By Lynn Venhaus
Hold on to your pearls, for “Triassic Parq: The Musical” is a raunchy romp of an offbeat musical comedy.
A parody of the film and novel “Jurassic Park,” the blockbuster 1993 science-fiction action thriller by Steven Spielberg adapted from Michael Crichton’s 1990 bestseller, this is flipped for the dinosaurs’ point of view.
Talk about a chaos theory. Bedlam ensues when one of the genetically engineered female dinosaurs turns male – spontaneously. It’s not nice when you fool Mother Nature – but it sure is naughty.
Goofy and gutsy as can be, the Stray Dog production features a winning cast that gives it their all, in belting out power ballads and selling daffy up-tempo numbers, with light-hearted choreography by Mike Hodges. I don’t think I’ve ever seen a cast work so hard with material that’s this absurd and thin.
Tristan Davis is the Velociraptor of Innocence, all swaggering rocker in “Get Out,’ while Michael Wells is the evangelist-like Velociraptor of Faith, reveling in the campiness of “Morning Assembly” and “Hello, Little Goat” – exhibiting strong, soaring vocals after not being on the stage since “Guys and Dolls” in the Before Times.
Laurell Stephenson is spirited in dual roles — as the skeptical Velociraptor of Science and then having fun interacting with the audience as a character named Morgan Freeman – that was actually played by the deep-voiced Oscar winner once upon a time. He/she disappears quickly after a hilarious set-up.
The fearless pair of punk rocker grrrls stand out as the Tyrannosaurus Rexes – a frisky Dawn Schmid as T-Rex 1/Kaitlyn and ballsy Rachel Bailey as the dial-it-to-11 confused T-Rex 2. They unleash their attraction in “Love Me As a Friend.”
The spunky ensemble accepts the wild-ride aspect and overcomes what the silly show lacks in sustainability.
This playful cast of six starts out with high energy in “Welcome to Triassic Parq” – and continues full-throttle to win over the eager crowd in 14 songs while dishing out a lot of sexual innuendo. It would seem like zany schoolkids’ antics were it not for the quality of the vocals – like a John Mulaney Broadway musical parody on “Saturday Night Live.”
But this is an actual musical that played off-Broadway in 2012 after winning best overall musical production at the 2010 New York International Fringe Festival. The music and lyrics are by Marshall Pailet, with co-lyricists Bryce Norbitz and Steve Wargo, and all three combined on the book.
Songs include lyrics about penises for shock value – “Dick Fix,” riffing on John Williams’ symphonic score “We Are Dinosaurs,” and outlandish “Mama.”
The band is led by Pianosaurus Leah Schultz (and music director0, with Adam Rugo the Guitaratops and Joe Winters the Drumadon.
Director Justin Been goes for the gusto, keeping things zippy and nonsensical, aiming to achieve a real crowd-pleaser, especially for a generation who grew up with the “Jurassic Park” movie trilogy and returned for the franchise offshoot “Jurassic World.”
The original won three tech Academy Awards, while the two even more preposterous sequels in 1997 and 2001 stretched the boundaries of logic, even for sci-fi/fantasy. A reboot called “Jurassic World” in 2015 was followed by a sequel in 2018, with the latest, “Dominion,” set to open June 10.
But in the one-act musical, performed without an intermission, you do not need that much familiarity with the 30-year-old source material, for the emphasis is on spoofing religion, sex, and identity. The prehistoric setting is purely for laughs.
Eileen Engel designed functional costumes with a touch of whimsy to convey the gender-bending.
Scenic designer Josh Smith worked magic in his scaled-down version of the Isla Nublar theme park on the Tower Grove Abbey stage, stunning without benefit of computer-generated imagery or visual effects.
The technical efforts add considerably to the overall presentation, including lighting by Tyler Duenow and outstanding sound work.
Stray Dog has always had a penchant for producing quirky plays –such as the “Evil Dead” musical, Charles Busch’s “Psycho Beach Party,” and “Red Scare on Sunset,” as a different direction between more serious explorations. So the strange, slight “Triassic Parq” is well-suited to be in between “Good People” and “The Normal Heart” this 2022 season.
Whether or not you are fascinated by dinosaurs is immaterial. This is not meant to be anything more than saucy merriment, so lower expectations and accept the vulgarity (or not – this is intended for “mature” adult audiences, as in rated R).
Stray Dog Theatre presents “Triassic Parq: The Musical” from April 15 through 30, with performances 8 p.m. Thursday-Saturday; with additional performances at 2 p.m. on Sunday, April 24, and at 8 p.m. on Wednesday, April 27, at the Tower Grove Abbey, 2336 Tennessee Avenue. For more information or tickets, visit www.straydogtheatre.org.
Lynn Venhaus has had a continuous byline in St. Louis metro region publications since 1978. She is a Rotten Tomatoes-approved film critic, currently reviews films for Webster-Kirkwood Times and KTRS Radio, covers entertainment for PopLifeSTL.com and co-hosts podcast PopLifeSTL.com…Presents, and writes features and news for Belleville News-Democrat and contributes to other publications. She is a member of CCA, AWFJ and St. Louis Film Critics Association. She is a founding member of the St. Louis Theater Circle.