopalan (DFX Supervisor); Scott R. Risher (Special Effects Coordinator)

RRR – V. Srinivas Mohan (VFX Supervisor)

Top Gun: Maverick – Ryan Tudhope (Visual Effects Supevisor); Scott R. Fisher (Special Effects Coordinator); Seth Hill (Visual Effects Supervisor) Bryan Litton (Visual Effects Supervisor)

Babylon

BEST MUSIC SCORE

Babylon – Justin Hurwitz
The Banshees of Inisherin – Carter Burwell
The Batman – Michael Giacchino
The Fabelmans – John Williams
Women Talking – Hildur Guðnadóttir

BEST SOUNDTRACK

Black Panther: Wakanda Forever
Elvis
Moonage Daydream
Top Gun: Maverick
Weird: The Al Yankovic Story

BEST ACTION FILM

Avatar: The Way of Water
Everything Everywhere All at Once
RRR
Top Gun: Maverick
The Woman King

BEST COMEDY FILM

Everything Everywhere All at Once
Glass Onion: A Knives Out Mystery
Jackass Forever
The Unbearable Weight of Massive Talent
Weird: The Al Yankovic Story

BEST HORROR FILM

Men
Nope
Pearl
Scream
X

Guillermo del Toro’s Pinocchio

BEST ANIMATED FILM

Apollo 10 ½: A Space Age Childhood
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Turning Red
Wendell and Wild

BEST DOCUMENTARY FILM

All the Beauty and the Bloodshed
Fire of Love
Good Night Oppy
Moonage Daydream
Sr.

BEST INTERNATIONAL FILM

All Quiet on the Western Front
Close
Decision to Leave
Happening
RRR

BEST SCENE

The Fabelmans – Sam meets one of his idols on the studio lot.
Marcel the Shell with Shoes On – Marcel on 60 Minutes.
Nope – A tragic day on the set of Gordy’s Home.
RRR – Piggyback prison escape.
Tár – Lydia bullies a Julliard student.
Top Gun: Maverick – Iceman visits with Maverick.

RRR

‘Women Talking,’ ‘The Sex Lives of College Girls’ Receive SOFEE Honor

‘Women Talking,’ ‘The Sex Lives of College Girls’ Receive SOFEE Honor

The Critics Choice Association (CCA) Women’s Committee is pleased to announce “Women Talking” (United Artists Releasing) and “The Sex Lives of College Girls” (HBO Max) will receive the Seal of Female Empowerment in Entertainment. Called the “SOFEE,” the Seal recognizes outstanding new films and television series that illuminate the female experience and perspective through authentically told female-driven stories.

“Women Talking” focuses on a group of Mennonite women who gather to determine what action to take after rampant sexual abuse is condoned by the male leaders of the community. Written, directed, and produced by Sarah Polley from the novel by Miriam Toews, the drama explores the themes of sisterhood, autonomy, and justice through the eyes of women who have lived their entire lives inside a closed, conservative, rural community.

“I am so thrilled our film has been included amongst the incredible films receiving this honor, and so grateful for this initiative to encourage more films that tell women’s stories,” wrote Polley in a letter to the CCA membership. “Sometimes, when embarking on a project like this one, it’s easy to feel lost and unsure. Especially when you are telling a story about a community that has never been told. You must break and remake yourself in the process of finding your true voice. Thank you for creating this seal which helps a lot of us who have been lost to feel seen.”

The Sex Lives of College Girls

“The Sex Lives of College Girls” is a female-led scripted comedy series following four very different freshman girls at a prestigious college in Vermont. Led by a diverse cast that stars Pauline Chalamet, Amrit Kaur, Alyah Chanelle Scott, and Reneé Rapp, these young women juggle their educational aspirations with their newfound freedom and burgeoning sex lives. Created and written by Mindy Kaling and Justin Noble, and with a majority of female writers and directors, the series showcases young women  navigating the beginning of adulthood through diverse, relatable and witty stories. 

“With diverse female representation behind and in front of the camera, ‘The Sex Lives of College Girls’ is the perfect example of what we are looking for when awarding the SOFEE,” said Tara McNamara, Chair of the CCA Women’s Committee. “Women write and produce the series, and their point of view shines through in the sometimes relatable, always hilarious stories that may bring back cringey memories for many women. The show’s sex positive message is reflected differently for each of the four main characters, allowing women from all walks of life to see elements of their own journeys represented on-screen.”

Both “Women Talking” and “The Sex Lives of College Girls” received perfect scores in the numerical formula that is used to determine if new titles, nominated by CCA Women’s Committee members, are eligible for a SOFEE. Qualifying projects will have a prominent female character arc, give female characters at least equal screen time to male characters, have female leaders behind the scenes, and pass elements highlighted in the Bechdel test. To be considered, new film and television releases must possess an artistic and storytelling value and exceptionality, and score at least 7 out of a possible 10 points in the SOFEE rubric, which can be found at CriticsChoice.com. There are no limits or quotas governing the number of SOFEE seals the CCA may grant.

The Seal of Female Empowerment in Entertainment is issued by the CCA Women’s Committee. Members include Tara McNamara (Chair), Hillary Atkin, Semira Ben-Amor, Christina Birro, Lauren Bradshaw, Jamie Broadnax, TJ Callahan, Natasha Gargiulo, Toni Gonzales, Teri Hart, Laura Hurley, Susan Kamyab, Louisa Moore, Gayl Murphy, Mary Murphy, Patricia Puentes, Christina Radish, Amanda Salas, Rachel Smith, Sammi Turano, and Lynn Venhaus, as well as CCA board member Paulette Cohn.

WOMEN TALKING (2022) Rooney Mara, Claire Foy, and Jessie Buckley CR: Michael Gibson/United Artists Releasing

About the Critics Choice Association (CCA)

The Critics Choice Association is the largest critics organization in the United States and Canada, representing more than 600 media critics and entertainment journalists. It was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association, recognizing the intersection between film, television, and streaming content. For more information, visit: www.CriticsChoice.com.

‘The Christians’ Offers Outstanding Acting in Thought-Provoking Play

‘The Christians’ Offers Outstanding Acting in Thought-Provoking Play

By Lynn Venhaus
Playwright Lucas Hnath doesn’t ever flinch, and neither does his lead character, Pastor Paul in “The Christians,” an examination of faith and influence in a 21st century megachurch.

In an innovative move, the West End Players Guild is presenting this thought-provoking drama in the Union Avenue Christian Church, not their usual stage in the basement.

It’s just one of director Ellie Schwetye’s smart moves, and the setting adds an authenticity for this examination of faith and doctrine.

It’s not a typical megachurch plot, where there is often reason to deride piety. The characters are sincere, which makes it more powerful.

Pastor Paul has discarded his church’s traditional fundamentalist Christianity in favor of a more inclusive and universal Christianity. When he announces to his congregation that he has come to doubt a core belief – well, this does not go over well.

He thinks other religions have valid points. Oh, the horror. This rocks everyone to their core. Chaos will ensue.

Ten years ago, his church was a modest storefront, but now it houses thousands, with all sorts of amenities. It’s paid for, and all seems to be going well. How does one man unite a church – and then, suddenly, divide it? Can internal politics tear down things built up with love?

As Pastor Paul, Joel Moses digs deep, showing us his pain over his flock’s revulsion, and how those closest to him turn on him. He’s aghast, for while he expected this sermon to be controversial, the reaction stuns him. Their foundation – and relationships – will crumble before our very eyes.

As this unsettling drama unfolds, the cast is pitch-perfect, making sure each character is not black-or-white, but many shades of grey. Each has a crisis of faith, and this creates thought-provoking content. And interesting confrontations as they all seem at different crossroads.

Joseph Garner is impressive as the associate pastor Joshua, who must stay true to his values. Rachel Hanks is strong as Pastor Paul’s faithful wife Elizabeth — but begins to doubt so much about their relationship and work. And then loyal parishioner Jenny, played by a fiery Chrissie Watkins, must speak her truth. Michael Byrd has a small role as Elder Jay.

Hnath, a favorite of West End Players Guild, first produced “The Christians” at the Humana Festival of New American Plays in Louisville, Ky., in 2014. It premiered off-Broadway at Playwrights Horizons in 2015, and then had its Chicago premiere at Steppenwholf Theatre Company in 2016. He is the son of a minister.

Among its accolades – “The Christians” was nominated for two 2016 Drama Desk Awards, for Outstanding Play and Outstanding Actor in a Play, and then nominated for the 2016 Lortel Award for Outstanding Play and Outstanding Lead Actor in a Play. It won the 2016 Outer Critics Circle Award as Outstanding New Off-Broadway Play

This production is a St. Louis premiere, and is one of the strongest dramas of the year.

West End Players Guild presents Lucas Hnath’s The Christians Dec. 2-11 at Union Avenue Christian Church, 733 Union in the Central West End. For more information: westendplayers.org.

Photos by John Lamb

Oh What Fun A Wild and Weird Cult Musical Can Be This Time of Year

Oh What Fun A Wild and Weird Cult Musical Can Be This Time of Year

By Lynn Venhaus

A little bit of horror and a lot of hilarity ensues in the madcap cult musical “Ride the Cyclone: The Musical,” now playing in a festive amusement park-like atmosphere at the Tower Grove Abbey.

For those unfamiliar with this musical comedy by Jacob Richmond and Brooke Maxwell, six peppy performers portray teenagers from a Canadian parochial school chamber choir whose lives are cut short in a freak accident aboard a roller coaster.

And that’s not the only thing freaky in this zany production that has a distinct viewpoint about the universal mysteries of life, death, and the afterlife – mostly funny, but sometimes sad, and surprisingly touching.

After they wind up in Limbo, a mechanical fortune teller, The Amazing Karnak, offers the dead kids a chance to return to life – but only one will be selected in this strange game of survivor. So, each tells their stories of living in Uranium City, Saskatchewan, and of their experiences at St. Cassian High School.

Five are kooky variations of John Hughes-like characters while the sixth, Jane Doe, was decapitated in the calamity and her body wasn’t claimed. Dawn Schmid plays the mysterious and ethereal outlier, showcasing her elegant voice in the opening number “Dream of Life” and later, “The Ballad of Jane Doe,” in which she talks about not knowing her identity.

The other five try to set themselves apart, and they accomplish that. This is a merry band of accomplished performers who make each character their own.

Photo by John Lamb

Eileen Engel, channeling Reese Witherspoon’s Tracy Flick character in “Election,” is the classic annoying over-achiever who is so certain she should be spared – and is snide in her comments to others, her entitlement front and center. Her name Ocean O’Connell Rosenberg. Seriously. Her catch phrase is “Democracy rocks!”

Her number, “What the World Needs,” brings out her personality traits and she leads the ensemble on “Every Story’s Got a Lesson.”

Riley Dunn may be having the most fun on stage as a very angry adopted young man, Mischa Bachinski, from the Ukraine. He’s an aspiring rapper, so of course, he must show off in “This Song is Awesome” and then display his softer side when recalling his internet girlfriend “Talia.”

In death, Stephen Henley’s earnest Ricky Potts, mute with a degenerative disease — catch phrase “Level Up!” — apparently has a new lease on life, as he is no longer disabled, and thrives with his discovered abilities. Part mensch, and pure team player with an overactive imagination, he sure has fun in his fantasies with “Space Age Bachelor Man.”

Grace Langford is eager-to-please Constance Blackwood, who is upset that she’s always labeled “nice,” has a love-hate relationship with her hometown and has a secret to later share. (And it’s a doozy). She belts out “Jawbreaker” and then after she changes her mind, “Sugarcloud.”

Mike Hodges has done double-duty as choreography and performer, and he gets to be outrageous as a gay kid in a small town who has never encountered anyone in his tribe. His saucy “Noel’s Lament” is the bawdiest number.

 “The Other Side” is a spirited introduction.

The choreography is a delightful mix of “High School Musical,” “Cabaret,” “La Cage aux Folles,” even shades of “Cats,” and contemporary music videos.

The kids take a break from their “Look at Me!”attitudes to sing the tender “The New Birthday Song” to Jane Doe.

Engel also does double duty, as costume designer, with looks that run the gamut from the drab Catholic school jumpers to Hodges’ more risqué outfits

A well-known local actor voices Karnak, and his narration is superb. The program doesn’t reveal who he is, so I’ll keep that quiet until we’re allowed to share, no spoiler from me.

The musical was first performed in 2008, but did not have its American premiere, in Chicago, until 2015, and then mounted off-Broadway the next year.

It has developed a cult following, somewhat like “The Rocky Horror Show,” and audience members came from several different states, whooping it up, their enthusiasm contagious.

This is a fast-paced show – 90 minutes without an intermission. While it flows smoothly, a tremendous amount of difficulty is apparent because of the level of stage craft, but it’s all handled with aplomb.

Photo by John Lamb

Director Justin Been has cleverly staged the intricate movements, with timing a crucial element, and skillfully coordinated the moving parts – as there are many cues for sound, lights, and special effects. Many video projections are used, too, snapshots from their lives.

Longtime tech creative Tyler Duenow has masterfully taken the lighting design to new heights — a terrific mix of spooky, strange and status quo, while sound designer Jacob Baxley’s crisp work is noteworthy too.

Scenic designer Josh Smith has appointed the small space well, with the Karnak a creepy standout (not confined to a glass case like in “Big.”)

The witty script leans towards the sarcastic, with some laugh-out-loud observations, Been, along with his cast, has enlivened the show with up-to-date references (script allows it)

The band is onstage and appears to be having fun. Led by music director Leah Schultz, who also plays piano and recorder, musicians include Michaela Kuba on bass and cello, Adam Rugo on guitar and Joe Winters on percussion.

A macabre and mirthful show might not evoke the spirit of Christmas, but it sure spread joy to the world in Tower Grove Abbey – a cheering audience, exuberant cast and top-of-their game creative team made it a pleasant holiday-time diversion.

Stray Dog Theatre presents “Ride the Cyclone: The Musical” Thursdays through Saturdays December 1-17, with additional performances on Sunday, Dec. 11, and Wednesday, Dec. 14, both at 8 p.m., at the Tower Grove Abbey, 2336 Tennessee, in Tower Grove East. This show contains mature language, smoke effects, strobing lights, and sudden loud noises. Masks are not required but encouraged. For more information or for tickets, visit www.straydogtheatre.org.

Photo by John Lamb

Pieces of Magic Spun as Inner Peace Memoir in Original ‘Forget-Me-Not’

Pieces of Magic Spun as Inner Peace Memoir in Original ‘Forget-Me-Not’

By Lynn Venhaus

A fascinating piece that combines intricate magic feats with intimate storytelling, “Forget Me Not” is an uncommon presentation.

Illusionist Kyle Marlett engages with an original and autobiographical one-man show that is much more than sleight of hand magic tricks and stunning visuals. As nifty as those inspired bits are, they are part of a bigger picture.

This is not your flashy extravaganza with pulsating music and fancy lighting that you often see as show biz spectacles — nor is it lacking artistry. Quite the contrary. It’s a one-of-a-kind rumination on learning, living, and leaving a mark, done with tender care.

This ambitious production appears to be a solo enterprise, but it’s not, for he has an accomplished cohort. Gunnar Sizemore, an actor who has appeared as Micah in the TV series “Nashville,” is Marlett’s co-creator. He is a director and voice actor, too, known for voicing Bao in the TV series “Kung Fu Panda: The Paws of Destiny,” among others.

The unusual set design – walls of boxes, some opening for effect, was co-designed with Patrick Huber. Several boxes hang from the ceiling, and are timed to drop as part of the show.

Kyle Marlett “Forget-Me-Not”

The subdued atmosphere includes low lighting and smoky effects, and the sound is soft. Huber was the lighting designer, too, and Marlett designed the sound.

Wearing his heart on his sleeve, Marlett shares his life story in a measured tone, with striking visual flourishes along the journey – such as recounting the times he and his brother shared giant bowls of cereal after school.

He has been estranged from that brother because of drugs. His brother’s woes and his father’s alcoholism didn’t make for a happy childhood, and he grew up escaping into his own fantasy world.

Magic enthralled him from the get-go and determined his path. His story’s unique, yet familiar, and that’s the endgame goal here – to engage people in a memorable way.

It’s doubtful that you’ve seen anything like it before. I know I haven’t.

Marlett has more than 1.5 million followers online and has been on such television shows as “The Tonight Show,” “Penn and Teller’s Fool Us,” and “RuPaul’s Drag Race.” He has also produced magic for movies and streaming series. A few years ago, he appeared at The Gaslight Theatre “in a very different show,” he told me.

Now, this show’s purpose is to focus on more meaningful connections. You know, the heavy stuff – Why are we here? What happens after we’re gone – who will tell our stories? What impact can we have? The clock is ticking, so how do we go about being remembered?

Marlett respectfully asked the audience for their thoughts, and to share some details, while he incorporated magic into the structure. Without razzle-dazzle, they were quite impressive – and the audience reacted warmly.

 This is a departure from the customary fare at St. Louis Actors’ Studio but follows that theme of connection that’s been ever-present in our post-pandemic (well, post-vaccine) world.

The feeling of a shared experience, like live theater represents, remains.

The St. Louis Actors’ Studio presents “Forget Me Not,” Dec. 3-18, Thursdays through Saturdays at 8 p.m. and Sundays at 3 p.m. in The Gaslight Theatre. It is 75 minutes without an intermission. Box office 314-458-2978 or www.ticketmaster, or one-hour before each show. For more information, visit www.stlas.org or contact help@stlas.org.

Local Doc ‘A New Home’ on Bosnian Community Now On Amazon Prime

Local Doc ‘A New Home’ on Bosnian Community Now On Amazon Prime

The award-winning documentary A New Home follows up its festival run on Amazon Prime Video as it continues to introduce viewers across the country to St. Louis’ Bosnian community.

The latest collaboration from Director/Producer Joseph Puleo and Executive Producer Rio Vitale, debuted this past summer where the filmmaking team once again achieved unprecedented success. Their showing was the most attended film as part of the St. Louis Filmmakers Showcase and took home both Best Documentary & Best Sound (Documentary).

A coveted feature screening slot at the 31st St. Louis International Film Festival also provided local theater-goers an encore viewing opportunity this past November.

“I greatly admire the way Joseph Puleo shows our city and our civic heritage in cinematic love letters to St. Louis, highlighting ethnicities that have made a vital and lasting impact on the place we all call home,” explains Cinema St. Louis Artistic Director Chris Clark. “His films are perfectly crafted, well-oiled machines that always draw a crowd due in no small part to his endless drive and passion to promote both his own work and the events themselves.”

In a follow up to America’s Last Little Italy: The Hill, the duos new film examines the story of Bosnian War refugees fleeing to St. Louis, Missouri, 30 years ago. As the war in Ukraine continues to rage and thousands of its citizens are displaced and seeking new homes, the plight of the Bosnians remains as relevant as ever.

Joey Puleo

When Bosnians fled their homes to escape the war in 1992, many ended up in St. Louis, largely because of its affordable housing and available jobs. The new arrivals began assimilating, starting their own businesses and transforming a once dilapidated South City neighborhood in the shadow of the Bevo Mill into a thriving “Little Bosnia.” Over the ensuing three decades, an estimated 70,000 Bosnians have migrated to St. Louis, making it the most inhabited area for Bosnians outside of Bosnia itself.  A New Home tells the story of these refugees’ perseverance and determination to not only start life over but prosper.

Pre-production on A New Home began in the spring of 2021 with hours of VHS footage and more than a thousand photographs generously donated to the project to utilize during the editing process. The film also includes interviews with luminaries including Patrick McCarthy, author of After the Fall: Srebrenica Survivors in St. Louis; Ben Moore, Senior Researcher at the Center for Bosnian Studies; Anna Crosslin, past president of the International Institute of St. Louis; former Missouri congressman Russ Carnahan; and Doug Moore, a former journalist at the St. Louis Post-Dispatch, as well as 5 Bosnian War survivors and refugees.

“A New Home is a fascinating documentary that I highly recommend,” states former Mayor of St. Louis, Francis Slay, who is also featured in the film. “I hope everyone in the St. Louis area gets a chance to watch and not only be entertained but learn about their Bosnian neighbors’ struggle for safety and freedom and the lasting impact they have had on our entire region.”

“This documentary was a complete labor of love,” said Puleo. “To be trusted with telling the harrowing and triumphant story of the Bosnians in St. Louis was not a responsibility that I took lightly and their courageous resolve inspired me to give this film all I could give. The audience response so far has been overwhelmingly positive and we cannot wait for more people to get the opportunity to see A New Home through Amazon’s portal.” 

Joey films Medina and Adis Hasanagic and their children

About The Creators:

Joseph Puleo, Director/Producer

Joseph Puleo was born on July 13, 1992, in St. Louis, Missouri. He attended Lindenwood University and graduated from their school of film in 2014. His short film, Top Son (2016) was a Top 5 finalist in Kevin Hart’s LOL Network “Eat My Shorts Competition” where it screened at the Just For Laughs festival in Montreal. His debut feature-length documentary, America’s Last Little Italy: The Hill (2020) was shown on PBS stations across the country and received multiple awards.

Rio Vitale, Executive Producer

Rio Vitale was born in St. Louis, Missouri, and has 40 years of experience in the financial brokerage industry. In 2014, Vitale published his first book, St. Louis’s The Hill. In 2016, he was knighted by the Italian government for his extensive work in the Italian community. In 2020, Vitale began a new venture into film production, executive producing the award-winning feature-length documentary, America’s Last Little Italy: The Hill.

To read the “Take Ten with Joey Puleo,” click here:
https://www.poplifestl.com/take-ten-with-fillmmaker-joey-puleo/

Daryl Hall’s Invigorated On Solo Tour

Daryl Hall’s Invigorated On Solo Tour

Hall will be in concert with Special Guest Todd Rundgren on Thursday, Dec. 1, at 7:30 p.m. at Stifel Theatre in St. Louis

By Lynn Venhaus

A soul survivor spanning 50 years in the music business, Daryl Hall still gets excited talking about performing live.

You can hear the enthusiasm about his latest venture in his voice during a recent phone interview. He embarked on the BeforeAfter Tour April 1 in Chicago, his first solo tour in more than a decade, and it’s been extended twice, launching again on Nov. 19, and wrapping up this week.

He will appear in concert on Thursday, Dec. 1, at Stifel Theatre in St. Louis, along with his special guest — old friend and fellow Philadelphian, Todd Rundgren.

Tickets are available for the show that starts at 7:30 p.m.: https://www.ticketmaster.com/daryl-hall-and-the-daryls-house-st-louis-missouri-12-01-2022/event/06005D2F8AF11B70

The last show for this year is Dec. 3 in Evansville, Ind.

“We are so happy because it’s been beyond our expectations,” he said from his home in Connecticut. “People are loving the show. It’s a big departure for me being out on my own and starting this new thing.”

Before After

Hall has released his first-ever solo retrospective, “Before After,” which features 30 selections from his five solo albums, from “Sacred Songs” in 1980 through “Laughing Down Crying” in 2011. In addition, the collection features six never-released performances from “Live from Daryl’s House,” his acclaimed web and television series.

The two-disc album, from Legacy Recordings, a division of Sony Music Entertainment, can be purchased here: https://legacyrecordings.lnk.to/BeforeAfterPR

The current Daryl’s House Band accompanies Hall and Rundgren, and includes guitarist Shane Theriot, bassist Klyde Jones, saxophonist Charlie DeChant, keyboardist Elliott Lewis, drummer Brian Dunne and percussionist/singer Porter Carroll.

“I have the best band in the world,” he exclaimed. “They travel with me all the time. Their experience shows on stage.”

Two new episodes of “Live from Daryl’s House” have been recorded and he said they’re getting ready to do a third, so stay tuned.

Todd on Live From Daryl’s House

Hall, 76, and Rundgren, 74, continue to thrive on the music paths they started as teenagers.

Both singer-songwriters and multi-faceted musicians, they have produced and arranged recordings for much of their Hall of Fame careers.

For this tour’s setlist, Rundgren starts off with an individual set, followed by an intermission, then by Hall. Then, they come together for the grand finale.

During the pre-vaccine part of the pandemic, when the world shutdown, so did he.

“I didn’t write a song. I hardly left the house. I slowed down,” Hall said.

But working on the retrospective and mapping out a tour was the impetus he needed to get back to doing what he loves to do.

Why take to the road after having such a long illustrious career?

“I am a working musician,” he said. “I live to work. I also have these guys (the band) to take care of. It is hard to challenge just yourself. This tour is a labor of love. I enjoy the work.”

Hall was thrilled to play at Carnegie Hall in New York City and Ryman Auditorium in Nashville for the first time.

Grateful to be connecting again with live music, he’s as invigorated as the fans.

“People are ready to go out and have a good time, relax. We’ve tapped into that need for human connection after the past couple of years,” he said.

That Philly Soul

Bonded by their Philly roots and simpatico relationship, Hall and Rundgren are a match that fans have responded to, described as a ‘dream team.’

Todd, Oates, Hall in 1974 (see info below)

“We grew up 20 miles from each other in Chester County (southeast Pennsylvania, part of Philadelphia metro area, Hall in Pottstown and Rundgren in Upper Darby),” he said. “We were aware of each other, but we didn’t meet until we both had moved to New York City at the same time.”

Where they met still makes him smile.

“We met at a showing of the movie ‘Fantasia,’ which is just so perfect, and we talked about how we should record together,” he said.

That led to Rundgren producing Hall & Oates’ third album, “War Babies,” in 1974.

“We continued to work together. He’s a real kindred spirit,” he said. “Todd’s music is so soulful, eclectic. He’s a maverick. We literally come from the same place. We were made to work together.”

Fans already know how good the blue-eyed soul pair sound together, for they’ve created magic both at Daryl’s home studio and at Todd’s place in Hawaii.

Their music has been flavored with the Sound of Philadelphia – noted for its funk and rhythm and blues fusion with pop, with a jazzy melodic structure, often including horns and strings in the instrumental arrangements. Philly soul can be heard in such acts as The Spinners, O’Jays, Delfonics and Stylistics.

“It was a very big influence in my music. You can’t help but have pride in the Philly Sound, it’s still a major influence in the world,” he said.

As the best-selling duo of all-time with John Oates, Hall had six no. 1 hits in the 1970s and 1980s. Hall & Oates’ accessible pop has stood the test of time – and you can hear their greatest hits used in current commercial campaigns.

Inducted into the Rock and Roll Hall of Fame with Oates in 2014, they team up from time to time, including several concerts this past year.

Hall, whose mom was a vocal teacher and choir director, said he can’t remember a time when he wasn’t singing. While in college at Temple University, he recorded his first song with a group he formed, The Temptones. He was 18, and he’s been recording ever since.

In the early days of Hall & Oates, they didn’t break through with major success until “Sara Smile,” was released as a single in 1975.

“That song is very significant to me,” he said. “It was very exciting to hear it on the radio. It was an indescribable feeling.”

(“Sara Smile” was about his girlfriend at the time, Sara Allen, who contributed to some of Hall & Oates’ most popular songs – “You Make My Dreams,” “Maneater,” “Private Eyes” and “I Can’t Go for That” among them. They were in a long-term relationship for about 30 years, breaking up in 2001).

Live from Daryl’s House

Just as Hall & Oates had their many successes during the early days of MTV, embracing music videos as a promotional tool, Hall has managed to reinvent himself in the digital age through his award-winning series.

He launched LFDH as a free monthly show on the internet in 2007 and played music with friends. He wanted it to have a relaxed vibe of hanging out and having a good time jamming. It also ran on television, including Viacom’s Palladia channel.

“It’s been phenomenal. It was an idea whose time had come. Nobody was watching the internet then. How times have changed since then,” he said.

Fans new and old responded to his collaborations with the latest generation of musicians as well as his contemporaries – and a variety of genres. He’s played with Neon Trees, Jason Mraz, Smokey Robinson, The Spinners, Tommy Shaw, Kenny Loggins, Joe Walsh, and The Goo Goo Dolls.

Winner of a Webby Award for best variety series and O Music Award from MTV for best performance series, LFDH has recorded 82 episodes, some of which are archived on his website, while others are available on YouTube.com

For many years, he recorded the show in the 18th century home he rehabbed in New York’s Hudson Valley, in Millerton, but then moved to Connecticut. For a new place starting with the 66th episode, he renovated the former Towne Crier nightclub in Pawling, N.Y., into a restaurant-and-live-music venue, which opened in 2014. It is currently open for business and offering live entertainment.

https://www.livefromdarylshouse.com/welcome.html

For more on the artists:

John Oates, Daryl Hall

Hall & Oates

They met in 1970 while students at Temple University, and recorded their first album, “Whole Oats,” in 1972. A year later, “Abandoned Luncheonette” followed, featuring the hit “She’s Gone.”

With the release of “Sara Smile” from what’s known as “The Silver Album” in 1976, they became superstars. In 1987, the Recording Industry Association of America declared they were the best-selling musical duo of all-time and have maintained that record.

Hall would be a part of “We Are the World” and the duo was on the stage during Live Aid in Philadelphia in 1985. They also backed up Tina Turner and Mick Jagger.

As for his description of St. Louis legend Turner, Hall said: “She’s great. She’s very gracious and kind,” he said, noting that the first record he bought at age 12 was Turner’s.

Todd Rundgren

Todd Rundgren

Rundgren began playing guitar as a teenager and formed the psychedelic garage rock quartet Nazz in 1967, releasing three albums between 1968 and 1971. He re-recorded his hit song, “Hello It’s Me” as a solo artist. He released “Runt,” his first solo album, in 1970, and learned how to produce an album himself.

A production deal led him to projects with Janis Joplin, the Band, Patti Smith, and others. He also produced albums for the New York Dolls, Grand Funk Railroad, Meat Loaf and Daryl Hall & John Oates.

For his 2-disc masterpiece, “Something/Anything?” in 1972, he sang all the vocal parts and played all the instruments on three of the four sides. He has released 25 solo albums and 10 with Utopia. His latest, “Space Force,” was released on Oct. 14.

His music video for ‘Time Heals” was the eighth one played when MTV launched on Aug. 1, 1981.

He is genuinely regarded as an innovative and resourceful singer, songwriter, musician, sound engineer and record producer. A multimedia artist, he is considered a pioneer in the fields of electronic music, progressive rock, music videos, computer software, and Internet music delivery. By the mid-90s, he was experimenting with interactive CD-ROM and new video technology.

He was inducted into the Rock ‘n Roll Hall of Fame in 2021, although he refused to attend the ceremony.

He has toured with Ringo Starr and the All-Star Band, the new Cars and recently appeared on the Celebrating David Bowie tribute tour in October and November.

Photos: Todd Rundgren, on his 26th birthday, on June 22, 1974, was in concert at the Wollman Rink in Central Park, and Daryl Hall and John Oates were part of his ‘chorus.’ He was producing their “War Babies” album then. (Photo posted on YouTube, with audio, from the 1974 concert: https://youtu.be/ls0Yje9-woI)

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Tesseract’s Leap of Faith Musical ‘Ordinary Days’ Is a Memorable Journey

Tesseract’s Leap of Faith Musical ‘Ordinary Days’ Is a Memorable Journey

By Lynn Venhaus

What a pleasant surprise the leap of faith “Ordinary Days” is – as the inaugural musical presentation of Tesseract Theatre Company, as an original musical by Adam Gwon, as a coda to this year and as a reflective piece for our third winter of a pandemic.

An intimate, affecting sung-through musical that intersects the lives of four young New Yorkers, “Ordinary Days” resonates with its struggles, search for fulfillment and the palpable sense of yearning from the new-to-me quartet.

Discovering the vocal talents and comedic timing of Brittani O’Connell, Jacob Schmidt, Micheal Lowe, and Lauren Tenenbaum is also part of the fresh-and-fun experience.

As directed by veteran Elisabeth Wurm, the cast maneuvers like the New Yorkers they portray. There’s a certain rhythm to moving around the city, and the four performers nail the aptitude and the attitude. (Full disclosure: my youngest son has lived there since 2011, so I have visited over the years, and have observed the natives, transplants, and tourists.)

When navigating the hustle and bustle, I am often reminded of Stephen Sondheim’s lyrics to “Another Hundred People” in “Company”: “It’s a city of strangers, Some come to work, some to play… Some come to stare, some to stay And every day The ones who stay
Can find each other in the crowded streets and the guarded parks…”

Worried about their futures while still clinging to their hopes and dreams, these two pairs have found each other in a city misrepresented by a cold-hearted perception. It’s not, but you must learn survival — “If I can make it there, I can make it anywhere” is pretty much true.

Tenenbaum is Deb, a small-town girl with dreams of more, who is in grad school and misplaces a notebook crucial to her thesis. It’s found by Warren, a guileless goofy guy played by Schmidt, who is too pleasant and agreeable for his own good, for he’s one of those random guys passing out flyers on the street who is repeatedly ignored. His job is cat-sitting but he’s the proverbial struggling artist. He’s desperate to fit in – can he still be chipper when trying not to get swallowed whole by the city?

Frazzled high-strung Deb is always in a hurry, and will eventually learn to be in the moment, or else the treasured little things in life will pass her by. She thinks Warren is weird, but eventually they become good friends.

Jacob Schmidt, Lauren Tenenbaum

 The other couple is romantically linked. They have been together for a while but mulling over taking it to the next level, as Jason moves his things in to Claire’s. But something isn’t quite right. O’Connell plays Claire, whose backstory includes a 9-11 casualty, and Lowe is Jason, whose journey leads to commitment, but is Claire ready?  

Learning to appreciate the simple things of life – while feeling lonely, isolated, and out of sorts – has been a common theme during the coronavirus pandemic, which has brought a gamut of emotions to the surface since March 2020.

So, Adam Gwon’s play, written in 2008, takes place in 2005, which is important for the actions and transitions. It is a marvel of relatable key moments – Oh, youth! The 30s! – and somehow, reverberates with the same contemplations we’ve had during this pandemic era of uncertainty.

Gwon is a noteworthy talent, included in Dramatists Magazine’s “50 to Watch,” and “Ordinary Days” put him on the map. His lyrics are sharp and vibrant, have an everyman quality and universal appeal. (He also wrote the revue “Old Jews Telling Jokes,” which was presented by New Jewish Theatre in 2014.)

Tesseract’s presentation of “Ordinary Days” is a fine introduction to his music, and Music Director Zach Neumann deftly plays the keyboards and keeps the pace brisk for the singers, whose strong enunciations and interpretations really make the vivid lyrics hit home.

Schmidt sets a convivial tone with “One By One By One,” then shades his character’s personality through “Life Story” – his heart and his humor apparent.

Tenenbaum, also quirky but bursting with possibilities, explains her life to date in “Don’t Wanna Be Here” and her mojo in “Dear Professor Thompson, Part I” – continuing her funny bundle of nerves.

Deb and Warren’s meet-cute at The Metropolitan Museum of Art turns into a sweet duet “Sort of Fairy Tale” – ‘violent punctuation”! And continues with “Big Picture.”

Brittani O’Connell, Micheal Lowe

The Met figures into Claire and Jason’s relationship, but not as positive as the other pair’s.

While moving in, gifted vocalists O’Connell and Lowe explore their next-step feelings in “Let Things Go” and “The Space Between,” and go through their stuff in “I’m Trying.” They succinctly sum up a couple’s argument with a lighter humorous touch in “Fine.”

Among the most poignant is O’Connell’s “I’ll Be Here” – which should elicit leaky eyes from nearly everyone – and Lowe’s simple but so eloquent “Favorite Places.”

The hits just keep on coming — “Hundred-Story City” captures the love-hate relationship that New Yorkers have with the concrete jungle. And “Rooftop Duet/Falling” ties the show together.

Claire has realized she must let go of the past before she can move on, and O’Connell’s character arc is the deepest felt, but all performances are warm and captivating. They harmoniously come together in the stirring finale “Beautiful.”

With the focus squarely on the individuals and how they factor in with others, the set design is simple, and relies on photographs projected on the large screen – sights of living in New York City. (NYC always feels familiar because we’ve seen it so many times in entertainment.)

If you feel that you have taken away from our recent 21st century life-and-death experience the importance of connection, like I have, then this timely and charming reminder to appreciate beauty and joy in our lives, no matter how small or fleeting, delivers its heartfelt message as only live theater can.

This may be Tesseract’s first musical, but it won’t be their last, as they are planning to present the two-hander “The Last Five Years” by Jason Robert Brown in February and the Tony Award winner for Best Musical in 2013, “Kinky Boots,” later this year.

I’m liking this leap of faith Taylor Gruenloh has set his company on – and the first step is a knockout, a memorable musical for our times. Dare I say “optimistic”?

Tesseract Theatre Company presents “Ordinary Days” Nov. 18-27 on Friday at 8 p.m., Saturday at 8 p.m., and Sunday at 4 p.m. at the. Zack Theatre, 3224 Locust. Tickets are available at MetroTix.com or at the box office before the performance. $25 for general audience and $20 for students. For more information, visit www.tesseracttheatre.com

‘The Fabelmans’ Lacks That Special Spark of Most Top-Shelf Spielberg Movies

‘The Fabelmans’ Lacks That Special Spark of Most Top-Shelf Spielberg Movies

By Lynn Venhaus

Dear Mr. Spielberg,
Your movies have given my family and I so much joy over the years. I was away at college the summer of 1975 when one warm July night, my roommates and I went to see “Jaws” at the local movie theater. You invented the summer blockbuster, and ever since, all your movies have been an event.

I introduced my children to “E.T.” first, and I still tear up every time I watch it. “Jurassic Park,” “Saving Private Ryan,” “Schindler’s List,” “Raiders of the Lost Ark” and “Lincoln” — you’ve made some of the best films of all-time.

“Bridge of Spies,” “Catch Me If You Can,” and “The Post” are personal favorites, and your adaptation of “West Side Story” was at the top of my Ten Best List last year.

So, I had very high expectations for “The Fabelmans,” especially after viewing the “Spielberg” documentary on HBO. I know it’s “loosely based on your childhood, from age 7 to 18, and it explores the power of how movies help us see the truth about each other and ourselves.

Maybe that adage, “Never meet your heroes” applies here.

Because, while I find the performances exceptional and the production elements superb, your retelling of your ‘semi-autobiographical’ coming-of-age story isn’t as magical as your other films.

THE FABELMANS, from left: Paul Dano, Michelle Williams, Seth Rogen, 2022. ph: Merie Weismiller Wallace / © Universal Pictures / Courtesy Everett Collection

Yes, you followed your dream, but turns out your childhood isn’t all that extraordinary. Except for the reason your parents’ marriage broke up, your early life was like many other kids – divorced parents, dad moving because of work, an artistic kid being bullied and for Jews, antisemitism.

Basically, you had a rather “Leave It to Beaver” childhood, not as vanilla as many a WASP, but fairly typical — your parents loved you and your sisters, attempted to give you a wonderful life, and your dad was a genius engineer.

As a filmmaker, you were too close to the subject matter, and needed to get out of your own way.

When you concentrate on discovering your passion for filmmaking and finding ways to tell a story, now that’s fascinating.

But all that high school drama with the mean jocks, yawn. Except for the Ditch Day film, which really highlighted your gifts and how people are revealed upon observation.

But — two and a half hours? And the best scene is at the end! You stuck the landing beautifully – and that little nod to Charlie Chaplin’s The Tramp before the credits roll, chef’s kiss.

That final encounter on the studio lot gives the film the zest that was missing – and it was the spark that propelled your drive to be in the business.

It’s the best cameo of the year, no spoiler from me!

Gabriel LaBelle as Sammy Fabelman

Your life as a golden boy of cinema has introduced you – and us — to worlds of wonder, and we feel like we know you.

The film is heartfelt and shows how much love you have for your family and the movie-making process. Artists must create and you have been able to make an impact on a global scale. Truly remarkable.

You will be remembered as one of the greatest directors of all time, and we see the effort.

I will wait for the sequel that discloses your early career milestones, breaking through in Hollywood, and the people that shaped you along the way. Now, that story may be the extraordinary one that I was expecting here.

Sincerely, an unabashed fan whose favorite thing is discussing entertainment, and thinks that all of life’s riddles are answered in the movies.

Back to the nuts and bolts for review purposes — Gabriel LaBelle makes quite an introduction as gawky young Sammy Fabelman, who makes movies using his Boy Scout troop as cast and crew.

Paul Dano and Michelle Williams are well-suited to play parents Burt and Mitzi, who bring up four children born during the post-World War II Baby Boom and moved the family from New Jersey to Arizona to Southern California before finally divorcing.

Williams has flashes of brilliance as the mercurial mom, a classically trained pianist whose concert days are past, but the longing isn’t. She’s in love with Bennie (Seth Rogen), Burt’s best friend, and they are eventually together.

When Sammy’s keen eye discovers a little too intimate interaction between the pair during a family camping trip, he’s devastated, resulting in viewing his mother differently. It’s a powerful scene when he shows, not tells, her what he saw.

That conflict is a major focus of the original screenplay co-penned by Spielberg and collaborator Tony Kushner.

A smaller one is his computer whiz dad thinking filmmaking is a hobby and that Sammy needs a more stable career pursuit, but that is a standard trope between artists and scientists. Dano’s quiet demeanor effectively contrasts with Williams’ more flamboyant personality.

Appearing briefly in a slight but showy role that screams supporting actor nomination, Judd Hirsch is an eccentric uncle who used to be in the circus and recognizes a kindred spirit in Sammy.

Young Sammy, who must react to his first film, “The Greatest Show on Earth,” in 1952, is played by standout Mateo Zoryan.

Janusz Kaminski’s cinematography is splendid, so is Rick Carter’s production design, and John Williams has produced a fine score.

But, there is just something nagging about a film that I wanted to be great, but is just good.

“The Fabelmans” is a 2022 drama directed by Steven Spielberg and stars Gabriel LaBelle, Michelle Williams, Paul Dano, Judd Hirsch and Seth Rogen. Rated PG-13 for some strong language, thematic elements, brief violence, and drug use, and run time is 2 hours, 31 minutes. In theaters Nov. 23. Lynn’s Grade: B

Take Ten with Jeff Faulkner, ‘Mr. Blue Sky’ Frontman

Take Ten with Jeff Faulkner, ‘Mr. Blue Sky’ Frontman

The ELO Tribute Band will Headline Show at Delmar Hall on Thanksgiving Eve Nov. 23

By Lynn Venhaus

Majestic splendor.

That’s the sight, sound and the vibe of Mr. Blue Sky, the St. Louis-based Electric Light Orchestra tribute band that makes sure every multimedia production is authentic.

With its 10 bandmates and dazzling visual imagery taking the audience both back in time and into the future, their intricate harmonies and musicianship stand out.

When Mr. Blue Sky takes the stage at the Delmar Hall on Nov. 23, the third time’s a charm for they have sold out that venue twice before (Hint: get tickets now, for the night before Thanksgiving is considered the biggest night out of the year. Tickets are available through Ticketmaster (see link at end of article). Doors open at 7 p.m., show starts at 8 p.m. Delmar Hall is at 6133 Delmar Boulevard.

Local legend Steve Ewing from the Urge (and Steve’s Hot Dogs) will open the show with his duo.

This special night will be different from their triumphant appearance at the Chesterfield Amphitheater two months ago (where they drew 1,500 people), for they like to mix it up for every appearance.

Veteran St. Louis musician Jeff Faulkner, who assembled the tribute band three years ago, said the Nov. 23 show will feature two new songs and a different setlist.

Jeff Faulkner of Mr Blue Sky

“We do all the hits — 22 top ten hits, we always play those,” Faulkner said. “Then we’ll play deeper cuts like ‘Face the Music,’ we play some Traveling Wilburys. We played the ‘Discovery’ album in entirety when we were at The Wildey.”

He enjoys introducing the symphonic rock icons to new fans and reminding longtime fans of their legacy.

“It’s really great music. I think Jeff Lynne is one of the best singer-songwriters in the history of rock ‘n roll,” he said. “He is a musical genius.”

Besides Faulkner on lead guitar and vocals, their all-star line-up includes Dave Watkins on lead guitar and vocals; Anastasia Hamilton, vocals; Abby Stahlschmidt, violin; Jessie Youngblood, violin; Jake Brookman, cello; Stephen Winter, keyboard and vocals; Charlie Brown, keyboard and vocals; Steve Bunck, drums; and Ben Moyer, bass and vocals.

The group’s musicians have performed with local heavyweights Pavlov’s Dog, That 80s Band and the St. Louis Symphony Orchestra. And have toured with The Who and Weird Al Yankovic.

Besides Delmar Hall, they’ve sold out shows at The Pageant, The Wildey Theatre, The Duck Room, and Ballpark Village. They recently performed in the Chicago area, at Impact Fuel Room in Libertyville, to a rocking crowd.

“A fair percentage of people that we’re playing for are familiar with ELO’s music – even if they don’t realize it. Probably 90% of them know ‘Mr. Blue Sky,’ Faulkner said. “They’re used in so many movies, so many commercials. Even if you don’t think you know ELO, you know ELO.”

Faulkner fell in love with the English rock band at an early age. Their fusion of modern rock and pop with classical overtones intrigued him.

ELO was formed in 1970 by songwriters and multi-instrumentalists Jeff Lynne and Roy Wood with drummer Bev Bevan, and following Wood’s departure in 1972, Lynne became the sole leader, arranging and producing every album – and wrote nearly all their original material.

Lynne disbanded the group in 1986, but Bevan formed his own, ELO Part II, which later became the Orchestra. Apart from a brief reunion in the early 2000s, ELO wasn’t active again until 2014, when Lynne reunited with Richard Tandy as Jeff Lynne’s ELO.

During their original 13 years of active recording and touring, they sold more than 50 million records, and had 15 Top 20 songs on the Billboard Hot 100. Their most successful album, the double album “Out of the Blue” in 1977, was among their top 10 albums in the ‘70s and ‘80s. They had a disco-inspired album “Discovery” in 1979 and a science-fiction themed “Time” in 1981.

In 2017, Bevan, Lynne, Tandy, and Wood were inducted into the Rock and Roll Hall of Fame.

Faulkner discovered that there wasn’t a tribute band in St. Louis, so he decided to go in that direction.

“It hadn’t been done before. With the strings and the orchestral sound, ELO is just different. That’s what makes it unique. We have a three-piece string section,” he said.

He is very proud of the work that the band has put into capturing “the majestic splendor.” “It’s taken a lot of work to get it there, but we have gotten it there,” he said.

To hear our PopLifeSTL.com podcast with guest Jeff Faulkner, co-hosted by Carl “The Intern” Middleman and Lynn Venhaus on March 11, here is the link:

Take Ten Q&A with Jeff Faulkner:


1. Why did you choose your profession?

“It’s what I’ve been most passionate about since I was 11 years old.”

2.  How would your friends describe you?

“Outgoing, and a big sense of humor.”

3.  What do you like to do in your spare time?

Traveling, seeing live music and theatre

4. What is your current obsession?

Rufus Wainwright

5. What would people be surprised to find out about you?

“I’m 9-1/2 years sober.”

6. Can you share one of your most defining moments in life?

“When my son was born.”

7. What do you admire most?

“Kindness, and humility.”

8. What is at the top of your bucket list?

“Going back to Europe and visiting Germany and Italy.”

9. How were you affected by the current pandemic years, and anything you would like to share about what got you through the pre-vaccine part?

“It shut down my industry completely for three months. I spent a lot of time hiking various trails, and binge-watching sit coms.

10. What is your favorite thing to do in St. Louis?

Hanging out in the Loop, Forest Park, and going to Blues hockey games

11. What’s next?

Mr. Blue Sky has great shows coming in 2023!

Mr Bue Sky


More to Know About Jeff Faulkner:

Age: 47
Birthplace: St. Louis
Current: Brentwood, Mo
Education: 2 years of college
Day job: Musician
First job: Dishwasher
What you like about what you do: I love everything about being a musician
Dream job: I have it
Awards/Honors/Achievements: Mr. Blue Sky has finished as a finalist for best cover band in St Louis Mag the last two years
Favorite quote/words to live by: Carpe Diem
A song that makes you happy: “Mr. Blue Sky”

For tickets, go to this link: https://www.ticketmaster.com/event/06005D3DCE0A667B?mibextid=Zxz2cZ&fbclid=IwAR37gHyVqGUviR-F-nx6R9f9nCr40MeDqWa73uNgxAjygW_PKglN4Yls_lM

For more on the band, visit: www.mrblueskymusic.com

Mr Blue Sky