Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women's and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Several visionary local artists proved that fortune does favor
the bold through their efforts to present a gift to a theater-starved community.
This precious lifeline was “Mute: A Play for Zoom” on Sunday,
April 5. We experienced an original 5-person 30-minute play on the internet
with a hundred other people that Sunday night, boldly going where no one had
gone before.
This absurdist apocalyptic academic farce was a burst of
creativity and a jolt of connectivity like the sun coming out on a cloudy day.
A maiden voyage by playwright Nancy Bell, director Lucy Cashion
and production manager Spencer Lawton explored our strange new world of making
art during a quarantine. It starts out as a video conference call among
colleagues at a university. For these academics, there is confusion, and eventually
fire – and a hamster.
How it all came together was truly remarkable — ignited a
spark, a surge of energy that took us out of our stay-at-home melancholia and
made us appreciate authentic art and true talent.
It was like I was on a new adventure without leaving my couch.
The five-person cast included several lauded veterans and standout
newcomers as colleagues. St. Louis Theater Circle Award winners Michelle Hand
(a very nervous Maria), Michael James Reed (agitated Trent), Keating (trying to
hang on Fiona) and Sophia Brown (mysterious Lila and Man Ray) performed with their
customary immersion into character as well as Delaney Piggins, so good at New
Jewish Theatre’s “I Now Pronounce,” as confused Heather and Jakob Hulten as assistant
Dustin trying to herd the cats and keep normalcy.
They all connected in a believable way, providing distinctive
portraits in a very short amount of time as what the new normal is quickly
erodes into a disturbing situation. Reed mastered delivery of a barrage of new vocabulary
among his monologues, unleashing a torrent of new words among his distain for
the circumstances. He did it with a complete command of the twisty dialogue.
Worried about technical difficulties, it actually went off without a hitch, and ended abruptly according the script. Just be patient. Zoom is a terrific tool for bringing us all together, and the technical gurus behind this production did a fantastic job.
I have always been grateful we have the brilliance of Nancy Bell as a playwright and an actress and the visionary viewpoint of Lucy Cashion, who is never deterred by convention or obstacles, and noticed them right away as I began reviewing more regional professional theater in 2012.
And “Mute: A Play for Zoom” confirms how lucky we are to have
them producing art in St. Louis.
This is just a thrilling testament to the possibilities of how
to create art in unconventional ways under difficult circumstances.
While this view is indeed apocalyptic, the way it was executed was also life-affirming and uplifting in a bracing way – and to be able to appreciate how we can still connect through storytelling was indeed a lovely surprise gift.
Bravo to everyone involved.
Here is what the cast bios said on their event page:
CAST
Delaney Piggins [Heather] is a St. Louis
Actor/Playwright/Producer, who is excited to do her first “pants optional”
play.
Jakob Hultén [Dustin] is a SLU senior graduating with a BA in
Theatre and History.
Michelle Hand [Maria] is an STL born and bred professional actor
who, in her twenty years at work, has never quite done something like this.
Sophia Brown [Lila/Man Ray] is thrilled to be joining Mute! She
is a local theatre artist, most recently seen with the Imaginary Theatre
Company.
Keating [Fiona] is a kick-ass theatre artist who is madly in
love with STL, co-artistic director of Poor Monsters.
Michael James Reed [Trent] used to enjoy doing a play or two. He
now spends good portions of his day in a cardigan and Crocks.
They took a risk and it paid off.
Note: MUTE: A play for Zoom WATCH PARTY this Sunday, APRIL 12th
at 7PM. DETAILS TBA. https://facebook.com/events/s/mute-a-play-for-zoom-watch-par/159436718663052/?ti=icl
Join us for the watch party!!! Here’s the page where you can get
all the details coming soon.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus A jolt of joy, this sparkly rainbow-colored jukebox musical is as sweet as an Easter candy basket and as technically polished as a TED talk in its message of diversity.
The “Trolls World Tour” young audience can delight in the razzle-dazzle while the adults can appreciate the good beat and its “We Are the World” vibe. The merry Pop trolls are as relentlessly upbeat as they were in their debut film, and face another grave threat – but really, demonizing rock music? Hmmm…it’s not exactly being eaten by the Bergens.
This all-star sequel to DreamWorks Animation’s 2016 musical hit takes Poppy (Anna Kendrick) and Branch (Justin Timberlake) on an adventure. They discover their Pop universe is only one of six different Trolls tribes scattered over six different lands and devoted to six different kinds of music: funk, country, techno, classical, pop and rock.
A member of hard-rock royalty, Queen Barb (Rachel Bloom), aided by her father King Thrash (Ozzy Osbourne), wants to destroy all other kinds of music to let rock reign supreme. She sets out on her evil Trolls World Tour but Poppy thinks she wants to unite them. Will Barb be able to strike the biggest power chord or can Poppy bring everyone together in perfect harmony?
I wish Queen Barb, the Joan Jett clone, would not have been the villain, and her metal-head minions hell-bent on erasing funk, country, techno, classical and pop and such sub-genres as reggaeton, hip-hop and K-pop. Because kids need to feel free to have a good head-banging time too. Well, if the worst thing is to turn into a rock zombie, we can work around it, I suppose. And Rachel Bloom is properly fiery and funny as the riot grrrl.
And wow, what an introduction to the panoply of music out there – and you certainly can dance to it all. It has some sly humor too — the smooth jazz jabs are funny (Jamie Dornan is devious Chaz!).
Illustrating how music is a universal language that binds us all, especially if we appreciate the different flavors that give life its harmony, this slickly produced fast-paced film bursts with such a vast array of sounds that it’s the jam of all jams. The musical talent gathered for an animated film is impressive – 40 songs are woven in the soundtrack.
Besides the returning cast, who has oodles of charm, we have Mary J. Blige, George Clinton and Anderson .Paak for funk, Kelly Clarkson is big-haired country queen Delta Dawn, J Balvin represents reggaeton, Anthony Ramos is the techno beat, girl band Red Velvet is K-Pop and world-renowned violinist and conductor is Trollzart. If that doesn’t sell the movie’s point about we all shouldn’t sound the same!
Newcomers include Kenan Thompson as a very cool Tiny Diamond and Sam Rockwell as the wise sage Hickory – and they are fun to watch and to listen to as such distinctive characters. Musicians Flula Borg, Ester Dean and Charlyne Yi are also featured in the tribe.
Huge credit must go to executive music producers Ludwig Goransson (Oscar for “Black Panther”) and Timberlake. The music makes the film pop with positivity. “Just Sing” and “The Other Side” will be heavy in rotation. And people will know P-Funk’s “Atomic Dog”!
As for the key players, Anna Kendrick is well-suited as the perennially peppy Poppy, with her musical theater and “Pitch Perfect” credentials, and Justin Timberlake is there for the music as pragmatic Branch. James Corden is a bright spot as Biggie and Ron Funches is funny as the giraffe-like troll.
The whimsy is a given and so is the swirling kaleidoscope of color, like a Lisa Frank Trapper Keeper exploded on screen. But what is so fun to watch are all the happy dancing feet – just the coordination of the choreography is akin to a major Broadway musical. And the rich details in the personal looks – those felt appliques and tiny details.
Of course, the movie is a slick merchandise marketing machine, for it was created out of Danish woodcutter Thomas Dam’s sensational toy dolls, it’s what we expect. We called them Wishniks in the 1960s, and the good luck Trolls have gone on to be a hit in many decades. The way the animators play with the hair is genius too.
Just as the jolly Trolls expand their universe, the movie audience gets a tutorial in the various sonic landscapes music can summon.
And if ever we needed some warm and fuzzies, it’s certainly now. A bright spot in a dark world right now, “Trolls World Tour” delivers a splendid promise. Rock on!
Note: Released April 10 on Video on Demand and streaming services. “Trolls World Tour” is rated PG for mild rude humor. The animated musical feature’s run-time is 1 hr. 30 min. Lynn’s Grade: B+ A version of this review appeared in the Webster-Kirkwood Times.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
As a regional surge in COVID-19 cases grips the area, more local arts and entertainment events have either been cancelled or postponed in the St. Louis metropolitan area. The month-long “Hamilton” national tour stop at the Fox is now postponed, the Opera Theatre of St. Louis has cancelled its festival season and people are now moving dates from spring to either later in the year or 2021.
Based on the Centers for Disease Control and World Health Organization’s recommendations on social distancing and against large group gatherings, St. Louis city and county, St. Charles County and Illinois put a public health emergency plan in place. They have shutdown gatherings of 10 or more, encouraged social distancing and ordered everyone to Stay-at-Home. Announced dates: St. Louis quarantine is through April 22; Illinois is through April April 30; Missouri is through April 24; and the nation is recommended until April 30.
Here is a round-up of the latest on community theater, regional professional theater, national touring shows, certain events and venues. If alternate programming has been put into place, it’s mentioned. As everyone knows by now, things change daily, so check with websites to see the latest. I’ll update as groups provide new information.
PROFESSIONAL VENUES
Kranzberg Arts Foundation
All Kranzberg Arts Foundation venue operations have been temporarily shut down.
This includes theatres, galleries, clubs, restaurants, cafes, and libraries.
These closures will remain in place until at least May 11.
This includes the Kranzberg Arts Center, The Marcelle
Theatre, The .Zack Theatre, The Big Top, The Grandel Theatre, The Dark Room,
Sophie’s Artist Lounge and the High-Low building.
Fox Theatre Performances at the Fabulous Fox have been postponed through April 30 and tours have been cancelled through June 7.
On April 10, the Fox announced that “Hamilton” has been postponed but no date has been set yet. It was scheduled to play at The Fox May 5 – June 7.
“The Fox is in discussion with the HAMILTON producers to reschedule the engagement and hopes to announce that information soon. said spokesman Megan Ketcherside.
Ticket holders should
keep their tickets until new dates are announced. More information will be
available once new dates are secured.
The Fabulous Fox Theatre hopes to bring the show to St. Louis in 2020, but as with all things related to COVID-19 and the social distancing necessary to keep guests and associates safe, theatre management will follow the lead of government and health officials in this matter> Ketcherside said.
The other shows that have been postponed: “Charlie and the Chocolate Factory” originally scheduled for March 17-29; Teen Talent Competition originally scheduled for April 4; “Cats,” originally scheduled for April 7-19; Celtic Woman has been rescheduled for April 20, 2021; and Chaka Khan, originally scheduled for April 24.
“Charlie and the Chocolate Factory” will now be Dec. 22 – 27. “Cats” can’t be rescheduled for 2019-2020 but Fox is working on a future date.
Plans to reschedule other postponed shows are currently underway. Ticket holders should hold on to their tickets – they will be honored on the new dates.
Decisions about other future shows will be made as we
follow the evolving situation with the COVID-19 virus and the City of St.
Louis’ determination of the length of this prohibition, public relations
manager Megan Ketcherside said.
Operational hours are subject to change based on the
COVID-19 situation. For now, the Fox Box Office is temporarily closed. The MetroTix
314-534-1111 phone hours are now from Monday to Friday from 10 a.m. to 5 p.m.,
closed on Saturday and Sunday.
Visit the website, www.fabulousfox.com/coronavirus
Family Arena
As of March 25, the Family Arena and The Family Arena Box
Office is closed to the public until such time as the limit on public
gatherings is lifted in St. Charles County.
Tickets are still available for purchase at
Ticketmaster.com.
Manager Tom O’Keefe said if you purchased tickets at the
box office for an upcoming rescheduled event that you would like a refund for,
please hold on to your tickets until they re-open and they will refund your
tickets at that time.
They have partnered with Ticketmaster to address all fan
questions regarding the cancellation and rescheduling of live events. Visit the
Ticketmaster Help Center for guidance and check back regularly for additional
information and status updates, www.familyarena.com.
Stifel Theatre
The Stifel Theatre and Enterprise Center Box Offices will
not open until further notice. For guests who purchased tickets to an upcoming
show through the box office that has been cancelled, please hold on to your
tickets until we re-open and are able to assist with your questions.
These events at Stifel Theatre have been postponed. Ticket
holders should hold on to their tickets, as all tickets will be honored on the
rescheduled dates.
Here are rescheduled dates:
Gabriel Iglesias, from March 13 to Oct. 15 and from March 15 to Oct. 14; Franco
Escamilla, from March 14 to Nov. 13; Bob Weir and Wolf Brothers from March 18
to Oct. 14; Nathaniel Rateliff from March 19 to Nov. 14; Ron White from March
20 to Sept. 11; Bert Kreischer from April 5 to July 30; Iliza: The Forever Tour
from April 23 to Sept. 24; and Trolls LIVE! From May 15-17 to Oct. 2-4.
The following events have been cancelled and refunds will
be available at original point of purchase:
“Sesame Street Live,” March 27-29; TD Jakes, April 10; The
Color Purple, April 11; Variety Children’s Charity featuring Steely Dan, April
23; The Spongebob Musical, May 2-3; and Mother’s Day Soul Jam, May 8.
Decisions about other future shows will be made as they continue
to monitor this rapidly evolving situation. Visit www.stifeltheatre.com
Chaifetz Arena
The arena is closed until further notice and in an abundance of caution, the
venue will be thoroughly cleaned while closed.
They are currently working to reschedule all impacted
events and will provide updates as quickly as possible. We ask all current
ticket-holders to retain their tickets for these events until such time when a
new date is determined as your current ticket will be valid for the new date. “Please
be patient and hang tight as we work through this unprecedented time,” a
spokesman said.
Additionally, they have partnered with Ticketmaster to
address all fan questions regarding the cancellation and rescheduling of live
events. Visit the Ticketmaster Help Center by clicking here for guidance and
check back regularly for additional information and status updates as they
become available.
Impacted Events: Festival Of Laughs from March 20 to Sept.
26; Sturgill Simpson from March 21 to TBD; Gateway Blues Festival from March 28
to TBD; AEW Dynamite from April 8 to Oct. 7; NF from April 11 to Aug. 15;
Legends of Hip Hop, from April 17 to Nov. 7; The Millennium Tour, from April 24
to Aug. 8; Three 6 Mafia, from May 23 to Oct. 2; and Lauren Daigle, from May 29
to TBD.
The Playhouse at Westport
All March/April events were cancelled, including “Flanagan’s Wake,” which had
been extended to mid-April.
John Denver Tribute May 7-10 and Rockin’ Chair June 5-6 remain
scheduled.
Off the Page is launching a new way to keep making art together, in this time of separation. Please head over to ART APART, TOGETHER to help us make a new work together: https://www.offthepageeducation.org/art-apart-together/
EVERYONE is encourage to participate–kids, adults, teachers, students, artists, people who don’t yet identify as artists! You read or watch the prompt and then respond immediately in the art form of your choice. We work with amazing collaborators to shape your responses in to a new work and have actors record it. We make a video of our brand new, collaborative work!
New prompts each week, so you can keep generating material while we work on new scripts. We want to hear from you.
The Muny
The
Muny administrative offices and box office are closed through late April.
Ticketing services for the 2020 season are available online at any time.Ticketing
related questions can be sent to boxoffice@muny.org
“We are closely monitoring all developments regarding the
COVID-19 outbreak and will continue to follow the guidance of health and
government officials with the goal of keeping our staff and community as safe
and healthy as possible,” the Muny statement reads on their website.
“With the start of our 2020 season still months away, we
remain optimistic that the season will proceed as planned and hope the
restrictions on gatherings are lifted in early May, as scheduled. If that
changes, we will adjust accordingly. Meanwhile, we continue communicating with
health officials on all levels to stay fully informed and responsive to this
unprecedented situation,” the statement reads.
Given the Stay at Home order for St. Louis City and County,
and for the health and safety of our team, The Muny Offices are currently
closed and some ticketing dates have changed. However, we’re still busy getting
ready for the 2020 summer season, and we can’t wait to meet you at The Muny
this summer!
Ticketing Update as of March 26 – These dates are subject
to change.
Muny Season Tickets will be mailed in early May
Season Ticket Exchanges: May 26 – 29
Single Ticket on Sale: June 1
To purchase new season tickets, or pay a current balance on
existing season tickets, please visit:
muny.org/buy-tickets
To purchase season tickets with a gift card you currently
have in-hand, please email The Muny Box Office at boxoffice@muny.org and a Muny
Ticketing agent will contact you to process
your request. If you wish to purchase a gift card, it will not be mailed until
the restrictions on gatherings have been lifted.
Also, if you are looking for a way to stay entertained
during these “quiet days,” we encourage you to enjoy a specially curated set of
video clips from our previous productions on our social media channels. You can
follow us on Facebook, Twitter and Instagram.
The Repertory Theatre of St. Louis
The Repertory Theatre had to cancel the run of “The Cake,”
which began in the Studio Theatre on March 14, but was forced to be shutdown
March 16, and to postpone our Mainstage world premiere of “Dreaming Zenzile” from
March 21, with the goal of mounting it this summer.
“The Cake”
An online stream of “The Cake” has been made available to all
Studio Theatre patrons who previously purchased tickets at no additional cost.
There are a limited number of streaming tickets available
for purchase for those who are interested in viewing the final performance of the
Steve Woolf Studio Series this season. That is available through April 24.
Additionally, The Rep is collaborating with a national
group of theatres to commission a series of short plays specifically developed
to spark joy and connection among people who are sheltering in place. These
initiatives are designed to keep the art alive and vital, even in a time of
isolating quarantines.
“Keep an eye out for more entertaining content and
educational resources from The Rep and our local and national partners by
following us on social media,” spokesman Jeremy Goldmeier said.
On March 27, The Rep announced that they have honored the entire contracts of
the guest artists who devoted their talents to “Dreaming Zenzile” and “The
Cake,” despite their runs being delayed or cut short.
“In these uncertain times, The Rep felt it was imperative
that these artists, whose livelihoods depend on their contracts, not bear the
additional burden of lost wages in this pandemic,” a statement said.
“As you know, The Rep has an extraordinarily talented and
dedicated staff that works year-round to support the productions, education,
and community initiatives to serve the greater St. Louis region. We have
continued to pay the full salaries of our full-time, year-round administrative
staff, with no furloughs or other lapses in pay. We have moved our
administrative and box office teams to work remotely to serve you during this
period,” a statement said.
Play at Home
The Repertory Theatre of St. Louis has teamed with
Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly
Mammoth Theatre Company to present Play at Home, a series of micro-commissioned
short plays from some of the American theatre’s most exciting and prominent
playwrights.
These new plays – which all run 10 minutes or less – are
available for the public to download, read and perform at home for free at
playathome.org.
In the wake of widespread event cancellations following the
spread of the coronavirus (COVID-19), the participating theatres conceived Play
at Home as a way to support artists, connect people to theatre, and to ignite
imagination and joy in these uncertain times.
Each organization commissioned multiple playwrights – most
of whom had plays canceled due to the coronavirus outbreak – to create new
works that were big, joyful and not bound by the constraints of what might be
“possible” on a traditional stage.
The Rep’s commissioned playwrights feature:
Regina Taylor (playwright of The Rep’s 2020-2021 production
of Oo-Bla-Dee)
Karen Zacarias (playwright of The Rep’s 2020-2021
production of Native Gardens)
Steph Del Rosso (playwright of The Rep’s 2020-2021 world
premiere of The Gradient)
Guadalís Del Carmen (who appeared at The Rep as an actor in
2020’s Mojada: A Medea in Los Angeles)
Tre’von Griffith (a St. Louis performer and playwright,
co-founder of TLT Productions)
These plays are meant to be read at home among family and friends, and we highly encourage readers to share photos or videos of their home performances on social media using the hashtag #playathome.
Max and Louie Productions
Estelle Siteman of Max & Louie Productions said they optimistically look forward to bringing the second play of our 2020 season,”Looking for Normal” by Jane Anderson to the Marcelle. “This beautiful ,moving play full of wit and wisdom opens July 16 through the 26.2020,” she said.
Moonstone Theatre Company Sharon Hunter said Moonstone Theatre Company has postponed their July opening of “The House of Blue Leaves” to July of 2021 at the Wool Studio Theatre at the J. They will announce our season shortly. which will now begin in November 2020 with a Neil Simon comedy.
The Midnight Company Midnight Artistic Director Joe Hanrahan has moved his one-man play from May 28 – June 13 to a June 4 – 20 run. This is the premiere of the full version of “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” which will be at The Chapel, 4238 Alexander Drive, 63105. Performances are Thursdays through Saturdays at 8 p.m., with a matinee on Sunday at 2 p.m.
It was performed in a shortened version at the 2018 St. Louis Fringe Festival, and audiences responded enthusiastically and critics raved. Snoops Theatre Thoughts said “A delightful show that’s part personal memoir, part history lesson, part nostalgia, and all fascinating. A difficult show to describe but what it is is excellent.” Limelight said “Hanrahan jumps from omniscient narrator to 15-year old movie fanatic to baseball and theatre historian, the audience hanging on every word. The Cardinals are the talk of the town again. This show should be the talk of the town, too!” Hanrahan said, “There’s never been a play we’ve done that’s received such enthusiastic, visceral reaction, due, surely, to the St. Louis history of the show. At the Fringe, productions are limited to one-hour playing time, and this new version will allow us to incorporate new material that should make the show ever more entertaining and informative.” “Now Playing Third Base for the St. Louis Cardinals…Bond, James Bond,” concerns a teen-age boy in 1964. JFK’s assassination still casts a pall on the nation. The Beatles’ emergence in February of ’64 starts to lighten the mood of the nation. The Cardinals continue the good times in St. Louis with a mad dash toward the pennant. And when a new movie hero hits the screens that summer, a bunch of boys on a baseball field have their first theatre experience when one of their gang offers a 30-minute one-man show of “From Russia with Love.” Throughout, the playwright draws links between what’s happened and happening – from JFK to James Bond, from segregation in St. Louis to segregation in baseball’s Southern Leagues and Florida stadiums where The Beatles were supposed to play, from WWII to British film production crews and JFK hit squads, from the first cave man who stood up by the fire to the theatre musings of Peter Brook…all of it swirling in front of the eyes of a young boy, and the memory of that time. Shane Signorino will direct the show as he did at The Fringe (Shane just received a Theatre Critics Circle nomination as Best Supporting Actor in a Comedy for Midnight’s POPCORN FALLS), Kevin Bowman will serve as Production Designer, Michael B. Perkins will design video support (as he did for Midnight productions of A MODEL FOR MATISSE, JUDGMENT AT NUREMBERG, and LITTLE THING BIG THING), and Elizabeth Henning will be Stage Manager.
There will also be a concurrent exhibit in The Chapel lobby of memorabilia from 1950’s/60’s baseball and James Bond films, presented by George Venegoni.
New Line Theatre
New Line managed to get two weekends of performances of “Head Over Heels” before the local government mandates of crowd size forced it to close early in mid-March.
Its June production of “Urinetown” has been cancelled.
Stray Dog Theatre
“Annie,” which was to open April 9, has been postponed,
with dates to be announced.
“We will honor all tickets already purchased to any of the
new performance dates once they are announced. To purchase tickets to any other
future productions, please call our box office directly at (314) 865-1995.
“We are currently planning to hold the remainder of the
2019-2020 season as scheduled. Any changes or additional information will be
shared as soon as possible. If you have any questions, please feel free to
contact us,” said Artistic Director Gary F. Bell.
“We would like to thank everyone for the hard work they’ve
already put into the production and we would like to thank you for your
patience as we work to bring you the quality story telling you, our family,
deserve. Annie is that bit of light we all need right now, ‘the sun will come
out tomorrow’ and we will overcome anything,” Bell said.
“We know we are not the only organization dealing with
these difficult decisions and we stand with them, ready to come back stronger.
Your continued support of all arts organizations is always appreciated but
never more than in times like these. We look forward to seeing you soon,” he
said. “Please stay safe and be kind to one another.”
Kenneth Lonergan’s “Lobby Hero” is set to run June 4
– June 20
“However, due to the extreme strain currently being faced
by many organizations we have made the decision to halt online sales of
upcoming productions. We will resume online sales once matters have settled and
the timeline of events moving forward becomes more defined,” Bell said.
“You may continue to purchase tickets for upcoming shows by calling our Box
Office at (314) 856-1995 or emailing us at boxoffice@straydogtheatre.org. Thank
you for your patience and your continued support as we manage these unfortunate
events.”
Neil LaBute’s Ten X Ten Series 2nd Week free Video is now availalbe! Check our Twitter account for the link (http://twitter.com/STLAS1)LaBute’s Ten X Ten Series is offered as free content weekly via @STLAS1. It is a collection of original monologues initially written for AUDIENCE CHANNEL#LaBute10x10
This is in response to the cancellation of LaBute’s new play, “Comfort,” which STLAS was to stage this spring.
New Jewish Theatre
Initially, New Jewish rescheduled “We Are the Levinsons”
from March 19 to May, but now they have pushed it back, along with their
Sondheim musical revue, “Putting It Together.” They would like to reschedule later this
summer.
All activities at the JCCA have been suspended during the
public health crisis.
For more information, please contact them by email or by
phone, 314-442-3283.
Opera Theatre of St. Louis
Opera Theatre of Saint Louis has canceled its season. On April 7, Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah.
Unfortunately, due to the size of seasonal staff required to produce each opera season, it is not possible for us to assemble the same casts, creative teams, and backstage artisans at any other point in the next several months. Even if we could postpone our season by a month, we simply don’t know when it will be safe for groups to gather again.
At this time, there is no active plan in place to move any of the 2020 productions into the 2021 Festival Season. However, they are still evaluating various options and scenarios — stay tuned for more!
For a complete list of all affected programs and public events, including information on whether an event is canceled or postponed, visit the website and scroll down for a complete list:
This page will be updated frequently in the weeks ahead as new information becomes available regarding the status of events, including possible rescheduling or digital streaming.
“As always, our highest priority is the health of the entire OTSL family — patrons, staff, and artists,” the statement reads.
Shakespeare Festival St. Louis
The 2020 Shakespeare in the Park production of “Much Ado
About Nothing” has been moved to Aug. 12 – Sept. 6. Producing Artistic Director
Tom Ridgely said it was in order to provide the best possible chance of safely
gathering artists and audiences for its 20th anniversary season. It
is to be directed by Bruce Longworth.
“For the past 20 years in St. Louis, the opening of
Shakespeare in the Park has helped to mark the unofficial start of summer,” Ridgely
said. “This year it’s clear that the only way to care for our actors, crew,
volunteers and community is to give as much time as possible for social distancing
measures to take effect and hope to be one of the ways we all bring our summer
2020 to a much happier close.”
The previously announced creative team of Matt Pace &
Brien Seyle (Original Music), Josh Smith (Scenic Design), Dorothy Englis
(Costume Design), John Wylie (Lighting Design) and Kathy Ruvuna (Sound Design)
remains the same.
In response to the widespread cancellation of live events,
the Festival has already shifted to generating a full schedule of new and
original content for the online and social media platforms under the umbrella
of “ShakespeareTV.”
These include the previously aired “watch party” of its
canceled regional tour of Cymbeline, a live reading of “Venus and Adonis”
(which Shakespeare wrote during a plague-induced theater closure) and a
five-night reading of Albert Camus’ postwar masterpiece “The Plague.” Together
they’ve already been viewed 10,000 times.
Now through May 29 on ShakespeareTV, which can be accessed
on their Facebook page:
THE ZOOM PLAYS: a weekly series of 20- to 30-minute
original plays written especially to be performed live over the
videoconferencing app Zoom. Created and performed by local playwrights,
directors and actors.
GREEN SHOW MONDAYS: an eclectic variety program featuring
music, comedy and performance from Festival favorites.
SHAKESPEARE AND CHILL: a special selection of
Shakespeare-inspired movies featuring live commentary from artists and
scholars, co-curated by Cinema St. Louis.
Other one-night only events to be announced.
May 29 – June 21 is SHAKE20
A 20th anniversary reboot of the beloved engagement program
SHAKE38 featuring community responses to 20 of Shakespeare’s plays streaming on
Facebook and Instagram Tuesdays through Sundays 8 p.m. during the Festival’s
originally scheduled run, May 29-June 21.
Like the original, SHAKE20 will be a region-wide
collaboration involving artists and organizations including SHAKE38 alumni:
Slightly Askew Theater, Prison Performing Arts: The Alumni Group, RS-Theatrics,
Poor Monsters and Theater Nuevo. More details about the program and how to
apply will be shared soon.
“In the meantime, we
hope that you and yours stay well. We have planned an incredible season of free
Shakespeare, and we cannot wait to share it with you. It’s an interesting time
to be in the business of live theatre and touring productions, but the Festival
is committed to paying our artists and staff throughout this crisis,” Ridgely
said.
So, if you have ever considered becoming a member, know
that we are always grateful for your support—but especially so at this time,” he
said.
“During this crisis, we feel more connected to Shakespeare
and his contemporaries than ever before. Biographer Jonathan Bate wrote, ‘The
Plague was the single most powerful force shaping [Shakespeare’s] life and
those of his contemporaries.’ During times of quarantine, Shakespeare wrote
some of his most important sonnets and plays,” Ridgely said.
“We can’t claim to have his genius, but we will take
inspiration from his dedication and from artists around the world that are
stepping up to create, facilitate, and share stories in new and exciting ways.
Stay tuned for updates on new and existing Festival programs,” he said.
For more information, visit the website sfstl.com and on
social media. Visit https://www.facebook.com/shakesfestSTL
Stages St. Louis
While Stages St. Louis continues to follow guidance from the CDC as well as
mandates from both local and national government, for the time being, they have
made no adjustments to the schedule for our upcoming 2020 Season.
However, here are some changes regarding tickets, activities
and outreach:
Single tickets for the 2020 Season will now go on sale
beginning Monday, April 27.
All in-person activities with the Stages Performing Arts
Academy will be canceled until the start of our Summer Semester on Monday, June
1.
The Stages administrative, production, and academy offices
will remain closed until Thursday, April 23.
In the meantime, the Box Office is still open for questions
or subscription ticket sales online at www.StagesStLouis.org or by phone at
(314) 821-2407.
The Stages Performing Arts Academy will continue to offer
digital and streaming content in order to continue performing arts education
for students at home and can answer any and all questions by phone at (636)
449-5775.
Shows are: “A Chorus Line,” May 29 – June 28; Disney’s Alice in Wonderland,” June 16 – June 28, “La Cage Aux Folles,” July 17 – Aug. 16; and “Always…Patsy Cline,” Sept. 4 – Oct. 4.
Tennessee Williams Festival St. Louis
Executive Artistic Director Carrie Houk said after careful deliberation, they find it necessary to push the 5th Annual Tennessee Williams Festival St. Louis to summer due to the outbreak of COVID-19. Our first commitment is to keeping the company and community safe. The dates were May 10-17.
The Tesseract Theatre Company Plans are underway to present the 2020 Festival of New Plays June 11 – 28 at the .Zack Theatre. The four plays are “Last Night” by Rachel Lynett, “All That Remains” by J.M. Chambers, “Feast” by Megan Gogerty and “The Length of a Pop Song” by Taylor Gruenloh.
For more information, contact: brittaniegunn@gmail.com or visit the website, www.tesseracttheatre.com
That Uppity Theatre Company Joan Lipkin said they we had hoped to do a new devised piece Crossing Borders/Chasing Freedom May 2-3, “but of course that is on hold. We are still planning to do Dance the Vote Sept 26 at the Missouri History Museum,” she said.
Upstream Theater In keeping with the evolving response to the current public health crisis, Upstream Theater is postponing our premiere of IPHIGENIA IN SPLOTT until next season. The play is now scheduled to run from October 9-25.If you have purchased single tickets or a season passport we will be happy to honor your ticket at that time.
West End Players Guild
Steven Dietz’s “Bloomsday” set to open April 17 and run through
April 26 has been cancelled. It was the final production of the group’s 109th
season.
“As our country copes with the growing threat of the
Coronavirus, one of the most important steps we must take to protect ourselves
and each other is the kind of “social distancing” that is impossible at a
theatrical production. Our Board of Directors believes it is highly unlikely
that the need for social distancing will be any less in April than it is today,
and decided that the best course of action for our company and our patrons was
to act now to cancel the show,” a statement reads.
Patrons who have purchased advance tickets through Brown
Paper Tickets will be issued automatic refunds. WEPG will reach out to season
ticket holders in the near future with refund options.
WEPG will begin its 110th season in September.
Alfresco Productions Auditions
for “Hairspray Jr.” will be by video for the Granite City community theater
production. The show is to run July 24-26 and deadline for video submissions is
April 19. The age limit is from 6th grade to 18 years old. For more
information, visit: https://www.alfrescoproductions.org/auditions
Alton Little Theatre
All productions and concert events through May 1 have been
cancelled. Ticket holders for “Holy Laughter” and Todd Oliver and
“Broadway Salutes America” may be refunded or transferred. Call
618-462-3205 for options.
“Brigadoon” has been moved from May to June, with plans for
a June 5 opening, with eight performances through June 14. Season ticket
holders can follow the same schedule but can call the office at 618-462-3205 anytime
in May.
“Shrek” auditions have been rescheduled for Saturday, May
10, at 10 a.m. and Sunday, May 3, at 2 p.m. Director Kevin Frakes will be casting
at least 30 characters. The show will run July 31-Aug. 9 for eight
performances.
Clayton Community Theatre “The
Philadelphia Story” was to run March 12-22 but was cancelled after opening
weekend.
They hope to premiere “Broadway Bound” July 9 -14
Curtain’s Up Theater Company
The group based in Edwardsville has postponed its production of “1776” for a
future date in 2020, to be determined, and cancelled March 28 auditions. The musical
was to be performed June 26-28 at The Wildey Theatre in Edwardsville. To keep
informed of updates, visit www.curtainsuptheater.com
Kirkwood Theatre Guild
Kirkwood Theatre Guild cancelled its remaining two shows: “On Golden Pond” and “Shrek:
The Musical,” which were set to run in April and May.
Hawthorne Players
The run of “Picnic,” set for March 27, 28 and April 3-5, was cancelled.
Auditions for “A Chorus Line,” which were scheduled March 29 have been put on
hold. More information will be forthcoming. Please follow or check out website
www.HawthornePlayers.com for any further announcements.
Looking Glass Playhouse
LGP began the March 12-22 run of “It’s Only a Play” but was forced to cancel it
after state and local mandates due to the COVID-19 pandemic.
They have cancelled the rest of the season, including “Rock
of Ages” in May and have moved it to the opening slot in the fall.
“We are reaching out to the publishers to reschedule and are hopeful that we
will be able to still perform the show in September,” he said.
They hope to announce the full season soon and for patrons
who renew their season tickets for next year, they will receive a 10 percent
discount.
“Currently, we are still planning our summer youth
production “Alice in Wonderland Jr.” and summer fundraiser “The Rocky Horror
Show.”
Monroe Actors Stage Company
The current production of “Watch Over the Rhine,” which was to run April 17-19
and 24-26, has been postponed.
Due to the current health crisis in our area, all MASC rehearsals and
activities at the Capitol Theater have been postponed effective Monday, March
16.
“The MASC Board will be discussing the plan of action
moving forward regarding Watch on the Rhine, the current show in production,
and the remainder of the 2019-2020 season, as we monitor the progression of
this crisis. Specific information regarding these two shows will be sent out
accordingly. The health and safety of our membership and patrons is our highest
priority,” a statement read.
O’Fallon Theatre Works
The group cancelled “Man from Earth” in March.
“The Curious Incident of the Dog in the Nighttime” is planned for July, and auditions
were recently handled by video.
Over Due Theatre Company
The group in Olivette has postponed “My Fair Lady.” It was
to run April 24-26 and May 1-3.
For the time being, they are still planning on holding auditions for “Bye Bye
Birdie” May 9 and 10. The show is set for July 24-26 and July 31, Aug. 1 and 2.
The Theatre Guild of Webster Groves
They have postponed our May production of “Rehearsal for Murder.”
“We are hopeful and fully intend to mount this production
at a later date,” a statement read.
AWARDS EVENTS
St. Louis Theater Circle
Often referred to as “Theater Prom,” the eighth annual St. Louis Theater Circle
Awards were to take place on March 30 at the Loretto-Hilton Center on the
campus of Webster University, but the event has been cancelled. Local theater
critics will still honor outstanding regional professional theater, however.
Instead, HEC will provide a streamcast of the awards on
Tuesday, April 7, at 7 p.m. on their Facebook page. So, instead of fancy
outfits and schmoozing, the event will be downscaled reading of the nominations
and awards.
The theater critic members of the St. Louis Theater Circle
have recorded the nominations, and their voice-overs will run over photos of
the nominees. Then HEC announcer Rod will announce the winner. There are 34
categories to give awards in, which cover dramas, comedies and musicals. A
special award is being given to Ken and Nancy Kranzberg for their tremendous
support and commitment to the arts.
Visit the Theater Circle’s Facebook page for more
information.
If you would like to see who was nominated, here is the
PopLifeSTL article:
https://www.poplifestl.com/brighton-beach-memoirs-kinky-boots-and-man-of-la-mancha-lead-8th-annual-st-louis-theater-circle-awards/
Arts For Life
In community theater, the Arts For Life board of directors
presents two awards events each year, the Best Performance Awards honor musical
theater and youth productions, and the Theatre Mask Awards honor straight
plays.
The fifth annual Theatre Mask Awards, which honors both
dramas and comedies, was to take place at a brunch on Saturday, April 4, at The
Atrium Center at Christian Hospital. However, it has been rescheduled for July
18.
The 21st annual Best Performance Awards is scheduled for
Sunday, June 14, at 2 p.m. at the Skip Viragh Center for the Performing Arts at
Chaminade. However, the AFL board of directors will decide shortly on whether
the event will be moved. Stay tuned.
For more information and to see lists of nominations, visit
www.artsforlife.org.
You can get tickets to both events for the special price of
$40. Visit www.artsforlife.org for more information and to see a complete list
of nominees.
Emcees are Donna Northcott, a theater professor at
Lindenwood University – St. Charles, for the TMAs, and local singer-actress
Karen Fulks for the BPAs.
AFL President Mary McCreight has suspended all public
activities of the AFL organization, effective until at least May 1. This
includes all judging activities of the Theatre Recognition Guild.
“As our world, our nation and our region face a major
health threat, it falls upon us as a community to adopt measures that will both
foster the protection of those who work and ‘play’ in Metro St. Louis community
theatre and ultimately allow AFL to continue our charitable mission of service
and recognition once the threat passes,” she said.
(Full disclosure: I am a founding member of the St. Louis Theater Circle and I am on the Board of Directors of Arts For Life).
ST LOUIS HIGH SCHOOL MUSICAL THEATRE AWARDS
In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season.
The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date.
ARTS CENTERS AND CONCERT HALLS
The Hettenhausen Center for the Arts
All events and performances scheduled through June 1 have
been cancelled at “The Hett,” which is located on the campus of McKendree
University.
“TAO Drum” has been
rescheduled from March 24 for 7:30 p.m. Monday, Sept. 14; and “Ishmael Beah”
has been rescheduled from April 15 for 7:30 p.m. Thursday, March 4, 2021.
The ReMINDers has been cancelled for April 6.
They are offering patrons the possibility of applying their
tickets to a future event at the Hett, donating the ticket value to the
University or contacting them for a full refund, less any original mailing
fees. Please contact the box office during operating hours to discuss ticket
disposition at 618-537-6863. The box office is open from noon to 4 p.m.
Monday-Friday.
Hettenhausen Center for the Arts is located at 701 College Road in Lebanon. For
more information, please contact thehett@mckendree.edu.
St. Louis Symphony Orchestra
All performances through April 12 are postponed or
canceled. For information regarding tickets and schedules, visit slso.org.
The Sheldon Concert Hall & Art Galleries
All Sheldon-presented concerts and other events through May
10 have been postponed or canceled. Plans to reschedule are underway, and
ticket buyer should retain their current tickets – they will be honored for the
new dates. Additional information will be provided to ticket buyers as events
are rescheduled. Affected concerts include: Ian Walsh and Kevin Buckley,
“Keepin’ It Reel,” March 17-18; Honoring Our Own, Miz Renee Smith, March 17;
David Halen, violin, April 1; Brothers Lazaroff, April 4. Scheduling changes
for events presented by non-Sheldon promoters will be handled on a case by case
basis. All updates can be found at TheSheldon.org or at MetroTix.com.
The Sheldon is located at 3648 Washington Blvd., St. Louis.
Fair Saint Louis
Fair Saint Louis and America’s
Birthday Parade events have been canceled this year due to concerns about the
COVID-19 pandemic.
Fair Saint Louis was set to run July 2-4 at the Gateway Arch
with concerts, air show, and fireworks each night.
“While we are saddened to cancel two of our region’s most
popular and free Fourth of July celebrations, the safety of our community is of
utmost importance to us,” said David Estes, Chairman, Fair Saint Louis. “Fair
Saint Louis and America’s Birthday Parade embody the prideful spirit of our
city, and over the past few weeks, we’ve seen that spirit shine so brightly
within our community as we face this unthinkable challenge together.”
This year would have marked the 40th Fair Saint Louis and 138th
America’s Birthday Parade.
“We look forward to returning to downtown St. Louis and celebrating
with our community in the future when the time is right,” said David Plufka,
Chairman, America’s Birthday Parade.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Andrew Jorgensen, general director of Opera Theatre, announced the cancellation of the 2020 festival season that was to open May 23 and run through June 28 with this repertory: the world premiere of Tobias Picker and Aryeh Lev Stollman’s Awakenings, Bizet’s gripping opera Carmen, Strauss’ effervescent comedy Die Fledermaus, and the long-awaited company premiere of Carlisle Floyd’s Susannah.
Here is his April 7 announcement:
I hope that you and your loved ones are safe and healthy. Normally at the beginning of spring in St. Louis, we are bustling with activity to prepare for Opera Theatre’s festival season — building sets, sewing costumes, and preparing to start rehearsals. Unfortunately, that is not the case today. Like you, we have been following the news of COVID-19 and taking appropriate precautions. It is now with great regret that we are forced to cancel Opera Theatre’s 2020 Festival Season.
Until recently, I held out hope that we might adapt our festival season and still produce opera in June. However, it has become clear that it is no longer possible to present our festival. More importantly, it would not be safe to convene hundreds of artists, staff, and audience members night after night — we must all do our part to flatten the curve.
This is difficult news to share. This crisis has had a devastating impact on so many, including the artists and artisans who rely upon companies like ours for their livelihoods. Thanks to the unwavering support of our Board of Directors, we have made the commitment to honor 50% of the expected income for each of the 380 seasonal members of our company — including singers, artisans, production crew and staff, front of house staff, administrative interns, and our partner, the St. Louis Symphony Orchestra — and will retain 100% of our year-round staff.
We are heartbroken that we won’t be able to share a season with you this year, but now we are asking for your help. Though we know this is a difficult time for organizations and individuals alike, by choosing to convert your 2020 season ticket purchase into a tax-deductible donation, you will ensure OTSL continues to support our artists and artisans now and in the future. You may also choose to convert your purchase into a credit for the 2021 Festival Season or request a partial or full refund. Credit or refund requests must be made by June 30, 2020; any remaining tickets that are undesignated on July 1 will be automatically converted into a tax-deductible donation.
If you choose to donate your ticket, every dollar of your donation will be matched up to $500,000, thanks to a special challenge effort led by members of the Board of Directors. I am making a personal commitment to this campaign with a 50% voluntary pay cut through the end of Opera Theatre’s fiscal year. I hope you will join us — your generosity will have twice the impact and will make a real difference for our artistic family.
In accordance with national guidelines, our Box Office is working remotely through at least the end of April. To expedite your ticket request, please consider filling out the online form below to record your choice between a donation, credit, or refund. You may also contact the Box Office at boxoffice@opera-stl.org or (314) 961-0644 and leave a message — our staff will return your message as soon as they are able. Thank you in advance for your patience and understanding as it may take us longer than usual to process ticket requests.
Our community will emerge from this crisis, and when we do so, shared artistic experiences will be more powerful than ever. Today, I promise you that we will return to creating art as soon as it is safe to do so. We are already hard at work on our 2021 Festival Season, which will be announced by early fall. Thanks to forty-five years of your generosity and guidance, Opera Theatre is a resilient organization. We have never believed more strongly in our mission, and we look forward to the day when we can once again bring people together through the power and beauty of live opera.
Thank you for your understanding. Your support and passion make all of our work possible. Until we meet again, I wish you good health and spirits
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
COVID-19
Pandemic Results in Production Streamcast by HEC Media
New Jewish Theatre led the way with six awards at the eighth annual St. Louis Theater Circle Awards ceremony on Tuesday, April 7, 2020. Max & Louie Productions’ performance of Indecent garnered five awards, followed by four awards to The Tennessee Williams Festival St. Louis for its production of A Lovely Sunday forCreveCoeur.
Because of the COVID-19 pandemic, the Circle’s gala event for this year’s award ceremony, originally scheduled for March 30, 2020 at the Loretto-Hilton Center, was canceled. Instead, HEC Media produced a version of the ceremonies that was streamcast on HEC Media’s Facebook page (https://www.facebook.com/hectv/live/) as well as telecast on Spectrum channel 989 and AT&T U-verse channel 99. Here is the YouTube link: https://www.youtube.com/embed/tCo0AFHbChE
Awards were given in 31 categories covering comedies, dramas
and musicals as well as two categories for opera. In addition, Ken and Nancy
Kranzberg received a special award for their philanthropic contributions to the
arts and theater in the St. Louis area, including many developments in Grand
Center. The awards honored outstanding achievement in locally produced professional
theater for the calendar year 2019.
A total of 21 productions and 14 companies were recognized by the awards, including eight individuals who have received honors in previous years. Will Bonfiglio, honored as Outstanding Actor in a Comedy for his performance in New Jewish Theatre’s production of Fully Committed, received an award for the third time in the last four years.
The 2020 presentation featured nominees from two companies,
Black Mirror Theatre and The Q Collective, which were represented for the first
time in consideration of St. Louis Theater Circle Awards. Each company received an award for
outstanding achievement.
In all, 25 local companies received nominations in 33
categories for comedy, drama, musical and opera, as well as 125 individuals up
for awards. Honorees who have previously received St. Louis Theater Circle
Awards include Will Bonfiglio, J. Samuel Davis, Kari Ely, Michael Hamilton,
Patrick Huber, Sean M. Savoie, Margery and Peter Spack, and Maggie Wininger.
The mission of the St. Louis Theater Circle is simple: To
honor St. Louis professional theater. Other cities around the country, such as
Boston, Chicago, Los Angeles, Philadelphia, San Diego, San Francisco and
Washington D.C., pay tribute to their own local theatrical productions with similar
awards programs.
Nominations for the St. Louis Theater Circle Awards were
divided into categories for musicals, dramas, comedies and operas. More than 120 local professional theatrical
productions were staged in the St. Louis area in 2019.
Honorees of the eighth annual St. Louis Theater Circle
Awards are:
Outstanding
Ensemble in a Comedy
A
Lovely Sunday for Creve Coeur, Tennessee Williams Festival St. Louis
Outstanding
Supporting Actress in a Comedy
Kelley Weber, A Lovely Sunday for Creve
Coeur, Tennessee Williams Festival St. Louis
Outstanding
Supporting Actor in a Comedy
Patrick Blindauer, Love’s Labors Lost, Shakespeare Festival St. Louis
Outstanding
Actress in a Comedy (tie)
Katie Kleiger, Pride and Prejudice, Repertory Theatre
of St. Louis
Maggie Wininger, A Lovely Sunday for Creve Coeur, Tennessee Williams Festival St.
Louis
Outstanding Actor
in a Comedy
Will Bonfiglio, Fully Committed, New Jewish Theatre
Outstanding
Director of a Comedy
Kari Ely, A Lovely Sunday for Creve Coeur,
Tennessee Williams Festival St. Louis
Outstanding
Production of a Comedy
Brighton
Beach Memoirs, New Jewish Theatre
Outstanding
Ensemble in a Drama
Indecent,
Max & Louie Productions
Outstanding
Supporting Actress in a Drama
Carly Uding, Translations,
Black Mirror Theatre
Outstanding
Supporting Actor in a Drama
J. Samuel Davis, District Merchants,
New Jewish Theatre
Outstanding
Actress in a Drama
Donna Weinsting, Salt, Root and Roe,
Upstream Theater
Outstanding Actor
in a Drama
Gary Wayne Barker, District Merchants, New Jewish
Theatre
Outstanding
Director of a Drama
Joanne Gordon, Indecent, Max &
Louie Productions
Outstanding
Production of a Drama
Indecent,
Max & Louie Productions
Outstanding Set
Design in a Play
Margery and Peter Spack, Brighton Beach Memoirs,
New Jewish Theatre
Outstanding
Costume Design in a Play
Felia Davenport, District Merchants,
New Jewish Theatre
Outstanding
Lighting Design in a Play
Patrick Huber,
Indecent, Max & Louie Productions
Outstanding Sound
Design
Phillip Evans, Indecent, Max &
Louie Productions
Outstanding Set
Design in a Musical
Mary Engelbreit and Paige Hathaway, Matilda, The Muny
Outstanding
Costume Design in a Musical
Sarah Porter, La Cage aux Folles, New
Line Theatre
Outstanding
Lighting Design in a Musical
Sean M. Savoie, Man of La Mancha,
Stages St. Louis
Outstanding
Musical Director
Charles Creath, Don’t Bother Me, I Can’t
Cope, The Black Rep
Outstanding
Choreographer
Dexandro Montalvo, Such Sweet Thunder, Shakespeare
Festival St. Louis,
Big Muddy Dance Company, Jazz St. Louis, Nine
Network of Public Media
Outstanding
Ensemble in a Musical
Matilda,
The Muny
Outstanding
Supporting Actress in a Musical
Taylor Louderman, Kinky Boots, The
Muny
Outstanding
Supporting Actor in a Musical
Tielere Cheatem, La Cage aux Folles,
New Line Theatre
Outstanding
Actress in a Musical
Kendra Kassebaum, Guys and Dolls, The
Muny
Outstanding Actor
in a Musical
Luke Steingruby, Hedwig and the Angry
Inch, The Q Collective
Outstanding
Director of a Musical
Michael Hamilton, Man of La Mancha,
Stages St. Louis
Outstanding
Production of a Musical
Such
Sweet Thunder, Shakespeare Festival St. Louis,
Big Muddy Dance Company, Jazz St. Louis, Nine
Network of Public Media
Outstanding New
Play
Nonsense and Beauty, by Scott C.
Sickles, Repertory Theatre of St. Louis
Outstanding
Achievement in Opera (tie)
Terence Blanchard and Kasi Lemmons, Fire
Shut Up in My Bones, Opera Theatre of Saint Louis
Roland Wood, Rigoletto, Opera Theatre
of St. Louis
Outstanding
Production of an Opera
La
Boheme, Union Avenue Opera
Special Award
Ken and Nancy Kranzberg
Members of the St. Louis Theater Circle include Steve Allen,
stagedoorstl.com; Mark Bretz, Ladue News;
Bob Cohn, St. Louis Jewish Light;
Tina Farmer, KDHX; Michelle Kenyon, snoopstheatrethoughts.com; Gerry Kowarsky, Two on the Aisle (HEC Media); Chuck
Lavazzi, KDHX; Sarah Bryan Miller, St.Louis
Post-Dispatch; Judith Newmark, judyacttwo.com; Ann Lemons Pollack,
stlouiseats.typepadcom; Tanya Seale,
Broadwayworld.com; Lynn Venhaus, PopLifeSTL.com;
Bob Wilcox, Two on theAisle (HEC Media); and Calvin Wilson, St.
Louis Post-Dispatch.Eleanor
Mullin, local actress and arts supporter, is the group’s administrator.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
By Lynn Venhaus A quietly devastating film without a false move, “Never Rarely Sometimes Always” will permeate your psyche and stay there. Its documentary-like realism gives this unassuming film power as it sneaks up on viewers like a velvet hammer.
A familiar tale of young blue-collar girls stuck in a rut in a dead-end town is not ordinary at all. Because of an unintended pregnancy, these rural Pennsylvania teens (Sidney Flanigan, Talia Ryder) travel to New York City to seek medical help. Writer-director Eliza Hittman has located the sweet spot between fine young talent and a non-conventional storytelling method.
Winner of a special U.S. Jury Award at the Sundance Film
Festival for neorealism, the film also won the Grand Jury Prix (Silver Berlin
Bear) at the Berlin International Film Festival and the Truly Moving Picture
Award at the Heartland Film Festival this year.
Repressed and sad, Autumn, 17, channels her emotions into
her love of music but rarely acts up or out in public. With a dismal family
life and jerky high school boys certainly no prize catches in this hopeless
rust belt hamlet, she has the look of defeat before she even embarks on a life.
Newcomer Sidney Flanigan’s face telegraphs everything she doesn’t say – and it’s
a mesmerizing standout debut.
What isn’t said is more gut-wrenching than the sparse dialogue that lets us know just enough information. Clearly Autumn’s hiding a secret. After her pregnancy is confirmed, we never know who the father is but there are two obvious suspects, and whoa, she’s left with little choice and no support. She would need parental permission in Pennsylvania for a procedure. Her mother is remarried to a real creep and has two young children to care for, so it’s complicated.
I am not going to get into a moral debate about abortion, nor make any judgments, but Autumn’s hopeless circumstances lead her to travel to the unfamiliar and intimidating NYC on the train with her loyal cousin Skylar. As a fellow store clerk, Talia Ryder demonstrates why she is such a resourceful, smart and bold girl. They may be small-town rubes but what bravery is displayed as they seek the necessary help. We should all be so lucky to have someone like Skylar to count on in a very cold cruel world.
In the movie’s keynote scene, a frightened Autumn must
answer a medical questionnaire with either “never, rarely, sometimes or always.”
Showing a masterful control beyond her years, Flanagan’s responses may answer
your questions and influence your assumptions.
It’s also disturbing, and you feel the desperation. Neither
girl can afford to be vulnerable, and as they navigate a stacked-deck existence,
it’s unsettling to see how casual sexual harassment and predatory behavior is in
their world. These girls have learned early on how to navigate around these
typical toxic males. But for how long?
The film takes place over a short time frame but makes a lasting impact. You just want to scream “Run like the wind” to them and hope they land on their feet somewhere, anywhere but there. And female friendship is a potent tool in anyone’s life.
“Never Rarely Sometimes Always” is a drama, 141 minutes, rated PG-13 for disturbing/mature thematic content, language, some sexual references and teen drinking. Lynn’s Grade: B+ Note: This film is available on demand and on streaming services Webster-Kirkwood Times published a version of this review as well.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
In partnership with The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation, the St. Louis High School Musical Theatre Awards announced today the shift from in-person celebrations to virtual for their 2019-2020 season.
The new date for this year’s medallion ceremony, also known as the nomination ceremony, will be April 28, 2020 with the awards ceremony slated for May 24, 2020. Both streamed live online at no charge, these virtual celebrations will honor each of the 42 participating schools in the 2019-2020 season, including the schools who were unable to produce their productions due to the unprecedented circumstances associated with COVID-19. Exact times and streaming information will be released at a later date.
The St. Louis High School Musical Theatre Awards are proudly sponsored by Carol B. Loeb. KTVI FOX2 and KPLR 11 are the proud media sponsors of the St. Louis High School Musical Theatre Awards. For more information about the St. Louis High School Musical Theatre Awards and this year’s virtual celebrations, please visit slhsmta.org.
### About The St. Louis High School Musical Theatre Awards The St. Louis High School Musical Theatre Awards (SLHSMTA) are produced by The Fabulous Fox, The Muny and The Fox Performing Arts Charitable Foundation. This program is designed to celebrate outstanding achievement in high school musical theatre. Participating schools will have their productions evaluated by a panel of theatre professionals. The year-long adjudication process culminates in an awards ceremony modeled on the Tony Awards®.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Fabulous Fox Theatre is excited to announce the new dates for Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY will be December 22-27, 2020.
This magical family show is a perfect addition to the Fox holiday lineup when the theatre is resplendent with the spirit of the season. Roald Dahl’s CHARLIE AND THE CHOCOLATE FACTORY was originally scheduled to play at the Fabulous Fox March 17-29, 2020 but was postponed due to city of St. Louis COVID-19 mandate.
CATS is not available to return to the Fox within this 2019-2020 season, but we are working to secure it for a future season. St. Louis will have to wait a bit longer for “the memory to live again.” CATS was originally scheduled to play at the Fabulous Fox April 7-19, 2020 but was also postponed due to city of St. Louis COVID-19 mandate.Since both productions will be presented in a different season than originally scheduled, season ticket holders are currently being notified of their options.
Single ticket buyers will be emailed next week about automatic refunds beginning on Monday, April 13. Due to the number of cancellations, the refund process is expected to last 3-4 weeks. The Fox Box office is currently closed in compliance with the city of St. Louis COVID-19 mandate.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
The Repertory Theatre of St. Louis has teamed with Baltimore
Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre
Company to present Play at Home, a series of micro-commissioned short plays
from some of the American theatre’s most exciting and prominent playwrights.
These new plays – which all run 10 minutes or less – are
available for the public to download, read and perform at home for free at
playathome.org.
In the wake of widespread event cancellations following the
spread of the coronavirus (COVID-19), the participating theatres conceived Play
at Home as a way to support artists, connect people to theatre, and to ignite
imagination and joy in these uncertain times.
Each organization commissioned multiple playwrights – most
of whom had plays canceled due to the coronavirus outbreak – to create new
works that were big, joyful and not bound by the constraints of what might be
“possible” on a traditional stage.
The Rep’s commissioned playwrights feature:
Regina Taylor (playwright of The Rep’s 2020-2021 production
of Oo-Bla-Dee)
Karen Zacarias (playwright of The Rep’s 2020-2021
production of Native Gardens)
Steph Del Rosso (playwright of The Rep’s 2020-2021 world
premiere of The Gradient)
Guadalís Del Carmen (who appeared at The Rep as an actor in
2020’s Mojada: A Medea in Los Angeles)
Tre’von Griffith (a St. Louis performer and playwright,
co-founder of TLT Productions)
These plays are meant to be read at home among family and
friends, and we highly encourage readers to share photos or videos of their
home performances on social media using the hashtag #playathome.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.
Walked to Vincent’s Market to pick up a few groceries, and everyone was very polite, kept their social distance. The butcher — they have a meat counter – stood behind a window-type glass pane. They have plastic shield up at the checkout.
Hadn’t been at a store —with social distancing contact —since Friday.
Checker was a friendly young man and we chatted about the howling – the store closes at 8, so he hears it when he leaves. The Werewolves of Soulard – nightly ritual.
Vincent’s is a third-generation neighborhood market. It has many local products. What I like best is that they have small quantities – one or two chicken breasts in a package, a small bunch of broccoli, and so forth.
Picked up the latest Sauce and the rogue RFT (Can’t Stop Won’t Stop Edition) issues. Bravo for them. Feels like we will come out of this stronger. Communicators will see us through the dark times and give us light.
I am adamant about supporting local businesses, so it is not a new habit I need to acquire.
Due to my inability to make a larger dent on an ever-growing to-do list, instead of making what I planned for dinner, wound up chowing down on cheese and crackers. Will cut up an apple or orange later after I watch Garth and Trisha.
Just finished my census. Took 3 minutes. Go to www.my2020census.gov if you haven’t already.
Heard about the Teddy Bear Hunt – National ‘thing’ – put stuffed bear(s) in your front window. Then little tykes can walk or drive by on a Teddy Bear Hunt and count them.
I have a Jerry “Garcia” Beanie Baby bear so that is who is sitting in the front window but I want to find one of the boys’ stuffed bears that might be packed away. I kept a few. Somewhere. Found Tim’s Bialosky Bear, the 1982 model. I can’t ‘bear’ to part with it but it’s comforting to know it’s here.
Gotta get back to writing some streaming movie reviews.
Also, for my KTRS segment Thursday night, Ray Hartmann wants me to watch Tiger King. Going in soon, Ray. My sister Mary says I must see this. Now I have a reason.
I had one of those tossing-and-turning night’s sleep after watching some disturbing movies and feeling more frightened than I had been so far about coronavirus and the failures on multiple levels. Even though I see the daily totals and news reports, I know what is ahead will be really bad compared to what has transpired. And the disconnect about people not taking it seriously. Gov. Cuomo said we all need to take Responsibility. Amen. But can’t fix stupid.
Nevertheless, I have some positive articles in the works. And it is just good to keep on keeping on.
Talked to my 87-year-old uncle today about his doctor appointments – one moved, one by phone. He is at an assisted living place that is being very conscientious. So happy he is there. I just can’t go in and see him, I am just glad he is safe and sound.
They take his temp twice a day and his BP. Good staff.
Some residents’ relatives aren’t being very nice to the staff regarding the lockdown. What can you do? It is NOT about you.it is about their safety.
Those attitudes have always driven me crazy.
And that is precisely why this quarantine will be in place much longer because of all the people who don’t think it applies to them in a global pandemic.
Stay safe everyone. Thank you front liners. Applause, applause.
Lynn (Zipfel) Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She writes features and news for Belleville News-Democrat and contributes to St. Louis magazine and other publications.
She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents.
She is a member of Critics Choice Association, where she serves on the women’s and marketing committees; Alliance of Women Film Journalists; and on the board of the St. Louis Film Critics Association. She is a founding and board member of the St. Louis Theater Circle.
She is retired from teaching journalism/media as an adjunct college instructor.